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  • A view of five vitrines, displaying various documents, arranged in columns in the middle of a room. On either wall, book cases used for display.
    A view of five vitrines, displaying various documents, arranged in columns in the middle of a room. On either wall, book cases used for display.
    Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A view of five vitrines, displaying various documents, arranged in columns in the middle of a room. On either wall, book cases used for display.]
    Caption Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A view of five vitrines, displaying various documents, arranged in columns in the middle of a room. On either wall, book cases used for display.
    Year 2013
    Related pages Documenting Cadere: 1972 - 1978
  • A color image of a gallery space. On the left wall hangs a framed work that consists of a colorful abstract drawing made on white paper, with pencil strokes surrounding the colored shapes. On the right wall, three framed works hang on a horizontal line. The three abstract works are made on black paper, and depict colorful compositions.
    A color image of a gallery space. On the left wall hangs a framed work that consists of a colorful abstract drawing made on white paper, with pencil strokes surrounding the colored shapes. On the right wall, three framed works hang on a horizontal line. The three abstract works are made on black paper, and depict colorful compositions.
    Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of a gallery space. On the left wall hangs a framed work that consists of a colorful abstract drawing made on white paper, with pencil strokes surrounding the colored shapes. On the right wall, three framed works hang on a horizontal line. The three abstract works are made on black paper, and depict colorful compositions.]
    Caption Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of a gallery space. On the left wall hangs a framed work that consists of a colorful abstract drawing made on white paper, with pencil strokes surrounding the colored shapes. On the right wall, three framed works hang on a horizontal line. The three abstract works are made on black paper, and depict colorful compositions.
    Year
    Related pages Renee Gladman
  • Color image of a painting, done on a paper bag, placed on a white pedestal. The painting features an apple blossom tree, with a light blue sky in the background, and green grass. The tree is painted over a blue square in the middle of the bag that reads
    Color image of a painting, done on a paper bag, placed on a white pedestal. The painting features an apple blossom tree, with a light blue sky in the background, and green grass. The tree is painted over a blue square in the middle of the bag that reads
    G. Peter Jemison, Apple Blossom Furry (Daffodils), 2000. Photo: Filip Wolak. [Color image of a painting, done on a paper bag, placed on a white pedestal. The painting features an apple blossom tree, with a light blue sky in the background, and green grass. The tree is painted over a blue square in the middle of the bag that reads "Mikasa."]
    Caption G. Peter Jemison, Apple Blossom Furry (Daffodils), 2000. Photo: Filip Wolak.
    Image description Color image of a painting, done on a paper bag, placed on a white pedestal. The painting features an apple blossom tree, with a light blue sky in the background, and green grass. The tree is painted over a blue square in the middle of the bag that reads "Mikasa."
    Year 2023
    Related pages Artists for Artists Space
  • Two people are seen from below, standing and facing one another in a shadowy window. Below them, the subtitle text reads,
    Two people are seen from below, standing and facing one another in a shadowy window. Below them, the subtitle text reads,
    Marina Grzinic and Aina Smid, still from Axis of Life, 1987. 6 minutes. [Two people are seen from below, standing and facing one another in a shadowy window. Below them, the subtitle text reads, "although it was a case of murder. I remember the report."e]
    Caption Marina Grzinic and Aina Smid, still from Axis of Life, 1987. 6 minutes.
    Image description Two people are seen from below, standing and facing one another in a shadowy window. Below them, the subtitle text reads, "although it was a case of murder. I remember the report."e
    Year 1987
    Related pages Deconstruction, Quotation, & Subversion: Video from Yugoslavia
  • Black text affixed to a white wall reads:
    Black text affixed to a white wall reads:
    _____, Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978, Artists Space, 1978. Installation view, Artists Space, 1978. [Black text affixed to a white wall reads: "Christopher D'Arcangelo / Louise Lawler / Adrian Piper / Cindy Sherman."]
    Caption _____, Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978, Artists Space, 1978. Installation view, Artists Space, 1978.
    Image description Black text affixed to a white wall reads: "Christopher D'Arcangelo / Louise Lawler / Adrian Piper / Cindy Sherman."
    Year 1978
    Related pages ______ , Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978.
  • Screenshot of an Instagram image posted 18 minutes ago by an account named
    Screenshot of an Instagram image posted 18 minutes ago by an account named
    [Screenshot of an Instagram image posted 18 minutes ago by an account named "tusetamer." The photo depicts an outdoor concrete wall with an air conditioner unit visible in the background. Red text spray painted across the wall reads, "Tayyip / WINTER IS / COMING."]
    Caption
    Image description Screenshot of an Instagram image posted 18 minutes ago by an account named "tusetamer." The photo depicts an outdoor concrete wall with an air conditioner unit visible in the background. Red text spray painted across the wall reads, "Tayyip / WINTER IS / COMING."
    Year 2104
    Related pages Notes on the Anthropocene
  • Photographs mounted to black backgrounds are hung up in a row on a white wall.
    Photographs mounted to black backgrounds are hung up in a row on a white wall.
    Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [Photographs mounted to black backgrounds are hung up in a row on a white wall.]
    Caption Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979.
    Image description Photographs mounted to black backgrounds are hung up in a row on a white wall.
    Year 1979
    Related pages Patricia Hearst - A Second Reading
  • A photo of a crosswalk with a red car standing halfway in it, and a small puddle of water in the foreground.
    A photo of a crosswalk with a red car standing halfway in it, and a small puddle of water in the foreground.
    Asia Negron, Untitled, 2018. [A photo of a crosswalk with a red car standing halfway in it, and a small puddle of water in the foreground.]
    Caption Asia Negron, Untitled, 2018.
    Image description A photo of a crosswalk with a red car standing halfway in it, and a small puddle of water in the foreground.
    Year 2018
    Related pages BRIDGE Photography
  • Half-eaten fruit, chocolate, and candles sit on a low, stone tabletop under dim lighting.
    Half-eaten fruit, chocolate, and candles sit on a low, stone tabletop under dim lighting.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [Half-eaten fruit, chocolate, and candles sit on a low, stone tabletop under dim lighting.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description Half-eaten fruit, chocolate, and candles sit on a low, stone tabletop under dim lighting.
    Year 2019
    Related pages Speaker Music: drape over another
  • A gallery with an L-shaped bench covered in fabric, plus several video projections and artworks adorning the walls.
    A gallery with an L-shaped bench covered in fabric, plus several video projections and artworks adorning the walls.
    Marie Karlberg Videos. Installation view, Artists Space, 2013. [A gallery with an L-shaped bench covered in fabric, plus several video projections and artworks adorning the walls.]
    Caption Marie Karlberg Videos. Installation view, Artists Space, 2013.
    Image description A gallery with an L-shaped bench covered in fabric, plus several video projections and artworks adorning the walls.
    Year 2013
    Related pages Marie Karlberg Videos
  • Three figures with misshapen bodies and faces appear in a surreal setting.
    Three figures with misshapen bodies and faces appear in a surreal setting.
    Paul Lamantia. Lilith, 1985. [Three figures with misshapen bodies and faces appear in a surreal setting.]
    Caption Paul Lamantia. Lilith, 1985.
    Image description Three figures with misshapen bodies and faces appear in a surreal setting.
    Year
    Related pages Recent Art from Chicago
  • An angled view from a ledge containing household items, into a bedroom. Above the doorway black text reads,
    An angled view from a ledge containing household items, into a bedroom. Above the doorway black text reads,
    [An angled view from a ledge containing household items, into a bedroom. Above the doorway black text reads, "Macho Man, Tell it to My Heart."]
    Caption
    Image description An angled view from a ledge containing household items, into a bedroom. Above the doorway black text reads, "Macho Man, Tell it to My Heart."
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays a courtroom depiction of two individuals, one with blonde hair and fair skin wearing a suit, the other tan with dark facial hair wearing a keffiyeh. Behind the seated men is an image of a man sitting on the floor, in what appears to be solitary confinement.
    A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays a courtroom depiction of two individuals, one with blonde hair and fair skin wearing a suit, the other tan with dark facial hair wearing a keffiyeh. Behind the seated men is an image of a man sitting on the floor, in what appears to be solitary confinement.
    Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays a courtroom depiction of two individuals, one with blonde hair and fair skin wearing a suit, the other tan with dark facial hair wearing a keffiyeh. Behind the seated men is an image of a man sitting on the floor, in what appears to be solitary confinement.]
    Caption Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays a courtroom depiction of two individuals, one with blonde hair and fair skin wearing a suit, the other tan with dark facial hair wearing a keffiyeh. Behind the seated men is an image of a man sitting on the floor, in what appears to be solitary confinement.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • Three sculptural forms sit and hang in a large gallery space. A large gray form with anemone-like tendrils is spread across the floor. Behind it on the gallery wall there is a large, shiny orange sculpture covered in bud-like forms. To the left of the space hangs a yellow sculpture with metal spikes protruding from its surface.
    Three sculptural forms sit and hang in a large gallery space. A large gray form with anemone-like tendrils is spread across the floor. Behind it on the gallery wall there is a large, shiny orange sculpture covered in bud-like forms. To the left of the space hangs a yellow sculpture with metal spikes protruding from its surface.
    Matters of Sensation. Installation view, Artists Space, 2008. Photo: Adam Reich. [Three sculptural forms sit and hang in a large gallery space. A large gray form with anemone-like tendrils is spread across the floor. Behind it on the gallery wall there is a large, shiny orange sculpture covered in bud-like forms. To the left of the space hangs a yellow sculpture with metal spikes protruding from its surface.]
    Caption Matters of Sensation. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description Three sculptural forms sit and hang in a large gallery space. A large gray form with anemone-like tendrils is spread across the floor. Behind it on the gallery wall there is a large, shiny orange sculpture covered in bud-like forms. To the left of the space hangs a yellow sculpture with metal spikes protruding from its surface.
    Year 2008
    Related pages Matters of Sensation
  • A black and white photograph of a man in a leopard print costume standing center stage with his hands up and palms open facing toward the viewer. He stands with his legs outstretched and behind him rests a drum set which sits next to a gong. Microphones are positioned near his body, one on each side.
    A black and white photograph of a man in a leopard print costume standing center stage with his hands up and palms open facing toward the viewer. He stands with his legs outstretched and behind him rests a drum set which sits next to a gong. Microphones are positioned near his body, one on each side.
    Milford Graves at the Festival d'Automne à Paris, 1974, Black and white photograph. © Philippe Gras [A black and white photograph of a man in a leopard print costume standing center stage with his hands up and palms open facing toward the viewer. He stands with his legs outstretched and behind him rests a drum set which sits next to a gong. Microphones are positioned near his body, one on each side.]
    Caption Milford Graves at the Festival d'Automne à Paris, 1974, Black and white photograph. © Philippe Gras
    Image description A black and white photograph of a man in a leopard print costume standing center stage with his hands up and palms open facing toward the viewer. He stands with his legs outstretched and behind him rests a drum set which sits next to a gong. Microphones are positioned near his body, one on each side.
    Year 1974
    Related pages Milford Graves Memorial
  • Next to the entrance to a gallery space, along the inside wall, is a large photograph affixed to a wall that depicts a billboard on Glendale Boulevard in Los Angeles. In the foreground is a set of three open magazines displayed on a plinth made of MDF.
    Next to the entrance to a gallery space, along the inside wall, is a large photograph affixed to a wall that depicts a billboard on Glendale Boulevard in Los Angeles. In the foreground is a set of three open magazines displayed on a plinth made of MDF.
    Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [Next to the entrance to a gallery space, along the inside wall, is a large photograph affixed to a wall that depicts a billboard on Glendale Boulevard in Los Angeles. In the foreground is a set of three open magazines displayed on a plinth made of MDF. ]
    Caption Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Image description Next to the entrance to a gallery space, along the inside wall, is a large photograph affixed to a wall that depicts a billboard on Glendale Boulevard in Los Angeles. In the foreground is a set of three open magazines displayed on a plinth made of MDF.
    Year
    Related pages Michael Asher
  • A painting on the wall of an industrial room depicts a network of television antennas, repeated horizontally. Cartoon birds sit atop the poles, each with a numbered speech bubble floating above their heads.
    A painting on the wall of an industrial room depicts a network of television antennas, repeated horizontally. Cartoon birds sit atop the poles, each with a numbered speech bubble floating above their heads.
    ART CLUB2000, Gli Avvoltoi (The Vultures), 1995, wall painting. Installation view of FuoriUso '95: caravanserraglio arte contemporane, Fuori Uso, Pescara, Italy, 1995. The wall painting was originally produced for the exhibition Milanarian at Gallerie Facsimile, Milan, Italy, 1995. [A painting on the wall of an industrial room depicts a network of television antennas, repeated horizontally. Cartoon birds sit atop the poles, each with a numbered speech bubble floating above their heads.]
    Caption ART CLUB2000, Gli Avvoltoi (The Vultures), 1995, wall painting. Installation view of FuoriUso '95: caravanserraglio arte contemporane, Fuori Uso, Pescara, Italy, 1995. The wall painting was originally produced for the exhibition Milanarian at Gallerie Facsimile, Milan, Italy, 1995.
    Image description A painting on the wall of an industrial room depicts a network of television antennas, repeated horizontally. Cartoon birds sit atop the poles, each with a numbered speech bubble floating above their heads.
    Year 1995
    Related pages ART CLUB2000
  • Two photographs are hanging next to each other on a wall.
    Two photographs are hanging next to each other on a wall.
    David Kulik, Frank Majore, Kevin Noble, Ken Pelka, Pat Place, Rene Santos, and Brian Weil. Installation view, Artists Space, 1980. [Two photographs are hanging next to each other on a wall.]
    Caption David Kulik, Frank Majore, Kevin Noble, Ken Pelka, Pat Place, Rene Santos, and Brian Weil. Installation view, Artists Space, 1980.
    Image description Two photographs are hanging next to each other on a wall.
    Year
    Related pages David Kulik, Frank Majore, Kevin Noble, Ken Pelka, Pat Place, Rene Santos, and Brian Weil
  • Caption
    Image description
    Year
    Related pages Segue Reading Series
  • A human-sized steel box stands in the room, lit by white light from above. The box rests on metal supports, and a plastic tube protrudes from one side.
    A human-sized steel box stands in the room, lit by white light from above. The box rests on metal supports, and a plastic tube protrudes from one side.
    ricardo nagaoka, Untitled, 2025. Steel, electrolytes, urine, human body. Photo: Carter Seddon [A human-sized steel box stands in the room, lit by white light from above. The box rests on metal supports, and a plastic tube protrudes from one side.]
    Caption ricardo nagaoka, Untitled, 2025. Steel, electrolytes, urine, human body. Photo: Carter Seddon
    Image description A human-sized steel box stands in the room, lit by white light from above. The box rests on metal supports, and a plastic tube protrudes from one side.
    Year
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
  • Photograph of a glass vitrine containing various archival time-banking ephemera.
    Photograph of a glass vitrine containing various archival time-banking ephemera.
    Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo. [Photograph of a glass vitrine containing various archival time-banking ephemera.]
    Caption Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo.
    Image description Photograph of a glass vitrine containing various archival time-banking ephemera.
    Annotation 2023
    Year
    Related pages Whitney Independent Study: Clocking Out: Time Beyond Management
  • Image of a gallery space with a metal locker, mirrored wooden base, and some tree stumps and plants. A large light and construction nets hang from the ceiling, and on the wall in the back a video is projected onto a screen.
    Image of a gallery space with a metal locker, mirrored wooden base, and some tree stumps and plants. A large light and construction nets hang from the ceiling, and on the wall in the back a video is projected onto a screen.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, September 16, 2022 - December 3, 2022. Photo: Filip Wolak [Image of a gallery space with a metal locker, mirrored wooden base, and some tree stumps and plants. A large light and construction nets hang from the ceiling, and on the wall in the back a video is projected onto a screen.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, September 16, 2022 - December 3, 2022. Photo: Filip Wolak
    Image description Image of a gallery space with a metal locker, mirrored wooden base, and some tree stumps and plants. A large light and construction nets hang from the ceiling, and on the wall in the back a video is projected onto a screen.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A paintings of a few bloomed white and dark flowers appear inside a vase with a white background.
    A paintings of a few bloomed white and dark flowers appear inside a vase with a white background.
    Bert Carpenter. The Great Bouquet, 1979. [A paintings of a few bloomed white and dark flowers appear inside a vase with a white background.]
    Caption Bert Carpenter. The Great Bouquet, 1979.
    Image description A paintings of a few bloomed white and dark flowers appear inside a vase with a white background.
    Year
    Related pages Three Exhibitions Sponsored by the Mark Rothko Foundation
  • Cave of Animals, Listening Room project, May 2024
    Caption Cave of Animals, Listening Room project, May 2024
    Image description
    Year
    Related pages Exhibitions and Events
  • Caption
    Image description
    Year
    Related pages Brad Kronz
  • A seated musician wearing a white t-shirt with the name Xenakis printed above an image manipulates electronics on top of a small table. The wall behind features swirling white, purple, and orange light.
    Caption A seated musician wearing a white t-shirt with the name Xenakis printed above an image manipulates electronics on top of a small table. The wall behind features swirling white, purple, and orange light.
    Image description
    Year
    Related pages Abasement #70
  • A poster design with a light, gradated purple background with cloud-like, blue patterns laid overtop it. The cloud forms partially obstruct a large, digital rainbow wheel and extremely elongated text that reads
    A poster design with a light, gradated purple background with cloud-like, blue patterns laid overtop it. The cloud forms partially obstruct a large, digital rainbow wheel and extremely elongated text that reads
    [A poster design with a light, gradated purple background with cloud-like, blue patterns laid overtop it. The cloud forms partially obstruct a large, digital rainbow wheel and extremely elongated text that reads "WikiLeaks." Small text at the poster's bottom spells out the event details.]
    Caption
    Image description A poster design with a light, gradated purple background with cloud-like, blue patterns laid overtop it. The cloud forms partially obstruct a large, digital rainbow wheel and extremely elongated text that reads "WikiLeaks." Small text at the poster's bottom spells out the event details.
    Year 2012
    Related pages WikiLeaks Dark Store
  • Four images arranged in a rectangular tile formation. Each image shows a digital rendering of a large structure composed of suspended sheets of red material installed in a gray room. The red sheets are stacked on top of one another, suspended from lengths of wire that run from ceiling to floor. The sheets are arranged differently in each image, bending towards and away from each other. They arranged such that they resemble irregular layers of sedimentary rock or strata. Various digitally-rendered figures observe the structure in each image.
    Four images arranged in a rectangular tile formation. Each image shows a digital rendering of a large structure composed of suspended sheets of red material installed in a gray room. The red sheets are stacked on top of one another, suspended from lengths of wire that run from ceiling to floor. The sheets are arranged differently in each image, bending towards and away from each other. They arranged such that they resemble irregular layers of sedimentary rock or strata. Various digitally-rendered figures observe the structure in each image.
    [Four images arranged in a rectangular tile formation. Each image shows a digital rendering of a large structure composed of suspended sheets of red material installed in a gray room. The red sheets are stacked on top of one another, suspended from lengths of wire that run from ceiling to floor. The sheets are arranged differently in each image, bending towards and away from each other. They arranged such that they resemble irregular layers of sedimentary rock or strata. Various digitally-rendered figures observe the structure in each image.]
    Caption
    Image description Four images arranged in a rectangular tile formation. Each image shows a digital rendering of a large structure composed of suspended sheets of red material installed in a gray room. The red sheets are stacked on top of one another, suspended from lengths of wire that run from ceiling to floor. The sheets are arranged differently in each image, bending towards and away from each other. They arranged such that they resemble irregular layers of sedimentary rock or strata. Various digitally-rendered figures observe the structure in each image.
    Year 2005
    Related pages nARCHITECTS: Party Wall
  • White text overlays a dark blue background. The top left corner reads: manuel arturo abreu / JJJJJerome Ellis. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, February 5, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5.
    White text overlays a dark blue background. The top left corner reads: manuel arturo abreu / JJJJJerome Ellis. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, February 5, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5.
    Flyer for Segue Reading Series featuring manuel arturo abreu and JJJJJerome Ellis. February 5, 2022, Artists Space. [White text overlays a dark blue background. The top left corner reads: manuel arturo abreu / JJJJJerome Ellis. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, February 5, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5."]
    Caption Flyer for Segue Reading Series featuring manuel arturo abreu and JJJJJerome Ellis. February 5, 2022, Artists Space.
    Image description White text overlays a dark blue background. The top left corner reads: manuel arturo abreu / JJJJJerome Ellis. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, February 5, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5."
    Year 2022
    Related pages Segue Reading Series: manuel arturo abreu & JJJJJerome Ellis
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Caption
    Image description
    Year
    Related pages Project: Me and My Mink
  • An installation view of multiple sewing stations and a clothing rack of red and white sweatshirts.
    An installation view of multiple sewing stations and a clothing rack of red and white sweatshirts.
    New Economy. Installation view, Artists Space, 2007. [An installation view of multiple sewing stations and a clothing rack of red and white sweatshirts.]
    Caption New Economy. Installation view, Artists Space, 2007.
    Image description An installation view of multiple sewing stations and a clothing rack of red and white sweatshirts.
    Year
    Related pages New Economy
  • Three hanging projector screens surround the middle of a darkened gallery space. The two screens on the right and left side depict a black-and-white video still of a figures face, illuminated on one side by a bright flash of light. The third screen in the middle shows a black-and-white film still of hazy and ghostly tonal modulations.
    Three hanging projector screens surround the middle of a darkened gallery space. The two screens on the right and left side depict a black-and-white video still of a figures face, illuminated on one side by a bright flash of light. The third screen in the middle shows a black-and-white film still of hazy and ghostly tonal modulations.
    Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Shala Miller, Genesis, 2023), Artists Space, 2023. Photo: Filip Wolak. [Three hanging projector screens surround the middle of a darkened gallery space. The two screens on the right and left side depict a black-and-white video still of a figures face, illuminated on one side by a bright flash of light. The third screen in the middle shows a black-and-white film still of hazy and ghostly tonal modulations.]
    Caption Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Shala Miller, Genesis, 2023), Artists Space, 2023. Photo: Filip Wolak.
    Image description Three hanging projector screens surround the middle of a darkened gallery space. The two screens on the right and left side depict a black-and-white video still of a figures face, illuminated on one side by a bright flash of light. The third screen in the middle shows a black-and-white film still of hazy and ghostly tonal modulations.
    Year 2023
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • Image of the street outside the gallery, looking into an alleyway with a white pillared building on the right with purple light showing behind the windows.
    Image of the street outside the gallery, looking into an alleyway with a white pillared building on the right with purple light showing behind the windows.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, September 16, 2022 - December 3, 2022. Photo: Filip Wolak [Image of the street outside the gallery, looking into an alleyway with a white pillared building on the right with purple light showing behind the windows.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, September 16, 2022 - December 3, 2022. Photo: Filip Wolak
    Image description Image of the street outside the gallery, looking into an alleyway with a white pillared building on the right with purple light showing behind the windows.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A yellow industrial machine rests atop a pile of rubble and stone. Across the clear blue sky, sky-typers write “MI DIOS ES MERIDA” in white smoke-dots.
    A yellow industrial machine rests atop a pile of rubble and stone. Across the clear blue sky, sky-typers write “MI DIOS ES MERIDA” in white smoke-dots.
    Raúl Zurita, La vida nueva, 1982. Video, color, sound; 27 minutes 42 seconds. Videography by Juan Downey. Courtesy the artist. [A yellow industrial machine rests atop a pile of rubble and stone. Across the clear blue sky, sky-typers write “MI DIOS ES MERIDA” in white smoke-dots.]
    Caption Raúl Zurita, La vida nueva, 1982. Video, color, sound; 27 minutes 42 seconds. Videography by Juan Downey. Courtesy the artist.
    Image description A yellow industrial machine rests atop a pile of rubble and stone. Across the clear blue sky, sky-typers write “MI DIOS ES MERIDA” in white smoke-dots.
    Year 1982
    Related pages Whitney ISP Archive
  • Close-up image of the faces of a man and a woman, both of their figures cut off by the frame. The woman stands slightly in front of the man, who stands directly behind her shoulder. She wears lipstick, jewelry, and has short hair, while the man is older and wears a suit with a stiff collar. Neither figure looks at each other, gazing elsewhere.
    Close-up image of the faces of a man and a woman, both of their figures cut off by the frame. The woman stands slightly in front of the man, who stands directly behind her shoulder. She wears lipstick, jewelry, and has short hair, while the man is older and wears a suit with a stiff collar. Neither figure looks at each other, gazing elsewhere.
    [Close-up image of the faces of a man and a woman, both of their figures cut off by the frame. The woman stands slightly in front of the man, who stands directly behind her shoulder. She wears lipstick, jewelry, and has short hair, while the man is older and wears a suit with a stiff collar. Neither figure looks at each other, gazing elsewhere.]
    Caption
    Image description Close-up image of the faces of a man and a woman, both of their figures cut off by the frame. The woman stands slightly in front of the man, who stands directly behind her shoulder. She wears lipstick, jewelry, and has short hair, while the man is older and wears a suit with a stiff collar. Neither figure looks at each other, gazing elsewhere.
    Year 2007
    Related pages Program 5 - In The Poem About Love You Don't Write The Word Love Film Series at Anthology Film Archives
  • Two white models of large buildings sitting on a wooden floor. Between the two models is a large mound of dirt.
    Two white models of large buildings sitting on a wooden floor. Between the two models is a large mound of dirt.
    Salad Days. Installation view, Artists Space, 2004. [Two white models of large buildings sitting on a wooden floor. Between the two models is a large mound of dirt.]
    Caption Salad Days. Installation view, Artists Space, 2004.
    Image description Two white models of large buildings sitting on a wooden floor. Between the two models is a large mound of dirt.
    Year 2004
    Related pages Salad Days
  • 20 photographs arranged in 5 rows of 4 on a white wall. The photos show various shots taken under beds. There is descriptive wall text to the right of the photos.
    20 photographs arranged in 5 rows of 4 on a white wall. The photos show various shots taken under beds. There is descriptive wall text to the right of the photos.
    The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich. [20 photographs arranged in 5 rows of 4 on a white wall. The photos show various shots taken under beds. There is descriptive wall text to the right of the photos.]
    Caption The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description 20 photographs arranged in 5 rows of 4 on a white wall. The photos show various shots taken under beds. There is descriptive wall text to the right of the photos.
    Year 2008
    Related pages The New Normal
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A color image of a gallery space. In the foreground, a shovel sits upright on a pedestal. In the midground, a taxidermied griffon vulture is perched on top of concrete rubble. Next to the griffon vulture, another shovel sits upright on a pedestal. To the left side of the image, a shovel attached to a small child's chair is placed up against the back wall.
    A color image of a gallery space. In the foreground, a shovel sits upright on a pedestal. In the midground, a taxidermied griffon vulture is perched on top of concrete rubble. Next to the griffon vulture, another shovel sits upright on a pedestal. To the left side of the image, a shovel attached to a small child's chair is placed up against the back wall.
    Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon. [A color image of a gallery space. In the foreground, a shovel sits upright on a pedestal. In the midground, a taxidermied griffon vulture is perched on top of concrete rubble. Next to the griffon vulture, another shovel sits upright on a pedestal. To the left side of the image, a shovel attached to a small child's chair is placed up against the back wall.]
    Caption Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description A color image of a gallery space. In the foreground, a shovel sits upright on a pedestal. In the midground, a taxidermied griffon vulture is perched on top of concrete rubble. Next to the griffon vulture, another shovel sits upright on a pedestal. To the left side of the image, a shovel attached to a small child's chair is placed up against the back wall.
    Year
    Related pages Andy Robert: Papaloko
  • Color image of a sculpture sitting on a white pedestal. A beige couch is placed on its side, with a cowboy twinkie figurine sitting in the corner of the couch. Behind the side of the couch stands a grim reaper figure peering over. Beneath the couch is a small rug, with various items (play cards, popcorn, etc.) strewn across it.
    Color image of a sculpture sitting on a white pedestal. A beige couch is placed on its side, with a cowboy twinkie figurine sitting in the corner of the couch. Behind the side of the couch stands a grim reaper figure peering over. Beneath the couch is a small rug, with various items (play cards, popcorn, etc.) strewn across it.
    Danny McDonald, Midnight Snack Encounter, 2014. Photo: Filip Wolak. [Color image of a sculpture sitting on a white pedestal. A beige couch is placed on its side, with a cowboy twinkie figurine sitting in the corner of the couch. Behind the side of the couch stands a grim reaper figure peering over. Beneath the couch is a small rug, with various items (play cards, popcorn, etc.) strewn across it.]
    Caption Danny McDonald, Midnight Snack Encounter, 2014. Photo: Filip Wolak.
    Image description Color image of a sculpture sitting on a white pedestal. A beige couch is placed on its side, with a cowboy twinkie figurine sitting in the corner of the couch. Behind the side of the couch stands a grim reaper figure peering over. Beneath the couch is a small rug, with various items (play cards, popcorn, etc.) strewn across it.
    Year 2023
    Related pages Artists for Artists Space
  • A line drawing of an ashtray containing a book of matches with
    A line drawing of an ashtray containing a book of matches with
    Louise Lawler, Why Pictures Now (traced); Red, Yellow, Blue, Green, Sometimes Silver or Gold, 1981/2013, Archival pigment print with hand painted gouache in multiple colors, 3 x 6 in / 7,6 x 15,2 cm (image size), 10 x 8 in / 25,4 x 20 cm (paper size), Signed and Numbered [A line drawing of an ashtray containing a book of matches with "WHY PICTURES NOW" written on the front.]
    Caption Louise Lawler, Why Pictures Now (traced); Red, Yellow, Blue, Green, Sometimes Silver or Gold, 1981/2013, Archival pigment print with hand painted gouache in multiple colors, 3 x 6 in / 7,6 x 15,2 cm (image size), 10 x 8 in / 25,4 x 20 cm (paper size), Signed and Numbered
    Image description A line drawing of an ashtray containing a book of matches with "WHY PICTURES NOW" written on the front.
    Year 2014
    Related pages Artists Space Annual Edition Portfolio 2014
  • Black and white image of multiple sculptures displayed in the exhibition space.
    Black and white image of multiple sculptures displayed in the exhibition space.
    Installation view from International Projects: Belgium, featuring Didier Vermeiren, Artists Space, 1984 [Black and white image of multiple sculptures displayed in the exhibition space.]
    Caption Installation view from International Projects: Belgium, featuring Didier Vermeiren, Artists Space, 1984
    Image description Black and white image of multiple sculptures displayed in the exhibition space.
    Year 1984
    Related pages International Projects: Belgium
  • Several artworks and vitrines displayed in a gallery space. On the left, a slide projector projects an image of a figure wearing a leopard-print body suit onto a white wall. A glass vitrine displaying several paper documents stands in the middle of the room next to a freestanding wall. Twelve drawings arranged in a grid formation and one additional drawing installed to the right of the grid are dispalyed on the freestanding wall.
    Several artworks and vitrines displayed in a gallery space. On the left, a slide projector projects an image of a figure wearing a leopard-print body suit onto a white wall. A glass vitrine displaying several paper documents stands in the middle of the room next to a freestanding wall. Twelve drawings arranged in a grid formation and one additional drawing installed to the right of the grid are dispalyed on the freestanding wall.
    Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Several artworks and vitrines displayed in a gallery space. On the left, a slide projector projects an image of a figure wearing a leopard-print body suit onto a white wall. A glass vitrine displaying several paper documents stands in the middle of the room next to a freestanding wall. Twelve drawings arranged in a grid formation and one additional drawing installed to the right of the grid are dispalyed on the freestanding wall.]
    Caption Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description Several artworks and vitrines displayed in a gallery space. On the left, a slide projector projects an image of a figure wearing a leopard-print body suit onto a white wall. A glass vitrine displaying several paper documents stands in the middle of the room next to a freestanding wall. Twelve drawings arranged in a grid formation and one additional drawing installed to the right of the grid are dispalyed on the freestanding wall.
    Year 2018
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Two performers are on stage, the performer on the left side blows into a long woodwind instrument. The performer on the right sits behind a desk on top of which is a large pile of audio equipment. The stage and wall behind it are bathed in blue light, created from projections of a geometric pattern.
    Two performers are on stage, the performer on the left side blows into a long woodwind instrument. The performer on the right sits behind a desk on top of which is a large pile of audio equipment. The stage and wall behind it are bathed in blue light, created from projections of a geometric pattern.
    Abasement #79. Performance documentation, August 11th, 2025, Artists Space. Photo: Joshua Wildman. [Two performers are on stage, the performer on the left side blows into a long woodwind instrument. The performer on the right sits behind a desk on top of which is a large pile of audio equipment. The stage and wall behind it are bathed in blue light, created from projections of a geometric pattern.]
    Caption Abasement #79. Performance documentation, August 11th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Two performers are on stage, the performer on the left side blows into a long woodwind instrument. The performer on the right sits behind a desk on top of which is a large pile of audio equipment. The stage and wall behind it are bathed in blue light, created from projections of a geometric pattern.
    Year
    Related pages Abasement #79
  • Two figures sit in wooden chairs in a light-filled gallery space, wearing headphones and facing television monitors installed on opposites sides of the room.
    Two figures sit in wooden chairs in a light-filled gallery space, wearing headphones and facing television monitors installed on opposites sides of the room.
    Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [Two figures sit in wooden chairs in a light-filled gallery space, wearing headphones and facing television monitors installed on opposites sides of the room.]
    Caption Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description Two figures sit in wooden chairs in a light-filled gallery space, wearing headphones and facing television monitors installed on opposites sides of the room.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • A black and white installation photograph of a gallery space. Two dark square canvasses hang on the wall, one is a large and the other small.
    A black and white installation photograph of a gallery space. Two dark square canvasses hang on the wall, one is a large and the other small.
    John Torreano. Installation view, Artists Space, 1974. [A black and white installation photograph of a gallery space. Two dark square canvasses hang on the wall, one is a large and the other small.]
    Caption John Torreano. Installation view, Artists Space, 1974.
    Image description A black and white installation photograph of a gallery space. Two dark square canvasses hang on the wall, one is a large and the other small.
    Year 1974
    Related pages Sidney Geist, Marvin Torffield, John Torreano
  • Figures wearing partial face coverings stand in front of a projection that reads:
    Figures wearing partial face coverings stand in front of a projection that reads:
    New Red Order, Informants Get Paid! Performance documentation, Artists Space, January 23, 2020. Photo © Paula Court. [Figures wearing partial face coverings stand in front of a projection that reads: "We cover for you / new red order"]
    Caption New Red Order, Informants Get Paid! Performance documentation, Artists Space, January 23, 2020. Photo © Paula Court.
    Image description Figures wearing partial face coverings stand in front of a projection that reads: "We cover for you / new red order"
    Year 2020
    Related pages
  • A black and white photo of an office with several people standing and sitting behind desks.
    A black and white photo of an office with several people standing and sitting behind desks.
    Artists Space staff, 1979. Photographed by Cindy Sherman as part of a photo shoot for Cover Magazine. [A black and white photo of an office with several people standing and sitting behind desks.]
    Caption Artists Space staff, 1979. Photographed by Cindy Sherman as part of a photo shoot for Cover Magazine.
    Image description A black and white photo of an office with several people standing and sitting behind desks.
    Year
    Related pages 40 Years of Artists Space
  • A lamp pole, left of center, in an upward angled view of a sunny, cloud covered sky. The pole has a coiled wire running upward to a security camera mounted on its top.
    A lamp pole, left of center, in an upward angled view of a sunny, cloud covered sky. The pole has a coiled wire running upward to a security camera mounted on its top.
    [A lamp pole, left of center, in an upward angled view of a sunny, cloud covered sky. The pole has a coiled wire running upward to a security camera mounted on its top.]
    Caption
    Image description A lamp pole, left of center, in an upward angled view of a sunny, cloud covered sky. The pole has a coiled wire running upward to a security camera mounted on its top.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • Color photo of an installation work. A row of structural columns cut through the installation. In the foreground, a kinetic scutlpure featuring a sock being dipped into a pot sit on the floor next to a column. Behind the first column, two windows with images painted on the glass hang from the ceiling. Behind the windows, ceramic sculptures and kinetic sculptures featuring branches surround another column. To the right of the ceramic sculptures and branch sculptures, large paper-mache sculptures rest on the floor and hang on the walls. In the right forground, a large drawing done on craft paper featuring a cow hangs on the wall. In the background, two large drawings done on cardboard are hung from a wooden partition wall.
    Color photo of an installation work. A row of structural columns cut through the installation. In the foreground, a kinetic scutlpure featuring a sock being dipped into a pot sit on the floor next to a column. Behind the first column, two windows with images painted on the glass hang from the ceiling. Behind the windows, ceramic sculptures and kinetic sculptures featuring branches surround another column. To the right of the ceramic sculptures and branch sculptures, large paper-mache sculptures rest on the floor and hang on the walls. In the right forground, a large drawing done on craft paper featuring a cow hangs on the wall. In the background, two large drawings done on cardboard are hung from a wooden partition wall.
    Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photo of an installation work. A row of structural columns cut through the installation. In the foreground, a kinetic scutlpure featuring a sock being dipped into a pot sit on the floor next to a column. Behind the first column, two windows with images painted on the glass hang from the ceiling. Behind the windows, ceramic sculptures and kinetic sculptures featuring branches surround another column. To the right of the ceramic sculptures and branch sculptures, large paper-mache sculptures rest on the floor and hang on the walls. In the right forground, a large drawing done on craft paper featuring a cow hangs on the wall. In the background, two large drawings done on cardboard are hung from a wooden partition wall.]
    Caption Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photo of an installation work. A row of structural columns cut through the installation. In the foreground, a kinetic scutlpure featuring a sock being dipped into a pot sit on the floor next to a column. Behind the first column, two windows with images painted on the glass hang from the ceiling. Behind the windows, ceramic sculptures and kinetic sculptures featuring branches surround another column. To the right of the ceramic sculptures and branch sculptures, large paper-mache sculptures rest on the floor and hang on the walls. In the right forground, a large drawing done on craft paper featuring a cow hangs on the wall. In the background, two large drawings done on cardboard are hung from a wooden partition wall.
    Year
    Related pages Char Jeré: Zoo or an Orchestra
  • Against the left hand wall is a glass display case, above which and above on the right hang various ephemera.
    Against the left hand wall is a glass display case, above which and above on the right hang various ephemera.
    Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [Against the left hand wall is a glass display case, above which and above on the right hang various ephemera.]
    Caption Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak
    Image description Against the left hand wall is a glass display case, above which and above on the right hang various ephemera.
    Year 2022
    Related pages Attention Line
  • An image of a display case with several letters, and a television sitting on top.
    An image of a display case with several letters, and a television sitting on top.
    Attention Line. Installation view (exceprts from Clairvoyant Journal, 1974, Clairvoyant Journal cassette tape, 1974, If Workshop, c. 1990 ), Artists Space, June 11 - August 20, 2022. Image courtesy Artists Space, New York. Photo: Filip Wolak [An image of a display case with several letters, and a television sitting on top.]
    Caption Attention Line. Installation view (exceprts from Clairvoyant Journal, 1974, Clairvoyant Journal cassette tape, 1974, If Workshop, c. 1990 ), Artists Space, June 11 - August 20, 2022. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description An image of a display case with several letters, and a television sitting on top.
    Year 2022
    Related pages Attention Line
  • Portrait of a figure in a blue shirt looking into the camera.
    Portrait of a figure in a blue shirt looking into the camera.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [Portrait of a figure in a blue shirt looking into the camera.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description Portrait of a figure in a blue shirt looking into the camera.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • Color image of multiple performers on stage. The performer in the foreground is out of focus. In the middle one of them plays the drums, they are looking up with their mouth open. In the background, a performer faces the camera. The wall behind them is decorated with a projection of multicolored squares. A few audience members are visible in the bottom edge.
    Color image of multiple performers on stage. The performer in the foreground is out of focus. In the middle one of them plays the drums, they are looking up with their mouth open. In the background, a performer faces the camera. The wall behind them is decorated with a projection of multicolored squares. A few audience members are visible in the bottom edge.
    Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of multiple performers on stage. The performer in the foreground is out of focus. In the middle one of them plays the drums, they are looking up with their mouth open. In the background, a performer faces the camera. The wall behind them is decorated with a projection of multicolored squares. A few audience members are visible in the bottom edge.]
    Caption Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of multiple performers on stage. The performer in the foreground is out of focus. In the middle one of them plays the drums, they are looking up with their mouth open. In the background, a performer faces the camera. The wall behind them is decorated with a projection of multicolored squares. A few audience members are visible in the bottom edge.
    Year
    Related pages Abasement #76
  • A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.
    A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.
    Bases of the equestrian monument to Kaiser Wilhem which was destroyed by the British occupation in Münster after World War II. The photographs were printed as post cards in the early 20th century and collected from eBay and oldthing.de in 2021. [A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.]
    Caption Bases of the equestrian monument to Kaiser Wilhem which was destroyed by the British occupation in Münster after World War II. The photographs were printed as post cards in the early 20th century and collected from eBay and oldthing.de in 2021.
    Image description A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
  • Caption
    Image description
    Year
    Related pages Arnold J. Kemp
  • Black text on a grey background. The text reads: “Feb 21 / Kate Ehrenberg / Serubiri Moses.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a grey background. The text reads: “Feb 21 / Kate Ehrenberg / Serubiri Moses.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a grey background. The text reads: “Feb 21 / Kate Ehrenberg / Serubiri Moses.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a grey background. The text reads: “Feb 21 / Kate Ehrenberg / Serubiri Moses.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Kate Ehrenberg & Serubiri Moses
  • A long sheet of white paper is suspended across multiple floors. Handrails for the second floor are visible in the background.
    A long sheet of white paper is suspended across multiple floors. Handrails for the second floor are visible in the background.
    Tiffany Sia, The Bastard Tongue (detail view), 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A long sheet of white paper is suspended across multiple floors. Handrails for the second floor are visible in the background.]
    Caption Tiffany Sia, The Bastard Tongue (detail view), 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A long sheet of white paper is suspended across multiple floors. Handrails for the second floor are visible in the background.
    Year 2021
    Related pages Tiffany Sia: Slippery When Wet
  • A photo of a front desk in a library - several desks with computers, bookshelves, and a couch are also visible. Four paintings lie on top of the bookshelves, depicting stylized figures against block color backgrounds
    A photo of a front desk in a library - several desks with computers, bookshelves, and a couch are also visible. Four paintings lie on top of the bookshelves, depicting stylized figures against block color backgrounds
    Alza Tu Voz, exhibition at Washington Heights Public Library, 2017 [A photo of a front desk in a library - several desks with computers, bookshelves, and a couch are also visible. Four paintings lie on top of the bookshelves, depicting stylized figures against block color backgrounds]
    Caption Alza Tu Voz, exhibition at Washington Heights Public Library, 2017
    Image description A photo of a front desk in a library - several desks with computers, bookshelves, and a couch are also visible. Four paintings lie on top of the bookshelves, depicting stylized figures against block color backgrounds
    Year
    Related pages Exhibitions and Events
  • An image of a multicolored exhibition space consisting of beach paraphernalia, a real estate lawn sign, and a mural wall collaged with images and drawings
    An image of a multicolored exhibition space consisting of beach paraphernalia, a real estate lawn sign, and a mural wall collaged with images and drawings
    New Red Order Cover the Earth, detail, 2021 Painted mural with cut vinyl, dibond prints, kiddie pool, sod, inflatable alligator, turtle sandbox, beach towels, towel racks, beach balls, beach chairs, beach umbrella, real estate lawn sign, cooler, and pool noodles. Image courtesy Artists Space, New York Photo: Filip Wolak [An image of a multicolored exhibition space consisting of beach paraphernalia, a real estate lawn sign, and a mural wall collaged with images and drawings]
    Caption New Red Order Cover the Earth, detail, 2021 Painted mural with cut vinyl, dibond prints, kiddie pool, sod, inflatable alligator, turtle sandbox, beach towels, towel racks, beach balls, beach chairs, beach umbrella, real estate lawn sign, cooler, and pool noodles. Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description An image of a multicolored exhibition space consisting of beach paraphernalia, a real estate lawn sign, and a mural wall collaged with images and drawings
    Year 2021
    Related pages New Red Order: Feel at Home Here
  • A performer plays the theremin on stage, bathed in pink and blue light.
    A performer plays the theremin on stage, bathed in pink and blue light.
    Abasement #82. Performance documentation, November 17th, 2025, Artists Space. Photo: Joshua Wildman. [A performer plays the theremin on stage, bathed in pink and blue light. ]
    Caption Abasement #82. Performance documentation, November 17th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A performer plays the theremin on stage, bathed in pink and blue light.
    Year
    Related pages Abasement #82
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A gallery space with two large black treadmills placed on the right side of the room. Along the back and side are doors with large window panes that show the street outside. The edge of a wooden railing can be seen to the left of the treadmills.
    A gallery space with two large black treadmills placed on the right side of the room. Along the back and side are doors with large window panes that show the street outside. The edge of a wooden railing can be seen to the left of the treadmills.
    Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Malcolm Peacock, How to address the full capacity of our will, 2023), Artists Space, 2023. Photo: Filip Wolak. [A gallery space with two large black treadmills placed on the right side of the room. Along the back and side are doors with large window panes that show the street outside. The edge of a wooden railing can be seen to the left of the treadmills.]
    Caption Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Malcolm Peacock, How to address the full capacity of our will, 2023), Artists Space, 2023. Photo: Filip Wolak.
    Image description A gallery space with two large black treadmills placed on the right side of the room. Along the back and side are doors with large window panes that show the street outside. The edge of a wooden railing can be seen to the left of the treadmills.
    Year 2023
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • A black and white photograph of a painted, sculpted object appears hanging above a person's head in a dark space.
    A black and white photograph of a painted, sculpted object appears hanging above a person's head in a dark space.
    Gerome Kamrowski. Paintings on the Surface of a Dome, 1960. [A black and white photograph of a painted, sculpted object appears hanging above a person's head in a dark space.]
    Caption Gerome Kamrowski. Paintings on the Surface of a Dome, 1960.
    Image description A black and white photograph of a painted, sculpted object appears hanging above a person's head in a dark space.
    Year
    Related pages Moderns in Mind
  • A bright yellow object with a cracked surface is embedded with a computer chipboard on its front, and a multicolored fidget spinner on the top.
    A bright yellow object with a cracked surface is embedded with a computer chipboard on its front, and a multicolored fidget spinner on the top.
    Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $5,000
    [A bright yellow object with a cracked surface is embedded with a computer chipboard on its front, and a multicolored fidget spinner on the top.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $5,000
    Image description A bright yellow object with a cracked surface is embedded with a computer chipboard on its front, and a multicolored fidget spinner on the top.
    Year 2019
    Related pages Trisha Baga Edition
  • A computer rendering of a purple and amorphous form composed of long, extending tube shapes on a white background.
    A computer rendering of a purple and amorphous form composed of long, extending tube shapes on a white background.
    [A computer rendering of a purple and amorphous form composed of long, extending tube shapes on a white background.]
    Caption
    Image description A computer rendering of a purple and amorphous form composed of long, extending tube shapes on a white background.
    Year 2008
    Related pages Matters of Sensation
  • Light blue text overlays a dark blue background. The top left corner reads:
    Light blue text overlays a dark blue background. The top left corner reads:
    Flyer for Segue Reading Series featuring Chia-Lun Chang and Rosie Stockton. November 12, 2022, Artists Space. [Light blue text overlays a dark blue background. The top left corner reads: "Chia-Lun Chang & Rosie Stockton / November 12, 5 pm." The middle reads: "Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519."]
    Caption Flyer for Segue Reading Series featuring Chia-Lun Chang and Rosie Stockton. November 12, 2022, Artists Space.
    Image description Light blue text overlays a dark blue background. The top left corner reads: "Chia-Lun Chang & Rosie Stockton / November 12, 5 pm." The middle reads: "Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519."
    Year
    Related pages Segue Reading Series: Chia-Lun Chang & Rosie Stockton
  • A gallery space with a large circle of decals on the wall on the right. In the far left corner, a projector sits on a pedestal.
    A gallery space with a large circle of decals on the wall on the right. In the far left corner, a projector sits on a pedestal.
    Installation view, Robert Morgan. Artists Space, 1977. [A gallery space with a large circle of decals on the wall on the right. In the far left corner, a projector sits on a pedestal.]
    Caption Installation view, Robert Morgan. Artists Space, 1977.
    Image description A gallery space with a large circle of decals on the wall on the right. In the far left corner, a projector sits on a pedestal.
    Year 1977
    Related pages Robert Morgan
  • A crowd sitting down watching a performer on stage leaning over a table with electronic instruments, holding a mic close to their mouth. The audience is bathed in red light, and the wall behind the performer is covered with multicolored abstract projections.
    A crowd sitting down watching a performer on stage leaning over a table with electronic instruments, holding a mic close to their mouth. The audience is bathed in red light, and the wall behind the performer is covered with multicolored abstract projections.
    Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman. [A crowd sitting down watching a performer on stage leaning over a table with electronic instruments, holding a mic close to their mouth. The audience is bathed in red light, and the wall behind the performer is covered with multicolored abstract projections. ]
    Caption Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman.
    Image description A crowd sitting down watching a performer on stage leaning over a table with electronic instruments, holding a mic close to their mouth. The audience is bathed in red light, and the wall behind the performer is covered with multicolored abstract projections.
    Year
    Related pages Abasement #74
  • Two performers on stage, the one on the right is playing the drums and using electronic audio equipment, and the performer on the left is leaning over a large case on top of a table. The room is bathed in yellow, pink, red, and purple light. The wall behind them is projected with abstract patterns.
    Two performers on stage, the one on the right is playing the drums and using electronic audio equipment, and the performer on the left is leaning over a large case on top of a table. The room is bathed in yellow, pink, red, and purple light. The wall behind them is projected with abstract patterns.
    Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman. [Two performers on stage, the one on the right is playing the drums and using electronic audio equipment, and the performer on the left is leaning over a large case on top of a table. The room is bathed in yellow, pink, red, and purple light. The wall behind them is projected with abstract patterns.]
    Caption Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Two performers on stage, the one on the right is playing the drums and using electronic audio equipment, and the performer on the left is leaning over a large case on top of a table. The room is bathed in yellow, pink, red, and purple light. The wall behind them is projected with abstract patterns.
    Year
    Related pages Abasement #73
  • A color photograph of three wooden cafe chairs with green cushions next to a metal elevator door. One chair is stacked upside down on another on the left, and two pillows with black backs and sequined gold-silver fronts are placed between the chair's upturned legs. Another pillow rests on the cushion of the chair on the right.
    A color photograph of three wooden cafe chairs with green cushions next to a metal elevator door. One chair is stacked upside down on another on the left, and two pillows with black backs and sequined gold-silver fronts are placed between the chair's upturned legs. Another pillow rests on the cushion of the chair on the right.
    Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of three wooden cafe chairs with green cushions next to a metal elevator door. One chair is stacked upside down on another on the left, and two pillows with black backs and sequined gold-silver fronts are placed between the chair's upturned legs. Another pillow rests on the cushion of the chair on the right.]
    Caption Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of three wooden cafe chairs with green cushions next to a metal elevator door. One chair is stacked upside down on another on the left, and two pillows with black backs and sequined gold-silver fronts are placed between the chair's upturned legs. Another pillow rests on the cushion of the chair on the right.
    Year 2022
    Related pages Nicole-Antonia Spagnola: Anti-Genesis
  • Caption
    Image description
    Year
    Related pages Brad Kronz
  • A white table holds a white model of a house. Behind it, a television on a stand displays an image of a large, white house. There is a white wall with five color photographs arranged in a cross formation with images of a large house and yard.
    A white table holds a white model of a house. Behind it, a television on a stand displays an image of a large, white house. There is a white wall with five color photographs arranged in a cross formation with images of a large house and yard.
    Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz. [A white table holds a white model of a house. Behind it, a television on a stand displays an image of a large, white house. There is a white wall with five color photographs arranged in a cross formation with images of a large house and yard.]
    Caption Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz.
    Image description A white table holds a white model of a house. Behind it, a television on a stand displays an image of a large, white house. There is a white wall with five color photographs arranged in a cross formation with images of a large house and yard.
    Year 2010
    Related pages Sean Snyder
  • A figure kneels down on all fours on the stage, setting up audio equipment. Blue and red lights are cast onto them.
    A figure kneels down on all fours on the stage, setting up audio equipment. Blue and red lights are cast onto them.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure kneels down on all fours on the stage, setting up audio equipment. Blue and red lights are cast onto them.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure kneels down on all fours on the stage, setting up audio equipment. Blue and red lights are cast onto them.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
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    Image description
    Year
    Related pages Brad Kronz
  • A blue and white book cover depicting a stylized map of Detroit radiating out from the center
    A blue and white book cover depicting a stylized map of Detroit radiating out from the center
    Alberto Toscano and Jeff Kinkle, Cartographies of the Absolute (Zero Books, 2015). [A blue and white book cover depicting a stylized map of Detroit radiating out from the center "slums," to an encircling zone of "middle class," out to "affluent suburbs." Several arrows point out in each direction of the semicircle, beginning in the "slums" and headed outwards, labeled as "police payoffs," "job discrimination," "mortgage money," and more.]
    Caption Alberto Toscano and Jeff Kinkle, Cartographies of the Absolute (Zero Books, 2015).
    Image description A blue and white book cover depicting a stylized map of Detroit radiating out from the center "slums," to an encircling zone of "middle class," out to "affluent suburbs." Several arrows point out in each direction of the semicircle, beginning in the "slums" and headed outwards, labeled as "police payoffs," "job discrimination," "mortgage money," and more.
    Year 2015
    Related pages Cartographies of the Absolute
  • Placed at an angle between two iron columns are two box-like structures made of wooden boards. Behind the closer box, a pedestal presents a small wooden stool.
    Placed at an angle between two iron columns are two box-like structures made of wooden boards. Behind the closer box, a pedestal presents a small wooden stool.
    Brad Kronz. Installation view, Artists Space, 2025. Photo: Carter Seddon [Placed at an angle between two iron columns are two box-like structures made of wooden boards. Behind the closer box, a pedestal presents a small wooden stool. ]
    Caption Brad Kronz. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description Placed at an angle between two iron columns are two box-like structures made of wooden boards. Behind the closer box, a pedestal presents a small wooden stool.
    Year
    Related pages Brad Kronz
  • Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.
    Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022.
    Image description Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Black and white photograph of cursive white text on a black background on the floor.
    Black and white photograph of cursive white text on a black background on the floor.
    Margia Kramer. Installation view, Artists Space, 1980. [Black and white photograph of cursive white text on a black background on the floor.]
    Caption Margia Kramer. Installation view, Artists Space, 1980.
    Image description Black and white photograph of cursive white text on a black background on the floor.
    Year 1980
    Related pages Margia Kramer
  • A close up detail of the sculpted deer head with patterned designs on its face and antlers.
    A close up detail of the sculpted deer head with patterned designs on its face and antlers.
    Sherry Markovitz. Danny Boy (detail), 1985. [A close up detail of the sculpted deer head with patterned designs on its face and antlers.]
    Caption Sherry Markovitz. Danny Boy (detail), 1985.
    Image description A close up detail of the sculpted deer head with patterned designs on its face and antlers.
    Year
    Related pages U.S. Projects
  • A number of abstract lines and shapes appear in a star-like nature with a black background.
    A number of abstract lines and shapes appear in a star-like nature with a black background.
    Gordon Onslow-Ford, Being Space, 1985. [A number of abstract lines and shapes appear in a star-like nature with a black background.]
    Caption Gordon Onslow-Ford, Being Space, 1985.
    Image description A number of abstract lines and shapes appear in a star-like nature with a black background.
    Year
    Related pages Moderns in Mind
  • Caption
    Image description
    Year
    Related pages Joo-Hyun Kim, Ted Rees, Oki Sogumi
  • A grainy black and white image of a figure seated on an indescernible animal or object.
    A grainy black and white image of a figure seated on an indescernible animal or object.
    Robert Longo, c. 1976. From Exchange Show: Hallwalls, Buffalo, NY, Artists Space, 1976. [A grainy black and white image of a figure seated on an indescernible animal or object.]
    Caption Robert Longo, c. 1976. From Exchange Show: Hallwalls, Buffalo, NY, Artists Space, 1976.
    Image description A grainy black and white image of a figure seated on an indescernible animal or object.
    Year 1976
    Related pages Exchange Show: Hallwalls, Buffalo, NY
  • Photographs hang on a white wall. On the left, two black and white portraits are stacked vertically. In the center, a row of five color photographs includes a person sitting in a lounge chair and a person in a hospital bed. On the right, the edge of a painting in visible.
    Photographs hang on a white wall. On the left, two black and white portraits are stacked vertically. In the center, a row of five color photographs includes a person sitting in a lounge chair and a person in a hospital bed. On the right, the edge of a painting in visible.
    Works by Philip-Lorca diCorcia. Witnesses: Against Our Vanishing. Installation view, Artists Space, 1989. [Photographs hang on a white wall. On the left, two black and white portraits are stacked vertically. In the center, a row of five color photographs includes a person sitting in a lounge chair and a person in a hospital bed. On the right, the edge of a painting in visible.]
    Caption Works by Philip-Lorca diCorcia. Witnesses: Against Our Vanishing. Installation view, Artists Space, 1989.
    Image description Photographs hang on a white wall. On the left, two black and white portraits are stacked vertically. In the center, a row of five color photographs includes a person sitting in a lounge chair and a person in a hospital bed. On the right, the edge of a painting in visible.
    Year 1989
    Related pages Witnesses: Against Our Vanishing
  • A large black display case with several books arranged in a small viewing window. One book is titled *MOBY-DICK*, while another displays japanese text and a woman on its cover.
    A large black display case with several books arranged in a small viewing window. One book is titled *MOBY-DICK*, while another displays japanese text and a woman on its cover.
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A large black display case with several books arranged in a small viewing window. One book is titled *MOBY-DICK*, while another displays japanese text and a woman on its cover.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description A large black display case with several books arranged in a small viewing window. One book is titled *MOBY-DICK*, while another displays japanese text and a woman on its cover.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • Audience members are seated along a back wall, with a figure in a blue morph suit seated on a rectangular wooden frame alongside them. Blue light is projected onto a screen in the background.
    Audience members are seated along a back wall, with a figure in a blue morph suit seated on a rectangular wooden frame alongside them. Blue light is projected onto a screen in the background.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Audience members are seated along a back wall, with a figure in a blue morph suit seated on a rectangular wooden frame alongside them. Blue light is projected onto a screen in the background.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Audience members are seated along a back wall, with a figure in a blue morph suit seated on a rectangular wooden frame alongside them. Blue light is projected onto a screen in the background.
    Year 2022
    Related pages SCRAAATCH 11-19
  • Two life-sized costumes.
    Two life-sized costumes.
    Attention Line. Installation view (costumes worn by Johanna Went, 1970s-2000s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [Two life-sized costumes.]
    Caption Attention Line. Installation view (costumes worn by Johanna Went, 1970s-2000s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak
    Image description Two life-sized costumes.
    Year 2022
    Related pages Attention Line
  • A wall that has various posters, photographs, and collages hanging from it.
    A wall that has various posters, photographs, and collages hanging from it.
    Attention Line. Installation view (various flyers and photographs by Johanna Went, c. 1970s-90s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [A wall that has various posters, photographs, and collages hanging from it.]
    Caption Attention Line. Installation view (various flyers and photographs by Johanna Went, c. 1970s-90s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak
    Image description A wall that has various posters, photographs, and collages hanging from it.
    Year
    Related pages Attention Line
  • Five projections playing on a wall at different heights. Two are completely visible and three are partially visible. In the center of the image is a black and white projection of a gallery, with a painting placed in between the entrance of a hallway. To its right is a projection of a Jonas Mekas facing left, his face slightly golden in tone, wearing a fedora. A projection to its right partially shows four dark skinned people, nude and posing.
    Five projections playing on a wall at different heights. Two are completely visible and three are partially visible. In the center of the image is a black and white projection of a gallery, with a painting placed in between the entrance of a hallway. To its right is a projection of a Jonas Mekas facing left, his face slightly golden in tone, wearing a fedora. A projection to its right partially shows four dark skinned people, nude and posing.
    Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez. [Five projections playing on a wall at different heights. Two are completely visible and three are partially visible. In the center of the image is a black and white projection of a gallery, with a painting placed in between the entrance of a hallway. To its right is a projection of a Jonas Mekas facing left, his face slightly golden in tone, wearing a fedora. A projection to its right partially shows four dark skinned people, nude and posing.]
    Caption Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez.
    Image description Five projections playing on a wall at different heights. Two are completely visible and three are partially visible. In the center of the image is a black and white projection of a gallery, with a painting placed in between the entrance of a hallway. To its right is a projection of a Jonas Mekas facing left, his face slightly golden in tone, wearing a fedora. A projection to its right partially shows four dark skinned people, nude and posing.
    Year 2015
    Related pages Union Gaucha Productions
  • Color photograph of a figure wearing a conical sheath of reflective one-way mirror film that covers most of their body. They lay on the floor and spread one arm out from under the mirror film. A bright light shines from under the film.
    Color photograph of a figure wearing a conical sheath of reflective one-way mirror film that covers most of their body. They lay on the floor and spread one arm out from under the mirror film. A bright light shines from under the film.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure wearing a conical sheath of reflective one-way mirror film that covers most of their body. They lay on the floor and spread one arm out from under the mirror film. A bright light shines from under the film.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure wearing a conical sheath of reflective one-way mirror film that covers most of their body. They lay on the floor and spread one arm out from under the mirror film. A bright light shines from under the film.
    Year 2022
    Related pages keyon gaskin 12-14
  • El Bosque Luminoso Bajo El Mar, M.S. 324 exhibition, Threads of History, May 2023
    Caption El Bosque Luminoso Bajo El Mar, M.S. 324 exhibition, Threads of History, May 2023
    Image description
    Year
    Related pages Exhibitions and Events
  • A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a rainbow wire.
    A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a rainbow wire.
    Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    [A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a rainbow wire.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    Image description A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a rainbow wire.
    Year 2019
    Related pages Trisha Baga Edition
  • Six pornographic illustrations of men near trees are framed on a wall.
    Six pornographic illustrations of men near trees are framed on a wall.
    Tom of Finland: The Pleasure of Play. Installation view, Artists Space, 2015. [Six pornographic illustrations of men near trees are framed on a wall.]
    Caption Tom of Finland: The Pleasure of Play. Installation view, Artists Space, 2015.
    Image description Six pornographic illustrations of men near trees are framed on a wall.
    Year 2015
    Related pages Tom of Finland: The Pleasure of Play
  • A view between two book stands, perpendicular to the wall, displaying books, documents, and papers. On the wall, posters are staggered including various text and images.
    A view between two book stands, perpendicular to the wall, displaying books, documents, and papers. On the wall, posters are staggered including various text and images.
    Richard Hollis. Installation view, Artists Space, 2013. [A view between two book stands, perpendicular to the wall, displaying books, documents, and papers. On the wall, posters are staggered including various text and images.]
    Caption Richard Hollis. Installation view, Artists Space, 2013.
    Image description A view between two book stands, perpendicular to the wall, displaying books, documents, and papers. On the wall, posters are staggered including various text and images.
    Year 2013
    Related pages Richard Hollis
  • Three figures perform in a basement. Two figures in blue morph suits act out a scene together. The figure on the right scratches a fresnel lens attached to a wooden rolling table while the left figure walks toward the table. A third figure takes video footage of the scene.
    Three figures perform in a basement. Two figures in blue morph suits act out a scene together. The figure on the right scratches a fresnel lens attached to a wooden rolling table while the left figure walks toward the table. A third figure takes video footage of the scene.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Three figures perform in a basement. Two figures in blue morph suits act out a scene together. The figure on the right scratches a fresnel lens attached to a wooden rolling table while the left figure walks toward the table. A third figure takes video footage of the scene.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Three figures perform in a basement. Two figures in blue morph suits act out a scene together. The figure on the right scratches a fresnel lens attached to a wooden rolling table while the left figure walks toward the table. A third figure takes video footage of the scene.
    Year 2022
    Related pages SCRAAATCH 11-18
  • Black & white photograph of a music score and handwritten lyrics on a music stand, with a cello bow.
    Black & white photograph of a music score and handwritten lyrics on a music stand, with a cello bow.
    Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan. [Black & white photograph of a music score and handwritten lyrics on a music stand, with a cello bow.]
    Caption Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan.
    Image description Black & white photograph of a music score and handwritten lyrics on a music stand, with a cello bow.
    Year 2023
    Related pages Genesis: Medley
  • A black-and-white photograph of a man sitting down against a gray background wearing a Nazi uniform, holding a basket of apples.
    A black-and-white photograph of a man sitting down against a gray background wearing a Nazi uniform, holding a basket of apples.
    Collier Schorr, Traitor, 2001-2004. Courtesy Modern Art, London. [A black-and-white photograph of a man sitting down against a gray background wearing a Nazi uniform, holding a basket of apples.]
    Caption Collier Schorr, Traitor, 2001-2004. Courtesy Modern Art, London.
    Image description A black-and-white photograph of a man sitting down against a gray background wearing a Nazi uniform, holding a basket of apples.
    Year
    Related pages Drawing In A Straight Line
  • Magazine cut-outs and ink drawings are collaged together on a background of beige, yellow, orange, green, and red paper. Small pieces of paper with red typewritten text listing the performers and event details are scattered around the flyer.
    Magazine cut-outs and ink drawings are collaged together on a background of beige, yellow, orange, green, and red paper. Small pieces of paper with red typewritten text listing the performers and event details are scattered around the flyer.
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of beige, yellow, orange, green, and red paper. Small pieces of paper with red typewritten text listing the performers and event details are scattered around the flyer.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a background of beige, yellow, orange, green, and red paper. Small pieces of paper with red typewritten text listing the performers and event details are scattered around the flyer.
    Year
    Related pages Abasement #82
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A black and white postcard with an image of a bed with a mountain in the middle of it and a dilapidated chair with the back hollowed out. Text underneath the images reads,
    A black and white postcard with an image of a bed with a mountain in the middle of it and a dilapidated chair with the back hollowed out. Text underneath the images reads,
    [A black and white postcard with an image of a bed with a mountain in the middle of it and a dilapidated chair with the back hollowed out. Text underneath the images reads, "A Bed / And A Chair / Eileen Neff / April 9 - May 23, 1992 / Artists Space."]
    Caption
    Image description A black and white postcard with an image of a bed with a mountain in the middle of it and a dilapidated chair with the back hollowed out. Text underneath the images reads, "A Bed / And A Chair / Eileen Neff / April 9 - May 23, 1992 / Artists Space."
    Year 1992
    Related pages The Mountain A Bed and A Chair
  • Two individuals seated in two wooden chairs while a third in between them holds a single headphone. They are seated in front of a TV monitor displaying Edward Snowden's image.
    Two individuals seated in two wooden chairs while a third in between them holds a single headphone. They are seated in front of a TV monitor displaying Edward Snowden's image.
    Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [Two individuals seated in two wooden chairs while a third in between them holds a single headphone. They are seated in front of a TV monitor displaying Edward Snowden's image.]
    Caption Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description Two individuals seated in two wooden chairs while a third in between them holds a single headphone. They are seated in front of a TV monitor displaying Edward Snowden's image.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • Sculptural white lettering appears on a shelf starting with 'b', but then a figure's torso appears and then the letters
    Sculptural white lettering appears on a shelf starting with 'b', but then a figure's torso appears and then the letters
    Group Material: Primer (for Raymond Williams). Artists Space, 1982. [Sculptural white lettering appears on a shelf starting with 'b', but then a figure's torso appears and then the letters "n" and "t". Next to this shelf is a photograph on a wall of a figure touching another person's back. There is an indistinguishable object under the shelf.]
    Caption Group Material: Primer (for Raymond Williams). Artists Space, 1982.
    Image description Sculptural white lettering appears on a shelf starting with 'b', but then a figure's torso appears and then the letters "n" and "t". Next to this shelf is a photograph on a wall of a figure touching another person's back. There is an indistinguishable object under the shelf.
    Year
    Related pages Group Material: Primer (for Raymond Williams)
  • Chinatown anti-gentrification paraphrenelia posted on the wall, with phrases like
    Chinatown anti-gentrification paraphrenelia posted on the wall, with phrases like
    “Chinatown Is Not for Sale.” Installation by Chinatown Art Brigade. Artists Space Books & Talks, Saturday, October 22, 2016. Courtesy Chinatown Art Brigade, Decolonize This Place and Artists Space, New York. Photo: Marz Saffore [Chinatown anti-gentrification paraphrenelia posted on the wall, with phrases like "Tenants Unite!", "Housing is a Human Right!", "Stop Gentrification Now!" and "Who did you Displace to open your Gallery?", written in English and Mandarin. A monitor displaying a person holding a megaphone at a protest is fixed on the wall, the handouts surrounding it.]
    Caption “Chinatown Is Not for Sale.” Installation by Chinatown Art Brigade. Artists Space Books & Talks, Saturday, October 22, 2016. Courtesy Chinatown Art Brigade, Decolonize This Place and Artists Space, New York. Photo: Marz Saffore
    Image description Chinatown anti-gentrification paraphrenelia posted on the wall, with phrases like "Tenants Unite!", "Housing is a Human Right!", "Stop Gentrification Now!" and "Who did you Displace to open your Gallery?", written in English and Mandarin. A monitor displaying a person holding a megaphone at a protest is fixed on the wall, the handouts surrounding it.
    Year 2016
    Related pages Decolonize This Place
  • A figure in overalls reaches up to pin a dark tarp along the length of a wall. Behind them, another figure adjusts a camera on a tripod.
    A figure in overalls reaches up to pin a dark tarp along the length of a wall. Behind them, another figure adjusts a camera on a tripod.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A figure in overalls reaches up to pin a dark tarp along the length of a wall. Behind them, another figure adjusts a camera on a tripod.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A figure in overalls reaches up to pin a dark tarp along the length of a wall. Behind them, another figure adjusts a camera on a tripod.
    Year 2019
    Related pages Speaker Music: drape over another
  • Black text on a grey background. The text reads: “Jan 24 / Carrie Hunter / John Yau.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a grey background. The text reads: “Jan 24 / Carrie Hunter / John Yau.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a grey background. The text reads: “Jan 24 / Carrie Hunter / John Yau.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a grey background. The text reads: “Jan 24 / Carrie Hunter / John Yau.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Carrie Hunter & John Yau
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Black and white image of an audience watching a performance. Some are sitting on chairs, and others stand.
    Black and white image of an audience watching a performance. Some are sitting on chairs, and others stand.
    Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman. [Black and white image of an audience watching a performance. Some are sitting on chairs, and others stand.]
    Caption Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Black and white image of an audience watching a performance. Some are sitting on chairs, and others stand.
    Year
    Related pages Abasement #66
  • A bedroom scene set up in the middle of an open room. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.
    A bedroom scene set up in the middle of an open room. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.
    The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich. [A bedroom scene set up in the middle of an open room. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.]
    Caption The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description A bedroom scene set up in the middle of an open room. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.
    Year 2008
    Related pages The New Normal
  • A collaged graphic background of a video with an overlay of green animated turtle shells. Black text over the top half of the image reads
    A collaged graphic background of a video with an overlay of green animated turtle shells. Black text over the top half of the image reads
    Flyer for Segue Reading Series featuring Lauren Whitehead & Miles Champion, Saturday, December 19, 2020 Artists Space. [A collaged graphic background of a video with an overlay of green animated turtle shells. Black text over the top half of the image reads "Lauren Whitehead / Miles Champion." Black text over the middle reads "Segue" and black text on the lower half of the image reads, "19 December / 5 pm EST".]
    Caption Flyer for Segue Reading Series featuring Lauren Whitehead & Miles Champion, Saturday, December 19, 2020 Artists Space.
    Image description A collaged graphic background of a video with an overlay of green animated turtle shells. Black text over the top half of the image reads "Lauren Whitehead / Miles Champion." Black text over the middle reads "Segue" and black text on the lower half of the image reads, "19 December / 5 pm EST".
    Year 2020
    Related pages Segue Reading Series: Lauren Whitehead & Miles Champion
  • Color photograph of three figures, wearing conical costumes made of reflective one-way mirror film, standing at the doorways of a gallery space.
    Color photograph of three figures, wearing conical costumes made of reflective one-way mirror film, standing at the doorways of a gallery space.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of three figures, wearing conical costumes made of reflective one-way mirror film, standing at the doorways of a gallery space.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of three figures, wearing conical costumes made of reflective one-way mirror film, standing at the doorways of a gallery space.
    Year 2022
    Related pages keyon gaskin 12-16
  • A figure sits in front of a microphone and reads a story off of a piece of paper.
    A figure sits in front of a microphone and reads a story off of a piece of paper.
    Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata [A figure sits in front of a microphone and reads a story off of a piece of paper.]
    Caption Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata
    Image description A figure sits in front of a microphone and reads a story off of a piece of paper.
    Year 2023
    Related pages Yasunao Tone in Concert with Barbara Held
  • Yellow cursive text superimposed over an array of plush, blue diamonds. The text is slightly hazy and reads,
    Yellow cursive text superimposed over an array of plush, blue diamonds. The text is slightly hazy and reads,
    Mike Parker, This Town Needs an Enema, 1990. Oil on canvas. [Yellow cursive text superimposed over an array of plush, blue diamonds. The text is slightly hazy and reads, "Let's Broaden Our Minds."]
    Caption Mike Parker, This Town Needs an Enema, 1990. Oil on canvas.
    Image description Yellow cursive text superimposed over an array of plush, blue diamonds. The text is slightly hazy and reads, "Let's Broaden Our Minds."
    Year 1990
    Related pages A Living Testament of the Blood Fairies
  • A screenshot of the google images search results page for the query
    A screenshot of the google images search results page for the query
    [A screenshot of the google images search results page for the query "a history of negations."]
    Caption
    Image description A screenshot of the google images search results page for the query "a history of negations."
    Year
    Related pages A History of Negations
  • A silhouette figure of a person riding a horse, mid-stride. The combined figure appears as a white cut-out, with a black shadow, on a transparent (alpha) background. Details are sketched onto the silhouette in blue pen.
    A silhouette figure of a person riding a horse, mid-stride. The combined figure appears as a white cut-out, with a black shadow, on a transparent (alpha) background. Details are sketched onto the silhouette in blue pen.
    Seth Price, Untitled, 2010, Inkjet print on Dibond, 7 x 9 in / 17,8 x 22,9 cm, Signed and numbered [A silhouette figure of a person riding a horse, mid-stride. The combined figure appears as a white cut-out, with a black shadow, on a transparent (alpha) background. Details are sketched onto the silhouette in blue pen.]
    Caption Seth Price, Untitled, 2010, Inkjet print on Dibond, 7 x 9 in / 17,8 x 22,9 cm, Signed and numbered
    Image description A silhouette figure of a person riding a horse, mid-stride. The combined figure appears as a white cut-out, with a black shadow, on a transparent (alpha) background. Details are sketched onto the silhouette in blue pen.
    Year 2010
    Related pages Artists Space Annual Edition Portfolio 2010
  • Two side-by-side magazine advertisements mounted on a white wall. On the left, a portrait-oriented multicolored image is titled,
    Two side-by-side magazine advertisements mounted on a white wall. On the left, a portrait-oriented multicolored image is titled,
    Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Two side-by-side magazine advertisements mounted on a white wall. On the left, a portrait-oriented multicolored image is titled, "One out of every 100 new business succeeds. Here's to those who take the odds." There is a short written blurb below. On the right, a landscape-oriented spread shows an image of a car with its doors open on the left page. On the right page, large text reads, "The Delorean. Live the dream." An additional image of a car and a single column of text is positioned to the right of this headline.]
    Caption Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description Two side-by-side magazine advertisements mounted on a white wall. On the left, a portrait-oriented multicolored image is titled, "One out of every 100 new business succeeds. Here's to those who take the odds." There is a short written blurb below. On the right, a landscape-oriented spread shows an image of a car with its doors open on the left page. On the right page, large text reads, "The Delorean. Live the dream." An additional image of a car and a single column of text is positioned to the right of this headline.
    Year 2010
    Related pages Duncan Campbell: Make It New John
  • A polaroid photo depicts a figure pointing a gun at another figure, who is kneeling on the ground with their head down. On the right, handwritten in red ink are the words
    A polaroid photo depicts a figure pointing a gun at another figure, who is kneeling on the ground with their head down. On the right, handwritten in red ink are the words
    Eric Mitchell, Mass Homocide, 1977. Advertisement, Artists Space. [A polaroid photo depicts a figure pointing a gun at another figure, who is kneeling on the ground with their head down. On the right, handwritten in red ink are the words "Oct/Nov 77 / Mass Homocide / Eric Mitchell / 206 E 10 st / NY, NY 10003.]
    Caption Eric Mitchell, Mass Homocide, 1977. Advertisement, Artists Space.
    Image description A polaroid photo depicts a figure pointing a gun at another figure, who is kneeling on the ground with their head down. On the right, handwritten in red ink are the words "Oct/Nov 77 / Mass Homocide / Eric Mitchell / 206 E 10 st / NY, NY 10003.
    Year 1977
    Related pages Artists Performance Series
  • Five glass sculptures of varying colors arranged in a line. They are painted with small circular and oval dots.
    Five glass sculptures of varying colors arranged in a line. They are painted with small circular and oval dots.
    Anna Gili, Casi del Mare. [Five glass sculptures of varying colors arranged in a line. They are painted with small circular and oval dots.]
    Caption Anna Gili, Casi del Mare.
    Image description Five glass sculptures of varying colors arranged in a line. They are painted with small circular and oval dots.
    Year 1997
    Related pages Anna Gili
  • A figure in a blue morph suit kneels down on one knee, placing their hands on top of a table made of wood and fresnel lenses while audience members watch in the background.
    A figure in a blue morph suit kneels down on one knee, placing their hands on top of a table made of wood and fresnel lenses while audience members watch in the background.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit kneels down on one knee, placing their hands on top of a table made of wood and fresnel lenses while audience members watch in the background.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description A figure in a blue morph suit kneels down on one knee, placing their hands on top of a table made of wood and fresnel lenses while audience members watch in the background.
    Year 2022
    Related pages SCRAAATCH 11-19
  • Two photographs are mounted on a white gallery wall.
    Two photographs are mounted on a white gallery wall.
    Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two photographs are mounted on a white gallery wall.]
    Caption Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979.
    Image description Two photographs are mounted on a white gallery wall.
    Year 1979
    Related pages Place, (title to be determined), for a Participant: Ken Feingold
  • The front and back cover of a book; on the front, the title in white and red - on the back, two people in hazmat suits walking through a foggy field.
    The front and back cover of a book; on the front, the title in white and red - on the back, two people in hazmat suits walking through a foggy field.
    Critical Art Ensemble, Disturbances (London: Four Corners Books, 2012). [The front and back cover of a book; on the front, the title in white and red - on the back, two people in hazmat suits walking through a foggy field.]
    Caption Critical Art Ensemble, Disturbances (London: Four Corners Books, 2012).
    Image description The front and back cover of a book; on the front, the title in white and red - on the back, two people in hazmat suits walking through a foggy field.
    Year 2012
    Related pages Critical Art Ensemble
  • Wide view of a white-walled gallery space with various artworks visible on the walls.
    Wide view of a white-walled gallery space with various artworks visible on the walls.
    Young Fluxus. Installation view, Artists Space, 1982. [Wide view of a white-walled gallery space with various artworks visible on the walls.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description Wide view of a white-walled gallery space with various artworks visible on the walls.
    Year
    Related pages Young Fluxus
  • A large paper-maché head lays face-up on a metal scaffolding. Above it, green cursive text reads,
    A large paper-maché head lays face-up on a metal scaffolding. Above it, green cursive text reads,
    Ralph Paquin and Ann Stoddard, ERAWA - ERA WAS, 1990. Installation view, Artists Space, 1990. [A large paper-maché head lays face-up on a metal scaffolding. Above it, green cursive text reads, "ring is worn out by constant use."]
    Caption Ralph Paquin and Ann Stoddard, ERAWA - ERA WAS, 1990. Installation view, Artists Space, 1990.
    Image description A large paper-maché head lays face-up on a metal scaffolding. Above it, green cursive text reads, "ring is worn out by constant use."
    Year 1990
    Related pages Project: ERAWA - ERA WAS
  • A figure in a blue morph suit leans their arms on top of a rolling table made of wood and fresnel lenses, pushing it toward another figure that stands in front of them filming them. In the background a third figure in a blue morph suit sits and leans down on top of a rectangular wooden frame. Blue footage is projected onto the back wall.
    A figure in a blue morph suit leans their arms on top of a rolling table made of wood and fresnel lenses, pushing it toward another figure that stands in front of them filming them. In the background a third figure in a blue morph suit sits and leans down on top of a rectangular wooden frame. Blue footage is projected onto the back wall.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit leans their arms on top of a rolling table made of wood and fresnel lenses, pushing it toward another figure that stands in front of them filming them. In the background a third figure in a blue morph suit sits and leans down on top of a rectangular wooden frame. Blue footage is projected onto the back wall.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description A figure in a blue morph suit leans their arms on top of a rolling table made of wood and fresnel lenses, pushing it toward another figure that stands in front of them filming them. In the background a third figure in a blue morph suit sits and leans down on top of a rectangular wooden frame. Blue footage is projected onto the back wall.
    Year 2022
    Related pages SCRAAATCH 11-18
  • A person dressed in all pink, holding several sheets of paper, speaks into a microphone. Her arms are draped with masses of cords. A crowd of audience members surrounds her, some seated and some standing.
    A person dressed in all pink, holding several sheets of paper, speaks into a microphone. Her arms are draped with masses of cords. A crowd of audience members surrounds her, some seated and some standing.
    Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court. [A person dressed in all pink, holding several sheets of paper, speaks into a microphone. Her arms are draped with masses of cords. A crowd of audience members surrounds her, some seated and some standing.]
    Caption Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A person dressed in all pink, holding several sheets of paper, speaks into a microphone. Her arms are draped with masses of cords. A crowd of audience members surrounds her, some seated and some standing.
    Year 2020
    Related pages Jutta Koether
  • Four framed photogrpahs in a grid hang on an angled wall to the left. Three decorated paper bags sit on white pedestals. An abstract landscape painting hangs on the wall in the background.
    Four framed photogrpahs in a grid hang on an angled wall to the left. Three decorated paper bags sit on white pedestals. An abstract landscape painting hangs on the wall in the background.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Four framed photogrpahs in a grid hang on an angled wall to the left. Three decorated paper bags sit on white pedestals. An abstract landscape painting hangs on the wall in the background.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description Four framed photogrpahs in a grid hang on an angled wall to the left. Three decorated paper bags sit on white pedestals. An abstract landscape painting hangs on the wall in the background.
    Year 2017
    Related pages Unholding
  • Cerulean blue background with black text that reads,
    Cerulean blue background with black text that reads,
    Jenny Holzer. Poster, 1982. [Cerulean blue background with black text that reads,"REJOICE! OUR TIMES ARE INTOLERABLE. TAKE COURAGE FOR THE WORST IS A HARBINGER OF THE BEST. ONLY DIRE CIRCUMSTANCE CAN PRECIPITATE THE OVERTHROW OF OPPRESSORS. THE OLD AND CORRUPT MUST BE LAID TO WASTE BEFORE THE JUST CAN TRIUMPH. OPPOSITION IDENTIFIES AND ISOLATES THE ENEMY. CONFLICT OF INTEREST MUST BE SEEN FOR WHAT IT IS. DO NOT SUPPORT PALLIATIVE GESTURES; THEY CONFUSE THE PEOPLE AND DELAY THE INEVITABLE CONFRONTATION. DELAY THE INEVITABLE CONFRONTATION. DELAY IS NOT TOLERATED FOR IT JEOPARDIZES THE WELL-BEING OF THE MAJORITY. CONTRADICTION WILL BE HEIGHTENED. THE RECKONING WILL BE HASTENED BY THE STAGING OF SEED DISTURBANCES. THE APOCALYPSE WILL BLOSSOM."]
    Caption Jenny Holzer. Poster, 1982.
    Image description Cerulean blue background with black text that reads,"REJOICE! OUR TIMES ARE INTOLERABLE. TAKE COURAGE FOR THE WORST IS A HARBINGER OF THE BEST. ONLY DIRE CIRCUMSTANCE CAN PRECIPITATE THE OVERTHROW OF OPPRESSORS. THE OLD AND CORRUPT MUST BE LAID TO WASTE BEFORE THE JUST CAN TRIUMPH. OPPOSITION IDENTIFIES AND ISOLATES THE ENEMY. CONFLICT OF INTEREST MUST BE SEEN FOR WHAT IT IS. DO NOT SUPPORT PALLIATIVE GESTURES; THEY CONFUSE THE PEOPLE AND DELAY THE INEVITABLE CONFRONTATION. DELAY THE INEVITABLE CONFRONTATION. DELAY IS NOT TOLERATED FOR IT JEOPARDIZES THE WELL-BEING OF THE MAJORITY. CONTRADICTION WILL BE HEIGHTENED. THE RECKONING WILL BE HASTENED BY THE STAGING OF SEED DISTURBANCES. THE APOCALYPSE WILL BLOSSOM."
    Year
    Related pages Eating Friends
  • A green book cover, with it's title at the top reading,
    A green book cover, with it's title at the top reading,
    Joe Orton and Kenneth Halliwell Collins Guide to Roses , 1959 – 1962 Book cover collage Courtesy Islington Local History Centre [A green book cover, with it's title at the top reading, "Collings guid to ROSES;" a yellow rose against a white background, and a collaged photo of a dogs face below it. The right bottom corner of the page reads, "by Bertram Park."]
    Caption Joe Orton and Kenneth Halliwell Collins Guide to Roses , 1959 – 1962 Book cover collage Courtesy Islington Local History Centre
    Image description A green book cover, with it's title at the top reading, "Collings guid to ROSES;" a yellow rose against a white background, and a collaged photo of a dogs face below it. The right bottom corner of the page reads, "by Bertram Park."
    Year 2014
    Related pages The Library Vaccine
  • Standing on a beach, a Black woman holds up her hand, signing to a Black man. A caption at the bottom of the screen reads: “You’re speaking my language.”
    Standing on a beach, a Black woman holds up her hand, signing to a Black man. A caption at the bottom of the screen reads: “You’re speaking my language.”
    Still from Compensation, Zeinabu irene Davis, 1999 [Standing on a beach, a Black woman holds up her hand, signing to a Black man. A caption at the bottom of the screen reads: “You’re speaking my language.”]
    Caption Still from Compensation, Zeinabu irene Davis, 1999
    Image description Standing on a beach, a Black woman holds up her hand, signing to a Black man. A caption at the bottom of the screen reads: “You’re speaking my language.”
    Year
    Related pages Compensation (1999) with Zeinabu irene Davis and Michelle A. Banks
  • The image shows a wood-framed photograph hanging on a wall. The photo, taken from inside a room, shows a seagull on a window ledge beside a small bird figurine. Out the window is a blue sky and buildings.
    The image shows a wood-framed photograph hanging on a wall. The photo, taken from inside a room, shows a seagull on a window ledge beside a small bird figurine. Out the window is a blue sky and buildings.
    Mona Hatoum, Birds of a Feather, 1997, Chromogenic print, 10 x 12 inches (25.4 x 30.5 cm), Edition of 50, Signed & numbered. [The image shows a wood-framed photograph hanging on a wall. The photo, taken from inside a room, shows a seagull on a window ledge beside a small bird figurine. Out the window is a blue sky and buildings.]
    Caption Mona Hatoum, Birds of a Feather, 1997, Chromogenic print, 10 x 12 inches (25.4 x 30.5 cm), Edition of 50, Signed & numbered.
    Image description The image shows a wood-framed photograph hanging on a wall. The photo, taken from inside a room, shows a seagull on a window ledge beside a small bird figurine. Out the window is a blue sky and buildings.
    Year 1997
    Related pages Editions
  • Color photograph of a figure dressed in black performing in front of an audience in the background. The room is dark, with LED light sculptures made from dried SCOBY in the background. The figure sits on the floor, looking off to the right and holding a mask in front of their face.
    Color photograph of a figure dressed in black performing in front of an audience in the background. The room is dark, with LED light sculptures made from dried SCOBY in the background. The figure sits on the floor, looking off to the right and holding a mask in front of their face.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure dressed in black performing in front of an audience in the background. The room is dark, with LED light sculptures made from dried SCOBY in the background. The figure sits on the floor, looking off to the right and holding a mask in front of their face.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a figure dressed in black performing in front of an audience in the background. The room is dark, with LED light sculptures made from dried SCOBY in the background. The figure sits on the floor, looking off to the right and holding a mask in front of their face.
    Year
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A large, square, sheet of paper, which has been folded into a 4x4 grid, unfolded, and hung on a white wall, leaving the creases. It is covered in a four-color gradient, from dark red, green, blue, to black, left to right, roughly not overlapping with the creases.
    A large, square, sheet of paper, which has been folded into a 4x4 grid, unfolded, and hung on a white wall, leaving the creases. It is covered in a four-color gradient, from dark red, green, blue, to black, left to right, roughly not overlapping with the creases.
    Wolfgang Tillmans, Speedmaster #2, 2011, Offset print on paper, 47 1/4 x 48 3/8 in / 120 x 122,9 cm, Hung with two metal brackets, Edition of 170, Signed and numbered, Printed on LuxoArt Velvet 200 gsm paper with Speedmaster XL by Dr. Cantz’sche Printshop, Ostfildern [A large, square, sheet of paper, which has been folded into a 4x4 grid, unfolded, and hung on a white wall, leaving the creases. It is covered in a four-color gradient, from dark red, green, blue, to black, left to right, roughly not overlapping with the creases.]
    Caption Wolfgang Tillmans, Speedmaster #2, 2011, Offset print on paper, 47 1/4 x 48 3/8 in / 120 x 122,9 cm, Hung with two metal brackets, Edition of 170, Signed and numbered, Printed on LuxoArt Velvet 200 gsm paper with Speedmaster XL by Dr. Cantz’sche Printshop, Ostfildern
    Image description A large, square, sheet of paper, which has been folded into a 4x4 grid, unfolded, and hung on a white wall, leaving the creases. It is covered in a four-color gradient, from dark red, green, blue, to black, left to right, roughly not overlapping with the creases.
    Year 2011
    Related pages Artists Space Annual Edition Portfolio 2012
  • Photograph of a glass vitrine sitting against a wall, containing ephemera, and a graphic poster on the left that reads
    Photograph of a glass vitrine sitting against a wall, containing ephemera, and a graphic poster on the left that reads
    Clocking Out: Time Beyond Management. Installation view (Time Zone Protocols, Black Quantum Futurism, 2022; vitrine of archival time-banking materials), Artists Space, 2023. Photo: Greg Carideo. [Photograph of a glass vitrine sitting against a wall, containing ephemera, and a graphic poster on the left that reads "Dissolve the Arrow of Progress! Recreate Local Space-Times!"]
    Caption Clocking Out: Time Beyond Management. Installation view (Time Zone Protocols, Black Quantum Futurism, 2022; vitrine of archival time-banking materials), Artists Space, 2023. Photo: Greg Carideo.
    Image description Photograph of a glass vitrine sitting against a wall, containing ephemera, and a graphic poster on the left that reads "Dissolve the Arrow of Progress! Recreate Local Space-Times!"
    Year 2023
    Related pages Whitney Independent Study: Clocking Out: Time Beyond Management
  • In the foreground of the installation view is a corridor wall with a large black and white drawing of farm architecture and in the background are monitor based works as well as sculptures of a skateboard on a pedestal and red crates of cola bottles.
    In the foreground of the installation view is a corridor wall with a large black and white drawing of farm architecture and in the background are monitor based works as well as sculptures of a skateboard on a pedestal and red crates of cola bottles.
    New Economy. Installation view, Artists Space, 2007. [In the foreground of the installation view is a corridor wall with a large black and white drawing of farm architecture and in the background are monitor based works as well as sculptures of a skateboard on a pedestal and red crates of cola bottles.]
    Caption New Economy. Installation view, Artists Space, 2007.
    Image description In the foreground of the installation view is a corridor wall with a large black and white drawing of farm architecture and in the background are monitor based works as well as sculptures of a skateboard on a pedestal and red crates of cola bottles.
    Year
    Related pages New Economy
  • A tile wall with a grid of assorted photographs against a white background. A title to the left of the grid states
    A tile wall with a grid of assorted photographs against a white background. A title to the left of the grid states
    Art Day, Photo Club exhibition, PS 140, 2017. [A tile wall with a grid of assorted photographs against a white background. A title to the left of the grid states "Artists Space P.S. 140 Photography Club"]
    Caption Art Day, Photo Club exhibition, PS 140, 2017.
    Image description A tile wall with a grid of assorted photographs against a white background. A title to the left of the grid states "Artists Space P.S. 140 Photography Club"
    Year 2017
    Related pages Education
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Red and green text overlay an orange background with abstract lines and a drawing of a male figure riding a horse in the bottom left corner. The text in the middle reads
    Red and green text overlay an orange background with abstract lines and a drawing of a male figure riding a horse in the bottom left corner. The text in the middle reads
    Flyer for Segue Reading Series featuring erica kaufman and M. Lamar. January 28, 2023, Artists Space. [Red and green text overlay an orange background with abstract lines and a drawing of a male figure riding a horse in the bottom left corner. The text in the middle reads "erica kaufman / Segue Reading Series / M. Lamar."]
    Caption Flyer for Segue Reading Series featuring erica kaufman and M. Lamar. January 28, 2023, Artists Space.
    Image description Red and green text overlay an orange background with abstract lines and a drawing of a male figure riding a horse in the bottom left corner. The text in the middle reads "erica kaufman / Segue Reading Series / M. Lamar."
    Year
    Related pages Segue Reading Series: erica kaufman & M. Lamar
  • Black-and-white photograph of a figure, walking in the middle of the frame between two sets of suspended wires that run from across the room. The figures hands manipulate the wires on each side of them.
    Black-and-white photograph of a figure, walking in the middle of the frame between two sets of suspended wires that run from across the room. The figures hands manipulate the wires on each side of them.
    Other Minds, San Francisco. Photo: John Fago [Black-and-white photograph of a figure, walking in the middle of the frame between two sets of suspended wires that run from across the room. The figures hands manipulate the wires on each side of them.]
    Caption Other Minds, San Francisco. Photo: John Fago
    Image description Black-and-white photograph of a figure, walking in the middle of the frame between two sets of suspended wires that run from across the room. The figures hands manipulate the wires on each side of them.
    Year
    Related pages Ellen Fullman & JACK Quartet
  • A close up view of two abstract, earth-toned paintings hanging on a wall. Beyond them a doorway and another room with more painting is visible.
    A close up view of two abstract, earth-toned paintings hanging on a wall. Beyond them a doorway and another room with more painting is visible.
    Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith. [A close up view of two abstract, earth-toned paintings hanging on a wall. Beyond them a doorway and another room with more painting is visible.]
    Caption Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith.
    Image description A close up view of two abstract, earth-toned paintings hanging on a wall. Beyond them a doorway and another room with more painting is visible.
    Year 1989
    Related pages Witnesses: Against Our Vanishing
  • A grayscale image of two naked people, kneeling on the ground of an untidy room. They are embracing, with their foreheads pressed together. Behind them there is a window and a typewriter on a stand.
    A grayscale image of two naked people, kneeling on the ground of an untidy room. They are embracing, with their foreheads pressed together. Behind them there is a window and a typewriter on a stand.
    Whatever Happened to Sex in Scandinavia (2011). Knut Ove Arntzen, Stan Brakhage, Marta Kuzma and Pablo LaFuente. [A grayscale image of two naked people, kneeling on the ground of an untidy room. They are embracing, with their foreheads pressed together. Behind them there is a window and a typewriter on a stand.]
    Caption Whatever Happened to Sex in Scandinavia (2011). Knut Ove Arntzen, Stan Brakhage, Marta Kuzma and Pablo LaFuente.
    Image description A grayscale image of two naked people, kneeling on the ground of an untidy room. They are embracing, with their foreheads pressed together. Behind them there is a window and a typewriter on a stand.
    Year 2011
    Related pages Whatever Happened to Sex in Scandinavia?
  • The exterior of a Soho building at night from the opposite street corner. Inside the third floor are two glowing blue neon quotation marks visible from outside.
    The exterior of a Soho building at night from the opposite street corner. Inside the third floor are two glowing blue neon quotation marks visible from outside.
    Laurel Woodcock, (Untitled), Neon Quote, 2005. Neon sculptures. Courtesy the artist. [The exterior of a Soho building at night from the opposite street corner. Inside the third floor are two glowing blue neon quotation marks visible from outside.]
    Caption Laurel Woodcock, (Untitled), Neon Quote, 2005. Neon sculptures. Courtesy the artist.
    Image description The exterior of a Soho building at night from the opposite street corner. Inside the third floor are two glowing blue neon quotation marks visible from outside.
    Year 2007
    Related pages On Being an Exhibition
  • A portfolio box with a flowered pattern on the lid is shown on a white ground with the lid slightly askew.
    A portfolio box with a flowered pattern on the lid is shown on a white ground with the lid slightly askew.
    Susan Cianciolo, Flowers, 2018, 25 x 21 x 1 1/2 inches, Silkscreen on book cloth on bespoke archival box, Signed edition of 100, 5APs Courtesy of the artist [A portfolio box with a flowered pattern on the lid is shown on a white ground with the lid slightly askew.]
    Caption Susan Cianciolo, Flowers, 2018, 25 x 21 x 1 1/2 inches, Silkscreen on book cloth on bespoke archival box, Signed edition of 100, 5APs Courtesy of the artist
    Image description A portfolio box with a flowered pattern on the lid is shown on a white ground with the lid slightly askew.
    Year 2018
    Related pages Artists Space Annual Edition Portfolio 2018
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  • Two girls stand, cutting threads, while working on a handmade chandelier. The chandelier has a small number of flower petals, with a purple rose in the center
    Two girls stand, cutting threads, while working on a handmade chandelier. The chandelier has a small number of flower petals, with a purple rose in the center
    Collaborative team working on chandelier, 2018 [Two girls stand, cutting threads, while working on a handmade chandelier. The chandelier has a small number of flower petals, with a purple rose in the center]
    Caption Collaborative team working on chandelier, 2018
    Image description Two girls stand, cutting threads, while working on a handmade chandelier. The chandelier has a small number of flower petals, with a purple rose in the center
    Year 2018
    Related pages Threads of History
  • An image of a person with long brown hair pointing a pistol at the camera is superimposed on top of an image of a picturesque lake.
    An image of a person with long brown hair pointing a pistol at the camera is superimposed on top of an image of a picturesque lake.
    Adam and Zack Khalil, still from INAATE/SE/ [it shines a certain way. to a certain place./it flies. falls./], 2016. [An image of a person with long brown hair pointing a pistol at the camera is superimposed on top of an image of a picturesque lake.]
    Caption Adam and Zack Khalil, still from INAATE/SE/ [it shines a certain way. to a certain place./it flies. falls./], 2016.
    Image description An image of a person with long brown hair pointing a pistol at the camera is superimposed on top of an image of a picturesque lake.
    Year 2017
    Related pages Unholding
  • A large, shiny black structure consisting of three columns supporting a large, irregularly shaped flat plane installed in a gallery space. A black-and-white image wraps around the rightmost, cylindrical column of the structure. The image depicts a person dressing a mannequin in an office.
    A large, shiny black structure consisting of three columns supporting a large, irregularly shaped flat plane installed in a gallery space. A black-and-white image wraps around the rightmost, cylindrical column of the structure. The image depicts a person dressing a mannequin in an office.
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A large, shiny black structure consisting of three columns supporting a large, irregularly shaped flat plane installed in a gallery space. A black-and-white image wraps around the rightmost, cylindrical column of the structure. The image depicts a person dressing a mannequin in an office.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description A large, shiny black structure consisting of three columns supporting a large, irregularly shaped flat plane installed in a gallery space. A black-and-white image wraps around the rightmost, cylindrical column of the structure. The image depicts a person dressing a mannequin in an office.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.]
    Caption Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979.
    Image description A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Year 1979
    Related pages Patricia Hearst - A Second Reading
  • A black-and-white photograph of a group of men shooting a scene on an outdoor film set. They are surrounded by trees and grass.
    A black-and-white photograph of a group of men shooting a scene on an outdoor film set. They are surrounded by trees and grass.
    Bill Gunn and Duane Jones on the set of Ganja & Hess. Image courtesy Tom Cummings. [A black-and-white photograph of a group of men shooting a scene on an outdoor film set. They are surrounded by trees and grass.]
    Caption Bill Gunn and Duane Jones on the set of Ganja & Hess. Image courtesy Tom Cummings.
    Image description A black-and-white photograph of a group of men shooting a scene on an outdoor film set. They are surrounded by trees and grass.
    Year
    Related pages The Films of Bill Gunn
  • A piece of landscaping appears on the gallery floor with flowers and plants coming up from it in a stair-like fashion. Paintings appear in the background in a white-walled gallery space.
    A piece of landscaping appears on the gallery floor with flowers and plants coming up from it in a stair-like fashion. Paintings appear in the background in a white-walled gallery space.
    Vito Acconci. Installation View. Artists Space, 1986. [A piece of landscaping appears on the gallery floor with flowers and plants coming up from it in a stair-like fashion. Paintings appear in the background in a white-walled gallery space.]
    Caption Vito Acconci. Installation View. Artists Space, 1986.
    Image description A piece of landscaping appears on the gallery floor with flowers and plants coming up from it in a stair-like fashion. Paintings appear in the background in a white-walled gallery space.
    Year
    Related pages The Fairy Tale: Politics, Desire, and Everyday Life
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  • A figure sits behind a table, a microphone in front of their face, as they close their laptop and grab a stack of papers on the table.
    A figure sits behind a table, a microphone in front of their face, as they close their laptop and grab a stack of papers on the table.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure sits behind a table, a microphone in front of their face, as they close their laptop and grab a stack of papers on the table.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure sits behind a table, a microphone in front of their face, as they close their laptop and grab a stack of papers on the table.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • Two sculptures installed in a gallery space featuring rectangular sheets of laminated, paper rectangles held together by metal rings. The sheets are suspended at their four corners by metal poles mounted in silver buckets.
    Two sculptures installed in a gallery space featuring rectangular sheets of laminated, paper rectangles held together by metal rings. The sheets are suspended at their four corners by metal poles mounted in silver buckets.
    DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Two sculptures installed in a gallery space featuring rectangular sheets of laminated, paper rectangles held together by metal rings. The sheets are suspended at their four corners by metal poles mounted in silver buckets.]
    Caption DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Two sculptures installed in a gallery space featuring rectangular sheets of laminated, paper rectangles held together by metal rings. The sheets are suspended at their four corners by metal poles mounted in silver buckets.
    Year 2012
    Related pages DUOX: DUOX4Larkin
  • To the right, a gray silhouette of a woman with her hands on her hips is installed on a white wall. Exposed wires run from an electrical socket to the left of her legs to a box on the ground. A television monitor sits on the ground in front of the back of a projection screen positioned between two standing speakers.
    To the right, a gray silhouette of a woman with her hands on her hips is installed on a white wall. Exposed wires run from an electrical socket to the left of her legs to a box on the ground. A television monitor sits on the ground in front of the back of a projection screen positioned between two standing speakers.
    The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [To the right, a gray silhouette of a woman with her hands on her hips is installed on a white wall. Exposed wires run from an electrical socket to the left of her legs to a box on the ground. A television monitor sits on the ground in front of the back of a projection screen positioned between two standing speakers.]
    Caption The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich.
    Image description To the right, a gray silhouette of a woman with her hands on her hips is installed on a white wall. Exposed wires run from an electrical socket to the left of her legs to a box on the ground. A television monitor sits on the ground in front of the back of a projection screen positioned between two standing speakers.
    Year 2014
    Related pages The Issues of Our Time
  • A black and white photograph of a room with several rows of chairs. Along the back wall, two projectors stand on pedastals and a figure on the right adjusts a film reel.
    A black and white photograph of a room with several rows of chairs. Along the back wall, two projectors stand on pedastals and a figure on the right adjusts a film reel.
    Super 8 Films Exposition. Installation view, Artists Space, New York, 1977. [A black and white photograph of a room with several rows of chairs. Along the back wall, two projectors stand on pedastals and a figure on the right adjusts a film reel.]
    Caption Super 8 Films Exposition. Installation view, Artists Space, New York, 1977.
    Image description A black and white photograph of a room with several rows of chairs. Along the back wall, two projectors stand on pedastals and a figure on the right adjusts a film reel.
    Year 1977
    Related pages Artists Super 8 Film Exposition
  • A color installation photograph of a gallery space. Three costumes hang from the left wall, a video is projected on a white wall in the background alongside a mixed-media sculpture. Two glass vitrines are visible in the foreground.
    A color installation photograph of a gallery space. Three costumes hang from the left wall, a video is projected on a white wall in the background alongside a mixed-media sculpture. Two glass vitrines are visible in the foreground.
    Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color installation photograph of a gallery space. Three costumes hang from the left wall, a video is projected on a white wall in the background alongside a mixed-media sculpture. Two glass vitrines are visible in the foreground.]
    Caption Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak.
    Image description A color installation photograph of a gallery space. Three costumes hang from the left wall, a video is projected on a white wall in the background alongside a mixed-media sculpture. Two glass vitrines are visible in the foreground.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • Eight digital prints are hung on a white gallery wall. In front of the wall are three floor-to-ceiling columns.
    Eight digital prints are hung on a white gallery wall. In front of the wall are three floor-to-ceiling columns.
    Adjua Gargi Nzinga Greaves: The x in florxal is silent when spoken. Installation view, Artists Space, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [Eight digital prints are hung on a white gallery wall. In front of the wall are three floor-to-ceiling columns.]
    Caption Adjua Gargi Nzinga Greaves: The x in florxal is silent when spoken. Installation view, Artists Space, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description Eight digital prints are hung on a white gallery wall. In front of the wall are three floor-to-ceiling columns.
    Year 2021
    Related pages Adjua Gargi Nzinga Greaves
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  • Teaching Artist Stephanie Costello with 8th grade Portfolio student from P.S. 140, 2021
    Caption Teaching Artist Stephanie Costello with 8th grade Portfolio student from P.S. 140, 2021
    Image description
    Year 2021
    Related pages Portfolio Development
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    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • View of two white gallery walls featuring small framed works on paper, each featuring abstract calligraphic ink drawings.
    View of two white gallery walls featuring small framed works on paper, each featuring abstract calligraphic ink drawings.
    Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [View of two white gallery walls featuring small framed works on paper, each featuring abstract calligraphic ink drawings.]
    Caption Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description View of two white gallery walls featuring small framed works on paper, each featuring abstract calligraphic ink drawings.
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • An image of two figures in blue scrubs standing on opposite ends of a sterile table. A medical mannequin on the table is covered in shiny red silk fabric. In the background, there are projections and forms draped in yellow fabric.
    An image of two figures in blue scrubs standing on opposite ends of a sterile table. A medical mannequin on the table is covered in shiny red silk fabric. In the background, there are projections and forms draped in yellow fabric.
    [An image of two figures in blue scrubs standing on opposite ends of a sterile table. A medical mannequin on the table is covered in shiny red silk fabric. In the background, there are projections and forms draped in yellow fabric.]
    Caption
    Image description An image of two figures in blue scrubs standing on opposite ends of a sterile table. A medical mannequin on the table is covered in shiny red silk fabric. In the background, there are projections and forms draped in yellow fabric.
    Year 2022
    Related pages Grandmother Cindy
  • A man stands in the center of a room holding numerous baby dolls, surrounded by several performers striking yoga poses and a small crowd. A makeshift geometric metal structure stands next to him, with a baby doll sitting in a crease of the structure.
    A man stands in the center of a room holding numerous baby dolls, surrounded by several performers striking yoga poses and a small crowd. A makeshift geometric metal structure stands next to him, with a baby doll sitting in a crease of the structure.
    Ei Arakawa: WEWORK BABIES. Performance documentation, December 8, 2019, Artists Space. Photo © 2019 Paula Court. [A man stands in the center of a room holding numerous baby dolls, surrounded by several performers striking yoga poses and a small crowd. A makeshift geometric metal structure stands next to him, with a baby doll sitting in a crease of the structure.]
    Caption Ei Arakawa: WEWORK BABIES. Performance documentation, December 8, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A man stands in the center of a room holding numerous baby dolls, surrounded by several performers striking yoga poses and a small crowd. A makeshift geometric metal structure stands next to him, with a baby doll sitting in a crease of the structure.
    Year 2019
    Related pages Ei Arakawa: WEWORK BABIES (11 Cortlandt Alley)
  • Architectural drawing on center of page with white surrounding it.
    Architectural drawing on center of page with white surrounding it.
    Ian Bader. Spalation Clock, 1977. Section 1. [Architectural drawing on center of page with white surrounding it.]
    Caption Ian Bader. Spalation Clock, 1977. Section 1.
    Image description Architectural drawing on center of page with white surrounding it.
    Year 1977
    Related pages Architecture Project
  • A white wall with twenty-four framed photograms arranged in an eight by three rectangle.
    A white wall with twenty-four framed photograms arranged in an eight by three rectangle.
    Mark Morrisroe: From This Moment On. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A white wall with twenty-four framed photograms arranged in an eight by three rectangle.]
    Caption Mark Morrisroe: From This Moment On. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A white wall with twenty-four framed photograms arranged in an eight by three rectangle.
    Year
    Related pages Mark Morrisroe: From This Moment On
  • A color photograph of a gallery space. Behind three dark columns a large vinyl printed with text is attached to the wall, falling to the ground on the left side. In the center a large grey table with four red chairs and stacks of yellow and grey posters is visible.
    A color photograph of a gallery space. Behind three dark columns a large vinyl printed with text is attached to the wall, falling to the ground on the left side. In the center a large grey table with four red chairs and stacks of yellow and grey posters is visible.
    virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a gallery space. Behind three dark columns a large vinyl printed with text is attached to the wall, falling to the ground on the left side. In the center a large grey table with four red chairs and stacks of yellow and grey posters is visible.]
    Caption virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of a gallery space. Behind three dark columns a large vinyl printed with text is attached to the wall, falling to the ground on the left side. In the center a large grey table with four red chairs and stacks of yellow and grey posters is visible.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
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    Related pages fwiw
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
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    Related pages Abasement #82
  • Dark blue text overlays red-pink background. The text reads: “February 25 / Steffani Jemison / Anne Waldman.
    Dark blue text overlays red-pink background. The text reads: “February 25 / Steffani Jemison / Anne Waldman.
    [Dark blue text overlays red-pink background. The text reads: “February 25 / Steffani Jemison / Anne Waldman." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description Dark blue text overlays red-pink background. The text reads: “February 25 / Steffani Jemison / Anne Waldman." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year 2023
    Related pages Segue Reading Series: Steffani Jemison & Anne Waldman
  • A figure in a black hoodie and an LED light stapped on their chest performs on a stage, behind a table full of audio equipment. A green light projection is cast onto the stage.
    A figure in a black hoodie and an LED light stapped on their chest performs on a stage, behind a table full of audio equipment. A green light projection is cast onto the stage.
    Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman [A figure in a black hoodie and an LED light stapped on their chest performs on a stage, behind a table full of audio equipment. A green light projection is cast onto the stage.]
    Caption Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure in a black hoodie and an LED light stapped on their chest performs on a stage, behind a table full of audio equipment. A green light projection is cast onto the stage.
    Year
    Related pages Abasement: #62
  • A bed with a mountain at its center in a partially constructed room with a floor and a single wall. Surrounding it are several framed paintings and empty frames, a bench with fabric piled on it, and a high shelf with a skull.
    A bed with a mountain at its center in a partially constructed room with a floor and a single wall. Surrounding it are several framed paintings and empty frames, a bench with fabric piled on it, and a high shelf with a skull.
    Eileen Neff, Cezanne's Dream, 1992. Mixed media installation. Photo: Erik Landsberg. [A bed with a mountain at its center in a partially constructed room with a floor and a single wall. Surrounding it are several framed paintings and empty frames, a bench with fabric piled on it, and a high shelf with a skull.]
    Caption Eileen Neff, Cezanne's Dream, 1992. Mixed media installation. Photo: Erik Landsberg.
    Image description A bed with a mountain at its center in a partially constructed room with a floor and a single wall. Surrounding it are several framed paintings and empty frames, a bench with fabric piled on it, and a high shelf with a skull.
    Year
    Related pages The Mountain A Bed and A Chair
  • View of drawings mounted to white walls. Small labels accompany each drawing, taped to the walls.
    View of drawings mounted to white walls. Small labels accompany each drawing, taped to the walls.
    Sixth Anniversary Exhibition. Installation view, Artists Space, 1979. Artwork by Ree Morton. [View of drawings mounted to white walls. Small labels accompany each drawing, taped to the walls.]
    Caption Sixth Anniversary Exhibition. Installation view, Artists Space, 1979. Artwork by Ree Morton.
    Image description View of drawings mounted to white walls. Small labels accompany each drawing, taped to the walls.
    Year 1979
    Related pages Sixth Anniversary Exhibition
  • A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.]
    Caption Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979.
    Image description A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Year 1979
    Related pages Patricia Hearst - A Second Reading
  • Three standing lights point to illuminate a white wall. Standing beside them facing the wall is a figure wearing a coat and a hat with her hands lightly clasped behind her back. Barely visible on the wall beside her are stenciled outlines of trees.
    Three standing lights point to illuminate a white wall. Standing beside them facing the wall is a figure wearing a coat and a hat with her hands lightly clasped behind her back. Barely visible on the wall beside her are stenciled outlines of trees.
    Beech Forest. Performance view, Artists Space, 2007. [Three standing lights point to illuminate a white wall. Standing beside them facing the wall is a figure wearing a coat and a hat with her hands lightly clasped behind her back. Barely visible on the wall beside her are stenciled outlines of trees.]
    Caption Beech Forest. Performance view, Artists Space, 2007.
    Image description Three standing lights point to illuminate a white wall. Standing beside them facing the wall is a figure wearing a coat and a hat with her hands lightly clasped behind her back. Barely visible on the wall beside her are stenciled outlines of trees.
    Year 2007
    Related pages When Time Becomes Form: Beech Forest
  • A black and white scan of an invoice from Corcraft Products issued to Artists Space at 38 Greene Street. The customer number reads
    A black and white scan of an invoice from Corcraft Products issued to Artists Space at 38 Greene Street. The customer number reads
    [A black and white scan of an invoice from Corcraft Products issued to Artists Space at 38 Greene Street. The customer number reads "9102000". The invoice details a net purchase of $1309.00]
    Caption
    Image description A black and white scan of an invoice from Corcraft Products issued to Artists Space at 38 Greene Street. The customer number reads "9102000". The invoice details a net purchase of $1309.00
    Year 2015
    Related pages Cameron Rowland: 91020000
  • Color photograph of two figures preparing to perform. In the foreground, out of focus, is the side profile of a figure playing a white keyboard, with music sheets in front of them. To the right, in focus, another figure sits on a wooden chair, eyes closed in concentration and behind a microphone stand.
    Color photograph of two figures preparing to perform. In the foreground, out of focus, is the side profile of a figure playing a white keyboard, with music sheets in front of them. To the right, in focus, another figure sits on a wooden chair, eyes closed in concentration and behind a microphone stand.
    Shala Miller performs Genesis: Medley at Artists Space, co-presented with Frieze New York 2023. Performance documentation, May 19th. Photo by Vanessa Diaz/CKA. Courtesy of Frieze. [Color photograph of two figures preparing to perform. In the foreground, out of focus, is the side profile of a figure playing a white keyboard, with music sheets in front of them. To the right, in focus, another figure sits on a wooden chair, eyes closed in concentration and behind a microphone stand.]
    Caption Shala Miller performs Genesis: Medley at Artists Space, co-presented with Frieze New York 2023. Performance documentation, May 19th. Photo by Vanessa Diaz/CKA. Courtesy of Frieze.
    Image description Color photograph of two figures preparing to perform. In the foreground, out of focus, is the side profile of a figure playing a white keyboard, with music sheets in front of them. To the right, in focus, another figure sits on a wooden chair, eyes closed in concentration and behind a microphone stand.
    Year 2023
    Related pages Genesis: Medley
  • Two musicians on stage use various instruments. The musician in the foreground plays a mandolin. The musician behind them is using electronic instruments on a table. There are yellow and pink patterned projections, a red light bulb, and reflections from a disco ball around the room.
    Two musicians on stage use various instruments. The musician in the foreground plays a mandolin. The musician behind them is using electronic instruments on a table. There are yellow and pink patterned projections, a red light bulb, and reflections from a disco ball around the room.
    Abasement #72. Performance documentation, October 7th, 2024, Artists Space. Photo: Joshua Wildman. [Two musicians on stage use various instruments. The musician in the foreground plays a mandolin. The musician behind them is using electronic instruments on a table. There are yellow and pink patterned projections, a red light bulb, and reflections from a disco ball around the room. ]
    Caption Abasement #72. Performance documentation, October 7th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Two musicians on stage use various instruments. The musician in the foreground plays a mandolin. The musician behind them is using electronic instruments on a table. There are yellow and pink patterned projections, a red light bulb, and reflections from a disco ball around the room.
    Year
    Related pages Abasement #72
  • Stacked wooden planks stand on the left wall. One plank rests at an angle as if supporting the others above. Three other sculptures are seen dispersed around the gallery.
    Stacked wooden planks stand on the left wall. One plank rests at an angle as if supporting the others above. Three other sculptures are seen dispersed around the gallery.
    Brad Kronz. Installation view, Artists Space, 2025. Photo: Carter Seddon [Stacked wooden planks stand on the left wall. One plank rests at an angle as if supporting the others above. Three other sculptures are seen dispersed around the gallery. ]
    Caption Brad Kronz. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description Stacked wooden planks stand on the left wall. One plank rests at an angle as if supporting the others above. Three other sculptures are seen dispersed around the gallery.
    Year
    Related pages Brad Kronz
  • A pink piece of paper with the typed text
    A pink piece of paper with the typed text
    Neil Goldberg, Fortune 500 Dream Fax Project, 1996. [A pink piece of paper with the typed text "Dream Fax Transmission Sheet" positioned at its top edge. Underneath, there is a handwritten account of the artist's dream from 3/26/96.]
    Caption Neil Goldberg, Fortune 500 Dream Fax Project, 1996.
    Image description A pink piece of paper with the typed text "Dream Fax Transmission Sheet" positioned at its top edge. Underneath, there is a handwritten account of the artist's dream from 3/26/96.
    Year 1996
    Related pages A Strategy Hinted At: New Conceptual Artists
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