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  • In the foreground a musician is playing a clarinet, slightly bent forward. Behind them are two other performers on stage at rest. The wall behind is lit with soft green light and the lights from a disco ball.
    In the foreground a musician is playing a clarinet, slightly bent forward. Behind them are two other performers on stage at rest. The wall behind is lit with soft green light and the lights from a disco ball.
    Abasement #70. Performance documentation, July 1st, 2024, Artists Space. Photo: Joshua Wildman. [In the foreground a musician is playing a clarinet, slightly bent forward. Behind them are two other performers on stage at rest. The wall behind is lit with soft green light and the lights from a disco ball.]
    Caption Abasement #70. Performance documentation, July 1st, 2024, Artists Space. Photo: Joshua Wildman.
    Image description In the foreground a musician is playing a clarinet, slightly bent forward. Behind them are two other performers on stage at rest. The wall behind is lit with soft green light and the lights from a disco ball.
    Year
    Related pages Abasement #70
  • A color installation photograph of a gallery space bisected by a row of dark metal columns. Two wooden chairs are placed near a piece of semi-transparent grey and blue fabric partially hung from a grey metal scaffold. A large piece of grey and yellow vinyl hangs from the wall on the right.
    A color installation photograph of a gallery space bisected by a row of dark metal columns. Two wooden chairs are placed near a piece of semi-transparent grey and blue fabric partially hung from a grey metal scaffold. A large piece of grey and yellow vinyl hangs from the wall on the right.
    virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color installation photograph of a gallery space bisected by a row of dark metal columns. Two wooden chairs are placed near a piece of semi-transparent grey and blue fabric partially hung from a grey metal scaffold. A large piece of grey and yellow vinyl hangs from the wall on the right.]
    Caption virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color installation photograph of a gallery space bisected by a row of dark metal columns. Two wooden chairs are placed near a piece of semi-transparent grey and blue fabric partially hung from a grey metal scaffold. A large piece of grey and yellow vinyl hangs from the wall on the right.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
  • Three figures perform in a basement. Two figures in blue morph suits act out a scene together. The figure on the right scratches a fresnel lens attached to a wooden rolling table while the left figure walks toward the table. A third figure takes video footage of the scene.
    Three figures perform in a basement. Two figures in blue morph suits act out a scene together. The figure on the right scratches a fresnel lens attached to a wooden rolling table while the left figure walks toward the table. A third figure takes video footage of the scene.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Three figures perform in a basement. Two figures in blue morph suits act out a scene together. The figure on the right scratches a fresnel lens attached to a wooden rolling table while the left figure walks toward the table. A third figure takes video footage of the scene.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Three figures perform in a basement. Two figures in blue morph suits act out a scene together. The figure on the right scratches a fresnel lens attached to a wooden rolling table while the left figure walks toward the table. A third figure takes video footage of the scene.
    Year 2022
    Related pages SCRAAATCH 11-18
  • Color photograph of three figures, wearing conical costumes made of reflective one-way mirror film, standing at the doorways of a gallery space.
    Color photograph of three figures, wearing conical costumes made of reflective one-way mirror film, standing at the doorways of a gallery space.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of three figures, wearing conical costumes made of reflective one-way mirror film, standing at the doorways of a gallery space.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of three figures, wearing conical costumes made of reflective one-way mirror film, standing at the doorways of a gallery space.
    Year 2022
    Related pages keyon gaskin 12-18
  • A color film still of an individual curled against a worn beige headboard as they lean into a candle. They don a red beanie and a checkered shawl, covered by a vintage coat emblazoned with a Howard University logo. The immediate background depicts a dilapidated green wall behind the headboard.
    A color film still of an individual curled against a worn beige headboard as they lean into a candle. They don a red beanie and a checkered shawl, covered by a vintage coat emblazoned with a Howard University logo. The immediate background depicts a dilapidated green wall behind the headboard.
    [A color film still of an individual curled against a worn beige headboard as they lean into a candle. They don a red beanie and a checkered shawl, covered by a vintage coat emblazoned with a Howard University logo. The immediate background depicts a dilapidated green wall behind the headboard.]
    Caption
    Image description A color film still of an individual curled against a worn beige headboard as they lean into a candle. They don a red beanie and a checkered shawl, covered by a vintage coat emblazoned with a Howard University logo. The immediate background depicts a dilapidated green wall behind the headboard.
    Year
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • Caption
    Image description
    Year
    Related pages Abasement #75
  • A painting with 5 black vertical rectangles in the center srrounded by indvidually outlined white squares inside a larger black rectangular outline on a white canvas hanging on a white wall.
    A painting with 5 black vertical rectangles in the center srrounded by indvidually outlined white squares inside a larger black rectangular outline on a white canvas hanging on a white wall.
    Benkert, Ernst. Bars, 1981. [A painting with 5 black vertical rectangles in the center srrounded by indvidually outlined white squares inside a larger black rectangular outline on a white canvas hanging on a white wall.]
    Caption Benkert, Ernst. Bars, 1981.
    Image description A painting with 5 black vertical rectangles in the center srrounded by indvidually outlined white squares inside a larger black rectangular outline on a white canvas hanging on a white wall.
    Year 1981
    Related pages Meshes, Crosses, Bars: 1976 - 1983
  • Cover of FWIW: Constantina Zavitsanos.
    Caption Cover of FWIW: Constantina Zavitsanos.
    Image description
    Year
    Related pages FWIW
  • On the right abstract paintings on rectangular wooden blocks, a column bisects the frame centrally and painted wood constructions are visible on the walls in the background in a white-walled gallery setting.
    On the right abstract paintings on rectangular wooden blocks, a column bisects the frame centrally and painted wood constructions are visible on the walls in the background in a white-walled gallery setting.
    Abstraction in Process. Installation view, Artists Space, March 26, 1987 - May 2, 1987. [On the right abstract paintings on rectangular wooden blocks, a column bisects the frame centrally and painted wood constructions are visible on the walls in the background in a white-walled gallery setting.]
    Caption Abstraction in Process. Installation view, Artists Space, March 26, 1987 - May 2, 1987.
    Image description On the right abstract paintings on rectangular wooden blocks, a column bisects the frame centrally and painted wood constructions are visible on the walls in the background in a white-walled gallery setting.
    Year 1987
    Related pages Abstraction in Process
  • White glossy paper folded in geometric patterns against a white wall.
    White glossy paper folded in geometric patterns against a white wall.
    Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich. [White glossy paper folded in geometric patterns against a white wall.]
    Caption Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich.
    Image description White glossy paper folded in geometric patterns against a white wall.
    Year 2009
    Related pages Paper Exhibition
  • A figure, silhouetted by the sun, pushes a bike with a wooden contraption anchored across its handlebars, upon which various obscured objects hang. The figure is situated on a dirt road next to a body of water, which stretches out behind them in the distance. Urban buildings are visible in the far distance.
    A figure, silhouetted by the sun, pushes a bike with a wooden contraption anchored across its handlebars, upon which various obscured objects hang. The figure is situated on a dirt road next to a body of water, which stretches out behind them in the distance. Urban buildings are visible in the far distance.
    [A figure, silhouetted by the sun, pushes a bike with a wooden contraption anchored across its handlebars, upon which various obscured objects hang. The figure is situated on a dirt road next to a body of water, which stretches out behind them in the distance. Urban buildings are visible in the far distance.]
    Caption
    Image description A figure, silhouetted by the sun, pushes a bike with a wooden contraption anchored across its handlebars, upon which various obscured objects hang. The figure is situated on a dirt road next to a body of water, which stretches out behind them in the distance. Urban buildings are visible in the far distance.
    Year 2007
    Related pages Program 6 - In The Poem About Love You Don't Write The Word Love Film Series at Anthology Film Archives
  • Color image of a drawing of a cartoon girl, standing on a black hill, against a gold background. The girl holds up her middle finger, and above it in the top-right corner is text that reads
    Color image of a drawing of a cartoon girl, standing on a black hill, against a gold background. The girl holds up her middle finger, and above it in the top-right corner is text that reads
    Yoshitomo Nara, No War Girl, 2023. Photo: Filip Wolak. [Color image of a drawing of a cartoon girl, standing on a black hill, against a gold background. The girl holds up her middle finger, and above it in the top-right corner is text that reads "FUCK YOU WAR."]
    Caption Yoshitomo Nara, No War Girl, 2023. Photo: Filip Wolak.
    Image description Color image of a drawing of a cartoon girl, standing on a black hill, against a gold background. The girl holds up her middle finger, and above it in the top-right corner is text that reads "FUCK YOU WAR."
    Year 2023
    Related pages Artists for Artists Space
  • Two photographs are shown in a book spread. On the left page, a high-contrast black-and-white photograph hosts heavy light and shadow play. An iconic payphone handset is centered floating in a clear cube, with its top protruding slightly above the cube’s top surface. The telephone’s armored cord hangs down in loose loops inside the cube, its exposed wire slack touching the interior bottom. On the right page, a black-and-white photograph shows two pairs of modified headphones entwined on a deep black surface. In place of speakers, one headphone strap hosts clocks that each have a small stopwatch dial; the other strap hosts a pocket watch and a compass. The clock hands are missing from the clocks; inside their larger clockface circles, each clock hosts a smaller circle with a stopwatch.
    Two photographs are shown in a book spread. On the left page, a high-contrast black-and-white photograph hosts heavy light and shadow play. An iconic payphone handset is centered floating in a clear cube, with its top protruding slightly above the cube’s top surface. The telephone’s armored cord hangs down in loose loops inside the cube, its exposed wire slack touching the interior bottom. On the right page, a black-and-white photograph shows two pairs of modified headphones entwined on a deep black surface. In place of speakers, one headphone strap hosts clocks that each have a small stopwatch dial; the other strap hosts a pocket watch and a compass. The clock hands are missing from the clocks; inside their larger clockface circles, each clock hosts a smaller circle with a stopwatch.
    Book spread from FWIW. [Two photographs are shown in a book spread. On the left page, a high-contrast black-and-white photograph hosts heavy light and shadow play. An iconic payphone handset is centered floating in a clear cube, with its top protruding slightly above the cube’s top surface. The telephone’s armored cord hangs down in loose loops inside the cube, its exposed wire slack touching the interior bottom. On the right page, a black-and-white photograph shows two pairs of modified headphones entwined on a deep black surface. In place of speakers, one headphone strap hosts clocks that each have a small stopwatch dial; the other strap hosts a pocket watch and a compass. The clock hands are missing from the clocks; inside their larger clockface circles, each clock hosts a smaller circle with a stopwatch.]
    Caption Book spread from FWIW.
    Image description Two photographs are shown in a book spread. On the left page, a high-contrast black-and-white photograph hosts heavy light and shadow play. An iconic payphone handset is centered floating in a clear cube, with its top protruding slightly above the cube’s top surface. The telephone’s armored cord hangs down in loose loops inside the cube, its exposed wire slack touching the interior bottom. On the right page, a black-and-white photograph shows two pairs of modified headphones entwined on a deep black surface. In place of speakers, one headphone strap hosts clocks that each have a small stopwatch dial; the other strap hosts a pocket watch and a compass. The clock hands are missing from the clocks; inside their larger clockface circles, each clock hosts a smaller circle with a stopwatch.
    Year
    Related pages FWIW
  • Two figures perform in a basement. On the left a figure with a video camera and shoulder rig takes footage of another figure on the right, dressed in a blue morph suit, and pushing a semicircular rolling table made of wood and fresnel lenses. Along the back wall blue and purple tinted live CCTV video footage is projected.
    Two figures perform in a basement. On the left a figure with a video camera and shoulder rig takes footage of another figure on the right, dressed in a blue morph suit, and pushing a semicircular rolling table made of wood and fresnel lenses. Along the back wall blue and purple tinted live CCTV video footage is projected.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Two figures perform in a basement. On the left a figure with a video camera and shoulder rig takes footage of another figure on the right, dressed in a blue morph suit, and pushing a semicircular rolling table made of wood and fresnel lenses. Along the back wall blue and purple tinted live CCTV video footage is projected.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Two figures perform in a basement. On the left a figure with a video camera and shoulder rig takes footage of another figure on the right, dressed in a blue morph suit, and pushing a semicircular rolling table made of wood and fresnel lenses. Along the back wall blue and purple tinted live CCTV video footage is projected.
    Year 2022
    Related pages SCRAAATCH 11-18
  • Color image of a performer standing on stage in front of a circular table. The performer bends over slightly to play music from a laptop and soundboard. Their face leans into a microphone while looking stage right at a music stand placed next to the circular table. A blue light emitted from a projector covers the whole stage and casts shadows of the performer and their setup onto the back wall.
    Color image of a performer standing on stage in front of a circular table. The performer bends over slightly to play music from a laptop and soundboard. Their face leans into a microphone while looking stage right at a music stand placed next to the circular table. A blue light emitted from a projector covers the whole stage and casts shadows of the performer and their setup onto the back wall.
    Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman. [Color image of a performer standing on stage in front of a circular table. The performer bends over slightly to play music from a laptop and soundboard. Their face leans into a microphone while looking stage right at a music stand placed next to the circular table. A blue light emitted from a projector covers the whole stage and casts shadows of the performer and their setup onto the back wall. ]
    Caption Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a performer standing on stage in front of a circular table. The performer bends over slightly to play music from a laptop and soundboard. Their face leans into a microphone while looking stage right at a music stand placed next to the circular table. A blue light emitted from a projector covers the whole stage and casts shadows of the performer and their setup onto the back wall.
    Year
    Related pages Abasement #67
  • A painting of a woman with blonde hair and a cape hangs on a wallpapered wall. The wallpaper is white and decorated with colorful images of tropical birds in trees.
    A painting of a woman with blonde hair and a cape hangs on a wallpapered wall. The wallpaper is white and decorated with colorful images of tropical birds in trees.
    Francesco Simeti: Volatili. Installation view, Artists Space, 2009. [A painting of a woman with blonde hair and a cape hangs on a wallpapered wall. The wallpaper is white and decorated with colorful images of tropical birds in trees.]
    Caption Francesco Simeti: Volatili. Installation view, Artists Space, 2009.
    Image description A painting of a woman with blonde hair and a cape hangs on a wallpapered wall. The wallpaper is white and decorated with colorful images of tropical birds in trees.
    Year 2009
    Related pages Spring Exhibitions
  • Black-and-white photo of a person pulling two ends of a rolled-up rope
    Black-and-white photo of a person pulling two ends of a rolled-up rope
    Limpe Fuchs, 2012. Festival Experimentelle Musik, Munich. [Black-and-white photo of a person pulling two ends of a rolled-up rope]
    Caption Limpe Fuchs, 2012. Festival Experimentelle Musik, Munich.
    Image description Black-and-white photo of a person pulling two ends of a rolled-up rope
    Year 2012
    Related pages Blank Forms presents Limpe Fuchs
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    Year
    Related pages Membership
  • Two figures appear entangled on a pedestal in front of other figures along with another figure in the background hanging upside down.
    Two figures appear entangled on a pedestal in front of other figures along with another figure in the background hanging upside down.
    Paul Lamantia. Paper Doll Lounge, 1985. [Two figures appear entangled on a pedestal in front of other figures along with another figure in the background hanging upside down.]
    Caption Paul Lamantia. Paper Doll Lounge, 1985.
    Image description Two figures appear entangled on a pedestal in front of other figures along with another figure in the background hanging upside down.
    Year
    Related pages Recent Art from Chicago
  • The image shows a cut paper collage that uses saturated color blocks to define the architecture of a bedroom, including a bed, desk, reclining chair, and other abstracted shapes and figures.
    The image shows a cut paper collage that uses saturated color blocks to define the architecture of a bedroom, including a bed, desk, reclining chair, and other abstracted shapes and figures.
    Kate Shephard, Paper Bedroom, 2006, Cut paper collage, 13.75 x 10.25 inches (34.0 x 26 cm), Edition of 30. [The image shows a cut paper collage that uses saturated color blocks to define the architecture of a bedroom, including a bed, desk, reclining chair, and other abstracted shapes and figures.]
    Caption Kate Shephard, Paper Bedroom, 2006, Cut paper collage, 13.75 x 10.25 inches (34.0 x 26 cm), Edition of 30.
    Image description The image shows a cut paper collage that uses saturated color blocks to define the architecture of a bedroom, including a bed, desk, reclining chair, and other abstracted shapes and figures.
    Year 2006
    Related pages Editions
  • A man clinging to a chain-link fence in front of several other men looking up at him. Underneath the image, partially cut-off text reads,
    A man clinging to a chain-link fence in front of several other men looking up at him. Underneath the image, partially cut-off text reads,
    Storm de Hirsch, still from Newsreel: Jonas in The Brig, 1964. Courtesy Anthology Film Archives. [A man clinging to a chain-link fence in front of several other men looking up at him. Underneath the image, partially cut-off text reads, "THE BRIG."]
    Caption Storm de Hirsch, still from Newsreel: Jonas in The Brig, 1964. Courtesy Anthology Film Archives.
    Image description A man clinging to a chain-link fence in front of several other men looking up at him. Underneath the image, partially cut-off text reads, "THE BRIG."
    Year 1964
    Related pages Jonas In The Brig
  • Color image of an audience watching a performance. In the middle of the crowd, a figure in a blue and white dress holds their hand to their chest with their eyes closed, listening to the performance.
    Color image of an audience watching a performance. In the middle of the crowd, a figure in a blue and white dress holds their hand to their chest with their eyes closed, listening to the performance.
    Yasunao Tone Concert #3. Performance documentation, March 16, 2023, Artists Space. Photo: Destiny Mata [Color image of an audience watching a performance. In the middle of the crowd, a figure in a blue and white dress holds their hand to their chest with their eyes closed, listening to the performance.]
    Caption Yasunao Tone Concert #3. Performance documentation, March 16, 2023, Artists Space. Photo: Destiny Mata
    Image description Color image of an audience watching a performance. In the middle of the crowd, a figure in a blue and white dress holds their hand to their chest with their eyes closed, listening to the performance.
    Year 2023
    Related pages Yasunao Tone Concert #3
  • In a dimly lit room with light wood flooring and white pillars, three illuminated panels are suspended from the ceiling in the distance. The panels each display a single word—
    In a dimly lit room with light wood flooring and white pillars, three illuminated panels are suspended from the ceiling in the distance. The panels each display a single word—
    "Identity". Installation View, Artists Space, 2011. Photo: Daniel Pérez. [In a dimly lit room with light wood flooring and white pillars, three illuminated panels are suspended from the ceiling in the distance. The panels each display a single word—"tri", "angu", and "late"—in a cursive font.]
    Caption "Identity". Installation View, Artists Space, 2011. Photo: Daniel Pérez.
    Image description In a dimly lit room with light wood flooring and white pillars, three illuminated panels are suspended from the ceiling in the distance. The panels each display a single word—"tri", "angu", and "late"—in a cursive font.
    Year 2011
    Related pages Dexter Sinister: "Identity"
  • Pink cursive text at an ascending angle which reads
    Pink cursive text at an ascending angle which reads
    [Pink cursive text at an ascending angle which reads "Undoolay," with horizontal green text underneath that reads "Lucas Duwenhogger."]
    Caption
    Image description Pink cursive text at an ascending angle which reads "Undoolay," with horizontal green text underneath that reads "Lucas Duwenhogger."
    Year 2016
    Related pages Lukas Duwenhögger: Undoolay
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • An ant is mounted on a white surface by a white pin through its center. Its shadow is visible underneath it.
    An ant is mounted on a white surface by a white pin through its center. Its shadow is visible underneath it.
    Mark Morrisroe, Untitled, 1986. Courtesy The Estate of Mark Morrisroe (Ringier Collection) at Fotomuseum Winterthur. [An ant is mounted on a white surface by a white pin through its center. Its shadow is visible underneath it.]
    Caption Mark Morrisroe, Untitled, 1986. Courtesy The Estate of Mark Morrisroe (Ringier Collection) at Fotomuseum Winterthur.
    Image description An ant is mounted on a white surface by a white pin through its center. Its shadow is visible underneath it.
    Year 2011
    Related pages Mark Morrisroe: From This Moment On
  • A seated figure plays a guitar that lies in his lap.
    A seated figure plays a guitar that lies in his lap.
    Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court [A seated figure plays a guitar that lies in his lap.]
    Caption Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court
    Image description A seated figure plays a guitar that lies in his lap.
    Year 2022
    Related pages Eiko Ishibashi in Concert
  • A red grid of punched-out circles overlays a background of yellow, orange, white, and black rectangles.
    A red grid of punched-out circles overlays a background of yellow, orange, white, and black rectangles.
    Murray Reich. Zapping for Zeke, 1988. [A red grid of punched-out circles overlays a background of yellow, orange, white, and black rectangles.]
    Caption Murray Reich. Zapping for Zeke, 1988.
    Image description A red grid of punched-out circles overlays a background of yellow, orange, white, and black rectangles.
    Year 1988
    Related pages Shirley Jaffe and Murray Reich
  • A flyer with an abstract, colorful artwork on the left and exhibition information on the right.
    A flyer with an abstract, colorful artwork on the left and exhibition information on the right.
    Exterior of exhibition invitation. International Art Exhibition for Palestine. Beirut, 1978. Courtesy Mona Saudi. [A flyer with an abstract, colorful artwork on the left and exhibition information on the right.]
    Caption Exterior of exhibition invitation. International Art Exhibition for Palestine. Beirut, 1978. Courtesy Mona Saudi.
    Image description A flyer with an abstract, colorful artwork on the left and exhibition information on the right.
    Year 1978
    Related pages Past Disquiet
  • Several people hold a makeshift metal structure upright, fastening additional metal poles onto the structure. A small crowd stands behind them watching.
    Several people hold a makeshift metal structure upright, fastening additional metal poles onto the structure. A small crowd stands behind them watching.
    Ei Arakawa: WEWORK BABIES. Performance documentation, December 8, 2019, Artists Space. Photo © 2019 Paula Court. [Several people hold a makeshift metal structure upright, fastening additional metal poles onto the structure. A small crowd stands behind them watching.]
    Caption Ei Arakawa: WEWORK BABIES. Performance documentation, December 8, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description Several people hold a makeshift metal structure upright, fastening additional metal poles onto the structure. A small crowd stands behind them watching.
    Year 2019
    Related pages Ei Arakawa: WEWORK BABIES (11 Cortlandt Alley)
  • A woman is seated wearing a long, yellow dress with a full skirt. She has the front of the skirt held in her teeth, with her hands on her knees. There are some soap suds on her hands, near her mouth, and on the front of the skirt.
    A woman is seated wearing a long, yellow dress with a full skirt. She has the front of the skirt held in her teeth, with her hands on her knees. There are some soap suds on her hands, near her mouth, and on the front of the skirt.
    Yellow. Performance view, Artists Space, 2008. [A woman is seated wearing a long, yellow dress with a full skirt. She has the front of the skirt held in her teeth, with her hands on her knees. There are some soap suds on her hands, near her mouth, and on the front of the skirt.]
    Caption Yellow. Performance view, Artists Space, 2008.
    Image description A woman is seated wearing a long, yellow dress with a full skirt. She has the front of the skirt held in her teeth, with her hands on her knees. There are some soap suds on her hands, near her mouth, and on the front of the skirt.
    Year 2008
    Related pages When Time Becomes Form: Yellow
  • A figure sits behind a table, a microphone in front of their face, as they close their laptop and grab a stack of papers on the table.
    A figure sits behind a table, a microphone in front of their face, as they close their laptop and grab a stack of papers on the table.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure sits behind a table, a microphone in front of their face, as they close their laptop and grab a stack of papers on the table.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure sits behind a table, a microphone in front of their face, as they close their laptop and grab a stack of papers on the table.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • A close-up icolor mage of a musician playing the guitar. Red light cast onto them. A disco ball hangs from the ceiling, projecting white dots onto the room.
    A close-up icolor mage of a musician playing the guitar. Red light cast onto them. A disco ball hangs from the ceiling, projecting white dots onto the room.
    Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [A close-up icolor mage of a musician playing the guitar. Red light cast onto them. A disco ball hangs from the ceiling, projecting white dots onto the room.]
    Caption Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A close-up icolor mage of a musician playing the guitar. Red light cast onto them. A disco ball hangs from the ceiling, projecting white dots onto the room.
    Year
    Related pages Abasement #65
  • One red photograph is mounted at an angle on a white gallery wall.
    One red photograph is mounted at an angle on a white gallery wall.
    Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [One red photograph is mounted at an angle on a white gallery wall.]
    Caption Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979.
    Image description One red photograph is mounted at an angle on a white gallery wall.
    Year 1979
    Related pages Place, (title to be determined), for a Participant: Ken Feingold
  • A black and white image of a figure wearing all black, with a black hat, facing to the wall and slightly illuminated by a light in their hands. In the foreground, there is a partially visible metal grid with several plastic-covered white lights.
    A black and white image of a figure wearing all black, with a black hat, facing to the wall and slightly illuminated by a light in their hands. In the foreground, there is a partially visible metal grid with several plastic-covered white lights.
    The Heart of Your Mother for my Dogs. Performance view, Artists Space, 2009. [A black and white image of a figure wearing all black, with a black hat, facing to the wall and slightly illuminated by a light in their hands. In the foreground, there is a partially visible metal grid with several plastic-covered white lights.]
    Caption The Heart of Your Mother for my Dogs. Performance view, Artists Space, 2009.
    Image description A black and white image of a figure wearing all black, with a black hat, facing to the wall and slightly illuminated by a light in their hands. In the foreground, there is a partially visible metal grid with several plastic-covered white lights.
    Year 2009
    Related pages When Time Becomes Form: The Heart of Your Mother for My Dogs
  • A black and white photograph of an abstract painting with an ovular form in the top left corner and a line on the right.
    A black and white photograph of an abstract painting with an ovular form in the top left corner and a line on the right.
    Tony Vevers, c. 1976. Painting from Eleanor Magid, Tony Vevers, William White, Artists Space, 1976. [A black and white photograph of an abstract painting with an ovular form in the top left corner and a line on the right.]
    Caption Tony Vevers, c. 1976. Painting from Eleanor Magid, Tony Vevers, William White, Artists Space, 1976.
    Image description A black and white photograph of an abstract painting with an ovular form in the top left corner and a line on the right.
    Year 1976
    Related pages Eleanor Magid, Tony Vevers, William White
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    Image description
    Year
    Related pages Genesis: Medley
  • Color photograph of a framed artwork. Various images of people, the sun, and other objects are cut-out and in red ink over them are japanese characters.
    Color photograph of a framed artwork. Various images of people, the sun, and other objects are cut-out and in red ink over them are japanese characters.
    Yasunao Tone: Region of Paramedia. Installation view (Social Eclipse, 1997), Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a framed artwork. Various images of people, the sun, and other objects are cut-out and in red ink over them are japanese characters.]
    Caption Yasunao Tone: Region of Paramedia. Installation view (Social Eclipse, 1997), Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a framed artwork. Various images of people, the sun, and other objects are cut-out and in red ink over them are japanese characters.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • Color image of a figure performing on a black stage in front of an audience. The figure on stage stands behind a white desk with a laptop and other audio equipment on it.
    Color image of a figure performing on a black stage in front of an audience. The figure on stage stands behind a white desk with a laptop and other audio equipment on it.
    Yasunao Tone Concert #3. Performance documentation, March 16, 2023, Artists Space. Photo: Destiny Mata [Color image of a figure performing on a black stage in front of an audience. The figure on stage stands behind a white desk with a laptop and other audio equipment on it.]
    Caption Yasunao Tone Concert #3. Performance documentation, March 16, 2023, Artists Space. Photo: Destiny Mata
    Image description Color image of a figure performing on a black stage in front of an audience. The figure on stage stands behind a white desk with a laptop and other audio equipment on it.
    Year 2023
    Related pages Yasunao Tone Concert #3
  • In the corner of a darkened room, a blacked out window hosts a small lens, which projects an image of the crosswalk outside the building onto the wall and ceiling inside.
    In the corner of a darkened room, a blacked out window hosts a small lens, which projects an image of the crosswalk outside the building onto the wall and ceiling inside.
    Constantina Zavitsanos: fwiw. Installation view (Days (Cortlandt Alley Crosswalk), 2024), Artists Space, 2024. Photo: Carter Seddon. [In the corner of a darkened room, a blacked out window hosts a small lens, which projects an image of the crosswalk outside the building onto the wall and ceiling inside.]
    Caption Constantina Zavitsanos: fwiw. Installation view (Days (Cortlandt Alley Crosswalk), 2024), Artists Space, 2024. Photo: Carter Seddon.
    Image description In the corner of a darkened room, a blacked out window hosts a small lens, which projects an image of the crosswalk outside the building onto the wall and ceiling inside.
    Year
    Related pages fwiw
  • Black text that reads,
    Black text that reads,
    [Black text that reads, "9/11, TRILOGY, Laura Poitras."]
    Caption
    Image description Black text that reads, "9/11, TRILOGY, Laura Poitras."
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • Color image of an oil painting of a flower arrangment, placed in a glass jar on a black table. The flowers are dying and falling over the sides of the jar, which holds a shallow amount of yellowed water.
    Color image of an oil painting of a flower arrangment, placed in a glass jar on a black table. The flowers are dying and falling over the sides of the jar, which holds a shallow amount of yellowed water.
    Jill Mulleady, A Thought That Doesn't Change Remains a Stupid Lie, 4, 2023. Photo: Filip Wolak. [Color image of an oil painting of a flower arrangment, placed in a glass jar on a black table. The flowers are dying and falling over the sides of the jar, which holds a shallow amount of yellowed water.]
    Caption Jill Mulleady, A Thought That Doesn't Change Remains a Stupid Lie, 4, 2023. Photo: Filip Wolak.
    Image description Color image of an oil painting of a flower arrangment, placed in a glass jar on a black table. The flowers are dying and falling over the sides of the jar, which holds a shallow amount of yellowed water.
    Year 2023
    Related pages Artists for Artists Space
  • A paper clipping announcing Parasite's event offerings from 1998, with a dark image of a person looking at a book.
    A paper clipping announcing Parasite's event offerings from 1998, with a dark image of a person looking at a book.
    [A paper clipping announcing Parasite's event offerings from 1998, with a dark image of a person looking at a book.]
    Caption
    Image description A paper clipping announcing Parasite's event offerings from 1998, with a dark image of a person looking at a book.
    Year 1998
    Related pages Parasite
  • Frame photographs and text hang on the wall in a gallery space.
    Frame photographs and text hang on the wall in a gallery space.
    Pool Show. Installation view, Artists Space, 1980. [Frame photographs and text hang on the wall in a gallery space.]
    Caption Pool Show. Installation view, Artists Space, 1980.
    Image description Frame photographs and text hang on the wall in a gallery space.
    Year
    Related pages Pool Show
  • A close-up color image of a drummer captured in the middle of a performance. Abstracted projections of bright yellow and purple hues are cast against the musician, who looks out at something out of view.
    A close-up color image of a drummer captured in the middle of a performance. Abstracted projections of bright yellow and purple hues are cast against the musician, who looks out at something out of view.
    Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman. [A close-up color image of a drummer captured in the middle of a performance. Abstracted projections of bright yellow and purple hues are cast against the musician, who looks out at something out of view.]
    Caption Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A close-up color image of a drummer captured in the middle of a performance. Abstracted projections of bright yellow and purple hues are cast against the musician, who looks out at something out of view.
    Year
    Related pages Abasement #63
  • Color image of the audience. In the foreground, audience members are seated in chairs and in the background, folks stand and watch the performance. Almost all of their eyes are attuned towards the stage, which is out of frame to the right. Many of the audience members wear smiling, joyful faces as they watch the show. The audience sits in the dark of the seating area, small specks of bright white light reflecting from a disco ball scatter on their bodies and the walls behind them. 
    Color image of the audience. In the foreground, audience members are seated in chairs and in the background, folks stand and watch the performance. Almost all of their eyes are attuned towards the stage, which is out of frame to the right. Many of the audience members wear smiling, joyful faces as they watch the show. The audience sits in the dark of the seating area, small specks of bright white light reflecting from a disco ball scatter on their bodies and the walls behind them. 
    Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman. [Color image of the audience. In the foreground, audience members are seated in chairs and in the background, folks stand and watch the performance. Almost all of their eyes are attuned towards the stage, which is out of frame to the right. Many of the audience members wear smiling, joyful faces as they watch the show. The audience sits in the dark of the seating area, small specks of bright white light reflecting from a disco ball scatter on their bodies and the walls behind them. ]
    Caption Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Color image of the audience. In the foreground, audience members are seated in chairs and in the background, folks stand and watch the performance. Almost all of their eyes are attuned towards the stage, which is out of frame to the right. Many of the audience members wear smiling, joyful faces as they watch the show. The audience sits in the dark of the seating area, small specks of bright white light reflecting from a disco ball scatter on their bodies and the walls behind them. 
    Year
    Related pages Abasement #67
  • Two photographs are mounted on a white gallery wall.
    Two photographs are mounted on a white gallery wall.
    Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two photographs are mounted on a white gallery wall.]
    Caption Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979.
    Image description Two photographs are mounted on a white gallery wall.
    Year 1979
    Related pages Place, (title to be determined), for a Participant: Ken Feingold
  • Two color illustrations are framed on a wall. On the left, a man performing oral intercorse to another man as a man in uniform watches in the background, gripping his penis. On the right, a man in uniform has intercoarse with a half-naked man, as a man in uniform watches from around the corner.
    Two color illustrations are framed on a wall. On the left, a man performing oral intercorse to another man as a man in uniform watches in the background, gripping his penis. On the right, a man in uniform has intercoarse with a half-naked man, as a man in uniform watches from around the corner.
    Tom of Finland: The Pleasure of Play. Installation view, Artists Space, 2015. [Two color illustrations are framed on a wall. On the left, a man performing oral intercorse to another man as a man in uniform watches in the background, gripping his penis. On the right, a man in uniform has intercoarse with a half-naked man, as a man in uniform watches from around the corner.]
    Caption Tom of Finland: The Pleasure of Play. Installation view, Artists Space, 2015.
    Image description Two color illustrations are framed on a wall. On the left, a man performing oral intercorse to another man as a man in uniform watches in the background, gripping his penis. On the right, a man in uniform has intercoarse with a half-naked man, as a man in uniform watches from around the corner.
    Year 2015
    Related pages Tom of Finland: The Pleasure of Play
  • A black and white film still of four people in period dress standing in from of an ornately carved fireplace. The people stand in two pairs, apparently engaged in conversation.
    A black and white film still of four people in period dress standing in from of an ornately carved fireplace. The people stand in two pairs, apparently engaged in conversation.
    James Coleman. Still from Seeing for Oneself, 1987-88. Slideshow (black and white), 40 min. [A black and white film still of four people in period dress standing in from of an ornately carved fireplace. The people stand in two pairs, apparently engaged in conversation.]
    Caption James Coleman. Still from Seeing for Oneself, 1987-88. Slideshow (black and white), 40 min.
    Image description A black and white film still of four people in period dress standing in from of an ornately carved fireplace. The people stand in two pairs, apparently engaged in conversation.
    Year 1988
    Related pages Michael Asher / James Coleman
  • Assorted animals, including tropical fish, birds, reptiles, a cat, dog, and rabbit are drawn in black marker on yellow paper.
    Assorted animals, including tropical fish, birds, reptiles, a cat, dog, and rabbit are drawn in black marker on yellow paper.
    Gedi Sibony Animal Scramble, 2013, Archival inkjet print, 14 1/4 x 13 1/2 in / 36,2 x 34,3 cm (image size), 24 x 20 in / 61 x 51 cm (paper size), Signed and Numbered. [Assorted animals, including tropical fish, birds, reptiles, a cat, dog, and rabbit are drawn in black marker on yellow paper.]
    Caption Gedi Sibony Animal Scramble, 2013, Archival inkjet print, 14 1/4 x 13 1/2 in / 36,2 x 34,3 cm (image size), 24 x 20 in / 61 x 51 cm (paper size), Signed and Numbered.
    Image description Assorted animals, including tropical fish, birds, reptiles, a cat, dog, and rabbit are drawn in black marker on yellow paper.
    Year 2013
    Related pages Annual Edition Portfolio
  • Exhibition Card (front)
    Caption Exhibition Card (front)
    Image description
    Year
    Related pages Four Artists: An Exhibition of Painting and Sculpture
  • A drawing of shadowy unrecognizable forms.
    A drawing of shadowy unrecognizable forms.
    Mark West, Welcome to the Neighborhood (detail), 1986. [A drawing of shadowy unrecognizable forms.]
    Caption Mark West, Welcome to the Neighborhood (detail), 1986.
    Image description A drawing of shadowy unrecognizable forms.
    Year
    Related pages From Here to Eternity: Fact and Fiction in Recent Architectural Projects
  • Sculptural pieces are mounted on the right wall. Three square canvases and one larger rectangular canvas dotted with a dark material hang on the left wall. Large windows line the back wall.
    Sculptural pieces are mounted on the right wall. Three square canvases and one larger rectangular canvas dotted with a dark material hang on the left wall. Large windows line the back wall.
    Sixth Anniversary Exhibition. Installation view, Artists Space, 1979. Artwork by John Torreano and Barbara Schwartz. [Sculptural pieces are mounted on the right wall. Three square canvases and one larger rectangular canvas dotted with a dark material hang on the left wall. Large windows line the back wall.]
    Caption Sixth Anniversary Exhibition. Installation view, Artists Space, 1979. Artwork by John Torreano and Barbara Schwartz.
    Image description Sculptural pieces are mounted on the right wall. Three square canvases and one larger rectangular canvas dotted with a dark material hang on the left wall. Large windows line the back wall.
    Year 1979
    Related pages Sixth Anniversary Exhibition
  • A color image of the corner of a gallery space with two columns. Across the two white walls, six framed abstract drawings on black paper are displayed in a horizontal line.
    A color image of the corner of a gallery space with two columns. Across the two white walls, six framed abstract drawings on black paper are displayed in a horizontal line.
    Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of the corner of a gallery space with two columns. Across the two white walls, six framed abstract drawings on black paper are displayed in a horizontal line.]
    Caption Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of the corner of a gallery space with two columns. Across the two white walls, six framed abstract drawings on black paper are displayed in a horizontal line.
    Year
    Related pages Renee Gladman
  • A color image of a gallery space with two columns in the middle. Framed drawings depicting colorful abstract compositions hang on the white walls. Five of the drawings are made on black paper, and two on white paper.
    A color image of a gallery space with two columns in the middle. Framed drawings depicting colorful abstract compositions hang on the white walls. Five of the drawings are made on black paper, and two on white paper.
    Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of a gallery space with two columns in the middle. Framed drawings depicting colorful abstract compositions hang on the white walls. Five of the drawings are made on black paper, and two on white paper.]
    Caption Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of a gallery space with two columns in the middle. Framed drawings depicting colorful abstract compositions hang on the white walls. Five of the drawings are made on black paper, and two on white paper.
    Year
    Related pages Renee Gladman
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  • A woman interviews Francisco Weffort, the Brazilian Minister of culture, holding out a TV microphone.
    A woman interviews Francisco Weffort, the Brazilian Minister of culture, holding out a TV microphone.
    Andrea Fraser, Reporting from São Paulo, I'm from the United States, 1998. Courtesy the artist and Galerie Nagel Draxler. [A woman interviews Francisco Weffort, the Brazilian Minister of culture, holding out a TV microphone.]
    Caption Andrea Fraser, Reporting from São Paulo, I'm from the United States, 1998. Courtesy the artist and Galerie Nagel Draxler.
    Image description A woman interviews Francisco Weffort, the Brazilian Minister of culture, holding out a TV microphone.
    Year 1998
    Related pages Artists Space Dialogues: Andrea Fraser and Gregg Bordowitz
  • A dimly lit, empty room filled with low chairs. A projection illuminates a dark wall opposite the chairs. The projection shows the interior of a vehicle, where a man wearing a keffiyeh sits in the front seat of the vehicle and leans over to the passenger seat.
    A dimly lit, empty room filled with low chairs. A projection illuminates a dark wall opposite the chairs. The projection shows the interior of a vehicle, where a man wearing a keffiyeh sits in the front seat of the vehicle and leans over to the passenger seat.
    Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A dimly lit, empty room filled with low chairs. A projection illuminates a dark wall opposite the chairs. The projection shows the interior of a vehicle, where a man wearing a keffiyeh sits in the front seat of the vehicle and leans over to the passenger seat.]
    Caption Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A dimly lit, empty room filled with low chairs. A projection illuminates a dark wall opposite the chairs. The projection shows the interior of a vehicle, where a man wearing a keffiyeh sits in the front seat of the vehicle and leans over to the passenger seat.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • A photograph of two walls of a gallery space. On one, photographs hang in an uneven row. On the other, two sculptures protrude from the wall.
    A photograph of two walls of a gallery space. On one, photographs hang in an uneven row. On the other, two sculptures protrude from the wall.
    Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph of two walls of a gallery space. On one, photographs hang in an uneven row. On the other, two sculptures protrude from the wall.]
    Caption Selections from the Artists File. Installation view, Artists Space, 1989.
    Image description A photograph of two walls of a gallery space. On one, photographs hang in an uneven row. On the other, two sculptures protrude from the wall.
    Year 1989
    Related pages Selections from the Artist File
  • Two people in a mountainous, desert location face each other. One, dressed in an orange and green cloak, sits at a green desk. The other is posed with a mirror aimed at the clear sky.
    Two people in a mountainous, desert location face each other. One, dressed in an orange and green cloak, sits at a green desk. The other is posed with a mirror aimed at the clear sky.
    Untitled, c. 1970s, 35mm slide, Copyright Jack Smith Archive, Courtesy Gladstone Gallery, New York and Brussels [Two people in a mountainous, desert location face each other. One, dressed in an orange and green cloak, sits at a green desk. The other is posed with a mirror aimed at the clear sky.]
    Caption Untitled, c. 1970s, 35mm slide, Copyright Jack Smith Archive, Courtesy Gladstone Gallery, New York and Brussels
    Image description Two people in a mountainous, desert location face each other. One, dressed in an orange and green cloak, sits at a green desk. The other is posed with a mirror aimed at the clear sky.
    Year 1970
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • An all-over black and white pattern of
    An all-over black and white pattern of
    Karl Holmqvist, oxoxbox, 2012, Bespoke archival box wrapped in cotton book cloth with silkscreen, 24 1/2 x 20 1/2 x 1 1/2 inches, Signed and numbered certificate [An all-over black and white pattern of "oxox"]
    Caption Karl Holmqvist, oxoxbox, 2012, Bespoke archival box wrapped in cotton book cloth with silkscreen, 24 1/2 x 20 1/2 x 1 1/2 inches, Signed and numbered certificate
    Image description An all-over black and white pattern of "oxox"
    Year 2014
    Related pages Artists Space Annual Edition Portfolio 2013
  • Inside an orange-hued room are four tree trunks sitting atop a striped construction net. Three trunks are adorned in purple, orange, blue, pink, yellow, and green fabrics. A fourth trunk sits without fabric.
    Inside an orange-hued room are four tree trunks sitting atop a striped construction net. Three trunks are adorned in purple, orange, blue, pink, yellow, and green fabrics. A fourth trunk sits without fabric.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [Inside an orange-hued room are four tree trunks sitting atop a striped construction net. Three trunks are adorned in purple, orange, blue, pink, yellow, and green fabrics. A fourth trunk sits without fabric.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022.
    Image description Inside an orange-hued room are four tree trunks sitting atop a striped construction net. Three trunks are adorned in purple, orange, blue, pink, yellow, and green fabrics. A fourth trunk sits without fabric.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • People standing around a gallery space with various globes surrounding them and frame images hanging on the wall to the right.
    People standing around a gallery space with various globes surrounding them and frame images hanging on the wall to the right.
    Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Gary Burnley. [People standing around a gallery space with various globes surrounding them and frame images hanging on the wall to the right.]
    Caption Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Gary Burnley.
    Image description People standing around a gallery space with various globes surrounding them and frame images hanging on the wall to the right.
    Year 1979
    Related pages Gary Burnley
  • The image shows a white t-shirt in a frame with text printed on top in a wavy text that says,
    The image shows a white t-shirt in a frame with text printed on top in a wavy text that says,
    Richard Prince, Oedipus Schmedipus, 1994, Screenprint on white T-shirt Stretched over canvas in white lacquer frame, 25 1/4 x 19 1/2 in (64.1 x 49.5 cm), Edition of 26, Signed & numbered. [The image shows a white t-shirt in a frame with text printed on top in a wavy text that says, "A mother is having a very tense relationship / with her fourteen year old son. Screaming and / fighting are constantly going on in the house. / She finally brings him to a psychoanalyst. After / two sessions, the doctor calls the mother into / the office. / "Your son," he tells her, "has an Oedipus / complex." / "Oedipus, Schmedipus," the woman answers. / "as long as he loves his mother."]
    Caption Richard Prince, Oedipus Schmedipus, 1994, Screenprint on white T-shirt Stretched over canvas in white lacquer frame, 25 1/4 x 19 1/2 in (64.1 x 49.5 cm), Edition of 26, Signed & numbered.
    Image description The image shows a white t-shirt in a frame with text printed on top in a wavy text that says, "A mother is having a very tense relationship / with her fourteen year old son. Screaming and / fighting are constantly going on in the house. / She finally brings him to a psychoanalyst. After / two sessions, the doctor calls the mother into / the office. / "Your son," he tells her, "has an Oedipus / complex." / "Oedipus, Schmedipus," the woman answers. / "as long as he loves his mother."
    Year 1994
    Related pages Editions
  • Color photograph of a figure dressed in black performing in front of an audience in the background. The room is dark, with LED light sculptures made from dried SCOBY in the background. The figure sits on the floor, looking off to the right and holding a mask in front of their face.
    Color photograph of a figure dressed in black performing in front of an audience in the background. The room is dark, with LED light sculptures made from dried SCOBY in the background. The figure sits on the floor, looking off to the right and holding a mask in front of their face.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure dressed in black performing in front of an audience in the background. The room is dark, with LED light sculptures made from dried SCOBY in the background. The figure sits on the floor, looking off to the right and holding a mask in front of their face.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a figure dressed in black performing in front of an audience in the background. The room is dark, with LED light sculptures made from dried SCOBY in the background. The figure sits on the floor, looking off to the right and holding a mask in front of their face.
    Year
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
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  • A black and white photograph of a black pipe sticking through a large white shape coming from a large book. A wrinkled curtain is visible behind the construction.
    A black and white photograph of a black pipe sticking through a large white shape coming from a large book. A wrinkled curtain is visible behind the construction.
    William Harvey, Pipe Dream, 1985. [A black and white photograph of a black pipe sticking through a large white shape coming from a large book. A wrinkled curtain is visible behind the construction.]
    Caption William Harvey, Pipe Dream, 1985.
    Image description A black and white photograph of a black pipe sticking through a large white shape coming from a large book. A wrinkled curtain is visible behind the construction.
    Year
    Related pages Six Sculptors
  • A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.
    A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.
    Bases of the equestrian monument to Kaiser Wilhem which was destroyed by the British occupation in Münster after World War II. The photographs were printed as post cards in the early 20th century and collected from eBay and oldthing.de in 2021. [A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.]
    Caption Bases of the equestrian monument to Kaiser Wilhem which was destroyed by the British occupation in Münster after World War II. The photographs were printed as post cards in the early 20th century and collected from eBay and oldthing.de in 2021.
    Image description A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
  • Black and white photograph of white picket fence with dark painted background behind it.
    Black and white photograph of white picket fence with dark painted background behind it.
    Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery. [Black and white photograph of white picket fence with dark painted background behind it.]
    Caption Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery.
    Image description Black and white photograph of white picket fence with dark painted background behind it.
    Year 1979
    Related pages Candance Hill-Montgomery
  • Installation view of several works in a gallery space. Twelve long wooden poles are mounted on a white gallery wall in a circular formation, projecting out from the wall and intersecting a line of black columns, forming a teepee shape. A large piece of brown linen stained with various black, white, and rust-colors hangs from the poles. Part of the linen drapes on the ground below the teepee structure. A wooden wardrobe stands against a wall in front of the structure. Several bottles filled with urine stand in a line behind the structure, in front of an abstract sculpture in the corner of the room. The sculpture contains a humanoid head, a TV monitor, and haphazard pieces of wooden and cardboard.
    Installation view of several works in a gallery space. Twelve long wooden poles are mounted on a white gallery wall in a circular formation, projecting out from the wall and intersecting a line of black columns, forming a teepee shape. A large piece of brown linen stained with various black, white, and rust-colors hangs from the poles. Part of the linen drapes on the ground below the teepee structure. A wooden wardrobe stands against a wall in front of the structure. Several bottles filled with urine stand in a line behind the structure, in front of an abstract sculpture in the corner of the room. The sculpture contains a humanoid head, a TV monitor, and haphazard pieces of wooden and cardboard.
    Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater. Installation view, Artists Space, 2019. Photo: Daniel Pérez. [Installation view of several works in a gallery space. Twelve long wooden poles are mounted on a white gallery wall in a circular formation, projecting out from the wall and intersecting a line of black columns, forming a teepee shape. A large piece of brown linen stained with various black, white, and rust-colors hangs from the poles. Part of the linen drapes on the ground below the teepee structure. A wooden wardrobe stands against a wall in front of the structure. Several bottles filled with urine stand in a line behind the structure, in front of an abstract sculpture in the corner of the room. The sculpture contains a humanoid head, a TV monitor, and haphazard pieces of wooden and cardboard.]
    Caption Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater. Installation view, Artists Space, 2019. Photo: Daniel Pérez.
    Image description Installation view of several works in a gallery space. Twelve long wooden poles are mounted on a white gallery wall in a circular formation, projecting out from the wall and intersecting a line of black columns, forming a teepee shape. A large piece of brown linen stained with various black, white, and rust-colors hangs from the poles. Part of the linen drapes on the ground below the teepee structure. A wooden wardrobe stands against a wall in front of the structure. Several bottles filled with urine stand in a line behind the structure, in front of an abstract sculpture in the corner of the room. The sculpture contains a humanoid head, a TV monitor, and haphazard pieces of wooden and cardboard.
    Year 2019
    Related pages Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater
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    Related pages Friends of Artists Space Dinner 2024
  • Two figures wearing medical scrubs gaze into the distance.
    Two figures wearing medical scrubs gaze into the distance.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [Two figures wearing medical scrubs gaze into the distance.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court
    Image description Two figures wearing medical scrubs gaze into the distance.
    Year 2022
    Related pages Grandmother Cindy
  • ARTstudio, Blue Sky Gallery, May 2024
    Caption ARTstudio, Blue Sky Gallery, May 2024
    Image description
    Year
    Related pages Exhibitions and Events
  • A purple colored background features black text in the top half of the image that reads,
    A purple colored background features black text in the top half of the image that reads,
    Flyer for Segue Reading Series featuring t'ai freedom ford & Terrance Hayes. Saturday February 20, 2021, Artists Space. [A purple colored background features black text in the top half of the image that reads, "Segue Reading Series / t'ai freedom ford & Terrance Hayes / February 20 / 5pm on Zoom / Suggested donation: Five dollars / Zoom ID: 830 2698 4031." Black text in the bottom right corner reads, "Artists Space."]
    Caption Flyer for Segue Reading Series featuring t'ai freedom ford & Terrance Hayes. Saturday February 20, 2021, Artists Space.
    Image description A purple colored background features black text in the top half of the image that reads, "Segue Reading Series / t'ai freedom ford & Terrance Hayes / February 20 / 5pm on Zoom / Suggested donation: Five dollars / Zoom ID: 830 2698 4031." Black text in the bottom right corner reads, "Artists Space."
    Year 2021
    Related pages Segue Reading Series: t’ai freedom ford & Terrance Hayes
  • A double exposure divides a photograph into two scenes. On the left, a man reclines against a floral patterned ground next to a tray with a lobster. The man on the right holds a pair of sunglasses in his right hand while gazing towards a drink on the table in front of him.
    A double exposure divides a photograph into two scenes. On the left, a man reclines against a floral patterned ground next to a tray with a lobster. The man on the right holds a pair of sunglasses in his right hand while gazing towards a drink on the table in front of him.
    Jack Smith, Untitled, 35mm slide, c. 1980. Copyright: Jack Smith Archive. Courtesy Gladstone Gallery, New York and Brussels. [A double exposure divides a photograph into two scenes. On the left, a man reclines against a floral patterned ground next to a tray with a lobster. The man on the right holds a pair of sunglasses in his right hand while gazing towards a drink on the table in front of him.]
    Caption Jack Smith, Untitled, 35mm slide, c. 1980. Copyright: Jack Smith Archive. Courtesy Gladstone Gallery, New York and Brussels.
    Image description A double exposure divides a photograph into two scenes. On the left, a man reclines against a floral patterned ground next to a tray with a lobster. The man on the right holds a pair of sunglasses in his right hand while gazing towards a drink on the table in front of him.
    Year 1980
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • A series of metal cutouts shaped like curved
    A series of metal cutouts shaped like curved
    H_edge. Installation view, Artists Space, 2006. Photo: Whitney Cox. [A series of metal cutouts shaped like curved "x"'s hang on lengths of metal chainlinks in a gallery space. The rows of cutouts overlap, forming a hedge-like sculptural body. A gallery hallway decorated with vinyl reading "ARTISTS SPACE" is visible through the overlapping cutouts.]
    Caption H_edge. Installation view, Artists Space, 2006. Photo: Whitney Cox.
    Image description A series of metal cutouts shaped like curved "x"'s hang on lengths of metal chainlinks in a gallery space. The rows of cutouts overlap, forming a hedge-like sculptural body. A gallery hallway decorated with vinyl reading "ARTISTS SPACE" is visible through the overlapping cutouts.
    Year 2006
    Related pages H_edge
  • A figure in overalls spreads paint over a dark tarp hung against a white wall. The length of the tarp is covered with wide strokes of lighter paint.
    A figure in overalls spreads paint over a dark tarp hung against a white wall. The length of the tarp is covered with wide strokes of lighter paint.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A figure in overalls spreads paint over a dark tarp hung against a white wall. The length of the tarp is covered with wide strokes of lighter paint.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A figure in overalls spreads paint over a dark tarp hung against a white wall. The length of the tarp is covered with wide strokes of lighter paint.
    Year 2019
    Related pages Speaker Music: drape over another
  • A number of abstract lines and shapes appear in a star-like nature with a black background.
    A number of abstract lines and shapes appear in a star-like nature with a black background.
    Gordon Onslow-Ford, Being Space, 1985. [A number of abstract lines and shapes appear in a star-like nature with a black background.]
    Caption Gordon Onslow-Ford, Being Space, 1985.
    Image description A number of abstract lines and shapes appear in a star-like nature with a black background.
    Year
    Related pages Moderns in Mind
  • A gray-toned illustration of multiple, military missles, lined up next to one another.
    A gray-toned illustration of multiple, military missles, lined up next to one another.
    Wolf Vostell Starfighter , 1967 80 copies + 40 artists proofs, signed and numbered screen print with glitter, 53 x 81,5 cm Courtesy of Edition Block, Berlin [A gray-toned illustration of multiple, military missles, lined up next to one another.]
    Caption Wolf Vostell Starfighter , 1967 80 copies + 40 artists proofs, signed and numbered screen print with glitter, 53 x 81,5 cm Courtesy of Edition Block, Berlin
    Image description A gray-toned illustration of multiple, military missles, lined up next to one another.
    Year 1967
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • Caption
    Image description
    Year
    Related pages Brad Kronz
  • Collaged image of two naked figures crouching on the shore of a beach as the sun sets. One reaches out to grasp the other’s arm as they stare into each other’s eyes. Below them is a collaged image of a metal, machine-like contraption with looping wires sitting on the ground next to a craggy rock.
    Collaged image of two naked figures crouching on the shore of a beach as the sun sets. One reaches out to grasp the other’s arm as they stare into each other’s eyes. Below them is a collaged image of a metal, machine-like contraption with looping wires sitting on the ground next to a craggy rock.
    [Collaged image of two naked figures crouching on the shore of a beach as the sun sets. One reaches out to grasp the other’s arm as they stare into each other’s eyes. Below them is a collaged image of a metal, machine-like contraption with looping wires sitting on the ground next to a craggy rock.]
    Caption
    Image description Collaged image of two naked figures crouching on the shore of a beach as the sun sets. One reaches out to grasp the other’s arm as they stare into each other’s eyes. Below them is a collaged image of a metal, machine-like contraption with looping wires sitting on the ground next to a craggy rock.
    Year 2003
    Related pages Superstudio: Life Without Objects
  • A gray cross made from wire on a white background, with a small, red square held in the center.
    A gray cross made from wire on a white background, with a small, red square held in the center.
    Steve Carter, Tile Series (detail), 1994. [A gray cross made from wire on a white background, with a small, red square held in the center.]
    Caption Steve Carter, Tile Series (detail), 1994.
    Image description A gray cross made from wire on a white background, with a small, red square held in the center.
    Year 1994
    Related pages A Strategy Hinted At: New Conceptual Artists
  • A color photograph of a figure from the chest up. Moore wears a green collared shirt and looks directly into the camera. He stands in front of a translucent glass background, in whose reflection buildings are faintly visible.
    A color photograph of a figure from the chest up. Moore wears a green collared shirt and looks directly into the camera. He stands in front of a translucent glass background, in whose reflection buildings are faintly visible.
    Portrait of Carman Moore. [A color photograph of a figure from the chest up. Moore wears a green collared shirt and looks directly into the camera. He stands in front of a translucent glass background, in whose reflection buildings are faintly visible.]
    Caption Portrait of Carman Moore.
    Image description A color photograph of a figure from the chest up. Moore wears a green collared shirt and looks directly into the camera. He stands in front of a translucent glass background, in whose reflection buildings are faintly visible.
    Year 2021
    Related pages Carman Moore Improvises Personal Problems
  • A color photograph of a red poster with three faces and Japanese captions. The poster is beneath other ephemeral material, including an open book, a pamphlet, and a black and white photograph.
    A color photograph of a red poster with three faces and Japanese captions. The poster is beneath other ephemeral material, including an open book, a pamphlet, and a black and white photograph.
    Milford Graves: Fundamental Frequency. Installation view (ephemera c. 1980-1998), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color photograph of a red poster with three faces and Japanese captions. The poster is beneath other ephemeral material, including an open book, a pamphlet, and a black and white photograph.]
    Caption Milford Graves: Fundamental Frequency. Installation view (ephemera c. 1980-1998), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak.
    Image description A color photograph of a red poster with three faces and Japanese captions. The poster is beneath other ephemeral material, including an open book, a pamphlet, and a black and white photograph.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • A geometric, silver metal sculpture sits on a wooden gallery floor. The sculpture is modular, hollow, and consists of cube-like and triangular metal components arranged in a long form that snakes across the ground. A large sheet of brown paper rests on the floor before the sculpture, crumpling against the sculpture's lower edge.
    A geometric, silver metal sculpture sits on a wooden gallery floor. The sculpture is modular, hollow, and consists of cube-like and triangular metal components arranged in a long form that snakes across the ground. A large sheet of brown paper rests on the floor before the sculpture, crumpling against the sculpture's lower edge.
    Charlotte Posenenske. Configured by Ei Arakawa. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A geometric, silver metal sculpture sits on a wooden gallery floor. The sculpture is modular, hollow, and consists of cube-like and triangular metal components arranged in a long form that snakes across the ground. A large sheet of brown paper rests on the floor before the sculpture, crumpling against the sculpture's lower edge.]
    Caption Charlotte Posenenske. Configured by Ei Arakawa. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A geometric, silver metal sculpture sits on a wooden gallery floor. The sculpture is modular, hollow, and consists of cube-like and triangular metal components arranged in a long form that snakes across the ground. A large sheet of brown paper rests on the floor before the sculpture, crumpling against the sculpture's lower edge.
    Year 2010
    Related pages Charlotte Posenenske
  • A figure in a white t-shirt turns from a woman holding a bouquet of lavender flowers. She glances down at the flowers, smiling. The two figures stand amongst a sitting crowd of applauding people. Some gaze up towards the figures and smile.
    A figure in a white t-shirt turns from a woman holding a bouquet of lavender flowers. She glances down at the flowers, smiling. The two figures stand amongst a sitting crowd of applauding people. Some gaze up towards the figures and smile.
    The Friends of Artists Space Dinner, May 8, 2010. Julie Ault receiving flowers from Stefan Kalmár. [A figure in a white t-shirt turns from a woman holding a bouquet of lavender flowers. She glances down at the flowers, smiling. The two figures stand amongst a sitting crowd of applauding people. Some gaze up towards the figures and smile.]
    Caption The Friends of Artists Space Dinner, May 8, 2010. Julie Ault receiving flowers from Stefan Kalmár.
    Image description A figure in a white t-shirt turns from a woman holding a bouquet of lavender flowers. She glances down at the flowers, smiling. The two figures stand amongst a sitting crowd of applauding people. Some gaze up towards the figures and smile.
    Year 2010
    Related pages The Friends of Artists Space Dinner
  • A black and white photograph of a gallery space. A painting of nude reclining women hangs on the left, and a figure in a suit and tie looks on from the right.
    A black and white photograph of a gallery space. A painting of nude reclining women hangs on the left, and a figure in a suit and tie looks on from the right.
    Installation view from J.B. Cobb, Martha Edelheit, Ree Morton, Artists Space, 1973. [A black and white photograph of a gallery space. A painting of nude reclining women hangs on the left, and a figure in a suit and tie looks on from the right.]
    Caption Installation view from J.B. Cobb, Martha Edelheit, Ree Morton, Artists Space, 1973.
    Image description A black and white photograph of a gallery space. A painting of nude reclining women hangs on the left, and a figure in a suit and tie looks on from the right.
    Year 1973
    Related pages J.B. Cobb, Martha Edelheit, Ree Morton
  • In a large dark room, a modular structure is recessed into a raised floor covered with black carpet. The structure is lit in bright blue light, and hosts open water. Red light shines in the back room.
    In a large dark room, a modular structure is recessed into a raised floor covered with black carpet. The structure is lit in bright blue light, and hosts open water. Red light shines in the back room.
    Constantina Zavitsanos: fwiw. Installation view (Wishing Well (Korpi), 2023/24; There's something happening here, 2024), Artists Space, 2024. Photo: Carter Seddon. [In a large dark room, a modular structure is recessed into a raised floor covered with black carpet. The structure is lit in bright blue light, and hosts open water. Red light shines in the back room.]
    Caption Constantina Zavitsanos: fwiw. Installation view (Wishing Well (Korpi), 2023/24; There's something happening here, 2024), Artists Space, 2024. Photo: Carter Seddon.
    Image description In a large dark room, a modular structure is recessed into a raised floor covered with black carpet. The structure is lit in bright blue light, and hosts open water. Red light shines in the back room.
    Year
    Related pages fwiw
  • Along the gallery wall from left to right is an assemblage scultpure of found objects ranging from lightbulbs to racoon tails. To the right is a sculpture of chicken wings dangling from the wall. Further along is an offwhite square nearly flush with the wall. And on the floor sits a chair adorned with cloth and green onion.
    Along the gallery wall from left to right is an assemblage scultpure of found objects ranging from lightbulbs to racoon tails. To the right is a sculpture of chicken wings dangling from the wall. Further along is an offwhite square nearly flush with the wall. And on the floor sits a chair adorned with cloth and green onion.
    LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon [Along the gallery wall from left to right is an assemblage scultpure of found objects ranging from lightbulbs to racoon tails. To the right is a sculpture of chicken wings dangling from the wall. Further along is an offwhite square nearly flush with the wall. And on the floor sits a chair adorned with cloth and green onion.]
    Caption LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description Along the gallery wall from left to right is an assemblage scultpure of found objects ranging from lightbulbs to racoon tails. To the right is a sculpture of chicken wings dangling from the wall. Further along is an offwhite square nearly flush with the wall. And on the floor sits a chair adorned with cloth and green onion.
    Year 2025
    Related pages Arnold J. Kemp
  • A black and white image of a sculpture resembling a rectangular prism displayed in the exhibition space.
    A black and white image of a sculpture resembling a rectangular prism displayed in the exhibition space.
    Installation view from International Projects: Belgium, featuring Didier Vermeiren, Artists Space, 1984 [A black and white image of a sculpture resembling a rectangular prism displayed in the exhibition space.]
    Caption Installation view from International Projects: Belgium, featuring Didier Vermeiren, Artists Space, 1984
    Image description A black and white image of a sculpture resembling a rectangular prism displayed in the exhibition space.
    Year
    Related pages International Projects: Belgium
  • Magazine cut-outs and ink drawings are collaged together on a background of red, green, and yellow paper. Pieces of beige paper with typewritten text listing the performers and event details are scattered around the flyer.
    Magazine cut-outs and ink drawings are collaged together on a background of red, green, and yellow paper. Pieces of beige paper with typewritten text listing the performers and event details are scattered around the flyer.
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of red, green, and yellow paper. Pieces of beige paper with typewritten text listing the performers and event details are scattered around the flyer.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a background of red, green, and yellow paper. Pieces of beige paper with typewritten text listing the performers and event details are scattered around the flyer.
    Year
    Related pages Abasement 77
  • A sculpted deer head with numerous designed drawn on it is viewed upright and with a veil hanging over it with a white background.
    A sculpted deer head with numerous designed drawn on it is viewed upright and with a veil hanging over it with a white background.
    Sherry Markovitz, Marmele Veiled, 1983. [A sculpted deer head with numerous designed drawn on it is viewed upright and with a veil hanging over it with a white background.]
    Caption Sherry Markovitz, Marmele Veiled, 1983.
    Image description A sculpted deer head with numerous designed drawn on it is viewed upright and with a veil hanging over it with a white background.
    Year
    Related pages U.S. Projects
  • A photograph of a construction site, with several steel beams and a sign titled
    A photograph of a construction site, with several steel beams and a sign titled
    Shaylene Viera, Revolution, photography, 2016 [A photograph of a construction site, with several steel beams and a sign titled "RAISE PLOW" lying on the ground]
    Caption Shaylene Viera, Revolution, photography, 2016
    Image description A photograph of a construction site, with several steel beams and a sign titled "RAISE PLOW" lying on the ground
    Year 2016
    Related pages Scholastic Art and Writing Awards
  • A screenshot of a video call presentation. Several students are seen holding strips of white paper. They are flanked on the right side by the images of ten individuals who are joining the call remotely.
    A screenshot of a video call presentation. Several students are seen holding strips of white paper. They are flanked on the right side by the images of ten individuals who are joining the call remotely.
    We Are The History of the Future: Listening to the LES online presentation, weaving a North Star, P.S. 140 7th grade students [A screenshot of a video call presentation. Several students are seen holding strips of white paper. They are flanked on the right side by the images of ten individuals who are joining the call remotely.]
    Caption We Are The History of the Future: Listening to the LES online presentation, weaving a North Star, P.S. 140 7th grade students
    Image description A screenshot of a video call presentation. Several students are seen holding strips of white paper. They are flanked on the right side by the images of ten individuals who are joining the call remotely.
    Year 2020
    Related pages Exhibitions and Events
  • Caption
    Image description
    Year
    Related pages Abasement #84
  • Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway.
    Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway.
    rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway.]
    Caption rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway.
    Year
    Related pages rafa esparza: Camino
  • A flyer for the event depicting a stylized map of Israel in red, on a yellow background. Text reads
    A flyer for the event depicting a stylized map of Israel in red, on a yellow background. Text reads
    MTL+. Palestine, BLM and Boycott in the Arts, 2016. [A flyer for the event depicting a stylized map of Israel in red, on a yellow background. Text reads "Palestine, BLM & Boycott In the Arts: A conversation with Robin D.G. Kelley, Jasbir K. Puar, Amin Husain & Marz Saffore / Friday Nov. 4th 7pm."]
    Caption MTL+. Palestine, BLM and Boycott in the Arts, 2016.
    Image description A flyer for the event depicting a stylized map of Israel in red, on a yellow background. Text reads "Palestine, BLM & Boycott In the Arts: A conversation with Robin D.G. Kelley, Jasbir K. Puar, Amin Husain & Marz Saffore / Friday Nov. 4th 7pm."
    Year 2016
    Related pages Palestine, BLM and Boycott in the Arts
  • One figure stands in a small square construction waist high and a nearby child stands inside another square construction with their head peeking out at the other figure. A figure stands behind them by a washbasin with clothes hanging from a clothesline in front of them. Bushes and trees appear behind them along with another edifice in the background. Video scan lines and black edges of CRT monitor are visible.
    One figure stands in a small square construction waist high and a nearby child stands inside another square construction with their head peeking out at the other figure. A figure stands behind them by a washbasin with clothes hanging from a clothesline in front of them. Bushes and trees appear behind them along with another edifice in the background. Video scan lines and black edges of CRT monitor are visible.
    Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart), 1983. Video (sound, black and white). Spanish with English subtitles. [One figure stands in a small square construction waist high and a nearby child stands inside another square construction with their head peeking out at the other figure. A figure stands behind them by a washbasin with clothes hanging from a clothesline in front of them. Bushes and trees appear behind them along with another edifice in the background. Video scan lines and black edges of CRT monitor are visible.]
    Caption Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart), 1983. Video (sound, black and white). Spanish with English subtitles.
    Image description One figure stands in a small square construction waist high and a nearby child stands inside another square construction with their head peeking out at the other figure. A figure stands behind them by a washbasin with clothes hanging from a clothesline in front of them. Bushes and trees appear behind them along with another edifice in the background. Video scan lines and black edges of CRT monitor are visible.
    Year 1983
    Related pages TV Sandino
  • A figure in a blue morph suit leans their arms on top of a rolling table made of wood and fresnel lenses, pushing it toward another figure that stands in front of them filming them. In the background a third figure in a blue morph suit sits and leans down on top of a rectangular wooden frame. Blue footage is projected onto the back wall.
    A figure in a blue morph suit leans their arms on top of a rolling table made of wood and fresnel lenses, pushing it toward another figure that stands in front of them filming them. In the background a third figure in a blue morph suit sits and leans down on top of a rectangular wooden frame. Blue footage is projected onto the back wall.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit leans their arms on top of a rolling table made of wood and fresnel lenses, pushing it toward another figure that stands in front of them filming them. In the background a third figure in a blue morph suit sits and leans down on top of a rectangular wooden frame. Blue footage is projected onto the back wall.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description A figure in a blue morph suit leans their arms on top of a rolling table made of wood and fresnel lenses, pushing it toward another figure that stands in front of them filming them. In the background a third figure in a blue morph suit sits and leans down on top of a rectangular wooden frame. Blue footage is projected onto the back wall.
    Year 2022
    Related pages SCRAAATCH 12-3
  • A figure plays the drums in the background with an out of focus piano in the foreground.
    A figure plays the drums in the background with an out of focus piano in the foreground.
    Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure plays the drums in the background with an out of focus piano in the foreground.]
    Caption Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure plays the drums in the background with an out of focus piano in the foreground.
    Year 2022
    Related pages Tisziji Muñoz with Francisco Mora Catlett and AfroHORN
  • Three figures perform in a basement. Two figures in blue morph suits act out a scene together. The figure on the right scratches a fresnel lens attached to a wooden rolling table while the left figure walks toward the table. A third figure takes video footage of the scene.
    Three figures perform in a basement. Two figures in blue morph suits act out a scene together. The figure on the right scratches a fresnel lens attached to a wooden rolling table while the left figure walks toward the table. A third figure takes video footage of the scene.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Three figures perform in a basement. Two figures in blue morph suits act out a scene together. The figure on the right scratches a fresnel lens attached to a wooden rolling table while the left figure walks toward the table. A third figure takes video footage of the scene.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Three figures perform in a basement. Two figures in blue morph suits act out a scene together. The figure on the right scratches a fresnel lens attached to a wooden rolling table while the left figure walks toward the table. A third figure takes video footage of the scene.
    Year 2022
    Related pages SCRAAATCH 11-19
  • A book cover featuring a vertical stack of disabled-access grab bars mounted on a black wall. White text across the center reads
    A book cover featuring a vertical stack of disabled-access grab bars mounted on a black wall. White text across the center reads
    Cover of FWIW. [A book cover featuring a vertical stack of disabled-access grab bars mounted on a black wall. White text across the center reads "FWIW: Constantina Zavitsanos / Danielle A. Jackson." Along the right edge of the book seven tabs each read a different keyword: "Infinity / Ouroboros / Stop-time / Cipher / Caption / Specter / Epilogue." The book is set on a black background.]
    Caption Cover of FWIW.
    Image description A book cover featuring a vertical stack of disabled-access grab bars mounted on a black wall. White text across the center reads "FWIW: Constantina Zavitsanos / Danielle A. Jackson." Along the right edge of the book seven tabs each read a different keyword: "Infinity / Ouroboros / Stop-time / Cipher / Caption / Specter / Epilogue." The book is set on a black background.
    Year
    Related pages FWIW
  • A spotlight shines on a photograph hanging on a white wall framed by string and electrical wire hanging around it and falling to the black floor underneath.
    A spotlight shines on a photograph hanging on a white wall framed by string and electrical wire hanging around it and falling to the black floor underneath.
    Patricia Thornley. Untitled (detail), 1985. Electrical wire, string, fans, photograph, spotlight, wood, wax, dirt, water. Dimensions variable. [A spotlight shines on a photograph hanging on a white wall framed by string and electrical wire hanging around it and falling to the black floor underneath.]
    Caption Patricia Thornley. Untitled (detail), 1985. Electrical wire, string, fans, photograph, spotlight, wood, wax, dirt, water. Dimensions variable.
    Image description A spotlight shines on a photograph hanging on a white wall framed by string and electrical wire hanging around it and falling to the black floor underneath.
    Year
    Related pages U.S. Projects
  • A figure plays the keyboard in front of a microphone.
    A figure plays the keyboard in front of a microphone.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure plays the keyboard in front of a microphone.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure plays the keyboard in front of a microphone.
    Year 2022
    Related pages Abasement #61
  • A color photograph of a door with multiple nested smaller doors within the doorframe. Each individual doorway is framed with a gold outline. To the left are several empty picture frames and two studio lights. In front of dark green curtains is a painting set in a gold frame.
    A color photograph of a door with multiple nested smaller doors within the doorframe. Each individual doorway is framed with a gold outline. To the left are several empty picture frames and two studio lights. In front of dark green curtains is a painting set in a gold frame.
    Lyndon Barrois Jr., Guardians Gate (Farfanicchio), 2022; Masters of Fine Arts, 2011/2022. Wood, latex paint, antique brass elements, cast iron, oil paint, twigs, brass, burlap, packing felt; oil on canvas, artist frame, solvent transfer, plywood, curtains, frames, lights, easels, conservators coat, headlamp. Dimensions variable. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a door with multiple nested smaller doors within the doorframe. Each individual doorway is framed with a gold outline. To the left are several empty picture frames and two studio lights. In front of dark green curtains is a painting set in a gold frame.]
    Caption Lyndon Barrois Jr., Guardians Gate (Farfanicchio), 2022; Masters of Fine Arts, 2011/2022. Wood, latex paint, antique brass elements, cast iron, oil paint, twigs, brass, burlap, packing felt; oil on canvas, artist frame, solvent transfer, plywood, curtains, frames, lights, easels, conservators coat, headlamp. Dimensions variable. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of a door with multiple nested smaller doors within the doorframe. Each individual doorway is framed with a gold outline. To the left are several empty picture frames and two studio lights. In front of dark green curtains is a painting set in a gold frame.
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • A figure wearing a suit plays guitar, their feet dangling over a pedal.
    A figure wearing a suit plays guitar, their feet dangling over a pedal.
    Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court [A figure wearing a suit plays guitar, their feet dangling over a pedal.]
    Caption Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court
    Image description A figure wearing a suit plays guitar, their feet dangling over a pedal.
    Year 2022
    Related pages Eiko Ishibashi in Concert
  • Several black and white images collaged on a black background. Some of the images are photographs of various buildings, bridges, and other structures—some in the process of construction. At the bottom of the composition is an alien-like image of a man with dark eyes and a large nose.
    Several black and white images collaged on a black background. Some of the images are photographs of various buildings, bridges, and other structures—some in the process of construction. At the bottom of the composition is an alien-like image of a man with dark eyes and a large nose.
    Ben van Berkel: Mobile Forces banner detail, Artists Space, 1997. [Several black and white images collaged on a black background. Some of the images are photographs of various buildings, bridges, and other structures—some in the process of construction. At the bottom of the composition is an alien-like image of a man with dark eyes and a large nose.]
    Caption Ben van Berkel: Mobile Forces banner detail, Artists Space, 1997.
    Image description Several black and white images collaged on a black background. Some of the images are photographs of various buildings, bridges, and other structures—some in the process of construction. At the bottom of the composition is an alien-like image of a man with dark eyes and a large nose.
    Year 1997
    Related pages Mobile Forces
  • A white, graphic shirt sits on a piles of items next to nested wicker baskets in front of a wooden wall. On top of the baskets is a sign that reads,
    A white, graphic shirt sits on a piles of items next to nested wicker baskets in front of a wooden wall. On top of the baskets is a sign that reads,
    [A white, graphic shirt sits on a piles of items next to nested wicker baskets in front of a wooden wall. On top of the baskets is a sign that reads, "freedom club."]
    Caption
    Image description A white, graphic shirt sits on a piles of items next to nested wicker baskets in front of a wooden wall. On top of the baskets is a sign that reads, "freedom club."
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • Photograph of a corner of a basement gallery space with large columns along the back. Behind the columns are benches placed in front of video displays. On the right is a CRT TV monitor, and to the left is a projected video.
    Photograph of a corner of a basement gallery space with large columns along the back. Behind the columns are benches placed in front of video displays. On the right is a CRT TV monitor, and to the left is a projected video.
    Clocking Out: Time Beyond Management. Installation view (Simon Gush, Sunday Light, 2013 / Without Light, 2016; Victor Masayesva Jr., Itam Hakim, Hopiit. 1984; ektor garcia, portal DF/SF, 2021; ektor garcia, textile bronceado, 2023), Artists Space, 2023. Photo: Greg Carideo. [Photograph of a corner of a basement gallery space with large columns along the back. Behind the columns are benches placed in front of video displays. On the right is a CRT TV monitor, and to the left is a projected video.]
    Caption Clocking Out: Time Beyond Management. Installation view (Simon Gush, Sunday Light, 2013 / Without Light, 2016; Victor Masayesva Jr., Itam Hakim, Hopiit. 1984; ektor garcia, portal DF/SF, 2021; ektor garcia, textile bronceado, 2023), Artists Space, 2023. Photo: Greg Carideo.
    Image description Photograph of a corner of a basement gallery space with large columns along the back. Behind the columns are benches placed in front of video displays. On the right is a CRT TV monitor, and to the left is a projected video.
    Year 2023
    Related pages Whitney Independent Study: Clocking Out: Time Beyond Management
  • Black and white photograph of white picket fence with dark painted background behind it.
    Black and white photograph of white picket fence with dark painted background behind it.
    Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery. [Black and white photograph of white picket fence with dark painted background behind it.]
    Caption Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery.
    Image description Black and white photograph of white picket fence with dark painted background behind it.
    Year 1979
    Related pages Candance Hill-Montgomery
  • Caption
    Image description
    Year
    Related pages fwiw
  • Various sculpted insects appear on the white gallery wall and the word
    Various sculpted insects appear on the white gallery wall and the word
    Young Fluxus. Installation view, Artists Space, 1982. [Various sculpted insects appear on the white gallery wall and the word "Bread" appears in the center of the right section and the word "Queen" appears in both parts of the image.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description Various sculpted insects appear on the white gallery wall and the word "Bread" appears in the center of the right section and the word "Queen" appears in both parts of the image.
    Year
    Related pages Young Fluxus
  • A vintage, black and white photograph of the interior of a shop window, which looks out upon a city street. Two men stand to the left side of the window, casually leaning against a pole and talking. Various metal vases, cutlery, and ornaments are displayed on the shelves within the window.
    A vintage, black and white photograph of the interior of a shop window, which looks out upon a city street. Two men stand to the left side of the window, casually leaning against a pole and talking. Various metal vases, cutlery, and ornaments are displayed on the shelves within the window.
    [A vintage, black and white photograph of the interior of a shop window, which looks out upon a city street. Two men stand to the left side of the window, casually leaning against a pole and talking. Various metal vases, cutlery, and ornaments are displayed on the shelves within the window.]
    Caption
    Image description A vintage, black and white photograph of the interior of a shop window, which looks out upon a city street. Two men stand to the left side of the window, casually leaning against a pole and talking. Various metal vases, cutlery, and ornaments are displayed on the shelves within the window.
    Year 2010
    Related pages Danh Vo: Autoerotic Asphyxiation
  • A sculpture of a man holding a book is leaning against a column in an empty, open room. He is wearing a purple shirt, patterned blue shorts, and is crossing his legs, wearing white sneakers.
    A sculpture of a man holding a book is leaning against a column in an empty, open room. He is wearing a purple shirt, patterned blue shorts, and is crossing his legs, wearing white sneakers.
    Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [A sculpture of a man holding a book is leaning against a column in an empty, open room. He is wearing a purple shirt, patterned blue shorts, and is crossing his legs, wearing white sneakers.]
    Caption Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013.
    Image description A sculpture of a man holding a book is leaning against a column in an empty, open room. He is wearing a purple shirt, patterned blue shorts, and is crossing his legs, wearing white sneakers.
    Year 2013
    Related pages Pride Goes Before a Fall
  • A white wall with three sets of multiple photographs of rooms. Each set of photographs has a framed accompanying text below.
    A white wall with three sets of multiple photographs of rooms. Each set of photographs has a framed accompanying text below.
    Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz. [A white wall with three sets of multiple photographs of rooms. Each set of photographs has a framed accompanying text below.]
    Caption Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz.
    Image description A white wall with three sets of multiple photographs of rooms. Each set of photographs has a framed accompanying text below.
    Year 2010
    Related pages Sean Snyder
  • A woman with dim red lights on her face in a dark environment stands and talks behind a microphone.
    A woman with dim red lights on her face in a dark environment stands and talks behind a microphone.
    Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York. [A woman with dim red lights on her face in a dark environment stands and talks behind a microphone.]
    Caption Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York.
    Image description A woman with dim red lights on her face in a dark environment stands and talks behind a microphone.
    Year
    Related pages Eiko Ishibashi in Concert
  • Faded photograph of artist Miyoko Ito standing with her arms crossed in front of two of her paintings.
    Faded photograph of artist Miyoko Ito standing with her arms crossed in front of two of her paintings.
    Miyoko Ito at the opening of Miyoko Ito: A Review, The Renaissance Society at the University of Chicago, 1980. [Faded photograph of artist Miyoko Ito standing with her arms crossed in front of two of her paintings.]
    Caption Miyoko Ito at the opening of Miyoko Ito: A Review, The Renaissance Society at the University of Chicago, 1980.
    Image description Faded photograph of artist Miyoko Ito standing with her arms crossed in front of two of her paintings.
    Year 1980
    Related pages Miyoko Ito: Heart of Hearts
  • The title and table of contents page of an essay published in the Harvard Law Review.
    The title and table of contents page of an essay published in the Harvard Law Review.
    Harris, Cheryl I, "Whiteness as Property." Harvard Law Review. Vol. 106, No. 8, June 1993. [The title and table of contents page of an essay published in the Harvard Law Review.]
    Caption Harris, Cheryl I, "Whiteness as Property." Harvard Law Review. Vol. 106, No. 8, June 1993.
    Image description The title and table of contents page of an essay published in the Harvard Law Review.
    Year 1993
    Related pages The Afterlife of Slavery: Markets, Property and Race
  • Color image of a painting, done on a paper bag, placed on a white pedestal. The painting features an apple blossom tree, with a light blue sky in the background, and green grass. The tree is painted over a blue square in the middle of the bag that reads
    Color image of a painting, done on a paper bag, placed on a white pedestal. The painting features an apple blossom tree, with a light blue sky in the background, and green grass. The tree is painted over a blue square in the middle of the bag that reads
    G. Peter Jemison, Apple Blossom Furry (Daffodils), 2000. Photo: Filip Wolak. [Color image of a painting, done on a paper bag, placed on a white pedestal. The painting features an apple blossom tree, with a light blue sky in the background, and green grass. The tree is painted over a blue square in the middle of the bag that reads "Mikasa."]
    Caption G. Peter Jemison, Apple Blossom Furry (Daffodils), 2000. Photo: Filip Wolak.
    Image description Color image of a painting, done on a paper bag, placed on a white pedestal. The painting features an apple blossom tree, with a light blue sky in the background, and green grass. The tree is painted over a blue square in the middle of the bag that reads "Mikasa."
    Year 2023
    Related pages Artists for Artists Space
  • Four drawings are hung in a row on a white wall. The leftmost drawing shows two women sitting in a living room. The next shows a figure holding their head in their hands. The next depicts two men sitting at a table. The drawing on the far right depicts a man and a woman looking out a window through window blinds.
    Four drawings are hung in a row on a white wall. The leftmost drawing shows two women sitting in a living room. The next shows a figure holding their head in their hands. The next depicts two men sitting at a table. The drawing on the far right depicts a man and a woman looking out a window through window blinds.
    Artists Draw. Installation view, Artists Space, 1979. [Four drawings are hung in a row on a white wall. The leftmost drawing shows two women sitting in a living room. The next shows a figure holding their head in their hands. The next depicts two men sitting at a table. The drawing on the far right depicts a man and a woman looking out a window through window blinds.]
    Caption Artists Draw. Installation view, Artists Space, 1979.
    Image description Four drawings are hung in a row on a white wall. The leftmost drawing shows two women sitting in a living room. The next shows a figure holding their head in their hands. The next depicts two men sitting at a table. The drawing on the far right depicts a man and a woman looking out a window through window blinds.
    Year 1979
    Related pages Artists Draw: Tom Martin, Auste Peciura, Alan Saret, Patti Smith, Nancy Spero
  • A white text logo reads,
    A white text logo reads,
    [A white text logo reads, "Union Gaucha Productions."]
    Caption
    Image description A white text logo reads, "Union Gaucha Productions."
    Year 2015
    Related pages Union Gaucha Productions
  • Several sculptures and models sit in a gallery space with wooden floors. To the left of the image, there are several shining metalic forms supported by long, spider-like legs standing at hip height. On the image's right is a large model of a futuristic building. Hanging from the ceiling behind the metal sculptures is a shiny, white rectangular sculpture with sleek, ribbon-like forms.
    Several sculptures and models sit in a gallery space with wooden floors. To the left of the image, there are several shining metalic forms supported by long, spider-like legs standing at hip height. On the image's right is a large model of a futuristic building. Hanging from the ceiling behind the metal sculptures is a shiny, white rectangular sculpture with sleek, ribbon-like forms.
    Matters of Sensation. Installation view, Artists Space, 2008. Photo: Adam Reich. [Several sculptures and models sit in a gallery space with wooden floors. To the left of the image, there are several shining metalic forms supported by long, spider-like legs standing at hip height. On the image's right is a large model of a futuristic building. Hanging from the ceiling behind the metal sculptures is a shiny, white rectangular sculpture with sleek, ribbon-like forms.]
    Caption Matters of Sensation. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description Several sculptures and models sit in a gallery space with wooden floors. To the left of the image, there are several shining metalic forms supported by long, spider-like legs standing at hip height. On the image's right is a large model of a futuristic building. Hanging from the ceiling behind the metal sculptures is a shiny, white rectangular sculpture with sleek, ribbon-like forms.
    Year 2008
    Related pages Matters of Sensation
  • A small statue of a bird sits on the floor of a dimly-lit gallery space. A long black wire runs from the sculpture to the ceiling. Several square holes have been removed from several spots on the gallery wall behind the sculpture, through which a space on the other side of the wall is visible.
    A small statue of a bird sits on the floor of a dimly-lit gallery space. A long black wire runs from the sculpture to the ceiling. Several square holes have been removed from several spots on the gallery wall behind the sculpture, through which a space on the other side of the wall is visible.
    Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt. [A small statue of a bird sits on the floor of a dimly-lit gallery space. A long black wire runs from the sculpture to the ceiling. Several square holes have been removed from several spots on the gallery wall behind the sculpture, through which a space on the other side of the wall is visible.]
    Caption Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt.
    Image description A small statue of a bird sits on the floor of a dimly-lit gallery space. A long black wire runs from the sculpture to the ceiling. Several square holes have been removed from several spots on the gallery wall behind the sculpture, through which a space on the other side of the wall is visible.
    Year 1997
    Related pages Lines of Loss
  • A color photograph of a grey and blue piece of semi-transparent fabric, partially hung from a grey metal scaffold in a gallery space.
    A color photograph of a grey and blue piece of semi-transparent fabric, partially hung from a grey metal scaffold in a gallery space.
    virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a grey and blue piece of semi-transparent fabric, partially hung from a grey metal scaffold in a gallery space.]
    Caption virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of a grey and blue piece of semi-transparent fabric, partially hung from a grey metal scaffold in a gallery space.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
  • A large screen in a dark room, showing an image of a pair of bare legs from the knees down.
    A large screen in a dark room, showing an image of a pair of bare legs from the knees down.
    The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich. [A large screen in a dark room, showing an image of a pair of bare legs from the knees down.]
    Caption The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description A large screen in a dark room, showing an image of a pair of bare legs from the knees down.
    Year 2008
    Related pages The New Normal
  • A black and white image of the back of a chair in front of a man in front of a train car, in which a man exits the door.
    A black and white image of the back of a chair in front of a man in front of a train car, in which a man exits the door.
    Installation view at Kaiserstraße 31A, Düsseldorf May 11, 1963 Courtesy Archiv Kuttner, Erkrath Photo: Manfred Kuttner [A black and white image of the back of a chair in front of a man in front of a train car, in which a man exits the door.]
    Caption Installation view at Kaiserstraße 31A, Düsseldorf May 11, 1963 Courtesy Archiv Kuttner, Erkrath Photo: Manfred Kuttner
    Image description A black and white image of the back of a chair in front of a man in front of a train car, in which a man exits the door.
    Year 1963
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • Caption
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    Year
    Related pages THE SECOND ANNUAL CONFERENCE ABOUT ARTIST-CURATED EXHIBITIONS
  • A book cover design displaying an image of a series of triangular shapes of varying colors arranged in an abstract comoposition. Some of the triangles are semi-transparent and are overlaid over others. Large block lettering situated above and below the composition reads,
    A book cover design displaying an image of a series of triangular shapes of varying colors arranged in an abstract comoposition. Some of the triangles are semi-transparent and are overlaid over others. Large block lettering situated above and below the composition reads,
    Poor Man's Expression - Technology, Experimental Film, Conceptual Art, edited by Martin Ebner and Florian Zeyfang, published by Sternberg Press, 2011. [A book cover design displaying an image of a series of triangular shapes of varying colors arranged in an abstract comoposition. Some of the triangles are semi-transparent and are overlaid over others. Large block lettering situated above and below the composition reads, "POOR MAN'S EXPRESSION Technology, Experimental Film, Conceptual Art."]
    Caption Poor Man's Expression - Technology, Experimental Film, Conceptual Art, edited by Martin Ebner and Florian Zeyfang, published by Sternberg Press, 2011.
    Image description A book cover design displaying an image of a series of triangular shapes of varying colors arranged in an abstract comoposition. Some of the triangles are semi-transparent and are overlaid over others. Large block lettering situated above and below the composition reads, "POOR MAN'S EXPRESSION Technology, Experimental Film, Conceptual Art."
    Year 2011
    Related pages Poor Man’s Expression
  • A visit to David Ellis exhibition at Babel Gallery.
    Caption A visit to David Ellis exhibition at Babel Gallery.
    Image description
    Year
    Related pages Portfolio Development
  • Ann Goldstein has been a museum professional for over forty years. She currently serves as Deputy Director and Senior Curator at Large at the Art Institute of Chicago and on the board of directors and as President of the Michael Asher Foundation. Goldsstein joined the Art Institute in 2016 as Deputy Director, and Chair and Dittmer Curator of Modern and Contemporary Art. Prior to joining the museum, she served as Director of the Stedelijk Museum in Amsterdam from 2010–2013, and as Senior Curator at The Museum of Contemporary Art in Los Angeles (MOCA) from 1983–2009. She is recognized for such large-scale historical survey exhibitions as A Minimal Future? Art as Object 1958-1968, 1965-1975: Reconsidering the Object of Art, and A Forest of Signs: Art in the Crisis of Representation, as well as numerous solo exhibitions and projects over the years with Jo Baer, stanley brouwn, Judy Fiskin, Felix Gonzalez-Torres, Roni Horn, Richard Hunt, Mike Kelley, Martin Kippenberger, Barbara Kruger, William Leavitt, Steve McQueen, Cady Noland, Pope.L, Josephine Pryde, Nancy Rubins, Lawrence Weiner, and Christopher Wool, among others. In addition to the Asher Foundation, Goldstein serves as a member of The Felix Gonzalez-Torres Foundation Fellows Forum, on the board of trustees of the Richard Hunt Legacy Foundation, and as a member of the Serralves Museum Advisory Committee. In recognition of her work, the Center for Curatorial Studies at Bard College presented her with the Audrey Irmas Award for Curatorial Excellence in 2012.
    Caption Ann Goldstein has been a museum professional for over forty years. She currently serves as Deputy Director and Senior Curator at Large at the Art Institute of Chicago and on the board of directors and as President of the Michael Asher Foundation. Goldsstein joined the Art Institute in 2016 as Deputy Director, and Chair and Dittmer Curator of Modern and Contemporary Art. Prior to joining the museum, she served as Director of the Stedelijk Museum in Amsterdam from 2010–2013, and as Senior Curator at The Museum of Contemporary Art in Los Angeles (MOCA) from 1983–2009. She is recognized for such large-scale historical survey exhibitions as A Minimal Future? Art as Object 1958-1968, 1965-1975: Reconsidering the Object of Art, and A Forest of Signs: Art in the Crisis of Representation, as well as numerous solo exhibitions and projects over the years with Jo Baer, stanley brouwn, Judy Fiskin, Felix Gonzalez-Torres, Roni Horn, Richard Hunt, Mike Kelley, Martin Kippenberger, Barbara Kruger, William Leavitt, Steve McQueen, Cady Noland, Pope.L, Josephine Pryde, Nancy Rubins, Lawrence Weiner, and Christopher Wool, among others. In addition to the Asher Foundation, Goldstein serves as a member of The Felix Gonzalez-Torres Foundation Fellows Forum, on the board of trustees of the Richard Hunt Legacy Foundation, and as a member of the Serralves Museum Advisory Committee. In recognition of her work, the Center for Curatorial Studies at Bard College presented her with the Audrey Irmas Award for Curatorial Excellence in 2012.
    Image description
    Year
    Related pages Friends of Artists Space Dinner
  • A cylindrical lamp with cutouts in various shapes projects a shadow on white walls. The lamp sits on a white base, surrounded by three circular floor cushions. On the far wall, there is a mounted television screen showing white text.
    A cylindrical lamp with cutouts in various shapes projects a shadow on white walls. The lamp sits on a white base, surrounded by three circular floor cushions. On the far wall, there is a mounted television screen showing white text.
    Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich. [A cylindrical lamp with cutouts in various shapes projects a shadow on white walls. The lamp sits on a white base, surrounded by three circular floor cushions. On the far wall, there is a mounted television screen showing white text.]
    Caption Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich.
    Image description A cylindrical lamp with cutouts in various shapes projects a shadow on white walls. The lamp sits on a white base, surrounded by three circular floor cushions. On the far wall, there is a mounted television screen showing white text.
    Year 2009
    Related pages Paper Exhibition
  • A color installation view of a gallery space with a white column, and three white tables.
    A color installation view of a gallery space with a white column, and three white tables.
    Don Gummer. Installation view, Artists Space, 1974. [A color installation view of a gallery space with a white column, and three white tables.]
    Caption Don Gummer. Installation view, Artists Space, 1974.
    Image description A color installation view of a gallery space with a white column, and three white tables.
    Year 1974
    Related pages Laurie Anderson, Don Gummer, Barbara Kruger
  • Dark image of the upper torso of a woman with liquid dripping in the foreground of the image.
    Dark image of the upper torso of a woman with liquid dripping in the foreground of the image.
    Jenny Holzer. Video still of Re-Make, 1982. [Dark image of the upper torso of a woman with liquid dripping in the foreground of the image.]
    Caption Jenny Holzer. Video still of Re-Make, 1982.
    Image description Dark image of the upper torso of a woman with liquid dripping in the foreground of the image.
    Year
    Related pages Eating Friends
  • A color image of a gallery space. In the foreground, a shovel sits upright on a pedestal. In the midground, a taxidermied griffon vulture is perched on top of concrete rubble. Next to the griffon vulture, another shovel sits upright on a pedestal. To the left side of the image, a shovel attached to a small child's chair is placed up against the back wall.
    A color image of a gallery space. In the foreground, a shovel sits upright on a pedestal. In the midground, a taxidermied griffon vulture is perched on top of concrete rubble. Next to the griffon vulture, another shovel sits upright on a pedestal. To the left side of the image, a shovel attached to a small child's chair is placed up against the back wall.
    Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon. [A color image of a gallery space. In the foreground, a shovel sits upright on a pedestal. In the midground, a taxidermied griffon vulture is perched on top of concrete rubble. Next to the griffon vulture, another shovel sits upright on a pedestal. To the left side of the image, a shovel attached to a small child's chair is placed up against the back wall.]
    Caption Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description A color image of a gallery space. In the foreground, a shovel sits upright on a pedestal. In the midground, a taxidermied griffon vulture is perched on top of concrete rubble. Next to the griffon vulture, another shovel sits upright on a pedestal. To the left side of the image, a shovel attached to a small child's chair is placed up against the back wall.
    Year
    Related pages Andy Robert: Papaloko
  • Color installation image showing a chandelier hanging from the ceiling and resting on the floor in front of a dark column.
    Color installation image showing a chandelier hanging from the ceiling and resting on the floor in front of a dark column.
    Jazmín López, Amazon, 2022. Chandelier and blood. Photo: Steven Cottingham. [Color installation image showing a chandelier hanging from the ceiling and resting on the floor in front of a dark column.]
    Caption Jazmín López, Amazon, 2022. Chandelier and blood. Photo: Steven Cottingham.
    Image description Color installation image showing a chandelier hanging from the ceiling and resting on the floor in front of a dark column.
    Year
    Related pages Whitney Independent Study: Everything is Common
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Two people stand at the foot of an empty table, mid-conversation, looking off-camera to the left. The individual on the left holds a glass of wine.
    Two people stand at the foot of an empty table, mid-conversation, looking off-camera to the left. The individual on the left holds a glass of wine.
    Artists Space founder Irving Sandler, Miyoko Ito Dinner, 2018. [Two people stand at the foot of an empty table, mid-conversation, looking off-camera to the left. The individual on the left holds a glass of wine.]
    Caption Artists Space founder Irving Sandler, Miyoko Ito Dinner, 2018.
    Image description Two people stand at the foot of an empty table, mid-conversation, looking off-camera to the left. The individual on the left holds a glass of wine.
    Year 2018
    Related pages Support
  • Two people sit on chairs in front of television monitors that are showing a black image. The television monitors are on pedestals in the gallery space.
    Two people sit on chairs in front of television monitors that are showing a black image. The television monitors are on pedestals in the gallery space.
    Installation view of Social Disease and Two Possibilities, Artists Space, April 12, 1986 - May 10, 1986. [Two people sit on chairs in front of television monitors that are showing a black image. The television monitors are on pedestals in the gallery space.]
    Caption Installation view of Social Disease and Two Possibilities, Artists Space, April 12, 1986 - May 10, 1986.
    Image description Two people sit on chairs in front of television monitors that are showing a black image. The television monitors are on pedestals in the gallery space.
    Year
    Related pages Social Disease and Two Possibilities
  • Portfolio Development, Blue Sky Gallery exhibition (an homage to Virgil Abloh), June 17, 2022
    Caption Portfolio Development, Blue Sky Gallery exhibition (an homage to Virgil Abloh), June 17, 2022
    Image description
    Year
    Related pages Exhibitions and Events
  • A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a wire. In the base of the object, a processing chip is embedded.
    A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a wire. In the base of the object, a processing chip is embedded.
    Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    [A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a wire. In the base of the object, a processing chip is embedded.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    Image description A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a wire. In the base of the object, a processing chip is embedded.
    Year 2019
    Related pages Trisha Baga Edition
  • A black and white image of a dollhouse living room, a doll is sitting in the right corner, on a couch, next to a side table with radio on it.
    A black and white image of a dollhouse living room, a doll is sitting in the right corner, on a couch, next to a side table with radio on it.
    Laurie Simmons: Photographs. Postcard, Artists Space, 1979. [A black and white image of a dollhouse living room, a doll is sitting in the right corner, on a couch, next to a side table with radio on it.]
    Caption Laurie Simmons: Photographs. Postcard, Artists Space, 1979.
    Image description A black and white image of a dollhouse living room, a doll is sitting in the right corner, on a couch, next to a side table with radio on it.
    Year 1979
    Related pages
  • A framed photograph with a red border of a naked man on a blue shag carpet. The man is seated, leaning slightly back on his hands with his legs extended. He is bald with a full grey beard.
    A framed photograph with a red border of a naked man on a blue shag carpet. The man is seated, leaning slightly back on his hands with his legs extended. He is bald with a full grey beard.
    Flipside. Installation view, Artists Space, 2004. [A framed photograph with a red border of a naked man on a blue shag carpet. The man is seated, leaning slightly back on his hands with his legs extended. He is bald with a full grey beard.]
    Caption Flipside. Installation view, Artists Space, 2004.
    Image description A framed photograph with a red border of a naked man on a blue shag carpet. The man is seated, leaning slightly back on his hands with his legs extended. He is bald with a full grey beard.
    Year 2004
    Related pages Flipside
  • A number of framed photographs and texts are hung on walls in a gallery space.
    A number of framed photographs and texts are hung on walls in a gallery space.
    Reese Williams. Installation view, Artists Space, 1980. [A number of framed photographs and texts are hung on walls in a gallery space.]
    Caption Reese Williams. Installation view, Artists Space, 1980.
    Image description A number of framed photographs and texts are hung on walls in a gallery space.
    Year
    Related pages Reese Williams
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A city street with a concrete median and wall made from gray metal supported by wooden planks. The median has the words
    A city street with a concrete median and wall made from gray metal supported by wooden planks. The median has the words
    Valerie Tevere, UNITED STATES, 1996. [A city street with a concrete median and wall made from gray metal supported by wooden planks. The median has the words "Property of LACTC" printed on it. Hanging just above that are four postered portraits displayed in a horizontal line. Each poster features three letters below its portrait image that together spell out "UNI/TED/STA/TES". The portraits are framed by traffic signs that say, "WRONG WAY" and "USE SIDEWALK."]
    Caption Valerie Tevere, UNITED STATES, 1996.
    Image description A city street with a concrete median and wall made from gray metal supported by wooden planks. The median has the words "Property of LACTC" printed on it. Hanging just above that are four postered portraits displayed in a horizontal line. Each poster features three letters below its portrait image that together spell out "UNI/TED/STA/TES". The portraits are framed by traffic signs that say, "WRONG WAY" and "USE SIDEWALK."
    Year 1996
    Related pages When Artists Say We
  • Contact sheet of installation and opening photos from the exhibition.
    Contact sheet of installation and opening photos from the exhibition.
    Selections from the Unaffiliated Artists File. Installation view, Artists Space, 1982. [Contact sheet of installation and opening photos from the exhibition.]
    Caption Selections from the Unaffiliated Artists File. Installation view, Artists Space, 1982.
    Image description Contact sheet of installation and opening photos from the exhibition.
    Year
    Related pages Selections from the Unaffiliated Artists File
  • Black & white photograph of a performer singing into a microphone stand, positioned along the center of the wall. The audience sits on the floor around the center of the room, where hanging screens depict a projected video of a close-up of a figure's face with a bright light coming from one side of the image.
    Black & white photograph of a performer singing into a microphone stand, positioned along the center of the wall. The audience sits on the floor around the center of the room, where hanging screens depict a projected video of a close-up of a figure's face with a bright light coming from one side of the image.
    Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan. [Black & white photograph of a performer singing into a microphone stand, positioned along the center of the wall. The audience sits on the floor around the center of the room, where hanging screens depict a projected video of a close-up of a figure's face with a bright light coming from one side of the image.]
    Caption Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan.
    Image description Black & white photograph of a performer singing into a microphone stand, positioned along the center of the wall. The audience sits on the floor around the center of the room, where hanging screens depict a projected video of a close-up of a figure's face with a bright light coming from one side of the image.
    Year 2023
    Related pages Genesis: Medley
  • Color image of a figure sitting behind a white desk, manipulating an audio machine with their hands. A lamp illuminates the machines controls and speakers are placed in front of the machine.
    Color image of a figure sitting behind a white desk, manipulating an audio machine with their hands. A lamp illuminates the machines controls and speakers are placed in front of the machine.
    Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of a figure sitting behind a white desk, manipulating an audio machine with their hands. A lamp illuminates the machines controls and speakers are placed in front of the machine.]
    Caption Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata
    Image description Color image of a figure sitting behind a white desk, manipulating an audio machine with their hands. A lamp illuminates the machines controls and speakers are placed in front of the machine.
    Year 2023
    Related pages Yasunao Tone Concert #2
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  • A blue, black and brown abstract object sits on a white base. A metal antenna sticks out of it on a diagonal.
    A blue, black and brown abstract object sits on a white base. A metal antenna sticks out of it on a diagonal.
    Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $3,500 [A blue, black and brown abstract object sits on a white base. A metal antenna sticks out of it on a diagonal.]
    Caption Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $3,500
    Image description A blue, black and brown abstract object sits on a white base. A metal antenna sticks out of it on a diagonal.
    Year 2019
    Related pages Trisha Baga Edition
  • Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Caption Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description
    Year 2023
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • Wade Guyton, © Thomas Pirot
    Caption Wade Guyton, © Thomas Pirot
    Image description
    Year
    Related pages Friends of Artists Space Dinner 2025
  • Four collages, framed in a grid on a wall. Each collage features the same backdrop of a man stopped in the middle of the road opening the hood a car, the drivers seat door opened. Each collage features a different colored filter, arranged with images of various Indigenous people on reservations, European historical paintings, animals, gags, signs, objects, and detritus.
    Four collages, framed in a grid on a wall. Each collage features the same backdrop of a man stopped in the middle of the road opening the hood a car, the drivers seat door opened. Each collage features a different colored filter, arranged with images of various Indigenous people on reservations, European historical paintings, animals, gags, signs, objects, and detritus.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Four collages, framed in a grid on a wall. Each collage features the same backdrop of a man stopped in the middle of the road opening the hood a car, the drivers seat door opened. Each collage features a different colored filter, arranged with images of various Indigenous people on reservations, European historical paintings, animals, gags, signs, objects, and detritus.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description Four collages, framed in a grid on a wall. Each collage features the same backdrop of a man stopped in the middle of the road opening the hood a car, the drivers seat door opened. Each collage features a different colored filter, arranged with images of various Indigenous people on reservations, European historical paintings, animals, gags, signs, objects, and detritus.
    Year 2017
    Related pages Unholding
  • Exhibition Pamphlet (cover)
    Caption Exhibition Pamphlet (cover)
    Image description
    Year
    Related pages Four Artists: An Exhibition of Painting and Sculpture
  • Several artworks installed in a large gallery space with white walls and wooden flooring. A television monitor rests on a low acrylic box on the floor to the room's right side. A warped purple and pink image resembling a kaleidoscopic star shape is displayed on its screen. There are white columns to the left of the monitor. Hanging on a gallery wall on the image's far left side is a large piece of translucent, white cloth embroidered with amorphous red and blue linework. The far gallery wall behind the twinned columns has been painted with slanted, striped areas of peach, yellow, and ochre color.
    Several artworks installed in a large gallery space with white walls and wooden flooring. A television monitor rests on a low acrylic box on the floor to the room's right side. A warped purple and pink image resembling a kaleidoscopic star shape is displayed on its screen. There are white columns to the left of the monitor. Hanging on a gallery wall on the image's far left side is a large piece of translucent, white cloth embroidered with amorphous red and blue linework. The far gallery wall behind the twinned columns has been painted with slanted, striped areas of peach, yellow, and ochre color.
    Abstruction. Installation view, Artists Space, 2003. [Several artworks installed in a large gallery space with white walls and wooden flooring. A television monitor rests on a low acrylic box on the floor to the room's right side. A warped purple and pink image resembling a kaleidoscopic star shape is displayed on its screen. There are white columns to the left of the monitor. Hanging on a gallery wall on the image's far left side is a large piece of translucent, white cloth embroidered with amorphous red and blue linework. The far gallery wall behind the twinned columns has been painted with slanted, striped areas of peach, yellow, and ochre color.]
    Caption Abstruction. Installation view, Artists Space, 2003.
    Image description Several artworks installed in a large gallery space with white walls and wooden flooring. A television monitor rests on a low acrylic box on the floor to the room's right side. A warped purple and pink image resembling a kaleidoscopic star shape is displayed on its screen. There are white columns to the left of the monitor. Hanging on a gallery wall on the image's far left side is a large piece of translucent, white cloth embroidered with amorphous red and blue linework. The far gallery wall behind the twinned columns has been painted with slanted, striped areas of peach, yellow, and ochre color.
    Year 2003
    Related pages Abstruction
  • A person with a long braid is sitting on one of many brightly colored bundles of objects. The bundles are sitting on the dirt ground.
    A person with a long braid is sitting on one of many brightly colored bundles of objects. The bundles are sitting on the dirt ground.
    [A person with a long braid is sitting on one of many brightly colored bundles of objects. The bundles are sitting on the dirt ground.]
    Caption
    Image description A person with a long braid is sitting on one of many brightly colored bundles of objects. The bundles are sitting on the dirt ground.
    Year 2011
    Related pages Where Do We Migrate To?
  • An abstract, gestural drawing in neutral tones, with the names of metal elements at the bottom of the page.
    An abstract, gestural drawing in neutral tones, with the names of metal elements at the bottom of the page.
    Cheyney Thompson, Untitled, 2015, Offset and metal powders in acrylic binder on synthetic paper, with handwriting, 22 ½ x 19 in / 57,2 x 48,3 cm, Each unique with hand notation [An abstract, gestural drawing in neutral tones, with the names of metal elements at the bottom of the page.]
    Caption Cheyney Thompson, Untitled, 2015, Offset and metal powders in acrylic binder on synthetic paper, with handwriting, 22 ½ x 19 in / 57,2 x 48,3 cm, Each unique with hand notation
    Image description An abstract, gestural drawing in neutral tones, with the names of metal elements at the bottom of the page.
    Year 2016
    Related pages Artists Space Annual Edition Portfolio 2016
  • A wooden reception desk with piles of various materials on it. A person sits at the desk smiling, and behind them, mounted on the wall, are two glowing neon quotation marks.
    A wooden reception desk with piles of various materials on it. A person sits at the desk smiling, and behind them, mounted on the wall, are two glowing neon quotation marks.
    Lee Walton, Hillary Wiedemann: Living Record, 2007. Performance. Courtesy the artist. Photo: Bill Orcutt. [A wooden reception desk with piles of various materials on it. A person sits at the desk smiling, and behind them, mounted on the wall, are two glowing neon quotation marks.]
    Caption Lee Walton, Hillary Wiedemann: Living Record, 2007. Performance. Courtesy the artist. Photo: Bill Orcutt.
    Image description A wooden reception desk with piles of various materials on it. A person sits at the desk smiling, and behind them, mounted on the wall, are two glowing neon quotation marks.
    Year 2007
    Related pages On Being an Exhibition
  • A color photograph of a sculpture composed of a skeleton, monitors, several wires, and anatomical models of a human body, brain, and spine.
    A color photograph of a sculpture composed of a skeleton, monitors, several wires, and anatomical models of a human body, brain, and spine.
    Milford Graves, Pathways of Infinite Possibilities: Skeleton, 2017. Human skeleton, steel pipe, wires, stickers, medical ear, model, dundun (talking drum), preserved heart, stethoscope, video monitor, transducer, amplifier, wood, metal, printed, labels, marker, casters. Dimensions variable. Photo: Filip Wolak. [A color photograph of a sculpture composed of a skeleton, monitors, several wires, and anatomical models of a human body, brain, and spine.]
    Caption Milford Graves, Pathways of Infinite Possibilities: Skeleton, 2017. Human skeleton, steel pipe, wires, stickers, medical ear, model, dundun (talking drum), preserved heart, stethoscope, video monitor, transducer, amplifier, wood, metal, printed, labels, marker, casters. Dimensions variable. Photo: Filip Wolak.
    Image description A color photograph of a sculpture composed of a skeleton, monitors, several wires, and anatomical models of a human body, brain, and spine.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • A black-and-white image depicting several translucent photos overlaid, some of natural plant life and others of industrial scenes, with power lines and bridge spokes
    A black-and-white image depicting several translucent photos overlaid, some of natural plant life and others of industrial scenes, with power lines and bridge spokes
    Sharon Halliday, Shaded Times, 2014 [A black-and-white image depicting several translucent photos overlaid, some of natural plant life and others of industrial scenes, with power lines and bridge spokes]
    Caption Sharon Halliday, Shaded Times, 2014
    Image description A black-and-white image depicting several translucent photos overlaid, some of natural plant life and others of industrial scenes, with power lines and bridge spokes
    Year 2014
    Related pages Scholastic Art and Writing Awards
  • The top half of this painting shows a blue building ablaze on left. The building foregrounds an orange sky, grey clouds, a white car, and a black skyline. The bottom half uses a grey background with eight figures separated by a white rectangle in the center and an ambulance in the bottom right corner.
    The top half of this painting shows a blue building ablaze on left. The building foregrounds an orange sky, grey clouds, a white car, and a black skyline. The bottom half uses a grey background with eight figures separated by a white rectangle in the center and an ambulance in the bottom right corner.
    Cobus Jagdeo, Orange Hate, acrylic and gouache painting, 2018 [The top half of this painting shows a blue building ablaze on left. The building foregrounds an orange sky, grey clouds, a white car, and a black skyline. The bottom half uses a grey background with eight figures separated by a white rectangle in the center and an ambulance in the bottom right corner.]
    Caption Cobus Jagdeo, Orange Hate, acrylic and gouache painting, 2018
    Image description The top half of this painting shows a blue building ablaze on left. The building foregrounds an orange sky, grey clouds, a white car, and a black skyline. The bottom half uses a grey background with eight figures separated by a white rectangle in the center and an ambulance in the bottom right corner.
    Year 2018
    Related pages Portfolio Development
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Two dogs face each other at an angle on eggshell colored sand.
    Two dogs face each other at an angle on eggshell colored sand.
    Malachi Sherrill, from Dogs portfolio, 2020, digital photograph [Two dogs face each other at an angle on eggshell colored sand.]
    Caption Malachi Sherrill, from Dogs portfolio, 2020, digital photograph
    Image description Two dogs face each other at an angle on eggshell colored sand.
    Year 2020
    Related pages BRIDGE Photography
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Individual self-portraits, Untitled, 2021, collage and sequins on paper
    Caption Individual self-portraits, Untitled, 2021, collage and sequins on paper
    Image description
    Year 2021
    Related pages Threads of History
  • Two musicians sit on stage. The musician on the left is leaning over a table and using electronic instruments. The musician on the right is looking down and playing the guitar. The stage is lit with red and white lights and projected with a patchworks of patterns.
    Two musicians sit on stage. The musician on the left is leaning over a table and using electronic instruments. The musician on the right is looking down and playing the guitar. The stage is lit with red and white lights and projected with a patchworks of patterns.
    Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman. [Two musicians sit on stage. The musician on the left is leaning over a table and using electronic instruments. The musician on the right is looking down and playing the guitar. The stage is lit with red and white lights and projected with a patchworks of patterns.]
    Caption Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Two musicians sit on stage. The musician on the left is leaning over a table and using electronic instruments. The musician on the right is looking down and playing the guitar. The stage is lit with red and white lights and projected with a patchworks of patterns.
    Year
    Related pages Abasement #73
  • Three abstract sculptures in the foreground of a white-walled gallery space with white columns. In the background, there are other gallery spaces with artworks hanging on the walls.
    Three abstract sculptures in the foreground of a white-walled gallery space with white columns. In the background, there are other gallery spaces with artworks hanging on the walls.
    Metaphysical Visions. Installation view, Artists Space, 1989. [Three abstract sculptures in the foreground of a white-walled gallery space with white columns. In the background, there are other gallery spaces with artworks hanging on the walls.]
    Caption Metaphysical Visions. Installation view, Artists Space, 1989.
    Image description Three abstract sculptures in the foreground of a white-walled gallery space with white columns. In the background, there are other gallery spaces with artworks hanging on the walls.
    Year
    Related pages Metaphysical Visions: Middle Europe
  • A row of small folded blue books are displayed on a black table. A piece of white coral is also placed in the middle of the table.
    A row of small folded blue books are displayed on a black table. A piece of white coral is also placed in the middle of the table.
    Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang. [A row of small folded blue books are displayed on a black table. A piece of white coral is also placed in the middle of the table.]
    Caption Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang.
    Image description A row of small folded blue books are displayed on a black table. A piece of white coral is also placed in the middle of the table.
    Year 2023
    Related pages Chang Yuchen: Coral Dictionary Vol. 1, 2019-2022
  • A figure faces towards a microphone and red light, playing some sort of instrument that is out of focus.
    A figure faces towards a microphone and red light, playing some sort of instrument that is out of focus.
    Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York. [A figure faces towards a microphone and red light, playing some sort of instrument that is out of focus.]
    Caption Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York.
    Image description A figure faces towards a microphone and red light, playing some sort of instrument that is out of focus.
    Year
    Related pages Eiko Ishibashi in Concert
  • Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “May 4 / Nature Theater of Oklahoma / Violet Spurlock.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “May 4 / Nature Theater of Oklahoma / Violet Spurlock.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “May 4 / Nature Theater of Oklahoma / Violet Spurlock.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “May 4 / Nature Theater of Oklahoma / Violet Spurlock.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Nature Theater of Oklahoma & Violet Spurlock
  • Two figures perform in a basement. On the left a figure with a video camera and shoulder rig takes footage of another figure on the right, dressed in a blue morph suit, and pushing a semicircular rolling table made of wood and fresnel lenses. Along the back wall blue and purple tinted live CCTV video footage is projected.
    Two figures perform in a basement. On the left a figure with a video camera and shoulder rig takes footage of another figure on the right, dressed in a blue morph suit, and pushing a semicircular rolling table made of wood and fresnel lenses. Along the back wall blue and purple tinted live CCTV video footage is projected.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Two figures perform in a basement. On the left a figure with a video camera and shoulder rig takes footage of another figure on the right, dressed in a blue morph suit, and pushing a semicircular rolling table made of wood and fresnel lenses. Along the back wall blue and purple tinted live CCTV video footage is projected.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Two figures perform in a basement. On the left a figure with a video camera and shoulder rig takes footage of another figure on the right, dressed in a blue morph suit, and pushing a semicircular rolling table made of wood and fresnel lenses. Along the back wall blue and purple tinted live CCTV video footage is projected.
    Year 2022
    Related pages SCRAAATCH 11-19
  • A black and white installation photograph of a gallery space. Placed on the floor, canvasses of dark rectangles on white backgrounds lean against a white wall.
    A black and white installation photograph of a gallery space. Placed on the floor, canvasses of dark rectangles on white backgrounds lean against a white wall.
    Mel Kendrick, Dinnever Hill. Installation view, Artists Space, 1974. [A black and white installation photograph of a gallery space. Placed on the floor, canvasses of dark rectangles on white backgrounds lean against a white wall.]
    Caption Mel Kendrick, Dinnever Hill. Installation view, Artists Space, 1974.
    Image description A black and white installation photograph of a gallery space. Placed on the floor, canvasses of dark rectangles on white backgrounds lean against a white wall.
    Year 1974
    Related pages Mel Kendrick, Lois Lane, Christopher Shelton
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Contact sheet of photos from the exhibition.
    Contact sheet of photos from the exhibition.
    Young Fluxus. Installation view, Artists Space, 1982. Frames 31-36: Installation views of Tad Savinar’s “Rock” in Room 207. [Contact sheet of photos from the exhibition.]
    Caption Young Fluxus. Installation view, Artists Space, 1982. Frames 31-36: Installation views of Tad Savinar’s “Rock” in Room 207.
    Image description Contact sheet of photos from the exhibition.
    Year
    Related pages Young Fluxus
  • Caption
    Image description
    Year
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
  • A person dressed in all pink extends a pink heart-shaped canvas over her head in front of a rapt audience. There are light spots reflected at even intervals patterning the room.
    A person dressed in all pink extends a pink heart-shaped canvas over her head in front of a rapt audience. There are light spots reflected at even intervals patterning the room.
    Jutta Koether, xxapollo. Performance documentation, Artists Space, January 5, 2020. Photo © 2020 Paula Court. [A person dressed in all pink extends a pink heart-shaped canvas over her head in front of a rapt audience. There are light spots reflected at even intervals patterning the room.]
    Caption Jutta Koether, xxapollo. Performance documentation, Artists Space, January 5, 2020. Photo © 2020 Paula Court.
    Image description A person dressed in all pink extends a pink heart-shaped canvas over her head in front of a rapt audience. There are light spots reflected at even intervals patterning the room.
    Year 2020
    Related pages
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