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  • El Bosque Luminoso Baja El Mar, Threads of History Presentations at M.S. 324, May 23, 2022
    Caption El Bosque Luminoso Baja El Mar, Threads of History Presentations at M.S. 324, May 23, 2022
    Image description
    Year 2022
    Related pages Exhibitions and Events
  • Black and white photograph of cursive white text on a black background on the floor.
    Black and white photograph of cursive white text on a black background on the floor.
    Margia Kramer. Installation view, Artists Space, 1980. [Black and white photograph of cursive white text on a black background on the floor.]
    Caption Margia Kramer. Installation view, Artists Space, 1980.
    Image description Black and white photograph of cursive white text on a black background on the floor.
    Year
    Related pages Margia Kramer
  • A color image of a gallery space. From left to right: a shovel standing upright on a pedestal, a shovel with an iron claw at the base, a tree log on a pedestal and another tree log on pedestal, with a griffon vulture perched on the branch.
    A color image of a gallery space. From left to right: a shovel standing upright on a pedestal, a shovel with an iron claw at the base, a tree log on a pedestal and another tree log on pedestal, with a griffon vulture perched on the branch.
    Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon. [A color image of a gallery space. From left to right: a shovel standing upright on a pedestal, a shovel with an iron claw at the base, a tree log on a pedestal and another tree log on pedestal, with a griffon vulture perched on the branch.]
    Caption Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description A color image of a gallery space. From left to right: a shovel standing upright on a pedestal, a shovel with an iron claw at the base, a tree log on a pedestal and another tree log on pedestal, with a griffon vulture perched on the branch.
    Year
    Related pages Andy Robert: Papaloko
  • A chalk drawing appears above two chairs on the left and in the corner is a television monitor on a pedestal with framed drawings behind it. A doorway leads into the next space.
    A chalk drawing appears above two chairs on the left and in the corner is a television monitor on a pedestal with framed drawings behind it. A doorway leads into the next space.
    Young Fluxus. Installation view, Artists Space, 1982. [A chalk drawing appears above two chairs on the left and in the corner is a television monitor on a pedestal with framed drawings behind it. A doorway leads into the next space.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description A chalk drawing appears above two chairs on the left and in the corner is a television monitor on a pedestal with framed drawings behind it. A doorway leads into the next space.
    Year
    Related pages Young Fluxus
  • A digitally rendered image of a green with mountains in the background, pixellated with horizontal lines.
    A digitally rendered image of a green with mountains in the background, pixellated with horizontal lines.
    Michael Robinson. Still from And We All Shine One, 2006. [A digitally rendered image of a green with mountains in the background, pixellated with horizontal lines.]
    Caption Michael Robinson. Still from And We All Shine One, 2006.
    Image description A digitally rendered image of a green with mountains in the background, pixellated with horizontal lines.
    Year 2006
    Related pages Summer Knowledge: Michael Robinson
  • A drained inground swimming pool surrounded by greenery.
    A drained inground swimming pool surrounded by greenery.
    Maltz, Russell. 1979. [A drained inground swimming pool surrounded by greenery.]
    Caption Maltz, Russell. 1979.
    Image description A drained inground swimming pool surrounded by greenery.
    Year
    Related pages Pool Show
  • A crowd sitting down watching a performer on stage leaning over a table with electronic instruments, holding a mic close to their mouth. The audience is bathed in red light, and the wall behind the performer is covered with multicolored abstract projections.
    A crowd sitting down watching a performer on stage leaning over a table with electronic instruments, holding a mic close to their mouth. The audience is bathed in red light, and the wall behind the performer is covered with multicolored abstract projections.
    Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman. [A crowd sitting down watching a performer on stage leaning over a table with electronic instruments, holding a mic close to their mouth. The audience is bathed in red light, and the wall behind the performer is covered with multicolored abstract projections. ]
    Caption Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman.
    Image description A crowd sitting down watching a performer on stage leaning over a table with electronic instruments, holding a mic close to their mouth. The audience is bathed in red light, and the wall behind the performer is covered with multicolored abstract projections.
    Year
    Related pages Abasement #74
  • A table with red cover that reads
    A table with red cover that reads
    New Red Order with Maiingan “iNDiO1763” Wiikwedong, Gaile Pranckunaite, and Inpatient Press. Conscientious Conscripture, 2018 - Ongoing Polyester knit feather flag, polyester knit fabric step-and-repeat, table, tablecloth, chair, vinyl retractable banner, dibond print on easel, three televisions, red phone, newspaper box, and childrens activity book. Image courtesy Artists Space, New York Photo: Filip Wolak [A table with red cover that reads "NEW RED ORDER" sits in between three tv monitors. On either side of the tv monitors sits a banner and a newspaper dispenser.]
    Caption New Red Order with Maiingan “iNDiO1763” Wiikwedong, Gaile Pranckunaite, and Inpatient Press. Conscientious Conscripture, 2018 - Ongoing Polyester knit feather flag, polyester knit fabric step-and-repeat, table, tablecloth, chair, vinyl retractable banner, dibond print on easel, three televisions, red phone, newspaper box, and childrens activity book. Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A table with red cover that reads "NEW RED ORDER" sits in between three tv monitors. On either side of the tv monitors sits a banner and a newspaper dispenser.
    Year 2021
    Related pages New Red Order: Feel at Home Here
  • A figure on the left sings into a microphone, while on thhe right, a figure sitting down and wearing a baseball cap plays the guitar.
    A figure on the left sings into a microphone, while on thhe right, a figure sitting down and wearing a baseball cap plays the guitar.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure on the left sings into a microphone, while on thhe right, a figure sitting down and wearing a baseball cap plays the guitar.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure on the left sings into a microphone, while on thhe right, a figure sitting down and wearing a baseball cap plays the guitar.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • Black text overlays a mauve background. The top left corner reads:
    Black text overlays a mauve background. The top left corner reads:
    Flyer for Segue Reading Series featuring Lila Zemborain and Justin Allen. Saturday, December 4, 2021, Artists Space. [Black text overlays a mauve background. The top left corner reads: "Lila Zemborain & Justin Allen." The center right reads: "Segue Reading Series & ARTISTS SPACE." The bottom left reads: "Saturday December 4 - 5pm, 11 Cortland Alley + Zoom". The image of a 5 dollar bill is placed within the text.]
    Caption Flyer for Segue Reading Series featuring Lila Zemborain and Justin Allen. Saturday, December 4, 2021, Artists Space.
    Image description Black text overlays a mauve background. The top left corner reads: "Lila Zemborain & Justin Allen." The center right reads: "Segue Reading Series & ARTISTS SPACE." The bottom left reads: "Saturday December 4 - 5pm, 11 Cortland Alley + Zoom". The image of a 5 dollar bill is placed within the text.
    Year 2021
    Related pages Segue Reading Series: Lila Zemborain & Justin Allen
  • A set of stairs leads down to the entrance to Artists Space; the stair railings are cast in shadow on the wall. Through the door are two people and fake smoke. A caption appears over the image that reads: “And do you see there are people? There’s actually a film crew.”
    A set of stairs leads down to the entrance to Artists Space; the stair railings are cast in shadow on the wall. Through the door are two people and fake smoke. A caption appears over the image that reads: “And do you see there are people? There’s actually a film crew.”
    Still from Expressions, Jordan Lord with Annette Carter and Deborah Lord, HD video, 36 min. looped, 2021. [A set of stairs leads down to the entrance to Artists Space; the stair railings are cast in shadow on the wall. Through the door are two people and fake smoke. A caption appears over the image that reads: “And do you see there are people? There’s actually a film crew.”]
    Caption Still from Expressions, Jordan Lord with Annette Carter and Deborah Lord, HD video, 36 min. looped, 2021.
    Image description A set of stairs leads down to the entrance to Artists Space; the stair railings are cast in shadow on the wall. Through the door are two people and fake smoke. A caption appears over the image that reads: “And do you see there are people? There’s actually a film crew.”
    Year 2021
    Related pages Welcome
  • Several sculptures and 2D works sit in a large gallery space with wooden floors and white columns. To the right, a stool-like object sits on a white plinth, illuminated by a bright overhead light. On the ground in the center of the image, an overturned cardboard box rests on the floor. A colorful structure resembling a well is installed in the background.
    Several sculptures and 2D works sit in a large gallery space with wooden floors and white columns. To the right, a stool-like object sits on a white plinth, illuminated by a bright overhead light. On the ground in the center of the image, an overturned cardboard box rests on the floor. A colorful structure resembling a well is installed in the background.
    Salad Days 3. Installation view, Artists Space, 2008. Photo: Jeremy Ross. [Several sculptures and 2D works sit in a large gallery space with wooden floors and white columns. To the right, a stool-like object sits on a white plinth, illuminated by a bright overhead light. On the ground in the center of the image, an overturned cardboard box rests on the floor. A colorful structure resembling a well is installed in the background.]
    Caption Salad Days 3. Installation view, Artists Space, 2008. Photo: Jeremy Ross.
    Image description Several sculptures and 2D works sit in a large gallery space with wooden floors and white columns. To the right, a stool-like object sits on a white plinth, illuminated by a bright overhead light. On the ground in the center of the image, an overturned cardboard box rests on the floor. A colorful structure resembling a well is installed in the background.
    Year 2008
    Related pages Salad Days 3
  • A brown and green object sits on a white base. A blue flat surface is attached to right side of the object, and a metal antenna extends on a diagonal.
    A brown and green object sits on a white base. A blue flat surface is attached to right side of the object, and a metal antenna extends on a diagonal.
    Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $2,500 [A brown and green object sits on a white base. A blue flat surface is attached to right side of the object, and a metal antenna extends on a diagonal.]
    Caption Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $2,500
    Image description A brown and green object sits on a white base. A blue flat surface is attached to right side of the object, and a metal antenna extends on a diagonal.
    Year 2019
    Related pages Trisha Baga Edition
  • A black and white photograph with two projectors hanging central with projections on one wall and another hanging screen in a gallery space.
    A black and white photograph with two projectors hanging central with projections on one wall and another hanging screen in a gallery space.
    Anne Bray. Man on First and Third, 1987. Slide/Sound Installation. [A black and white photograph with two projectors hanging central with projections on one wall and another hanging screen in a gallery space.]
    Caption Anne Bray. Man on First and Third, 1987. Slide/Sound Installation.
    Image description A black and white photograph with two projectors hanging central with projections on one wall and another hanging screen in a gallery space.
    Year 1987
    Related pages Dark Rooms
  • Three paintings arranged in a horizontal line on a white wall. Each painting depicts a man walking on city streets or in a park.
    Three paintings arranged in a horizontal line on a white wall. Each painting depicts a man walking on city streets or in a park.
    Based on a True Story. Installation view, Artists Space, 2004. [Three paintings arranged in a horizontal line on a white wall. Each painting depicts a man walking on city streets or in a park.]
    Caption Based on a True Story. Installation view, Artists Space, 2004.
    Image description Three paintings arranged in a horizontal line on a white wall. Each painting depicts a man walking on city streets or in a park.
    Year 2004
    Related pages Based on a True Story
  • A animated cartoon in tones of black, blue, and grey depicting a silhouette of a prisoner with a chain on his leg and hands in the air, facing a large door with multiple locks.
    A animated cartoon in tones of black, blue, and grey depicting a silhouette of a prisoner with a chain on his leg and hands in the air, facing a large door with multiple locks.
    Still from The Last Days of Jack Sheppard (2009). [A animated cartoon in tones of black, blue, and grey depicting a silhouette of a prisoner with a chain on his leg and hands in the air, facing a large door with multiple locks.]
    Caption Still from The Last Days of Jack Sheppard (2009).
    Image description A animated cartoon in tones of black, blue, and grey depicting a silhouette of a prisoner with a chain on his leg and hands in the air, facing a large door with multiple locks.
    Year 2009
    Related pages The Last Days of Jack Sheppard
  • A wall-sized, black and white photograph of chair and man in front of a train car is adjacent to an angled wall displaying photographs and documents behind glass. In the right hand foreground is a 35mm projector.
    A wall-sized, black and white photograph of chair and man in front of a train car is adjacent to an angled wall displaying photographs and documents behind glass. In the right hand foreground is a 35mm projector.
    Living with Pop. A Reproduction of Capitalist Realism. Installation view of the section “Kaiserstraße 31A (1963),” Artists Space, 2014. [A wall-sized, black and white photograph of chair and man in front of a train car is adjacent to an angled wall displaying photographs and documents behind glass. In the right hand foreground is a 35mm projector.]
    Caption Living with Pop. A Reproduction of Capitalist Realism. Installation view of the section “Kaiserstraße 31A (1963),” Artists Space, 2014.
    Image description A wall-sized, black and white photograph of chair and man in front of a train car is adjacent to an angled wall displaying photographs and documents behind glass. In the right hand foreground is a 35mm projector.
    Year 2014
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • Scan of the cover and back cover of a book. On the front cover, black text on a white background reads
    Scan of the cover and back cover of a book. On the front cover, black text on a white background reads
    Cover of Christopher D'Arcangelo, Kunstverein Publishing and Artists Space. Photo: Cathy Weiner. [Scan of the cover and back cover of a book. On the front cover, black text on a white background reads "Christopher D'Arcangelo." The back cover features a black-and-white photograph of a figure doing a headstand, their back facing the viewer. The figure is shirtless, exposing black text written on their skin.]
    Caption Cover of Christopher D'Arcangelo, Kunstverein Publishing and Artists Space. Photo: Cathy Weiner.
    Image description Scan of the cover and back cover of a book. On the front cover, black text on a white background reads "Christopher D'Arcangelo." The back cover features a black-and-white photograph of a figure doing a headstand, their back facing the viewer. The figure is shirtless, exposing black text written on their skin.
    Year 2023
    Related pages Christopher D'Arcangelo
  • A figure sits behind a table, a microphone in front of their face, as they close their laptop and grab a stack of papers on the table.
    A figure sits behind a table, a microphone in front of their face, as they close their laptop and grab a stack of papers on the table.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure sits behind a table, a microphone in front of their face, as they close their laptop and grab a stack of papers on the table.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure sits behind a table, a microphone in front of their face, as they close their laptop and grab a stack of papers on the table.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • Brad Kronz. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Caption Brad Kronz. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description
    Year
    Related pages Brad Kronz
  • A framed, oval-shaped painting of a man and a conical plant sculpture decorated with hanging crepe paper tassels are displayed in a gallery.
    A framed, oval-shaped painting of a man and a conical plant sculpture decorated with hanging crepe paper tassels are displayed in a gallery.
    Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo: Jean Vong. [A framed, oval-shaped painting of a man and a conical plant sculpture decorated with hanging crepe paper tassels are displayed in a gallery.]
    Caption Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo: Jean Vong.
    Image description A framed, oval-shaped painting of a man and a conical plant sculpture decorated with hanging crepe paper tassels are displayed in a gallery.
    Year 2016
    Related pages The Clay Hen by Lukas Duwenhögger: A reading with Paul Lazar
  • Image of a basement with a table made of wood and a fresnel lens tabletop on the right side of the space. In the back are audio wires and a speaker in the corner. Along the top of the image the basement windows are tinted blue.
    Image of a basement with a table made of wood and a fresnel lens tabletop on the right side of the space. In the back are audio wires and a speaker in the corner. Along the top of the image the basement windows are tinted blue.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with a table made of wood and a fresnel lens tabletop on the right side of the space. In the back are audio wires and a speaker in the corner. Along the top of the image the basement windows are tinted blue.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a basement with a table made of wood and a fresnel lens tabletop on the right side of the space. In the back are audio wires and a speaker in the corner. Along the top of the image the basement windows are tinted blue.
    Year 2022
    Related pages SCRAAATCH 12-3
  • A black and white photograph of a gallery space. A chouch with two figures is visible in the lower left corner. On the walls, several framed works are hung, each with a grid of smaller black and white images.
    A black and white photograph of a gallery space. A chouch with two figures is visible in the lower left corner. On the walls, several framed works are hung, each with a grid of smaller black and white images.
    Artists Performance Series. Installation view, Artists Space, 1977. [A black and white photograph of a gallery space. A chouch with two figures is visible in the lower left corner. On the walls, several framed works are hung, each with a grid of smaller black and white images.]
    Caption Artists Performance Series. Installation view, Artists Space, 1977.
    Image description A black and white photograph of a gallery space. A chouch with two figures is visible in the lower left corner. On the walls, several framed works are hung, each with a grid of smaller black and white images.
    Year 1977
    Related pages Artists Performance Series
  • Six glass vitrines displaying books, photographs, and other paper ephemera are installed in the center of a gallery space. A series of old Hollywood films are projected on the back wall of the exhibition space.
    Six glass vitrines displaying books, photographs, and other paper ephemera are installed in the center of a gallery space. A series of old Hollywood films are projected on the back wall of the exhibition space.
    She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak. [Six glass vitrines displaying books, photographs, and other paper ephemera are installed in the center of a gallery space. A series of old Hollywood films are projected on the back wall of the exhibition space.]
    Caption She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak.
    Image description Six glass vitrines displaying books, photographs, and other paper ephemera are installed in the center of a gallery space. A series of old Hollywood films are projected on the back wall of the exhibition space.
    Year 2020
    Related pages She Who Is: Adrienne Kennedy and the Drama of Difference
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    Year
    Related pages Support
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    Related pages Dream Lines: Drawings by Marian Zazeela
  • A collage of eucalyptus sprigs, other plants, and human figures attached to a framed map.
    A collage of eucalyptus sprigs, other plants, and human figures attached to a framed map.
    Adjua Gargi Nzinga Greaves, Autotelemachy, 2017. Collage, 59 x 68 inches. Photo: Filip Wolak [A collage of eucalyptus sprigs, other plants, and human figures attached to a framed map.]
    Caption Adjua Gargi Nzinga Greaves, Autotelemachy, 2017. Collage, 59 x 68 inches. Photo: Filip Wolak
    Image description A collage of eucalyptus sprigs, other plants, and human figures attached to a framed map.
    Year 2021
    Related pages Adjua Gargi Nzinga Greaves
  • Magazine pages are arranged in several rows on a white gallery wall. Below the pages is a row of sketches on yellow paper.
    Magazine pages are arranged in several rows on a white gallery wall. Below the pages is a row of sketches on yellow paper.
    Adjua Gargi Nzinga Greaves, Better homes and gardens back by popular demand, 2021. Magazine, artists tape, overall dimensions variable. Courtesy Artists Space, New York. Photo: Filip Wolak [Magazine pages are arranged in several rows on a white gallery wall. Below the pages is a row of sketches on yellow paper.]
    Caption Adjua Gargi Nzinga Greaves, Better homes and gardens back by popular demand, 2021. Magazine, artists tape, overall dimensions variable. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description Magazine pages are arranged in several rows on a white gallery wall. Below the pages is a row of sketches on yellow paper.
    Year
    Related pages Adjua Gargi Nzinga Greaves
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A black and white photo of an eye cropped with a heavy black border.
    A black and white photo of an eye cropped with a heavy black border.
    Phillippe Demontaut, Annette Messager, Tom Wolf 1981. Annette Messager, Postcard, 1981. [A black and white photo of an eye cropped with a heavy black border.]
    Caption Phillippe Demontaut, Annette Messager, Tom Wolf 1981. Annette Messager, Postcard, 1981.
    Image description A black and white photo of an eye cropped with a heavy black border.
    Year 1981
    Related pages
  • On the left one can see a bright image of a man standing profile view and on the right appears a photograph of a naked woman shielding her face. Blackness surrounds these two images.
    On the left one can see a bright image of a man standing profile view and on the right appears a photograph of a naked woman shielding her face. Blackness surrounds these two images.
    Installation view, Wyn Geleynse film installation, Artists Space, May 24, 1986 - June 28, 1986. [On the left one can see a bright image of a man standing profile view and on the right appears a photograph of a naked woman shielding her face. Blackness surrounds these two images.]
    Caption Installation view, Wyn Geleynse film installation, Artists Space, May 24, 1986 - June 28, 1986.
    Image description On the left one can see a bright image of a man standing profile view and on the right appears a photograph of a naked woman shielding her face. Blackness surrounds these two images.
    Year
    Related pages Wyn Geleynse film installation
  • Two white walls are suspended on six vertical poles and are arranged so that they form a right corner. A large grid-like composition composed of many small squares is mounted on the left wall. On the right wall there are many photographs and printed video stills either mounted in grid patterns or one above the other.
    Two white walls are suspended on six vertical poles and are arranged so that they form a right corner. A large grid-like composition composed of many small squares is mounted on the left wall. On the right wall there are many photographs and printed video stills either mounted in grid patterns or one above the other.
    Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Two white walls are suspended on six vertical poles and are arranged so that they form a right corner. A large grid-like composition composed of many small squares is mounted on the left wall. On the right wall there are many photographs and printed video stills either mounted in grid patterns or one above the other.]
    Caption Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Two white walls are suspended on six vertical poles and are arranged so that they form a right corner. A large grid-like composition composed of many small squares is mounted on the left wall. On the right wall there are many photographs and printed video stills either mounted in grid patterns or one above the other.
    Year 2012
    Related pages Radical Localism: Art, Video and Culture from Pueblo Nuevo’s Mexicali Rose
  • An illustration takes up the whole frame depicting a yellow house with one rectangular door, one square window, and an orange roof. The house sits in an ambiguous space of slanted red ovals without any perspectival grounding.
    An illustration takes up the whole frame depicting a yellow house with one rectangular door, one square window, and an orange roof. The house sits in an ambiguous space of slanted red ovals without any perspectival grounding.
    Sydney Schrader [An illustration takes up the whole frame depicting a yellow house with one rectangular door, one square window, and an orange roof. The house sits in an ambiguous space of slanted red ovals without any perspectival grounding.]
    Caption Sydney Schrader
    Image description An illustration takes up the whole frame depicting a yellow house with one rectangular door, one square window, and an orange roof. The house sits in an ambiguous space of slanted red ovals without any perspectival grounding.
    Year
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
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    Related pages DRAFT IMAGE PAGE_NEVER DELETE
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    Related pages fwiw
  • A figure in a red sweater stands on stage, behind three microphones placed around them, their left hand held up to their mouth.
    A figure in a red sweater stands on stage, behind three microphones placed around them, their left hand held up to their mouth.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure in a red sweater stands on stage, behind three microphones placed around them, their left hand held up to their mouth.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure in a red sweater stands on stage, behind three microphones placed around them, their left hand held up to their mouth.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • Black text overlays a color-scheme grid background. The text reads: “Jan 6 / Pierre Joris / Tyrone Williams.
    Black text overlays a color-scheme grid background. The text reads: “Jan 6 / Pierre Joris / Tyrone Williams.
    [Black text overlays a color-scheme grid background. The text reads: “Jan 6 / Pierre Joris / Tyrone Williams." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description Black text overlays a color-scheme grid background. The text reads: “Jan 6 / Pierre Joris / Tyrone Williams." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: Pierre Joris & Tyrone Williams
  • Three large, monotone paintings, each hung on its own white wall. A protruding white wall with a blue canvas and white text in French partially obscures a black canvas with white text. Perpendicular to that is a red canvas.
    Three large, monotone paintings, each hung on its own white wall. A protruding white wall with a blue canvas and white text in French partially obscures a black canvas with white text. Perpendicular to that is a red canvas.
    Lise Soskolne. Installation view, Artists Space, 1999. [Three large, monotone paintings, each hung on its own white wall. A protruding white wall with a blue canvas and white text in French partially obscures a black canvas with white text. Perpendicular to that is a red canvas.]
    Caption Lise Soskolne. Installation view, Artists Space, 1999.
    Image description Three large, monotone paintings, each hung on its own white wall. A protruding white wall with a blue canvas and white text in French partially obscures a black canvas with white text. Perpendicular to that is a red canvas.
    Year 1999
    Related pages Lise Soskolne
  • A black and white photograph of a gallery installation. A figure poses in front of a wall with several hanging objects, their arms outstretched to either side.
    A black and white photograph of a gallery installation. A figure poses in front of a wall with several hanging objects, their arms outstretched to either side.
    Pictures. Opening Reception, Artists Space, September 23, 1977. Photo: D. James Dee. [A black and white photograph of a gallery installation. A figure poses in front of a wall with several hanging objects, their arms outstretched to either side.]
    Caption Pictures. Opening Reception, Artists Space, September 23, 1977. Photo: D. James Dee.
    Image description A black and white photograph of a gallery installation. A figure poses in front of a wall with several hanging objects, their arms outstretched to either side.
    Year 1977
    Related pages Pictures
  • White text overlays a color-scheme grid background. The text reads: “Oct 21 / Richard Loranger / r. erica doyle.
    White text overlays a color-scheme grid background. The text reads: “Oct 21 / Richard Loranger / r. erica doyle.
    Flyer [White text overlays a color-scheme grid background. The text reads: “Oct 21 / Richard Loranger / r. erica doyle." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption Flyer
    Image description White text overlays a color-scheme grid background. The text reads: “Oct 21 / Richard Loranger / r. erica doyle." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: r. erica doyle & Richard Loranger
  • To the left, surrounded by a sound system, a performer sings into a microphone while resting a wind instrument in their lap. To the right, a performer plays a saxophone. The stage is bathed in red, green, and blue lights while a projection is shown on the wall.
    To the left, surrounded by a sound system, a performer sings into a microphone while resting a wind instrument in their lap. To the right, a performer plays a saxophone. The stage is bathed in red, green, and blue lights while a projection is shown on the wall.
    Abasement #85. Performance documentation, March 2nd, 2026, Artists Space. Photo: Joshua Wildman. [To the left, surrounded by a sound system, a performer sings into a microphone while resting a wind instrument in their lap. To the right, a performer plays a saxophone. The stage is bathed in red, green, and blue lights while a projection is shown on the wall. ]
    Caption Abasement #85. Performance documentation, March 2nd, 2026, Artists Space. Photo: Joshua Wildman.
    Image description To the left, surrounded by a sound system, a performer sings into a microphone while resting a wind instrument in their lap. To the right, a performer plays a saxophone. The stage is bathed in red, green, and blue lights while a projection is shown on the wall.
    Year
    Related pages Abasement #85
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A group of figures dressed as firefighters spread out a tarp. Behind them is a cardboard set illustrated to look like a fire.
    A group of figures dressed as firefighters spread out a tarp. Behind them is a cardboard set illustrated to look like a fire.
    Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court [A group of figures dressed as firefighters spread out a tarp. Behind them is a cardboard set illustrated to look like a fire.]
    Caption Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court
    Image description A group of figures dressed as firefighters spread out a tarp. Behind them is a cardboard set illustrated to look like a fire.
    Year 2022
    Related pages Circus Amok
  • A color installation photograph of a black and white abstract painting on a white wall.
    A color installation photograph of a black and white abstract painting on a white wall.
    Richard Klauber. Small Black Painting, 1975. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975. [A color installation photograph of a black and white abstract painting on a white wall.]
    Caption Richard Klauber. Small Black Painting, 1975. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975.
    Image description A color installation photograph of a black and white abstract painting on a white wall.
    Year 1975
    Related pages Ruth Hardinger, Richard Klauber
  • A sculpture sits to the right in front of two paintings in a gallery space.
    A sculpture sits to the right in front of two paintings in a gallery space.
    Paintings by Kathleen Gilje, sculpture by Mike Metz. ISelections from the Unaffiliated Artists File. Installation view, Artists Space, 1981. [A sculpture sits to the right in front of two paintings in a gallery space.]
    Caption Paintings by Kathleen Gilje, sculpture by Mike Metz. ISelections from the Unaffiliated Artists File. Installation view, Artists Space, 1981.
    Image description A sculpture sits to the right in front of two paintings in a gallery space.
    Year
    Related pages Selections from the Unaffiliated Artists File
  • Two portrait-oriented screens are each mounted on two floor to ceiling metal poles. The screens face outward at a 90-degree angle to each other and show abstract images.
    Two portrait-oriented screens are each mounted on two floor to ceiling metal poles. The screens face outward at a 90-degree angle to each other and show abstract images.
    Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [Two portrait-oriented screens are each mounted on two floor to ceiling metal poles. The screens face outward at a 90-degree angle to each other and show abstract images.]
    Caption Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description Two portrait-oriented screens are each mounted on two floor to ceiling metal poles. The screens face outward at a 90-degree angle to each other and show abstract images.
    Year 2011
    Related pages Hilary Lloyd
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    Related pages Exhibitions and Events
  • The corner of a loft space. A printed image of a canyon is affixed to the wall. The image is torn in half and the tear extends off of the paper onto the wall itself, continuing from floor to ceiling.
    The corner of a loft space. A printed image of a canyon is affixed to the wall. The image is torn in half and the tear extends off of the paper onto the wall itself, continuing from floor to ceiling.
    Valerie Hegarty, Cracked Canyon (Poster), 2007. Site-specific installation. Courtesy the artist. Photo: Bill Orcutt. [The corner of a loft space. A printed image of a canyon is affixed to the wall. The image is torn in half and the tear extends off of the paper onto the wall itself, continuing from floor to ceiling.]
    Caption Valerie Hegarty, Cracked Canyon (Poster), 2007. Site-specific installation. Courtesy the artist. Photo: Bill Orcutt.
    Image description The corner of a loft space. A printed image of a canyon is affixed to the wall. The image is torn in half and the tear extends off of the paper onto the wall itself, continuing from floor to ceiling.
    Year 2007
    Related pages On Being an Exhibition
  • A 3x5 grid of false-color stickers. The top four rows depict fruits cut in half resembling a grapefruit or orange. The last row depicts a coconut cut in half. A handful of stickers have a think line of black and white checkerboard pattern added to the perimeter of the fruit.
    A 3x5 grid of false-color stickers. The top four rows depict fruits cut in half resembling a grapefruit or orange. The last row depicts a coconut cut in half. A handful of stickers have a think line of black and white checkerboard pattern added to the perimeter of the fruit.
    Guyton\Walker, Fruit Stickers for Artists Space, 2010, Set of 15 Inkset printed stickers, 6 in / 15,2 cm each, Signed and numbered certificate. [A 3x5 grid of false-color stickers. The top four rows depict fruits cut in half resembling a grapefruit or orange. The last row depicts a coconut cut in half. A handful of stickers have a think line of black and white checkerboard pattern added to the perimeter of the fruit.]
    Caption Guyton\Walker, Fruit Stickers for Artists Space, 2010, Set of 15 Inkset printed stickers, 6 in / 15,2 cm each, Signed and numbered certificate.
    Image description A 3x5 grid of false-color stickers. The top four rows depict fruits cut in half resembling a grapefruit or orange. The last row depicts a coconut cut in half. A handful of stickers have a think line of black and white checkerboard pattern added to the perimeter of the fruit.
    Year 2010
    Related pages Artists Space Annual Edition Portfolio 2011
  • A wall of pornographic illustrations displayed in frames at eye level.
    A wall of pornographic illustrations displayed in frames at eye level.
    Tom of Finland: The Pleasure of Play. Installation view, Artists Space, 2015. [A wall of pornographic illustrations displayed in frames at eye level.]
    Caption Tom of Finland: The Pleasure of Play. Installation view, Artists Space, 2015.
    Image description A wall of pornographic illustrations displayed in frames at eye level.
    Year 2015
    Related pages Tom of Finland: The Pleasure of Play
  • Black and white photograph of white picket fence with dark painted background behind it.
    Black and white photograph of white picket fence with dark painted background behind it.
    Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery. [Black and white photograph of white picket fence with dark painted background behind it.]
    Caption Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery.
    Image description Black and white photograph of white picket fence with dark painted background behind it.
    Year 1979
    Related pages Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach
  • Detail view of a greyscale sculpture made of varying polymer segments.
    Detail view of a greyscale sculpture made of varying polymer segments.
    PATTERNS / Marcelo Spina with Kreysler & Associates, Macro Piece, 2006. [Detail view of a greyscale sculpture made of varying polymer segments.]
    Caption PATTERNS / Marcelo Spina with Kreysler & Associates, Macro Piece, 2006.
    Image description Detail view of a greyscale sculpture made of varying polymer segments.
    Year 2006
    Related pages UniBodies
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    Related pages Bookstore
  • Audience members are seated along a back wall, with a figure in a blue morph suit seated on a rectangular wooden frame alongside them. Blue light is projected onto a screen in the background.
    Audience members are seated along a back wall, with a figure in a blue morph suit seated on a rectangular wooden frame alongside them. Blue light is projected onto a screen in the background.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Audience members are seated along a back wall, with a figure in a blue morph suit seated on a rectangular wooden frame alongside them. Blue light is projected onto a screen in the background.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Audience members are seated along a back wall, with a figure in a blue morph suit seated on a rectangular wooden frame alongside them. Blue light is projected onto a screen in the background.
    Year 2022
    Related pages SCRAAATCH 12-3
  • Photographic works hang on two adjacent walls in a gallery space. On the left they are more horizontal and on the right they appear more vertically arranged.
    Photographic works hang on two adjacent walls in a gallery space. On the left they are more horizontal and on the right they appear more vertically arranged.
    Split/Vision. Installation View. Artists Space, 1985-86. [Photographic works hang on two adjacent walls in a gallery space. On the left they are more horizontal and on the right they appear more vertically arranged.]
    Caption Split/Vision. Installation View. Artists Space, 1985-86.
    Image description Photographic works hang on two adjacent walls in a gallery space. On the left they are more horizontal and on the right they appear more vertically arranged.
    Year
    Related pages Split/Vision
  • Two people dressed in black looking down. Superimposed on top of them is a poster reading,
    Two people dressed in black looking down. Superimposed on top of them is a poster reading,
    Still from Polly II - A Plan for a Revolution in Docklands (2006). [Two people dressed in black looking down. Superimposed on top of them is a poster reading, "JENNY DIVER CALLS ON ALL PEOPLE OF THE FLOOD EAST ORGANIZE NOW! PEACE TO HUMBLE DWELLINGS! WAR TO THE PALACES!"]
    Caption Still from Polly II - A Plan for a Revolution in Docklands (2006).
    Image description Two people dressed in black looking down. Superimposed on top of them is a poster reading, "JENNY DIVER CALLS ON ALL PEOPLE OF THE FLOOD EAST ORGANIZE NOW! PEACE TO HUMBLE DWELLINGS! WAR TO THE PALACES!"
    Year 2006
    Related pages Polly II - A Plan for a Revolution in Docklands
  • Nuestro Reflejo, Threads of History exhibition, Morris Jumel Mansion, March, 2025
    Caption Nuestro Reflejo, Threads of History exhibition, Morris Jumel Mansion, March, 2025
    Image description
    Year
    Related pages Exhibitions and Events
  • A man holding a clipboard at his side walks past a large, columned white wall with palm trees on either end.
    A man holding a clipboard at his side walks past a large, columned white wall with palm trees on either end.
    Still from The Empty Plan (2010). [A man holding a clipboard at his side walks past a large, columned white wall with palm trees on either end.]
    Caption Still from The Empty Plan (2010).
    Image description A man holding a clipboard at his side walks past a large, columned white wall with palm trees on either end.
    Year 2010
    Related pages The Empty Plan
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    Related pages Michael Asher
  • Color photograph of a piano. Six solenoids are placed along the piano's strings.
    Color photograph of a piano. Six solenoids are placed along the piano's strings.
    Yasunao Tone: Region of Paramedia. Installation view (Instrument for Aleitheia, 1987), Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a piano. Six solenoids are placed along the piano's strings.]
    Caption Yasunao Tone: Region of Paramedia. Installation view (Instrument for Aleitheia, 1987), Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a piano. Six solenoids are placed along the piano's strings.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A person working in a small space enclosed by walls, painted red with white text. At the top of the wall, large letters read
    A person working in a small space enclosed by walls, painted red with white text. At the top of the wall, large letters read
    Activated Walls. Installation view, Artists Space, 1993. [A person working in a small space enclosed by walls, painted red with white text. At the top of the wall, large letters read "AZT=DEATH", with a paragraph of text stretching across three walls. Underneath, there are a dozen white pieces of a paper taped up.]
    Caption Activated Walls. Installation view, Artists Space, 1993.
    Image description A person working in a small space enclosed by walls, painted red with white text. At the top of the wall, large letters read "AZT=DEATH", with a paragraph of text stretching across three walls. Underneath, there are a dozen white pieces of a paper taped up.
    Year 1993
    Related pages Activated Walls
  • Bruce Colvin . Invisible Structures (Dates of Writing), 1976. From Sigrid Burton, Bruce Colvin, Ellen Phelan, Artists Space, 1976
    Caption Bruce Colvin . Invisible Structures (Dates of Writing), 1976. From Sigrid Burton, Bruce Colvin, Ellen Phelan, Artists Space, 1976
    Image description
    Year
    Related pages Sigrid Burton, Bruce Colvin, Ellen Phelan
  • White block text that reads
    White block text that reads
    Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [White block text that reads "BUILDING A BETTER WAY," stacked three times in rows against a pink, dark red, and light red background.]
    Caption Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description White block text that reads "BUILDING A BETTER WAY," stacked three times in rows against a pink, dark red, and light red background.
    Year 2010
    Related pages Duncan Campbell: Make It New John
  • A black and white photograph of a crowded room filled with people conversing.
    A black and white photograph of a crowded room filled with people conversing.
    Opening at the Tanager Gallery, NY, 1959. [A black and white photograph of a crowded room filled with people conversing.]
    Caption Opening at the Tanager Gallery, NY, 1959.
    Image description A black and white photograph of a crowded room filled with people conversing.
    Year 1959
    Related pages Goodbye to Tenth Street, A Novel by Irving Sandler
  • Blue text overlays a dark blue background. The top left corner reads: Chris Martin / Adjua Gargi Nzinga Greaves. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, February 12, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5.
    Blue text overlays a dark blue background. The top left corner reads: Chris Martin / Adjua Gargi Nzinga Greaves. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, February 12, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5.
    Flyer for Segue Reading Series featuring Chris Martin and Adjua Gargi Nzinga Greaves. February 12, 2022, Artists Space. [Blue text overlays a dark blue background. The top left corner reads: Chris Martin / Adjua Gargi Nzinga Greaves. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, February 12, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5."]
    Caption Flyer for Segue Reading Series featuring Chris Martin and Adjua Gargi Nzinga Greaves. February 12, 2022, Artists Space.
    Image description Blue text overlays a dark blue background. The top left corner reads: Chris Martin / Adjua Gargi Nzinga Greaves. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, February 12, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5."
    Year 2022
    Related pages Segue Reading Series: Chris Martin & Adjua Gargi Nzinga Greaves
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Black text on an orange background. The text reads: “Nov 16 / Jee Leong Koh / Thaddeus Rutkowski.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on an orange background. The text reads: “Nov 16 / Jee Leong Koh / Thaddeus Rutkowski.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on an orange background. The text reads: “Nov 16 / Jee Leong Koh / Thaddeus Rutkowski.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on an orange background. The text reads: “Nov 16 / Jee Leong Koh / Thaddeus Rutkowski.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Jee Leong Koh & Thaddeus Rutkowski
  • Six watercolor paintings affixed to a white wall with pins. The paintings are various sizes, five depicting the sky and landscapes at various times of day. In the center, a man is depicted facing backwards, pulling down his pants to expose a tattoo of a triangle.
    Six watercolor paintings affixed to a white wall with pins. The paintings are various sizes, five depicting the sky and landscapes at various times of day. In the center, a man is depicted facing backwards, pulling down his pants to expose a tattoo of a triangle.
    The Mind/Body Problem. Installation view, Artists Space, 2006. Photo: Alan Wiener. [Six watercolor paintings affixed to a white wall with pins. The paintings are various sizes, five depicting the sky and landscapes at various times of day. In the center, a man is depicted facing backwards, pulling down his pants to expose a tattoo of a triangle.]
    Caption The Mind/Body Problem. Installation view, Artists Space, 2006. Photo: Alan Wiener.
    Image description Six watercolor paintings affixed to a white wall with pins. The paintings are various sizes, five depicting the sky and landscapes at various times of day. In the center, a man is depicted facing backwards, pulling down his pants to expose a tattoo of a triangle.
    Year 2006
    Related pages The Mind/Body Problem
  • Framed works on paper hang on a white gallery wall. Some feature large circles composed of smaller ornamental swooping lines. Others feature abstract calligraphic strokes that resemble text.
    Framed works on paper hang on a white gallery wall. Some feature large circles composed of smaller ornamental swooping lines. Others feature abstract calligraphic strokes that resemble text.
    Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [Framed works on paper hang on a white gallery wall. Some feature large circles composed of smaller ornamental swooping lines. Others feature abstract calligraphic strokes that resemble text.]
    Caption Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description Framed works on paper hang on a white gallery wall. Some feature large circles composed of smaller ornamental swooping lines. Others feature abstract calligraphic strokes that resemble text.
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • Color photograph of a figure wearing a conical sheath of reflective one-way mirror film that covers most of their body. They lay on the floor and spread one arm out from under the mirror film. A bright light shines from under the film.
    Color photograph of a figure wearing a conical sheath of reflective one-way mirror film that covers most of their body. They lay on the floor and spread one arm out from under the mirror film. A bright light shines from under the film.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure wearing a conical sheath of reflective one-way mirror film that covers most of their body. They lay on the floor and spread one arm out from under the mirror film. A bright light shines from under the film.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure wearing a conical sheath of reflective one-way mirror film that covers most of their body. They lay on the floor and spread one arm out from under the mirror film. A bright light shines from under the film.
    Year 2022
    Related pages keyon gaskin 12-18
  • Students working with light and found objects, 2022
    Caption Students working with light and found objects, 2022
    Image description
    Year 2022
    Related pages Listening to the LES
  • A brochure cover for <i>The New World Order III: The Curio Shop at Artists Space</i>. There are collaged images of various photographs and restaurant marquees, and additional information about the location and time of the exhibition.
    A brochure cover for <i>The New World Order III: The Curio Shop at Artists Space</i>. There are collaged images of various photographs and restaurant marquees, and additional information about the location and time of the exhibition.
    [A brochure cover for The New World Order III: The Curio Shop at Artists Space. There are collaged images of various photographs and restaurant marquees, and additional information about the location and time of the exhibition.]
    Caption
    Image description A brochure cover for The New World Order III: The Curio Shop at Artists Space. There are collaged images of various photographs and restaurant marquees, and additional information about the location and time of the exhibition.
    Year 1993
    Related pages A New World Order III: The Curio Shop
  • Black-and-white photograph of a figure performing on stage. The figure is standing, manipulating the bow of a string instrument. Layed out on the table in front of him is a laptop and various audio devices.
    Black-and-white photograph of a figure performing on stage. The figure is standing, manipulating the bow of a string instrument. Layed out on the table in front of him is a laptop and various audio devices.
    Arnold Dreyblatt. Photo: Cécile Braneyre [Black-and-white photograph of a figure performing on stage. The figure is standing, manipulating the bow of a string instrument. Layed out on the table in front of him is a laptop and various audio devices.]
    Caption Arnold Dreyblatt. Photo: Cécile Braneyre
    Image description Black-and-white photograph of a figure performing on stage. The figure is standing, manipulating the bow of a string instrument. Layed out on the table in front of him is a laptop and various audio devices.
    Year
    Related pages Arnold Dreyblatt
  • Magazine cut-outs and ink drawings are collaged together on a background of bright yellow paper. Pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.
    Magazine cut-outs and ink drawings are collaged together on a background of bright yellow paper. Pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of bright yellow paper. Pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a background of bright yellow paper. Pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.
    Year
    Related pages Abasement #74
  • Color image of a gallery space. To the left, a taxidermied griffon vulture rests on a branch protuding from a section of a tree. Rusted, chain link fence is interwoven into the bark of the tree. Off to the right, a small shovel afixed to a childs chair is placed on the ground.
    Color image of a gallery space. To the left, a taxidermied griffon vulture rests on a branch protuding from a section of a tree. Rusted, chain link fence is interwoven into the bark of the tree. Off to the right, a small shovel afixed to a childs chair is placed on the ground.
    Andy Robert: PAPALOKO. Installation view(Ruin, 2023; Untitled, 2023), Artists Space, 2024. Photo: Carter Seddon. [Color image of a gallery space. To the left, a taxidermied griffon vulture rests on a branch protuding from a section of a tree. Rusted, chain link fence is interwoven into the bark of the tree. Off to the right, a small shovel afixed to a childs chair is placed on the ground.]
    Caption Andy Robert: PAPALOKO. Installation view(Ruin, 2023; Untitled, 2023), Artists Space, 2024. Photo: Carter Seddon.
    Image description Color image of a gallery space. To the left, a taxidermied griffon vulture rests on a branch protuding from a section of a tree. Rusted, chain link fence is interwoven into the bark of the tree. Off to the right, a small shovel afixed to a childs chair is placed on the ground.
    Year
    Related pages Andy Robert: Papaloko
  • A still from Totloop, set during the twilight, featuring an empty model house being lit on fire, with a small tree visible to its left.
    A still from Totloop, set during the twilight, featuring an empty model house being lit on fire, with a small tree visible to its left.
    Union Gaucha Productions in collaboration with Fabio Kacero. Still from Totloop, 2003. 16mm film (silent, color), 4 min 49 sec. Courtesy of Union Gaucha Productions. [A still from Totloop, set during the twilight, featuring an empty model house being lit on fire, with a small tree visible to its left.]
    Caption Union Gaucha Productions in collaboration with Fabio Kacero. Still from Totloop, 2003. 16mm film (silent, color), 4 min 49 sec. Courtesy of Union Gaucha Productions.
    Image description A still from Totloop, set during the twilight, featuring an empty model house being lit on fire, with a small tree visible to its left.
    Year 2003
    Related pages Union Gaucha Productions
  • Close-up color image of a persons hands on a red audio mixing device. Various blue and red cords stick out of the machine. A camera on a tripod sits on top of the machine. The background is blurred, with a few audience members visible. The scene is lit with soft pink light.
    Close-up color image of a persons hands on a red audio mixing device. Various blue and red cords stick out of the machine. A camera on a tripod sits on top of the machine. The background is blurred, with a few audience members visible. The scene is lit with soft pink light.
    Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman. [Close-up color image of a persons hands on a red audio mixing device. Various blue and red cords stick out of the machine. A camera on a tripod sits on top of the machine. The background is blurred, with a few audience members visible. The scene is lit with soft pink light.]
    Caption Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Close-up color image of a persons hands on a red audio mixing device. Various blue and red cords stick out of the machine. A camera on a tripod sits on top of the machine. The background is blurred, with a few audience members visible. The scene is lit with soft pink light.
    Year
    Related pages Abasement #77
  • Three large display cases exhibit various objects. The case most within sight displays drawings, posters, photogrpahs, newspaper clippings, and a small sculpture.
    Three large display cases exhibit various objects. The case most within sight displays drawings, posters, photogrpahs, newspaper clippings, and a small sculpture.
    Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon. [Three large display cases exhibit various objects. The case most within sight displays drawings, posters, photogrpahs, newspaper clippings, and a small sculpture.]
    Caption Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon.
    Image description Three large display cases exhibit various objects. The case most within sight displays drawings, posters, photogrpahs, newspaper clippings, and a small sculpture.
    Year
    Related pages Ralston Farina: Time // Time
  • Black and white mixed-media drawings of cartoonish, smiling faces.
    Black and white mixed-media drawings of cartoonish, smiling faces.
    Chris Johansen. [Black and white mixed-media drawings of cartoonish, smiling faces.]
    Caption Chris Johansen.
    Image description Black and white mixed-media drawings of cartoonish, smiling faces.
    Year 2000
    Related pages Deterritorialization of Process
  • Color image of a portrait of a man's face, done in purple, orange, and pink colored pencil and pastel on beige paper. Half of the man's face is detailed, while his other faetures are left undefined.
    Color image of a portrait of a man's face, done in purple, orange, and pink colored pencil and pastel on beige paper. Half of the man's face is detailed, while his other faetures are left undefined.
    Elizabeth Peyton, TC (Timothée), 2022-2023. Photo: Filip Wolak. [Color image of a portrait of a man's face, done in purple, orange, and pink colored pencil and pastel on beige paper. Half of the man's face is detailed, while his other faetures are left undefined.]
    Caption Elizabeth Peyton, TC (Timothée), 2022-2023. Photo: Filip Wolak.
    Image description Color image of a portrait of a man's face, done in purple, orange, and pink colored pencil and pastel on beige paper. Half of the man's face is detailed, while his other faetures are left undefined.
    Year 2023
    Related pages Artists for Artists Space
  • Color photograph of three figures, wearing all white, performing in a dark gallery space. The leftmost figure lays on the floor with their legs spread and hands pushing their chest up. On the right, a figure with a flashlight around their hips stands with their shoulders and head flung back. The third figure contorts their body on the floor in the rightmost corner.
    Color photograph of three figures, wearing all white, performing in a dark gallery space. The leftmost figure lays on the floor with their legs spread and hands pushing their chest up. On the right, a figure with a flashlight around their hips stands with their shoulders and head flung back. The third figure contorts their body on the floor in the rightmost corner.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of three figures, wearing all white, performing in a dark gallery space. The leftmost figure lays on the floor with their legs spread and hands pushing their chest up. On the right, a figure with a flashlight around their hips stands with their shoulders and head flung back. The third figure contorts their body on the floor in the rightmost corner.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of three figures, wearing all white, performing in a dark gallery space. The leftmost figure lays on the floor with their legs spread and hands pushing their chest up. On the right, a figure with a flashlight around their hips stands with their shoulders and head flung back. The third figure contorts their body on the floor in the rightmost corner.
    Year 2022
    Related pages keyon gaskin 12-18
  • A color image of a large gallery room with columns running along the left side of the room. In the center is a checkerboard floor, with three large sculptures of two figures, a hairbrush, and a bottle of hair gel placed on it. The left wall is painted red, and large paintings and durags are hung across it.
    A color image of a large gallery room with columns running along the left side of the room. In the center is a checkerboard floor, with three large sculptures of two figures, a hairbrush, and a bottle of hair gel placed on it. The left wall is painted red, and large paintings and durags are hung across it.
    Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of a large gallery room with columns running along the left side of the room. In the center is a checkerboard floor, with three large sculptures of two figures, a hairbrush, and a bottle of hair gel placed on it. The left wall is painted red, and large paintings and durags are hung across it.]
    Caption Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of a large gallery room with columns running along the left side of the room. In the center is a checkerboard floor, with three large sculptures of two figures, a hairbrush, and a bottle of hair gel placed on it. The left wall is painted red, and large paintings and durags are hung across it.
    Year
    Related pages Jonathan Lyndon Chase
  • Contact sheet of installation images taken during exhibition opening.
    Contact sheet of installation images taken during exhibition opening.
    Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley. [Contact sheet of installation images taken during exhibition opening.]
    Caption Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley.
    Image description Contact sheet of installation images taken during exhibition opening.
    Year 1979
    Related pages Lewis Stein
  • Pablo Picasso looking at an image of Joseph Stalin.
    Pablo Picasso looking at an image of Joseph Stalin.
    [Pablo Picasso looking at an image of Joseph Stalin.]
    Caption
    Image description Pablo Picasso looking at an image of Joseph Stalin.
    Year 1949
    Related pages The Battle for Picasso’s Mind
  • A color image of a white wall with two windows with black and white curtains with pink flowers. Through the right window, a figure is seen sitting on a chair. Through the left window, a figure is seen standing in front of an easel with a canvas, holding a color pencil.
    A color image of a white wall with two windows with black and white curtains with pink flowers. Through the right window, a figure is seen sitting on a chair. Through the left window, a figure is seen standing in front of an easel with a canvas, holding a color pencil.
    Drake Carr: Housecalls. Performance documentation, September 9, 2023, Artists Space at the Armory Show. Photo: Joshua Wildman. [A color image of a white wall with two windows with black and white curtains with pink flowers. Through the right window, a figure is seen sitting on a chair. Through the left window, a figure is seen standing in front of an easel with a canvas, holding a color pencil.]
    Caption Drake Carr: Housecalls. Performance documentation, September 9, 2023, Artists Space at the Armory Show. Photo: Joshua Wildman.
    Image description A color image of a white wall with two windows with black and white curtains with pink flowers. Through the right window, a figure is seen sitting on a chair. Through the left window, a figure is seen standing in front of an easel with a canvas, holding a color pencil.
    Year
    Related pages Drake Carr: Housecalls
  • Color photo of an installation work in a gallery. On a wooden partition wall in the back of the space, two large carboard drawings hang. To the left, in front of the wooden parition, a paper-mache sculpture is placed on the floor. In the center of the image, ceramic works and kinetic sculptures made of branches surround a structural column. Behind the column, there are more paper-mache sculptures placed on the floor and hanging off the wall. In the right foreground, two windows with images painted on the glass hang from the ceiling.
    Color photo of an installation work in a gallery. On a wooden partition wall in the back of the space, two large carboard drawings hang. To the left, in front of the wooden parition, a paper-mache sculpture is placed on the floor. In the center of the image, ceramic works and kinetic sculptures made of branches surround a structural column. Behind the column, there are more paper-mache sculptures placed on the floor and hanging off the wall. In the right foreground, two windows with images painted on the glass hang from the ceiling.
    Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photo of an installation work in a gallery. On a wooden partition wall in the back of the space, two large carboard drawings hang. To the left, in front of the wooden parition, a paper-mache sculpture is placed on the floor. In the center of the image, ceramic works and kinetic sculptures made of branches surround a structural column. Behind the column, there are more paper-mache sculptures placed on the floor and hanging off the wall. In the right foreground, two windows with images painted on the glass hang from the ceiling.]
    Caption Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photo of an installation work in a gallery. On a wooden partition wall in the back of the space, two large carboard drawings hang. To the left, in front of the wooden parition, a paper-mache sculpture is placed on the floor. In the center of the image, ceramic works and kinetic sculptures made of branches surround a structural column. Behind the column, there are more paper-mache sculptures placed on the floor and hanging off the wall. In the right foreground, two windows with images painted on the glass hang from the ceiling.
    Year
    Related pages Char Jeré: Zoo or an Orchestra
  • Color photograph of a gallery space. Along the middle of the space are placed various television monitors and musical instruments and audio devices. To the right on the wall are a series of photographs and prints, and two vitrines hang on the wall.
    Color photograph of a gallery space. Along the middle of the space are placed various television monitors and musical instruments and audio devices. To the right on the wall are a series of photographs and prints, and two vitrines hang on the wall.
    Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery space. Along the middle of the space are placed various television monitors and musical instruments and audio devices. To the right on the wall are a series of photographs and prints, and two vitrines hang on the wall.]
    Caption Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a gallery space. Along the middle of the space are placed various television monitors and musical instruments and audio devices. To the right on the wall are a series of photographs and prints, and two vitrines hang on the wall.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • A red metal sculpture displayed on a pedestal in front of a monitor installed on a freestanding wall. The monitor's screen displays an image of three people gathered around the displayed sculpture as it is pieced together.
    A red metal sculpture displayed on a pedestal in front of a monitor installed on a freestanding wall. The monitor's screen displays an image of three people gathered around the displayed sculpture as it is pieced together.
    Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A red metal sculpture displayed on a pedestal in front of a monitor installed on a freestanding wall. The monitor's screen displays an image of three people gathered around the displayed sculpture as it is pieced together.]
    Caption Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A red metal sculpture displayed on a pedestal in front of a monitor installed on a freestanding wall. The monitor's screen displays an image of three people gathered around the displayed sculpture as it is pieced together.
    Year 2013
    Related pages Frozen Lakes
  • A photograph of a gallery space with a long rectangular table and chair in the background. In the foreground is a bookshelf with a row of books with silver covers.
    A photograph of a gallery space with a long rectangular table and chair in the background. In the foreground is a bookshelf with a row of books with silver covers.
    Tiffany Sia: Slippery When Wet. Installation view, Artists Space, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A photograph of a gallery space with a long rectangular table and chair in the background. In the foreground is a bookshelf with a row of books with silver covers.]
    Caption Tiffany Sia: Slippery When Wet. Installation view, Artists Space, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A photograph of a gallery space with a long rectangular table and chair in the background. In the foreground is a bookshelf with a row of books with silver covers.
    Year 2021
    Related pages Tiffany Sia: Slippery When Wet
  • A person bathed in pink light bends over a table with equipment controlling projection visuals.
    A person bathed in pink light bends over a table with equipment controlling projection visuals.
    Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman. [A person bathed in pink light bends over a table with equipment controlling projection visuals. ]
    Caption Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A person bathed in pink light bends over a table with equipment controlling projection visuals.
    Year
    Related pages Abasement #80
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE_NEVER DELETE
  • Mystery Man, Darold Biggs, Honorable mention
    Caption Mystery Man, Darold Biggs, Honorable mention
    Image description
    Year
    Related pages Scholastic Art and Writing Awards
  • A close up image of a glass display case holding images, text, and newspaper clippings.
    A close up image of a glass display case holding images, text, and newspaper clippings.
    Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A close up image of a glass display case holding images, text, and newspaper clippings.]
    Caption Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A close up image of a glass display case holding images, text, and newspaper clippings.
    Year 2021
    Related pages Till They Listen: Bill Gunn Directs America
  • Two figures in medical scrubs stare into the distance.
    Two figures in medical scrubs stare into the distance.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [Two figures in medical scrubs stare into the distance.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York.
    Image description Two figures in medical scrubs stare into the distance.
    Year
    Related pages Grandmother Cindy
  • Several sculptures, video works, and other artworks installed in a gallery space with wooden flooring. A large sculpture on the image's right side is composed of a series of wooden rifles gathered to form two, pole-like structures, between which a quilt-like blanket is wrapped around a supporting pole. To the left of this sculpture, a second, long structure composed of a series of white tiles runs diagonally across the gallery floor, forming a long line. Several TV monitors and 2D works are installed on the gallery walls behind the two sculptures.
    Several sculptures, video works, and other artworks installed in a gallery space with wooden flooring. A large sculpture on the image's right side is composed of a series of wooden rifles gathered to form two, pole-like structures, between which a quilt-like blanket is wrapped around a supporting pole. To the left of this sculpture, a second, long structure composed of a series of white tiles runs diagonally across the gallery floor, forming a long line. Several TV monitors and 2D works are installed on the gallery walls behind the two sculptures.
    Log Cabin. Installation view, Artists Space, 2005. [Several sculptures, video works, and other artworks installed in a gallery space with wooden flooring. A large sculpture on the image's right side is composed of a series of wooden rifles gathered to form two, pole-like structures, between which a quilt-like blanket is wrapped around a supporting pole. To the left of this sculpture, a second, long structure composed of a series of white tiles runs diagonally across the gallery floor, forming a long line. Several TV monitors and 2D works are installed on the gallery walls behind the two sculptures.]
    Caption Log Cabin. Installation view, Artists Space, 2005.
    Image description Several sculptures, video works, and other artworks installed in a gallery space with wooden flooring. A large sculpture on the image's right side is composed of a series of wooden rifles gathered to form two, pole-like structures, between which a quilt-like blanket is wrapped around a supporting pole. To the left of this sculpture, a second, long structure composed of a series of white tiles runs diagonally across the gallery floor, forming a long line. Several TV monitors and 2D works are installed on the gallery walls behind the two sculptures.
    Year 2005
    Related pages Log Cabin
  • A drawing of a group of skeletons, dancing and playing instruments. In the center of the image, a red banner features black text that reads
    A drawing of a group of skeletons, dancing and playing instruments. In the center of the image, a red banner features black text that reads
    Flyer for The Rapture, Sunday, December 6, 2020, Artists Space. [A drawing of a group of skeletons, dancing and playing instruments. In the center of the image, a red banner features black text that reads "The Rapture".]
    Caption Flyer for The Rapture, Sunday, December 6, 2020, Artists Space.
    Image description A drawing of a group of skeletons, dancing and playing instruments. In the center of the image, a red banner features black text that reads "The Rapture".
    Year 2020
    Related pages The Rapture
  • Two people with hats, sunglasses, and long straight hair. One looks into the camera, the other diagonally past.
    Two people with hats, sunglasses, and long straight hair. One looks into the camera, the other diagonally past.
    Cecilia Dougherty. Still from Grapefruit, 1989. Video. [Two people with hats, sunglasses, and long straight hair. One looks into the camera, the other diagonally past.]
    Caption Cecilia Dougherty. Still from Grapefruit, 1989. Video.
    Image description Two people with hats, sunglasses, and long straight hair. One looks into the camera, the other diagonally past.
    Year 1989
    Related pages Remapping Boundaries: Video Art and Popular Culture
  • A view through a doorway into a white-walled gallery space with drawings on the walls and a banner on the windows.
    A view through a doorway into a white-walled gallery space with drawings on the walls and a banner on the windows.
    Young Fluxus. Installation view, Artists Space, 1982. [A view through a doorway into a white-walled gallery space with drawings on the walls and a banner on the windows.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description A view through a doorway into a white-walled gallery space with drawings on the walls and a banner on the windows.
    Year
    Related pages Young Fluxus
  • Color image of a figure standing on a black stage, with a spotlight placed on them. They are hunched over a black suitcase on the floor, and holding a small radio in their hands.
    Color image of a figure standing on a black stage, with a spotlight placed on them. They are hunched over a black suitcase on the floor, and holding a small radio in their hands.
    Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of a figure standing on a black stage, with a spotlight placed on them. They are hunched over a black suitcase on the floor, and holding a small radio in their hands.]
    Caption Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata
    Image description Color image of a figure standing on a black stage, with a spotlight placed on them. They are hunched over a black suitcase on the floor, and holding a small radio in their hands.
    Year 2023
    Related pages Yasunao Tone Concert #2
  • Flyer featuring a drawing of a face in black ink with accents of pink and green on the mouth, cheeks, and eyelids. Handwritten text on the top reads
    Flyer featuring a drawing of a face in black ink with accents of pink and green on the mouth, cheeks, and eyelids. Handwritten text on the top reads
    [Flyer featuring a drawing of a face in black ink with accents of pink and green on the mouth, cheeks, and eyelids. Handwritten text on the top reads "The worst is over / well it hasn't even / started by at least / I know." Text on the bottom provides the place and time of the event.]
    Caption
    Image description Flyer featuring a drawing of a face in black ink with accents of pink and green on the mouth, cheeks, and eyelids. Handwritten text on the top reads "The worst is over / well it hasn't even / started by at least / I know." Text on the bottom provides the place and time of the event.
    Year
    Related pages Greer Lankton: Sketchbook, September 1977
  • Color image of a gallery space with three large white biomorphic sculptures by Ruben Ulises Rodriguez Montoya hanging from the ceiling throughout. The sculptures are composed of discarded car parts, pigmented silicone, animal horns, clothes, and various other found materials.
    Color image of a gallery space with three large white biomorphic sculptures by Ruben Ulises Rodriguez Montoya hanging from the ceiling throughout. The sculptures are composed of discarded car parts, pigmented silicone, animal horns, clothes, and various other found materials.
    Ruben Ulises Rodriguez Montoya, Gloria Gloria, Balenciaga 2010 FW/RTW by Nicolas Ghesquiere, and Kate Moss as a hologram for Alexander McQueen, 2022. Photo: Carter Seddon. [Color image of a gallery space with three large white biomorphic sculptures by Ruben Ulises Rodriguez Montoya hanging from the ceiling throughout. The sculptures are composed of discarded car parts, pigmented silicone, animal horns, clothes, and various other found materials.]
    Caption Ruben Ulises Rodriguez Montoya, Gloria Gloria, Balenciaga 2010 FW/RTW by Nicolas Ghesquiere, and Kate Moss as a hologram for Alexander McQueen, 2022. Photo: Carter Seddon.
    Image description Color image of a gallery space with three large white biomorphic sculptures by Ruben Ulises Rodriguez Montoya hanging from the ceiling throughout. The sculptures are composed of discarded car parts, pigmented silicone, animal horns, clothes, and various other found materials.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • Contact sheet of installation images taken during exhibition opening.
    Contact sheet of installation images taken during exhibition opening.
    Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley. [Contact sheet of installation images taken during exhibition opening.]
    Caption Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley.
    Image description Contact sheet of installation images taken during exhibition opening.
    Year 1979
    Related pages Martin Cohen
  • A installation wide shot of a room with five silver columns. In the foreground, there is a rectangular pool filled with water with two spouts spraying water in fountains. A second pool built from wood is visible in the background. Between the two, there are various objects including a low-hanging disco ball, a vase with flowers, strands of string lights, and more. On the back wall, the word
    A installation wide shot of a room with five silver columns. In the foreground, there is a rectangular pool filled with water with two spouts spraying water in fountains. A second pool built from wood is visible in the background. Between the two, there are various objects including a low-hanging disco ball, a vase with flowers, strands of string lights, and more. On the back wall, the word
    Enough Tiranny Recalled, 1972–2009. Installation view, Artists Space, 2009. Photo: Daniel Pérez. [A installation wide shot of a room with five silver columns. In the foreground, there is a rectangular pool filled with water with two spouts spraying water in fountains. A second pool built from wood is visible in the background. Between the two, there are various objects including a low-hanging disco ball, a vase with flowers, strands of string lights, and more. On the back wall, the word "TIRANNY" is handwritten in block letters, partially obscured by one of the columns. The room is lit by standing colorful lights with pink and blue tones.]
    Caption Enough Tiranny Recalled, 1972–2009. Installation view, Artists Space, 2009. Photo: Daniel Pérez.
    Image description A installation wide shot of a room with five silver columns. In the foreground, there is a rectangular pool filled with water with two spouts spraying water in fountains. A second pool built from wood is visible in the background. Between the two, there are various objects including a low-hanging disco ball, a vase with flowers, strands of string lights, and more. On the back wall, the word "TIRANNY" is handwritten in block letters, partially obscured by one of the columns. The room is lit by standing colorful lights with pink and blue tones.
    Year 2009
    Related pages Marc Camille Chaimowicz: Enough Tiranny Recalled, 1972 – 2009
  • A black and white image of a person sitting on a pedestal, performing in front of a crowd.
    A black and white image of a person sitting on a pedestal, performing in front of a crowd.
    Laurie Anderson; PersonA. Performance documentation, April 25, 1974, Artists Space. [A black and white image of a person sitting on a pedestal, performing in front of a crowd.]
    Caption Laurie Anderson; PersonA. Performance documentation, April 25, 1974, Artists Space.
    Image description A black and white image of a person sitting on a pedestal, performing in front of a crowd.
    Year 1974
    Related pages
  • A series of rectangular panels and tiles of varying dimensions installed on a white wall. The installed elements are positioned adjacent to one another, forming a larger irregular shape. The panels feature black, white, and muted colors. Some feature abstract painted compositions and color blocks, others include text or line drawings.
    A series of rectangular panels and tiles of varying dimensions installed on a white wall. The installed elements are positioned adjacent to one another, forming a larger irregular shape. The panels feature black, white, and muted colors. Some feature abstract painted compositions and color blocks, others include text or line drawings.
    I Thought I Had Time. Installation view, Artists Space, 1992. [A series of rectangular panels and tiles of varying dimensions installed on a white wall. The installed elements are positioned adjacent to one another, forming a larger irregular shape. The panels feature black, white, and muted colors. Some feature abstract painted compositions and color blocks, others include text or line drawings.]
    Caption I Thought I Had Time. Installation view, Artists Space, 1992.
    Image description A series of rectangular panels and tiles of varying dimensions installed on a white wall. The installed elements are positioned adjacent to one another, forming a larger irregular shape. The panels feature black, white, and muted colors. Some feature abstract painted compositions and color blocks, others include text or line drawings.
    Year 1992
    Related pages I Thought I Had Time
  • An an angled view of resident entrances from a street view with white text at the bottom that reads,
    An an angled view of resident entrances from a street view with white text at the bottom that reads,
    The Gentrification of the Mind: Witness To A Lost Imagination. Sarah Schulman. Univ. of California Press, 2012. Paperback, 192 pages. $20. at the Artists Space Bookstore [An an angled view of resident entrances from a street view with white text at the bottom that reads, "Sarah Schulman." Red text underneath reads, "The Gentrification of the Mind, Witness to a Lost Imagination."]
    Caption The Gentrification of the Mind: Witness To A Lost Imagination. Sarah Schulman. Univ. of California Press, 2012. Paperback, 192 pages. $20. at the Artists Space Bookstore
    Image description An an angled view of resident entrances from a street view with white text at the bottom that reads, "Sarah Schulman." Red text underneath reads, "The Gentrification of the Mind, Witness to a Lost Imagination."
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • Three TV screens, mounted on a black wall, glow with various images. Each TV plays a performance by Ralston Farina. In front of the screens sit two display cases.
    Three TV screens, mounted on a black wall, glow with various images. Each TV plays a performance by Ralston Farina. In front of the screens sit two display cases.
    Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon. [Three TV screens, mounted on a black wall, glow with various images. Each TV plays a performance by Ralston Farina. In front of the screens sit two display cases.]
    Caption Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon.
    Image description Three TV screens, mounted on a black wall, glow with various images. Each TV plays a performance by Ralston Farina. In front of the screens sit two display cases.
    Year
    Related pages Ralston Farina: Time // Time
  • A figure plays the drums in the background with an out of focus piano in the foreground.
    A figure plays the drums in the background with an out of focus piano in the foreground.
    Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure plays the drums in the background with an out of focus piano in the foreground.]
    Caption Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure plays the drums in the background with an out of focus piano in the foreground.
    Year 2022
    Related pages Tisziji Muñoz with Francisco Mora Catlett and AfroHORN
  • A crowd watches two figures in medical scrubs, facing each other on opposite sides of a table with wheels.
    A crowd watches two figures in medical scrubs, facing each other on opposite sides of a table with wheels.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [A crowd watches two figures in medical scrubs, facing each other on opposite sides of a table with wheels.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court
    Image description A crowd watches two figures in medical scrubs, facing each other on opposite sides of a table with wheels.
    Year 2022
    Related pages Grandmother Cindy
  • Caption
    Image description
    Year
    Related pages Abasement #77
  • A black and white photograph of a painting of a pastoral landscape with trees and a waterway.
    A black and white photograph of a painting of a pastoral landscape with trees and a waterway.
    Bill Benway, The Bath of Hercules in the Love Canal, 1986. [A black and white photograph of a painting of a pastoral landscape with trees and a waterway.]
    Caption Bill Benway, The Bath of Hercules in the Love Canal, 1986.
    Image description A black and white photograph of a painting of a pastoral landscape with trees and a waterway.
    Year
    Related pages Recent Art from Chicago
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A gray cross made from wire on a white background, with a small, red square held in the center.
    A gray cross made from wire on a white background, with a small, red square held in the center.
    Steve Carter, Tile Series (detail), 1994. [A gray cross made from wire on a white background, with a small, red square held in the center.]
    Caption Steve Carter, Tile Series (detail), 1994.
    Image description A gray cross made from wire on a white background, with a small, red square held in the center.
    Year 1994
    Related pages A Strategy Hinted At: New Conceptual Artists
  • White text on a bright fuchsia background. The text reads: “Oct 18 / Laura Moriarty / Kevin Holden” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    White text on a bright fuchsia background. The text reads: “Oct 18 / Laura Moriarty / Kevin Holden” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [White text on a bright fuchsia background. The text reads: “Oct 18 / Laura Moriarty / Kevin Holden” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description White text on a bright fuchsia background. The text reads: “Oct 18 / Laura Moriarty / Kevin Holden” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Laura Moriarty & Kevin Holden
  • A cartoon outline of two hands pressed together.
    A cartoon outline of two hands pressed together.
    Dean Blunt, The Redeemer. [A cartoon outline of two hands pressed together.]
    Caption Dean Blunt, The Redeemer.
    Image description A cartoon outline of two hands pressed together.
    Year 2013
    Related pages Dean Blunt
  • A classroom with several adults sitting around the perimeter. In the center, colorful student artworks are arranged across several desks.
    A classroom with several adults sitting around the perimeter. In the center, colorful student artworks are arranged across several desks.
    Arts and Family Engagement evening, student and parent panel on high school portfolio preparation, P.S. 140, 2019 [A classroom with several adults sitting around the perimeter. In the center, colorful student artworks are arranged across several desks.]
    Caption Arts and Family Engagement evening, student and parent panel on high school portfolio preparation, P.S. 140, 2019
    Image description A classroom with several adults sitting around the perimeter. In the center, colorful student artworks are arranged across several desks.
    Year
    Related pages Exhibitions and Events
  • A figure in a suit stands on stage, behind a music stand and two microphones.
    A figure in a suit stands on stage, behind a music stand and two microphones.
    Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure in a suit stands on stage, behind a music stand and two microphones.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure in a suit stands on stage, behind a music stand and two microphones.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-10
  • Magazine cut-outs and ink drawings are collaged together on a background of beige, yellow, pink, turqoise and red paper. Small pieces of paper with red typewritten text listing the performers and event details are scattered around the flyer.
    Magazine cut-outs and ink drawings are collaged together on a background of beige, yellow, pink, turqoise and red paper. Small pieces of paper with red typewritten text listing the performers and event details are scattered around the flyer.
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of beige, yellow, pink, turqoise and red paper. Small pieces of paper with red typewritten text listing the performers and event details are scattered around the flyer.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a background of beige, yellow, pink, turqoise and red paper. Small pieces of paper with red typewritten text listing the performers and event details are scattered around the flyer.
    Year
    Related pages Abasement #81
  • Portrait of a seated musician holding a microphone and a guitar.
    Portrait of a seated musician holding a microphone and a guitar.
    Axine M: Sold Licker Glass, 2024, Artists Space. Courtesy of ISSUE Project Room. Photography by Cameron Kelly McLeod. [Portrait of a seated musician holding a microphone and a guitar.]
    Caption Axine M: Sold Licker Glass, 2024, Artists Space. Courtesy of ISSUE Project Room. Photography by Cameron Kelly McLeod.
    Image description Portrait of a seated musician holding a microphone and a guitar.
    Year
    Related pages Axine M: Sold Licker Glass
  • A skewed, black-and-white drawing of a power outlet, with cords connected to both plugs.
    A skewed, black-and-white drawing of a power outlet, with cords connected to both plugs.
    Hikima Bermejo, Untitled, 2014 [A skewed, black-and-white drawing of a power outlet, with cords connected to both plugs.]
    Caption Hikima Bermejo, Untitled, 2014
    Image description A skewed, black-and-white drawing of a power outlet, with cords connected to both plugs.
    Year 2014
    Related pages Scholastic Art and Writing Awards
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A figure in overalls reaches up to pin a dark tarp along the length of a wall. Behind them, another figure adjusts a camera on a tripod.
    A figure in overalls reaches up to pin a dark tarp along the length of a wall. Behind them, another figure adjusts a camera on a tripod.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A figure in overalls reaches up to pin a dark tarp along the length of a wall. Behind them, another figure adjusts a camera on a tripod.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A figure in overalls reaches up to pin a dark tarp along the length of a wall. Behind them, another figure adjusts a camera on a tripod.
    Year 2019
    Related pages Speaker Music: drape over another
  • A figure wearing a suit plays guitar, their feet dangling over a pedal.
    A figure wearing a suit plays guitar, their feet dangling over a pedal.
    Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court [A figure wearing a suit plays guitar, their feet dangling over a pedal.]
    Caption Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court
    Image description A figure wearing a suit plays guitar, their feet dangling over a pedal.
    Year 2022
    Related pages Eiko Ishibashi in Concert
  • A wide angle image of a dark exhibition space, on the left a large projection is shown on a long wall, on the right photograph negatives hang off a wall.
    A wide angle image of a dark exhibition space, on the left a large projection is shown on a long wall, on the right photograph negatives hang off a wall.
    New Red Order: Feel at Home Here. Installation view, Artists Space, May 19 – August 21, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A wide angle image of a dark exhibition space, on the left a large projection is shown on a long wall, on the right photograph negatives hang off a wall.]
    Caption New Red Order: Feel at Home Here. Installation view, Artists Space, May 19 – August 21, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A wide angle image of a dark exhibition space, on the left a large projection is shown on a long wall, on the right photograph negatives hang off a wall.
    Year 2021
    Related pages New Red Order: Feel at Home Here
  • A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.]
    Caption Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979.
    Image description A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Year 1979
    Related pages Patricia Hearst - A Second Reading
  • A black and white photo of three figures. The faint circular outline of a clock face surrounds the middle one, who is wearing a suit and a helmet.
    A black and white photo of three figures. The faint circular outline of a clock face surrounds the middle one, who is wearing a suit and a helmet.
    Craig Baldwin, Spectres of the Spectrum (still), 1999. [A black and white photo of three figures. The faint circular outline of a clock face surrounds the middle one, who is wearing a suit and a helmet.]
    Caption Craig Baldwin, Spectres of the Spectrum (still), 1999.
    Image description A black and white photo of three figures. The faint circular outline of a clock face surrounds the middle one, who is wearing a suit and a helmet.
    Year
    Related pages Craig Baldwin in Conversation with Adam Khalil
  • A collection of cartoonish monsters, cutout photographs, and medieval-style drawings are collaged onto an abstracted pastel image of a sunset peeking out over ocean waves. Green, red, and blue text in serif font reads:
    A collection of cartoonish monsters, cutout photographs, and medieval-style drawings are collaged onto an abstracted pastel image of a sunset peeking out over ocean waves. Green, red, and blue text in serif font reads:
    [A collection of cartoonish monsters, cutout photographs, and medieval-style drawings are collaged onto an abstracted pastel image of a sunset peeking out over ocean waves. Green, red, and blue text in serif font reads: "The Segue Reading Series & Artists Space present / a virtual reading by / Shane McCrae & Bob Perelman / Saturday, 4/25 / 5pm NYC time / Zoom ID: / 378 232 567.]
    Caption
    Image description A collection of cartoonish monsters, cutout photographs, and medieval-style drawings are collaged onto an abstracted pastel image of a sunset peeking out over ocean waves. Green, red, and blue text in serif font reads: "The Segue Reading Series & Artists Space present / a virtual reading by / Shane McCrae & Bob Perelman / Saturday, 4/25 / 5pm NYC time / Zoom ID: / 378 232 567.
    Year 2020
    Related pages Segue Reading Series: Shane McCrae & Bob Perelman
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • A side view of a sculpture of a man leaning againt a white column. He hols a book in his right hand. He is wearing a purple shirt and blue patterned shorts.
    A side view of a sculpture of a man leaning againt a white column. He hols a book in his right hand. He is wearing a purple shirt and blue patterned shorts.
    Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [A side view of a sculpture of a man leaning againt a white column. He hols a book in his right hand. He is wearing a purple shirt and blue patterned shorts.]
    Caption Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013.
    Image description A side view of a sculpture of a man leaning againt a white column. He hols a book in his right hand. He is wearing a purple shirt and blue patterned shorts.
    Year 2013
    Related pages Pride Goes Before a Fall
  • Close up of an illuminated white curtain, which reveals small, delicate embroidery of various flowers and herbs.
    Close up of an illuminated white curtain, which reveals small, delicate embroidery of various flowers and herbs.
    Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Close up of an illuminated white curtain, which reveals small, delicate embroidery of various flowers and herbs.]
    Caption Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description Close up of an illuminated white curtain, which reveals small, delicate embroidery of various flowers and herbs.
    Year 2010
    Related pages Danh Vo: Autoerotic Asphyxiation
  • Dolls and other sculptural items appea on the wall and the floor along with text in a gallery setting.
    Dolls and other sculptural items appea on the wall and the floor along with text in a gallery setting.
    We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [Dolls and other sculptural items appea on the wall and the floor along with text in a gallery setting.]
    Caption We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
    Image description Dolls and other sculptural items appea on the wall and the floor along with text in a gallery setting.
    Year
    Related pages We the People
  • Two photographs are mounted on a white gallery wall.
    Two photographs are mounted on a white gallery wall.
    Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two photographs are mounted on a white gallery wall.]
    Caption Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979.
    Image description Two photographs are mounted on a white gallery wall.
    Year 1979
    Related pages Place, (title to be determined), for a Participant: Ken Feingold
  • Three long and slim dresses on mannequin figures - one yellow, one orange, and one blue. Her signature and the date (12.5.15) appear in between each figure
    Three long and slim dresses on mannequin figures - one yellow, one orange, and one blue. Her signature and the date (12.5.15) appear in between each figure
    Ashley Baez, Untitled, colored pencil on paper 28 x 24 inches, 2016 [Three long and slim dresses on mannequin figures - one yellow, one orange, and one blue. Her signature and the date (12.5.15) appear in between each figure]
    Caption Ashley Baez, Untitled, colored pencil on paper 28 x 24 inches, 2016
    Image description Three long and slim dresses on mannequin figures - one yellow, one orange, and one blue. Her signature and the date (12.5.15) appear in between each figure
    Year 2016
    Related pages Scholastic Art and Writing Awards
  • A color image of a gallery space taken from a wide angle with several framed works hanging on the wall. On the wall on the left, four drawings made on white paper are displayed in a horizontal line. On the perpendicular wall, three works made on black paper are displayed in two columns. The left column is a single work, the right column has two works. On the right wall, nine works are displayed as a grid. All drawings depict diagrammatic systems.
    A color image of a gallery space taken from a wide angle with several framed works hanging on the wall. On the wall on the left, four drawings made on white paper are displayed in a horizontal line. On the perpendicular wall, three works made on black paper are displayed in two columns. The left column is a single work, the right column has two works. On the right wall, nine works are displayed as a grid. All drawings depict diagrammatic systems.
    Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of a gallery space taken from a wide angle with several framed works hanging on the wall. On the wall on the left, four drawings made on white paper are displayed in a horizontal line. On the perpendicular wall, three works made on black paper are displayed in two columns. The left column is a single work, the right column has two works. On the right wall, nine works are displayed as a grid. All drawings depict diagrammatic systems.]
    Caption Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of a gallery space taken from a wide angle with several framed works hanging on the wall. On the wall on the left, four drawings made on white paper are displayed in a horizontal line. On the perpendicular wall, three works made on black paper are displayed in two columns. The left column is a single work, the right column has two works. On the right wall, nine works are displayed as a grid. All drawings depict diagrammatic systems.
    Year
    Related pages Renee Gladman
  • A figure is shown in profile speaking into a microphone, sitting behind a table and working on a laptop.
    A figure is shown in profile speaking into a microphone, sitting behind a table and working on a laptop.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure is shown in profile speaking into a microphone, sitting behind a table and working on a laptop.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure is shown in profile speaking into a microphone, sitting behind a table and working on a laptop.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • Constantina Zavitsanos, Ace of Spades (detail), 2024. Z interferometer: two aluminized 6" diameter spherical mirrors, LED illumination source, knife edge on mounts; soldering iron, fan, infrared light, steel tables. Dimensions variable.
    Caption Constantina Zavitsanos, Ace of Spades (detail), 2024. Z interferometer: two aluminized 6" diameter spherical mirrors, LED illumination source, knife edge on mounts; soldering iron, fan, infrared light, steel tables. Dimensions variable.
    Image description
    Year
    Related pages fwiw
  • A close-up color image of two figures performing. One plays the drums, and the second figure plays the double bass. To their right, a large black speaker, and a microphone. Images are projected onto the back wall. The room is illuminated with red and blue light.
    A close-up color image of two figures performing. One plays the drums, and the second figure plays the double bass. To their right, a large black speaker, and a microphone. Images are projected onto the back wall. The room is illuminated with red and blue light.
    Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman. [A close-up color image of two figures performing. One plays the drums, and the second figure plays the double bass. To their right, a large black speaker, and a microphone. Images are projected onto the back wall. The room is illuminated with red and blue light.]
    Caption Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A close-up color image of two figures performing. One plays the drums, and the second figure plays the double bass. To their right, a large black speaker, and a microphone. Images are projected onto the back wall. The room is illuminated with red and blue light.
    Year
    Related pages Abasement #66
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    Related pages Arnold J. Kemp
  • Three planks of glass lean on a white wall. Etched displays read from left to right;
    Three planks of glass lean on a white wall. Etched displays read from left to right;
    Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Three planks of glass lean on a white wall. Etched displays read from left to right; "The more you teach the less you learn," a smiley-face,"But I swear dis beat go."]
    Caption Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description Three planks of glass lean on a white wall. Etched displays read from left to right; "The more you teach the less you learn," a smiley-face,"But I swear dis beat go."
    Year 2018
    Related pages Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff
  • An open book showing two black and white images. On the left, a person with a fur on his arms extends one leg into the air. On the right, the same person wears a unitard and hinges back with one leg straightened in front of him.
    An open book showing two black and white images. On the left, a person with a fur on his arms extends one leg into the air. On the right, the same person wears a unitard and hinges back with one leg straightened in front of him.
    Michael Clark in the production Mmm.... (1992). Photographed by Hugo Glendinning. [An open book showing two black and white images. On the left, a person with a fur on his arms extends one leg into the air. On the right, the same person wears a unitard and hinges back with one leg straightened in front of him.]
    Caption Michael Clark in the production Mmm.... (1992). Photographed by Hugo Glendinning.
    Image description An open book showing two black and white images. On the left, a person with a fur on his arms extends one leg into the air. On the right, the same person wears a unitard and hinges back with one leg straightened in front of him.
    Year 1992
    Related pages Michael Clark
  • Two girls stand, cutting threads, while working on a handmade chandelier. The chandelier has a small number of flower petals, with a purple rose in the center
    Two girls stand, cutting threads, while working on a handmade chandelier. The chandelier has a small number of flower petals, with a purple rose in the center
    Collaborative team working on chandelier, 2018 [Two girls stand, cutting threads, while working on a handmade chandelier. The chandelier has a small number of flower petals, with a purple rose in the center]
    Caption Collaborative team working on chandelier, 2018
    Image description Two girls stand, cutting threads, while working on a handmade chandelier. The chandelier has a small number of flower petals, with a purple rose in the center
    Year 2018
    Related pages Threads of History
  • A screenshot of a video call. Several students are smiling while holding up artwork that depicts their respective family trees. The art varies in size, shape, and medium.
    A screenshot of a video call. Several students are smiling while holding up artwork that depicts their respective family trees. The art varies in size, shape, and medium.
    7th Grade students from M.S. 324 meeting online to present their El Ábol de la Familia collage projects, 2020 [A screenshot of a video call. Several students are smiling while holding up artwork that depicts their respective family trees. The art varies in size, shape, and medium.]
    Caption 7th Grade students from M.S. 324 meeting online to present their El Ábol de la Familia collage projects, 2020
    Image description A screenshot of a video call. Several students are smiling while holding up artwork that depicts their respective family trees. The art varies in size, shape, and medium.
    Year 2020
    Related pages Threads of History
  • A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background. A crowd looks on.
    A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background. A crowd looks on.
    Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background. A crowd looks on.]
    Caption Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space.
    Image description A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background. A crowd looks on.
    Year
    Related pages Yuji Agematsu
  • Color photograph of a fgure wearing a conical sheath of reflective one-way mirror film that covers their entire body. They squat down next to a viewer sitting in a wooden chair. The performer shines a bright light against their face, making their face visible from under the mirror film.
    Color photograph of a fgure wearing a conical sheath of reflective one-way mirror film that covers their entire body. They squat down next to a viewer sitting in a wooden chair. The performer shines a bright light against their face, making their face visible from under the mirror film.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a fgure wearing a conical sheath of reflective one-way mirror film that covers their entire body. They squat down next to a viewer sitting in a wooden chair. The performer shines a bright light against their face, making their face visible from under the mirror film.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a fgure wearing a conical sheath of reflective one-way mirror film that covers their entire body. They squat down next to a viewer sitting in a wooden chair. The performer shines a bright light against their face, making their face visible from under the mirror film.
    Year 2022
    Related pages keyon gaskin 12-14
  • Four clusters of photographs are mounted on a white gallery wall. Some of the photographs are black and white, while others are in color. All show images of a single or groups of figures. On the far right, a small projection of a man in a white shirt illuminates the wall.
    Four clusters of photographs are mounted on a white gallery wall. Some of the photographs are black and white, while others are in color. All show images of a single or groups of figures. On the far right, a small projection of a man in a white shirt illuminates the wall.
    Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Four clusters of photographs are mounted on a white gallery wall. Some of the photographs are black and white, while others are in color. All show images of a single or groups of figures. On the far right, a small projection of a man in a white shirt illuminates the wall.]
    Caption Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Four clusters of photographs are mounted on a white gallery wall. Some of the photographs are black and white, while others are in color. All show images of a single or groups of figures. On the far right, a small projection of a man in a white shirt illuminates the wall.
    Year 2012
    Related pages Radical Localism: Art, Video and Culture from Pueblo Nuevo’s Mexicali Rose
  • Color image of a video installation in the center of the floor of a gallery. A walkway made of plywood runs along the edges of the room, encircling the projection. The projection depicts a mirrored negative film image. The image features an assortment of abstracted objects arranged on a blue background.
    Color image of a video installation in the center of the floor of a gallery. A walkway made of plywood runs along the edges of the room, encircling the projection. The projection depicts a mirrored negative film image. The image features an assortment of abstracted objects arranged on a blue background.
    Crystal Z Campbell: Ode to the Underloved. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a video installation in the center of the floor of a gallery. A walkway made of plywood runs along the edges of the room, encircling the projection. The projection depicts a mirrored negative film image. The image features an assortment of abstracted objects arranged on a blue background.]
    Caption Crystal Z Campbell: Ode to the Underloved. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color image of a video installation in the center of the floor of a gallery. A walkway made of plywood runs along the edges of the room, encircling the projection. The projection depicts a mirrored negative film image. The image features an assortment of abstracted objects arranged on a blue background.
    Year
    Related pages Crystal Z Campbell
  • A black cord sticks out from underneath a tan carpet. Wires are visible running underneath the carpeted floor throughout the frame.
    A black cord sticks out from underneath a tan carpet. Wires are visible running underneath the carpeted floor throughout the frame.
    The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [A black cord sticks out from underneath a tan carpet. Wires are visible running underneath the carpeted floor throughout the frame.]
    Caption The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich.
    Image description A black cord sticks out from underneath a tan carpet. Wires are visible running underneath the carpeted floor throughout the frame.
    Year 2014
    Related pages The Issues of Our Time
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    Related pages Takuma Nakahira: Encounters
  • A teenage girl holds a film camera obscuring her face, and takes a photo of her reflection in a small, round mirror. The background is blurred but suggests a retail environment.
    A teenage girl holds a film camera obscuring her face, and takes a photo of her reflection in a small, round mirror. The background is blurred but suggests a retail environment.
    Geanet Rogers, Rosy Boom, photography, 2016 [A teenage girl holds a film camera obscuring her face, and takes a photo of her reflection in a small, round mirror. The background is blurred but suggests a retail environment.]
    Caption Geanet Rogers, Rosy Boom, photography, 2016
    Image description A teenage girl holds a film camera obscuring her face, and takes a photo of her reflection in a small, round mirror. The background is blurred but suggests a retail environment.
    Year 2016
    Related pages Scholastic Art and Writing Awards
  • A gray image of a person in a hard helmet. The image is slightly fuzzy and worn, and mostly obscured by scratches. White text in the lower righthand corner reads,
    A gray image of a person in a hard helmet. The image is slightly fuzzy and worn, and mostly obscured by scratches. White text in the lower righthand corner reads,
    [A gray image of a person in a hard helmet. The image is slightly fuzzy and worn, and mostly obscured by scratches. White text in the lower righthand corner reads, "A TERRIBLE BEAUTY."]
    Caption
    Image description A gray image of a person in a hard helmet. The image is slightly fuzzy and worn, and mostly obscured by scratches. White text in the lower righthand corner reads, "A TERRIBLE BEAUTY."
    Year 1994
    Related pages A Terrible Beauty: Images of Conflict in Ireland
  • Three figures appear in distinctive dress flowing through space around each other as if in a duel amongst themselves with a black background.
    Three figures appear in distinctive dress flowing through space around each other as if in a duel amongst themselves with a black background.
    Installations by Jurgen Partenheimer and Stuart Wilson. Installation view, Artists Space, 1982. [Three figures appear in distinctive dress flowing through space around each other as if in a duel amongst themselves with a black background.]
    Caption Installations by Jurgen Partenheimer and Stuart Wilson. Installation view, Artists Space, 1982.
    Image description Three figures appear in distinctive dress flowing through space around each other as if in a duel amongst themselves with a black background.
    Year
    Related pages Installations by Jürgen Partenheimer and Stuart Wilson
  • A black-and-white photo of a brick wall covered in graffiti and a pile of broken wood, on top of a crumpled sign stating
    A black-and-white photo of a brick wall covered in graffiti and a pile of broken wood, on top of a crumpled sign stating
    Ashley Padin, My Sense of Beauty, 2017. [A black-and-white photo of a brick wall covered in graffiti and a pile of broken wood, on top of a crumpled sign stating "hardwood flooring".]
    Caption Ashley Padin, My Sense of Beauty, 2017.
    Image description A black-and-white photo of a brick wall covered in graffiti and a pile of broken wood, on top of a crumpled sign stating "hardwood flooring".
    Year 2017
    Related pages BRIDGE Photography
  • A grim reaper shrouded in deep red light pulls back a black curtain, beckoning one into a seperate vacant room.
    A grim reaper shrouded in deep red light pulls back a black curtain, beckoning one into a seperate vacant room.
    ART CLUB2000 Untitled (Grim Reaper), 1999 Wood, galvanized netting, black fabric, chain, plastic scythe, and rubber skeleton hand Image courtesy Artists Space, New York Photo: Filip Wolak [A grim reaper shrouded in deep red light pulls back a black curtain, beckoning one into a seperate vacant room.]
    Caption ART CLUB2000 Untitled (Grim Reaper), 1999 Wood, galvanized netting, black fabric, chain, plastic scythe, and rubber skeleton hand Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A grim reaper shrouded in deep red light pulls back a black curtain, beckoning one into a seperate vacant room.
    Year 2021
    Related pages ART CLUB2000
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    Year
    Related pages DRAFT IMAGE PAGE_NEVER DELETE
  • A close-up photograph of an orange LED light on the gallery floor. Black vinyl on the floor in front of the LED reads,
    A close-up photograph of an orange LED light on the gallery floor. Black vinyl on the floor in front of the LED reads,
    Tiffany Sia, In Plain Sight (detail view), 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A close-up photograph of an orange LED light on the gallery floor. Black vinyl on the floor in front of the LED reads, "SIGHT]."]
    Caption Tiffany Sia, In Plain Sight (detail view), 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A close-up photograph of an orange LED light on the gallery floor. Black vinyl on the floor in front of the LED reads, "SIGHT]."
    Year 2021
    Related pages Tiffany Sia: Slippery When Wet
  • Color image of the corner of a darkened gallery space with two small pinhole projector sculpture installations. The pinhole projector on the left is housed in a polka-dot patterned gift-wrapped box. On the wall, an image of a white ceramic teacup with a radial swirl pattern is projected. On the right, the projector is wrapped in white foam padding and secured with red string. On the wall, it projects an image of a square containing an golden metal hoop and pin along with four small, glittering pink and green strawberry ornaments.
    Color image of the corner of a darkened gallery space with two small pinhole projector sculpture installations. The pinhole projector on the left is housed in a polka-dot patterned gift-wrapped box. On the wall, an image of a white ceramic teacup with a radial swirl pattern is projected. On the right, the projector is wrapped in white foam padding and secured with red string. On the wall, it projects an image of a square containing an golden metal hoop and pin along with four small, glittering pink and green strawberry ornaments.
    Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view (Doris Guo, Bathroom Kitchen Confusion, 2023; Doris Guo, Fruit Basket, 2024), Artists Space, 2024. Photo: Carter Seddon. [Color image of the corner of a darkened gallery space with two small pinhole projector sculpture installations. The pinhole projector on the left is housed in a polka-dot patterned gift-wrapped box. On the wall, an image of a white ceramic teacup with a radial swirl pattern is projected. On the right, the projector is wrapped in white foam padding and secured with red string. On the wall, it projects an image of a square containing an golden metal hoop and pin along with four small, glittering pink and green strawberry ornaments.]
    Caption Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view (Doris Guo, Bathroom Kitchen Confusion, 2023; Doris Guo, Fruit Basket, 2024), Artists Space, 2024. Photo: Carter Seddon.
    Image description Color image of the corner of a darkened gallery space with two small pinhole projector sculpture installations. The pinhole projector on the left is housed in a polka-dot patterned gift-wrapped box. On the wall, an image of a white ceramic teacup with a radial swirl pattern is projected. On the right, the projector is wrapped in white foam padding and secured with red string. On the wall, it projects an image of a square containing an golden metal hoop and pin along with four small, glittering pink and green strawberry ornaments.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • A close-up color image of a drummer captured in the middle of a performance. Abstracted projections of bright yellow and purple hues are cast against the musician, who looks out at something out of view.
    A close-up color image of a drummer captured in the middle of a performance. Abstracted projections of bright yellow and purple hues are cast against the musician, who looks out at something out of view.
    Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman. [A close-up color image of a drummer captured in the middle of a performance. Abstracted projections of bright yellow and purple hues are cast against the musician, who looks out at something out of view.]
    Caption Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A close-up color image of a drummer captured in the middle of a performance. Abstracted projections of bright yellow and purple hues are cast against the musician, who looks out at something out of view.
    Year
    Related pages Abasement #63
  • M.S. 324 Grade 7 Threads of History students with Teaching Artist, Esperanza Cortés and M.S. 324 Science teacher Mary Guerrero, June 2021
    Caption M.S. 324 Grade 7 Threads of History students with Teaching Artist, Esperanza Cortés and M.S. 324 Science teacher Mary Guerrero, June 2021
    Image description
    Year 2021
    Related pages Threads of History
  • Various framed works on paper hang on two facing white gallery walls. Each features small looping ornamental symbols, drawn with pencil within the individual boxes of gridded paper, to form larger shapes and structures. The large work on the right wall features repeated ornamental symbols in gold on pink ground.
    Various framed works on paper hang on two facing white gallery walls. Each features small looping ornamental symbols, drawn with pencil within the individual boxes of gridded paper, to form larger shapes and structures. The large work on the right wall features repeated ornamental symbols in gold on pink ground.
    Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [Various framed works on paper hang on two facing white gallery walls. Each features small looping ornamental symbols, drawn with pencil within the individual boxes of gridded paper, to form larger shapes and structures. The large work on the right wall features repeated ornamental symbols in gold on pink ground.]
    Caption Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description Various framed works on paper hang on two facing white gallery walls. Each features small looping ornamental symbols, drawn with pencil within the individual boxes of gridded paper, to form larger shapes and structures. The large work on the right wall features repeated ornamental symbols in gold on pink ground.
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Color image of two performers on stage. The performer on the left is sitting down in front of a laptop. The performer to the right is standing up in front of a music stand, singing into a microphone. Multiple rows of audience members are visible from behind in the foreground. The wall behind the stage has multiple streaks of colored lights and a silhouetted image of tree branches.
    Color image of two performers on stage. The performer on the left is sitting down in front of a laptop. The performer to the right is standing up in front of a music stand, singing into a microphone. Multiple rows of audience members are visible from behind in the foreground. The wall behind the stage has multiple streaks of colored lights and a silhouetted image of tree branches.
    Abasement #75. Performance documentation, February 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of two performers on stage. The performer on the left is sitting down in front of a laptop. The performer to the right is standing up in front of a music stand, singing into a microphone. Multiple rows of audience members are visible from behind in the foreground. The wall behind the stage has multiple streaks of colored lights and a silhouetted image of tree branches. ]
    Caption Abasement #75. Performance documentation, February 3rd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of two performers on stage. The performer on the left is sitting down in front of a laptop. The performer to the right is standing up in front of a music stand, singing into a microphone. Multiple rows of audience members are visible from behind in the foreground. The wall behind the stage has multiple streaks of colored lights and a silhouetted image of tree branches.
    Year
    Related pages Abasement #75
  • A color image of a gallery space. To the left of the image, on the foreground, a white wall with a window and a drawing of a parked car. The driver is speaking with a figure that leans on the car. Through the window, a painting of three figures is visible. In the background, four works hang on a black wall. In the center of the room, a black couch and a table in the shape of a body.
    A color image of a gallery space. To the left of the image, on the foreground, a white wall with a window and a drawing of a parked car. The driver is speaking with a figure that leans on the car. Through the window, a painting of three figures is visible. In the background, four works hang on a black wall. In the center of the room, a black couch and a table in the shape of a body.
    Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of a gallery space. To the left of the image, on the foreground, a white wall with a window and a drawing of a parked car. The driver is speaking with a figure that leans on the car. Through the window, a painting of three figures is visible. In the background, four works hang on a black wall. In the center of the room, a black couch and a table in the shape of a body.]
    Caption Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of a gallery space. To the left of the image, on the foreground, a white wall with a window and a drawing of a parked car. The driver is speaking with a figure that leans on the car. Through the window, a painting of three figures is visible. In the background, four works hang on a black wall. In the center of the room, a black couch and a table in the shape of a body.
    Year
    Related pages Jonathan Lyndon Chase
  • Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.
    Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022.
    Image description Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right appears to read from a text propped on the stand, while the figure on the left looks towards the audience, speaking and gesturing towards them with one hand.
    Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right appears to read from a text propped on the stand, while the figure on the left looks towards the audience, speaking and gesturing towards them with one hand.
    Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court. [Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right appears to read from a text propped on the stand, while the figure on the left looks towards the audience, speaking and gesturing towards them with one hand.]
    Caption Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court.
    Image description Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right appears to read from a text propped on the stand, while the figure on the left looks towards the audience, speaking and gesturing towards them with one hand.
    Year 2020
    Related pages Passages from People Who Led to My Plays
  • Black text on a light blue background. The text reads: “April 26 / Peter Gizzi / Susana Plotts-Pineda.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a light blue background. The text reads: “April 26 / Peter Gizzi / Susana Plotts-Pineda.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a light blue background. The text reads: “April 26 / Peter Gizzi / Susana Plotts-Pineda.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a light blue background. The text reads: “April 26 / Peter Gizzi / Susana Plotts-Pineda.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Peter Gizzi & Susana Plotts-Pineda
  • Along the wall are two glass display cases holding ephemera, in the center of them three images hang on the wall, on the left sits a tv monitor on a shelf.
    Along the wall are two glass display cases holding ephemera, in the center of them three images hang on the wall, on the left sits a tv monitor on a shelf.
    Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [Along the wall are two glass display cases holding ephemera, in the center of them three images hang on the wall, on the left sits a tv monitor on a shelf.]
    Caption Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description Along the wall are two glass display cases holding ephemera, in the center of them three images hang on the wall, on the left sits a tv monitor on a shelf.
    Year 2021
    Related pages Till They Listen: Bill Gunn Directs America
  • A gallery space with a large metal structure in the middle of the floor. Four straw brooms are suspended from the top of the structure such that they just brush the floor. On the surrounding white walls, there are several pieces of art. One is a colorful canvas with geometric shapes, sharing a wall with several small objects arranged in an oval. On the other wall, there are series of framed depictions of nude figures in various poses.
    A gallery space with a large metal structure in the middle of the floor. Four straw brooms are suspended from the top of the structure such that they just brush the floor. On the surrounding white walls, there are several pieces of art. One is a colorful canvas with geometric shapes, sharing a wall with several small objects arranged in an oval. On the other wall, there are series of framed depictions of nude figures in various poses.
    Flipside. Installation view, Artists Space, 2004. [A gallery space with a large metal structure in the middle of the floor. Four straw brooms are suspended from the top of the structure such that they just brush the floor. On the surrounding white walls, there are several pieces of art. One is a colorful canvas with geometric shapes, sharing a wall with several small objects arranged in an oval. On the other wall, there are series of framed depictions of nude figures in various poses.]
    Caption Flipside. Installation view, Artists Space, 2004.
    Image description A gallery space with a large metal structure in the middle of the floor. Four straw brooms are suspended from the top of the structure such that they just brush the floor. On the surrounding white walls, there are several pieces of art. One is a colorful canvas with geometric shapes, sharing a wall with several small objects arranged in an oval. On the other wall, there are series of framed depictions of nude figures in various poses.
    Year 2004
    Related pages Flipside
  • A black and white installation photograph of a sculpture. The work features two wooden rods, connected to form an obtuse angle in the center. The end of each rod has a set of wheels, and the piece rests on a sling-like piece of sturdy fabric.
    A black and white installation photograph of a sculpture. The work features two wooden rods, connected to form an obtuse angle in the center. The end of each rod has a set of wheels, and the piece rests on a sling-like piece of sturdy fabric.
    Louisa Chase. Installation view, Louisa Chase, Ted Stamm, Meryl Vladimer, Artists Space, 1975. [A black and white installation photograph of a sculpture. The work features two wooden rods, connected to form an obtuse angle in the center. The end of each rod has a set of wheels, and the piece rests on a sling-like piece of sturdy fabric.]
    Caption Louisa Chase. Installation view, Louisa Chase, Ted Stamm, Meryl Vladimer, Artists Space, 1975.
    Image description A black and white installation photograph of a sculpture. The work features two wooden rods, connected to form an obtuse angle in the center. The end of each rod has a set of wheels, and the piece rests on a sling-like piece of sturdy fabric.
    Year 1975
    Related pages Louisa Chase, Ted Stamm, Meryl Vladimer
  • Black text on a grey background. The text reads: “Feb 7 / Eric Bogosian / Bunny Rogers.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a grey background. The text reads: “Feb 7 / Eric Bogosian / Bunny Rogers.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a grey background. The text reads: “Feb 7 / Eric Bogosian / Bunny Rogers.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a grey background. The text reads: “Feb 7 / Eric Bogosian / Bunny Rogers.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Eric Bogosian & Bunny Rogers
  • Caption
    Image description
    Year
    Related pages Project: Model City
  • A color documentation image of Shala Miller's Genesis, 2023. Three monochrome projection panels float equidistantly in a dark room, with vinyls on blacks walls.
    A color documentation image of Shala Miller's Genesis, 2023. Three monochrome projection panels float equidistantly in a dark room, with vinyls on blacks walls.
    Shala Miller, Genesis. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color documentation image of Shala Miller's Genesis, 2023. Three monochrome projection panels float equidistantly in a dark room, with vinyls on blacks walls.]
    Caption Shala Miller, Genesis. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color documentation image of Shala Miller's Genesis, 2023. Three monochrome projection panels float equidistantly in a dark room, with vinyls on blacks walls.
    Year
    Related pages Genesis: Medley
  • Black & white photograph of a performer sitting in a wooden chair. A spotlight shines on them from above, and they play a cello that leans against their body.
    Black & white photograph of a performer sitting in a wooden chair. A spotlight shines on them from above, and they play a cello that leans against their body.
    Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan. [Black & white photograph of a performer sitting in a wooden chair. A spotlight shines on them from above, and they play a cello that leans against their body.]
    Caption Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan.
    Image description Black & white photograph of a performer sitting in a wooden chair. A spotlight shines on them from above, and they play a cello that leans against their body.
    Year 2023
    Related pages Genesis: Medley
  • A large room with wooden floors. In the right corner, there is a wall creating a corner that is covered in colorful wallpaper with images of tropical birds on trees. Several framed pictures are displayed on one side of the wall, partially obscured by a white column. To the left, there are three standing plinths with glass tops, housing dried brown plants.
    A large room with wooden floors. In the right corner, there is a wall creating a corner that is covered in colorful wallpaper with images of tropical birds on trees. Several framed pictures are displayed on one side of the wall, partially obscured by a white column. To the left, there are three standing plinths with glass tops, housing dried brown plants.
    Spring Exhibitions. Installation view, Artists Space, 2009. [A large room with wooden floors. In the right corner, there is a wall creating a corner that is covered in colorful wallpaper with images of tropical birds on trees. Several framed pictures are displayed on one side of the wall, partially obscured by a white column. To the left, there are three standing plinths with glass tops, housing dried brown plants.]
    Caption Spring Exhibitions. Installation view, Artists Space, 2009.
    Image description A large room with wooden floors. In the right corner, there is a wall creating a corner that is covered in colorful wallpaper with images of tropical birds on trees. Several framed pictures are displayed on one side of the wall, partially obscured by a white column. To the left, there are three standing plinths with glass tops, housing dried brown plants.
    Year 2009
    Related pages Spring Exhibitions
  • Two performers on stage with a few audience members in the foreground. The performer on the left is sitting, looking down, and playing guitar. The performer on the right is standing and holding a bow. The audience and musicians are tinted with orange and red toned lights. An abstract orange and green projection covers the back wall.
    Two performers on stage with a few audience members in the foreground. The performer on the left is sitting, looking down, and playing guitar. The performer on the right is standing and holding a bow. The audience and musicians are tinted with orange and red toned lights. An abstract orange and green projection covers the back wall.
    Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman. [Two performers on stage with a few audience members in the foreground. The performer on the left is sitting, looking down, and playing guitar. The performer on the right is standing and holding a bow. The audience and musicians are tinted with orange and red toned lights. An abstract orange and green projection covers the back wall.]
    Caption Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Two performers on stage with a few audience members in the foreground. The performer on the left is sitting, looking down, and playing guitar. The performer on the right is standing and holding a bow. The audience and musicians are tinted with orange and red toned lights. An abstract orange and green projection covers the back wall.
    Year
    Related pages Abasement #74
  • A performer plays a wooden wind instrument on stage. Connected by plastic tubing and wooden rods, the instrument stands higher than the seated performer.
    A performer plays a wooden wind instrument on stage. Connected by plastic tubing and wooden rods, the instrument stands higher than the seated performer.
    Abasement #83. Performance documentation, January 5th, 2026, Artists Space. Photo: Joshua Wildman. [A performer plays a wooden wind instrument on stage. Connected by plastic tubing and wooden rods, the instrument stands higher than the seated performer. ]
    Caption Abasement #83. Performance documentation, January 5th, 2026, Artists Space. Photo: Joshua Wildman.
    Image description A performer plays a wooden wind instrument on stage. Connected by plastic tubing and wooden rods, the instrument stands higher than the seated performer.
    Year
    Related pages Abasement #83
  • Color photograph of a figure dressed in white, laying on the floor of a dark room. The figure has one leg raised in the air, shining a light from their pelvic area onto the floor and wall across from them. A small TV monitor sits in the corner.
    Color photograph of a figure dressed in white, laying on the floor of a dark room. The figure has one leg raised in the air, shining a light from their pelvic area onto the floor and wall across from them. A small TV monitor sits in the corner.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in white, laying on the floor of a dark room. The figure has one leg raised in the air, shining a light from their pelvic area onto the floor and wall across from them. A small TV monitor sits in the corner.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure dressed in white, laying on the floor of a dark room. The figure has one leg raised in the air, shining a light from their pelvic area onto the floor and wall across from them. A small TV monitor sits in the corner.
    Year 2022
    Related pages keyon gaskin 12-16
  • A book cover design featuring large, sans-serif orange text on a white background. The text varies in size and reads
    A book cover design featuring large, sans-serif orange text on a white background. The text varies in size and reads
    Be Nice Share Everything Have Fun, ed. Stefan Kalmár and Daniel Pies. Kunstverein München, 2010. [A book cover design featuring large, sans-serif orange text on a white background. The text varies in size and reads "BE NICE SHARE EVERYTHING HAVE FUN."]
    Caption Be Nice Share Everything Have Fun, ed. Stefan Kalmár and Daniel Pies. Kunstverein München, 2010.
    Image description A book cover design featuring large, sans-serif orange text on a white background. The text varies in size and reads "BE NICE SHARE EVERYTHING HAVE FUN."
    Year 2010
    Related pages Be Nice Share Everything Have Fun
  • Jaylynn Reyna, Bonnie, 2022, digital photograph
    Caption Jaylynn Reyna, Bonnie, 2022, digital photograph
    Image description
    Year 2022
    Related pages Scholastic Art and Writing Awards
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