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  • Caption
    Image description
    Year
    Related pages Abasement #77
  • Contact sheet of photos from the exhibition.
    Contact sheet of photos from the exhibition.
    Young Fluxus. Installation view, Artists Space, 1982. Frames 31-36: Installation views of Tad Savinar’s “Rock” in Room 207. [Contact sheet of photos from the exhibition.]
    Caption Young Fluxus. Installation view, Artists Space, 1982. Frames 31-36: Installation views of Tad Savinar’s “Rock” in Room 207.
    Image description Contact sheet of photos from the exhibition.
    Year
    Related pages Young Fluxus
  • A black and white image of a figure in a field, they bend at the waist and place their hands on their knees.
    A black and white image of a figure in a field, they bend at the waist and place their hands on their knees.
    Gregg Powell, video still, c. 1977. [A black and white image of a figure in a field, they bend at the waist and place their hands on their knees.]
    Caption Gregg Powell, video still, c. 1977.
    Image description A black and white image of a figure in a field, they bend at the waist and place their hands on their knees.
    Year 1977
    Related pages Artists Super 8 Film Exposition
  • Text written in black on white background reads,
    Text written in black on white background reads,
    Martha Wallner and Miriam Loasiga. Still from Con Guerra O Sin Guerra (With or Without War), 1987. Video (sound, black and white). 20 minutes. Spanish with English subtitles. [Text written in black on white background reads, "-inista ejercityo popular sandiniista ejerc-". A line above the text appears as a type of rope or barbed wire and the top opens up into black. Video scan lines and black edges of CRT monitor are visible.]
    Caption Martha Wallner and Miriam Loasiga. Still from Con Guerra O Sin Guerra (With or Without War), 1987. Video (sound, black and white). 20 minutes. Spanish with English subtitles.
    Image description Text written in black on white background reads, "-inista ejercityo popular sandiniista ejerc-". A line above the text appears as a type of rope or barbed wire and the top opens up into black. Video scan lines and black edges of CRT monitor are visible.
    Year 1987
    Related pages TV Sandino
  • Black text on a grey background. The text reads: “March 21 / Dave Morse / Anahid Nersessian.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a grey background. The text reads: “March 21 / Dave Morse / Anahid Nersessian.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a grey background. The text reads: “March 21 / Dave Morse / Anahid Nersessian.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a grey background. The text reads: “March 21 / Dave Morse / Anahid Nersessian.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Dave Morse & Anahid Nersessian
  • Two colorful drawings are exhibited on a black wall. On the left, a series of open boxes is drawn in red. To the right, the drawing is crowded with the depiction of an open book, airplanes, and multicolored boxes. Both drawings are signed with F-.
    Two colorful drawings are exhibited on a black wall. On the left, a series of open boxes is drawn in red. To the right, the drawing is crowded with the depiction of an open book, airplanes, and multicolored boxes. Both drawings are signed with F-.
    Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon. [Two colorful drawings are exhibited on a black wall. On the left, a series of open boxes is drawn in red. To the right, the drawing is crowded with the depiction of an open book, airplanes, and multicolored boxes. Both drawings are signed with F-.]
    Caption Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon.
    Image description Two colorful drawings are exhibited on a black wall. On the left, a series of open boxes is drawn in red. To the right, the drawing is crowded with the depiction of an open book, airplanes, and multicolored boxes. Both drawings are signed with F-.
    Year
    Related pages Ralston Farina: Time // Time
  • A glass vitrine displaying a series of images, pages of text, and two large rat skulls.
    A glass vitrine displaying a series of images, pages of text, and two large rat skulls.
    She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak. [A glass vitrine displaying a series of images, pages of text, and two large rat skulls.]
    Caption She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak.
    Image description A glass vitrine displaying a series of images, pages of text, and two large rat skulls.
    Year 2020
    Related pages She Who Is: Adrienne Kennedy and the Drama of Difference
  • Older man with microphone stands next to five small boys. The wall behind them reads
    Older man with microphone stands next to five small boys. The wall behind them reads
    Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart), 1983. Video (sound, black and white). Spanish with English subtitles. [Older man with microphone stands next to five small boys. The wall behind them reads "en esta esquina" in black letters on one side and "CDS" in white letters on the other. Subtitles burned into the image at the bottom read, "Our prizes are 2000, 1000 and 500!" Video scan lines and outer edges of CRT monitor are visible.]
    Caption Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart), 1983. Video (sound, black and white). Spanish with English subtitles.
    Image description Older man with microphone stands next to five small boys. The wall behind them reads "en esta esquina" in black letters on one side and "CDS" in white letters on the other. Subtitles burned into the image at the bottom read, "Our prizes are 2000, 1000 and 500!" Video scan lines and outer edges of CRT monitor are visible.
    Year 1983
    Related pages TV Sandino
  • Caption
    Image description
    Year
    Related pages Abasement #84
  • A black and white photograph of an exhibition space with multiple art works.
    A black and white photograph of an exhibition space with multiple art works.
    New Galleries of the Lower East Side. Installation view, Artist Space, 1984. Photo: Kenji Fujita. [A black and white photograph of an exhibition space with multiple art works.]
    Caption New Galleries of the Lower East Side. Installation view, Artist Space, 1984. Photo: Kenji Fujita.
    Image description A black and white photograph of an exhibition space with multiple art works.
    Year 1984
    Related pages
  • A color image of two tree logs, placed on brown pedestals. The pedestal in the back features a taxidermied griffon vulture.
    A color image of two tree logs, placed on brown pedestals. The pedestal in the back features a taxidermied griffon vulture.
    Andy Robert: PAPALOKO. Installation view (bwa, 2023; Ruin, 2023), Artists Space, 2024. Photo: Carter Seddon. [A color image of two tree logs, placed on brown pedestals. The pedestal in the back features a taxidermied griffon vulture.]
    Caption Andy Robert: PAPALOKO. Installation view (bwa, 2023; Ruin, 2023), Artists Space, 2024. Photo: Carter Seddon.
    Image description A color image of two tree logs, placed on brown pedestals. The pedestal in the back features a taxidermied griffon vulture.
    Year
    Related pages Andy Robert: Papaloko
  • A figure stands next to a fold-out table in a dimly lit space. They look down at their feet while their hand rests at their hip.
    A figure stands next to a fold-out table in a dimly lit space. They look down at their feet while their hand rests at their hip.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A figure stands next to a fold-out table in a dimly lit space. They look down at their feet while their hand rests at their hip.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A figure stands next to a fold-out table in a dimly lit space. They look down at their feet while their hand rests at their hip.
    Year 2019
    Related pages Speaker Music: drape over another
  • A color photograph looking down an alleyway. Sets of grey and yellow posters hang from the brick wall of the alleyway.
    A color photograph looking down an alleyway. Sets of grey and yellow posters hang from the brick wall of the alleyway.
    virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph looking down an alleyway. Sets of grey and yellow posters hang from the brick wall of the alleyway.]
    Caption virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph looking down an alleyway. Sets of grey and yellow posters hang from the brick wall of the alleyway.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
  • Eleven brown bags of varying sizes are displayed on a wall, pinned so that their mouths hang open slightly. Charcoal rubbings on the bags trace out corporate logos and other words and phrases.
    Eleven brown bags of varying sizes are displayed on a wall, pinned so that their mouths hang open slightly. Charcoal rubbings on the bags trace out corporate logos and other words and phrases.
    Alan Michelson. Permanent Title, 1993. Wax, muslin, charcoal. Overall: 144 x 144 x 9 in. (366 x 366 x 23 cm). Courtesy the artist. [Eleven brown bags of varying sizes are displayed on a wall, pinned so that their mouths hang open slightly. Charcoal rubbings on the bags trace out corporate logos and other words and phrases.]
    Caption Alan Michelson. Permanent Title, 1993. Wax, muslin, charcoal. Overall: 144 x 144 x 9 in. (366 x 366 x 23 cm). Courtesy the artist.
    Image description Eleven brown bags of varying sizes are displayed on a wall, pinned so that their mouths hang open slightly. Charcoal rubbings on the bags trace out corporate logos and other words and phrases.
    Year 1993
    Related pages Whitney ISP Archive
  • In a dark room with a black wall and wood floor, there is a spotlight shining on two frog plushies. One sits horizontally in the lap of another who is seated in a director's chair. Two more director's chairs, not illuminated, sit facing the frogs. The spotlight, the chairs, and the frogs all appear miniature-sized.
    In a dark room with a black wall and wood floor, there is a spotlight shining on two frog plushies. One sits horizontally in the lap of another who is seated in a director's chair. Two more director's chairs, not illuminated, sit facing the frogs. The spotlight, the chairs, and the frogs all appear miniature-sized.
    Aristotelis Nikolas Mochloulis, Frog Man and Baby Frog, 2025, Michigan J. Frog plushies, miniature directors chairs, ARRI 150W light, Manfrotto Nano light stand. [In a dark room with a black wall and wood floor, there is a spotlight shining on two frog plushies. One sits horizontally in the lap of another who is seated in a director's chair. Two more director's chairs, not illuminated, sit facing the frogs. The spotlight, the chairs, and the frogs all appear miniature-sized.]
    Caption Aristotelis Nikolas Mochloulis, Frog Man and Baby Frog, 2025, Michigan J. Frog plushies, miniature directors chairs, ARRI 150W light, Manfrotto Nano light stand.
    Image description In a dark room with a black wall and wood floor, there is a spotlight shining on two frog plushies. One sits horizontally in the lap of another who is seated in a director's chair. Two more director's chairs, not illuminated, sit facing the frogs. The spotlight, the chairs, and the frogs all appear miniature-sized.
    Year 2024
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A close-up, black and white photo of a person mid-speech, looking off-center.
    A close-up, black and white photo of a person mid-speech, looking off-center.
    Lyn Blumenthal and Kate Horsfield, still from Nancy Spero: An Interview, 1982. 35 min. [A close-up, black and white photo of a person mid-speech, looking off-center.]
    Caption Lyn Blumenthal and Kate Horsfield, still from Nancy Spero: An Interview, 1982. 35 min.
    Image description A close-up, black and white photo of a person mid-speech, looking off-center.
    Year 1982
    Related pages Film and Video Program | Macho Man, Tell It To My Heart: Collected by Julie Ault | January 16
  • A series of vintage, abstract clocks hanging on a white wall above a long didactic text displayed on a horizontal plinth.
    A series of vintage, abstract clocks hanging on a white wall above a long didactic text displayed on a horizontal plinth.
    Vintage clocks designed by George Nelson, late 1940-50s. Collected by Felix Gonzalez-Torres. Loaned by Julie Ault, John Connelly, Amada Cruz Harman and Rick G. Harman, Jim Hodges, Roni Horn, Michelle Reyes, Andrea Rosen. [A series of vintage, abstract clocks hanging on a white wall above a long didactic text displayed on a horizontal plinth.]
    Caption Vintage clocks designed by George Nelson, late 1940-50s. Collected by Felix Gonzalez-Torres. Loaned by Julie Ault, John Connelly, Amada Cruz Harman and Rick G. Harman, Jim Hodges, Roni Horn, Michelle Reyes, Andrea Rosen.
    Image description A series of vintage, abstract clocks hanging on a white wall above a long didactic text displayed on a horizontal plinth.
    Year 2014
    Related pages Ever Ephemeral
  • A man lifts up the hood of a white car on the side of the road amidst a sprawling open landscape. The front doors on both sides of the vehicle are open.
    A man lifts up the hood of a white car on the side of the road amidst a sprawling open landscape. The front doors on both sides of the vehicle are open.
    Pena Bonita, Stalled, 1987. Color photograph. [A man lifts up the hood of a white car on the side of the road amidst a sprawling open landscape. The front doors on both sides of the vehicle are open.]
    Caption Pena Bonita, Stalled, 1987. Color photograph.
    Image description A man lifts up the hood of a white car on the side of the road amidst a sprawling open landscape. The front doors on both sides of the vehicle are open.
    Year 1987
    Related pages Unholding
  • A blue flyer with the text
    A blue flyer with the text
    MTL+, Water Is Life. 2016. Courtesy the artists. [A blue flyer with the text "Water is Life - No DAPL" with a graphic of an eagle holding the neck of a snake in its beak.]
    Caption MTL+, Water Is Life. 2016. Courtesy the artists.
    Image description A blue flyer with the text "Water is Life - No DAPL" with a graphic of an eagle holding the neck of a snake in its beak.
    Year 2016
    Related pages Water Is Life
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    Image description
    Year
    Related pages Artists Space: Artists Fund
  • A flyer for Slideshow/Cloakroom at Artists Space featuring information about the event in black text. At the bottom there is a line drawing of a hanger with decibel readings within it.
    A flyer for Slideshow/Cloakroom at Artists Space featuring information about the event in black text. At the bottom there is a line drawing of a hanger with decibel readings within it.
    [A flyer for Slideshow/Cloakroom at Artists Space featuring information about the event in black text. At the bottom there is a line drawing of a hanger with decibel readings within it.]
    Caption
    Image description A flyer for Slideshow/Cloakroom at Artists Space featuring information about the event in black text. At the bottom there is a line drawing of a hanger with decibel readings within it.
    Year 2009
    Related pages Slideshow/Cloakroom with Pierre Leguillon
  • Color photograph of a figure sitting at the head of a table with seven chairs in an empty room. In front of each chair there is a small stack of papers.
    Color photograph of a figure sitting at the head of a table with seven chairs in an empty room. In front of each chair there is a small stack of papers.
    Installation view of Barbara Bloom's Solution. From Barbara Bloom, David Salle, Artists Space, 1976. [Color photograph of a figure sitting at the head of a table with seven chairs in an empty room. In front of each chair there is a small stack of papers.]
    Caption Installation view of Barbara Bloom's Solution. From Barbara Bloom, David Salle, Artists Space, 1976.
    Image description Color photograph of a figure sitting at the head of a table with seven chairs in an empty room. In front of each chair there is a small stack of papers.
    Year 1976
    Related pages Barbara Bloom, David Salle
  • A hallway with one gray wall and one white. On the gray wall, there are a series of drawings on white paper arranged in a 4x7 grid. On the white wall, there are four frames. Light is refracted on a third wall at the end of the hallway.
    A hallway with one gray wall and one white. On the gray wall, there are a series of drawings on white paper arranged in a 4x7 grid. On the white wall, there are four frames. Light is refracted on a third wall at the end of the hallway.
    Local Transit. Installation view, Artists Space, 2006. [A hallway with one gray wall and one white. On the gray wall, there are a series of drawings on white paper arranged in a 4x7 grid. On the white wall, there are four frames. Light is refracted on a third wall at the end of the hallway.]
    Caption Local Transit. Installation view, Artists Space, 2006.
    Image description A hallway with one gray wall and one white. On the gray wall, there are a series of drawings on white paper arranged in a 4x7 grid. On the white wall, there are four frames. Light is refracted on a third wall at the end of the hallway.
    Year
    Related pages Local Transit: An Exhibition in Two Parts
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    Image description
    Year
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
  • Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak
    Caption Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak
    Image description
    Year
    Related pages All These Different Things Are Sculpture
  • A sculpture consisting of a large rectangular pane of glass, its bottom edge wedged into the center of a square block, is installed in a white-walled gallery space. A small canvas is attached to the center of the glass pane with its wooden backing facing the viewer. String and an orange, mesh-like object hang and drip from the canvas's lower edge. Three figures are visible behind the sculpture, talking in a small cluster.
    A sculpture consisting of a large rectangular pane of glass, its bottom edge wedged into the center of a square block, is installed in a white-walled gallery space. A small canvas is attached to the center of the glass pane with its wooden backing facing the viewer. String and an orange, mesh-like object hang and drip from the canvas's lower edge. Three figures are visible behind the sculpture, talking in a small cluster.
    Jutta Koether, The Seasons ("Summer," Seasons set #3, Reena Spaulings, Frieze New York), 2012. [A sculpture consisting of a large rectangular pane of glass, its bottom edge wedged into the center of a square block, is installed in a white-walled gallery space. A small canvas is attached to the center of the glass pane with its wooden backing facing the viewer. String and an orange, mesh-like object hang and drip from the canvas's lower edge. Three figures are visible behind the sculpture, talking in a small cluster.]
    Caption Jutta Koether, The Seasons ("Summer," Seasons set #3, Reena Spaulings, Frieze New York), 2012.
    Image description A sculpture consisting of a large rectangular pane of glass, its bottom edge wedged into the center of a square block, is installed in a white-walled gallery space. A small canvas is attached to the center of the glass pane with its wooden backing facing the viewer. String and an orange, mesh-like object hang and drip from the canvas's lower edge. Three figures are visible behind the sculpture, talking in a small cluster.
    Year 2012
    Related pages Fifth Season Act, Apotheosically
  • Color image of a performer on stage, standing in front of various types of electronic audio equipment. They are wearing a monochromatic purple outfit and glasses. The wall behind them is decorated with blue, orange, and purple projections. The left side of the room is lit with small blue dots reflecting from a disco ball. A few audience members are visible in the bottom edge of the image.
    Color image of a performer on stage, standing in front of various types of electronic audio equipment. They are wearing a monochromatic purple outfit and glasses. The wall behind them is decorated with blue, orange, and purple projections. The left side of the room is lit with small blue dots reflecting from a disco ball. A few audience members are visible in the bottom edge of the image.
    Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of a performer on stage, standing in front of various types of electronic audio equipment. They are wearing a monochromatic purple outfit and glasses. The wall behind them is decorated with blue, orange, and purple projections. The left side of the room is lit with small blue dots reflecting from a disco ball. A few audience members are visible in the bottom edge of the image.]
    Caption Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a performer on stage, standing in front of various types of electronic audio equipment. They are wearing a monochromatic purple outfit and glasses. The wall behind them is decorated with blue, orange, and purple projections. The left side of the room is lit with small blue dots reflecting from a disco ball. A few audience members are visible in the bottom edge of the image.
    Year
    Related pages Abasement #76
  • White text on a purple background reads:
    White text on a purple background reads:
    Flyer for Book Launch of Susan Brockman: Soft Network 01. [White text on a purple background reads: "Soft Network & Soberscove Press / Book Launch / Susan Brockman: Soft Network 01 / January 7, 2025, 7-9PM / Artists Space, 11 Cortlandt Alley, NYC." A black and white photograph of a woman standing in a desolate space is featured on the bottom left corner of the flyer.]
    Caption Flyer for Book Launch of Susan Brockman: Soft Network 01.
    Image description White text on a purple background reads: "Soft Network & Soberscove Press / Book Launch / Susan Brockman: Soft Network 01 / January 7, 2025, 7-9PM / Artists Space, 11 Cortlandt Alley, NYC." A black and white photograph of a woman standing in a desolate space is featured on the bottom left corner of the flyer.
    Year
    Related pages Book launch of Susan Brockman: Soft Network 01
  • A performer, bathed in purple light, plays a guitar on stage.
    A performer, bathed in purple light, plays a guitar on stage.
    Abasement #84. Performance documentation, February 16th, 2026, Artists Space. Photo: Joshua Wildman. [A performer, bathed in purple light, plays a guitar on stage.]
    Caption Abasement #84. Performance documentation, February 16th, 2026, Artists Space. Photo: Joshua Wildman.
    Image description A performer, bathed in purple light, plays a guitar on stage.
    Year
    Related pages Abasement #84
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • A flower arrangement consisting of white flowers and green leaves displayed on a slated, wooden floor. The arrangement is shaped such that it forms a lowercase, italicized letter
    A flower arrangement consisting of white flowers and green leaves displayed on a slated, wooden floor. The arrangement is shaped such that it forms a lowercase, italicized letter
    Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt. [A flower arrangement consisting of white flowers and green leaves displayed on a slated, wooden floor. The arrangement is shaped such that it forms a lowercase, italicized letter "a."]
    Caption Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt.
    Image description A flower arrangement consisting of white flowers and green leaves displayed on a slated, wooden floor. The arrangement is shaped such that it forms a lowercase, italicized letter "a."
    Year 1997
    Related pages Lines of Loss
  • Color image of two small doorstop sculptures on the floor of the gallery space landing. The sculpture in the foreground consists of a short column of aluminum, banded with black rubber near the top. In the background sits another sculpture, a squat column of concentric stainless steel rings with a black rubber core.
    Color image of two small doorstop sculptures on the floor of the gallery space landing. The sculpture in the foreground consists of a short column of aluminum, banded with black rubber near the top. In the background sits another sculpture, a squat column of concentric stainless steel rings with a black rubber core.
    Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view (Doris Guo, Doorstop 1, 2024; Doris Guo, Doorstop 2, 2024), Artists Space, 2024. Photo: Carter Seddon. [Color image of two small doorstop sculptures on the floor of the gallery space landing. The sculpture in the foreground consists of a short column of aluminum, banded with black rubber near the top. In the background sits another sculpture, a squat column of concentric stainless steel rings with a black rubber core.]
    Caption Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view (Doris Guo, Doorstop 1, 2024; Doris Guo, Doorstop 2, 2024), Artists Space, 2024. Photo: Carter Seddon.
    Image description Color image of two small doorstop sculptures on the floor of the gallery space landing. The sculpture in the foreground consists of a short column of aluminum, banded with black rubber near the top. In the background sits another sculpture, a squat column of concentric stainless steel rings with a black rubber core.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • Three works are seen in the gallery space. To the far left, five rectangular wooden boards stand stacked on top of each other. Central is a tall box made of similar wood boards. To the right sits an eagle-headed sculpture and an object resembling a modem.
    Three works are seen in the gallery space. To the far left, five rectangular wooden boards stand stacked on top of each other. Central is a tall box made of similar wood boards. To the right sits an eagle-headed sculpture and an object resembling a modem.
    Brad Kronz. Installation view, Artists Space, 2025. Photo: Carter Seddon [Three works are seen in the gallery space. To the far left, five rectangular wooden boards stand stacked on top of each other. Central is a tall box made of similar wood boards. To the right sits an eagle-headed sculpture and an object resembling a modem. ]
    Caption Brad Kronz. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description Three works are seen in the gallery space. To the far left, five rectangular wooden boards stand stacked on top of each other. Central is a tall box made of similar wood boards. To the right sits an eagle-headed sculpture and an object resembling a modem.
    Year
    Related pages Brad Kronz
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A black and white photograph with two projectors hanging central with projections on one wall and another hanging screen in a gallery space.
    A black and white photograph with two projectors hanging central with projections on one wall and another hanging screen in a gallery space.
    Anne Bray. Man on First and Third, 1987. Slide/Sound Installation. [A black and white photograph with two projectors hanging central with projections on one wall and another hanging screen in a gallery space.]
    Caption Anne Bray. Man on First and Third, 1987. Slide/Sound Installation.
    Image description A black and white photograph with two projectors hanging central with projections on one wall and another hanging screen in a gallery space.
    Year 1987
    Related pages Dark Rooms
  • House-like form with three egg-shaped objects surrounding it with some shadowing visible.
    House-like form with three egg-shaped objects surrounding it with some shadowing visible.
    Marina Cappelletto. Still Life with Three Eggs, 1987. [House-like form with three egg-shaped objects surrounding it with some shadowing visible.]
    Caption Marina Cappelletto. Still Life with Three Eggs, 1987.
    Image description House-like form with three egg-shaped objects surrounding it with some shadowing visible.
    Year
    Related pages Selections from the Artists File
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • In the foreground is one dark painting image and in the background is a painting of a figure coming out of a square brick chimney-like structure with marking above them. These two paintings appear in a white-walled gallery space.
    In the foreground is one dark painting image and in the background is a painting of a figure coming out of a square brick chimney-like structure with marking above them. These two paintings appear in a white-walled gallery space.
    Five Spanish Artists. Installation View, Artists Space, 1985. [In the foreground is one dark painting image and in the background is a painting of a figure coming out of a square brick chimney-like structure with marking above them. These two paintings appear in a white-walled gallery space.]
    Caption Five Spanish Artists. Installation View, Artists Space, 1985.
    Image description In the foreground is one dark painting image and in the background is a painting of a figure coming out of a square brick chimney-like structure with marking above them. These two paintings appear in a white-walled gallery space.
    Year
    Related pages Five Spanish Artists
  • A black and white photograph with two images of faces illuminated in the darkness and text underneath.
    A black and white photograph with two images of faces illuminated in the darkness and text underneath.
    John Knecht. I'm Glad To The Brink Of Fear, 1986. Video Installation. [A black and white photograph with two images of faces illuminated in the darkness and text underneath.]
    Caption John Knecht. I'm Glad To The Brink Of Fear, 1986. Video Installation.
    Image description A black and white photograph with two images of faces illuminated in the darkness and text underneath.
    Year 1987
    Related pages Dark Rooms
  • An individual performing while standing in front of a projection of themselves and a child. A thought bubble on the right side of the projection reads
    An individual performing while standing in front of a projection of themselves and a child. A thought bubble on the right side of the projection reads
    Adrian Piper: It's Just Art. Performance documentation, 1981, Artists Space. [An individual performing while standing in front of a projection of themselves and a child. A thought bubble on the right side of the projection reads "14. WE DEFEND EACH OTHER (YOU CERTAINLY DIDN'T COME TO AN ART PERFORMANCE TO HEAR A LECTURE ON CURRENT EVENTS).]
    Caption Adrian Piper: It's Just Art. Performance documentation, 1981, Artists Space.
    Image description An individual performing while standing in front of a projection of themselves and a child. A thought bubble on the right side of the projection reads "14. WE DEFEND EACH OTHER (YOU CERTAINLY DIDN'T COME TO AN ART PERFORMANCE TO HEAR A LECTURE ON CURRENT EVENTS).
    Year 1981
    Related pages
  • A monkey's head is pasted above a drawing of a suit with other pencil markings throughout the image on lined notebook paper. Below the figure is a collaged phrase from newspaper clippings that says
    A monkey's head is pasted above a drawing of a suit with other pencil markings throughout the image on lined notebook paper. Below the figure is a collaged phrase from newspaper clippings that says
    Camilo, headline poem, 2019 [A monkey's head is pasted above a drawing of a suit with other pencil markings throughout the image on lined notebook paper. Below the figure is a collaged phrase from newspaper clippings that says "Monkey goes to Harvard."]
    Caption Camilo, headline poem, 2019
    Image description A monkey's head is pasted above a drawing of a suit with other pencil markings throughout the image on lined notebook paper. Below the figure is a collaged phrase from newspaper clippings that says "Monkey goes to Harvard."
    Year 2019
    Related pages Art and Literacy: Poetry
  • White text overlays a dark blue background. The top left corner reads: manuel arturo abreu / JJJJJerome Ellis. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, February 5, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5.
    White text overlays a dark blue background. The top left corner reads: manuel arturo abreu / JJJJJerome Ellis. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, February 5, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5.
    Flyer for Segue Reading Series featuring manuel arturo abreu and JJJJJerome Ellis. February 5, 2022, Artists Space. [White text overlays a dark blue background. The top left corner reads: manuel arturo abreu / JJJJJerome Ellis. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, February 5, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5."]
    Caption Flyer for Segue Reading Series featuring manuel arturo abreu and JJJJJerome Ellis. February 5, 2022, Artists Space.
    Image description White text overlays a dark blue background. The top left corner reads: manuel arturo abreu / JJJJJerome Ellis. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, February 5, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5."
    Year 2022
    Related pages Segue Reading Series: manuel arturo abreu & JJJJJerome Ellis
  • An angled view from a ledge containing household items, into a bedroom. Above the doorway black text reads,
    An angled view from a ledge containing household items, into a bedroom. Above the doorway black text reads,
    [An angled view from a ledge containing household items, into a bedroom. Above the doorway black text reads, "Macho Man, Tell it to My Heart."]
    Caption
    Image description An angled view from a ledge containing household items, into a bedroom. Above the doorway black text reads, "Macho Man, Tell it to My Heart."
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • Black and white cropped image of an animal-like figure. An eye is located on the upper right corner. Feathers and fur fill the frame.
    Black and white cropped image of an animal-like figure. An eye is located on the upper right corner. Feathers and fur fill the frame.
    [Black and white cropped image of an animal-like figure. An eye is located on the upper right corner. Feathers and fur fill the frame.]
    Caption
    Image description Black and white cropped image of an animal-like figure. An eye is located on the upper right corner. Feathers and fur fill the frame.
    Year
    Related pages Andy Robert: Papaloko
  • A figure stands on stage behind a table with a laptop, preparing to perform.
    A figure stands on stage behind a table with a laptop, preparing to perform.
    Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure stands on stage behind a table with a laptop, preparing to perform.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure stands on stage behind a table with a laptop, preparing to perform.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-10
  • A black and white image of four paintings of various sizes displayed against a fence with a thin layer of snow, marked with footprints, beneath them.
    A black and white image of four paintings of various sizes displayed against a fence with a thin layer of snow, marked with footprints, beneath them.
    Front Yard Exhibition Galerie Parnass, Villa Jährling, Moltkestraße 67 February 1964 Photo: Rolf Jährling, Zentralarchiv des internationalen Kunsthandels ZADIK [A black and white image of four paintings of various sizes displayed against a fence with a thin layer of snow, marked with footprints, beneath them.]
    Caption Front Yard Exhibition Galerie Parnass, Villa Jährling, Moltkestraße 67 February 1964 Photo: Rolf Jährling, Zentralarchiv des internationalen Kunsthandels ZADIK
    Image description A black and white image of four paintings of various sizes displayed against a fence with a thin layer of snow, marked with footprints, beneath them.
    Year 1964
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A bedroom scene set up in the middle of an open room. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.
    A bedroom scene set up in the middle of an open room. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.
    The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich. [A bedroom scene set up in the middle of an open room. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.]
    Caption The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description A bedroom scene set up in the middle of an open room. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.
    Year 2008
    Related pages The New Normal
  • Miniature houses constructed of documents are displayed in the middle of the room on vitrines. A purple and yellow collage hangs on the back, left wall. The right wall displays colorful paper bags and a video monitor projecting an image of a robotic animal.
    Miniature houses constructed of documents are displayed in the middle of the room on vitrines. A purple and yellow collage hangs on the back, left wall. The right wall displays colorful paper bags and a video monitor projecting an image of a robotic animal.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Miniature houses constructed of documents are displayed in the middle of the room on vitrines. A purple and yellow collage hangs on the back, left wall. The right wall displays colorful paper bags and a video monitor projecting an image of a robotic animal.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description Miniature houses constructed of documents are displayed in the middle of the room on vitrines. A purple and yellow collage hangs on the back, left wall. The right wall displays colorful paper bags and a video monitor projecting an image of a robotic animal.
    Year 2017
    Related pages Unholding
  • A figure plays the piano to a seated crowd behind him.
    A figure plays the piano to a seated crowd behind him.
    Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure plays the piano to a seated crowd behind him.]
    Caption Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure plays the piano to a seated crowd behind him.
    Year 2022
    Related pages Tisziji Muñoz with Francisco Mora Catlett and AfroHORN
  • A woman in a pink dress sitting at a table in a yard surrounded by stuffed animals and a tea set.
    A woman in a pink dress sitting at a table in a yard surrounded by stuffed animals and a tea set.
    Photo: Gabe Hoot. [A woman in a pink dress sitting at a table in a yard surrounded by stuffed animals and a tea set.]
    Caption Photo: Gabe Hoot.
    Image description A woman in a pink dress sitting at a table in a yard surrounded by stuffed animals and a tea set.
    Year 2014
    Related pages Whatever you do, I want you to do it here.
  • Individual self-portraits, Untitled, 2021, collage and sequins on paper
    Caption Individual self-portraits, Untitled, 2021, collage and sequins on paper
    Image description
    Year 2021
    Related pages Threads of History
  • A Frida Kahlo painting and portrait of woman against a black background.
    A Frida Kahlo painting and portrait of woman against a black background.
    [A Frida Kahlo painting and portrait of woman against a black background.]
    Caption
    Image description A Frida Kahlo painting and portrait of woman against a black background.
    Year 2013
    Related pages Richard Hollis
  • A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.]
    Caption Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979.
    Image description A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Year 1979
    Related pages Patricia Hearst - A Second Reading
  • An extremely warped digital image of the interior of a messy office space facing a series of windows, through which the highly warped facades of city buildings are visible.
    An extremely warped digital image of the interior of a messy office space facing a series of windows, through which the highly warped facades of city buildings are visible.
    Julien de Smedt, Le Passe Muraille, 2006. Animation. Courtesy the artist. [An extremely warped digital image of the interior of a messy office space facing a series of windows, through which the highly warped facades of city buildings are visible.]
    Caption Julien de Smedt, Le Passe Muraille, 2006. Animation. Courtesy the artist.
    Image description An extremely warped digital image of the interior of a messy office space facing a series of windows, through which the highly warped facades of city buildings are visible.
    Year 2006
    Related pages Architecture & Design Project Series: Le Passe Muraille (The Walker-through-Walls)
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    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • A silver and gold object sits on a white base. A flat, multicolored surface is attached to the left side, and a metal antenna extends out on a diagonal.
    A silver and gold object sits on a white base. A flat, multicolored surface is attached to the left side, and a metal antenna extends out on a diagonal.
    Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $3,500
    [A silver and gold object sits on a white base. A flat, multicolored surface is attached to the left side, and a metal antenna extends out on a diagonal.]
    Caption Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $3,500
    Image description A silver and gold object sits on a white base. A flat, multicolored surface is attached to the left side, and a metal antenna extends out on a diagonal.
    Year 2019
    Related pages Trisha Baga Edition
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A number of abstract lines and shapes appear in a star-like nature with a black background.
    A number of abstract lines and shapes appear in a star-like nature with a black background.
    Gordon Onslow-Ford, Being Space, 1985. [A number of abstract lines and shapes appear in a star-like nature with a black background.]
    Caption Gordon Onslow-Ford, Being Space, 1985.
    Image description A number of abstract lines and shapes appear in a star-like nature with a black background.
    Year
    Related pages Moderns in Mind
  • A large group of people photographed from above, stading in Cortlandt Alley, forming a small circle in the middle. Some people standing near the center hold baby dolls.
    A large group of people photographed from above, stading in Cortlandt Alley, forming a small circle in the middle. Some people standing near the center hold baby dolls.
    Ei Arakawa: WEWORK BABIES. Performance documentation, December 8, 2019, Artists Space. Photo © 2019 Paula Court. [A large group of people photographed from above, stading in Cortlandt Alley, forming a small circle in the middle. Some people standing near the center hold baby dolls.]
    Caption Ei Arakawa: WEWORK BABIES. Performance documentation, December 8, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A large group of people photographed from above, stading in Cortlandt Alley, forming a small circle in the middle. Some people standing near the center hold baby dolls.
    Year 2019
    Related pages Ei Arakawa: WEWORK BABIES (11 Cortlandt Alley)
  • Two red and blue spidery forms interlace, floating in the center of the page atop a blank sheet of staff paper.
    Two red and blue spidery forms interlace, floating in the center of the page atop a blank sheet of staff paper.
    Louise Bourgeois Jitterbug, 1998 Lithograph, 18 x 24 in / 46 x 61 cm, Signed & Numbered. [Two red and blue spidery forms interlace, floating in the center of the page atop a blank sheet of staff paper.]
    Caption Louise Bourgeois Jitterbug, 1998 Lithograph, 18 x 24 in / 46 x 61 cm, Signed & Numbered.
    Image description Two red and blue spidery forms interlace, floating in the center of the page atop a blank sheet of staff paper.
    Year 1998
    Related pages Editions
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    Year
    Related pages Artists Space Dialogues: Huey Copeland, Michelle Kuo
  • Magazine cut-outs and ink drawings are collaged together on a beige background, with red accents throughout. Pieces of yellow paper featuring typewritten text listing the performers and event details are cut out and scattered throughout the flier.
    Magazine cut-outs and ink drawings are collaged together on a beige background, with red accents throughout. Pieces of yellow paper featuring typewritten text listing the performers and event details are cut out and scattered throughout the flier.
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a beige background, with red accents throughout. Pieces of yellow paper featuring typewritten text listing the performers and event details are cut out and scattered throughout the flier.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a beige background, with red accents throughout. Pieces of yellow paper featuring typewritten text listing the performers and event details are cut out and scattered throughout the flier.
    Year
    Related pages Abasement #68
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A geometric, silver metal sculpture sits on a wooden gallery floor in a brightly-lit gallery space. The sculpture is modular and consists of rectangular and triangular metal components arranged in a tall, ring-shaped structure.
    A geometric, silver metal sculpture sits on a wooden gallery floor in a brightly-lit gallery space. The sculpture is modular and consists of rectangular and triangular metal components arranged in a tall, ring-shaped structure.
    Charlotte Posenenske. Configured by the staff of Artists Space. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A geometric, silver metal sculpture sits on a wooden gallery floor in a brightly-lit gallery space. The sculpture is modular and consists of rectangular and triangular metal components arranged in a tall, ring-shaped structure.]
    Caption Charlotte Posenenske. Configured by the staff of Artists Space. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A geometric, silver metal sculpture sits on a wooden gallery floor in a brightly-lit gallery space. The sculpture is modular and consists of rectangular and triangular metal components arranged in a tall, ring-shaped structure.
    Year 2010
    Related pages Charlotte Posenenske
  • Several empty food containers and milk boxes on a hardwood floor, with milk spilled out all over the floor.
    Several empty food containers and milk boxes on a hardwood floor, with milk spilled out all over the floor.
    INFESTED. Installation view, Arists Space, 2013. Photo: Lyndsy Welgos. [Several empty food containers and milk boxes on a hardwood floor, with milk spilled out all over the floor.]
    Caption INFESTED. Installation view, Arists Space, 2013. Photo: Lyndsy Welgos.
    Image description Several empty food containers and milk boxes on a hardwood floor, with milk spilled out all over the floor.
    Year 2013
    Related pages INFESTED
  • A black and white image of a man lying on the ground, his arms and legs splayed out as if in agony. His eyes are closed and his face is contorted.
    A black and white image of a man lying on the ground, his arms and legs splayed out as if in agony. His eyes are closed and his face is contorted.
    Still from Sacrifice/Gisei (1959). [A black and white image of a man lying on the ground, his arms and legs splayed out as if in agony. His eyes are closed and his face is contorted.]
    Caption Still from Sacrifice/Gisei (1959).
    Image description A black and white image of a man lying on the ground, his arms and legs splayed out as if in agony. His eyes are closed and his face is contorted.
    Year 1959
    Related pages Dancing in a Pool of Gray Grits
  • A single screen showing a splitscreen image is mounted on two poles that stretch floor to ceiling. The screen stands alone in a large, open space with windows in the background.
    A single screen showing a splitscreen image is mounted on two poles that stretch floor to ceiling. The screen stands alone in a large, open space with windows in the background.
    Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A single screen showing a splitscreen image is mounted on two poles that stretch floor to ceiling. The screen stands alone in a large, open space with windows in the background.]
    Caption Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A single screen showing a splitscreen image is mounted on two poles that stretch floor to ceiling. The screen stands alone in a large, open space with windows in the background.
    Year 2011
    Related pages Hilary Lloyd
  • Photo of a woman partially obscured by a white umbrella. A light shining on the umbrella casts a large shadow of the woman's hand on its curved surface.
    Photo of a woman partially obscured by a white umbrella. A light shining on the umbrella casts a large shadow of the woman's hand on its curved surface.
    Image courtesy Anne Gillis and Blank Forms. [Photo of a woman partially obscured by a white umbrella. A light shining on the umbrella casts a large shadow of the woman's hand on its curved surface.]
    Caption Image courtesy Anne Gillis and Blank Forms.
    Image description Photo of a woman partially obscured by a white umbrella. A light shining on the umbrella casts a large shadow of the woman's hand on its curved surface.
    Year 2016
    Related pages Blank Forms presents Anne Gillis
  • Black text on paper introducing the book. The top text reads,
    Black text on paper introducing the book. The top text reads,
    John Berger, Ways of Seeing (London: BBC and Penguin Books, 1972). [Black text on paper introducing the book. The top text reads, "A Pelican Original, Ways of Seeing, Based on the BBC television series with John Berger."]
    Caption John Berger, Ways of Seeing (London: BBC and Penguin Books, 1972).
    Image description Black text on paper introducing the book. The top text reads, "A Pelican Original, Ways of Seeing, Based on the BBC television series with John Berger."
    Year 1972
    Related pages Richard Hollis
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    Year
    Related pages Abasement #84
  • A faded image of a silhouette holding an umbrella outdoors
    A faded image of a silhouette holding an umbrella outdoors
    Jack Smith, still from Yellow Sequence, 1963. 16mm, (sound, color), 20 minutes. [A faded image of a silhouette holding an umbrella outdoors]
    Caption Jack Smith, still from Yellow Sequence, 1963. 16mm, (sound, color), 20 minutes.
    Image description A faded image of a silhouette holding an umbrella outdoors
    Year 1963
    Related pages The Great Pasty Triumph
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    Year
    Related pages Carolyn Lazard
  • Two screens installed on either side of the top portion a white column in a gallery space. The front screen displays a logo consisting of a large letter
    Two screens installed on either side of the top portion a white column in a gallery space. The front screen displays a logo consisting of a large letter
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Two screens installed on either side of the top portion a white column in a gallery space. The front screen displays a logo consisting of a large letter "b" and small letter "c" conjoined together. The room is otherwise empty.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Two screens installed on either side of the top portion a white column in a gallery space. The front screen displays a logo consisting of a large letter "b" and small letter "c" conjoined together. The room is otherwise empty.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • A brass outlet plug against a wooden floor has a cable plugged into one socket, and the other socket is covered by a flat brass circle with the text
    A brass outlet plug against a wooden floor has a cable plugged into one socket, and the other socket is covered by a flat brass circle with the text
    Nandi Loaf, 的1-9, 2025. Reclaimed electrical infrastructure, branded site-specific hardware, standardized socket covers, branded overlays. Photo: Carter Seddon. [A brass outlet plug against a wooden floor has a cable plugged into one socket, and the other socket is covered by a flat brass circle with the text "8...Blitze(nn)" engraved on it.]
    Caption Nandi Loaf, 的1-9, 2025. Reclaimed electrical infrastructure, branded site-specific hardware, standardized socket covers, branded overlays. Photo: Carter Seddon.
    Image description A brass outlet plug against a wooden floor has a cable plugged into one socket, and the other socket is covered by a flat brass circle with the text "8...Blitze(nn)" engraved on it.
    Year
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
  • YAP (Young Artist Perform), P.S. 140, May 11, 2022
    Caption YAP (Young Artist Perform), P.S. 140, May 11, 2022
    Image description
    Year 2022
    Related pages Exhibitions and Events
  • A black and white still of a hallway with a patterned balcony, which descends into stairs. Three geometric paintings are hung along the walls.
    A black and white still of a hallway with a patterned balcony, which descends into stairs. Three geometric paintings are hung along the walls.
    Union Gaucha Productions. Still from Phantom Limb, 1998. 16mm film (silent, black and white), 21 min 45 sec. Courtesy of Union Gaucha Productions. [A black and white still of a hallway with a patterned balcony, which descends into stairs. Three geometric paintings are hung along the walls.]
    Caption Union Gaucha Productions. Still from Phantom Limb, 1998. 16mm film (silent, black and white), 21 min 45 sec. Courtesy of Union Gaucha Productions.
    Image description A black and white still of a hallway with a patterned balcony, which descends into stairs. Three geometric paintings are hung along the walls.
    Year 1998
    Related pages Union Gaucha Productions
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    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • A view from behind an angled bar with blue walls. Shelves full of Coca-Cola, liquor, and glasses are visible. On the counter, more Coca-Cola bottles, glassware, and an esspresso machine. A palm leaf is positioned beyond the counter top.
    A view from behind an angled bar with blue walls. Shelves full of Coca-Cola, liquor, and glasses are visible. On the counter, more Coca-Cola bottles, glassware, and an esspresso machine. A palm leaf is positioned beyond the counter top.
    Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [A view from behind an angled bar with blue walls. Shelves full of Coca-Cola, liquor, and glasses are visible. On the counter, more Coca-Cola bottles, glassware, and an esspresso machine. A palm leaf is positioned beyond the counter top.]
    Caption Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013.
    Image description A view from behind an angled bar with blue walls. Shelves full of Coca-Cola, liquor, and glasses are visible. On the counter, more Coca-Cola bottles, glassware, and an esspresso machine. A palm leaf is positioned beyond the counter top.
    Year 2013
    Related pages Pride Goes Before a Fall
  • Two pieces of wood are joined to create a miniature stage set. In the center, sitting in a miniature director's chair are two cartoon frog plushies wearing black top hats. The larger frog plushy cradles the smaller frog in it's arms. Two more director's chairs are positioned facing the plushies, along with a miniature stage light and stand that shines a spotlight on the plushies.
    Two pieces of wood are joined to create a miniature stage set. In the center, sitting in a miniature director's chair are two cartoon frog plushies wearing black top hats. The larger frog plushy cradles the smaller frog in it's arms. Two more director's chairs are positioned facing the plushies, along with a miniature stage light and stand that shines a spotlight on the plushies.
    Aristotelis Nikolas Mochloulis, Frog Man & Baby Frog, 2025. Michigan J. Frog plushies, miniature directors chairs, ARRI 150 Junior light, Manfrotto Nano light stand, speakers, audio excerpts from movies. Photo: Carter Seddon. [Two pieces of wood are joined to create a miniature stage set. In the center, sitting in a miniature director's chair are two cartoon frog plushies wearing black top hats. The larger frog plushy cradles the smaller frog in it's arms. Two more director's chairs are positioned facing the plushies, along with a miniature stage light and stand that shines a spotlight on the plushies.]
    Caption Aristotelis Nikolas Mochloulis, Frog Man & Baby Frog, 2025. Michigan J. Frog plushies, miniature directors chairs, ARRI 150 Junior light, Manfrotto Nano light stand, speakers, audio excerpts from movies. Photo: Carter Seddon.
    Image description Two pieces of wood are joined to create a miniature stage set. In the center, sitting in a miniature director's chair are two cartoon frog plushies wearing black top hats. The larger frog plushy cradles the smaller frog in it's arms. Two more director's chairs are positioned facing the plushies, along with a miniature stage light and stand that shines a spotlight on the plushies.
    Year
    Related pages Aristotelis Nikolas Mochloulis Tour
  • A figure in a blue morph suit kneels down next to a wooden table and looks off to the right. Audience members sit along the floor in the background.
    A figure in a blue morph suit kneels down next to a wooden table and looks off to the right. Audience members sit along the floor in the background.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit kneels down next to a wooden table and looks off to the right. Audience members sit along the floor in the background.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description A figure in a blue morph suit kneels down next to a wooden table and looks off to the right. Audience members sit along the floor in the background.
    Year 2022
    Related pages SCRAAATCH 12-3
  • Anelisse, Secrets and Lies, 2020, acrylic paint on paper
    Caption Anelisse, Secrets and Lies, 2020, acrylic paint on paper
    Image description
    Year
    Related pages ARTstudio
  • A skewed, black-and-white drawing of a power outlet, with cords connected to both plugs.
    A skewed, black-and-white drawing of a power outlet, with cords connected to both plugs.
    Hikima Bermejo, Untitled, 2014 [A skewed, black-and-white drawing of a power outlet, with cords connected to both plugs.]
    Caption Hikima Bermejo, Untitled, 2014
    Image description A skewed, black-and-white drawing of a power outlet, with cords connected to both plugs.
    Year 2014
    Related pages Scholastic Art and Writing Awards
  • A darkened hallway with dark blue walls and light blue linoleum tiling leads into an open gallery space with dark blue carpeting. On the left sits a bench, which faces a large wall projection on the right. The projection depicts a black patient in a blue hospital gown sitting in a chair. The projection is partially obscured by a wall.
    A darkened hallway with dark blue walls and light blue linoleum tiling leads into an open gallery space with dark blue carpeting. On the left sits a bench, which faces a large wall projection on the right. The projection depicts a black patient in a blue hospital gown sitting in a chair. The projection is partially obscured by a wall.
    Carolyn Lazard: Two-way. Installation view (Vital, 2025; Borne, 2025), Artists Space, 2025. Photo: Greg Carideo. [A darkened hallway with dark blue walls and light blue linoleum tiling leads into an open gallery space with dark blue carpeting. On the left sits a bench, which faces a large wall projection on the right. The projection depicts a black patient in a blue hospital gown sitting in a chair. The projection is partially obscured by a wall.]
    Caption Carolyn Lazard: Two-way. Installation view (Vital, 2025; Borne, 2025), Artists Space, 2025. Photo: Greg Carideo.
    Image description A darkened hallway with dark blue walls and light blue linoleum tiling leads into an open gallery space with dark blue carpeting. On the left sits a bench, which faces a large wall projection on the right. The projection depicts a black patient in a blue hospital gown sitting in a chair. The projection is partially obscured by a wall.
    Year
    Related pages Carolyn Lazard
  • Audience members are seated along a back wall, with a figure in a blue morph suit seated on a rectangular wooden frame alongside them. Blue light is projected onto a screen in the background.
    Audience members are seated along a back wall, with a figure in a blue morph suit seated on a rectangular wooden frame alongside them. Blue light is projected onto a screen in the background.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Audience members are seated along a back wall, with a figure in a blue morph suit seated on a rectangular wooden frame alongside them. Blue light is projected onto a screen in the background.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Audience members are seated along a back wall, with a figure in a blue morph suit seated on a rectangular wooden frame alongside them. Blue light is projected onto a screen in the background.
    Year 2022
    Related pages SCRAAATCH 12-3
  • White text overlays a background of a blue sky, tree tops, and tadpoles. The text reads: “May 20 / Fred Moten / Onyx Collective (Austin Williamson & Isaiah Barr)
    White text overlays a background of a blue sky, tree tops, and tadpoles. The text reads: “May 20 / Fred Moten / Onyx Collective (Austin Williamson & Isaiah Barr)
    [White text overlays a background of a blue sky, tree tops, and tadpoles. The text reads: “May 20 / Fred Moten / Onyx Collective (Austin Williamson & Isaiah Barr) " Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description White text overlays a background of a blue sky, tree tops, and tadpoles. The text reads: “May 20 / Fred Moten / Onyx Collective (Austin Williamson & Isaiah Barr) " Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: Fred Moten & Onyx Collective
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    Related pages All These Different Things Are Sculpture
  • An image of a projection in a dark room above a glass display case holding ephemera.
    An image of a projection in a dark room above a glass display case holding ephemera.
    Till They Listen: Bill Gunn Directs America. Installation view, c. 1973, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [An image of a projection in a dark room above a glass display case holding ephemera.]
    Caption Till They Listen: Bill Gunn Directs America. Installation view, c. 1973, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description An image of a projection in a dark room above a glass display case holding ephemera.
    Year 2021
    Related pages Till They Listen: Bill Gunn Directs America
  • A color photograph of a a punching bag, other boxing equipment, and a sculpture of a human figure suspended from a rectangular wooden panel. In the background, three television monitors are stacked in a column, each playing a color video of figures in movement.
    A color photograph of a a punching bag, other boxing equipment, and a sculpture of a human figure suspended from a rectangular wooden panel. In the background, three television monitors are stacked in a column, each playing a color video of figures in movement.
    Milford Graves: Fundamental Frequency. Installation view (Yara Training Bag, c. 1990; Three Monitors with Yara Videos, c. 1980s and 90s), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color photograph of a a punching bag, other boxing equipment, and a sculpture of a human figure suspended from a rectangular wooden panel. In the background, three television monitors are stacked in a column, each playing a color video of figures in movement.]
    Caption Milford Graves: Fundamental Frequency. Installation view (Yara Training Bag, c. 1990; Three Monitors with Yara Videos, c. 1980s and 90s), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak.
    Image description A color photograph of a a punching bag, other boxing equipment, and a sculpture of a human figure suspended from a rectangular wooden panel. In the background, three television monitors are stacked in a column, each playing a color video of figures in movement.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
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  • A large gallery space houses a variety of plinths made of MDF, atop of which are placed various archival objects. Along the far back wall is a large photograph affixed to the wall that depicts a driveway with a large white reconstructed wall.
    A large gallery space houses a variety of plinths made of MDF, atop of which are placed various archival objects. Along the far back wall is a large photograph affixed to the wall that depicts a driveway with a large white reconstructed wall.
    Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [A large gallery space houses a variety of plinths made of MDF, atop of which are placed various archival objects. Along the far back wall is a large photograph affixed to the wall that depicts a driveway with a large white reconstructed wall.]
    Caption Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Image description A large gallery space houses a variety of plinths made of MDF, atop of which are placed various archival objects. Along the far back wall is a large photograph affixed to the wall that depicts a driveway with a large white reconstructed wall.
    Year
    Related pages Michael Asher
  • A painting of a person with red hair, cross-shaped earings, and black paint under their eyes.
    A painting of a person with red hair, cross-shaped earings, and black paint under their eyes.
    Tom Murrin, Johanna Went, 1985. Acrylic on foam core, 14.75 x 20 inches. Courtesy the artist. Photo: Patty Wallace. [A painting of a person with red hair, cross-shaped earings, and black paint under their eyes.]
    Caption Tom Murrin, Johanna Went, 1985. Acrylic on foam core, 14.75 x 20 inches. Courtesy the artist. Photo: Patty Wallace.
    Image description A painting of a person with red hair, cross-shaped earings, and black paint under their eyes.
    Year 1985
    Related pages Tony Bechara, Carmen Herrera, Tom Murrin, Mac Wells
  • Two figures in medical scrubs stare into the distance.
    Two figures in medical scrubs stare into the distance.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [Two figures in medical scrubs stare into the distance.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York.
    Image description Two figures in medical scrubs stare into the distance.
    Year
    Related pages Grandmother Cindy
  • A mostly black-and-white image depicting the façades of two buildings - one is light grey with a turquoise fire escape, and the other is dark grey with a black fire escape. On the lighter building, the street-level storefront says
    A mostly black-and-white image depicting the façades of two buildings - one is light grey with a turquoise fire escape, and the other is dark grey with a black fire escape. On the lighter building, the street-level storefront says
    Shayla Aviles, Untitled, 2018 [A mostly black-and-white image depicting the façades of two buildings - one is light grey with a turquoise fire escape, and the other is dark grey with a black fire escape. On the lighter building, the street-level storefront says "Mazeish"]
    Caption Shayla Aviles, Untitled, 2018
    Image description A mostly black-and-white image depicting the façades of two buildings - one is light grey with a turquoise fire escape, and the other is dark grey with a black fire escape. On the lighter building, the street-level storefront says "Mazeish"
    Year 2018
    Related pages Scholastic Art and Writing Awards
  • Color image of a book cover, placed against a flat white background. The cover features an oil painting with gradients of red and green that make up geometric shapes which are stacked and placed in varying configurations.
    Color image of a book cover, placed against a flat white background. The cover features an oil painting with gradients of red and green that make up geometric shapes which are stacked and placed in varying configurations.
    Cover of Miyoko Ito: Heart of Hearts, Pre-Echo Press. (Miyoko Ito, Island in the Sun, 1978) [Color image of a book cover, placed against a flat white background. The cover features an oil painting with gradients of red and green that make up geometric shapes which are stacked and placed in varying configurations.]
    Caption Cover of Miyoko Ito: Heart of Hearts, Pre-Echo Press. (Miyoko Ito, Island in the Sun, 1978)
    Image description Color image of a book cover, placed against a flat white background. The cover features an oil painting with gradients of red and green that make up geometric shapes which are stacked and placed in varying configurations.
    Year
    Related pages Miyoko Ito: Heart of Hearts
  • Paintings are hanging on walls in a white-walled gallery space with columns in the background.
    Paintings are hanging on walls in a white-walled gallery space with columns in the background.
    Four Artists: An Exhibition of Painting and Sculpture. Installation View. Artists Space, 1985. [Paintings are hanging on walls in a white-walled gallery space with columns in the background.]
    Caption Four Artists: An Exhibition of Painting and Sculpture. Installation View. Artists Space, 1985.
    Image description Paintings are hanging on walls in a white-walled gallery space with columns in the background.
    Year
    Related pages Four Artists: An Exhibition of Painting and Sculpture
  • A book cover design featuring large pink text that reads,
    A book cover design featuring large pink text that reads,
    LaTasha N. Nevada Diggs, Twerk (New York: Belladonna Books, 2015). [A book cover design featuring large pink text that reads, "TWERK" against an abstract turquoise background. Parts of the letter "K" and "T" extend off the page and have been overlaid with a lacy ribbon pattern.]
    Caption LaTasha N. Nevada Diggs, Twerk (New York: Belladonna Books, 2015).
    Image description A book cover design featuring large pink text that reads, "TWERK" against an abstract turquoise background. Parts of the letter "K" and "T" extend off the page and have been overlaid with a lacy ribbon pattern.
    Year 2015
    Related pages In Visible Architectures: Juliana Huxtable & LaTasha N. Nevada Diggs
  • A white book cover depicting silver coins with the text
    A white book cover depicting silver coins with the text
    Folio Series: Intangible Economies, 2012. [A white book cover depicting silver coins with the text "♥good for all night♥".]
    Caption Folio Series: Intangible Economies, 2012.
    Image description A white book cover depicting silver coins with the text "♥good for all night♥".
    Year 2013
    Related pages Intangible Economies
  • A performer wears a suit adorned with large appendages and plays a stringed instrument. The stage and wall behind it are bathed in blue light.
    A performer wears a suit adorned with large appendages and plays a stringed instrument. The stage and wall behind it are bathed in blue light.
    Abasement #81. Performance documentation, October 20th, 2025, Artists Space. Photo: Joshua Wildman. [A performer wears a suit adorned with large appendages and plays a stringed instrument. The stage and wall behind it are bathed in blue light. ]
    Caption Abasement #81. Performance documentation, October 20th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A performer wears a suit adorned with large appendages and plays a stringed instrument. The stage and wall behind it are bathed in blue light.
    Year
    Related pages Abasement #81
  • A color photograph of a figure standing behind audio mixing equipment and a microphone in an orange-lit space. A seated observer watches in the foreground.
    A color photograph of a figure standing behind audio mixing equipment and a microphone in an orange-lit space. A seated observer watches in the foreground.
    Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure standing behind audio mixing equipment and a microphone in an orange-lit space. A seated observer watches in the foreground.]
    Caption Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space.
    Image description A color photograph of a figure standing behind audio mixing equipment and a microphone in an orange-lit space. A seated observer watches in the foreground.
    Year 2022
    Related pages Yuji Agematsu
  • Photographic portrait of a youthful figure leaning against a white brick wall. They wear a partially unbuttoned, blue and black plaid shirt and a trucker hat. Large black text emblazoned across the front of the hat reads,
    Photographic portrait of a youthful figure leaning against a white brick wall. They wear a partially unbuttoned, blue and black plaid shirt and a trucker hat. Large black text emblazoned across the front of the hat reads,
    Cass Bird, I Look Like My Daddy, 2004. C-print, 30 x 40 inches. Courtesy the artist. [Photographic portrait of a youthful figure leaning against a white brick wall. They wear a partially unbuttoned, blue and black plaid shirt and a trucker hat. Large black text emblazoned across the front of the hat reads, "I LOOK JUST LIKE MY DADDY." A miniature gun token has been attached to the hat, to the left of the text. The figure stares ahead, the right side of their face illuminated by daylight.]
    Caption Cass Bird, I Look Like My Daddy, 2004. C-print, 30 x 40 inches. Courtesy the artist.
    Image description Photographic portrait of a youthful figure leaning against a white brick wall. They wear a partially unbuttoned, blue and black plaid shirt and a trucker hat. Large black text emblazoned across the front of the hat reads, "I LOOK JUST LIKE MY DADDY." A miniature gun token has been attached to the hat, to the left of the text. The figure stares ahead, the right side of their face illuminated by daylight.
    Year 2004
    Related pages Log Cabin
  • Black and white photograph of a city street: a man stands, holding a lit cigarette in his mouth. He is flanked on one side by a staircase and on the other by a portable toilet. A large truck is parked behind him with its headlights on.
    Black and white photograph of a city street: a man stands, holding a lit cigarette in his mouth. He is flanked on one side by a staircase and on the other by a portable toilet. A large truck is parked behind him with its headlights on.
    Viv Latta, Fresh Air, digital photograph, 2020 [Black and white photograph of a city street: a man stands, holding a lit cigarette in his mouth. He is flanked on one side by a staircase and on the other by a portable toilet. A large truck is parked behind him with its headlights on.]
    Caption Viv Latta, Fresh Air, digital photograph, 2020
    Image description Black and white photograph of a city street: a man stands, holding a lit cigarette in his mouth. He is flanked on one side by a staircase and on the other by a portable toilet. A large truck is parked behind him with its headlights on.
    Year 2020
    Related pages Scholastic Art and Writing Awards
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  • A dimly lit view of a wooden wall with scattered video-still images at varying placements. Behind the wood is a white wall.
    A dimly lit view of a wooden wall with scattered video-still images at varying placements. Behind the wood is a white wall.
    Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez. [A dimly lit view of a wooden wall with scattered video-still images at varying placements. Behind the wood is a white wall.]
    Caption Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez.
    Image description A dimly lit view of a wooden wall with scattered video-still images at varying placements. Behind the wood is a white wall.
    Year 2015
    Related pages Union Gaucha Productions
  • The inside of a room with a window looking out onto a view of Manhattan. The rightmost third of the image has been digitally altered such that it appears to warp and glitch.
    The inside of a room with a window looking out onto a view of Manhattan. The rightmost third of the image has been digitally altered such that it appears to warp and glitch.
    [The inside of a room with a window looking out onto a view of Manhattan. The rightmost third of the image has been digitally altered such that it appears to warp and glitch.]
    Caption
    Image description The inside of a room with a window looking out onto a view of Manhattan. The rightmost third of the image has been digitally altered such that it appears to warp and glitch.
    Year 2018
    Related pages PRACTICE x Wind
  • Image of a large white canvas displayed on a white wall. The canvas is rectangular and two faint lines bisect each of its four sides, separating the canvas into four equal quadrants. A black
    Image of a large white canvas displayed on a white wall. The canvas is rectangular and two faint lines bisect each of its four sides, separating the canvas into four equal quadrants. A black
    Wade Guyton, Untitled (WG3521, 2015), 2020, 23.5 x 16.5 inches [Image of a large white canvas displayed on a white wall. The canvas is rectangular and two faint lines bisect each of its four sides, separating the canvas into four equal quadrants. A black "X" shape is emblazoned across the canvas' center, with the lower left leg of the "X" removed from the shape's figure. The floor below the canvas is a deep black color. Small, gray text at the image's lower right corner reads, " 2020Solidarity - Wade Guyton."]
    Caption Wade Guyton, Untitled (WG3521, 2015), 2020, 23.5 x 16.5 inches
    Image description Image of a large white canvas displayed on a white wall. The canvas is rectangular and two faint lines bisect each of its four sides, separating the canvas into four equal quadrants. A black "X" shape is emblazoned across the canvas' center, with the lower left leg of the "X" removed from the shape's figure. The floor below the canvas is a deep black color. Small, gray text at the image's lower right corner reads, " 2020Solidarity - Wade Guyton."
    Year 2020
    Related pages 2020Solidarity
  • Color image of a performance space illuminnated with blue and red light. On the left, a figure on a stage plays the double bass, there is a large black speaker to their right. Abstract images are projected onto the wall. Below the projections, audience members sit on chairs.
    Color image of a performance space illuminnated with blue and red light. On the left, a figure on a stage plays the double bass, there is a large black speaker to their right. Abstract images are projected onto the wall. Below the projections, audience members sit on chairs.
    Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman. [Color image of a performance space illuminnated with blue and red light. On the left, a figure on a stage plays the double bass, there is a large black speaker to their right. Abstract images are projected onto the wall. Below the projections, audience members sit on chairs.]
    Caption Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a performance space illuminnated with blue and red light. On the left, a figure on a stage plays the double bass, there is a large black speaker to their right. Abstract images are projected onto the wall. Below the projections, audience members sit on chairs.
    Year
    Related pages Abasement #66
  • A man, looking toward the camera, in the midst of pulling his shirt off exposing his torso. A subtitle typed in white at the bottom reads
    A man, looking toward the camera, in the midst of pulling his shirt off exposing his torso. A subtitle typed in white at the bottom reads
    William E. Jones. Still from v.o., 2006. [A man, looking toward the camera, in the midst of pulling his shirt off exposing his torso. A subtitle typed in white at the bottom reads "No, I wasn't talking about death."]
    Caption William E. Jones. Still from v.o., 2006.
    Image description A man, looking toward the camera, in the midst of pulling his shirt off exposing his torso. A subtitle typed in white at the bottom reads "No, I wasn't talking about death."
    Year 2006
    Related pages Summer Knowledge: William E. Jones
  • Color photograph of a performer dressed in white, kneeling on all fours. A bright light from their pelvic area shines onto the floor, as viewers stand around the figure.
    Color photograph of a performer dressed in white, kneeling on all fours. A bright light from their pelvic area shines onto the floor, as viewers stand around the figure.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a performer dressed in white, kneeling on all fours. A bright light from their pelvic area shines onto the floor, as viewers stand around the figure.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a performer dressed in white, kneeling on all fours. A bright light from their pelvic area shines onto the floor, as viewers stand around the figure.
    Year 2022
    Related pages keyon gaskin 12-18
  • Painted objects attached to the wall in a white-walled gallery space.
    Painted objects attached to the wall in a white-walled gallery space.
    Tom Rubnitz. Installation view, Artists Space, 1981. [Painted objects attached to the wall in a white-walled gallery space.]
    Caption Tom Rubnitz. Installation view, Artists Space, 1981.
    Image description Painted objects attached to the wall in a white-walled gallery space.
    Year
    Related pages Tom Rubnitz
  • Detail view of a display case with two screens, one resting partially on another. A person's smiling face is visible on the bottom monitor.
    Detail view of a display case with two screens, one resting partially on another. A person's smiling face is visible on the bottom monitor.
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of a display case with two screens, one resting partially on another. A person's smiling face is visible on the bottom monitor.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Detail view of a display case with two screens, one resting partially on another. A person's smiling face is visible on the bottom monitor.
    Year
    Related pages Bernadette Corporation: 2000 Wasted Years
  • A few people standing in a gallery space with a picket fence and drapery on the walls behind them.
    A few people standing in a gallery space with a picket fence and drapery on the walls behind them.
    Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork: Candace Hill-Montgomery. [A few people standing in a gallery space with a picket fence and drapery on the walls behind them.]
    Caption Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork: Candace Hill-Montgomery.
    Image description A few people standing in a gallery space with a picket fence and drapery on the walls behind them.
    Year 1979
    Related pages Candance Hill-Montgomery
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  • A pink pamphlet with black text announcing
    A pink pamphlet with black text announcing
    [A pink pamphlet with black text announcing "Artists Space Presents: PUTT-MODERNISM", an "artist created 18-hole fully playable minature golf course." There is an illustrated map showing the location of the event, and additional printed information on the location and hours.]
    Caption
    Image description A pink pamphlet with black text announcing "Artists Space Presents: PUTT-MODERNISM", an "artist created 18-hole fully playable minature golf course." There is an illustrated map showing the location of the event, and additional printed information on the location and hours.
    Year 1994
    Related pages Putt-Modernism (Fulton Market)
  • Black & white photograph of one side and the entrance into a gallery room. The walls are painted black, and at the corner of the entrance stands a performer singing into a microphone stand. Around him and along the wall audience members sit on the floor or stand.
    Black & white photograph of one side and the entrance into a gallery room. The walls are painted black, and at the corner of the entrance stands a performer singing into a microphone stand. Around him and along the wall audience members sit on the floor or stand.
    Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan. [Black & white photograph of one side and the entrance into a gallery room. The walls are painted black, and at the corner of the entrance stands a performer singing into a microphone stand. Around him and along the wall audience members sit on the floor or stand.]
    Caption Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan.
    Image description Black & white photograph of one side and the entrance into a gallery room. The walls are painted black, and at the corner of the entrance stands a performer singing into a microphone stand. Around him and along the wall audience members sit on the floor or stand.
    Year 2023
    Related pages Genesis: Medley
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  • Two white panels of canvas positioned together to form a square shape. Both canvases display an organic pink form. Parts of the canvas within the pink shapes stretch outwards to form protruding circular and ovular, knob-like shapes.
    Two white panels of canvas positioned together to form a square shape. Both canvases display an organic pink form. Parts of the canvas within the pink shapes stretch outwards to form protruding circular and ovular, knob-like shapes.
    Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Two white panels of canvas positioned together to form a square shape. Both canvases display an organic pink form. Parts of the canvas within the pink shapes stretch outwards to form protruding circular and ovular, knob-like shapes.]
    Caption Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Two white panels of canvas positioned together to form a square shape. Both canvases display an organic pink form. Parts of the canvas within the pink shapes stretch outwards to form protruding circular and ovular, knob-like shapes.
    Year 2013
    Related pages Zilia Sánchez
  • A figure in a blue morph suit leans over a wooden box placed on the floor, while another figure to the left films them. Blue light is projected onto the back wall to the right.
    A figure in a blue morph suit leans over a wooden box placed on the floor, while another figure to the left films them. Blue light is projected onto the back wall to the right.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit leans over a wooden box placed on the floor, while another figure to the left films them. Blue light is projected onto the back wall to the right.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description A figure in a blue morph suit leans over a wooden box placed on the floor, while another figure to the left films them. Blue light is projected onto the back wall to the right.
    Year 2022
    Related pages SCRAAATCH 12-3
  • A yellow object painted with a green and grey cracked surface sits on a white base. There is a rectangular panel with wiring attached to the front. On top of the object sits a small yellow figure.
    A yellow object painted with a green and grey cracked surface sits on a white base. There is a rectangular panel with wiring attached to the front. On top of the object sits a small yellow figure.
    Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $3,000
    [A yellow object painted with a green and grey cracked surface sits on a white base. There is a rectangular panel with wiring attached to the front. On top of the object sits a small yellow figure.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $3,000
    Image description A yellow object painted with a green and grey cracked surface sits on a white base. There is a rectangular panel with wiring attached to the front. On top of the object sits a small yellow figure.
    Year 2019
    Related pages Trisha Baga Edition
  • A color image of an unframed colorful drawing of a male-presenting figure. The figure is crossed-arm and sitting back in whats seems like a sofa. A cup of coffee sits on his right, and a potted plant and a vintage-looking radio are on his left.
    A color image of an unframed colorful drawing of a male-presenting figure. The figure is crossed-arm and sitting back in whats seems like a sofa. A cup of coffee sits on his right, and a potted plant and a vintage-looking radio are on his left.
    Drake Carr, Mel Ottenberg, 2023. Colored pencil on paper. 26 x 21 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak. [A color image of an unframed colorful drawing of a male-presenting figure. The figure is crossed-arm and sitting back in whats seems like a sofa. A cup of coffee sits on his right, and a potted plant and a vintage-looking radio are on his left.]
    Caption Drake Carr, Mel Ottenberg, 2023. Colored pencil on paper. 26 x 21 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description A color image of an unframed colorful drawing of a male-presenting figure. The figure is crossed-arm and sitting back in whats seems like a sofa. A cup of coffee sits on his right, and a potted plant and a vintage-looking radio are on his left.
    Year
    Related pages Drake Carr: Housecalls
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  • Color image of a framed piece of notebook graph paper, with a pen and ink drawing of a rectangle with various lines and dots. In the bottom-center of the paper is the word
    Color image of a framed piece of notebook graph paper, with a pen and ink drawing of a rectangle with various lines and dots. In the bottom-center of the paper is the word
    Andy Robert, The Terrain, 2021. Photo: Filip Wolak. [Color image of a framed piece of notebook graph paper, with a pen and ink drawing of a rectangle with various lines and dots. In the bottom-center of the paper is the word "TERRAIN."]
    Caption Andy Robert, The Terrain, 2021. Photo: Filip Wolak.
    Image description Color image of a framed piece of notebook graph paper, with a pen and ink drawing of a rectangle with various lines and dots. In the bottom-center of the paper is the word "TERRAIN."
    Year 2023
    Related pages Artists for Artists Space
  • Negative film image of two hands holding down either side of a blue board. Objects are placed to create vaguely recognizable patterns and figures.
    Negative film image of two hands holding down either side of a blue board. Objects are placed to create vaguely recognizable patterns and figures.
    Crystal Z Campbell, Revolver, 2022. 16mm film transferred to Digital Video, Stereo, Sound. 17:27 min. Courtesy the artist [Negative film image of two hands holding down either side of a blue board. Objects are placed to create vaguely recognizable patterns and figures.]
    Caption Crystal Z Campbell, Revolver, 2022. 16mm film transferred to Digital Video, Stereo, Sound. 17:27 min. Courtesy the artist
    Image description Negative film image of two hands holding down either side of a blue board. Objects are placed to create vaguely recognizable patterns and figures.
    Year
    Related pages Crystal Z Campbell
  • A white book lying on a larger blue book.
    A white book lying on a larger blue book.
    Corrugated Slogans and An Anthology of Invalid Format. [A white book lying on a larger blue book.]
    Caption Corrugated Slogans and An Anthology of Invalid Format.
    Image description A white book lying on a larger blue book.
    Year 2013
    Related pages Novel Operations
  • A wooden ladder standing in the corner of a room with half-finished paintings on the wall. On the left wall, there is a colorful mural composed of swirls and circles. On the other wall, there is a sketch of a ballerina with dozens of black and white portraits of a woman's head with various words including
    A wooden ladder standing in the corner of a room with half-finished paintings on the wall. On the left wall, there is a colorful mural composed of swirls and circles. On the other wall, there is a sketch of a ballerina with dozens of black and white portraits of a woman's head with various words including
    Activated Walls. Installation view, Artists Space, 1993. [A wooden ladder standing in the corner of a room with half-finished paintings on the wall. On the left wall, there is a colorful mural composed of swirls and circles. On the other wall, there is a sketch of a ballerina with dozens of black and white portraits of a woman's head with various words including "CUNT" and "CUTIE."]
    Caption Activated Walls. Installation view, Artists Space, 1993.
    Image description A wooden ladder standing in the corner of a room with half-finished paintings on the wall. On the left wall, there is a colorful mural composed of swirls and circles. On the other wall, there is a sketch of a ballerina with dozens of black and white portraits of a woman's head with various words including "CUNT" and "CUTIE."
    Year 1993
    Related pages Activated Walls
  • A snowy mountain landscape and flowing water is collaged with clear circular and rectangular shape graphics on top of the image. Blue text over the image reads:
    A snowy mountain landscape and flowing water is collaged with clear circular and rectangular shape graphics on top of the image. Blue text over the image reads:
    Flyer for Segue Reading Series featuring Saretta Morgan and Jennifer Scappettone. Saturday, December 5, 2020, Artists Space. Artist: Anastasios Karnazes. [A snowy mountain landscape and flowing water is collaged with clear circular and rectangular shape graphics on top of the image. Blue text over the image reads: "Saretta Morgan / Jennifer Scappettone / 5 December / 5 pm EST / Segue."]
    Caption Flyer for Segue Reading Series featuring Saretta Morgan and Jennifer Scappettone. Saturday, December 5, 2020, Artists Space. Artist: Anastasios Karnazes.
    Image description A snowy mountain landscape and flowing water is collaged with clear circular and rectangular shape graphics on top of the image. Blue text over the image reads: "Saretta Morgan / Jennifer Scappettone / 5 December / 5 pm EST / Segue."
    Year
    Related pages Segue Reading Series: Saretta Morgan & Jennifer Scappettone
  • Roughly two dozen stuffed laundry bags, piled up against a wall. The bags are white and are each imprinted with a large black dollar sign.
    Roughly two dozen stuffed laundry bags, piled up against a wall. The bags are white and are each imprinted with a large black dollar sign.
    When Time Becomes Form: The Money Mountain. Installation view, Artists Space, 2008. [Roughly two dozen stuffed laundry bags, piled up against a wall. The bags are white and are each imprinted with a large black dollar sign.]
    Caption When Time Becomes Form: The Money Mountain. Installation view, Artists Space, 2008.
    Image description Roughly two dozen stuffed laundry bags, piled up against a wall. The bags are white and are each imprinted with a large black dollar sign.
    Year 2008
    Related pages When Time Becomes Form: The Money Mountain and A Letter for the Girl Chewing Gum
  • An angled view of two adjacent gray walls displaying various paper material, documents, and photographs.
    An angled view of two adjacent gray walls displaying various paper material, documents, and photographs.
    Living with Pop. A Reproduction of Capitalist Realism. Installation view of the section “Düsseldorf and the Rhineland (1957–1964)," Artists Space, 2014. [An angled view of two adjacent gray walls displaying various paper material, documents, and photographs.]
    Caption Living with Pop. A Reproduction of Capitalist Realism. Installation view of the section “Düsseldorf and the Rhineland (1957–1964)," Artists Space, 2014.
    Image description An angled view of two adjacent gray walls displaying various paper material, documents, and photographs.
    Year 2014
    Related pages Living with Pop. A Reproduction of Capitalist Realism
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  • A photograph taken from a low angle, looking up at a performer whose hand is poised on top of a long set of instrumental wires that run across the image.
    A photograph taken from a low angle, looking up at a performer whose hand is poised on top of a long set of instrumental wires that run across the image.
    Ellen Fullman. Performance documentation, May 3rd, 2024, Artists Space. Photo: Casey Kelbaugh. Courtesy of Frieze and CKA. [A photograph taken from a low angle, looking up at a performer whose hand is poised on top of a long set of instrumental wires that run across the image.]
    Caption Ellen Fullman. Performance documentation, May 3rd, 2024, Artists Space. Photo: Casey Kelbaugh. Courtesy of Frieze and CKA.
    Image description A photograph taken from a low angle, looking up at a performer whose hand is poised on top of a long set of instrumental wires that run across the image.
    Year
    Related pages Support
  • A black tote bag against a white background. Small white, all-caps sans-serif text in the middle states
    A black tote bag against a white background. Small white, all-caps sans-serif text in the middle states
    11 Cortlandt Alley Tote Bag. Produced by Artists Space. Edition of 150. 2019. $24 [A black tote bag against a white background. Small white, all-caps sans-serif text in the middle states "ARTISTS SPACE"]
    Caption 11 Cortlandt Alley Tote Bag. Produced by Artists Space. Edition of 150. 2019. $24
    Image description A black tote bag against a white background. Small white, all-caps sans-serif text in the middle states "ARTISTS SPACE"
    Year 2019
    Related pages Artists Space Items
  • A group of human figures made of clay are seated on benches around a long table, which extends to the length of a dark room. The walls of the room are patterned with handprints.
    A group of human figures made of clay are seated on benches around a long table, which extends to the length of a dark room. The walls of the room are patterned with handprints.
    Underground: Gail Rothschild. Installation view, Artists Space, 1990. [A group of human figures made of clay are seated on benches around a long table, which extends to the length of a dark room. The walls of the room are patterned with handprints.]
    Caption Underground: Gail Rothschild. Installation view, Artists Space, 1990.
    Image description A group of human figures made of clay are seated on benches around a long table, which extends to the length of a dark room. The walls of the room are patterned with handprints.
    Year 1990
    Related pages Underground: Gail Rothschild
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  • Two televisons sit on the wall, bisected with hung grocery dividers. The television on the left displays a video of a news anchor with the bottom text
    Two televisons sit on the wall, bisected with hung grocery dividers. The television on the left displays a video of a news anchor with the bottom text
    LIFE—a group show, curated by Arnold J. Kemp. Installation view (Carolyn Castaño, The Female Report, 2011; D’Talentz, The Secret Garden, 2020), Artists Space, 2025. Photo: Carter Seddon [Two televisons sit on the wall, bisected with hung grocery dividers. The television on the left displays a video of a news anchor with the bottom text "A descendant of Evita." The television on the right displays a video of four squares with people surrounded in foliage. These squares are superimposed on a backdrop of more foliage.]
    Caption LIFE—a group show, curated by Arnold J. Kemp. Installation view (Carolyn Castaño, The Female Report, 2011; D’Talentz, The Secret Garden, 2020), Artists Space, 2025. Photo: Carter Seddon
    Image description Two televisons sit on the wall, bisected with hung grocery dividers. The television on the left displays a video of a news anchor with the bottom text "A descendant of Evita." The television on the right displays a video of four squares with people surrounded in foliage. These squares are superimposed on a backdrop of more foliage.
    Year 2025
    Related pages Arnold J. Kemp
  • A standing figure looks at the camera while playing the bass.
    A standing figure looks at the camera while playing the bass.
    Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A standing figure looks at the camera while playing the bass.]
    Caption Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman
    Image description A standing figure looks at the camera while playing the bass.
    Year 2022
    Related pages Tisziji Muñoz with Francisco Mora Catlett and AfroHORN
  • A framed painting is hung on a white wall adjacent to an elevator with a decorative sconce installed above the painted white doors. The painting depicts a chained elephant being trained by a woman in a black dress. The woman holds a baton against the elephant's raised foreleg.
    A framed painting is hung on a white wall adjacent to an elevator with a decorative sconce installed above the painted white doors. The painting depicts a chained elephant being trained by a woman in a black dress. The woman holds a baton against the elephant's raised foreleg.
    Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo credit: Jean Vong. [A framed painting is hung on a white wall adjacent to an elevator with a decorative sconce installed above the painted white doors. The painting depicts a chained elephant being trained by a woman in a black dress. The woman holds a baton against the elephant's raised foreleg.]
    Caption Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo credit: Jean Vong.
    Image description A framed painting is hung on a white wall adjacent to an elevator with a decorative sconce installed above the painted white doors. The painting depicts a chained elephant being trained by a woman in a black dress. The woman holds a baton against the elephant's raised foreleg.
    Year 2016
    Related pages Lukas Duwenhögger: Undoolay
  • Several silhouetted figures backlit by a red glow stand among columns. The figure in the center holds a white-lit object in the air.
    Several silhouetted figures backlit by a red glow stand among columns. The figure in the center holds a white-lit object in the air.
    New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [Several silhouetted figures backlit by a red glow stand among columns. The figure in the center holds a white-lit object in the air.]
    Caption New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description Several silhouetted figures backlit by a red glow stand among columns. The figure in the center holds a white-lit object in the air.
    Year 2020
    Related pages New Red Order: Informants Get Paid!
  • Color image of two performers on standing on stage. The performer in the foreground is lit with pink light. They are holding their arm out touching a cymbal with a red drum stock in hand. They are looking down with their eyes closed. The performer in the background is out of focus, they are bathed in blue light. Drums surround the stage. A seated audience is out of focus in the background. The back wall features two projections, one is an abstract arrangement of shades of blue. The other has sharp geometric shapes in red, green, and yellow.
    Color image of two performers on standing on stage. The performer in the foreground is lit with pink light. They are holding their arm out touching a cymbal with a red drum stock in hand. They are looking down with their eyes closed. The performer in the background is out of focus, they are bathed in blue light. Drums surround the stage. A seated audience is out of focus in the background. The back wall features two projections, one is an abstract arrangement of shades of blue. The other has sharp geometric shapes in red, green, and yellow.
    Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman. [Color image of two performers on standing on stage. The performer in the foreground is lit with pink light. They are holding their arm out touching a cymbal with a red drum stock in hand. They are looking down with their eyes closed. The performer in the background is out of focus, they are bathed in blue light. Drums surround the stage. A seated audience is out of focus in the background. The back wall features two projections, one is an abstract arrangement of shades of blue. The other has sharp geometric shapes in red, green, and yellow.]
    Caption Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of two performers on standing on stage. The performer in the foreground is lit with pink light. They are holding their arm out touching a cymbal with a red drum stock in hand. They are looking down with their eyes closed. The performer in the background is out of focus, they are bathed in blue light. Drums surround the stage. A seated audience is out of focus in the background. The back wall features two projections, one is an abstract arrangement of shades of blue. The other has sharp geometric shapes in red, green, and yellow.
    Year
    Related pages Abasement #77
  • A red leather armchair with a coffee table on a gray rug in the corner of a room. On the coffee table, there are several books, a lamp, and an old radio. On the opposite wall, there are three photographs each showing the view out of three different windows.
    A red leather armchair with a coffee table on a gray rug in the corner of a room. On the coffee table, there are several books, a lamp, and an old radio. On the opposite wall, there are three photographs each showing the view out of three different windows.
    Flipside. Installation view, Artists Space, 2004. [A red leather armchair with a coffee table on a gray rug in the corner of a room. On the coffee table, there are several books, a lamp, and an old radio. On the opposite wall, there are three photographs each showing the view out of three different windows.]
    Caption Flipside. Installation view, Artists Space, 2004.
    Image description A red leather armchair with a coffee table on a gray rug in the corner of a room. On the coffee table, there are several books, a lamp, and an old radio. On the opposite wall, there are three photographs each showing the view out of three different windows.
    Year 2004
    Related pages Flipside
  • A stylized map of SoHo and TriBeCa, stretching in latitude from West Houston Street to White Street, and in longitude from Hudson Street/West Broadway to Broadway. Each past location is marked by a red dot, indicating its address and years active, alongside a photo of the space's exterior.
    A stylized map of SoHo and TriBeCa, stretching in latitude from West Houston Street to White Street, and in longitude from Hudson Street/West Broadway to Broadway. Each past location is marked by a red dot, indicating its address and years active, alongside a photo of the space's exterior.
    Artists Space's locations, 1973-2019. [A stylized map of SoHo and TriBeCa, stretching in latitude from West Houston Street to White Street, and in longitude from Hudson Street/West Broadway to Broadway. Each past location is marked by a red dot, indicating its address and years active, alongside a photo of the space's exterior.]
    Caption Artists Space's locations, 1973-2019.
    Image description A stylized map of SoHo and TriBeCa, stretching in latitude from West Houston Street to White Street, and in longitude from Hudson Street/West Broadway to Broadway. Each past location is marked by a red dot, indicating its address and years active, alongside a photo of the space's exterior.
    Year 2019
    Related pages About
  • Two performers are on a stage, batehd in purple light. On the left, a performer plays the guitar and on the right, someone else plays the drums.
    Two performers are on a stage, batehd in purple light. On the left, a performer plays the guitar and on the right, someone else plays the drums.
    Abasement #79. Performance documentation, August 11th, 2025, Artists Space. Photo: Joshua Wildman. [Two performers are on a stage, batehd in purple light. On the left, a performer plays the guitar and on the right, someone else plays the drums.]
    Caption Abasement #79. Performance documentation, August 11th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Two performers are on a stage, batehd in purple light. On the left, a performer plays the guitar and on the right, someone else plays the drums.
    Year
    Related pages Abasement #79
  • Abstract paint splatters of various muted colors on a grey background.
    Abstract paint splatters of various muted colors on a grey background.
    Joyce Kim, Untitled, 2000. Acryclic, latex and enamel on canvas, 48 x 45 inches. Courtesy the artist. [Abstract paint splatters of various muted colors on a grey background.]
    Caption Joyce Kim, Untitled, 2000. Acryclic, latex and enamel on canvas, 48 x 45 inches. Courtesy the artist.
    Image description Abstract paint splatters of various muted colors on a grey background.
    Year 2001
    Related pages Joyce Kim
  • A decorated paper bag on a shelf. Blue ferns have been illustrated onto white, red, and pink backgrounds.
    A decorated paper bag on a shelf. Blue ferns have been illustrated onto white, red, and pink backgrounds.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A decorated paper bag on a shelf. Blue ferns have been illustrated onto white, red, and pink backgrounds.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A decorated paper bag on a shelf. Blue ferns have been illustrated onto white, red, and pink backgrounds.
    Year 2017
    Related pages Unholding
  • A figure plays the saxophone into a microphone. Red and purple light are cast onto them.
    A figure plays the saxophone into a microphone. Red and purple light are cast onto them.
    Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman [A figure plays the saxophone into a microphone. Red and purple light are cast onto them.]
    Caption Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure plays the saxophone into a microphone. Red and purple light are cast onto them.
    Year 2022
    Related pages Abasement: #62
  • The Decolonize This Place Logo in red text.
    The Decolonize This Place Logo in red text.
    [The Decolonize This Place Logo in red text.]
    Caption
    Image description The Decolonize This Place Logo in red text.
    Year 2016
    Related pages Decolonize This Place
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  • Dr Andrew Torres, Teaching Artist leading a poetry class for Grade 8 students, 2022
    Caption Dr Andrew Torres, Teaching Artist leading a poetry class for Grade 8 students, 2022
    Image description
    Year 2022
    Related pages Art and Literacy: Poetry
  • A figure unpacks various audio and projection equipment onto a table. Blue, purple and pink washes of light are projected onto them.
    A figure unpacks various audio and projection equipment onto a table. Blue, purple and pink washes of light are projected onto them.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure unpacks various audio and projection equipment onto a table. Blue, purple and pink washes of light are projected onto them.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure unpacks various audio and projection equipment onto a table. Blue, purple and pink washes of light are projected onto them.
    Year 2022
    Related pages Abasement #61
  • Portrait of a musician with long blonde hair holding a microphone with their eyes close. There are microphones and stands to their sides. The wall behind them is yellow with images of architectural columns.
    Portrait of a musician with long blonde hair holding a microphone with their eyes close. There are microphones and stands to their sides. The wall behind them is yellow with images of architectural columns.
    Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman. [Portrait of a musician with long blonde hair holding a microphone with their eyes close. There are microphones and stands to their sides. The wall behind them is yellow with images of architectural columns. ]
    Caption Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Portrait of a musician with long blonde hair holding a microphone with their eyes close. There are microphones and stands to their sides. The wall behind them is yellow with images of architectural columns.
    Year
    Related pages Abasement #71
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    Related pages Abasement #82
  • Black text overlays a blue background. The top left corner reads: Jesse Darling / Fiona Alison Duncan. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, February 19, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5.
    Black text overlays a blue background. The top left corner reads: Jesse Darling / Fiona Alison Duncan. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, February 19, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5.
    Flyer for Segue Reading Series featuring Jesse Darling and Fiona Alison Duncan. February 19, 2022, Artists Space. [Black text overlays a blue background. The top left corner reads: Jesse Darling / Fiona Alison Duncan. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, February 19, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5."]
    Caption Flyer for Segue Reading Series featuring Jesse Darling and Fiona Alison Duncan. February 19, 2022, Artists Space.
    Image description Black text overlays a blue background. The top left corner reads: Jesse Darling / Fiona Alison Duncan. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, February 19, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5."
    Year 2022
    Related pages Segue Reading Series: Jesse Darling & Fiona Alison Duncan
  • A color photograph of a human hand holding a blue booklet in front of a background of green leaves as well as red and purple flowers. On the booklet slow and soft and righteous, improvising at the end of the world (and how we make a new one) / By Sonia Louise Davis" is written in black text over a black and white photograph of a figure leaning against a wall.." />
    A color photograph of a human hand holding a blue booklet in front of a background of green leaves as well as red and purple flowers. On the booklet slow and soft and righteous, improvising at the end of the world (and how we make a new one) / By Sonia Louise Davis" is written in black text over a black and white photograph of a figure leaning against a wall.." />
    Image of slow and soft and righteous, improvising at the end of the world (and how we make a new one) by Sonia Louise Davis, 2022. [A color photograph of a human hand holding a blue booklet in front of a background of green leaves as well as red and purple flowers. On the booklet "slow and soft and righteous, improvising at the end of the world (and how we make a new one) / By Sonia Louise Davis" is written in black text over a black and white photograph of a figure leaning against a wall..]
    Caption Image of slow and soft and righteous, improvising at the end of the world (and how we make a new one) by Sonia Louise Davis, 2022.
    Image description A color photograph of a human hand holding a blue booklet in front of a background of green leaves as well as red and purple flowers. On the booklet "slow and soft and righteous, improvising at the end of the world (and how we make a new one) / By Sonia Louise Davis" is written in black text over a black and white photograph of a figure leaning against a wall..
    Year 2022
    Related pages If improvisation could serve as a manual, if gesture could serve as a guide
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A man reclines while reading on a daybed draped with green linens. Behind him are four bookcases filled with vinyl records.
    A man reclines while reading on a daybed draped with green linens. Behind him are four bookcases filled with vinyl records.
    Moyra Davey, still from Fifty Minutes, 2011. 50 min. [A man reclines while reading on a daybed draped with green linens. Behind him are four bookcases filled with vinyl records.]
    Caption Moyra Davey, still from Fifty Minutes, 2011. 50 min.
    Image description A man reclines while reading on a daybed draped with green linens. Behind him are four bookcases filled with vinyl records.
    Year 2011
    Related pages Film and Video Program | Macho Man, Tell It To My Heart: Collected by Julie Ault | January 9
  • Color image of three performers on stage. In the foreground, in the lower right corner a musician wearing headphones plays drums. To the left hand side in the midground, two bald performers look at one another. One of the performers wears a red robe and holds a microphone. The other performer wears a blue tunic and faces the performer in the red robe. Stage lights shine down on all three performers. 
    Color image of three performers on stage. In the foreground, in the lower right corner a musician wearing headphones plays drums. To the left hand side in the midground, two bald performers look at one another. One of the performers wears a red robe and holds a microphone. The other performer wears a blue tunic and faces the performer in the red robe. Stage lights shine down on all three performers. 
    Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman. [Color image of three performers on stage. In the foreground, in the lower right corner a musician wearing headphones plays drums. To the left hand side in the midground, two bald performers look at one another. One of the performers wears a red robe and holds a microphone. The other performer wears a blue tunic and faces the performer in the red robe. Stage lights shine down on all three performers. ]
    Caption Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Color image of three performers on stage. In the foreground, in the lower right corner a musician wearing headphones plays drums. To the left hand side in the midground, two bald performers look at one another. One of the performers wears a red robe and holds a microphone. The other performer wears a blue tunic and faces the performer in the red robe. Stage lights shine down on all three performers. 
    Year
    Related pages Abasement #68
  • A black and white image of multiple sculptures along a wall.
    A black and white image of multiple sculptures along a wall.
    Western Agenda. Installation view, Artists Space, 1991. [A black and white image of multiple sculptures along a wall.]
    Caption Western Agenda. Installation view, Artists Space, 1991.
    Image description A black and white image of multiple sculptures along a wall.
    Year 1991
    Related pages
  • Cutouts seen placed in front of drawing on wall. Paintings and sculptures can be seen in the area around it in a gallery setting.
    Cutouts seen placed in front of drawing on wall. Paintings and sculptures can be seen in the area around it in a gallery setting.
    Installation View from Recent Art From Chicago, Artists Space, March 8, 1986 - April 5, 1986. [Cutouts seen placed in front of drawing on wall. Paintings and sculptures can be seen in the area around it in a gallery setting.]
    Caption Installation View from Recent Art From Chicago, Artists Space, March 8, 1986 - April 5, 1986.
    Image description Cutouts seen placed in front of drawing on wall. Paintings and sculptures can be seen in the area around it in a gallery setting.
    Year
    Related pages Recent Art from Chicago
  • A shallow white cylinder sitting on a dark wooden floor. A small green light glows from inside the cylinder.
    A shallow white cylinder sitting on a dark wooden floor. A small green light glows from inside the cylinder.
    Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A shallow white cylinder sitting on a dark wooden floor. A small green light glows from inside the cylinder.]
    Caption Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A shallow white cylinder sitting on a dark wooden floor. A small green light glows from inside the cylinder.
    Year 2014
    Related pages Sam Pulitzer: A Colony for "Them"
  • An angled view of a display case containing several framed drawings. To the left of the display case, three vintage television sets rest a white support and play video footage. Framed documents and photographs hang along the back wall on either side of a doorway.
    An angled view of a display case containing several framed drawings. To the left of the display case, three vintage television sets rest a white support and play video footage. Framed documents and photographs hang along the back wall on either side of a doorway.
    Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [An angled view of a display case containing several framed drawings. To the left of the display case, three vintage television sets rest a white support and play video footage. Framed documents and photographs hang along the back wall on either side of a doorway.]
    Caption Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description An angled view of a display case containing several framed drawings. To the left of the display case, three vintage television sets rest a white support and play video footage. Framed documents and photographs hang along the back wall on either side of a doorway.
    Year 2018
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • The interior of a Soho loft space with a wooden front desk to the right. Two neon quotation marks hang behind it. Within the room there are empty wooden shelves, wooden benches, and a rough-hewn wooden enclosure at the far end.
    The interior of a Soho loft space with a wooden front desk to the right. Two neon quotation marks hang behind it. Within the room there are empty wooden shelves, wooden benches, and a rough-hewn wooden enclosure at the far end.
    On Being an Exhibition. Installation view, Artists Space, 2007. Photo: Bill Orcutt. [The interior of a Soho loft space with a wooden front desk to the right. Two neon quotation marks hang behind it. Within the room there are empty wooden shelves, wooden benches, and a rough-hewn wooden enclosure at the far end.]
    Caption On Being an Exhibition. Installation view, Artists Space, 2007. Photo: Bill Orcutt.
    Image description The interior of a Soho loft space with a wooden front desk to the right. Two neon quotation marks hang behind it. Within the room there are empty wooden shelves, wooden benches, and a rough-hewn wooden enclosure at the far end.
    Year 2007
    Related pages On Being an Exhibition
  • A color photograph of two cardboard boxes stacked on a printer and resting against a dark column in a gallery space. The top box is narrow and open at the top, and the second box is large with blue text and detailing.
    A color photograph of two cardboard boxes stacked on a printer and resting against a dark column in a gallery space. The top box is narrow and open at the top, and the second box is large with blue text and detailing.
    Lyndon Barrois Jr., Primary Magi, 2021. Solvent transfers on gessoed copper, MagiColor 1600 printer and box, cardboard. 38 x 22 x 19 inches. Photo: Filip Wolak. [A color photograph of two cardboard boxes stacked on a printer and resting against a dark column in a gallery space. The top box is narrow and open at the top, and the second box is large with blue text and detailing.]
    Caption Lyndon Barrois Jr., Primary Magi, 2021. Solvent transfers on gessoed copper, MagiColor 1600 printer and box, cardboard. 38 x 22 x 19 inches. Photo: Filip Wolak.
    Image description A color photograph of two cardboard boxes stacked on a printer and resting against a dark column in a gallery space. The top box is narrow and open at the top, and the second box is large with blue text and detailing.
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
  • A painted cardboard structure sits on stage. The audience, stage, and wall behind it are bathed in yellow, blue, and green light created by a patterned projection.
    A painted cardboard structure sits on stage. The audience, stage, and wall behind it are bathed in yellow, blue, and green light created by a patterned projection.
    Abasement #81. Performance documentation, October 20th, 2025, Artists Space. Photo: Joshua Wildman. [A painted cardboard structure sits on stage. The audience, stage, and wall behind it are bathed in yellow, blue, and green light created by a patterned projection.]
    Caption Abasement #81. Performance documentation, October 20th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A painted cardboard structure sits on stage. The audience, stage, and wall behind it are bathed in yellow, blue, and green light created by a patterned projection.
    Year
    Related pages Abasement #81
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    Image description
    Year
    Related pages Abasement #67
  • Photographs hang on a white wall. On the left, two black and white portraits are stacked vertically. In the center, a row of five color photographs includes a person sitting in a lounge chair and a person in a hospital bed. On the right, the edge of a painting in visible.
    Photographs hang on a white wall. On the left, two black and white portraits are stacked vertically. In the center, a row of five color photographs includes a person sitting in a lounge chair and a person in a hospital bed. On the right, the edge of a painting in visible.
    Works by Philip-Lorca diCorcia. Witnesses: Against Our Vanishing. Installation view, Artists Space, 1989. [Photographs hang on a white wall. On the left, two black and white portraits are stacked vertically. In the center, a row of five color photographs includes a person sitting in a lounge chair and a person in a hospital bed. On the right, the edge of a painting in visible.]
    Caption Works by Philip-Lorca diCorcia. Witnesses: Against Our Vanishing. Installation view, Artists Space, 1989.
    Image description Photographs hang on a white wall. On the left, two black and white portraits are stacked vertically. In the center, a row of five color photographs includes a person sitting in a lounge chair and a person in a hospital bed. On the right, the edge of a painting in visible.
    Year 1989
    Related pages Witnesses: Against Our Vanishing
  • A color photograph of a painting in a gallery space. The canvas is mostly dark, featuring a set of hands with cards in the lower left corner. In the background, some wall text is visible next to a door with a red exit sign above.
    A color photograph of a painting in a gallery space. The canvas is mostly dark, featuring a set of hands with cards in the lower left corner. In the background, some wall text is visible next to a door with a red exit sign above.
    Lyndon Barrois Jr., Comedy Production, 2022. Oil on canvas, cardboard, chiseled nails, copper pigment. 24 x 36 inches. Photo: Filip Wolak. [A color photograph of a painting in a gallery space. The canvas is mostly dark, featuring a set of hands with cards in the lower left corner. In the background, some wall text is visible next to a door with a red exit sign above.]
    Caption Lyndon Barrois Jr., Comedy Production, 2022. Oil on canvas, cardboard, chiseled nails, copper pigment. 24 x 36 inches. Photo: Filip Wolak.
    Image description A color photograph of a painting in a gallery space. The canvas is mostly dark, featuring a set of hands with cards in the lower left corner. In the background, some wall text is visible next to a door with a red exit sign above.
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
  • A rectangular image, opaque and black. In black, all-caps, sans-serif font, outlined in white, text reads
    A rectangular image, opaque and black. In black, all-caps, sans-serif font, outlined in white, text reads
    Claire Fontaine, Please God Make Tomorrow Better, 2010, Silkscreen on archival box, 24 1/2 x 20 1/2 x 1 1/2 inches, Signed and numbered certificate [A rectangular image, opaque and black. In black, all-caps, sans-serif font, outlined in white, text reads "PLEASE GOD MAKE TOMORROW BETTER." The text appears slightly above the center of the image and center justified.]
    Caption Claire Fontaine, Please God Make Tomorrow Better, 2010, Silkscreen on archival box, 24 1/2 x 20 1/2 x 1 1/2 inches, Signed and numbered certificate
    Image description A rectangular image, opaque and black. In black, all-caps, sans-serif font, outlined in white, text reads "PLEASE GOD MAKE TOMORROW BETTER." The text appears slightly above the center of the image and center justified.
    Year
    Related pages Artists Space Annual Edition Portfolio 2010
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    Image description
    Year
    Related pages fwiw
  • Black and white image depicting a performance. The artist is standing in the center of the frame and wearing spotted tights and cowboy boots. The upper half of their body is enveloped in a large plastic foam fabric, which covers their torso, face, and arms. Affixed to the large fabric construction are clusters of plastic takeout containers. Audience members are visible in the foreground.
    Black and white image depicting a performance. The artist is standing in the center of the frame and wearing spotted tights and cowboy boots. The upper half of their body is enveloped in a large plastic foam fabric, which covers their torso, face, and arms. Affixed to the large fabric construction are clusters of plastic takeout containers. Audience members are visible in the foreground.
    Johanna Went performing at The Hong Kong Cafe, Los Angeles. Photo: Ed Colver [Black and white image depicting a performance. The artist is standing in the center of the frame and wearing spotted tights and cowboy boots. The upper half of their body is enveloped in a large plastic foam fabric, which covers their torso, face, and arms. Affixed to the large fabric construction are clusters of plastic takeout containers. Audience members are visible in the foreground.]
    Caption Johanna Went performing at The Hong Kong Cafe, Los Angeles. Photo: Ed Colver
    Image description Black and white image depicting a performance. The artist is standing in the center of the frame and wearing spotted tights and cowboy boots. The upper half of their body is enveloped in a large plastic foam fabric, which covers their torso, face, and arms. Affixed to the large fabric construction are clusters of plastic takeout containers. Audience members are visible in the foreground.
    Year
    Related pages Attention Line
  • An installation view of a large room. To the left, an orange water dispenser is positioned between three white columns. In the center of the room is an abstract sculptural work. In the lower right foreground are eleven metal poles mounted in metal buckets that are filled with multicolored objects.
    An installation view of a large room. To the left, an orange water dispenser is positioned between three white columns. In the center of the room is an abstract sculptural work. In the lower right foreground are eleven metal poles mounted in metal buckets that are filled with multicolored objects.
    DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [An installation view of a large room. To the left, an orange water dispenser is positioned between three white columns. In the center of the room is an abstract sculptural work. In the lower right foreground are eleven metal poles mounted in metal buckets that are filled with multicolored objects.]
    Caption DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description An installation view of a large room. To the left, an orange water dispenser is positioned between three white columns. In the center of the room is an abstract sculptural work. In the lower right foreground are eleven metal poles mounted in metal buckets that are filled with multicolored objects.
    Year 2012
    Related pages DUOX: DUOX4Larkin
  • A small framed drawing of a donkey head in blue, resting on a white shelf against the wall of a gallery space.
    A small framed drawing of a donkey head in blue, resting on a white shelf against the wall of a gallery space.
    Lyndon Barrois Jr., Balthazar (After Bresson), 2021. Blue graphite on paper, antique brass frame. 10 x 8 inches. Photo: Filip Wolak. [A small framed drawing of a donkey head in blue, resting on a white shelf against the wall of a gallery space.]
    Caption Lyndon Barrois Jr., Balthazar (After Bresson), 2021. Blue graphite on paper, antique brass frame. 10 x 8 inches. Photo: Filip Wolak.
    Image description A small framed drawing of a donkey head in blue, resting on a white shelf against the wall of a gallery space.
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
  • Two figures stand facing one another, smiling. One wears a baseball cap and the other holds a camera.
    Two figures stand facing one another, smiling. One wears a baseball cap and the other holds a camera.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [Two figures stand facing one another, smiling. One wears a baseball cap and the other holds a camera.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description Two figures stand facing one another, smiling. One wears a baseball cap and the other holds a camera.
    Year 2019
    Related pages Speaker Music: drape over another
  • Light blue and teal text overlay a purple background with abstract lines and an upside-down drawing of a male bust in the top right corner. The text in the middle reads
    Light blue and teal text overlay a purple background with abstract lines and an upside-down drawing of a male bust in the top right corner. The text in the middle reads
    Flyer for Segue Reading Series featuring Sue Landers and Monica de la Torre. December 17, 2022, Artists Space. [Light blue and teal text overlay a purple background with abstract lines and an upside-down drawing of a male bust in the top right corner. The text in the middle reads "Sue Landers / Segue Reading Series / Monica de la Torre."]
    Caption Flyer for Segue Reading Series featuring Sue Landers and Monica de la Torre. December 17, 2022, Artists Space.
    Image description Light blue and teal text overlay a purple background with abstract lines and an upside-down drawing of a male bust in the top right corner. The text in the middle reads "Sue Landers / Segue Reading Series / Monica de la Torre."
    Year
    Related pages Segue Reading Series: Sue Landers & Monica de la Torre
  • An over-the-shoulder photo of a person holding a boom microphone pointed at a small oil pipeline fire several dozen feet away.
    An over-the-shoulder photo of a person holding a boom microphone pointed at a small oil pipeline fire several dozen feet away.
    A member of the collective Winter Count working on the film We Are in Crisis, 2016, North Dakota. [An over-the-shoulder photo of a person holding a boom microphone pointed at a small oil pipeline fire several dozen feet away.]
    Caption A member of the collective Winter Count working on the film We Are in Crisis, 2016, North Dakota.
    Image description An over-the-shoulder photo of a person holding a boom microphone pointed at a small oil pipeline fire several dozen feet away.
    Year 2016
    Related pages Without Us There Is No You
  • Black-and-white image of two figures performing on stage. On the right a figure looks down and manipulates audio equipment held in a briefcase. To the left and behind another figure is out of focus and plays the violin.
    Black-and-white image of two figures performing on stage. On the right a figure looks down and manipulates audio equipment held in a briefcase. To the left and behind another figure is out of focus and plays the violin.
    Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman [Black-and-white image of two figures performing on stage. On the right a figure looks down and manipulates audio equipment held in a briefcase. To the left and behind another figure is out of focus and plays the violin.]
    Caption Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman
    Image description Black-and-white image of two figures performing on stage. On the right a figure looks down and manipulates audio equipment held in a briefcase. To the left and behind another figure is out of focus and plays the violin.
    Year
    Related pages Abasement: #62
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    Year
    Related pages Friends of Artists Space Dinner
  • A white rectangular image with an opaque black circle in the center right, and a capital D outlined in black in the top left of the image.
    A white rectangular image with an opaque black circle in the center right, and a capital D outlined in black in the top left of the image.
    Adam Pendleton, Title TK, 2010, Silkscreen with embossing on Somerset Satin 500 gsm, 17 ¼ x 23 ½ inches, Signed and numbered. [A white rectangular image with an opaque black circle in the center right, and a capital D outlined in black in the top left of the image.]
    Caption Adam Pendleton, Title TK, 2010, Silkscreen with embossing on Somerset Satin 500 gsm, 17 ¼ x 23 ½ inches, Signed and numbered.
    Image description A white rectangular image with an opaque black circle in the center right, and a capital D outlined in black in the top left of the image.
    Year 2010
    Related pages Artists Space Annual Edition Portfolio 2010
  • A numbered list of rules is arranged on white ground in various black fonts. Text reads:
    A numbered list of rules is arranged on white ground in various black fonts. Text reads:
    Angela Bulloch, Rules of the Space, 2012, from the Rules Series, Silkscreen print on record sleeve, 12 3/8 x 12 3/8 inches, Signed and numbered [A numbered list of rules is arranged on white ground in various black fonts. Text reads: "Rules of the Space / 1. This SPACE is OCCUPIED. Anyone CAN SLEEP HERE / 2. NO Police (Pigs) and NO Informants (Rats) / 3. No Press OR Photos / 4. This is a Safer SPACE No Bullshit / 5. NO Peacekeepers or WANNA-BE POLICE / 6. INVITE EVERYONE (Except the aforementioned pigs and rats) / 7. create the world you want to see in the future (occupy the future) / 8. The HISTORICAL BREAK / 9. SEQUESTER THE BOSSES / 10. SHUT IT DOWN!!! / 11. Flush the toilet - don't shit on the floor.. this isn't Zucotti. / 12. PANTS ARE OPTIONAL / 13. DEMAND NO. 1 CATS (AND WE WANT THEM MEOW!) / 14. Louder! Louder!! LOUDER!!! If You Wanna Exploit LABOR you havta be you have to be 15ft from the door / 15. Rock & Roll ALL NIIIGHT AND PARTY EV-ERY DAY! / 16. CREATE MYTHS TO SUSTAIN CATASTROPHE]
    Caption Angela Bulloch, Rules of the Space, 2012, from the Rules Series, Silkscreen print on record sleeve, 12 3/8 x 12 3/8 inches, Signed and numbered
    Image description A numbered list of rules is arranged on white ground in various black fonts. Text reads: "Rules of the Space / 1. This SPACE is OCCUPIED. Anyone CAN SLEEP HERE / 2. NO Police (Pigs) and NO Informants (Rats) / 3. No Press OR Photos / 4. This is a Safer SPACE No Bullshit / 5. NO Peacekeepers or WANNA-BE POLICE / 6. INVITE EVERYONE (Except the aforementioned pigs and rats) / 7. create the world you want to see in the future (occupy the future) / 8. The HISTORICAL BREAK / 9. SEQUESTER THE BOSSES / 10. SHUT IT DOWN!!! / 11. Flush the toilet - don't shit on the floor.. this isn't Zucotti. / 12. PANTS ARE OPTIONAL / 13. DEMAND NO. 1 CATS (AND WE WANT THEM MEOW!) / 14. Louder! Louder!! LOUDER!!! If You Wanna Exploit LABOR you havta be you have to be 15ft from the door / 15. Rock & Roll ALL NIIIGHT AND PARTY EV-ERY DAY! / 16. CREATE MYTHS TO SUSTAIN CATASTROPHE
    Year 2013
    Related pages Artists Space Annual Edition Portfolio 2013
  • Color image of a figure sitting behind a white desk, manipulating an audio machine with their hands. A lamp illuminates the machines controls and speakers are placed in front of the machine.
    Color image of a figure sitting behind a white desk, manipulating an audio machine with their hands. A lamp illuminates the machines controls and speakers are placed in front of the machine.
    Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of a figure sitting behind a white desk, manipulating an audio machine with their hands. A lamp illuminates the machines controls and speakers are placed in front of the machine.]
    Caption Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata
    Image description Color image of a figure sitting behind a white desk, manipulating an audio machine with their hands. A lamp illuminates the machines controls and speakers are placed in front of the machine.
    Year 2023
    Related pages Yasunao Tone Concert #2
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