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Asia Negron, Untitled, 2018. [A photo of a crosswalk with a red car standing halfway in it, and a small puddle of water in the foreground.] -
She Who Is: Adrienne Kennedy and the Drama of Difference. February 29, 2020–September 19,2020. Image courtesy of Artists Space, New York. Photo: Filip Wolak [A close up image of vinyl text installed on a gallery wall. The header of the text reads, "She Who Is / Adrienne Kennedy and the Drama of Difference." Past this gallery wall, a large exhibition space is visible. Several old Hollywood films are projected on the space's far gallery walls.] -
Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon. [A color image of a gallery space. In the foreground, a shovel sits upright on a pedestal. In the midground, a taxidermied griffon vulture is perched on top of concrete rubble. Next to the griffon vulture, another shovel sits upright on a pedestal. To the left side of the image, a shovel attached to a small child's chair is placed up against the back wall.] -
virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a gallery space. Behind three dark columns a large vinyl printed with text is attached to the wall, falling to the ground on the left side. In the center a large grey table with four red chairs and stacks of yellow and grey posters is visible.] -
Playing cards from Barbara Bloom's Solution. From Barbara Bloom, David Salle, Artists Space, 1976. [A photograph of six index cards with typed up clues.] -
Adjua Gargi Nzinga Greaves, Better homes and gardens back by popular demand, detail, 2021. Magazine, artists tape, overall dimensions variable. Courtesy Artists Space, New York. Photo: Filip Wolak [A photograph of three works on yellow paper hung on a white wall.] -
Leslie Thornton. Jennifer, Where Are You?, 1981. [A closeup of a young girl with dark hair and bangs, frowning as she applies red lipstick in a messy circle around her mouth.] -
*Jordan Lord: Prophetic Memory," Installation view, Artists Space (55 Walker Street), 2021. -
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Not yet titled, 2019
Clay, glaze, metal antenna
3 1/2 x 13 x 12 inches (variable)
$3,500
[A silver and gold object sits on a white base. A flat, multicolored surface is attached to the left side, and a metal antenna extends out on a diagonal.] -
Our Uprisings: Art Action Assembly. Event documentation, November 20, 2016, Artists Space. Courtesy Decolonize This Place. Photo: Marz Saffore. [View of the audience at the Artists Space and Decolonize This Place event, with banners of resistance posted along the walls. One visible reads "Akai Gurley Murdered by NYPD Open Mic Moved To Streets," while another reads "ABOLISH WHITE SUPREMACY."] -
Beverly Semmes, Tree Net, 1989. [A black and white photograph of a sculpture, which sits on the ground near the corner of a room, its wiry frame covered by a transparent mesh material.] -
Frank Palaia, When Will We Learn?, 1990. Automobile hood, paint, 48 x 58 inches. [A car hood is shown hanging on a white wall, painted with small, silhouetted figures of people and animals,] -
Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Six plexiglass slides holding large poster boards, arranged side-by-side such that they create two adjacent walls in the middle of a gallery space. The bottom left corner of each poster is marked with a year ranging from 1993-1997 and is filled with a collection of images and short texts. The rightmost poster is blank, save for a single photo.] -
Anne Bray. Installation View of Man on First and Third, 1987. Slide and sound installation. [A black and white photograph of two projectors hanging central in a darkened gallery and projecting images onto two separate screens in the foreground with light coming in from the background] -
Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata. [A performer's hand adjusts the dials of audio equipment which is placed on top of a small desk. Their hands are adorned with rings and bracelets, and the scene is bathed in green light. The background is blue and purple tinted, and there are blurred silhouettes of audience members behind the performer.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure wearing a blue shirt kneels down onto the stage, working on audio equipment. Red light is cast onto them.] -
SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with a rectangular shaped sculpture made of a wooden frame with fresnel lenses placed along the top and sides. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.] -
Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [Various small drawings on paper in india ink and pencil hang on a white gallery wall. The works in pencil feature a looping ornamental symbol, drawn in various orientations within the individual box units of gridded paper to form larger structures.] -
UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [Detail view of a sculpture with a shiny grey finish. The shape of the sculpture forms a skeletal structure around amorphous square voids.] -
Bonnie Rycheck. Elegantly Contained, 1986. [A black and white photograph of gray benches with black on top, the front one with legs the back one without. Tape appears on the top of the image.] -
Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Six artworks are mounted to a white gallery wall. On the far left and right are three black and white compositions, followed by a photograph of the back of a walking figure. At the center are two colorful, abstract compositions on paper.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure wearing black, holding a long wooden stick over a reflective surface with an orange construction net over it.] -
Betty Tompkins, Sex Painting #4, 2013, 23.5 x 16.5 inches [Painting depicting a close-up image of a figure's mouth licking the top side of a foot. A large thumb is pressed against the bottom of the foot, holding it up to the mouth. The painting is composed of soft, muted gray and purple hues. A white band stretches across the lower edge of the image. Black text running along the center of the image's bottom edge reads, "2020Solidarity - Betty Tompkins," while small, faint gray text running along the lower right edge of the image reads, "A project by Between Bridges."] -
Carol Haerer. Installation view, Artists Space, 1990. Media and dimensions unknown. [A black and white photograph of a tall, narrow rectangle-shaped painting of abstract swirls hanging on a white wall.] -
OUTER AND INNER SPACE. Andy Warhol, 1965. 16mm film (sound, black and white, double-screen projection), 33 minutes. [Two black and white images of the faces of two women projected side-by-side. The woman on the left is in profile and appears to speak in both frames, while the woman to her right appears to glance towards her companion in the first frame, and speak in the second.] -
SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.] -
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Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley. [Contact sheet of installation images taken during exhibition opening.] -
Gerome Kamrowski. Paintings on the Surface of a Dome, 1960. [A black and white photograph of a painted, sculpted object appears hanging above a person's head in a dark space.] -
Jack Smith in Jack Smith’s Fear Ritual of Shark Museum, Cologne, 1974 Photograph © Gwenn Thomas. Courtesy Exile Gallery, Berlin and Southfirst, New York Courtesy New York University, Fales Library and Special Collections [A black and white image with an organic border features Jack Smith in a white cloak standing in front of a wall. To the left of him are two posters that read, "Krone," at the top in block letters. Behind him are large, white block letters that read, "R O N." A ghost-like figure with multiple arms is pictured above him.] -
Group Material: Primer (for Raymond Williams). Artists Space, 1982. [A brick on the bround with black text on it that reads, "No heat." Above this brick in black lettering on the wall is text that reads from left to right, "born brick burn."] -
[Dark blue text overlays red-pink background. The text reads: “February 25 / Steffani Jemison / Anne Waldman." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)] -
Left: Andrew Siedenburg, Material Support, 2022. Masking tape, charcoal, and construction fasteners on gessoed luan. Right: Andrew Siedenburg, Doghouse with Tin Snips, 2022. Masking tape, charcoal and constructions fasteners on gessoed watercolor paper over masonite. Photo: Steven Cottingham. [Color photograph of two works with white, black, brown and grey hues hanging on the wall side-by-side.] -
Photo: Mirelle Borra. [Close up of three rows of pre-packaged salads in plastic containers on the shelves of a grocery store refrigerator.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a performer dressed in white, kneeling on all fours. A bright light from their pelvic area shines onto the floor, as viewers stand around the figure.] -
James Coleman. Still from Seeing for Oneself, 1987-88. Slideshow (black and white), 40 min. [A black and white film still of two people in period dress engaged in conversation at the far end of an ornate allway lit by candlelight. In the foreground, a person in a maid's costume peeks around one end of a colonnade, observing.] -
James Luna, still from The History of the Luiseño People, 1993. Video, color, sound, 27 min [An image of a figure with slightly grey hair who is wearing black sunglasses. They rest their head on their hand while staring downwards.] -
Charlotte Posenenske, Series D Vierkantrohre (Square Tubes), 1967. Galvanized sheet steel, dimensions variable. [A geometric metal sculpture against a blank, white background. The sculpture is composed of four identical components, each with two triangular spikes extending upwards or downwards. Each of the components is hollow, and the interior of the sculpture can be glimpsed from its side.] -
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J.B. Cobb, Martha Edelheit, Ree Morton. Installation view, Artists Space, 1973. [A color installation photograph of a gallery space with several framed objects hanging on the wall, and a sculpture of a green parkscape on white stilts in the middle.] -
Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of a seated audience all facing the right of the room. A figure in the back middle is standing and operating a film projector. The room is bathed in red light.] -
Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure plays the violin in front of a microphone.] -
Beth Campbell, Four Eyes Are Better Than One, 2007. Site-specific installation. Courtesy the artist. Photo: Bill Orcutt. [The corner of a small white room features elements implying that it's a bathroom: a sink, a blue trash bin, and a hot-water heater are below while a wall-mounted paper towel holder and a non-reversing mirror hang above.] -
Underground: Jose Gabriel Fernandez. Installation view, Artists Space, 1991. [A large cone-shaped object in a room with wooden floors and a window covered with a sheer curtain. A light, floral print decorates one wallpapered wall; the same print covers the cone.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure dressed in black performing in front of an audience in the background. The room is dark, with LED light sculptures made from dried SCOBY in the background. The figure sits on the floor, looking off to the right and holding a mask in front of their face.] -
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Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez.. [In a large, open gallery space, several photographs hang on walls to the right. To the left, multiple small monitors mounted to a colorful gallery wall play video works. In front of the monitors, there are wooden stools with headphones resting upon them.] -
Other Minds, San Francisco. Photo: John Fago [Black-and-white photograph of a figure, walking in the middle of the frame between two sets of suspended wires that run from across the room. The figures hands manipulate the wires on each side of them.] -
Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley. [Contact sheet of installation images taken during exhibition opening.] -
ART CLUB2000 Selections from ART CLUB2000 archive, 1992–1999 Image courtesy Artists Space, New York Photo: Filip Wolak [A view of multiple glass cases displaying archival images and documents.] -
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She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Pictured: multi-projection compilation of film excerpts selected by Hilton Als. Photo: Filip Wolak. [A close up of a series of old Hollywood films projected on the back wall of the exhibition space] -
[A red deflated balloon, folded at the neck, with white text that reads, "Living with Pop."] -
The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak. [Five figures standing before a set of music stands. The figure closest to the viewer stands in profile and gazes ahead, while two figures directly behind them look towards him with furrowed brows.] -
Five Spanish Artists. Installation View, Artists Space, 1985. [A large painting appears in a white-gallery space with various drawings of city architecture around a large amorphous black section in the middle. White columns and other paintings are visible in the surrounding area.] -
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Demonstrations outside the opening of Witnesses: Against Our Vanishing, Artists Space, 1989 [Protesters standing in a line hold a variety of signs with statements such as "Helms impedes the 1st Amendment," "Obscene Art?", "I have no taste," and "No taxation without artistic representation"] -
Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang. [A figure in a blue dress stands behind a white table, and holds the end of a small folded up book. On the other side of the table, a row of people sitting on wooden chairs hold different sections of the book and read off of it.] -
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ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of low windows on a brick facade covered in layered black and yellow film.] -
Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Two light blue panels of canvas displayed on a light mauve wall. The canvases are positioned side-by-side such that they form a square shape. Two semicircles are depicted on each of the canvases, which together form a white circle in the center of the two canvases. At the center of the circle, the edges of each of the canvases stretch outward to form two protruding flaps that curve towards and on top of the opposite canvases.] -
[A grid of yellow hearts on a pink background.] -
Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman. [Color photo of two men sitting at a worktable that holds various musical and electronic equipment. In the background, various audience members sit and observe the performers within a dimly lit space. Yellow projections shine on the wall behind the performers along with blue and pink spotted lights.] -
SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with a rectangular shaped sculpture made of a wooden frame with fresnel lenses placed along the top and sides. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.] -
Carmen Armengual, Before my, your her, his, our, your, their faces Delante de mis, tus, sus, nuestros, vuestros, sus rostros (work in progress), 2022. Digital video, sound, text, 13:40 minutes. Photo: Steven Cottingham. [An image of a video work with three vertical wall-mounted monitors, each with differently shaped kettles on them.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure performs on stage using a microphone and an audio mixer, with the audience in the back left of the image.] -
Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court [A figure whose face is illuminated by red light plays flute into a microphone.] -
Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of a display case. Several mugs are stacked on top of each other on the left side of the case, while five others are placed haphazardly across its surface. Each white mug is decorated with black text that reads, *STANCHION*. Several photos of a nude woman are arranged across the surface of the case.] -
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Rafael Sánchez. Performance still from Swamp Piece, 1993. Photo: Claire Barnier. [A woman in a dress standing in a swamp] -
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Portrait of Sammy Baloji. Photo: Sophie Nuytten [A figure in three-quarter profile, wearing a beaded necklace and a blue shirt, gazes outside the frame. In the background is a blurry window, and a partially decipherable city-scape.] -
Margit Lewczuk. For Freda, 1985. -
Tiffany Sia, The Bastard Scroll (detail view), 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A photograph of a long sheet of dot matrix paper with text on a black table.] -
Julie Wachtel. Installation View. Artists Space, 1985-86. [A split-screen image of a kitten sleeping with a pink blanket hanging on a white wall. Both images appear identical in photograph.] -
Salad Days. Installation view, Artists Space, 2004. [A rectangular, 3x5 grid hung on a white wall, comprised of close-up photographs of the inside of people's mouths. Just in front of the wall to the left of the photographs, there is a white plinth with a black Converse shoe, a false shin extending out of it, with a metal bone coming out of the top.] -
Alan Ruiz, Hunter Green 1390, 2016. Courtesy the artist. [Installation view of a mechanical wall covering a window in a gallery space, with a diamond-shaped glass pane in the center letting light through.] -
Richard Klauber. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975. [A color installation photograph of a black and white abstract painting on a white wall.] -
Pamela Jenrette. Lavalava, 1974. From Scott Burton, Pamela Jenrette, Artists Space,1975. [A black and white photograph of a textured wall with white and grey splotches.] -
[Black text on a green background. The text reads: “Jan 11 / Charles Bernstein / Sol Cabrini.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
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The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [A clay sculpture of a person, outstretched on a sofa, with miscellaneous items around them, is displayed on a wooden floor.] -
Las Nietas de Nonó, Especie: archivo natural, 2022, sounds, lamp, phone booth, phone booth hotline, fish tanks, atmospheric water, yucca, corn, dracaena, snake plant, dragon tree, tree trunks, handmade lyca garments for tree trunks, mirror pond; Dimensions variable. Photo: Filip Wolak [A large mirrored pond made of a wooden base with a reflective lining on top is surrounded by three tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling with a metal locker in the back.] -
Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photo of an installation work. An antique cabinet with its doors open reveals shelves and drawers filled with household items such as jars, books, herbs, candles, a teapot, a cooking pan, cleaning products and a clock. On the top of the cabinet] -
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Lise Soskolne, Film Still: Characters, 1999. Oil on canvas, 66 x 108 inches. [White text arranged in two columns on a black background. Film roles, such as "Desk Clerk" and "Beauty Queen" are listed on the left, with names of actors on the right.] -
Cindy Sherman, Jack Hanley, Claudia Gould, Alexandra Auder. Photo: Jenna Bascom [Cindy Sherman, Jack Hanley, Claudia Gould, and Alexandra Audler stand together and smile at the camera in front of a red wall with an illusionistic landscape view inside a painted pointed arch window. ] -
Four Scottish Artists. Installation view, Artists Space, 1979. [An illustration of a row of figures holding bagpipes on either side of a large grey square.] -
Liz Deschenes Ibry's timetable 1878 (Paris - Lyon), 2018, UV print on photogram, 8 x 14 inches, Signed edition of 100, 5APs, Courtesy of the artist. [Black and white chart tracking the movement of trains through major cities in France. Text at the bottom of the chart reads "Fig. 7. Graphique de la marche des trains sur un chemin de fer, d'après la méthode de Ibry."] -
Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo credit: Jean Vong. [Two foldable room dividers are installed in a large gallery. Multiple paintings are hung on the dividers, each depicting a scene of men in public and private spaces, engaged in various activities of work and leisure.] -
Tracy Benissan, Untitled, 2014 [A drawing of several glasses of varying shapes holding colorful liquids suspended on a flat background] -
Four Artists: An Exhibition of Painting and Sculpture. Installation View. Artists Space, 1985. [Paintings are visible hanging on walls in a white-walled gallery space with white columns in the background.] -
Mr. Dead & Mrs. Free: A History of Squat Theatre. Installation view, Artists Space, 1996. [A room with two chairs facing toward a low table with a small monitor and assorted bottles. There are two windows, both blotted out with smears of paint. A large sculpture of a person with crouched legs and their arms above their head is suspended from the ceiling, with a second smaller head emerging from between the squatting legs.] -
Hito Steyerl, Guards, 2012, HD video on freestanding screen with sound, 20 mins. Courtesy the artist and Andrew Kreps, New York. Installation view from Hito Steyerl, Artists Space, 2015. [A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, hands clasped at his waist as he faces the viewer, is on the back wall.] -
Marina Cappelletto. Still Life with Three Eggs, 1987. [House-like form with three egg-shaped objects surrounding it with some shadowing visible.] -
Attention Line. Installation view (exceprts from Clairvoyant Journal, 1974, Clairvoyant Journal cassette tape, 1974, If Workshop, c. 1990 ), Artists Space, June 11 - August 20, 2022. Image courtesy Artists Space, New York. Photo: Filip Wolak [An image of a display case with several letters, and a television sitting on top.] -
Still from The Last Days of Jack Sheppard (2009). [A white bust with a plaque reading "DEFOE" below it. Slightly offset and partially in shadow is a man seen in profile, dressed identically to the bust with a powdered wig.] -
Shala Miller, Modern-Day Sisyphus I, 2023. Courtesy the artist [Black-and-white print featuring multiple photographs of a naked body, spotlighted against a black background and collaged together. Flashes of white light across the print obscure parts of the image, bringing the body in and out of focus.] -
[White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Feb 3 / Coco Gordon Moore / Tongo Eisen-Martin" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.] -
Students visiting Sleepwalk at Parasol Projects, LES, 2022 -
Kaisa Lassinaro, We (Not I), 2015. [A red, white, and black text logo that reads, "We (not I)."] -
P.S. 140 student workshopping poems, 2019 [Two people stand at the front of a full classroom in front of a projector screen that says, "Poetry workshop / Ms. Rebecca / Today's task: create headline poems." One reads from a notebook, the other listens on.] -
Yasunao Tone: Region of Paramedia. Installation view (Device for Molecular Music, 1982), Artists Space, 2023. Photo: Filip Wolak. [Color photograph of an audio device placed on a shelf. The device consists of a machine, speakers, and light sensors. A paper containing notes and instructions on the controls is placed on top of the machine.] -
DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A glass case filled with colorful paraphernalia sits on an orange table. The case is bound lengthwise and widthwise with straps. On top of the case sit two magnifying glasses and several stacks of plastic cups.] -
UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [In the foreground, a clear and grey sculpture rests on top of a white pedestal. In the background, four additional sculptures in arranged from light to dark tones, hang in a row.] -
Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [Various framed works on paper hang on two facing white gallery walls. Each features small looping ornamental symbols, drawn with pencil within the individual boxes of gridded paper, to form larger shapes and structures. The large work on the right wall features repeated ornamental symbols in gold on pink ground.] -
Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo credit: Jean Vong. [A framed painting is hung on a white wall adjacent to an elevator with a decorative sconce installed above the painted white doors. The painting depicts a chained elephant being trained by a woman in a black dress. The woman holds a baton against the elephant's raised foreleg.] -
Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt. [Five flower arrangements sit side-by-side on a gallery floor. The flowers have been arranged such that they form the shape of four italicized, lowercase letters and a period. From left to right, the arrangements spell "abbr." White flowers form the letters' shapes, while green leaves frame the flowers.] -
Metahaven, WikiLeaks, 2011, Scarf. Photo: Meinke Klein. [A portrait of a woman whose face is covered by a colorful cloth that extends over her entire top body. Only the top of her ear and hair are visible.] -
Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata [A figure sits in front of a table with audio equipment, including a commodore computer and flute-to-haiku converter.] -
ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of multiple works including a vending machine against a glazed over window, a glass display table backed by tiled photographs, a lightbox with an image of sitting individuals and a colorful shack structure.] -
[A pair of leather boots and a power strip rest underneath a blue, wooden chair on a concrete floor.] -
Adjua Gargi Nzinga Greaves, Better homes and gardens back by popular demand, detail, 2021. Magazine, artists tape, overall dimensions variable. Courtesy Artists Space, New York. Photo: Filip Wolak [A photograph of several works on yellow paper hung on a white gallery wall.] -
Poster for No Total Weekend, May 29-31, 2015, Artists Space. [A teal circle on a white background with several names written around the perimeter, circling the midpoint of the circle. White text on the right side of the circle reads, "May 29-31. 2015 / No Total Weekend." The rest of the text spells out the schedule of the event.] -
Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color photo of the first room in the exhibition. To the left, a wooden high-top bar holds a cash register, a lamp and a book. Three high-top stools are lined up in front of the bar. A large drawing done in BLANK on cardboard hangs above the bar. To the right, a grey metal bookshelf holds books, bags of rice and flour, Wonder bread, toliet paper, q-tips and soap. Next to the bookshelf a yellow produce scale hangs from the ceiling holding bubble wrap. The back wall is painted green, appears like the walls used in construction projects, with a hand-painted sign that reads: Dorothy Porter Wesley: The Negro in the United States, A Selected Bibliography.] -
Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo. [Photograph of a corner of a gallery, with printed and woven works along one wall, next to a row of TV flatscreens on another wall. In the center of the space is a large wooden platform.] -
virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a grey and blue piece of semi-transparent fabric, partially hung from a grey metal scaffold in a gallery space.] -
Gary Bower, White Bouquet, 1976. From Gary Bower, Fontaine Dunn, Hermine Ford, Artists Space, 1976. [A painting over a black background of a set of hands cupping a rose. Above, several more roses are pictured.] -
Still from Resonating Surfaces, 2005. Courtesy of Manon de Boer, Auguste Orts and Jan Mot Gallery, Brussels. [A grainy image of a woman looking to her left. She is leaning against the back of a chair, one arm outstretched while the other is bent and holds a cigarette.] -
ART CLUB2000, Untitled (Starbucks Trash), 1995, 11 x 14 inches, black and white photograph. [A pile of trash, including Starbucks cups, empty packs of cigarettes, newspaper, and food remnants, is strewn across the ground.] -
Robert Gero, Untitled, 1989. Lead, straw, wax. [An inverted triangle of straw held together with wax supports an X made of lead.] -
Guyton\Walker, Fruit Stickers for Artists Space, 2010. Set of 15 inkset printed stickers. [A grid of citrus fruits and coconuts, each cut in half to reveal the interior flesh, is presented in a variety of high contrast colors against a white ground.] -
Sensual Hyper Tension. Installation view, Artists Space, 2004. [A model of a geometric, folded object with one mirrored side within an open white rectangle.] -
Peggy Ahwesh, Paranormal Intelligence (Part 2 of The Pittsburgh Trilogy), (1983). [A crowd of people seated in a dark room, facing a screen. On screen, there is an image of a person wearing a striped shirt, holding a towel around their neck.] -
Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure leans into a microphone from the side with blue, purple, and pink projections cast onto them.] -
Untitled, Taro Quirk, City-As-School high school student, 2021, digital photograph. -
Four Scottish Artists. Opening Reception, Artists Space, 1979. [A photograph of the exhibition opening reception. A group of visitors look around at the art.] -
Frames 2-9: installation views of Ken Lum’s “Untitled Sculpture”; Frames 10-23:installation views of Nic Nicosia’s “Domestic Dramas” ; Frames 27-35: installation views of Peter Waite’s “Las Meninas”. Artists Space, 1982. [Contact sheets made from the installation of the exhibition.] -
Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A black and white image of a man working intently on a machine is projected on a standing screen in an open room.] -
Jim Pavlicovic. Installation view, Gerry Morehead, Jim Pavlicovic, Artists Space, 1976. [A black and white installation photograph of a gallery space. A square blank canvas hangs from the wall on the left, and two windows are visible on the right.] -
[Three book covers, arranged in a triangle, with title text reading from top to bottom, left to right, "Danger In Dusseldorf," "Die, Chastrommel," and "Berliner."] -
Catily Dominici, Untitled, photography, 2016 [A black-and-white image of Batman fighting another man facing away from the camera overlaid with a translucent façade of walkup apartment buildings in Manhattan] -
Kenji Kanesaka, still from Hop Scotch, 1967 [Black-and-white image of a figure in uniform laying face down on the street. A hopscotch pattern is drawn in white chalk on the ground beneath the figure.] -
[A moving gif of a paper diagram blowing from the wind of a computer device. The top right corner of the machine reads, "StarTech.com"] -
Ralph Paquin and Ann Stoddard, ERAWA - ERA WAS, 1990. Installation view, Artists Space, 1990. [A large paper-maché head lays face-up on a metal scaffolding. Above it, green cursive text reads, "ring is worn out by constant use."] -
Tom of Finland Untitled , ca. 1968 Collage on paper Tom of Finland Foundation, Permanent Collection [Collaged images of pairs of half-naked men in various poses and positions.] -
Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court [A figure peers into a computer while standing behind a table and next to a speaker.] -
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Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [Several wooden chairs placed in front of three monitors installed on two walls of an exhibition space. Each of the monitors displays a film.] -
Louise Bourgeois Jitterbug, 1998 Lithograph, 18 x 24 in / 46 x 61 cm, Signed & Numbered. [Two red and blue spidery forms interlace, floating in the center of the page atop a blank sheet of staff paper.] -
Attention Line. Installation view (costumes worn by Johanna Went, 1970s-2000s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [Two life-sized costumes.] -
From below, a musician is seen manipulating electronics housed inside of a lunchbox that pictures a schoolbus painted with different colored rectangles that have sharp black borders. Above the schoolbus is text that reads "The Partridge Family". The walls behind the musician are bathed in soft green light. -
Crystal Z Campbell: Ode to the Underloved. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a video installation in the center of the floor of a gallery. A walkway made of plywood runs along the edges of the room, encircling the projection. The projection depicts a mirrored negative film image. The image features an assortment of abstracted objects arranged on a blue background.] -
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Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Eleven tan sacks of various sizes hang on a while wall. Each is illustrated with individual imagery and/or text. A long one, hanging at the top left, reads "CHASE" in block letters. A painting is hung in the background on a wall.] -
Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Malcolm Peacock, How to address the full capacity of our will, 2023), Artists Space, 2023. Photo: Filip Wolak. [A gallery space with two large black treadmills placed on the right side of the room. Along the back and side are doors with large window panes that show the street outside. The edge of a wooden railing can be seen to the left of the treadmills.] -
Other Minds, San Francisco. Photo: John Fago [Black-and-white photograph of a figure, walking in the middle of the frame between two sets of suspended wires that run from across the room. The figures hands manipulate the wires on each side of them.] -
[Pink cursive text at an ascending angle which reads "Undoolay," with horizontal green text underneath that reads "Lucas Duwenhogger."] -
Calvert Coggeshall. Untitled (green, red), 1987. Oil on canvas. [Abstract painting with green filling most of the space with red lines emerging from the center outward.] -
Traditions: Five Painters. Installation View, Artists Space, 1978. [Various paintings hang in a row on a wall. The paintings are composed of bold lines and blocks of color.] -
[A fruit salad with watermelon, oranges, berries, and more in a metal dish, as if at a deli station. Overlaid white text in script reads "Salad Days."] -
Served Up! R.M. Fischer. Installation view, Artists Space, 1979. [A black-and-white photograph of a gallery space with several floor lamps installed throughout.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure performs on stage, standing straight and looking at material held on a music stand in front of them.] -
Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery. [Black and white photograph of white picket fence opening with dark painted background behind it.] -
New Economy. Installation view, Artists Space, 2007. [On the far wall is a triptych of photographic posters that show piles of logs with a bottom text, "Nothing is real, Everything is Possiblem." In the corner of the room are stacks of red crates with cola bottles and on the opposit wall is a sculpture resembling a part of bicycle that is attached to the wall.] -
MTL+. Our Uprisings, 2016. [A poster with yellow text on a red and black background, stating "OUR UPRISINGS ARE QUEER TRANS BLACK BROWN PALESTINIAN IMMIGRANT INDIGENOUS AND GLOBAL".] -
Hito Steyerl, Duty Free Art: Art in the Age of Planetary Civil War (New York: Verso Books, 2017). [A book cover with large text and a digitally altered, skewed human face blurred behind the title.] -
Young Fluxus. Installation view, Artists Space, 1982. [View through a doorway with photographs and a black text on a poster on the foreground wall and a clock along with a propeller of fan upholstered to the wall on the back wall through the doorway.] -
Barbara Steinman, Of a Space, Solitary/Of a Sound, Mute, 1989. Installation view, Artists Space, 1989. [Two rectangular works are hung next to each other on a wall. The left is solid grey, the right is a photograph of an outstretched forearm against a black background.] -
PATTERNS / Marcelo Spina with Kreysler & Associates, Macro Piece, 2006. [Detail view of a greyscale sculpture made of varying polymer segments.] -
New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [A figure and a microphone are silhouetted in front of an image projection. The image shows a face obscured with white plaster, overlaid with red text reading “New Red Order” and white text reading “1-888-NEW- RED1 newredorder.org."] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Two figures in blue morph suits engage in an argument, standing on either side of a wooden table with a fresnel lens as the tabletop. A third figure to the right films their encounter, while audience members watch in the background.] -
Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque. Installation view, Artists Space, 1981. [A dim photograph of mulitple artworks hanging on a white wall in the exhibition space.] -
[A grid of blue hearts on a yellow background.] -
David Kroll. The Intrusion of Fear, the Fear of Knowing, 1985. [A fanciful drawn landscape of hunters following deer next to a figure in front of their desk next to a window and fireplace.] -
Eileen Gray. E. 1027, 1926-29. Interior [Black-and-white photo of the interior of a house, with several paintings, a round and square rug, and two armchairs, of various styles considered modern around the early 20th century.] -
UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [An abstract sculpture with a chrome finish is displayed on a white pedestal. The sculpture's form includes amorphous voids alongside somewhat rectangular structures.] -
Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley. [Contact sheet of installation images taken during exhibition opening.] -
New Red Order with Laura Gardin Fraser Teddy’s Touchdown, 1938/2021 16mm film, black and white 14 minutes (loop) Image courtesy Artists Space, New York Photo: Filip Wolak [An image of a dark exhibition space, a film projector projects a sepia tone image onto the wall.] -
Valerie Tevere, UNITED STATES, 1996. [A city street with a concrete median and wall made from gray metal supported by wooden planks. The median has the words "Property of LACTC" printed on it. Hanging just above that are four postered portraits displayed in a horizontal line. Each poster features three letters below its portrait image that together spell out "UNI/TED/STA/TES". The portraits are framed by traffic signs that say, "WRONG WAY" and "USE SIDEWALK."] -
Tom of Finland, Untitled, 1967. Graphite on paper. Private Collection, Sweden. [A half-naked man sits inside a prison cell wearing a police cap and gripping a large electric dildo. His erect penis emerges from the fly of his leather pants, while a naked man on the floor licks the back of his leather boots.] -
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Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery. [Black and white photograph of white picket fence opening with dark painted background behind it.] -
Exhibition Pamphlet (cover) -
Spread from Harun Farocki Diagrams. Images from Ten Films, stills from Images of the World and the Inscription of War, 1988. [Fifteen images arranged in a grid, depicting close-ups of human faces and arial views of war.] -
Renée Green. Still from Partially Buried, 1996. Video, color, sound; 20 minutes. Courtesy the artist, Free Agent Media, and Video Data Bank. [A dilapidated wood shed is shown partially covered by large mounds of earth. Fingers reach out from the lower-right corner to caress the image.]
