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  • Black-and-white drawing of a cluster of black curled lines organized into a square shape in the middle of a white page. Handwritten text in faint pencil along the bottom of the page reads
    Black-and-white drawing of a cluster of black curled lines organized into a square shape in the middle of a white page. Handwritten text in faint pencil along the bottom of the page reads
    Marian Zazeela, 19 XI 66/2, 1966, India ink on card. Courtesy of the artist. [Black-and-white drawing of a cluster of black curled lines organized into a square shape in the middle of a white page. Handwritten text in faint pencil along the bottom of the page reads "© Marian Zazeela 1988."]
    Caption Marian Zazeela, 19 XI 66/2, 1966, India ink on card. Courtesy of the artist.
    Image description Black-and-white drawing of a cluster of black curled lines organized into a square shape in the middle of a white page. Handwritten text in faint pencil along the bottom of the page reads "© Marian Zazeela 1988."
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • Caption
    Image description
    Year
    Related pages Membership
  • Color image of two performers sitting on a stage, with a variety of musical gear between them. The backs of heads from audience members observing the performers can be seen at the bottom of the image. A pinkish-red spotlight illuminates the dark performance space and the individuals on the stage.
    Color image of two performers sitting on a stage, with a variety of musical gear between them. The backs of heads from audience members observing the performers can be seen at the bottom of the image. A pinkish-red spotlight illuminates the dark performance space and the individuals on the stage.
    Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman. [Color image of two performers sitting on a stage, with a variety of musical gear between them. The backs of heads from audience members observing the performers can be seen at the bottom of the image. A pinkish-red spotlight illuminates the dark performance space and the individuals on the stage.]
    Caption Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color image of two performers sitting on a stage, with a variety of musical gear between them. The backs of heads from audience members observing the performers can be seen at the bottom of the image. A pinkish-red spotlight illuminates the dark performance space and the individuals on the stage.
    Year
    Related pages Abasement #63
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A rectangle of gold foil laying flat on a wooden floor. Light descending from a nearby window illuminates the foil.
    A rectangle of gold foil laying flat on a wooden floor. Light descending from a nearby window illuminates the foil.
    Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A rectangle of gold foil laying flat on a wooden floor. Light descending from a nearby window illuminates the foil.]
    Caption Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A rectangle of gold foil laying flat on a wooden floor. Light descending from a nearby window illuminates the foil.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • Fifteen images arranged in a grid, depicting close-ups of human faces and arial views of war.
    Fifteen images arranged in a grid, depicting close-ups of human faces and arial views of war.
    Spread from Harun Farocki Diagrams. Images from Ten Films, stills from Images of the World and the Inscription of War, 1988. [Fifteen images arranged in a grid, depicting close-ups of human faces and arial views of war.]
    Caption Spread from Harun Farocki Diagrams. Images from Ten Films, stills from Images of the World and the Inscription of War, 1988.
    Image description Fifteen images arranged in a grid, depicting close-ups of human faces and arial views of war.
    Year 1988
    Related pages Harun Farocki Diagrams
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A man stands in the center of a room holding numerous baby dolls, surrounded by several performers striking yoga poses and a small crowd. A makeshift geometric metal structure stands next to him, with a baby doll sitting in a crease of the structure.
    A man stands in the center of a room holding numerous baby dolls, surrounded by several performers striking yoga poses and a small crowd. A makeshift geometric metal structure stands next to him, with a baby doll sitting in a crease of the structure.
    Ei Arakawa: WEWORK BABIES. Performance documentation, December 8, 2019, Artists Space. Photo © 2019 Paula Court. [A man stands in the center of a room holding numerous baby dolls, surrounded by several performers striking yoga poses and a small crowd. A makeshift geometric metal structure stands next to him, with a baby doll sitting in a crease of the structure.]
    Caption Ei Arakawa: WEWORK BABIES. Performance documentation, December 8, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A man stands in the center of a room holding numerous baby dolls, surrounded by several performers striking yoga poses and a small crowd. A makeshift geometric metal structure stands next to him, with a baby doll sitting in a crease of the structure.
    Year 2019
    Related pages Ei Arakawa: WEWORK BABIES (11 Cortlandt Alley)
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Half-eaten fruit, chocolate, and candles sit on a low, stone tabletop under dim lighting.
    Half-eaten fruit, chocolate, and candles sit on a low, stone tabletop under dim lighting.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [Half-eaten fruit, chocolate, and candles sit on a low, stone tabletop under dim lighting.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description Half-eaten fruit, chocolate, and candles sit on a low, stone tabletop under dim lighting.
    Year 2019
    Related pages Speaker Music: drape over another
  • A photocollage of the same image, a man opening a car hood, repeated 14 x 4 times includes has been altered with white, yellow, and black paint in individual photographs. These include scenes such as fire, melting, and the addition of new characters.
    A photocollage of the same image, a man opening a car hood, repeated 14 x 4 times includes has been altered with white, yellow, and black paint in individual photographs. These include scenes such as fire, melting, and the addition of new characters.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A photocollage of the same image, a man opening a car hood, repeated 14 x 4 times includes has been altered with white, yellow, and black paint in individual photographs. These include scenes such as fire, melting, and the addition of new characters.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A photocollage of the same image, a man opening a car hood, repeated 14 x 4 times includes has been altered with white, yellow, and black paint in individual photographs. These include scenes such as fire, melting, and the addition of new characters.
    Year 2017
    Related pages Unholding
  • Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.
    Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A cube supports an inverted pyramid, both covered in corn kernals, shown on a white background.
    A cube supports an inverted pyramid, both covered in corn kernals, shown on a white background.
    Robert Gero, Untitled, 1989. Corn, aluminum. [A cube supports an inverted pyramid, both covered in corn kernals, shown on a white background.]
    Caption Robert Gero, Untitled, 1989. Corn, aluminum.
    Image description A cube supports an inverted pyramid, both covered in corn kernals, shown on a white background.
    Year 1989
    Related pages Energeia
  • A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays a courtroom depiction of two individuals, one with blonde hair and fair skin wearing a suit, the other tan with dark facial hair wearing a keffiyeh. Behind the seated men is an image of a man sitting on the floor, in what appears to be solitary confinement.
    A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays a courtroom depiction of two individuals, one with blonde hair and fair skin wearing a suit, the other tan with dark facial hair wearing a keffiyeh. Behind the seated men is an image of a man sitting on the floor, in what appears to be solitary confinement.
    Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays a courtroom depiction of two individuals, one with blonde hair and fair skin wearing a suit, the other tan with dark facial hair wearing a keffiyeh. Behind the seated men is an image of a man sitting on the floor, in what appears to be solitary confinement.]
    Caption Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays a courtroom depiction of two individuals, one with blonde hair and fair skin wearing a suit, the other tan with dark facial hair wearing a keffiyeh. Behind the seated men is an image of a man sitting on the floor, in what appears to be solitary confinement.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • An angled view of a long white table with eight wooden chairs. A galvanized bucket, an iPad, and two stacks of paper sit on the surface.
    An angled view of a long white table with eight wooden chairs. A galvanized bucket, an iPad, and two stacks of paper sit on the surface.
    Coop Fund, 2018. Photo: Daniel Pérez. [An angled view of a long white table with eight wooden chairs. A galvanized bucket, an iPad, and two stacks of paper sit on the surface.]
    Caption Coop Fund, 2018. Photo: Daniel Pérez.
    Image description An angled view of a long white table with eight wooden chairs. A galvanized bucket, an iPad, and two stacks of paper sit on the surface.
    Year 2018
    Related pages Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff
  • Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.
    Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • White text on a bright fuchsia background. The text reads: “Oct 11 / Mónica de la Torre / Rodrigo Toscano.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    White text on a bright fuchsia background. The text reads: “Oct 11 / Mónica de la Torre / Rodrigo Toscano.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [White text on a bright fuchsia background. The text reads: “Oct 11 / Mónica de la Torre / Rodrigo Toscano.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description White text on a bright fuchsia background. The text reads: “Oct 11 / Mónica de la Torre / Rodrigo Toscano.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Mónica de la Torre & Rodrigo Toscano
  • A black-and-white photo depicting a behind the scenes view of a movie in production. A man holds the camera on the right - a cage is on the left, and two men speak in the center of the image, one facing the camera and one facing away.
    A black-and-white photo depicting a behind the scenes view of a movie in production. A man holds the camera on the right - a cage is on the left, and two men speak in the center of the image, one facing the camera and one facing away.
    Storm de Hirsch, still from Newsreel: Jonas in The Brig, 1964. Courtesy Anthology Film Archives. [A black-and-white photo depicting a behind the scenes view of a movie in production. A man holds the camera on the right - a cage is on the left, and two men speak in the center of the image, one facing the camera and one facing away.]
    Caption Storm de Hirsch, still from Newsreel: Jonas in The Brig, 1964. Courtesy Anthology Film Archives.
    Image description A black-and-white photo depicting a behind the scenes view of a movie in production. A man holds the camera on the right - a cage is on the left, and two men speak in the center of the image, one facing the camera and one facing away.
    Year 1964
    Related pages Jonas In The Brig
  • Cave of Animals: Cave of the Future, site recording, 2024
    Caption Cave of Animals: Cave of the Future, site recording, 2024
    Image description
    Year
    Related pages Listening to the LES
  • A female mannequin stands in a gallery space. It is wearing blue trousers and a grey fur coat over a blue checkered shirt. The shirt and jacket are left unbuttoned, exposing the mannequin's breasts, obscured by a large bone necklace.
    A female mannequin stands in a gallery space. It is wearing blue trousers and a grey fur coat over a blue checkered shirt. The shirt and jacket are left unbuttoned, exposing the mannequin's breasts, obscured by a large bone necklace.
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A female mannequin stands in a gallery space. It is wearing blue trousers and a grey fur coat over a blue checkered shirt. The shirt and jacket are left unbuttoned, exposing the mannequin's breasts, obscured by a large bone necklace.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description A female mannequin stands in a gallery space. It is wearing blue trousers and a grey fur coat over a blue checkered shirt. The shirt and jacket are left unbuttoned, exposing the mannequin's breasts, obscured by a large bone necklace.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • In the foreground vacuums on plexiglass shelves with fluorescent lights underneath are visible and in the background on a white gallery wall is a number of different photographs lined next to each other in successio.
    In the foreground vacuums on plexiglass shelves with fluorescent lights underneath are visible and in the background on a white gallery wall is a number of different photographs lined next to each other in successio.
    Jeff Koons. Installation View, Artists Space, 1983. [In the foreground vacuums on plexiglass shelves with fluorescent lights underneath are visible and in the background on a white gallery wall is a number of different photographs lined next to each other in successio.]
    Caption Jeff Koons. Installation View, Artists Space, 1983.
    Image description In the foreground vacuums on plexiglass shelves with fluorescent lights underneath are visible and in the background on a white gallery wall is a number of different photographs lined next to each other in successio.
    Year
    Related pages Los Angeles/New York Exchange
  • A pink pamphlet with black text announcing
    A pink pamphlet with black text announcing
    [A pink pamphlet with black text announcing "Artists Space Presents: PUTT-MODERNISM", an "artist created 18-hole fully playable minature golf course." There is an illustrated map showing the location of the event, and additional printed information on the location and hours.]
    Caption
    Image description A pink pamphlet with black text announcing "Artists Space Presents: PUTT-MODERNISM", an "artist created 18-hole fully playable minature golf course." There is an illustrated map showing the location of the event, and additional printed information on the location and hours.
    Year 1994
    Related pages Putt-Modernism (Fulton Market)
  • A black and white image of a painted abstract figure. In the left corner is sharp black line that consists of multiple ninety degree angles. Towards the right is a black figure collaged with multiple materals.
    A black and white image of a painted abstract figure. In the left corner is sharp black line that consists of multiple ninety degree angles. Towards the right is a black figure collaged with multiple materals.
    Benje LaRico. Goa VI, 1987. Enamel, Plastic, Wood, Wallpaper on plywood. 52 inches x 8.5 inches x 1 inch. [A black and white image of a painted abstract figure. In the left corner is sharp black line that consists of multiple ninety degree angles. Towards the right is a black figure collaged with multiple materals.]
    Caption Benje LaRico. Goa VI, 1987. Enamel, Plastic, Wood, Wallpaper on plywood. 52 inches x 8.5 inches x 1 inch.
    Image description A black and white image of a painted abstract figure. In the left corner is sharp black line that consists of multiple ninety degree angles. Towards the right is a black figure collaged with multiple materals.
    Year 1987
    Related pages Abstraction in Process
  • Two figures stand back to back, juggling clubs above their heads.
    Two figures stand back to back, juggling clubs above their heads.
    Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court [Two figures stand back to back, juggling clubs above their heads.]
    Caption Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court
    Image description Two figures stand back to back, juggling clubs above their heads.
    Year 2022
    Related pages Circus Amok
  • Black and white image of a crowd of people gathered in a large open space. Several hollow, metal sculptures composed of geometric components are installed in the space. Some performers interact with the sculptures—one figure walks across one of the metal forms that lays on the ground.
    Black and white image of a crowd of people gathered in a large open space. Several hollow, metal sculptures composed of geometric components are installed in the space. Some performers interact with the sculptures—one figure walks across one of the metal forms that lays on the ground.
    Dies alles Herzchen wird einmal dir gehören (All This Darling Will Once Belong To You). Performance organized by Paul Maenz and Peter Roehr, Galerie Dorothea Loehr, September 9, 1967. DVD transfer, 6 mins, 55 secs. [Black and white image of a crowd of people gathered in a large open space. Several hollow, metal sculptures composed of geometric components are installed in the space. Some performers interact with the sculptures—one figure walks across one of the metal forms that lays on the ground.]
    Caption Dies alles Herzchen wird einmal dir gehören (All This Darling Will Once Belong To You). Performance organized by Paul Maenz and Peter Roehr, Galerie Dorothea Loehr, September 9, 1967. DVD transfer, 6 mins, 55 secs.
    Image description Black and white image of a crowd of people gathered in a large open space. Several hollow, metal sculptures composed of geometric components are installed in the space. Some performers interact with the sculptures—one figure walks across one of the metal forms that lays on the ground.
    Year 1967
    Related pages An evening of films surrounding the work of Charlotte Posenenske
  • A red, white, and black text logo that reads,
    A red, white, and black text logo that reads,
    Kaisa Lassinaro, We (Not I), 2015. [A red, white, and black text logo that reads, "We (not I)."]
    Caption Kaisa Lassinaro, We (Not I), 2015.
    Image description A red, white, and black text logo that reads, "We (not I)."
    Year 2015
    Related pages We (Not I)
  • A photograph of a white walled gallery space densely hung with figurative paintings.
    A photograph of a white walled gallery space densely hung with figurative paintings.
    Min Joong Art. Installation view, Artists Space, 1988. [A photograph of a white walled gallery space densely hung with figurative paintings.]
    Caption Min Joong Art. Installation view, Artists Space, 1988.
    Image description A photograph of a white walled gallery space densely hung with figurative paintings.
    Year 1988
    Related pages Min Joong Art: A New Cultural Moment from Korea
  • David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon
    Caption David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon
    Image description
    Year
    Related pages David Armstrong: Portraits
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    Image description
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • An angled view of two adjacent gray walls displaying various paper material, documents, and photographs.
    An angled view of two adjacent gray walls displaying various paper material, documents, and photographs.
    Living with Pop. A Reproduction of Capitalist Realism. Installation view of the section “Düsseldorf and the Rhineland (1957–1964)," Artists Space, 2014. [An angled view of two adjacent gray walls displaying various paper material, documents, and photographs.]
    Caption Living with Pop. A Reproduction of Capitalist Realism. Installation view of the section “Düsseldorf and the Rhineland (1957–1964)," Artists Space, 2014.
    Image description An angled view of two adjacent gray walls displaying various paper material, documents, and photographs.
    Year 2014
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • Invitation fot Sigrid Burton, Bruce Colvin, Ellen Phelan, Artists Space, 1976
    Caption Invitation fot Sigrid Burton, Bruce Colvin, Ellen Phelan, Artists Space, 1976
    Image description
    Year
    Related pages Sigrid Burton, Bruce Colvin, Ellen Phelan
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
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    Image description
    Year
    Related pages Brad Kronz
  • A white book cover with a narrow column of red and wider column of black on the left side. It is titled,
    A white book cover with a narrow column of red and wider column of black on the left side. It is titled,
    Forgetting the Art World, by Pamela M. Lee, published by MIT Press, 2012. [A white book cover with a narrow column of red and wider column of black on the left side. It is titled, "Forgetting the Art World" by Pamela M. Lee.]
    Caption Forgetting the Art World, by Pamela M. Lee, published by MIT Press, 2012.
    Image description A white book cover with a narrow column of red and wider column of black on the left side. It is titled, "Forgetting the Art World" by Pamela M. Lee.
    Year 2012
    Related pages Art and its Operations
  • A performer plays the violin on stage. The stage and the wall behind it are bathed in orange light.
    A performer plays the violin on stage. The stage and the wall behind it are bathed in orange light.
    Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman. [A performer plays the violin on stage. The stage and the wall behind it are bathed in orange light. ]
    Caption Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A performer plays the violin on stage. The stage and the wall behind it are bathed in orange light.
    Year
    Related pages Abasement #80
  • A wide cyclindrical glass bottle with a lightbulb inserted at its opening.
    A wide cyclindrical glass bottle with a lightbulb inserted at its opening.
    Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich. [A wide cyclindrical glass bottle with a lightbulb inserted at its opening.]
    Caption Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich.
    Image description A wide cyclindrical glass bottle with a lightbulb inserted at its opening.
    Year 2009
    Related pages Paper Exhibition
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Four geometric, silver metal sculptures are installed on the floors of a light-filled gallery space. The sculptures are modular, hollow, and consist of cube-like and triangular metal components.
    Four geometric, silver metal sculptures are installed on the floors of a light-filled gallery space. The sculptures are modular, hollow, and consist of cube-like and triangular metal components.
    Charlotte Posenenske. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Four geometric, silver metal sculptures are installed on the floors of a light-filled gallery space. The sculptures are modular, hollow, and consist of cube-like and triangular metal components.]
    Caption Charlotte Posenenske. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description Four geometric, silver metal sculptures are installed on the floors of a light-filled gallery space. The sculptures are modular, hollow, and consist of cube-like and triangular metal components.
    Year 2010
    Related pages Charlotte Posenenske
  • An installation view shows a darkened space flooded in red light. Between two ornate columns, a projector is mounted close to the ground on a short stand. An iridescent blue glows around a shadow cast by a scientific experiment on the left wall behind, while the ceiling is covered in warm crescent silhouettes. On the back black wall, lines of projected text overlap in varying directions.
    An installation view shows a darkened space flooded in red light. Between two ornate columns, a projector is mounted close to the ground on a short stand. An iridescent blue glows around a shadow cast by a scientific experiment on the left wall behind, while the ceiling is covered in warm crescent silhouettes. On the back black wall, lines of projected text overlap in varying directions.
    Constantina Zavitsanos: fwiw. Installation view, Artists Space, 2024. Photo: Carter Seddon. [An installation view shows a darkened space flooded in red light. Between two ornate columns, a projector is mounted close to the ground on a short stand. An iridescent blue glows around a shadow cast by a scientific experiment on the left wall behind, while the ceiling is covered in warm crescent silhouettes. On the back black wall, lines of projected text overlap in varying directions.]
    Caption Constantina Zavitsanos: fwiw. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description An installation view shows a darkened space flooded in red light. Between two ornate columns, a projector is mounted close to the ground on a short stand. An iridescent blue glows around a shadow cast by a scientific experiment on the left wall behind, while the ceiling is covered in warm crescent silhouettes. On the back black wall, lines of projected text overlap in varying directions.
    Year
    Related pages fwiw
  • An illustrative, yellow, white, and pink image of a woman, holding a cigar to her mouth, in profile view. At the top right corner in white text reads,
    An illustrative, yellow, white, and pink image of a woman, holding a cigar to her mouth, in profile view. At the top right corner in white text reads,
    KP Brehmer Das Gefühl zwischen Fingerkuppen... , 1967 80 copies+ 40 artists proofs, signed and numbered screen print on cardboard, folded, 60 x 36 x 10 cm Courtesy of Edition Block, Berlin [An illustrative, yellow, white, and pink image of a woman, holding a cigar to her mouth, in profile view. At the top right corner in white text reads, "Das gerfül zwischen fingerku ppen." Below a white paper decends with smaller images of various vegetables.]
    Caption KP Brehmer Das Gefühl zwischen Fingerkuppen... , 1967 80 copies+ 40 artists proofs, signed and numbered screen print on cardboard, folded, 60 x 36 x 10 cm Courtesy of Edition Block, Berlin
    Image description An illustrative, yellow, white, and pink image of a woman, holding a cigar to her mouth, in profile view. At the top right corner in white text reads, "Das gerfül zwischen fingerku ppen." Below a white paper decends with smaller images of various vegetables.
    Year 1967
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • Screenshot of an Instagram image posted 18 minutes ago by an account named
    Screenshot of an Instagram image posted 18 minutes ago by an account named
    [Screenshot of an Instagram image posted 18 minutes ago by an account named "tusetamer." The photo depicts an outdoor concrete wall with an air conditioner unit visible in the background. Red text spray painted across the wall reads, "Tayyip / WINTER IS / COMING."]
    Caption
    Image description Screenshot of an Instagram image posted 18 minutes ago by an account named "tusetamer." The photo depicts an outdoor concrete wall with an air conditioner unit visible in the background. Red text spray painted across the wall reads, "Tayyip / WINTER IS / COMING."
    Year 2104
    Related pages Notes on the Anthropocene
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Contact sheet of installation and opening photos from the exhibition.
    Contact sheet of installation and opening photos from the exhibition.
    Selections from the Unaffiliated Artists File. Installation view, Artists Space, 1982. [Contact sheet of installation and opening photos from the exhibition.]
    Caption Selections from the Unaffiliated Artists File. Installation view, Artists Space, 1982.
    Image description Contact sheet of installation and opening photos from the exhibition.
    Year
    Related pages Selections from the Unaffiliated Artists File
  • A wooden table with two chairs arranged in a gallery space. A kite hangs from the ceiling to the right of the chair and table set. Behind the kite is a large, blue carpet spread across the floor, several colorful plastic chairs lined up against the wall, and a video monitor.
    A wooden table with two chairs arranged in a gallery space. A kite hangs from the ceiling to the right of the chair and table set. Behind the kite is a large, blue carpet spread across the floor, several colorful plastic chairs lined up against the wall, and a video monitor.
    Whitney Museum of American Art Independent Study Program Studio Exhibition. Installation view, Artists Space, 2018. Photo: Gustavo Murillo Fernández-Valdés. [A wooden table with two chairs arranged in a gallery space. A kite hangs from the ceiling to the right of the chair and table set. Behind the kite is a large, blue carpet spread across the floor, several colorful plastic chairs lined up against the wall, and a video monitor.]
    Caption Whitney Museum of American Art Independent Study Program Studio Exhibition. Installation view, Artists Space, 2018. Photo: Gustavo Murillo Fernández-Valdés.
    Image description A wooden table with two chairs arranged in a gallery space. A kite hangs from the ceiling to the right of the chair and table set. Behind the kite is a large, blue carpet spread across the floor, several colorful plastic chairs lined up against the wall, and a video monitor.
    Year 2018
    Related pages Whitney Museum of American Art Independent Study Program Studio Exhibition
  • Elisabeth Sussman, © David Armstrong
    Caption Elisabeth Sussman, © David Armstrong
    Image description
    Year
    Related pages Friends of Artists Space Dinner
  • Four collages, framed in a grid on a wall. Each collage features the same backdrop of a man stopped in the middle of the road opening the hood a car, the drivers seat door opened. Each collage features a different colored filter, arranged with images of various Indigenous people on reservations, European historical paintings, animals, gags, signs, objects, and detritus.
    Four collages, framed in a grid on a wall. Each collage features the same backdrop of a man stopped in the middle of the road opening the hood a car, the drivers seat door opened. Each collage features a different colored filter, arranged with images of various Indigenous people on reservations, European historical paintings, animals, gags, signs, objects, and detritus.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Four collages, framed in a grid on a wall. Each collage features the same backdrop of a man stopped in the middle of the road opening the hood a car, the drivers seat door opened. Each collage features a different colored filter, arranged with images of various Indigenous people on reservations, European historical paintings, animals, gags, signs, objects, and detritus.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description Four collages, framed in a grid on a wall. Each collage features the same backdrop of a man stopped in the middle of the road opening the hood a car, the drivers seat door opened. Each collage features a different colored filter, arranged with images of various Indigenous people on reservations, European historical paintings, animals, gags, signs, objects, and detritus.
    Year 2017
    Related pages Unholding
  • A photograph of a gallery space with a long rectangular table and a black chair. On the table is a long sheet of white paper. In the corner hangs eight photographs and print-outs next to a wooden bench.
    A photograph of a gallery space with a long rectangular table and a black chair. On the table is a long sheet of white paper. In the corner hangs eight photographs and print-outs next to a wooden bench.
    Tiffany Sia, The Bastard Scroll, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A photograph of a gallery space with a long rectangular table and a black chair. On the table is a long sheet of white paper. In the corner hangs eight photographs and print-outs next to a wooden bench.]
    Caption Tiffany Sia, The Bastard Scroll, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A photograph of a gallery space with a long rectangular table and a black chair. On the table is a long sheet of white paper. In the corner hangs eight photographs and print-outs next to a wooden bench.
    Year 2021
    Related pages Tiffany Sia: Slippery When Wet
  • Three large, monotone paintings, each hung on its own white wall. A protruding white wall with a blue canvas and white text in French partially obscures a black canvas with white text. Perpendicular to that is a red canvas.
    Three large, monotone paintings, each hung on its own white wall. A protruding white wall with a blue canvas and white text in French partially obscures a black canvas with white text. Perpendicular to that is a red canvas.
    Lise Soskolne. Installation view, Artists Space, 1999. [Three large, monotone paintings, each hung on its own white wall. A protruding white wall with a blue canvas and white text in French partially obscures a black canvas with white text. Perpendicular to that is a red canvas.]
    Caption Lise Soskolne. Installation view, Artists Space, 1999.
    Image description Three large, monotone paintings, each hung on its own white wall. A protruding white wall with a blue canvas and white text in French partially obscures a black canvas with white text. Perpendicular to that is a red canvas.
    Year 1999
    Related pages Lise Soskolne
  • SLIDEFEST, City-As-School and Artists Space BRIDGE presentations, May 2024
    Caption SLIDEFEST, City-As-School and Artists Space BRIDGE presentations, May 2024
    Image description
    Year
    Related pages Exhibitions and Events
  • A color image of four large paintings hanging on a white wall. In the paintings, queer black bodies interact with each other in different settings, such as a hair supply store. Drawn directly on the wall, roses, a hand, a ring and other elements surround the paintings. At the center of the image, hair accesories sit on the floor.
    A color image of four large paintings hanging on a white wall. In the paintings, queer black bodies interact with each other in different settings, such as a hair supply store. Drawn directly on the wall, roses, a hand, a ring and other elements surround the paintings. At the center of the image, hair accesories sit on the floor.
    Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of four large paintings hanging on a white wall. In the paintings, queer black bodies interact with each other in different settings, such as a hair supply store. Drawn directly on the wall, roses, a hand, a ring and other elements surround the paintings. At the center of the image, hair accesories sit on the floor.]
    Caption Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of four large paintings hanging on a white wall. In the paintings, queer black bodies interact with each other in different settings, such as a hair supply store. Drawn directly on the wall, roses, a hand, a ring and other elements surround the paintings. At the center of the image, hair accesories sit on the floor.
    Year
    Related pages Jonathan Lyndon Chase
  • Caption
    Image description
    Year
    Related pages Project: Me and My Mink
  • Black and white image of an audience watching a performance. Some are sitting on chairs, and others stand.
    Black and white image of an audience watching a performance. Some are sitting on chairs, and others stand.
    Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman. [Black and white image of an audience watching a performance. Some are sitting on chairs, and others stand.]
    Caption Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Black and white image of an audience watching a performance. Some are sitting on chairs, and others stand.
    Year
    Related pages Abasement #66
  • Image of a dimly lit basement. Along the back wall, on the left, a shadow of a figure in profile is cast onto a blue and purple projected screen.
    Image of a dimly lit basement. Along the back wall, on the left, a shadow of a figure in profile is cast onto a blue and purple projected screen.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Image of a dimly lit basement. Along the back wall, on the left, a shadow of a figure in profile is cast onto a blue and purple projected screen.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a dimly lit basement. Along the back wall, on the left, a shadow of a figure in profile is cast onto a blue and purple projected screen.
    Year 2022
    Related pages SCRAAATCH 11-18
  • Three figures with misshapen faces appear together in an surreal setting.
    Three figures with misshapen faces appear together in an surreal setting.
    Paul Lamantia. The Critic (A Portrait of Dennis Adrian), 1984. [Three figures with misshapen faces appear together in an surreal setting.]
    Caption Paul Lamantia. The Critic (A Portrait of Dennis Adrian), 1984.
    Image description Three figures with misshapen faces appear together in an surreal setting.
    Year
    Related pages Recent Art from Chicago
  • Two people in the middle of a conversation. The woman is wearing a red cardigan, a white collared shirt, and has short gray hair with square black glasses. The man is wearing a checked blue and white collared shirt and has gray facial hair and round black glasses.
    Two people in the middle of a conversation. The woman is wearing a red cardigan, a white collared shirt, and has short gray hair with square black glasses. The man is wearing a checked blue and white collared shirt and has gray facial hair and round black glasses.
    Still from video interview with Naomi and Stephen Antonakos, conducted by Dean Inkster and Sébastien Pluot, 2010. [Two people in the middle of a conversation. The woman is wearing a red cardigan, a white collared shirt, and has short gray hair with square black glasses. The man is wearing a checked blue and white collared shirt and has gray facial hair and round black glasses.]
    Caption Still from video interview with Naomi and Stephen Antonakos, conducted by Dean Inkster and Sébastien Pluot, 2010.
    Image description Two people in the middle of a conversation. The woman is wearing a red cardigan, a white collared shirt, and has short gray hair with square black glasses. The man is wearing a checked blue and white collared shirt and has gray facial hair and round black glasses.
    Year 2011
    Related pages Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979)
  • In the foreground is a low sculpture made of folding metal framework that contains blue and white geometric prints as well as boxes. In the background are stacks of boxes that are printed with the words
    In the foreground is a low sculpture made of folding metal framework that contains blue and white geometric prints as well as boxes. In the background are stacks of boxes that are printed with the words
    New Economy. Installation view, Artists Space, 2007. [In the foreground is a low sculpture made of folding metal framework that contains blue and white geometric prints as well as boxes. In the background are stacks of boxes that are printed with the words "Das Kapital." Behind them are black and white posters with identical graphs that are titled "The Wealth of Nations."]
    Caption New Economy. Installation view, Artists Space, 2007.
    Image description In the foreground is a low sculpture made of folding metal framework that contains blue and white geometric prints as well as boxes. In the background are stacks of boxes that are printed with the words "Das Kapital." Behind them are black and white posters with identical graphs that are titled "The Wealth of Nations."
    Year
    Related pages New Economy
  • A shirtless man holding a film camera outdoors.
    A shirtless man holding a film camera outdoors.
    Juan Downey, Hepewe, 1976 - 77. Photograph by Juan Downey. Courtesy the Juan Downey Estate, Marilys B. Downey. [A shirtless man holding a film camera outdoors.]
    Caption Juan Downey, Hepewe, 1976 - 77. Photograph by Juan Downey. Courtesy the Juan Downey Estate, Marilys B. Downey.
    Image description A shirtless man holding a film camera outdoors.
    Year
    Related pages Mimetic Exchange: Michael Taussig on Juan Downey and Jean Rouch
  • A photograph of a gallery space with eight prints hung on the rightmost wall and a lightbox mounted on the far wall.
    A photograph of a gallery space with eight prints hung on the rightmost wall and a lightbox mounted on the far wall.
    Adjua Gargi Nzinga Greaves: The x in florxal is silent when spoken. Installation view, Artists Space, 2021. Photo: Filip Wolak. Courtesy Artists Space, New York. [A photograph of a gallery space with eight prints hung on the rightmost wall and a lightbox mounted on the far wall.]
    Caption Adjua Gargi Nzinga Greaves: The x in florxal is silent when spoken. Installation view, Artists Space, 2021. Photo: Filip Wolak. Courtesy Artists Space, New York.
    Image description A photograph of a gallery space with eight prints hung on the rightmost wall and a lightbox mounted on the far wall.
    Year 2021
    Related pages Adjua Gargi Nzinga Greaves
  • Yellow text on a brown background reading
    Yellow text on a brown background reading
    Kelly Poe, Leave, Take, Kill, 2004. Courtesy the artist and Anna Helwing Gallery, Los Angeles. [Yellow text on a brown background reading "LEAVE NOTHING BUT FOOTPRINTS / TAKE NOTHING BUT PICTURES / KILL NOTHING BUT TIME."]
    Caption Kelly Poe, Leave, Take, Kill, 2004. Courtesy the artist and Anna Helwing Gallery, Los Angeles.
    Image description Yellow text on a brown background reading "LEAVE NOTHING BUT FOOTPRINTS / TAKE NOTHING BUT PICTURES / KILL NOTHING BUT TIME."
    Year 2004
    Related pages International Geographic
  • A digital rendering of two people in a room with white walls. One avatar has long blonde hair and is pointing a gun at the other avatar, who stands up against the wall.
    A digital rendering of two people in a room with white walls. One avatar has long blonde hair and is pointing a gun at the other avatar, who stands up against the wall.
    Reenactment of Chris Burden's Shoot (Synthetic Performance in Second Life), 2007. Courtesy of Postmasters Gallery, New York. [A digital rendering of two people in a room with white walls. One avatar has long blonde hair and is pointing a gun at the other avatar, who stands up against the wall.]
    Caption Reenactment of Chris Burden's Shoot (Synthetic Performance in Second Life), 2007. Courtesy of Postmasters Gallery, New York.
    Image description A digital rendering of two people in a room with white walls. One avatar has long blonde hair and is pointing a gun at the other avatar, who stands up against the wall.
    Year 2007
    Related pages Synthetic Performances
  • Cindy Sherman. Untitled (Secretary), 1978 . Photographed for Cover Magazine.
    Caption Cindy Sherman. Untitled (Secretary), 1978 . Photographed for Cover Magazine.
    Image description
    Year
    Related pages 40 Years of Artists Space
  • Black and white photograph of cursive white text on a black background on the floor of a room with an upside down chair in the foreground and a heater in the background.
    Black and white photograph of cursive white text on a black background on the floor of a room with an upside down chair in the foreground and a heater in the background.
    Margia Kramer. Installation view, Artists Space, 1980. [Black and white photograph of cursive white text on a black background on the floor of a room with an upside down chair in the foreground and a heater in the background.]
    Caption Margia Kramer. Installation view, Artists Space, 1980.
    Image description Black and white photograph of cursive white text on a black background on the floor of a room with an upside down chair in the foreground and a heater in the background.
    Year
    Related pages Margia Kramer
  • A color installation view of a gallery space with a white column, and three white tables.
    A color installation view of a gallery space with a white column, and three white tables.
    Don Gummer. Installation view, Artists Space, 1974. [A color installation view of a gallery space with a white column, and three white tables.]
    Caption Don Gummer. Installation view, Artists Space, 1974.
    Image description A color installation view of a gallery space with a white column, and three white tables.
    Year 1974
    Related pages Laurie Anderson, Don Gummer, Barbara Kruger
  • Color photograph of a figure wearing black, holding a long wooden stick over a reflective surface with an orange construction net over it.
    Color photograph of a figure wearing black, holding a long wooden stick over a reflective surface with an orange construction net over it.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure wearing black, holding a long wooden stick over a reflective surface with an orange construction net over it.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a figure wearing black, holding a long wooden stick over a reflective surface with an orange construction net over it.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A figure sits in front of a microphone and reads a story off of a piece of paper.
    A figure sits in front of a microphone and reads a story off of a piece of paper.
    Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata [A figure sits in front of a microphone and reads a story off of a piece of paper.]
    Caption Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata
    Image description A figure sits in front of a microphone and reads a story off of a piece of paper.
    Year 2023
    Related pages Yasunao Tone in Concert with Barbara Held
  • A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.]
    Caption Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979.
    Image description A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Year 1979
    Related pages Patricia Hearst - A Second Reading
  • A pink piece of paper with the typed text
    A pink piece of paper with the typed text
    Neil Goldberg, Fortune 500 Dream Fax Project, 1996. [A pink piece of paper with the typed text "Dream Fax Transmission Sheet" positioned at its top edge. Underneath, there is a handwritten account of the artist's dream from 3/26/96.]
    Caption Neil Goldberg, Fortune 500 Dream Fax Project, 1996.
    Image description A pink piece of paper with the typed text "Dream Fax Transmission Sheet" positioned at its top edge. Underneath, there is a handwritten account of the artist's dream from 3/26/96.
    Year 1996
    Related pages A Strategy Hinted At: New Conceptual Artists
  • Trip to Artists Space to see fwiw Constantina Zavitsanos exhibition, 2024
    Caption Trip to Artists Space to see fwiw Constantina Zavitsanos exhibition, 2024
    Image description
    Year
    Related pages Listening to the LES
  • A box-like structure made of wooden boards casts a shadow. The top of the structure is open, revealing an interior lining.
    A box-like structure made of wooden boards casts a shadow. The top of the structure is open, revealing an interior lining.
    Brad Kronz, Thank the Poet, 2025. Wood, stain, marker, screws, carpet, fabric, board. Photo: Carter Seddon [A box-like structure made of wooden boards casts a shadow. The top of the structure is open, revealing an interior lining. ]
    Caption Brad Kronz, Thank the Poet, 2025. Wood, stain, marker, screws, carpet, fabric, board. Photo: Carter Seddon
    Image description A box-like structure made of wooden boards casts a shadow. The top of the structure is open, revealing an interior lining.
    Year
    Related pages Brad Kronz
  • An ant is mounted on a white surface by a white pin through its center. Its shadow is visible underneath it.
    An ant is mounted on a white surface by a white pin through its center. Its shadow is visible underneath it.
    Mark Morrisroe, Untitled, 1986. Courtesy The Estate of Mark Morrisroe (Ringier Collection) at Fotomuseum Winterthur. [An ant is mounted on a white surface by a white pin through its center. Its shadow is visible underneath it.]
    Caption Mark Morrisroe, Untitled, 1986. Courtesy The Estate of Mark Morrisroe (Ringier Collection) at Fotomuseum Winterthur.
    Image description An ant is mounted on a white surface by a white pin through its center. Its shadow is visible underneath it.
    Year 2011
    Related pages Mark Morrisroe: From This Moment On
  • Two dynamic images of a group of individuals pinned by large push pins on a green gallery wall.
    Two dynamic images of a group of individuals pinned by large push pins on a green gallery wall.
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [Two dynamic images of a group of individuals pinned by large push pins on a green gallery wall.]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description Two dynamic images of a group of individuals pinned by large push pins on a green gallery wall.
    Year 2021
    Related pages ART CLUB2000
  • A hand extends its fingers admist a shower of droplets of liquid. A bright light shines on the hand and droplets.
    A hand extends its fingers admist a shower of droplets of liquid. A bright light shines on the hand and droplets.
    [A hand extends its fingers admist a shower of droplets of liquid. A bright light shines on the hand and droplets.]
    Caption
    Image description A hand extends its fingers admist a shower of droplets of liquid. A bright light shines on the hand and droplets.
    Year 2008
    Related pages Nina in Position
  • A pile of trash, including Starbucks cups, empty packs of cigarettes, newspaper, and food remnants, is strewn across the ground.
    A pile of trash, including Starbucks cups, empty packs of cigarettes, newspaper, and food remnants, is strewn across the ground.
    ART CLUB2000, Untitled (Starbucks Trash), 1995, 11 x 14 inches, black and white photograph. [A pile of trash, including Starbucks cups, empty packs of cigarettes, newspaper, and food remnants, is strewn across the ground.]
    Caption ART CLUB2000, Untitled (Starbucks Trash), 1995, 11 x 14 inches, black and white photograph.
    Image description A pile of trash, including Starbucks cups, empty packs of cigarettes, newspaper, and food remnants, is strewn across the ground.
    Year 1995
    Related pages ART CLUB2000
  • Color photograph of a corner of a gallery space. On the left wall hang various framed posters, and black-and-white photographs. A small window in the wall leads to the front of the gallery. On the right wall are more photographs and posters, and a vitrine. On the floor sits a television monitor displaying a black-and-white image of a pocketwatch.
    Color photograph of a corner of a gallery space. On the left wall hang various framed posters, and black-and-white photographs. A small window in the wall leads to the front of the gallery. On the right wall are more photographs and posters, and a vitrine. On the floor sits a television monitor displaying a black-and-white image of a pocketwatch.
    Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a corner of a gallery space. On the left wall hang various framed posters, and black-and-white photographs. A small window in the wall leads to the front of the gallery. On the right wall are more photographs and posters, and a vitrine. On the floor sits a television monitor displaying a black-and-white image of a pocketwatch.]
    Caption Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a corner of a gallery space. On the left wall hang various framed posters, and black-and-white photographs. A small window in the wall leads to the front of the gallery. On the right wall are more photographs and posters, and a vitrine. On the floor sits a television monitor displaying a black-and-white image of a pocketwatch.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • A geometric composition of black, blue, yellow, red, and orange flat shapes on a white background.
    A geometric composition of black, blue, yellow, red, and orange flat shapes on a white background.
    Shirley Jaffe. The Blue Daisy, 1988-89. [A geometric composition of black, blue, yellow, red, and orange flat shapes on a white background.]
    Caption Shirley Jaffe. The Blue Daisy, 1988-89.
    Image description A geometric composition of black, blue, yellow, red, and orange flat shapes on a white background.
    Year
    Related pages Shirley Jaffe and Murray Reich
  • A view of a white-walled gallery with large abstract paintings hanging on the walls and a small pedestal display case on the right.
    A view of a white-walled gallery with large abstract paintings hanging on the walls and a small pedestal display case on the right.
    Benito Huerta: Attempted, Not Known. Installation view, Artists Space, 1989. [A view of a white-walled gallery with large abstract paintings hanging on the walls and a small pedestal display case on the right.]
    Caption Benito Huerta: Attempted, Not Known. Installation view, Artists Space, 1989.
    Image description A view of a white-walled gallery with large abstract paintings hanging on the walls and a small pedestal display case on the right.
    Year 1989
    Related pages Project: Attempted, Not Known
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • In an open gallery space, three vitirnes stand surrounded by walls displaying large color photographs.
    In an open gallery space, three vitirnes stand surrounded by walls displaying large color photographs.
    David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon [In an open gallery space, three vitirnes stand surrounded by walls displaying large color photographs. ]
    Caption David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon
    Image description In an open gallery space, three vitirnes stand surrounded by walls displaying large color photographs.
    Year
    Related pages David Armstrong: Portraits
  • A performer caught in motion dances with their hands above their head, hanging at an angle. The performer is dappled in white lights.
    A performer caught in motion dances with their hands above their head, hanging at an angle. The performer is dappled in white lights.
    Abasement #86. Performance documentation, April 6th, 2026, Artists Space. Photo: Joshua Wildman. [A performer caught in motion dances with their hands above their head, hanging at an angle. The performer is dappled in white lights. ]
    Caption Abasement #86. Performance documentation, April 6th, 2026, Artists Space. Photo: Joshua Wildman.
    Image description A performer caught in motion dances with their hands above their head, hanging at an angle. The performer is dappled in white lights.
    Year
    Related pages Abasement #86
  • Red and green text overlay an orange background with abstract lines and a drawing of a male figure riding a horse in the bottom left corner. The text in the middle reads
    Red and green text overlay an orange background with abstract lines and a drawing of a male figure riding a horse in the bottom left corner. The text in the middle reads
    Flyer for Segue Reading Series featuring erica kaufman and M. Lamar. January 28, 2023, Artists Space. [Red and green text overlay an orange background with abstract lines and a drawing of a male figure riding a horse in the bottom left corner. The text in the middle reads "erica kaufman / Segue Reading Series / M. Lamar."]
    Caption Flyer for Segue Reading Series featuring erica kaufman and M. Lamar. January 28, 2023, Artists Space.
    Image description Red and green text overlay an orange background with abstract lines and a drawing of a male figure riding a horse in the bottom left corner. The text in the middle reads "erica kaufman / Segue Reading Series / M. Lamar."
    Year
    Related pages Segue Reading Series: erica kaufman & M. Lamar
  • A color image of a gallery space with several works exhibited throughout the room. On the left, a drawing hangs from a wooden wall. A creature-like sculpture made out of papier-mâche sits on top of packs of Comet cleaning powder. On the back wall, a colorful drawing hangs on the white wall. An old metal stove sits on the corner next to some wood. Two columns stand in the middle of the room, and are surrounded by kinetic sculptures made out of a variety of objects like wood, tree branches and construction blocks. In between the columns, two wooden window frames hang from the ceiling. Different scenes painted onto the glass. On the right, a black and white drawing with details on blue hangs on the wall.
    A color image of a gallery space with several works exhibited throughout the room. On the left, a drawing hangs from a wooden wall. A creature-like sculpture made out of papier-mâche sits on top of packs of Comet cleaning powder. On the back wall, a colorful drawing hangs on the white wall. An old metal stove sits on the corner next to some wood. Two columns stand in the middle of the room, and are surrounded by kinetic sculptures made out of a variety of objects like wood, tree branches and construction blocks. In between the columns, two wooden window frames hang from the ceiling. Different scenes painted onto the glass. On the right, a black and white drawing with details on blue hangs on the wall.
    Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of a gallery space with several works exhibited throughout the room. On the left, a drawing hangs from a wooden wall. A creature-like sculpture made out of papier-mâche sits on top of packs of Comet cleaning powder. On the back wall, a colorful drawing hangs on the white wall. An old metal stove sits on the corner next to some wood. Two columns stand in the middle of the room, and are surrounded by kinetic sculptures made out of a variety of objects like wood, tree branches and construction blocks. In between the columns, two wooden window frames hang from the ceiling. Different scenes painted onto the glass. On the right, a black and white drawing with details on blue hangs on the wall.]
    Caption Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of a gallery space with several works exhibited throughout the room. On the left, a drawing hangs from a wooden wall. A creature-like sculpture made out of papier-mâche sits on top of packs of Comet cleaning powder. On the back wall, a colorful drawing hangs on the white wall. An old metal stove sits on the corner next to some wood. Two columns stand in the middle of the room, and are surrounded by kinetic sculptures made out of a variety of objects like wood, tree branches and construction blocks. In between the columns, two wooden window frames hang from the ceiling. Different scenes painted onto the glass. On the right, a black and white drawing with details on blue hangs on the wall.
    Year
    Related pages Char Jeré: Zoo or an Orchestra
  • Color photo of an installation work in a gallery space. In the left foreground, two windows with images painted on the glass are hung from the ceiling. In the center midground, ceramic sculptures and kinetic sculptures made of branches surround a structural column. To the right of the column, a large paper-mache sculpture rests atop Comet cleaner bottles. In the background, two large drawings done on carbaord hang from a wooden partition wall.
    Color photo of an installation work in a gallery space. In the left foreground, two windows with images painted on the glass are hung from the ceiling. In the center midground, ceramic sculptures and kinetic sculptures made of branches surround a structural column. To the right of the column, a large paper-mache sculpture rests atop Comet cleaner bottles. In the background, two large drawings done on carbaord hang from a wooden partition wall.
    Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photo of an installation work in a gallery space. In the left foreground, two windows with images painted on the glass are hung from the ceiling. In the center midground, ceramic sculptures and kinetic sculptures made of branches surround a structural column. To the right of the column, a large paper-mache sculpture rests atop Comet cleaner bottles. In the background, two large drawings done on carbaord hang from a wooden partition wall.]
    Caption Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photo of an installation work in a gallery space. In the left foreground, two windows with images painted on the glass are hung from the ceiling. In the center midground, ceramic sculptures and kinetic sculptures made of branches surround a structural column. To the right of the column, a large paper-mache sculpture rests atop Comet cleaner bottles. In the background, two large drawings done on carbaord hang from a wooden partition wall.
    Year
    Related pages Char Jeré: Zoo or an Orchestra
  • A figure sits behind a table, looking at a laptop, and speaking into a microphone.
    A figure sits behind a table, looking at a laptop, and speaking into a microphone.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure sits behind a table, looking at a laptop, and speaking into a microphone.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure sits behind a table, looking at a laptop, and speaking into a microphone.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • A close up, blue and white halftone image of a figure wiping their mouth with a handkerchief. Their mouth is partially open, exposing their teeth, and a lipstick-like material is smudged around their mouth.
    A close up, blue and white halftone image of a figure wiping their mouth with a handkerchief. Their mouth is partially open, exposing their teeth, and a lipstick-like material is smudged around their mouth.
    Stéphanie Smith, still from Untitled (Tissue), 1994. Video. [A close up, blue and white halftone image of a figure wiping their mouth with a handkerchief. Their mouth is partially open, exposing their teeth, and a lipstick-like material is smudged around their mouth.]
    Caption Stéphanie Smith, still from Untitled (Tissue), 1994. Video.
    Image description A close up, blue and white halftone image of a figure wiping their mouth with a handkerchief. Their mouth is partially open, exposing their teeth, and a lipstick-like material is smudged around their mouth.
    Year 1994
    Related pages Video from the Centre Georges Pompidou, Paris
  • A display case holds materials in the middle of a neutral colored room. A black and white video is projected on a wall on the left side of the room. The projection faces a wall displaying several framed photographs and drawings.
    A display case holds materials in the middle of a neutral colored room. A black and white video is projected on a wall on the left side of the room. The projection faces a wall displaying several framed photographs and drawings.
    Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A display case holds materials in the middle of a neutral colored room. A black and white video is projected on a wall on the left side of the room. The projection faces a wall displaying several framed photographs and drawings.]
    Caption Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A display case holds materials in the middle of a neutral colored room. A black and white video is projected on a wall on the left side of the room. The projection faces a wall displaying several framed photographs and drawings.
    Year 2018
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • A computer rendering of a purple and amorphous form composed of long, extending tube shapes on a white background.
    A computer rendering of a purple and amorphous form composed of long, extending tube shapes on a white background.
    [A computer rendering of a purple and amorphous form composed of long, extending tube shapes on a white background.]
    Caption
    Image description A computer rendering of a purple and amorphous form composed of long, extending tube shapes on a white background.
    Year 2008
    Related pages Matters of Sensation
  • Image of a basement with a rectangular shaped sculpture made of a wooden frame with fresnel lenses placed along the top and sides. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Image of a basement with a rectangular shaped sculpture made of a wooden frame with fresnel lenses placed along the top and sides. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with a rectangular shaped sculpture made of a wooden frame with fresnel lenses placed along the top and sides. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a basement with a rectangular shaped sculpture made of a wooden frame with fresnel lenses placed along the top and sides. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Year 2022
    Related pages SCRAAATCH 11-18
  • An abstract, gestural drawing in neutral tones, with the names of metal elements at the bottom of the page.
    An abstract, gestural drawing in neutral tones, with the names of metal elements at the bottom of the page.
    Cheyney Thompson, Untitled, 2015, Offset and metal powders in acrylic binder on synthetic paper, with handwriting, 22 ½ x 19 in / 57,2 x 48,3 cm, Each unique with hand notation [An abstract, gestural drawing in neutral tones, with the names of metal elements at the bottom of the page.]
    Caption Cheyney Thompson, Untitled, 2015, Offset and metal powders in acrylic binder on synthetic paper, with handwriting, 22 ½ x 19 in / 57,2 x 48,3 cm, Each unique with hand notation
    Image description An abstract, gestural drawing in neutral tones, with the names of metal elements at the bottom of the page.
    Year 2016
    Related pages Artists Space Annual Edition Portfolio 2016
  • Color photograph of a hand, fingers outstretched and manipulating a group of suspended wires that run across the frame.
    Color photograph of a hand, fingers outstretched and manipulating a group of suspended wires that run across the frame.
    New Music Circle, St. Louis. Photo: Theo R. Welling [Color photograph of a hand, fingers outstretched and manipulating a group of suspended wires that run across the frame.]
    Caption New Music Circle, St. Louis. Photo: Theo R. Welling
    Image description Color photograph of a hand, fingers outstretched and manipulating a group of suspended wires that run across the frame.
    Year
    Related pages Ellen Fullman & JACK Quartet
  • Two rooms in a large gallery space are visible, with artworks hung on the walls and sculptures in the center of the further room.
    Two rooms in a large gallery space are visible, with artworks hung on the walls and sculptures in the center of the further room.
    Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith. [Two rooms in a large gallery space are visible, with artworks hung on the walls and sculptures in the center of the further room.]
    Caption Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith.
    Image description Two rooms in a large gallery space are visible, with artworks hung on the walls and sculptures in the center of the further room.
    Year 1989
    Related pages Witnesses: Against Our Vanishing
  • Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They have papers taped and placed over their face.
    Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They have papers taped and placed over their face.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They have papers taped and placed over their face.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They have papers taped and placed over their face.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.
    Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.
    Year 2022
    Related pages keyon gaskin 12-18
  • A black and white oil painting of two people on black tile flooring. Only their legs are visible. One person is lying on the ground, the other is squatting and holding a notebook.
    A black and white oil painting of two people on black tile flooring. Only their legs are visible. One person is lying on the ground, the other is squatting and holding a notebook.
    Jordan Kantor, Untitled (forensic scene), 2004. Oil on canvas, 32 x 48 inches. Courtesy the artist. [A black and white oil painting of two people on black tile flooring. Only their legs are visible. One person is lying on the ground, the other is squatting and holding a notebook.]
    Caption Jordan Kantor, Untitled (forensic scene), 2004. Oil on canvas, 32 x 48 inches. Courtesy the artist.
    Image description A black and white oil painting of two people on black tile flooring. Only their legs are visible. One person is lying on the ground, the other is squatting and holding a notebook.
    Year 2004
    Related pages Recent Paintings
  • White text on a grey and blue ombré background. The text reads: “March 8 / Farnoosh Fathi / A. B. Spellman.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    White text on a grey and blue ombré background. The text reads: “March 8 / Farnoosh Fathi / A. B. Spellman.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [White text on a grey and blue ombré background. The text reads: “March 8 / Farnoosh Fathi / A. B. Spellman.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description White text on a grey and blue ombré background. The text reads: “March 8 / Farnoosh Fathi / A. B. Spellman.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Farnoosh Fathi & A. B. Spellman
  • A large gallery space houses a variety of plinths made of MDF atop of which are placed various archival documents and objects, such as exhibition pamphlets and art historical journals.
    A large gallery space houses a variety of plinths made of MDF atop of which are placed various archival documents and objects, such as exhibition pamphlets and art historical journals.
    Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [A large gallery space houses a variety of plinths made of MDF atop of which are placed various archival documents and objects, such as exhibition pamphlets and art historical journals. ]
    Caption Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Image description A large gallery space houses a variety of plinths made of MDF atop of which are placed various archival documents and objects, such as exhibition pamphlets and art historical journals.
    Year
    Related pages Michael Asher
  • A figure stands behind a microphone stand, one hand raised to their chin and the other arm up and pointing away from themselves. The figure stands in front of a blank background.
    A figure stands behind a microphone stand, one hand raised to their chin and the other arm up and pointing away from themselves. The figure stands in front of a blank background.
    Gregg Bordowitz, Open Book: Letters, Marks, Politics, 2024, lecture performance, Bonner Kunstverein. Photo: Max Beck. [A figure stands behind a microphone stand, one hand raised to their chin and the other arm up and pointing away from themselves. The figure stands in front of a blank background.]
    Caption Gregg Bordowitz, Open Book: Letters, Marks, Politics, 2024, lecture performance, Bonner Kunstverein. Photo: Max Beck.
    Image description A figure stands behind a microphone stand, one hand raised to their chin and the other arm up and pointing away from themselves. The figure stands in front of a blank background.
    Year 2024
    Related pages One Night Only
  • Two figures perform in a basement. On the left a figure with a video camera and shoulder rig takes footage of another figure on the right, dressed in a blue morph suit, and pushing a semicircular rolling table made of wood and fresnel lenses. Along the back wall blue and purple tinted live CCTV video footage is projected.
    Two figures perform in a basement. On the left a figure with a video camera and shoulder rig takes footage of another figure on the right, dressed in a blue morph suit, and pushing a semicircular rolling table made of wood and fresnel lenses. Along the back wall blue and purple tinted live CCTV video footage is projected.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Two figures perform in a basement. On the left a figure with a video camera and shoulder rig takes footage of another figure on the right, dressed in a blue morph suit, and pushing a semicircular rolling table made of wood and fresnel lenses. Along the back wall blue and purple tinted live CCTV video footage is projected.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Two figures perform in a basement. On the left a figure with a video camera and shoulder rig takes footage of another figure on the right, dressed in a blue morph suit, and pushing a semicircular rolling table made of wood and fresnel lenses. Along the back wall blue and purple tinted live CCTV video footage is projected.
    Year 2022
    Related pages SCRAAATCH 11-18
  • A figure in a white suit crouches on the floor of a gallery space, speaking into a microphone held in one hand while reading from a series of papers stewn about her on the ground. The ground is unevenly covered in a grainy, brown dirt-like material. A flashlight rests on the ground at her feet, pointing towards and illuminating a sculpture composed of a large glass pane wedged into the center of a square concrete block. String, golden tassles, and other sparkling ornaments hang on the glass pane.
    A figure in a white suit crouches on the floor of a gallery space, speaking into a microphone held in one hand while reading from a series of papers stewn about her on the ground. The ground is unevenly covered in a grainy, brown dirt-like material. A flashlight rests on the ground at her feet, pointing towards and illuminating a sculpture composed of a large glass pane wedged into the center of a square concrete block. String, golden tassles, and other sparkling ornaments hang on the glass pane.
    Fifth Season Act, Apotheosically. Performance documentation, May 31, 2012, Artists Space. [A figure in a white suit crouches on the floor of a gallery space, speaking into a microphone held in one hand while reading from a series of papers stewn about her on the ground. The ground is unevenly covered in a grainy, brown dirt-like material. A flashlight rests on the ground at her feet, pointing towards and illuminating a sculpture composed of a large glass pane wedged into the center of a square concrete block. String, golden tassles, and other sparkling ornaments hang on the glass pane.]
    Caption Fifth Season Act, Apotheosically. Performance documentation, May 31, 2012, Artists Space.
    Image description A figure in a white suit crouches on the floor of a gallery space, speaking into a microphone held in one hand while reading from a series of papers stewn about her on the ground. The ground is unevenly covered in a grainy, brown dirt-like material. A flashlight rests on the ground at her feet, pointing towards and illuminating a sculpture composed of a large glass pane wedged into the center of a square concrete block. String, golden tassles, and other sparkling ornaments hang on the glass pane.
    Year 2012
    Related pages Fifth Season Act, Apotheosically
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    Related pages Abasement #77
  • A black-and-white image of a woman wearing a striped dress and clip-on hat, eyes closed, arms stretched behind her. She stands in a room with several linens pinned to the walls and floor
    A black-and-white image of a woman wearing a striped dress and clip-on hat, eyes closed, arms stretched behind her. She stands in a room with several linens pinned to the walls and floor
    The Baroness Elsa von Freytag-Loringhoven, 1915 [A black-and-white image of a woman wearing a striped dress and clip-on hat, eyes closed, arms stretched behind her. She stands in a room with several linens pinned to the walls and floor]
    Caption The Baroness Elsa von Freytag-Loringhoven, 1915
    Image description A black-and-white image of a woman wearing a striped dress and clip-on hat, eyes closed, arms stretched behind her. She stands in a room with several linens pinned to the walls and floor
    Year 1915
    Related pages Presence and Absence
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A magazine cover depicting a grid of international stamps.
    A magazine cover depicting a grid of international stamps.
    The Happy Hypocrite - Freedom Issue 6. [A magazine cover depicting a grid of international stamps.]
    Caption The Happy Hypocrite - Freedom Issue 6.
    Image description A magazine cover depicting a grid of international stamps.
    Year 2013
    Related pages The Happy Hypocrite - Freedom Issue 6, Edited by Lynne Tillman
  • A horizontal image with a flat, light blue background. On the right side is a pink, cotton candy-like image of a cloud. The word,
    A horizontal image with a flat, light blue background. On the right side is a pink, cotton candy-like image of a cloud. The word,
    Flyer for Segue Reading Series featuring Kamden Hilliard and E.J. McAdams. Saturday, November 13, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel [A horizontal image with a flat, light blue background. On the right side is a pink, cotton candy-like image of a cloud. The word, "Segue" appears in pink text on the top left side. The name, "Kamden Hilliard," is written on the center-left in large red text, while the name, "Laura Elrick," appears in purple on the center-right.]
    Caption Flyer for Segue Reading Series featuring Kamden Hilliard and E.J. McAdams. Saturday, November 13, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel
    Image description A horizontal image with a flat, light blue background. On the right side is a pink, cotton candy-like image of a cloud. The word, "Segue" appears in pink text on the top left side. The name, "Kamden Hilliard," is written on the center-left in large red text, while the name, "Laura Elrick," appears in purple on the center-right.
    Year 2021
    Related pages Segue Reading Series: Laura Elrick & E.J. McAdams
  • Three paper bags, decorated in collage and drawing, sit on pedestals of varying heights. An abstract lanscape painting hangs on a wall behind them. To the left, a purple painting of an buffalo hangs on another wall.
    Three paper bags, decorated in collage and drawing, sit on pedestals of varying heights. An abstract lanscape painting hangs on a wall behind them. To the left, a purple painting of an buffalo hangs on another wall.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Three paper bags, decorated in collage and drawing, sit on pedestals of varying heights. An abstract lanscape painting hangs on a wall behind them. To the left, a purple painting of an buffalo hangs on another wall.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description Three paper bags, decorated in collage and drawing, sit on pedestals of varying heights. An abstract lanscape painting hangs on a wall behind them. To the left, a purple painting of an buffalo hangs on another wall.
    Year 2017
    Related pages Unholding
  • Jaylynn Reyna, Legendary, 2022, digital photograph
    Caption Jaylynn Reyna, Legendary, 2022, digital photograph
    Image description
    Year 2022
    Related pages Scholastic Art and Writing Awards
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    Related pages Bookstore
  • A black and white video still of a group of people in a street. One is sitting on a bicycle, another to the right leans against a trash can and looks down at their shoes.
    A black and white video still of a group of people in a street. One is sitting on a bicycle, another to the right leans against a trash can and looks down at their shoes.
    Andrea Callard, still from Standard Adult Wheelchair; Temporary participation for an analogous situation. Black and white video, 6 min, c. 1977. [A black and white video still of a group of people in a street. One is sitting on a bicycle, another to the right leans against a trash can and looks down at their shoes.]
    Caption Andrea Callard, still from Standard Adult Wheelchair; Temporary participation for an analogous situation. Black and white video, 6 min, c. 1977.
    Image description A black and white video still of a group of people in a street. One is sitting on a bicycle, another to the right leans against a trash can and looks down at their shoes.
    Year 1977
    Related pages Artists Super 8 Film Exposition
  • A chandelier-like structure with clear crystals at its top and bottom, and green jewels arranged in increasing tiers at its center.
    A chandelier-like structure with clear crystals at its top and bottom, and green jewels arranged in increasing tiers at its center.
    Jeff Francis, 1996. Photo: Gordon Munro. [A chandelier-like structure with clear crystals at its top and bottom, and green jewels arranged in increasing tiers at its center.]
    Caption Jeff Francis, 1996. Photo: Gordon Munro.
    Image description A chandelier-like structure with clear crystals at its top and bottom, and green jewels arranged in increasing tiers at its center.
    Year 1996
    Related pages Jeff Francis
  • A candlestick holder, a small glass box and a plate with rocks and leaves sit on a windowsill.
    A candlestick holder, a small glass box and a plate with rocks and leaves sit on a windowsill.
    Adjua Gargi Nzinga Greaves, For Aricka, Ayana, Ayodele, Bernice, Chantelle, Charmaine, Cynthia Ch., Cynthia Co., Daphne, Davina, Dawn, Dina, Emily, Erica, Evadne, Frances, Gail, Gwen, Hara, Heather, Imanei, Imani, Janet, Jenny, Kadija, Kahdeidra, kale, Kelly, Kenya (R), LesLes, Lois, Lynnette, Madeleine, Mahogany, Marsha, Maiya, Najela, Nontsi, Ola, Pilar, Queen, RaFia, Ro-Ro, Sandra, Sasha, Serenity, Shana, Simone L, Simone W, Tabitha, Taiyi, Trinity, Uchenna, Vivian, Wangechi, X, Yvette, Zuri, detail, 2021. Living plants: Hannibal (Epipremnum aureum) with rose quartz, Gertrude Deuxieme (Tillandsia xerographica), Leonie (Philodendron totem), Eversley Deuxieme (Tillandsia xerographica), Melford (Epipremnum aureum) with amethyst; dessicated floral matter (eucalyptus, grass, willow, palm), knight on horseback figurine, brass candlesticks, polystyrene, porcelain and 18 karat gold plates, crystals (various), bamboo earrings, jade, cremains, leather, cork, glass, dragon figurine, sandalwood incense and ceramic holder, palo santo (Bursera graveolens), and window, overall dimensions variable. Courtesy Artists SPace, New York. Photo: Filip Wolak [A candlestick holder, a small glass box and a plate with rocks and leaves sit on a windowsill.]
    Caption Adjua Gargi Nzinga Greaves, For Aricka, Ayana, Ayodele, Bernice, Chantelle, Charmaine, Cynthia Ch., Cynthia Co., Daphne, Davina, Dawn, Dina, Emily, Erica, Evadne, Frances, Gail, Gwen, Hara, Heather, Imanei, Imani, Janet, Jenny, Kadija, Kahdeidra, kale, Kelly, Kenya (R), LesLes, Lois, Lynnette, Madeleine, Mahogany, Marsha, Maiya, Najela, Nontsi, Ola, Pilar, Queen, RaFia, Ro-Ro, Sandra, Sasha, Serenity, Shana, Simone L, Simone W, Tabitha, Taiyi, Trinity, Uchenna, Vivian, Wangechi, X, Yvette, Zuri, detail, 2021. Living plants: Hannibal (Epipremnum aureum) with rose quartz, Gertrude Deuxieme (Tillandsia xerographica), Leonie (Philodendron totem), Eversley Deuxieme (Tillandsia xerographica), Melford (Epipremnum aureum) with amethyst; dessicated floral matter (eucalyptus, grass, willow, palm), knight on horseback figurine, brass candlesticks, polystyrene, porcelain and 18 karat gold plates, crystals (various), bamboo earrings, jade, cremains, leather, cork, glass, dragon figurine, sandalwood incense and ceramic holder, palo santo (Bursera graveolens), and window, overall dimensions variable. Courtesy Artists SPace, New York. Photo: Filip Wolak
    Image description A candlestick holder, a small glass box and a plate with rocks and leaves sit on a windowsill.
    Year 2021
    Related pages Adjua Gargi Nzinga Greaves
  • Assorted animals, including tropical fish, birds, reptiles, a cat, dog, and rabbit are drawn in black marker on yellow paper.
    Assorted animals, including tropical fish, birds, reptiles, a cat, dog, and rabbit are drawn in black marker on yellow paper.
    Gedi Sibony Animal Scramble, 2013, Archival inkjet print, 14 1/4 x 13 1/2 in / 36,2 x 34,3 cm (image size), 24 x 20 in / 61 x 51 cm (paper size), Signed and Numbered. [Assorted animals, including tropical fish, birds, reptiles, a cat, dog, and rabbit are drawn in black marker on yellow paper.]
    Caption Gedi Sibony Animal Scramble, 2013, Archival inkjet print, 14 1/4 x 13 1/2 in / 36,2 x 34,3 cm (image size), 24 x 20 in / 61 x 51 cm (paper size), Signed and Numbered.
    Image description Assorted animals, including tropical fish, birds, reptiles, a cat, dog, and rabbit are drawn in black marker on yellow paper.
    Year 2013
    Related pages Annual Edition Portfolio
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  • A painting of a lamb figurine.
    A painting of a lamb figurine.
    Brett Reichman, Squeaker, 1991. Oil on canvas, 36 x 36 inches. Courtesy the artist. [A painting of a lamb figurine.]
    Caption Brett Reichman, Squeaker, 1991. Oil on canvas, 36 x 36 inches. Courtesy the artist.
    Image description A painting of a lamb figurine.
    Year 1991
    Related pages Writers Who Love Too Much
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  • Nuestro Reflejo exhibition at Morris Jumel Mansion, Washington Heights, 2025
    Caption Nuestro Reflejo exhibition at Morris Jumel Mansion, Washington Heights, 2025
    Image description
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    Related pages Threads of History
  • A gray cross made from wire on a white background, with a small, red square held in the center.
    A gray cross made from wire on a white background, with a small, red square held in the center.
    Steve Carter, Tile Series (detail), 1994. [A gray cross made from wire on a white background, with a small, red square held in the center.]
    Caption Steve Carter, Tile Series (detail), 1994.
    Image description A gray cross made from wire on a white background, with a small, red square held in the center.
    Year 1994
    Related pages A Strategy Hinted At: New Conceptual Artists
  • A black and white photograph of two projectors hanging central in a darkened gallery and projecting images onto two separate screens in the foreground with light coming in from the background
    A black and white photograph of two projectors hanging central in a darkened gallery and projecting images onto two separate screens in the foreground with light coming in from the background
    Anne Bray. Installation View of Man on First and Third, 1987. Slide and sound installation. [A black and white photograph of two projectors hanging central in a darkened gallery and projecting images onto two separate screens in the foreground with light coming in from the background]
    Caption Anne Bray. Installation View of Man on First and Third, 1987. Slide and sound installation.
    Image description A black and white photograph of two projectors hanging central in a darkened gallery and projecting images onto two separate screens in the foreground with light coming in from the background
    Year 1987
    Related pages Dark Rooms
  • A photograph of paintings hanging on the walls of a large gallery space with white walls. The work closest to the camera is a realistic painting of a baby, shown for the waist up.
    A photograph of paintings hanging on the walls of a large gallery space with white walls. The work closest to the camera is a realistic painting of a baby, shown for the waist up.
    Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph of paintings hanging on the walls of a large gallery space with white walls. The work closest to the camera is a realistic painting of a baby, shown for the waist up.]
    Caption Selections from the Artists File. Installation view, Artists Space, 1989.
    Image description A photograph of paintings hanging on the walls of a large gallery space with white walls. The work closest to the camera is a realistic painting of a baby, shown for the waist up.
    Year 1989
    Related pages Selections from the Artist File
  • An image of a large number
    An image of a large number
    DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [An image of a large number "9" printed across a series of rectangular pieces of paper that are linked together by metal rings such that they form a large, draping sheet. The sheet of linked papers is held in the air by four poles supporting each of its four corners. The poles are mounted in silver buckets filled with multicolored objects.]
    Caption DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description An image of a large number "9" printed across a series of rectangular pieces of paper that are linked together by metal rings such that they form a large, draping sheet. The sheet of linked papers is held in the air by four poles supporting each of its four corners. The poles are mounted in silver buckets filled with multicolored objects.
    Year 2012
    Related pages DUOX: DUOX4Larkin
  • A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected with blue and green wires. In the base of the object a processing chip is embedded.
    A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected with blue and green wires. In the base of the object a processing chip is embedded.
    Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    [A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected with blue and green wires. In the base of the object a processing chip is embedded.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    Image description A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected with blue and green wires. In the base of the object a processing chip is embedded.
    Year 2019
    Related pages Trisha Baga Edition
  • Two students holding up a grid of photos on a white background.
    Two students holding up a grid of photos on a white background.
    City-As-School students installing photo wall, 2019. [Two students holding up a grid of photos on a white background.]
    Caption City-As-School students installing photo wall, 2019.
    Image description Two students holding up a grid of photos on a white background.
    Year 2019
    Related pages BRIDGE Photography
  • A poster showing a silver car driving through a selection of press clippings from newspapers on a blue background. At the top of the image, there is white text that reads,
    A poster showing a silver car driving through a selection of press clippings from newspapers on a blue background. At the top of the image, there is white text that reads,
    Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A poster showing a silver car driving through a selection of press clippings from newspapers on a blue background. At the top of the image, there is white text that reads, "PRESENTING AMERICA'S MOST TALKED ABOUT CAR!" At the bottom, white text reads, "DELOREAN."]
    Caption Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A poster showing a silver car driving through a selection of press clippings from newspapers on a blue background. At the top of the image, there is white text that reads, "PRESENTING AMERICA'S MOST TALKED ABOUT CAR!" At the bottom, white text reads, "DELOREAN."
    Year 2010
    Related pages Duncan Campbell: Make It New John
  • Photograph of a framed work on paper. In the work, a figure with back turned to the viewer sinks into a plié. The figure is repeated four times in the work.
    Photograph of a framed work on paper. In the work, a figure with back turned to the viewer sinks into a plié. The figure is repeated four times in the work.
    Installation view, Robert Morgan. Artists Space, 1977. [Photograph of a framed work on paper. In the work, a figure with back turned to the viewer sinks into a plié. The figure is repeated four times in the work.]
    Caption Installation view, Robert Morgan. Artists Space, 1977.
    Image description Photograph of a framed work on paper. In the work, a figure with back turned to the viewer sinks into a plié. The figure is repeated four times in the work.
    Year 1977
    Related pages Robert Morgan
  • A line of people marching forward hold up signs reading
    A line of people marching forward hold up signs reading
    Demonstrations outside Artists Space during the opening of Witnesses: Against Our Vanishing, November 16, 1989. [A line of people marching forward hold up signs reading "replace frony" and "Keep 1st amendment, stop helms," among other phrases.]
    Caption Demonstrations outside Artists Space during the opening of Witnesses: Against Our Vanishing, November 16, 1989.
    Image description A line of people marching forward hold up signs reading "replace frony" and "Keep 1st amendment, stop helms," among other phrases.
    Year 1989
    Related pages Witnesses: Against Our Vanishing
  • A face appears on the right part of the image with one figure central without defining facial features and another in the background with their back towards the viewer. Windows appear in the background.
    A face appears on the right part of the image with one figure central without defining facial features and another in the background with their back towards the viewer. Windows appear in the background.
    Donna Nelson. Installation View. Artists Space, 1985. [A face appears on the right part of the image with one figure central without defining facial features and another in the background with their back towards the viewer. Windows appear in the background.]
    Caption Donna Nelson. Installation View. Artists Space, 1985.
    Image description A face appears on the right part of the image with one figure central without defining facial features and another in the background with their back towards the viewer. Windows appear in the background.
    Year
    Related pages Four Artists: An Exhibition of Painting and Sculpture
  • View of a small diamond-shaped object framed in a box on the wall next to a doorway in a white-walled gallery space.
    View of a small diamond-shaped object framed in a box on the wall next to a doorway in a white-walled gallery space.
    Young Fluxus. Installation view, Artists Space, 1982. [View of a small diamond-shaped object framed in a box on the wall next to a doorway in a white-walled gallery space.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description View of a small diamond-shaped object framed in a box on the wall next to a doorway in a white-walled gallery space.
    Year
    Related pages Young Fluxus
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A pink trifolded pamphlet with black text opened fully to display information about
    A pink trifolded pamphlet with black text opened fully to display information about
    [A pink trifolded pamphlet with black text opened fully to display information about "Putt-Modernism", an "artist created 18-hole fully playable minature golf course," including a list of participating artists.]
    Caption
    Image description A pink trifolded pamphlet with black text opened fully to display information about "Putt-Modernism", an "artist created 18-hole fully playable minature golf course," including a list of participating artists.
    Year 1994
    Related pages Putt-Modernism (Fulton Market)
  • Potted plants and small figurines line the windowsill. Beneath the window are four framed works on paper.
    Potted plants and small figurines line the windowsill. Beneath the window are four framed works on paper.
    Adjua Gargi Nzinga Greaves, For Aricka, Ayana, Ayodele, Bernice, Chantelle, Charmaine, Cynthia Ch., Cynthia Co., Daphne, Davina, Dawn, Dina, Emily, Erica, Evadne, Frances, Gail, Gwen, Hara, Heather, Imanei, Imani, Janet, Jenny, Kadija, Kahdeidra, kale, Kelly, Kenya (R), LesLes, Lois, Lynnette, Madeleine, Mahogany, Marsha, Maiya, Najela, Nontsi, Ola, Pilar, Queen, RaFia, Ro-Ro, Sandra, Sasha, Serenity, Shana, Simone L, Simone W, Tabitha, Taiyi, Trinity, Uchenna, Vivian, Wangechi, X, Yvette, Zuri, detail, 2021. Living plants: Hannibal (Epipremnum aureum) with rose quartz, Gertrude Deuxieme (Tillandsia xerographica), Leonie (Philodendron totem), Eversley Deuxieme (Tillandsia xerographica), Melford (Epipremnum aureum) with amethyst; dessicated floral matter (eucalyptus, grass, willow, palm), knight on horseback figurine, brass candlesticks, polystyrene, porcelain and 18 karat gold plates, crystals (various), bamboo earrings, jade, cremains, leather, cork, glass, dragon figurine, sandalwood incense and ceramic holder, palo santo (Bursera graveolens), and window, overall dimensions variable. Courtesy Artists SPace, New York. Photo: Filip Wolak [Potted plants and small figurines line the windowsill. Beneath the window are four framed works on paper.]
    Caption Adjua Gargi Nzinga Greaves, For Aricka, Ayana, Ayodele, Bernice, Chantelle, Charmaine, Cynthia Ch., Cynthia Co., Daphne, Davina, Dawn, Dina, Emily, Erica, Evadne, Frances, Gail, Gwen, Hara, Heather, Imanei, Imani, Janet, Jenny, Kadija, Kahdeidra, kale, Kelly, Kenya (R), LesLes, Lois, Lynnette, Madeleine, Mahogany, Marsha, Maiya, Najela, Nontsi, Ola, Pilar, Queen, RaFia, Ro-Ro, Sandra, Sasha, Serenity, Shana, Simone L, Simone W, Tabitha, Taiyi, Trinity, Uchenna, Vivian, Wangechi, X, Yvette, Zuri, detail, 2021. Living plants: Hannibal (Epipremnum aureum) with rose quartz, Gertrude Deuxieme (Tillandsia xerographica), Leonie (Philodendron totem), Eversley Deuxieme (Tillandsia xerographica), Melford (Epipremnum aureum) with amethyst; dessicated floral matter (eucalyptus, grass, willow, palm), knight on horseback figurine, brass candlesticks, polystyrene, porcelain and 18 karat gold plates, crystals (various), bamboo earrings, jade, cremains, leather, cork, glass, dragon figurine, sandalwood incense and ceramic holder, palo santo (Bursera graveolens), and window, overall dimensions variable. Courtesy Artists SPace, New York. Photo: Filip Wolak
    Image description Potted plants and small figurines line the windowsill. Beneath the window are four framed works on paper.
    Year 2021
    Related pages Adjua Gargi Nzinga Greaves
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    Image description
    Year
    Related pages David Armstrong: Portraits
  • Dolls with photos adjacaent to them hangon the wall on protruding nails and black text is also visible around them. An object can be seen on the floor and a text-based painting is on a wall adjacent to the dolls in this white-walled gallery setting.
    Dolls with photos adjacaent to them hangon the wall on protruding nails and black text is also visible around them. An object can be seen on the floor and a text-based painting is on a wall adjacent to the dolls in this white-walled gallery setting.
    We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [Dolls with photos adjacaent to them hangon the wall on protruding nails and black text is also visible around them. An object can be seen on the floor and a text-based painting is on a wall adjacent to the dolls in this white-walled gallery setting.]
    Caption We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
    Image description Dolls with photos adjacaent to them hangon the wall on protruding nails and black text is also visible around them. An object can be seen on the floor and a text-based painting is on a wall adjacent to the dolls in this white-walled gallery setting.
    Year
    Related pages We the People
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    Image description
    Year
    Related pages fwiw
  • A drawing depicting the entrance to a cave from the outside as well as the inside of a subterranean cave filled with stalagmites.
    A drawing depicting the entrance to a cave from the outside as well as the inside of a subterranean cave filled with stalagmites.
    Artists Draw. Installation view, Artists Space, 1979. [A drawing depicting the entrance to a cave from the outside as well as the inside of a subterranean cave filled with stalagmites.]
    Caption Artists Draw. Installation view, Artists Space, 1979.
    Image description A drawing depicting the entrance to a cave from the outside as well as the inside of a subterranean cave filled with stalagmites.
    Year 1979
    Related pages Artists Draw: Tom Martin, Auste Peciura, Alan Saret, Patti Smith, Nancy Spero
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A bedroom scene set up in the middle of an open room, seen between two white poles. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.
    A bedroom scene set up in the middle of an open room, seen between two white poles. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.
    The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich. [A bedroom scene set up in the middle of an open room, seen between two white poles. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.]
    Caption The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description A bedroom scene set up in the middle of an open room, seen between two white poles. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.
    Year 2008
    Related pages The New Normal
  • An angled view from a ledge containing household items, into a bedroom. Above the doorway black text reads,
    An angled view from a ledge containing household items, into a bedroom. Above the doorway black text reads,
    [An angled view from a ledge containing household items, into a bedroom. Above the doorway black text reads, "Macho Man, Tell it to My Heart."]
    Caption
    Image description An angled view from a ledge containing household items, into a bedroom. Above the doorway black text reads, "Macho Man, Tell it to My Heart."
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • Several silhouetted figures backlit by a red glow stand among columns. The figure in the center holds a white-lit object in the air.
    Several silhouetted figures backlit by a red glow stand among columns. The figure in the center holds a white-lit object in the air.
    New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [Several silhouetted figures backlit by a red glow stand among columns. The figure in the center holds a white-lit object in the air.]
    Caption New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description Several silhouetted figures backlit by a red glow stand among columns. The figure in the center holds a white-lit object in the air.
    Year 2020
    Related pages New Red Order: Informants Get Paid!
  • Color image of a painting, done on linen. The left edge is painting a light blue, and the bottom edge is painting orange, with a large rectangle of dark blue paint covering the rest of the work. Accents of light blue paint run through the center and around the edges.
    Color image of a painting, done on linen. The left edge is painting a light blue, and the bottom edge is painting orange, with a large rectangle of dark blue paint covering the rest of the work. Accents of light blue paint run through the center and around the edges.
    Julia Rommel, Back Channel, 2023. Photo: Filip Wolak. [Color image of a painting, done on linen. The left edge is painting a light blue, and the bottom edge is painting orange, with a large rectangle of dark blue paint covering the rest of the work. Accents of light blue paint run through the center and around the edges.]
    Caption Julia Rommel, Back Channel, 2023. Photo: Filip Wolak.
    Image description Color image of a painting, done on linen. The left edge is painting a light blue, and the bottom edge is painting orange, with a large rectangle of dark blue paint covering the rest of the work. Accents of light blue paint run through the center and around the edges.
    Year 2023
    Related pages Artists for Artists Space
  • A color image of an unframed colorful drawing. The drawing shows a figure wearing a dark coat, sitting cross-legged on a chair. A purse sits on the floor right behind the chair. In the back, a piano and sheet music.
    A color image of an unframed colorful drawing. The drawing shows a figure wearing a dark coat, sitting cross-legged on a chair. A purse sits on the floor right behind the chair. In the back, a piano and sheet music.
    Drake Carr, Raul Lopez, 2023. Colored pencil on paper. 30 1/8 x 20 3/16 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak. [A color image of an unframed colorful drawing. The drawing shows a figure wearing a dark coat, sitting cross-legged on a chair. A purse sits on the floor right behind the chair. In the back, a piano and sheet music.]
    Caption Drake Carr, Raul Lopez, 2023. Colored pencil on paper. 30 1/8 x 20 3/16 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description A color image of an unframed colorful drawing. The drawing shows a figure wearing a dark coat, sitting cross-legged on a chair. A purse sits on the floor right behind the chair. In the back, a piano and sheet music.
    Year
    Related pages Drake Carr: Housecalls
  • A performer on stage leaning over a table with electronic instruments, holding a mic close to their mouth. They are bathed in yellow abstract projections, which also cover the wall.
    A performer on stage leaning over a table with electronic instruments, holding a mic close to their mouth. They are bathed in yellow abstract projections, which also cover the wall.
    Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman. [A performer on stage leaning over a table with electronic instruments, holding a mic close to their mouth. They are bathed in yellow abstract projections, which also cover the wall.]
    Caption Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman.
    Image description A performer on stage leaning over a table with electronic instruments, holding a mic close to their mouth. They are bathed in yellow abstract projections, which also cover the wall.
    Year
    Related pages Abasement #74
  • A gallery room filled with various sculptures and objects. There are four plinths of varying heights with black, white, silver, and mirrored surfaces. There are three televisions sitting on the floor against a white wall. On the other side, there are two projectors sitting on a table projecting small images on white walls. In the foreground, a rectangular cube painted like bricks is wrapped around a column.
    A gallery room filled with various sculptures and objects. There are four plinths of varying heights with black, white, silver, and mirrored surfaces. There are three televisions sitting on the floor against a white wall. On the other side, there are two projectors sitting on a table projecting small images on white walls. In the foreground, a rectangular cube painted like bricks is wrapped around a column.
    Elephant Cemetery. Installation view, Artists Space, 2007. [A gallery room filled with various sculptures and objects. There are four plinths of varying heights with black, white, silver, and mirrored surfaces. There are three televisions sitting on the floor against a white wall. On the other side, there are two projectors sitting on a table projecting small images on white walls. In the foreground, a rectangular cube painted like bricks is wrapped around a column.]
    Caption Elephant Cemetery. Installation view, Artists Space, 2007.
    Image description A gallery room filled with various sculptures and objects. There are four plinths of varying heights with black, white, silver, and mirrored surfaces. There are three televisions sitting on the floor against a white wall. On the other side, there are two projectors sitting on a table projecting small images on white walls. In the foreground, a rectangular cube painted like bricks is wrapped around a column.
    Year 2007
    Related pages Elephant Cemetery
  • Color image of a figure standing on a black stage, with a spotlight placed on them. They are hunched over a black suitcase on the floor, and holding a small radio in their hands.
    Color image of a figure standing on a black stage, with a spotlight placed on them. They are hunched over a black suitcase on the floor, and holding a small radio in their hands.
    Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of a figure standing on a black stage, with a spotlight placed on them. They are hunched over a black suitcase on the floor, and holding a small radio in their hands.]
    Caption Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata
    Image description Color image of a figure standing on a black stage, with a spotlight placed on them. They are hunched over a black suitcase on the floor, and holding a small radio in their hands.
    Year 2023
    Related pages Yasunao Tone Concert #2
  • A black and white installation photograph of three framed drawings on a white wall. The center frame is a pared down sketch of a column, and the flanking frames feature feature a simple croshatch of four lines, topped with a fifth.
    A black and white installation photograph of three framed drawings on a white wall. The center frame is a pared down sketch of a column, and the flanking frames feature feature a simple croshatch of four lines, topped with a fifth.
    Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee. [A black and white installation photograph of three framed drawings on a white wall. The center frame is a pared down sketch of a column, and the flanking frames feature feature a simple croshatch of four lines, topped with a fifth.]
    Caption Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee.
    Image description A black and white installation photograph of three framed drawings on a white wall. The center frame is a pared down sketch of a column, and the flanking frames feature feature a simple croshatch of four lines, topped with a fifth.
    Year 1977
    Related pages Pictures
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • An image of a hand holding a yellow golf ball projected onto the wall of a dimly-lit gallery space. Several square holes have been removed from several spots on the gallery wall, through which a space on the other side of the wall is visible.
    An image of a hand holding a yellow golf ball projected onto the wall of a dimly-lit gallery space. Several square holes have been removed from several spots on the gallery wall, through which a space on the other side of the wall is visible.
    Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt. [An image of a hand holding a yellow golf ball projected onto the wall of a dimly-lit gallery space. Several square holes have been removed from several spots on the gallery wall, through which a space on the other side of the wall is visible.]
    Caption Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt.
    Image description An image of a hand holding a yellow golf ball projected onto the wall of a dimly-lit gallery space. Several square holes have been removed from several spots on the gallery wall, through which a space on the other side of the wall is visible.
    Year 1997
    Related pages Lines of Loss
  • A vintage, framed black and white photograph of five priests dressed in all black stiffly pose before the camera for a portrait. The two men sitting closest to the viewer hold hands.
    A vintage, framed black and white photograph of five priests dressed in all black stiffly pose before the camera for a portrait. The two men sitting closest to the viewer hold hands.
    Danh Vo. Installation view from Autoerotic Asphyxiation, 2010. Photo: Daniel Pérez. [A vintage, framed black and white photograph of five priests dressed in all black stiffly pose before the camera for a portrait. The two men sitting closest to the viewer hold hands.]
    Caption Danh Vo. Installation view from Autoerotic Asphyxiation, 2010. Photo: Daniel Pérez.
    Image description A vintage, framed black and white photograph of five priests dressed in all black stiffly pose before the camera for a portrait. The two men sitting closest to the viewer hold hands.
    Year 2010
    Related pages Danh Vo: Autoerotic Asphyxiation
  • Two shelves and several artworks sit in a gallery space with wooden floors. To the right, there are two empty wooden bookshelves placed at right angles to one another. Above a bookshelf positioned against the gallery wall, there is text that reads
    Two shelves and several artworks sit in a gallery space with wooden floors. To the right, there are two empty wooden bookshelves placed at right angles to one another. Above a bookshelf positioned against the gallery wall, there is text that reads
    Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt. [Two shelves and several artworks sit in a gallery space with wooden floors. To the right, there are two empty wooden bookshelves placed at right angles to one another. Above a bookshelf positioned against the gallery wall, there is text that reads "ARTISTS SPACE." To the left of the shelves is a figurine with rectangular torso, arms, and legs and a more naturalistic face made of a brown, clay-like material. Four small monitors are installed on the gallery wall behind the figurine, while a larger monitor rests on the gallery floor to the image's far left.]
    Caption Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt.
    Image description Two shelves and several artworks sit in a gallery space with wooden floors. To the right, there are two empty wooden bookshelves placed at right angles to one another. Above a bookshelf positioned against the gallery wall, there is text that reads "ARTISTS SPACE." To the left of the shelves is a figurine with rectangular torso, arms, and legs and a more naturalistic face made of a brown, clay-like material. Four small monitors are installed on the gallery wall behind the figurine, while a larger monitor rests on the gallery floor to the image's far left.
    Year 2008
    Related pages Nina in Position
  • Two figures are seated on stage. The figure on the left plays the violin and the figure on the right holds a briefcase full of audio equipment.
    Two figures are seated on stage. The figure on the left plays the violin and the figure on the right holds a briefcase full of audio equipment.
    Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman [Two figures are seated on stage. The figure on the left plays the violin and the figure on the right holds a briefcase full of audio equipment.]
    Caption Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman
    Image description Two figures are seated on stage. The figure on the left plays the violin and the figure on the right holds a briefcase full of audio equipment.
    Year
    Related pages Abasement: #62
  • A man spray paints a large piece of abstract blue graffiti against a white city wall below a graphic emblem of an eagle. The street is dark, but he is illuminated by the flash of the camera.
    A man spray paints a large piece of abstract blue graffiti against a white city wall below a graphic emblem of an eagle. The street is dark, but he is illuminated by the flash of the camera.
    Jose Miguel Salcido, Sin Titulo (Nhsr), 2009. [A man spray paints a large piece of abstract blue graffiti against a white city wall below a graphic emblem of an eagle. The street is dark, but he is illuminated by the flash of the camera.]
    Caption Jose Miguel Salcido, Sin Titulo (Nhsr), 2009.
    Image description A man spray paints a large piece of abstract blue graffiti against a white city wall below a graphic emblem of an eagle. The street is dark, but he is illuminated by the flash of the camera.
    Year 2009
    Related pages Radical Localism: Art, Video and Culture from Pueblo Nuevo’s Mexicali Rose
  • A metal statue is being lifted from its platform by a crane via ropes around its neck and feet. A large building is visible behind it.
    A metal statue is being lifted from its platform by a crane via ropes around its neck and feet. A large building is visible behind it.
    [A metal statue is being lifted from its platform by a crane via ropes around its neck and feet. A large building is visible behind it.]
    Caption
    Image description A metal statue is being lifted from its platform by a crane via ropes around its neck and feet. A large building is visible behind it.
    Year 1991
    Related pages Western Agenda
  • A makeshift screening room enclosed by unpainted wooden walls. There are two wooden benches arranged to face a projector screen. The screen displays an image of a luxury pool surrounded by palm trees, with the sun shining.
    A makeshift screening room enclosed by unpainted wooden walls. There are two wooden benches arranged to face a projector screen. The screen displays an image of a luxury pool surrounded by palm trees, with the sun shining.
    Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz. [A makeshift screening room enclosed by unpainted wooden walls. There are two wooden benches arranged to face a projector screen. The screen displays an image of a luxury pool surrounded by palm trees, with the sun shining.]
    Caption Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz.
    Image description A makeshift screening room enclosed by unpainted wooden walls. There are two wooden benches arranged to face a projector screen. The screen displays an image of a luxury pool surrounded by palm trees, with the sun shining.
    Year 2010
    Related pages Sean Snyder
  • A person in army camouflage and a military gun grabs a handful of packaged cookies from a stand selling assorted candies, snacks, sodas, and other food.
    A person in army camouflage and a military gun grabs a handful of packaged cookies from a stand selling assorted candies, snacks, sodas, and other food.
    Sean Snyder, still from Casio, Seiko, Sheraton, Toyota, Mars, 2004-5. Courtesy Lisson Gallery, London. [A person in army camouflage and a military gun grabs a handful of packaged cookies from a stand selling assorted candies, snacks, sodas, and other food.]
    Caption Sean Snyder, still from Casio, Seiko, Sheraton, Toyota, Mars, 2004-5. Courtesy Lisson Gallery, London.
    Image description A person in army camouflage and a military gun grabs a handful of packaged cookies from a stand selling assorted candies, snacks, sodas, and other food.
    Year 2005
    Related pages Sean Snyder
  • A sculpture of a man holding a book is leaning against a column in an empty, open room. He is wearing a purple shirt, patterned blue shorts, and is crossing his legs, wearing white sneakers.
    A sculpture of a man holding a book is leaning against a column in an empty, open room. He is wearing a purple shirt, patterned blue shorts, and is crossing his legs, wearing white sneakers.
    Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [A sculpture of a man holding a book is leaning against a column in an empty, open room. He is wearing a purple shirt, patterned blue shorts, and is crossing his legs, wearing white sneakers.]
    Caption Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013.
    Image description A sculpture of a man holding a book is leaning against a column in an empty, open room. He is wearing a purple shirt, patterned blue shorts, and is crossing his legs, wearing white sneakers.
    Year 2013
    Related pages Pride Goes Before a Fall
  • Close up of an artwork that consists of a white, rectangular canvas with a black and white image of a planet with a swirling, cloudy atmosphere. Directly below, a shelf made out of worn wooden planks supports several rough, oval and square shaped 2D cutouts that are arranged next to one another. A strip of wall behind the shelf and two
    Close up of an artwork that consists of a white, rectangular canvas with a black and white image of a planet with a swirling, cloudy atmosphere. Directly below, a shelf made out of worn wooden planks supports several rough, oval and square shaped 2D cutouts that are arranged next to one another. A strip of wall behind the shelf and two
    Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt. [Close up of an artwork that consists of a white, rectangular canvas with a black and white image of a planet with a swirling, cloudy atmosphere. Directly below, a shelf made out of worn wooden planks supports several rough, oval and square shaped 2D cutouts that are arranged next to one another. A strip of wall behind the shelf and two "leg" like shapes below it have been gouged out of the gallery wall, revealing insulation and building supports.]
    Caption Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt.
    Image description Close up of an artwork that consists of a white, rectangular canvas with a black and white image of a planet with a swirling, cloudy atmosphere. Directly below, a shelf made out of worn wooden planks supports several rough, oval and square shaped 2D cutouts that are arranged next to one another. A strip of wall behind the shelf and two "leg" like shapes below it have been gouged out of the gallery wall, revealing insulation and building supports.
    Year 2008
    Related pages Nina in Position
  • Constantina Zavitsanos: fwiw. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Caption Constantina Zavitsanos: fwiw. Installation view, Artists Space, 2024. Photo: Carter Seddon.
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  • A close-up photo of a snake plant in a white pot next to a brick wall, in front of a mural with somoene's instagram handle painted on.
    A close-up photo of a snake plant in a white pot next to a brick wall, in front of a mural with somoene's instagram handle painted on.
    Darien Urena, Living Brick, 2018. [A close-up photo of a snake plant in a white pot next to a brick wall, in front of a mural with somoene's instagram handle painted on.]
    Caption Darien Urena, Living Brick, 2018.
    Image description A close-up photo of a snake plant in a white pot next to a brick wall, in front of a mural with somoene's instagram handle painted on.
    Year 2018
    Related pages BRIDGE Photography
  • Color photograph of a gallery space. A free-standing wall sits in the middle of the space, holding framed CDs, a projected image of a man and a truck, and an audio device. On the floor in front of the wall sits a television monitor.
    Color photograph of a gallery space. A free-standing wall sits in the middle of the space, holding framed CDs, a projected image of a man and a truck, and an audio device. On the floor in front of the wall sits a television monitor.
    Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery space. A free-standing wall sits in the middle of the space, holding framed CDs, a projected image of a man and a truck, and an audio device. On the floor in front of the wall sits a television monitor.]
    Caption Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a gallery space. A free-standing wall sits in the middle of the space, holding framed CDs, a projected image of a man and a truck, and an audio device. On the floor in front of the wall sits a television monitor.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • Two photographs are mounted on a white gallery wall.
    Two photographs are mounted on a white gallery wall.
    Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two photographs are mounted on a white gallery wall.]
    Caption Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979.
    Image description Two photographs are mounted on a white gallery wall.
    Year 1979
    Related pages Place, (title to be determined), for a Participant: Ken Feingold
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  • Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.
    Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.
    Year 2022
    Related pages keyon gaskin 12-16
  • Image taken between two curtains of a TV affixed to a wall on the right, displaying blue-tinted video footage of the performance with a fresnel lens hanging in front of the TV display.
    Image taken between two curtains of a TV affixed to a wall on the right, displaying blue-tinted video footage of the performance with a fresnel lens hanging in front of the TV display.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image taken between two curtains of a TV affixed to a wall on the right, displaying blue-tinted video footage of the performance with a fresnel lens hanging in front of the TV display.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image taken between two curtains of a TV affixed to a wall on the right, displaying blue-tinted video footage of the performance with a fresnel lens hanging in front of the TV display.
    Year 2022
    Related pages SCRAAATCH 12-3
  • Photograph of a large building on an urban street composed of rectangular sections of dark black and white stone that jut variously in towards and away from the building's facade. The bottom portion of the building is supported by two white columns and has a glass facade.
    Photograph of a large building on an urban street composed of rectangular sections of dark black and white stone that jut variously in towards and away from the building's facade. The bottom portion of the building is supported by two white columns and has a glass facade.
    [Photograph of a large building on an urban street composed of rectangular sections of dark black and white stone that jut variously in towards and away from the building's facade. The bottom portion of the building is supported by two white columns and has a glass facade.]
    Caption
    Image description Photograph of a large building on an urban street composed of rectangular sections of dark black and white stone that jut variously in towards and away from the building's facade. The bottom portion of the building is supported by two white columns and has a glass facade.
    Year 2003
    Related pages Mainspace Architecture & Design Project Series: Zaha Hadid
  • A large gallery space full of hundreds of metal cutouts shaped like curved
    A large gallery space full of hundreds of metal cutouts shaped like curved
    H_edge. Installation view, Artists Space, 2006. Photo: Whitney Cox. [A large gallery space full of hundreds of metal cutouts shaped like curved "x"'s hanging from lengths of metal chainlinks. The cutouts are arranged in the gallery so that they form a hedge-like landscape of varying heights.]
    Caption H_edge. Installation view, Artists Space, 2006. Photo: Whitney Cox.
    Image description A large gallery space full of hundreds of metal cutouts shaped like curved "x"'s hanging from lengths of metal chainlinks. The cutouts are arranged in the gallery so that they form a hedge-like landscape of varying heights.
    Year 2006
    Related pages H_edge
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  • Stephon making the drawing 90’s dress, 2022, acrylic on paper
    Caption Stephon making the drawing 90’s dress, 2022, acrylic on paper
    Image description
    Year 2022
    Related pages ARTstudio
  • A black and white image of a group of children clustered in front of a store window. On the right, the text
    A black and white image of a group of children clustered in front of a store window. On the right, the text
    Film still from Teaching TV, Artists Space, 1990. [A black and white image of a group of children clustered in front of a store window. On the right, the text "NO FRESH WORDS" overlays the image.]
    Caption Film still from Teaching TV, Artists Space, 1990.
    Image description A black and white image of a group of children clustered in front of a store window. On the right, the text "NO FRESH WORDS" overlays the image.
    Year 1990
    Related pages Teaching TV
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  • A stage set with a blue curtain, in front of which sit 6 chairs facing different directions.
    A stage set with a blue curtain, in front of which sit 6 chairs facing different directions.
    Scott Burton, Pastoral Chair Tableau, 1971 – 1974. [A stage set with a blue curtain, in front of which sit 6 chairs facing different directions.]
    Caption Scott Burton, Pastoral Chair Tableau, 1971 – 1974.
    Image description A stage set with a blue curtain, in front of which sit 6 chairs facing different directions.
    Year 1975
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  • A light sculpted figure appears on a pedestal in the foreground and behind it appears a map with images of humans and nature.
    A light sculpted figure appears on a pedestal in the foreground and behind it appears a map with images of humans and nature.
    We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [A light sculpted figure appears on a pedestal in the foreground and behind it appears a map with images of humans and nature.]
    Caption We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
    Image description A light sculpted figure appears on a pedestal in the foreground and behind it appears a map with images of humans and nature.
    Year
    Related pages We the People
  • A close up detail of the sculpted deer head with patterned designs on its face and antlers.
    A close up detail of the sculpted deer head with patterned designs on its face and antlers.
    Sherry Markovitz. Danny Boy (detail), 1985. [A close up detail of the sculpted deer head with patterned designs on its face and antlers.]
    Caption Sherry Markovitz. Danny Boy (detail), 1985.
    Image description A close up detail of the sculpted deer head with patterned designs on its face and antlers.
    Year
    Related pages U.S. Projects
  • A wooden ornament with a string attached at its top, is carved with the outlines of the worlds continents, becoming a miniature globe.
    A wooden ornament with a string attached at its top, is carved with the outlines of the worlds continents, becoming a miniature globe.
    Benito Huerta, Attempted, Not Known. Media unknown, dimesions unknown. [A wooden ornament with a string attached at its top, is carved with the outlines of the worlds continents, becoming a miniature globe.]
    Caption Benito Huerta, Attempted, Not Known. Media unknown, dimesions unknown.
    Image description A wooden ornament with a string attached at its top, is carved with the outlines of the worlds continents, becoming a miniature globe.
    Year 1989
    Related pages Project: Attempted, Not Known
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  • A few people standing in a gallery space with a picket fence and drapery on the walls behind them.
    A few people standing in a gallery space with a picket fence and drapery on the walls behind them.
    Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork: Candace Hill-Montgomery. [A few people standing in a gallery space with a picket fence and drapery on the walls behind them.]
    Caption Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork: Candace Hill-Montgomery.
    Image description A few people standing in a gallery space with a picket fence and drapery on the walls behind them.
    Year 1979
    Related pages Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach
  • A close view of a performer playing the violin. Their hand using the bow is in focus and the rest of the image is slightly blurred. They are playing into a microphone on a stand. To their left a performer plays the upright bass. Both musicians are covered with red light and images of projected green circles.
    A close view of a performer playing the violin. Their hand using the bow is in focus and the rest of the image is slightly blurred. They are playing into a microphone on a stand. To their left a performer plays the upright bass. Both musicians are covered with red light and images of projected green circles.
    Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman. [A close view of a performer playing the violin. Their hand using the bow is in focus and the rest of the image is slightly blurred. They are playing into a microphone on a stand. To their left a performer plays the upright bass. Both musicians are covered with red light and images of projected green circles.]
    Caption Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman.
    Image description A close view of a performer playing the violin. Their hand using the bow is in focus and the rest of the image is slightly blurred. They are playing into a microphone on a stand. To their left a performer plays the upright bass. Both musicians are covered with red light and images of projected green circles.
    Year
    Related pages Abasement #74
  • A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background. A white light shines down on them from the left.
    A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background. A white light shines down on them from the left.
    Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background. A white light shines down on them from the left.]
    Caption Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space.
    Image description A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background. A white light shines down on them from the left.
    Year 2022
    Related pages Yuji Agematsu
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