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    Related pages John Mendelsohn and Donald Sultan
  • Caption
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Color image of a pile of freeway rubble arranged on the floor, with a sculpture of a bird made of a deconstructed Nike sneaker perched on top of the pile, with its wings spread.
    Color image of a pile of freeway rubble arranged on the floor, with a sculpture of a bird made of a deconstructed Nike sneaker perched on top of the pile, with its wings spread.
    rafa esparza, NH1, 2023, 1 pair of US mens size 11 black and white Nike Cortez, chicken wire, and black Nike socks, freeway rubble. Image courtesy Artists Space, New York. Photo: Filip Wolak. [Color image of a pile of freeway rubble arranged on the floor, with a sculpture of a bird made of a deconstructed Nike sneaker perched on top of the pile, with its wings spread.]
    Caption rafa esparza, NH1, 2023, 1 pair of US mens size 11 black and white Nike Cortez, chicken wire, and black Nike socks, freeway rubble. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description Color image of a pile of freeway rubble arranged on the floor, with a sculpture of a bird made of a deconstructed Nike sneaker perched on top of the pile, with its wings spread.
    Year
    Related pages rafa esparza: Camino
  • Three unmatching plastic bottles filled with urine are sitting in a line on a wood floor. In the background, a mixed-media installation piece sits in front of the gallery doors. Wooden poles project into the frame through two standing columns.
    Three unmatching plastic bottles filled with urine are sitting in a line on a wood floor. In the background, a mixed-media installation piece sits in front of the gallery doors. Wooden poles project into the frame through two standing columns.
    Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater. Installation view, Artists Space, 2019. Photo: Daniel Pérez. [Three unmatching plastic bottles filled with urine are sitting in a line on a wood floor. In the background, a mixed-media installation piece sits in front of the gallery doors. Wooden poles project into the frame through two standing columns.]
    Caption Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater. Installation view, Artists Space, 2019. Photo: Daniel Pérez.
    Image description Three unmatching plastic bottles filled with urine are sitting in a line on a wood floor. In the background, a mixed-media installation piece sits in front of the gallery doors. Wooden poles project into the frame through two standing columns.
    Year 2019
    Related pages Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater
  • A PrintFile photo preserver is visible with two black and white photographic artworks inside and the top photograph has tape around it with writing on it.
    A PrintFile photo preserver is visible with two black and white photographic artworks inside and the top photograph has tape around it with writing on it.
    Seth Laderman. Installation view, Artists Space, 1980. [A PrintFile photo preserver is visible with two black and white photographic artworks inside and the top photograph has tape around it with writing on it.]
    Caption Seth Laderman. Installation view, Artists Space, 1980.
    Image description A PrintFile photo preserver is visible with two black and white photographic artworks inside and the top photograph has tape around it with writing on it.
    Year
    Related pages Seth Laderman
  • A green object with a processing chip embedded in its front sits on a white base. On top of the object sit a red potato with a wire attached, false teeth, and a telephone cord.
    A green object with a processing chip embedded in its front sits on a white base. On top of the object sit a red potato with a wire attached, false teeth, and a telephone cord.
    Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $5,000
    [A green object with a processing chip embedded in its front sits on a white base. On top of the object sit a red potato with a wire attached, false teeth, and a telephone cord.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $5,000
    Image description A green object with a processing chip embedded in its front sits on a white base. On top of the object sit a red potato with a wire attached, false teeth, and a telephone cord.
    Year 2019
    Related pages Trisha Baga Edition
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A black and white image of a man and woman. The woman is pressed against a wall, looking with fear at the man who is grabbing her wrist. He is looking back at her sternly.
    A black and white image of a man and woman. The woman is pressed against a wall, looking with fear at the man who is grabbing her wrist. He is looking back at her sternly.
    Film Still from Gaslight, 1944. [A black and white image of a man and woman. The woman is pressed against a wall, looking with fear at the man who is grabbing her wrist. He is looking back at her sternly.]
    Caption Film Still from Gaslight, 1944.
    Image description A black and white image of a man and woman. The woman is pressed against a wall, looking with fear at the man who is grabbing her wrist. He is looking back at her sternly.
    Year 1944
    Related pages Gaslight
  • A receding row of columns lines our view into the far gallery space. In the foreground, several of Ruben Ulises Rodriguez Montoya's biomorphic sculptures are displayed on walls, resting on a pedestal, or hanging from the ceiling. In the distance, two of Matthew Langan-Peck's monumental painted toy box sculptures sit on the gallery floor; a set of headphones hangs on the side of each box. In the background, Isabelle Frances McGuire's three large pink banners emblazoned with silver stars hang from ceiling to floor.
    A receding row of columns lines our view into the far gallery space. In the foreground, several of Ruben Ulises Rodriguez Montoya's biomorphic sculptures are displayed on walls, resting on a pedestal, or hanging from the ceiling. In the distance, two of Matthew Langan-Peck's monumental painted toy box sculptures sit on the gallery floor; a set of headphones hangs on the side of each box. In the background, Isabelle Frances McGuire's three large pink banners emblazoned with silver stars hang from ceiling to floor.
    Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon. [A receding row of columns lines our view into the far gallery space. In the foreground, several of Ruben Ulises Rodriguez Montoya's biomorphic sculptures are displayed on walls, resting on a pedestal, or hanging from the ceiling. In the distance, two of Matthew Langan-Peck's monumental painted toy box sculptures sit on the gallery floor; a set of headphones hangs on the side of each box. In the background, Isabelle Frances McGuire's three large pink banners emblazoned with silver stars hang from ceiling to floor.]
    Caption Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description A receding row of columns lines our view into the far gallery space. In the foreground, several of Ruben Ulises Rodriguez Montoya's biomorphic sculptures are displayed on walls, resting on a pedestal, or hanging from the ceiling. In the distance, two of Matthew Langan-Peck's monumental painted toy box sculptures sit on the gallery floor; a set of headphones hangs on the side of each box. In the background, Isabelle Frances McGuire's three large pink banners emblazoned with silver stars hang from ceiling to floor.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • A black-and-white drawing in a collage style, depicting many public parking signs, street-level façades, advertisements, buildings, a bycicle, smoke, and two large, flowing arrows
    A black-and-white drawing in a collage style, depicting many public parking signs, street-level façades, advertisements, buildings, a bycicle, smoke, and two large, flowing arrows
    Kayla Asalcedo, Lower East Side Map, 2018 [A black-and-white drawing in a collage style, depicting many public parking signs, street-level façades, advertisements, buildings, a bycicle, smoke, and two large, flowing arrows]
    Caption Kayla Asalcedo, Lower East Side Map, 2018
    Image description A black-and-white drawing in a collage style, depicting many public parking signs, street-level façades, advertisements, buildings, a bycicle, smoke, and two large, flowing arrows
    Year 2018
    Related pages Scholastic Art and Writing Awards
  • A figure plays the keyboard in front of a microphone.
    A figure plays the keyboard in front of a microphone.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure plays the keyboard in front of a microphone.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure plays the keyboard in front of a microphone.
    Year 2022
    Related pages Abasement #61
  • An individual performing while standing in front of a projection of themselves and a child. A thought bubble on the right side of the projection reads
    An individual performing while standing in front of a projection of themselves and a child. A thought bubble on the right side of the projection reads
    Adrian Piper: It's Just Art. Performance documentation, 1981, Artists Space. [An individual performing while standing in front of a projection of themselves and a child. A thought bubble on the right side of the projection reads "14. WE DEFEND EACH OTHER (YOU CERTAINLY DIDN'T COME TO AN ART PERFORMANCE TO HEAR A LECTURE ON CURRENT EVENTS).]
    Caption Adrian Piper: It's Just Art. Performance documentation, 1981, Artists Space.
    Image description An individual performing while standing in front of a projection of themselves and a child. A thought bubble on the right side of the projection reads "14. WE DEFEND EACH OTHER (YOU CERTAINLY DIDN'T COME TO AN ART PERFORMANCE TO HEAR A LECTURE ON CURRENT EVENTS).
    Year 1981
    Related pages
  • Color photograph of a figure wearing black, holding a long wooden stick over a reflective surface with an orange construction net over it.
    Color photograph of a figure wearing black, holding a long wooden stick over a reflective surface with an orange construction net over it.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure wearing black, holding a long wooden stick over a reflective surface with an orange construction net over it.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a figure wearing black, holding a long wooden stick over a reflective surface with an orange construction net over it.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A color photograph of a sculpture composed of a skeleton, monitors, several wires, and anatomical models of a human body, brain, and spine.
    A color photograph of a sculpture composed of a skeleton, monitors, several wires, and anatomical models of a human body, brain, and spine.
    Milford Graves, Pathways of Infinite Possibilities: Skeleton, 2017. Human skeleton, steel pipe, wires, stickers, medical ear, model, dundun (talking drum), preserved heart, stethoscope, video monitor, transducer, amplifier, wood, metal, printed, labels, marker, casters. Dimensions variable. Photo: Filip Wolak. [A color photograph of a sculpture composed of a skeleton, monitors, several wires, and anatomical models of a human body, brain, and spine.]
    Caption Milford Graves, Pathways of Infinite Possibilities: Skeleton, 2017. Human skeleton, steel pipe, wires, stickers, medical ear, model, dundun (talking drum), preserved heart, stethoscope, video monitor, transducer, amplifier, wood, metal, printed, labels, marker, casters. Dimensions variable. Photo: Filip Wolak.
    Image description A color photograph of a sculpture composed of a skeleton, monitors, several wires, and anatomical models of a human body, brain, and spine.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • A color photograph of a floorbound television monitor, showing a figure in a snow bank. Above is an annotated drawing of a human figure.
    A color photograph of a floorbound television monitor, showing a figure in a snow bank. Above is an annotated drawing of a human figure.
    Milford Graves: Fundamental Frequency. Installation view (Movements in the Snow, 1990, Herbal Chart, c. 1980), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color photograph of a floorbound television monitor, showing a figure in a snow bank. Above is an annotated drawing of a human figure.]
    Caption Milford Graves: Fundamental Frequency. Installation view (Movements in the Snow, 1990, Herbal Chart, c. 1980), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak.
    Image description A color photograph of a floorbound television monitor, showing a figure in a snow bank. Above is an annotated drawing of a human figure.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • A figure performs on stage behind a table with audio equipment and holds an audio box to their mouth.
    A figure performs on stage behind a table with audio equipment and holds an audio box to their mouth.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure performs on stage behind a table with audio equipment and holds an audio box to their mouth.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure performs on stage behind a table with audio equipment and holds an audio box to their mouth.
    Year 2022
    Related pages Abasement #61
  • A figure in a blue shirt kneels down on stage, they look down and hold a microphone to their face. Red light is cast onto the stage.
    A figure in a blue shirt kneels down on stage, they look down and hold a microphone to their face. Red light is cast onto the stage.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure in a blue shirt kneels down on stage, they look down and hold a microphone to their face. Red light is cast onto the stage.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure in a blue shirt kneels down on stage, they look down and hold a microphone to their face. Red light is cast onto the stage.
    Year
    Related pages Chorus: A Sound Poetry Festival 11-11
  • Three plexiglass and poster board timelines and a large black structure are visible within a gallery space. The timelines depict photos and texts arranged by year, from 1999-2001. The structure has an image of an office wrapped around one column and a TV is visible through the structure.
    Three plexiglass and poster board timelines and a large black structure are visible within a gallery space. The timelines depict photos and texts arranged by year, from 1999-2001. The structure has an image of an office wrapped around one column and a TV is visible through the structure.
    Bernadette Corporation: 2000 Wasted Years. Installation View, Artists Space, 2012. Photo: Daniel Pérez. [Three plexiglass and poster board timelines and a large black structure are visible within a gallery space. The timelines depict photos and texts arranged by year, from 1999-2001. The structure has an image of an office wrapped around one column and a TV is visible through the structure.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation View, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Three plexiglass and poster board timelines and a large black structure are visible within a gallery space. The timelines depict photos and texts arranged by year, from 1999-2001. The structure has an image of an office wrapped around one column and a TV is visible through the structure.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • A black and white photograph of a gallery space. A piece with a large black paint swatch hangs on the wall on the right.
    A black and white photograph of a gallery space. A piece with a large black paint swatch hangs on the wall on the right.
    David Salle. Untitled (Camus), 1976. Mixed media on paper. From Barbara Bloom, David Salle, Artists Space, 1976 [A black and white photograph of a gallery space. A piece with a large black paint swatch hangs on the wall on the right.]
    Caption David Salle. Untitled (Camus), 1976. Mixed media on paper. From Barbara Bloom, David Salle, Artists Space, 1976
    Image description A black and white photograph of a gallery space. A piece with a large black paint swatch hangs on the wall on the right.
    Year 1976
    Related pages Barbara Bloom, David Salle
  • Three people, bent over each other looking at an open door.
    Three people, bent over each other looking at an open door.
    Guy de Cointet, Tell Me, 1979. Performance at MoMA, New York. Performed by Helen Mendez, Jane Zingale, Denise Domergue. Courtesy Guy de Cointet Society and Air de Paris, Paris. Photo: Kira Perov. [Three people, bent over each other looking at an open door.]
    Caption Guy de Cointet, Tell Me, 1979. Performance at MoMA, New York. Performed by Helen Mendez, Jane Zingale, Denise Domergue. Courtesy Guy de Cointet Society and Air de Paris, Paris. Photo: Kira Perov.
    Image description Three people, bent over each other looking at an open door.
    Year 1980
    Related pages Guy de Cointet: The Complete Plays
  • Black, rounded text on a white background reads left,
    Black, rounded text on a white background reads left,
    Poster from polke / richter , 1966 galerie h, Hannover Courtesy August Haseke [Black, rounded text on a white background reads left, "galerie h, hannover, alleestrasse, gh;" right, "POLKE/RICHTER, Pop?, Kapitalistischer, Realismus?"]
    Caption Poster from polke / richter , 1966 galerie h, Hannover Courtesy August Haseke
    Image description Black, rounded text on a white background reads left, "galerie h, hannover, alleestrasse, gh;" right, "POLKE/RICHTER, Pop?, Kapitalistischer, Realismus?"
    Year 1966
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 13 / Alexis Almeida / makalani bandele.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 13 / Alexis Almeida / makalani bandele.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 13 / Alexis Almeida / makalani bandele.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 13 / Alexis Almeida / makalani bandele.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Alexis Almeida & makalani bandele
  • A number of wooden block constructions appear together in various forms in an installation in a gallery space with framed works on the wall behind them.
    A number of wooden block constructions appear together in various forms in an installation in a gallery space with framed works on the wall behind them.
    David Winter. Selections for the Artists File, installation view, Artists Space, 1986. [A number of wooden block constructions appear together in various forms in an installation in a gallery space with framed works on the wall behind them.]
    Caption David Winter. Selections for the Artists File, installation view, Artists Space, 1986.
    Image description A number of wooden block constructions appear together in various forms in an installation in a gallery space with framed works on the wall behind them.
    Year
    Related pages Selections from the Artists File
  • Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.
    Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.
    Year 2022
    Related pages keyon gaskin 12-14
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Against an urban landscape, a metal pinhole camera tin is mounted to a roof post.
    Against an urban landscape, a metal pinhole camera tin is mounted to a roof post.
    Constantina Zavitsanos: fwiw. Installation view (∞, 2024), Artists Space, 2024. Photo: Carter Seddon. [Against an urban landscape, a metal pinhole camera tin is mounted to a roof post.]
    Caption Constantina Zavitsanos: fwiw. Installation view (∞, 2024), Artists Space, 2024. Photo: Carter Seddon.
    Image description Against an urban landscape, a metal pinhole camera tin is mounted to a roof post.
    Year
    Related pages fwiw
  • A painting of the basin of a dam. The water is surrounded by rock formations, with people standing scattered around on rocks.
    A painting of the basin of a dam. The water is surrounded by rock formations, with people standing scattered around on rocks.
    The Mind/Body Problem. Installation view, Artists Space, 2006. Photo: Alan Wiener. [A painting of the basin of a dam. The water is surrounded by rock formations, with people standing scattered around on rocks.]
    Caption The Mind/Body Problem. Installation view, Artists Space, 2006. Photo: Alan Wiener.
    Image description A painting of the basin of a dam. The water is surrounded by rock formations, with people standing scattered around on rocks.
    Year 2006
    Related pages The Mind/Body Problem
  • A head-on view of six figures, each standing before a music stand in front of a seated audience. They are arranged side by side in a horizontal line, illuminated by overhead lights.
    A head-on view of six figures, each standing before a music stand in front of a seated audience. They are arranged side by side in a horizontal line, illuminated by overhead lights.
    Adrienne Kennedy, The Owl Answers. Performance documentation, Artists Space, February 29, 2020. Photo ©️ Filip Wolak. [A head-on view of six figures, each standing before a music stand in front of a seated audience. They are arranged side by side in a horizontal line, illuminated by overhead lights.]
    Caption Adrienne Kennedy, The Owl Answers. Performance documentation, Artists Space, February 29, 2020. Photo ©️ Filip Wolak.
    Image description A head-on view of six figures, each standing before a music stand in front of a seated audience. They are arranged side by side in a horizontal line, illuminated by overhead lights.
    Year 2020
    Related pages
  • White text overlay on two photographs of people in bathing suits and summer clothing lounging on a beach.
    White text overlay on two photographs of people in bathing suits and summer clothing lounging on a beach.
    Book cover for Disordered Attention: How We Look at Art and Performance Today by Claire Bishop. [White text overlay on two photographs of people in bathing suits and summer clothing lounging on a beach.]
    Caption Book cover for Disordered Attention: How We Look at Art and Performance Today by Claire Bishop.
    Image description White text overlay on two photographs of people in bathing suits and summer clothing lounging on a beach.
    Year
    Related pages Disordered Attention
  • 5 paintings hang in a corner with 3 on the wall to the left and 2 on the wall to the right.
    5 paintings hang in a corner with 3 on the wall to the left and 2 on the wall to the right.
    Traditions: Five Painters. Installation View, Artists Space, 1978. [5 paintings hang in a corner with 3 on the wall to the left and 2 on the wall to the right.]
    Caption Traditions: Five Painters. Installation View, Artists Space, 1978.
    Image description 5 paintings hang in a corner with 3 on the wall to the left and 2 on the wall to the right.
    Year
    Related pages Traditions: Five Painters, Charles Clough, William Fares, Sidney Goldberg, John Lees, Ann Thornycroft
  • A large potted fern sits to the right of an elevator door in a light-filled gallery space. To the right of the fern is a low, round table with a pen and open booklet on top of it. A large black and white image installed on the gallery wall behind the fern shows several art books lined up next to one another on a blank surface. Text above the books reads,
    A large potted fern sits to the right of an elevator door in a light-filled gallery space. To the right of the fern is a low, round table with a pen and open booklet on top of it. A large black and white image installed on the gallery wall behind the fern shows several art books lined up next to one another on a blank surface. Text above the books reads,
    Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A large potted fern sits to the right of an elevator door in a light-filled gallery space. To the right of the fern is a low, round table with a pen and open booklet on top of it. A large black and white image installed on the gallery wall behind the fern shows several art books lined up next to one another on a blank surface. Text above the books reads, "histoire de l'art cherche personnages."]
    Caption Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A large potted fern sits to the right of an elevator door in a light-filled gallery space. To the right of the fern is a low, round table with a pen and open booklet on top of it. A large black and white image installed on the gallery wall behind the fern shows several art books lined up next to one another on a blank surface. Text above the books reads, "histoire de l'art cherche personnages."
    Year 2010
    Related pages Rip It Up and Start Again: William S. Burroughs, Charles Henri Ford, Ray Johnson, Philippe Thomas, Arthur Russell
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Portfolio Development, Blue Sky Gallery exhibition (an homage to Virgil Abloh), June 17, 2022
    Caption Portfolio Development, Blue Sky Gallery exhibition (an homage to Virgil Abloh), June 17, 2022
    Image description
    Year
    Related pages Exhibitions and Events
  • An exhibition wall filled with colorful posters, prints and magazine covers, a tv monitor sits on the floor.
    An exhibition wall filled with colorful posters, prints and magazine covers, a tv monitor sits on the floor.
    Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artist Space, 2013. Photo: Daniel Pérez. [An exhibition wall filled with colorful posters, prints and magazine covers, a tv monitor sits on the floor.]
    Caption Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artist Space, 2013. Photo: Daniel Pérez.
    Image description An exhibition wall filled with colorful posters, prints and magazine covers, a tv monitor sits on the floor.
    Year 2013
    Related pages
  • Contact sheet of installation images taken during exhibition opening.
    Contact sheet of installation images taken during exhibition opening.
    Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley. [Contact sheet of installation images taken during exhibition opening.]
    Caption Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley.
    Image description Contact sheet of installation images taken during exhibition opening.
    Year 1979
    Related pages Martin Cohen
  • Color image of a performer sitting on a stage. Their right arm is reaching out to the side with their hand open, and their left arm is bent in towards their heart with a closed fist. They are wearing a white dress. Their hair and dress are tined by a green light. The wall and column in the background are patterned with multicolored abstract projections.
    Color image of a performer sitting on a stage. Their right arm is reaching out to the side with their hand open, and their left arm is bent in towards their heart with a closed fist. They are wearing a white dress. Their hair and dress are tined by a green light. The wall and column in the background are patterned with multicolored abstract projections.
    Abasement #75. Performance documentation, February 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of a performer sitting on a stage. Their right arm is reaching out to the side with their hand open, and their left arm is bent in towards their heart with a closed fist. They are wearing a white dress. Their hair and dress are tined by a green light. The wall and column in the background are patterned with multicolored abstract projections.]
    Caption Abasement #75. Performance documentation, February 3rd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a performer sitting on a stage. Their right arm is reaching out to the side with their hand open, and their left arm is bent in towards their heart with a closed fist. They are wearing a white dress. Their hair and dress are tined by a green light. The wall and column in the background are patterned with multicolored abstract projections.
    Year
    Related pages Abasement #75
  • Color photograph of a gallery space with an installation consisting of a large mirrored pond, made from a wooden base with a reflective lining on top, that is surrounded by tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling, and an orange construction net is placed over the pond.
    Color photograph of a gallery space with an installation consisting of a large mirrored pond, made from a wooden base with a reflective lining on top, that is surrounded by tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling, and an orange construction net is placed over the pond.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a gallery space with an installation consisting of a large mirrored pond, made from a wooden base with a reflective lining on top, that is surrounded by tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling, and an orange construction net is placed over the pond.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a gallery space with an installation consisting of a large mirrored pond, made from a wooden base with a reflective lining on top, that is surrounded by tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling, and an orange construction net is placed over the pond.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Dark drawing with branch-like figures appear from a twirling white line surrounded by black, fuzzy lines.
    Dark drawing with branch-like figures appear from a twirling white line surrounded by black, fuzzy lines.
    Carol Sun. Prospect Park Series - Winter, 1987. [Dark drawing with branch-like figures appear from a twirling white line surrounded by black, fuzzy lines.]
    Caption Carol Sun. Prospect Park Series - Winter, 1987.
    Image description Dark drawing with branch-like figures appear from a twirling white line surrounded by black, fuzzy lines.
    Year
    Related pages Selections from the Artists File
  • A brown and gold object stands on a white base. On the flat surface of the object sit an onion and a lemon, each connected to a wire. In the base of the object a processing chip is embedded. Under the lemon, a gold earring hangs down.
    A brown and gold object stands on a white base. On the flat surface of the object sit an onion and a lemon, each connected to a wire. In the base of the object a processing chip is embedded. Under the lemon, a gold earring hangs down.
    Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    [A brown and gold object stands on a white base. On the flat surface of the object sit an onion and a lemon, each connected to a wire. In the base of the object a processing chip is embedded. Under the lemon, a gold earring hangs down.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    Image description A brown and gold object stands on a white base. On the flat surface of the object sit an onion and a lemon, each connected to a wire. In the base of the object a processing chip is embedded. Under the lemon, a gold earring hangs down.
    Year 2019
    Related pages Trisha Baga Edition
  • A figure in a blue morph suit stands, their hands on their waist, and looks to the left. A figure behind them films them. Blue video footage is projected onto the back wall.
    A figure in a blue morph suit stands, their hands on their waist, and looks to the left. A figure behind them films them. Blue video footage is projected onto the back wall.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit stands, their hands on their waist, and looks to the left. A figure behind them films them. Blue video footage is projected onto the back wall.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description A figure in a blue morph suit stands, their hands on their waist, and looks to the left. A figure behind them films them. Blue video footage is projected onto the back wall.
    Year 2022
    Related pages SCRAAATCH 12-3
  • Detail view of a display case. Several mugs are stacked on top of each other on the left side of the case, while five others are placed haphazardly across its surface. Each white mug is decorated with black text that reads, *STANCHION*. Several photos of a nude woman are arranged across the surface of the case.
    Detail view of a display case. Several mugs are stacked on top of each other on the left side of the case, while five others are placed haphazardly across its surface. Each white mug is decorated with black text that reads, *STANCHION*. Several photos of a nude woman are arranged across the surface of the case.
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of a display case. Several mugs are stacked on top of each other on the left side of the case, while five others are placed haphazardly across its surface. Each white mug is decorated with black text that reads, *STANCHION*. Several photos of a nude woman are arranged across the surface of the case.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Detail view of a display case. Several mugs are stacked on top of each other on the left side of the case, while five others are placed haphazardly across its surface. Each white mug is decorated with black text that reads, *STANCHION*. Several photos of a nude woman are arranged across the surface of the case.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A color photograph of a yellow couch in a gallery space. A cane with a white glove rests on the couch cushions and a rope extends from its base. In the background, police tape demarcates a rectangle on a wall, and three strips of police tape extend from the wall to the floor.
    A color photograph of a yellow couch in a gallery space. A cane with a white glove rests on the couch cushions and a rope extends from its base. In the background, police tape demarcates a rectangle on a wall, and three strips of police tape extend from the wall to the floor.
    Lyndon Barrois Jr., Unseen Hand (Fall Guy); Sinner Man, 2022. Couch, jute, antique cane, plastic, copper, brass, conservation glove; police tape, laser prints, museum board, MagiColor manual. Dimensions variable. Photo: Filip Wolak. [A color photograph of a yellow couch in a gallery space. A cane with a white glove rests on the couch cushions and a rope extends from its base. In the background, police tape demarcates a rectangle on a wall, and three strips of police tape extend from the wall to the floor.]
    Caption Lyndon Barrois Jr., Unseen Hand (Fall Guy); Sinner Man, 2022. Couch, jute, antique cane, plastic, copper, brass, conservation glove; police tape, laser prints, museum board, MagiColor manual. Dimensions variable. Photo: Filip Wolak.
    Image description A color photograph of a yellow couch in a gallery space. A cane with a white glove rests on the couch cushions and a rope extends from its base. In the background, police tape demarcates a rectangle on a wall, and three strips of police tape extend from the wall to the floor.
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
  • Three figures stand in front of a large banner bearing a portrait.
    Three figures stand in front of a large banner bearing a portrait.
    Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court [Three figures stand in front of a large banner bearing a portrait.]
    Caption Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court
    Image description Three figures stand in front of a large banner bearing a portrait.
    Year 2022
    Related pages Circus Amok
  • Black text on an orange background. The text reads: “Oct 5 / Joan Larkin / Malcolm Tariq.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on an orange background. The text reads: “Oct 5 / Joan Larkin / Malcolm Tariq.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on an orange background. The text reads: “Oct 5 / Joan Larkin / Malcolm Tariq.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on an orange background. The text reads: “Oct 5 / Joan Larkin / Malcolm Tariq.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Joan Larkin & Malcolm Tariq
  • A black and white installation view of a large rectangular artwork featuring several dark portions, dots, and text.
    A black and white installation view of a large rectangular artwork featuring several dark portions, dots, and text.
    Gerry Morehead. Installation view, Gerry Morehead, Jim Pavlicovic, Artists Space, 1976. [A black and white installation view of a large rectangular artwork featuring several dark portions, dots, and text.]
    Caption Gerry Morehead. Installation view, Gerry Morehead, Jim Pavlicovic, Artists Space, 1976.
    Image description A black and white installation view of a large rectangular artwork featuring several dark portions, dots, and text.
    Year 1976
    Related pages Gerry Morehead, Jim Pavlicovic
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Sheets of text hang on a white wall. Text is too small to be legible.
    Sheets of text hang on a white wall. Text is too small to be legible.
    _____, Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978, Artists Space, 1978. Installation view, Artists Space, 1978. [Sheets of text hang on a white wall. Text is too small to be legible.]
    Caption _____, Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978, Artists Space, 1978. Installation view, Artists Space, 1978.
    Image description Sheets of text hang on a white wall. Text is too small to be legible.
    Year 1978
    Related pages ______ , Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978.
  • Long, thin bundles of hay are arranged one over the other, mimicking the woven pattern of a textile.
    Long, thin bundles of hay are arranged one over the other, mimicking the woven pattern of a textile.
    Beverly Semmes, Eel Mat (detail), 1989. Copper, aluminum, hay, and chicken wire. Dimensions variable. [Long, thin bundles of hay are arranged one over the other, mimicking the woven pattern of a textile.]
    Caption Beverly Semmes, Eel Mat (detail), 1989. Copper, aluminum, hay, and chicken wire. Dimensions variable.
    Image description Long, thin bundles of hay are arranged one over the other, mimicking the woven pattern of a textile.
    Year 1989
    Related pages Beverly Semmes
  • A visit to David Ellis exhibition at Babel Gallery.
    Caption A visit to David Ellis exhibition at Babel Gallery.
    Image description
    Year
    Related pages Portfolio Development
  • A color installation photograph of a black abstract painting on a white wall.
    A color installation photograph of a black abstract painting on a white wall.
    Richard Klauber. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975. [A color installation photograph of a black abstract painting on a white wall.]
    Caption Richard Klauber. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975.
    Image description A color installation photograph of a black abstract painting on a white wall.
    Year 1975
    Related pages Ruth Hardinger, Richard Klauber
  • A black and white installation view of two square black panels on a white wall. The hazy outline of a circle with a figure behidn can be discerned in each canvas.
    A black and white installation view of two square black panels on a white wall. The hazy outline of a circle with a figure behidn can be discerned in each canvas.
    Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee. [A black and white installation view of two square black panels on a white wall. The hazy outline of a circle with a figure behidn can be discerned in each canvas.]
    Caption Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee.
    Image description A black and white installation view of two square black panels on a white wall. The hazy outline of a circle with a figure behidn can be discerned in each canvas.
    Year 1977
    Related pages Pictures
  • A color image of a dark room featuring illuminated yellow and orange shapes floating on the wall and reflected on the floor.
    A color image of a dark room featuring illuminated yellow and orange shapes floating on the wall and reflected on the floor.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [A color image of a dark room featuring illuminated yellow and orange shapes floating on the wall and reflected on the floor.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022.
    Image description A color image of a dark room featuring illuminated yellow and orange shapes floating on the wall and reflected on the floor.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A photo of a crosswalk with a red car standing halfway in it, and a small puddle of water in the foreground.
    A photo of a crosswalk with a red car standing halfway in it, and a small puddle of water in the foreground.
    Asia Negron, Untitled, 2018. [A photo of a crosswalk with a red car standing halfway in it, and a small puddle of water in the foreground.]
    Caption Asia Negron, Untitled, 2018.
    Image description A photo of a crosswalk with a red car standing halfway in it, and a small puddle of water in the foreground.
    Year 2018
    Related pages BRIDGE Photography
  • In a corner of a gallery space, a small black and white photograph hangs in a black frame on the left wall. On the right, a small white panel of black text hangs above a sign attached to a glass box that protrudes from the wall. Inside the box are what appear to be bloodied white linens, and on the sign above them the words
    In a corner of a gallery space, a small black and white photograph hangs in a black frame on the left wall. On the right, a small white panel of black text hangs above a sign attached to a glass box that protrudes from the wall. Inside the box are what appear to be bloodied white linens, and on the sign above them the words
    Works by Mark Morrisroe. Witnesses: Against Our Vanishing. Installation view, Artists Space, 1989. [In a corner of a gallery space, a small black and white photograph hangs in a black frame on the left wall. On the right, a small white panel of black text hangs above a sign attached to a glass box that protrudes from the wall. Inside the box are what appear to be bloodied white linens, and on the sign above them the words "AM I DEAD YET" are written in blood.]
    Caption Works by Mark Morrisroe. Witnesses: Against Our Vanishing. Installation view, Artists Space, 1989.
    Image description In a corner of a gallery space, a small black and white photograph hangs in a black frame on the left wall. On the right, a small white panel of black text hangs above a sign attached to a glass box that protrudes from the wall. Inside the box are what appear to be bloodied white linens, and on the sign above them the words "AM I DEAD YET" are written in blood.
    Year 1989
    Related pages Witnesses: Against Our Vanishing
  • A black and white image of a figure in profile with long, wispy hair and a mustache holding a guitar.
    A black and white image of a figure in profile with long, wispy hair and a mustache holding a guitar.
    Tisziji Muñoz [A black and white image of a figure in profile with long, wispy hair and a mustache holding a guitar.]
    Caption Tisziji Muñoz
    Image description A black and white image of a figure in profile with long, wispy hair and a mustache holding a guitar.
    Year
    Related pages Tisziji Muñoz with Francisco Mora Catlett and AfroHORN
  • A black and white photograph of a sculpture lit from above. It has several suspended shapes resembling detached car doors, with additional minimal pieces.
    A black and white photograph of a sculpture lit from above. It has several suspended shapes resembling detached car doors, with additional minimal pieces.
    Deborah Garwood, Car Door and Easels, 1991. [A black and white photograph of a sculpture lit from above. It has several suspended shapes resembling detached car doors, with additional minimal pieces.]
    Caption Deborah Garwood, Car Door and Easels, 1991.
    Image description A black and white photograph of a sculpture lit from above. It has several suspended shapes resembling detached car doors, with additional minimal pieces.
    Year 1991
    Related pages Western Agenda
  • Black and white illustration of two people sitting at a square table, their bodies leaning forward, cheeks pressed to the tabletop while kissing. A half-empty bottle of wine and two wine glasses are positioned on the corner of the table. Below, sans serif text reads
    Black and white illustration of two people sitting at a square table, their bodies leaning forward, cheeks pressed to the tabletop while kissing. A half-empty bottle of wine and two wine glasses are positioned on the corner of the table. Below, sans serif text reads
    Nicole Eisenman, Never Forget Kissing in Bars, 2020, 23.4 x 16.5 inches [Black and white illustration of two people sitting at a square table, their bodies leaning forward, cheeks pressed to the tabletop while kissing. A half-empty bottle of wine and two wine glasses are positioned on the corner of the table. Below, sans serif text reads "Never Forget Kissing in Bars", "Spring 2020." Purple text at the bottom of the poster reads "2020Solidarity - Nicole Eisenman". Along the bottom right, a vertically oriented text reads "A Project by Between Bridges."]
    Caption Nicole Eisenman, Never Forget Kissing in Bars, 2020, 23.4 x 16.5 inches
    Image description Black and white illustration of two people sitting at a square table, their bodies leaning forward, cheeks pressed to the tabletop while kissing. A half-empty bottle of wine and two wine glasses are positioned on the corner of the table. Below, sans serif text reads "Never Forget Kissing in Bars", "Spring 2020." Purple text at the bottom of the poster reads "2020Solidarity - Nicole Eisenman". Along the bottom right, a vertically oriented text reads "A Project by Between Bridges."
    Year 2020
    Related pages 2020Solidarity
  • Black-and-white photograph of a TV against a brick wall, connected to a camera recording directly above a spotlighted chair and desk.
    Black-and-white photograph of a TV against a brick wall, connected to a camera recording directly above a spotlighted chair and desk.
    Yasunao Tone, Voice and Phenomenon, Experimental Intermedia Foundation, New York, 1976. [Black-and-white photograph of a TV against a brick wall, connected to a camera recording directly above a spotlighted chair and desk.]
    Caption Yasunao Tone, Voice and Phenomenon, Experimental Intermedia Foundation, New York, 1976.
    Image description Black-and-white photograph of a TV against a brick wall, connected to a camera recording directly above a spotlighted chair and desk.
    Year
    Related pages Yasunao Tone: Region of Paramedia
  • A light colored paper with four photographs. Two images are the same, which feature a scene involving people and various props. The photograph at the top right features a man with a blue face posing next to a black and red sign. The image at the bottom left includes three people posing near one another.
    A light colored paper with four photographs. Two images are the same, which feature a scene involving people and various props. The photograph at the top right features a man with a blue face posing next to a black and red sign. The image at the bottom left includes three people posing near one another.
    Untitled (scrapbook), date unknown, Copyright Jack Smith Archive, Courtesy Gladstone Gallery, New York and Brussels [A light colored paper with four photographs. Two images are the same, which feature a scene involving people and various props. The photograph at the top right features a man with a blue face posing next to a black and red sign. The image at the bottom left includes three people posing near one another.]
    Caption Untitled (scrapbook), date unknown, Copyright Jack Smith Archive, Courtesy Gladstone Gallery, New York and Brussels
    Image description A light colored paper with four photographs. Two images are the same, which feature a scene involving people and various props. The photograph at the top right features a man with a blue face posing next to a black and red sign. The image at the bottom left includes three people posing near one another.
    Year
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • Caption
    Image description
    Year
    Related pages ART CLUB2000
  • A geometric, silver metal sculpture sits on a low dolley with wheels on a wooden gallery floor. The sculpture is modular, hollow, and consists of a cube-like metal component. Under the sculpture, long arrows of colorful tape are installed on the gallery floors.
    A geometric, silver metal sculpture sits on a low dolley with wheels on a wooden gallery floor. The sculpture is modular, hollow, and consists of a cube-like metal component. Under the sculpture, long arrows of colorful tape are installed on the gallery floors.
    Charlotte Posenenske. Configured by Rirkrit Tiravanija. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A geometric, silver metal sculpture sits on a low dolley with wheels on a wooden gallery floor. The sculpture is modular, hollow, and consists of a cube-like metal component. Under the sculpture, long arrows of colorful tape are installed on the gallery floors.]
    Caption Charlotte Posenenske. Configured by Rirkrit Tiravanija. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A geometric, silver metal sculpture sits on a low dolley with wheels on a wooden gallery floor. The sculpture is modular, hollow, and consists of a cube-like metal component. Under the sculpture, long arrows of colorful tape are installed on the gallery floors.
    Year 2010
    Related pages Charlotte Posenenske
  • A dim photograph of dark curtains and sculptures in a gallery space.
    A dim photograph of dark curtains and sculptures in a gallery space.
    Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque. Installation view, Artists Space, 1981. [A dim photograph of dark curtains and sculptures in a gallery space.]
    Caption Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque. Installation view, Artists Space, 1981.
    Image description A dim photograph of dark curtains and sculptures in a gallery space.
    Year
    Related pages Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque
  • A round, diner-style table with a white mug, napkins, a baked good sitting on top of its open wrapper, and a small card with text. A long, straight line of crumbs stretches across the diameter of the table.
    A round, diner-style table with a white mug, napkins, a baked good sitting on top of its open wrapper, and a small card with text. A long, straight line of crumbs stretches across the diameter of the table.
    Pedro Lasch, Crumbs: Drawing on a Limited View of New York City's Cultural Wealth, 2000. [A round, diner-style table with a white mug, napkins, a baked good sitting on top of its open wrapper, and a small card with text. A long, straight line of crumbs stretches across the diameter of the table.]
    Caption Pedro Lasch, Crumbs: Drawing on a Limited View of New York City's Cultural Wealth, 2000.
    Image description A round, diner-style table with a white mug, napkins, a baked good sitting on top of its open wrapper, and a small card with text. A long, straight line of crumbs stretches across the diameter of the table.
    Year 2000
    Related pages When Artists Say We
  • Color image of two performers on standing on stage. The performer in the foreground is lit with pink light. They are holding their arm out touching a cymbal with a red drum stock in hand. They are looking down with their eyes closed. The performer in the background is out of focus, they are bathed in blue light. Drums surround the stage. A seated audience is out of focus in the background. The back wall features two projections, one is an abstract arrangement of shades of blue. The other has sharp geometric shapes in red, green, and yellow.
    Color image of two performers on standing on stage. The performer in the foreground is lit with pink light. They are holding their arm out touching a cymbal with a red drum stock in hand. They are looking down with their eyes closed. The performer in the background is out of focus, they are bathed in blue light. Drums surround the stage. A seated audience is out of focus in the background. The back wall features two projections, one is an abstract arrangement of shades of blue. The other has sharp geometric shapes in red, green, and yellow.
    Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman. [Color image of two performers on standing on stage. The performer in the foreground is lit with pink light. They are holding their arm out touching a cymbal with a red drum stock in hand. They are looking down with their eyes closed. The performer in the background is out of focus, they are bathed in blue light. Drums surround the stage. A seated audience is out of focus in the background. The back wall features two projections, one is an abstract arrangement of shades of blue. The other has sharp geometric shapes in red, green, and yellow.]
    Caption Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of two performers on standing on stage. The performer in the foreground is lit with pink light. They are holding their arm out touching a cymbal with a red drum stock in hand. They are looking down with their eyes closed. The performer in the background is out of focus, they are bathed in blue light. Drums surround the stage. A seated audience is out of focus in the background. The back wall features two projections, one is an abstract arrangement of shades of blue. The other has sharp geometric shapes in red, green, and yellow.
    Year
    Related pages Abasement #77
  • The image shows a quarter of a circle on a white background that is colored half-brown, half-blue with two black ovals of different sizes etched on top.
    The image shows a quarter of a circle on a white background that is colored half-brown, half-blue with two black ovals of different sizes etched on top.
    Robert Mangold, Untitled, 1995, Etching with aquatint, 24 x 30 inches (61 x 76.2 cm), Editions of 50, Signed & numbered. [The image shows a quarter of a circle on a white background that is colored half-brown, half-blue with two black ovals of different sizes etched on top.]
    Caption Robert Mangold, Untitled, 1995, Etching with aquatint, 24 x 30 inches (61 x 76.2 cm), Editions of 50, Signed & numbered.
    Image description The image shows a quarter of a circle on a white background that is colored half-brown, half-blue with two black ovals of different sizes etched on top.
    Year
    Related pages Editions
  • A photograph of a figure with long hair, placed aboce a photograph of several squash.
    A photograph of a figure with long hair, placed aboce a photograph of several squash.
    Susan Eder, c. 1976. From Susan Eder, Matt Mullican, Artists Space, 1976. [A photograph of a figure with long hair, placed aboce a photograph of several squash.]
    Caption Susan Eder, c. 1976. From Susan Eder, Matt Mullican, Artists Space, 1976.
    Image description A photograph of a figure with long hair, placed aboce a photograph of several squash.
    Year 1976
    Related pages Susan Eder, Matt Mullican
  • A view of a dimly lit room with a video monitor sitting on the ground of the right wall. The monitor screen is black with white text reading,
    A view of a dimly lit room with a video monitor sitting on the ground of the right wall. The monitor screen is black with white text reading,
    Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A view of a dimly lit room with a video monitor sitting on the ground of the right wall. The monitor screen is black with white text reading, "[The Manhattans continue to sing 'Shining Star']." Towards the corner, an inferometer projects green dots onto adjacent walls.]
    Caption Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A view of a dimly lit room with a video monitor sitting on the ground of the right wall. The monitor screen is black with white text reading, "[The Manhattans continue to sing 'Shining Star']." Towards the corner, an inferometer projects green dots onto adjacent walls.
    Year 2018
    Related pages Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff
  • In the foreground vacuums on plexiglass shelves with fluorescent lights underneath are visible and in the background on a white gallery wall is a number of different photographs lined next to each other in successio.
    In the foreground vacuums on plexiglass shelves with fluorescent lights underneath are visible and in the background on a white gallery wall is a number of different photographs lined next to each other in successio.
    Jeff Koons. Installation View, Artists Space, 1983. [In the foreground vacuums on plexiglass shelves with fluorescent lights underneath are visible and in the background on a white gallery wall is a number of different photographs lined next to each other in successio.]
    Caption Jeff Koons. Installation View, Artists Space, 1983.
    Image description In the foreground vacuums on plexiglass shelves with fluorescent lights underneath are visible and in the background on a white gallery wall is a number of different photographs lined next to each other in successio.
    Year
    Related pages Los Angeles/New York Exchange
  • A circle of people sitting in chairs in discussion. Facing towards them are additional rows of chairs filled with an audience. To the left of the audience, there is a white plinth with a glass top housing several porcelin objects on a red fabric. On the wall behind the circle of speakers, there is a plaid composition featuring red, green, and peach colors.
    A circle of people sitting in chairs in discussion. Facing towards them are additional rows of chairs filled with an audience. To the left of the audience, there is a white plinth with a glass top housing several porcelin objects on a red fabric. On the wall behind the circle of speakers, there is a plaid composition featuring red, green, and peach colors.
    Flipside: Symposium. Program view, Artists Space, 2005. [A circle of people sitting in chairs in discussion. Facing towards them are additional rows of chairs filled with an audience. To the left of the audience, there is a white plinth with a glass top housing several porcelin objects on a red fabric. On the wall behind the circle of speakers, there is a plaid composition featuring red, green, and peach colors.]
    Caption Flipside: Symposium. Program view, Artists Space, 2005.
    Image description A circle of people sitting in chairs in discussion. Facing towards them are additional rows of chairs filled with an audience. To the left of the audience, there is a white plinth with a glass top housing several porcelin objects on a red fabric. On the wall behind the circle of speakers, there is a plaid composition featuring red, green, and peach colors.
    Year 2005
    Related pages Flipside: Symposium
  • Detail view of a display case. It is mostly empty, save for a metal gun-type object with two small pipes extending out of the nozzle, and a poster with the repeated letters
    Detail view of a display case. It is mostly empty, save for a metal gun-type object with two small pipes extending out of the nozzle, and a poster with the repeated letters
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of a display case. It is mostly empty, save for a metal gun-type object with two small pipes extending out of the nozzle, and a poster with the repeated letters "bc" hung on one side of the viewing window.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Detail view of a display case. It is mostly empty, save for a metal gun-type object with two small pipes extending out of the nozzle, and a poster with the repeated letters "bc" hung on one side of the viewing window.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • A series of photographs are installed on a white gallery wall above a series of pipes that run horizontally along the wall. The photographs depict figures superimposed by saturated imagery.
    A series of photographs are installed on a white gallery wall above a series of pipes that run horizontally along the wall. The photographs depict figures superimposed by saturated imagery.
    Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A series of photographs are installed on a white gallery wall above a series of pipes that run horizontally along the wall. The photographs depict figures superimposed by saturated imagery.]
    Caption Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A series of photographs are installed on a white gallery wall above a series of pipes that run horizontally along the wall. The photographs depict figures superimposed by saturated imagery.
    Year 2010
    Related pages Rip It Up and Start Again: William S. Burroughs, Charles Henri Ford, Ray Johnson, Philippe Thomas, Arthur Russell
  • A black and white photograph of a metal rod with the word
    A black and white photograph of a metal rod with the word
    Robert Longo, Burning Word: Device for Young Artists, c. 1977. Cast metal. [A black and white photograph of a metal rod with the word "believe" attached to the end. A shadow spelling out "believe" is cast onto a white background.]
    Caption Robert Longo, Burning Word: Device for Young Artists, c. 1977. Cast metal.
    Image description A black and white photograph of a metal rod with the word "believe" attached to the end. A shadow spelling out "believe" is cast onto a white background.
    Year 1977
    Related pages New Art Auction and Exhibition
  • A black and white photograph of a gallery space. A painting of nude reclining women hangs on the left, and a figure in a suit and tie looks on from the right.
    A black and white photograph of a gallery space. A painting of nude reclining women hangs on the left, and a figure in a suit and tie looks on from the right.
    Installation view from J.B. Cobb, Martha Edelheit, Ree Morton, Artists Space, 1973. [A black and white photograph of a gallery space. A painting of nude reclining women hangs on the left, and a figure in a suit and tie looks on from the right.]
    Caption Installation view from J.B. Cobb, Martha Edelheit, Ree Morton, Artists Space, 1973.
    Image description A black and white photograph of a gallery space. A painting of nude reclining women hangs on the left, and a figure in a suit and tie looks on from the right.
    Year 1973
    Related pages J.B. Cobb, Martha Edelheit, Ree Morton
  • A black and white photograph of various objects hanging in a white-walled gallery space with a spotlight in center of the image.
    A black and white photograph of various objects hanging in a white-walled gallery space with a spotlight in center of the image.
    Freya Hansell. Installation view, Artists Space, 1980. [A black and white photograph of various objects hanging in a white-walled gallery space with a spotlight in center of the image.]
    Caption Freya Hansell. Installation view, Artists Space, 1980.
    Image description A black and white photograph of various objects hanging in a white-walled gallery space with a spotlight in center of the image.
    Year
    Related pages Freya Hansell
  • A corner made by two white walls. One wall has four framed images of yellow amorphus shapes on different backrounds, arranged in a horizontal line. The other wall has three framed images, one hung by itself and the other two stacked vertically.
    A corner made by two white walls. One wall has four framed images of yellow amorphus shapes on different backrounds, arranged in a horizontal line. The other wall has three framed images, one hung by itself and the other two stacked vertically.
    Local Transit. Installation view, Artists Space, 2006. [A corner made by two white walls. One wall has four framed images of yellow amorphus shapes on different backrounds, arranged in a horizontal line. The other wall has three framed images, one hung by itself and the other two stacked vertically.]
    Caption Local Transit. Installation view, Artists Space, 2006.
    Image description A corner made by two white walls. One wall has four framed images of yellow amorphus shapes on different backrounds, arranged in a horizontal line. The other wall has three framed images, one hung by itself and the other two stacked vertically.
    Year 2006
    Related pages Local Transit: An Exhibition in Two Parts
  • A number of sculpted objects lie suspended from the ceiling in front of a wall with other sculpted works and a nearby drawing is also visible.
    A number of sculpted objects lie suspended from the ceiling in front of a wall with other sculpted works and a nearby drawing is also visible.
    Young Fluxus. Installation view, Artists Space, 1982. [A number of sculpted objects lie suspended from the ceiling in front of a wall with other sculpted works and a nearby drawing is also visible.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description A number of sculpted objects lie suspended from the ceiling in front of a wall with other sculpted works and a nearby drawing is also visible.
    Year
    Related pages Young Fluxus
  • Three lights are visible in a triangle formation shining on one central photograph in the middle of the image which is framed by hanging strings and wires in a white-walled gallery space.
    Three lights are visible in a triangle formation shining on one central photograph in the middle of the image which is framed by hanging strings and wires in a white-walled gallery space.
    Patricia Thornley. Untitled, 1985. Electrical wire, string, fans, photograph, spotlight, wood, wax, dirt, water. [Three lights are visible in a triangle formation shining on one central photograph in the middle of the image which is framed by hanging strings and wires in a white-walled gallery space.]
    Caption Patricia Thornley. Untitled, 1985. Electrical wire, string, fans, photograph, spotlight, wood, wax, dirt, water.
    Image description Three lights are visible in a triangle formation shining on one central photograph in the middle of the image which is framed by hanging strings and wires in a white-walled gallery space.
    Year
    Related pages U.S. Projects
  • A color image of three framed works against a white wall. The drawings are done on black paper and depict abstract compositions made up of white, and colorful shapes, lines and strokes.
    A color image of three framed works against a white wall. The drawings are done on black paper and depict abstract compositions made up of white, and colorful shapes, lines and strokes.
    Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of three framed works against a white wall. The drawings are done on black paper and depict abstract compositions made up of white, and colorful shapes, lines and strokes.]
    Caption Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of three framed works against a white wall. The drawings are done on black paper and depict abstract compositions made up of white, and colorful shapes, lines and strokes.
    Year
    Related pages Renee Gladman
  • Black text overlays a solid green background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Winter 2024 Season / December/January curated by ROOF BOOKS: / Lonely Christopher & James Sherry / Saturdays at 5pm: 11 Cortlandt Alley + Zoom
    Black text overlays a solid green background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Winter 2024 Season / December/January curated by ROOF BOOKS: / Lonely Christopher & James Sherry / Saturdays at 5pm: 11 Cortlandt Alley + Zoom
    [Black text overlays a solid green background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Winter 2024 Season / December/January curated by ROOF BOOKS: / Lonely Christopher & James Sherry / Saturdays at 5pm: 11 Cortlandt Alley + Zoom"]
    Caption
    Image description Black text overlays a solid green background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Winter 2024 Season / December/January curated by ROOF BOOKS: / Lonely Christopher & James Sherry / Saturdays at 5pm: 11 Cortlandt Alley + Zoom"
    Year
    Related pages Segue Reading Series
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    Related pages Abasement #72
  • Half-eaten fruit, chocolate, candles, and grape leaves sit on a low, stone tabletop under dim lighting.
    Half-eaten fruit, chocolate, candles, and grape leaves sit on a low, stone tabletop under dim lighting.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [Half-eaten fruit, chocolate, candles, and grape leaves sit on a low, stone tabletop under dim lighting.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description Half-eaten fruit, chocolate, candles, and grape leaves sit on a low, stone tabletop under dim lighting.
    Year 2019
    Related pages Speaker Music: drape over another
  • The image shows a rectangular bed-like cushion with a black pillow that lays diagonally across the image patterned with two green and two black triangles of fabric.
    The image shows a rectangular bed-like cushion with a black pillow that lays diagonally across the image patterned with two green and two black triangles of fabric.
    Andrea Zittel, Perfected Pillow, 1995, Pair of fringed velvet pillows, 80 x 40 inches (203 x 102 cm); 18 x 36 in (46 x 91 cm), Edition of 39. [The image shows a rectangular bed-like cushion with a black pillow that lays diagonally across the image patterned with two green and two black triangles of fabric.]
    Caption Andrea Zittel, Perfected Pillow, 1995, Pair of fringed velvet pillows, 80 x 40 inches (203 x 102 cm); 18 x 36 in (46 x 91 cm), Edition of 39.
    Image description The image shows a rectangular bed-like cushion with a black pillow that lays diagonally across the image patterned with two green and two black triangles of fabric.
    Year 1995
    Related pages Editions
  • Two square images of paper. Top reads,
    Two square images of paper. Top reads,
    Invitation for Leben mit Pop - Eine Demonstration für den kapitalistischen Realismus (Living with Pop. A Demonstration for Capitalist Realism) October 1963 Estate Konrad Lueg [Two square images of paper. Top reads, "Leben mit Pop." Bottom contains a green image of a deflated baloon that reads, "Pop."]
    Caption Invitation for Leben mit Pop - Eine Demonstration für den kapitalistischen Realismus (Living with Pop. A Demonstration for Capitalist Realism) October 1963 Estate Konrad Lueg
    Image description Two square images of paper. Top reads, "Leben mit Pop." Bottom contains a green image of a deflated baloon that reads, "Pop."
    Year 1963
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A wide wooden worktable is installed in a gallery space. Various papers, books, models, and a small television set are displayed on the table. A series of black and white photographs are installed on the two gallery walls that surround the table.
    A wide wooden worktable is installed in a gallery space. Various papers, books, models, and a small television set are displayed on the table. A series of black and white photographs are installed on the two gallery walls that surround the table.
    Elephant Cemetery. Installation view, Artists Space, 2007. [A wide wooden worktable is installed in a gallery space. Various papers, books, models, and a small television set are displayed on the table. A series of black and white photographs are installed on the two gallery walls that surround the table.]
    Caption Elephant Cemetery. Installation view, Artists Space, 2007.
    Image description A wide wooden worktable is installed in a gallery space. Various papers, books, models, and a small television set are displayed on the table. A series of black and white photographs are installed on the two gallery walls that surround the table.
    Year 2007
    Related pages Elephant Cemetery
  • A window sill with cups, cans and cloth is visible and a crane can be seen outside of the window with the text:
    A window sill with cups, cans and cloth is visible and a crane can be seen outside of the window with the text:
    Keeph Little, Artists Space construction site no.1, 2020, digital photograph Keeph Little, Artists Space construction site no.1, 2020, digital photograph [A window sill with cups, cans and cloth is visible and a crane can be seen outside of the window with the text: "New Holland" written on it. Circular green graffitti is visible on the facade of the building behind the crane.]
    Caption Keeph Little, Artists Space construction site no.1, 2020, digital photograph Keeph Little, Artists Space construction site no.1, 2020, digital photograph
    Image description A window sill with cups, cans and cloth is visible and a crane can be seen outside of the window with the text: "New Holland" written on it. Circular green graffitti is visible on the facade of the building behind the crane.
    Year 2020
    Related pages Sidewalk Archives
  • A dark grey background with black silhouettes of leaves and foliage. In the top left corner,
    A dark grey background with black silhouettes of leaves and foliage. In the top left corner,
    Flyer for Palm-Lined with Potience. April 28, 2022, Artists Space. [A dark grey background with black silhouettes of leaves and foliage. In the top left corner, "Artists Space / Ugly Duckling Presse / present the launch:" is written in yellow-orange text. In the center "Palm-Lined with Potience / Fury Young / Jaylen Strong / Alex Tatarsky / Benjamin Krusling / Adjua Gargi Nzinga Greaves / JJJJJerome Ellis / x / Basie Allen" appears in yellow text. In the bottom right corner "Thursday, April 28 / 7:00pm 11 Cortlandt Alley" is written in yellow-orange text.]
    Caption Flyer for Palm-Lined with Potience. April 28, 2022, Artists Space.
    Image description A dark grey background with black silhouettes of leaves and foliage. In the top left corner, "Artists Space / Ugly Duckling Presse / present the launch:" is written in yellow-orange text. In the center "Palm-Lined with Potience / Fury Young / Jaylen Strong / Alex Tatarsky / Benjamin Krusling / Adjua Gargi Nzinga Greaves / JJJJJerome Ellis / x / Basie Allen" appears in yellow text. In the bottom right corner "Thursday, April 28 / 7:00pm 11 Cortlandt Alley" is written in yellow-orange text.
    Year 2022
    Related pages Palm-Lined with Potience Book Launch
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    Image description
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A side view of a sculpture of a man leaning against a white column. He holds a book in his right hand. He is wearing a purple shirt, blue patterned shorts, and white sneakers.
    A side view of a sculpture of a man leaning against a white column. He holds a book in his right hand. He is wearing a purple shirt, blue patterned shorts, and white sneakers.
    Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [A side view of a sculpture of a man leaning against a white column. He holds a book in his right hand. He is wearing a purple shirt, blue patterned shorts, and white sneakers.]
    Caption Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013.
    Image description A side view of a sculpture of a man leaning against a white column. He holds a book in his right hand. He is wearing a purple shirt, blue patterned shorts, and white sneakers.
    Year 2013
    Related pages Pride Goes Before a Fall
  • Detail view of a sculpture with a shiny grey finish. The shape of the sculpture forms a skeletal structure around amorphous square voids.
    Detail view of a sculpture with a shiny grey finish. The shape of the sculpture forms a skeletal structure around amorphous square voids.
    UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [Detail view of a sculpture with a shiny grey finish. The shape of the sculpture forms a skeletal structure around amorphous square voids.]
    Caption UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt.
    Image description Detail view of a sculpture with a shiny grey finish. The shape of the sculpture forms a skeletal structure around amorphous square voids.
    Year 2006
    Related pages UniBodies
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    Related pages FWIW
  • [Black text overlays a mauve background. The top left corner reads:
    [Black text overlays a mauve background. The top left corner reads:
    Flyer for Segue Reading Series featuring Charles Alexander and Lonely Christopher. Saturday, January 29, 2021, Artists Space. [[Black text overlays a mauve background. The top left corner reads: "Charles Alexander & Lonely Christopher" The center right reads: "Segue Reading Series & ARTISTS SPACE." The bottom left reads: "Saturday January 29, 5pm, Zoom ID: 893 9594 7519, Suggested donation $5". The image of a 5 dollar bill is placed within the text.]]
    Caption Flyer for Segue Reading Series featuring Charles Alexander and Lonely Christopher. Saturday, January 29, 2021, Artists Space.
    Image description [Black text overlays a mauve background. The top left corner reads: "Charles Alexander & Lonely Christopher" The center right reads: "Segue Reading Series & ARTISTS SPACE." The bottom left reads: "Saturday January 29, 5pm, Zoom ID: 893 9594 7519, Suggested donation $5". The image of a 5 dollar bill is placed within the text.]
    Year 2021
    Related pages Segue Reading Series: Charles Alexander & Lonely Christopher
  • Photographs of different housing interiors hang in a white-walled gallery space.
    Photographs of different housing interiors hang in a white-walled gallery space.
    Split/Vision. Installation View. Artists Space, 1985-86. [Photographs of different housing interiors hang in a white-walled gallery space.]
    Caption Split/Vision. Installation View. Artists Space, 1985-86.
    Image description Photographs of different housing interiors hang in a white-walled gallery space.
    Year
    Related pages Split/Vision
  • A black and white photograph of two mixed media collage works hanging side by side on a gallery wall.
    A black and white photograph of two mixed media collage works hanging side by side on a gallery wall.
    LaMonte Westmoreland. The Watermeleon Series, 1986. Mixed Media collages. [A black and white photograph of two mixed media collage works hanging side by side on a gallery wall.]
    Caption LaMonte Westmoreland. The Watermeleon Series, 1986. Mixed Media collages.
    Image description A black and white photograph of two mixed media collage works hanging side by side on a gallery wall.
    Year 1988
    Related pages Too Black, Too Strong!
  • An angled view of three light, mauve-colored and parallel walls displaying drawings and paneled canvases in an exhibition space with wooden flooring. The canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.
    An angled view of three light, mauve-colored and parallel walls displaying drawings and paneled canvases in an exhibition space with wooden flooring. The canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.
    Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [An angled view of three light, mauve-colored and parallel walls displaying drawings and paneled canvases in an exhibition space with wooden flooring. The canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.]
    Caption Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description An angled view of three light, mauve-colored and parallel walls displaying drawings and paneled canvases in an exhibition space with wooden flooring. The canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.
    Year 2013
    Related pages Zilia Sánchez
  • A number of paintings hang on walls in a lighted white-walled gallery space.
    A number of paintings hang on walls in a lighted white-walled gallery space.
    Group Exhibition. Installation view, Artists Space, 1981. Photo credit: Anne Turyn. [A number of paintings hang on walls in a lighted white-walled gallery space.]
    Caption Group Exhibition. Installation view, Artists Space, 1981. Photo credit: Anne Turyn.
    Image description A number of paintings hang on walls in a lighted white-walled gallery space.
    Year
    Related pages Group Exhibition
  • White text on a turquoise and grey ombré background. The text reads: “Feb 22 / Eszter Balint / Juliana Huxtable / Rezarta Seferi.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    White text on a turquoise and grey ombré background. The text reads: “Feb 22 / Eszter Balint / Juliana Huxtable / Rezarta Seferi.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [White text on a turquoise and grey ombré background. The text reads: “Feb 22 / Eszter Balint / Juliana Huxtable / Rezarta Seferi.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description White text on a turquoise and grey ombré background. The text reads: “Feb 22 / Eszter Balint / Juliana Huxtable / Rezarta Seferi.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Eszter Balint & Juliana Huxtable & Rezarta Seferi
  • Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 20 / Imani Elizabeth Jackson / Emily Simon.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 20 / Imani Elizabeth Jackson / Emily Simon.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 20 / Imani Elizabeth Jackson / Emily Simon.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 20 / Imani Elizabeth Jackson / Emily Simon.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Imani Elizabeth Jackson & Emily Simon
  • Color image of a dark room, illuminated only by a projection of blue and orange amorphous shapes on a wall. The shadow of a table with dj equipment and gear is cast against the colorful projected image.
    Color image of a dark room, illuminated only by a projection of blue and orange amorphous shapes on a wall. The shadow of a table with dj equipment and gear is cast against the colorful projected image.
    Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman. [Color image of a dark room, illuminated only by a projection of blue and orange amorphous shapes on a wall. The shadow of a table with dj equipment and gear is cast against the colorful projected image.]
    Caption Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a dark room, illuminated only by a projection of blue and orange amorphous shapes on a wall. The shadow of a table with dj equipment and gear is cast against the colorful projected image.
    Year
    Related pages Abasement #63
  • Negative film image that has been mirrored across a diagonal line of symmetry, depicting a blue board with objects arranged on it to create vaguely recognizable patterns.
    Negative film image that has been mirrored across a diagonal line of symmetry, depicting a blue board with objects arranged on it to create vaguely recognizable patterns.
    Crystal Z Campbell, Revolver, 2022. 16mm film transferred to Digital Video, Stereo, Sound. 17:27 min. Courtesy the artist [Negative film image that has been mirrored across a diagonal line of symmetry, depicting a blue board with objects arranged on it to create vaguely recognizable patterns.]
    Caption Crystal Z Campbell, Revolver, 2022. 16mm film transferred to Digital Video, Stereo, Sound. 17:27 min. Courtesy the artist
    Image description Negative film image that has been mirrored across a diagonal line of symmetry, depicting a blue board with objects arranged on it to create vaguely recognizable patterns.
    Year
    Related pages Crystal Z Campbell
  • Two performers on stage in front of a seated audience. The musician on the left is playing the violin, and the musician on the right is playing the drums. The room is bathed in red and blue light. The wall behind the performers is projected with blue and purple graphics.
    Two performers on stage in front of a seated audience. The musician on the left is playing the violin, and the musician on the right is playing the drums. The room is bathed in red and blue light. The wall behind the performers is projected with blue and purple graphics.
    Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman. [Two performers on stage in front of a seated audience. The musician on the left is playing the violin, and the musician on the right is playing the drums. The room is bathed in red and blue light. The wall behind the performers is projected with blue and purple graphics.]
    Caption Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Two performers on stage in front of a seated audience. The musician on the left is playing the violin, and the musician on the right is playing the drums. The room is bathed in red and blue light. The wall behind the performers is projected with blue and purple graphics.
    Year
    Related pages Abasement #73
  • A black-and-white image depicting several translucent photos overlaid, some of natural plant life and others of industrial scenes, with power lines and bridge spokes
    A black-and-white image depicting several translucent photos overlaid, some of natural plant life and others of industrial scenes, with power lines and bridge spokes
    Sharon Halliday, Shaded Times, 2014 [A black-and-white image depicting several translucent photos overlaid, some of natural plant life and others of industrial scenes, with power lines and bridge spokes]
    Caption Sharon Halliday, Shaded Times, 2014
    Image description A black-and-white image depicting several translucent photos overlaid, some of natural plant life and others of industrial scenes, with power lines and bridge spokes
    Year 2014
    Related pages Scholastic Art and Writing Awards
  • A color photograph of a doorstop shaped like a donkey. The donkey carries a bundle of sticks on its back and props open a brown door.
    A color photograph of a doorstop shaped like a donkey. The donkey carries a bundle of sticks on its back and props open a brown door.
    Lyndon Barrois Jr.: Mirage Collar. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a doorstop shaped like a donkey. The donkey carries a bundle of sticks on its back and props open a brown door.]
    Caption Lyndon Barrois Jr.: Mirage Collar. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of a doorstop shaped like a donkey. The donkey carries a bundle of sticks on its back and props open a brown door.
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
  • Eight vibrantly colored blue, pink, yellow, and orange golf balls rest on a white backdrop. Various statements written in black capitalized text adorn each gold ball, including phrases such as,
    Eight vibrantly colored blue, pink, yellow, and orange golf balls rest on a white backdrop. Various statements written in black capitalized text adorn each gold ball, including phrases such as,
    Jenny Holzer, Truisms Golf Balls, 1992. [Eight vibrantly colored blue, pink, yellow, and orange golf balls rest on a white backdrop. Various statements written in black capitalized text adorn each gold ball, including phrases such as, "PROTECT ME FROM WHAT I WANT" and "RAISE BOYS AND GIRLS THE SAME WAY."]
    Caption Jenny Holzer, Truisms Golf Balls, 1992.
    Image description Eight vibrantly colored blue, pink, yellow, and orange golf balls rest on a white backdrop. Various statements written in black capitalized text adorn each gold ball, including phrases such as, "PROTECT ME FROM WHAT I WANT" and "RAISE BOYS AND GIRLS THE SAME WAY."
    Year 1992
    Related pages Putt-Modernism
  • Color photograph of a gallery space with an installation consisting of a large mirrored pond, made from a wooden base with a reflective lining on top, that is surrounded by tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling, and an orange construction net is placed over the pond.
    Color photograph of a gallery space with an installation consisting of a large mirrored pond, made from a wooden base with a reflective lining on top, that is surrounded by tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling, and an orange construction net is placed over the pond.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a gallery space with an installation consisting of a large mirrored pond, made from a wooden base with a reflective lining on top, that is surrounded by tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling, and an orange construction net is placed over the pond.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a gallery space with an installation consisting of a large mirrored pond, made from a wooden base with a reflective lining on top, that is surrounded by tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling, and an orange construction net is placed over the pond.
    Year
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
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    Year
    Related pages 2020Solidarity Christopher Wool
  • A black audio cassette tape with accents of grey and red on the cover. Handwritten text on the tape reads
    A black audio cassette tape with accents of grey and red on the cover. Handwritten text on the tape reads
    Audio cassette tape for Echo Chamber, Sharon Hayes & Brooke O'Harra. [A black audio cassette tape with accents of grey and red on the cover. Handwritten text on the tape reads "ECHO CHAMBER." Behind the tape is a wooden background.]
    Caption Audio cassette tape for Echo Chamber, Sharon Hayes & Brooke O'Harra.
    Image description A black audio cassette tape with accents of grey and red on the cover. Handwritten text on the tape reads "ECHO CHAMBER." Behind the tape is a wooden background.
    Year
    Related pages Sharon Hayes and Brooke O'Harra
  • Color image of five performers on stage. From left to right, they are playing guitar, saxophone, drums, and trumpet. The room is lit up with pink and white projections. The backs of multiple audience members are visible in the bottom of the frame. A few of the performers are lit with yellow light, as well as some of the audience.
    Color image of five performers on stage. From left to right, they are playing guitar, saxophone, drums, and trumpet. The room is lit up with pink and white projections. The backs of multiple audience members are visible in the bottom of the frame. A few of the performers are lit with yellow light, as well as some of the audience.
    Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of five performers on stage. From left to right, they are playing guitar, saxophone, drums, and trumpet. The room is lit up with pink and white projections. The backs of multiple audience members are visible in the bottom of the frame. A few of the performers are lit with yellow light, as well as some of the audience.]
    Caption Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of five performers on stage. From left to right, they are playing guitar, saxophone, drums, and trumpet. The room is lit up with pink and white projections. The backs of multiple audience members are visible in the bottom of the frame. A few of the performers are lit with yellow light, as well as some of the audience.
    Year
    Related pages Abasement #76
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    Year
    Related pages DRAFT IMAGE PAGE_NEVER DELETE
  • Stacks of labeled VHS tapes of varying heights arranged against a white wall.
    Stacks of labeled VHS tapes of varying heights arranged against a white wall.
    Sharon Hayes, Symbionese Liberation Army (SLA), 2002. [Stacks of labeled VHS tapes of varying heights arranged against a white wall.]
    Caption Sharon Hayes, Symbionese Liberation Army (SLA), 2002.
    Image description Stacks of labeled VHS tapes of varying heights arranged against a white wall.
    Year 2006
    Related pages In The Poem About Love You Don't Write The Word Love
  • Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.
    Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022.
    Image description Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • View down a hallway with framed images on the wall.
    View down a hallway with framed images on the wall.
    Young Fluxus. Installation view, Artists Space, 1982. [View down a hallway with framed images on the wall.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description View down a hallway with framed images on the wall.
    Year
    Related pages Young Fluxus
  • A large gallery space houses a variety of plinths made of MDF, atop of which are placed various archival objects. Down the middle of the room are two long, short plinths that display a series of art historical journals. On another tall plinth to the right is a postcard.
    A large gallery space houses a variety of plinths made of MDF, atop of which are placed various archival objects. Down the middle of the room are two long, short plinths that display a series of art historical journals. On another tall plinth to the right is a postcard.
    Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [A large gallery space houses a variety of plinths made of MDF, atop of which are placed various archival objects. Down the middle of the room are two long, short plinths that display a series of art historical journals. On another tall plinth to the right is a postcard. ]
    Caption Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Image description A large gallery space houses a variety of plinths made of MDF, atop of which are placed various archival objects. Down the middle of the room are two long, short plinths that display a series of art historical journals. On another tall plinth to the right is a postcard.
    Year
    Related pages Michael Asher
  • A photograph of a long sheet of dot matrix paper with text on a black table.
    A photograph of a long sheet of dot matrix paper with text on a black table.
    Tiffany Sia, The Bastard Scroll (detail view), 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A photograph of a long sheet of dot matrix paper with text on a black table.]
    Caption Tiffany Sia, The Bastard Scroll (detail view), 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A photograph of a long sheet of dot matrix paper with text on a black table.
    Year 2021
    Related pages Tiffany Sia: Slippery When Wet
  • A green colored background features black text in the top half of the image that reads,
    A green colored background features black text in the top half of the image that reads,
    Flyer for Segue Reading Series featuring Amber Dawn & Kai Cheng Thom. Saturday March 13, 2021, Artists Space. [A green colored background features black text in the top half of the image that reads, "Segue Reading Series / Amber Dawn & Kai Cheng Thom / March 13 / 5pm on Zoom / Suggested donation: Five dollars / Zoom ID: 830 2698 4031." Black text in the bottom right corner reads, "Artists Space."]
    Caption Flyer for Segue Reading Series featuring Amber Dawn & Kai Cheng Thom. Saturday March 13, 2021, Artists Space.
    Image description A green colored background features black text in the top half of the image that reads, "Segue Reading Series / Amber Dawn & Kai Cheng Thom / March 13 / 5pm on Zoom / Suggested donation: Five dollars / Zoom ID: 830 2698 4031." Black text in the bottom right corner reads, "Artists Space."
    Year 2021
    Related pages Segue Reading Series: Amber Dawn & Kai Cheng Thom
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  • A black and white photograph of a room with several rows of chairs. Along the back wall, two projectors stand on pedastals and a figure on the right adjusts a film reel.
    A black and white photograph of a room with several rows of chairs. Along the back wall, two projectors stand on pedastals and a figure on the right adjusts a film reel.
    Super 8 Films Exposition. Installation view, Artists Space, New York, 1977. [A black and white photograph of a room with several rows of chairs. Along the back wall, two projectors stand on pedastals and a figure on the right adjusts a film reel.]
    Caption Super 8 Films Exposition. Installation view, Artists Space, New York, 1977.
    Image description A black and white photograph of a room with several rows of chairs. Along the back wall, two projectors stand on pedastals and a figure on the right adjusts a film reel.
    Year 1977
    Related pages Artists Super 8 Film Exposition
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  • A cylindrical lamp with cutouts in various shapes projects a shadow on white walls. The lamp sits on a white base, surrounded by three circular floor cushions. On the far wall, there is a mounted television screen showing white text.
    A cylindrical lamp with cutouts in various shapes projects a shadow on white walls. The lamp sits on a white base, surrounded by three circular floor cushions. On the far wall, there is a mounted television screen showing white text.
    Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich. [A cylindrical lamp with cutouts in various shapes projects a shadow on white walls. The lamp sits on a white base, surrounded by three circular floor cushions. On the far wall, there is a mounted television screen showing white text.]
    Caption Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich.
    Image description A cylindrical lamp with cutouts in various shapes projects a shadow on white walls. The lamp sits on a white base, surrounded by three circular floor cushions. On the far wall, there is a mounted television screen showing white text.
    Year 2009
    Related pages Paper Exhibition
  • Artists Space logo, a capital letter 'A' inscribed in a circle
    Artists Space logo, a capital letter 'A' inscribed in a circle
    Artists Space logo designed by Louise Lawler, 1978 [Artists Space logo, a capital letter 'A' inscribed in a circle]
    Caption Artists Space logo designed by Louise Lawler, 1978
    Image description Artists Space logo, a capital letter 'A' inscribed in a circle
    Year
    Related pages History
  • Black and white print includes details of a branch and a willow tree with a bird sitting on a key. Text reads
    Black and white print includes details of a branch and a willow tree with a bird sitting on a key. Text reads
    Sam Pulitzer, Spirit the Key & Stake the Door, 2014, Photo toner on colored paper, 17 x 11 in / 43,2 x 27,9 cm, Signed and Numbered [Black and white print includes details of a branch and a willow tree with a bird sitting on a key. Text reads "& Stake The Door"]
    Caption Sam Pulitzer, Spirit the Key & Stake the Door, 2014, Photo toner on colored paper, 17 x 11 in / 43,2 x 27,9 cm, Signed and Numbered
    Image description Black and white print includes details of a branch and a willow tree with a bird sitting on a key. Text reads "& Stake The Door"
    Year 2015
    Related pages Artists Space Annual Edition Portfolio 2015
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    Related pages Queer Behavior: Scott Burton and Performance Art.
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  • Three photographs are mounted next to one another on a colorful gallery wall, which is covered with a photo decal of a mosaic. Each of the photographs show different urban walls covered in grafitti. Graffiti on a city wall shown in the far right photograph reads,
    Three photographs are mounted next to one another on a colorful gallery wall, which is covered with a photo decal of a mosaic. Each of the photographs show different urban walls covered in grafitti. Graffiti on a city wall shown in the far right photograph reads,
    Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Three photographs are mounted next to one another on a colorful gallery wall, which is covered with a photo decal of a mosaic. Each of the photographs show different urban walls covered in grafitti. Graffiti on a city wall shown in the far right photograph reads, "pueblo nueva."]
    Caption Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Three photographs are mounted next to one another on a colorful gallery wall, which is covered with a photo decal of a mosaic. Each of the photographs show different urban walls covered in grafitti. Graffiti on a city wall shown in the far right photograph reads, "pueblo nueva."
    Year 2012
    Related pages Radical Localism: Art, Video and Culture from Pueblo Nuevo’s Mexicali Rose
  • A miniature log cabin constructed of handwritten documents is displayed in a vitrine. The roof on the left side reads,
    A miniature log cabin constructed of handwritten documents is displayed in a vitrine. The roof on the left side reads,
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A miniature log cabin constructed of handwritten documents is displayed in a vitrine. The roof on the left side reads, "By the President of the United States of America, A Proclimation."]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A miniature log cabin constructed of handwritten documents is displayed in a vitrine. The roof on the left side reads, "By the President of the United States of America, A Proclimation."
    Year 2017
    Related pages Unholding
  • A large glass container filled with golden honey sits on a white surface against a dark backdrop. Serif text inscribed across the center of the jar reads,
    A large glass container filled with golden honey sits on a white surface against a dark backdrop. Serif text inscribed across the center of the jar reads,
    Elliott Linwood, Initiation, 1993. 200 lbs. of honey, sandblasted glass, syringes. [A large glass container filled with golden honey sits on a white surface against a dark backdrop. Serif text inscribed across the center of the jar reads, "INITIATION." Several syringes float within the honey. A small glass lid seals the top of the jar.]
    Caption Elliott Linwood, Initiation, 1993. 200 lbs. of honey, sandblasted glass, syringes.
    Image description A large glass container filled with golden honey sits on a white surface against a dark backdrop. Serif text inscribed across the center of the jar reads, "INITIATION." Several syringes float within the honey. A small glass lid seals the top of the jar.
    Year
    Related pages A Living Testament of the Blood Fairies
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    Related pages Abasement #71
  • A black and white photograph of two figures standing in a gallery space. The figure on the left looks at the one on the right. In the background, a crowd of people and se veral large wall hangings are visible.
    A black and white photograph of two figures standing in a gallery space. The figure on the left looks at the one on the right. In the background, a crowd of people and se veral large wall hangings are visible.
    Pictures. Opening Reception, Artists Space, September 23, 1977. Sherrie Levine (left), Irving Sandler (right). Photo: D. James Dee. [A black and white photograph of two figures standing in a gallery space. The figure on the left looks at the one on the right. In the background, a crowd of people and se veral large wall hangings are visible.]
    Caption Pictures. Opening Reception, Artists Space, September 23, 1977. Sherrie Levine (left), Irving Sandler (right). Photo: D. James Dee.
    Image description A black and white photograph of two figures standing in a gallery space. The figure on the left looks at the one on the right. In the background, a crowd of people and se veral large wall hangings are visible.
    Year 1977
    Related pages Pictures
  • Close up image of a rectangular panel installed on a white wall. The canvas is covered in color block washes of black, gray, and white paint. Left-aligned, serif text positioned at the upper half of the canvas reads,
    Close up image of a rectangular panel installed on a white wall. The canvas is covered in color block washes of black, gray, and white paint. Left-aligned, serif text positioned at the upper half of the canvas reads,
    I Thought I Had Time. Installation view, Artists Space, 1992. [Close up image of a rectangular panel installed on a white wall. The canvas is covered in color block washes of black, gray, and white paint. Left-aligned, serif text positioned at the upper half of the canvas reads, "she said it's gone too far. I thought I had time. / I thought I had more time. / Room 409 / Memorial Sloan-Kettering / 1990 A.D."]
    Caption I Thought I Had Time. Installation view, Artists Space, 1992.
    Image description Close up image of a rectangular panel installed on a white wall. The canvas is covered in color block washes of black, gray, and white paint. Left-aligned, serif text positioned at the upper half of the canvas reads, "she said it's gone too far. I thought I had time. / I thought I had more time. / Room 409 / Memorial Sloan-Kettering / 1990 A.D."
    Year 1992
    Related pages I Thought I Had Time
  • A sculpture of a man leans against a white column in an otherwise empty gallery space.
    A sculpture of a man leans against a white column in an otherwise empty gallery space.
    Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [A sculpture of a man leans against a white column in an otherwise empty gallery space.]
    Caption Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013.
    Image description A sculpture of a man leans against a white column in an otherwise empty gallery space.
    Year 2013
    Related pages Pride Goes Before a Fall
  • Black text on an orange background. The text reads: “Nov 23 / Anne Waldman / No Land / Joey De Jesus.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on an orange background. The text reads: “Nov 23 / Anne Waldman / No Land / Joey De Jesus.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on an orange background. The text reads: “Nov 23 / Anne Waldman / No Land / Joey De Jesus.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on an orange background. The text reads: “Nov 23 / Anne Waldman / No Land / Joey De Jesus.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Joey de Jesus & No Land & Anne Waldman
  • A figure plays the guitar sitting down, while another figure stands behind him playing the bass.
    A figure plays the guitar sitting down, while another figure stands behind him playing the bass.
    Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure plays the guitar sitting down, while another figure stands behind him playing the bass.]
    Caption Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure plays the guitar sitting down, while another figure stands behind him playing the bass.
    Year 2022
    Related pages Tisziji Muñoz with Francisco Mora Catlett and AfroHORN
  • The exterior of a Soho building at night from the opposite street corner. Inside the third floor are two glowing blue neon quotation marks visible from outside.
    The exterior of a Soho building at night from the opposite street corner. Inside the third floor are two glowing blue neon quotation marks visible from outside.
    Laurel Woodcock, (Untitled), Neon Quote, 2005. Neon sculptures. Courtesy the artist. [The exterior of a Soho building at night from the opposite street corner. Inside the third floor are two glowing blue neon quotation marks visible from outside.]
    Caption Laurel Woodcock, (Untitled), Neon Quote, 2005. Neon sculptures. Courtesy the artist.
    Image description The exterior of a Soho building at night from the opposite street corner. Inside the third floor are two glowing blue neon quotation marks visible from outside.
    Year 2007
    Related pages On Being an Exhibition
  • Several empty food containers and milk boxes on a hardwood floor, with milk spilled out all over the floor.
    Several empty food containers and milk boxes on a hardwood floor, with milk spilled out all over the floor.
    INFESTED. Installation view, Arists Space, 2013. Photo: Lyndsy Welgos. [Several empty food containers and milk boxes on a hardwood floor, with milk spilled out all over the floor.]
    Caption INFESTED. Installation view, Arists Space, 2013. Photo: Lyndsy Welgos.
    Image description Several empty food containers and milk boxes on a hardwood floor, with milk spilled out all over the floor.
    Year 2013
    Related pages INFESTED
  • A gallery with low lighting and white walls is hung with a painting and a grid of photographs. More artworks are visible around a corner in another room.
    A gallery with low lighting and white walls is hung with a painting and a grid of photographs. More artworks are visible around a corner in another room.
    Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith. [A gallery with low lighting and white walls is hung with a painting and a grid of photographs. More artworks are visible around a corner in another room.]
    Caption Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith.
    Image description A gallery with low lighting and white walls is hung with a painting and a grid of photographs. More artworks are visible around a corner in another room.
    Year 1989
    Related pages Witnesses: Against Our Vanishing
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  • A string of light bulbs decends from the celing of an exhibition space, with the end of its wiring resting on the ground below. A framed image of a figure's face is installed high on the wall directly behind the light string. A small cardboard box with gold details sits on the ground to the right of the light string.
    A string of light bulbs decends from the celing of an exhibition space, with the end of its wiring resting on the ground below. A framed image of a figure's face is installed high on the wall directly behind the light string. A small cardboard box with gold details sits on the ground to the right of the light string.
    Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A string of light bulbs decends from the celing of an exhibition space, with the end of its wiring resting on the ground below. A framed image of a figure's face is installed high on the wall directly behind the light string. A small cardboard box with gold details sits on the ground to the right of the light string.]
    Caption Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A string of light bulbs decends from the celing of an exhibition space, with the end of its wiring resting on the ground below. A framed image of a figure's face is installed high on the wall directly behind the light string. A small cardboard box with gold details sits on the ground to the right of the light string.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
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  • Five rectangular black-and-white drawings of cityscapes appear exhibited on a wall in the corner of a room, with a didactic panel under a lightswitch to their right, titled
    Five rectangular black-and-white drawings of cityscapes appear exhibited on a wall in the corner of a room, with a didactic panel under a lightswitch to their right, titled
    Art Day, Blue Sky Gallery, P.S. 140, 2018 [Five rectangular black-and-white drawings of cityscapes appear exhibited on a wall in the corner of a room, with a didactic panel under a lightswitch to their right, titled "A View from the Bridge"]
    Caption Art Day, Blue Sky Gallery, P.S. 140, 2018
    Image description Five rectangular black-and-white drawings of cityscapes appear exhibited on a wall in the corner of a room, with a didactic panel under a lightswitch to their right, titled "A View from the Bridge"
    Year 2018
    Related pages Exhibitions and Events
  • A figure stands in front of a music stand speaking into a microphone. They are backlit by an image of a rippling upside down American flag.
    A figure stands in front of a music stand speaking into a microphone. They are backlit by an image of a rippling upside down American flag.
    New Red Order, Informants Get Paid! Performance documentation, Artists Space, January 23, 2020. Photo © Paula Court. [A figure stands in front of a music stand speaking into a microphone. They are backlit by an image of a rippling upside down American flag.]
    Caption New Red Order, Informants Get Paid! Performance documentation, Artists Space, January 23, 2020. Photo © Paula Court.
    Image description A figure stands in front of a music stand speaking into a microphone. They are backlit by an image of a rippling upside down American flag.
    Year 2020
    Related pages
  • Color photograph of a figure, wearing reflective one-way mirror film around their body, hanging off the ledge of an open doorway entrance.
    Color photograph of a figure, wearing reflective one-way mirror film around their body, hanging off the ledge of an open doorway entrance.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure, wearing reflective one-way mirror film around their body, hanging off the ledge of an open doorway entrance.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure, wearing reflective one-way mirror film around their body, hanging off the ledge of an open doorway entrance.
    Year 2022
    Related pages keyon gaskin 12-14
  • A black monitor sits on a wooden table. The image onscreen shows a hand holding a black and white paper with text. A stack of photographs lay underneath the paper.
    A black monitor sits on a wooden table. The image onscreen shows a hand holding a black and white paper with text. A stack of photographs lay underneath the paper.
    Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A black monitor sits on a wooden table. The image onscreen shows a hand holding a black and white paper with text. A stack of photographs lay underneath the paper.]
    Caption Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A black monitor sits on a wooden table. The image onscreen shows a hand holding a black and white paper with text. A stack of photographs lay underneath the paper.
    Year 2011
    Related pages Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979)
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  • A book cover with an old car vertically arranged next to Arabic writing.
    A book cover with an old car vertically arranged next to Arabic writing.
    Peter Osborne, Anywhere or Not At All (Verso Books, 2013). [A book cover with an old car vertically arranged next to Arabic writing.]
    Caption Peter Osborne, Anywhere or Not At All (Verso Books, 2013).
    Image description A book cover with an old car vertically arranged next to Arabic writing.
    Year 2013
    Related pages Anywhere or Not at All
  • Color image of the corner of a darkened gallery space with two small pinhole projector sculpture installations. The pinhole projector on the left is housed in a polka-dot patterned gift-wrapped box. On the wall, an image of a white ceramic teacup with a radial swirl pattern is projected. On the right, the projector is wrapped in white foam padding and secured with red string. On the wall, it projects an image of a square containing an golden metal hoop and pin along with four small, glittering pink and green strawberry ornaments.
    Color image of the corner of a darkened gallery space with two small pinhole projector sculpture installations. The pinhole projector on the left is housed in a polka-dot patterned gift-wrapped box. On the wall, an image of a white ceramic teacup with a radial swirl pattern is projected. On the right, the projector is wrapped in white foam padding and secured with red string. On the wall, it projects an image of a square containing an golden metal hoop and pin along with four small, glittering pink and green strawberry ornaments.
    Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view (Doris Guo, Bathroom Kitchen Confusion, 2023; Doris Guo, Fruit Basket, 2024), Artists Space, 2024. Photo: Carter Seddon. [Color image of the corner of a darkened gallery space with two small pinhole projector sculpture installations. The pinhole projector on the left is housed in a polka-dot patterned gift-wrapped box. On the wall, an image of a white ceramic teacup with a radial swirl pattern is projected. On the right, the projector is wrapped in white foam padding and secured with red string. On the wall, it projects an image of a square containing an golden metal hoop and pin along with four small, glittering pink and green strawberry ornaments.]
    Caption Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view (Doris Guo, Bathroom Kitchen Confusion, 2023; Doris Guo, Fruit Basket, 2024), Artists Space, 2024. Photo: Carter Seddon.
    Image description Color image of the corner of a darkened gallery space with two small pinhole projector sculpture installations. The pinhole projector on the left is housed in a polka-dot patterned gift-wrapped box. On the wall, an image of a white ceramic teacup with a radial swirl pattern is projected. On the right, the projector is wrapped in white foam padding and secured with red string. On the wall, it projects an image of a square containing an golden metal hoop and pin along with four small, glittering pink and green strawberry ornaments.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • Book cover design featuring a white mask in the shape of a human face installed on a white backdrop. Ribbons of white material extend from the mask's lower right side, curling on the backdrop. Black text reading
    Book cover design featuring a white mask in the shape of a human face installed on a white backdrop. Ribbons of white material extend from the mask's lower right side, curling on the backdrop. Black text reading
    Price, Seth by Seth Price, edited by Beatrix Ruf, text by Michael Newman, published by JRP Ringier, 2010. [Book cover design featuring a white mask in the shape of a human face installed on a white backdrop. Ribbons of white material extend from the mask's lower right side, curling on the backdrop. Black text reading "PRICE, SETH" is superimposed on the image's upper left corner.]
    Caption Price, Seth by Seth Price, edited by Beatrix Ruf, text by Michael Newman, published by JRP Ringier, 2010.
    Image description Book cover design featuring a white mask in the shape of a human face installed on a white backdrop. Ribbons of white material extend from the mask's lower right side, curling on the backdrop. Black text reading "PRICE, SETH" is superimposed on the image's upper left corner.
    Year 2010
    Related pages Seth Price Book Launch
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    Related pages Artists Space Dialogues: Huey Copeland, Michelle Kuo
  • A wide angle image of a mockup real estate office consisiting of a leather couch, a magazine rack, a table and multiple tv monitors. The windows are lined with real estate listings.
    A wide angle image of a mockup real estate office consisiting of a leather couch, a magazine rack, a table and multiple tv monitors. The windows are lined with real estate listings.
    New Red Order Give it Back, 2020 Acrylic LED displays with cut vinyl, water cooler, poster, couch, desk, chairs, magazine rack, The New Red Times Magazine, and three televisions. Image courtesy Artists Space, New York Photo: Filip Wolak [A wide angle image of a mockup real estate office consisiting of a leather couch, a magazine rack, a table and multiple tv monitors. The windows are lined with real estate listings.]
    Caption New Red Order Give it Back, 2020 Acrylic LED displays with cut vinyl, water cooler, poster, couch, desk, chairs, magazine rack, The New Red Times Magazine, and three televisions. Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A wide angle image of a mockup real estate office consisiting of a leather couch, a magazine rack, a table and multiple tv monitors. The windows are lined with real estate listings.
    Year 2021
    Related pages New Red Order: Feel at Home Here
  • Three figures standing by a set of music stands in front of a seated audience. The center figure faces the audience, her arms stretched wide. The figures on either side of her appear to mime grasping something above themselves—such as a bar or handle—with one hand. One's expression is solemn, the other's incredulous.
    Three figures standing by a set of music stands in front of a seated audience. The center figure faces the audience, her arms stretched wide. The figures on either side of her appear to mime grasping something above themselves—such as a bar or handle—with one hand. One's expression is solemn, the other's incredulous.
    The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak. [Three figures standing by a set of music stands in front of a seated audience. The center figure faces the audience, her arms stretched wide. The figures on either side of her appear to mime grasping something above themselves—such as a bar or handle—with one hand. One's expression is solemn, the other's incredulous.]
    Caption The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak.
    Image description Three figures standing by a set of music stands in front of a seated audience. The center figure faces the audience, her arms stretched wide. The figures on either side of her appear to mime grasping something above themselves—such as a bar or handle—with one hand. One's expression is solemn, the other's incredulous.
    Year 2020
    Related pages The Owl Answers
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • The upper body of a figure appears in front of a microphone, into which they play the flute.
    The upper body of a figure appears in front of a microphone, into which they play the flute.
    Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York. [The upper body of a figure appears in front of a microphone, into which they play the flute.]
    Caption Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York.
    Image description The upper body of a figure appears in front of a microphone, into which they play the flute.
    Year
    Related pages Eiko Ishibashi in Concert
  • Various photographs of athletes and other personal images are arranged on a light wooden wall to the left. A wooden shelf sits against the right wall, shown in profile. A frisbee and two loofahs hang off the side of the shelf, with other stickers and printed images arranged on the walls.
    Various photographs of athletes and other personal images are arranged on a light wooden wall to the left. A wooden shelf sits against the right wall, shown in profile. A frisbee and two loofahs hang off the side of the shelf, with other stickers and printed images arranged on the walls.
    Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Malcolm Peacock, How to address the full capacity of our will, 2023), Artists Space, 2023. Photo: Filip Wolak. [Various photographs of athletes and other personal images are arranged on a light wooden wall to the left. A wooden shelf sits against the right wall, shown in profile. A frisbee and two loofahs hang off the side of the shelf, with other stickers and printed images arranged on the walls.]
    Caption Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Malcolm Peacock, How to address the full capacity of our will, 2023), Artists Space, 2023. Photo: Filip Wolak.
    Image description Various photographs of athletes and other personal images are arranged on a light wooden wall to the left. A wooden shelf sits against the right wall, shown in profile. A frisbee and two loofahs hang off the side of the shelf, with other stickers and printed images arranged on the walls.
    Year 2023
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • A close up of low windows on a brick facade covered in layered black and yellow film.
    A close up of low windows on a brick facade covered in layered black and yellow film.
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A close up of low windows on a brick facade covered in layered black and yellow film.]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A close up of low windows on a brick facade covered in layered black and yellow film.
    Year 2021
    Related pages ART CLUB2000
  • intermezzo?
    intermezzo?
    Abstraction in Process. Installation view, Artists Space, March 26, 1987 - May 2, 1987. [intermezzo?]
    Caption Abstraction in Process. Installation view, Artists Space, March 26, 1987 - May 2, 1987.
    Image description intermezzo?
    Year
    Related pages Abstraction in Process
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A black and white image of a toy alligator holding a medicine bottle, surrounded by miscellaneous objects.
    A black and white image of a toy alligator holding a medicine bottle, surrounded by miscellaneous objects.
    Photographic work by David Kulik, Frank Majore, Kevin Noble, Ken Pelka, Pat Place, Rene Santos, and Brian Well. Announcement card, work by Pat Place, Artists Space, 1980. [A black and white image of a toy alligator holding a medicine bottle, surrounded by miscellaneous objects.]
    Caption Photographic work by David Kulik, Frank Majore, Kevin Noble, Ken Pelka, Pat Place, Rene Santos, and Brian Well. Announcement card, work by Pat Place, Artists Space, 1980.
    Image description A black and white image of a toy alligator holding a medicine bottle, surrounded by miscellaneous objects.
    Year 1980
    Related pages
  • A color photograph of a figure standing behind audio mixing equipment and a microphone in an orange-lit space. A crowd looks on.
    A color photograph of a figure standing behind audio mixing equipment and a microphone in an orange-lit space. A crowd looks on.
    Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure standing behind audio mixing equipment and a microphone in an orange-lit space. A crowd looks on.]
    Caption Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space.
    Image description A color photograph of a figure standing behind audio mixing equipment and a microphone in an orange-lit space. A crowd looks on.
    Year 2022
    Related pages Yuji Agematsu
  • A close-up image of a musician sitting on the floor playing the violin. Three other violins lay on the stage before her.
    A close-up image of a musician sitting on the floor playing the violin. Three other violins lay on the stage before her.
    Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [A close-up image of a musician sitting on the floor playing the violin. Three other violins lay on the stage before her.]
    Caption Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A close-up image of a musician sitting on the floor playing the violin. Three other violins lay on the stage before her.
    Year
    Related pages Abasement #65
  • A white, graphic shirt sits on a piles of items next to nested wicker baskets in front of a wooden wall. On top of the baskets is a sign that reads,
    A white, graphic shirt sits on a piles of items next to nested wicker baskets in front of a wooden wall. On top of the baskets is a sign that reads,
    [A white, graphic shirt sits on a piles of items next to nested wicker baskets in front of a wooden wall. On top of the baskets is a sign that reads, "freedom club."]
    Caption
    Image description A white, graphic shirt sits on a piles of items next to nested wicker baskets in front of a wooden wall. On top of the baskets is a sign that reads, "freedom club."
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • Black and white cropped image of an animal-like figure. An eye is located on the upper right corner. Feathers and fur fill the frame.
    Black and white cropped image of an animal-like figure. An eye is located on the upper right corner. Feathers and fur fill the frame.
    [Black and white cropped image of an animal-like figure. An eye is located on the upper right corner. Feathers and fur fill the frame.]
    Caption
    Image description Black and white cropped image of an animal-like figure. An eye is located on the upper right corner. Feathers and fur fill the frame.
    Year
    Related pages Andy Robert: Papaloko
  • Several students stand around a large science room desk. One holds a model of a Delta airplane, smiling for the camera. The rest are busy at work.
    Several students stand around a large science room desk. One holds a model of a Delta airplane, smiling for the camera. The rest are busy at work.
    Collaborative team of students working on their design, 2018 [Several students stand around a large science room desk. One holds a model of a Delta airplane, smiling for the camera. The rest are busy at work.]
    Caption Collaborative team of students working on their design, 2018
    Image description Several students stand around a large science room desk. One holds a model of a Delta airplane, smiling for the camera. The rest are busy at work.
    Year 2018
    Related pages Threads of History
  • Black-and-white photograph of a blurred figure in motion sitting behind a wooden desk surrounded by audio equipment in a sparse room.
    Black-and-white photograph of a blurred figure in motion sitting behind a wooden desk surrounded by audio equipment in a sparse room.
    Yasunao Tone performing Music for 2 CD Players at Experimental Intermedia Foundation, New York, 1986. [Black-and-white photograph of a blurred figure in motion sitting behind a wooden desk surrounded by audio equipment in a sparse room.]
    Caption Yasunao Tone performing Music for 2 CD Players at Experimental Intermedia Foundation, New York, 1986.
    Image description Black-and-white photograph of a blurred figure in motion sitting behind a wooden desk surrounded by audio equipment in a sparse room.
    Year 1986
    Related pages Yasunao Tone: Region of Paramedia
  • Color image of a bird sculpture placed in an ornately decorated room.
    Color image of a bird sculpture placed in an ornately decorated room.
    Yasunao Tone, Molecular Music, 1984-85 [Color image of a bird sculpture placed in an ornately decorated room.]
    Caption Yasunao Tone, Molecular Music, 1984-85
    Image description Color image of a bird sculpture placed in an ornately decorated room.
    Year
    Related pages Yasunao Tone Film Screening #5
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Black-and-white photograph of three figures performing together. On the left, a figure in a striped shirt and glasses sits down in front of a table full of audio equipment, wearing headphones. In the middle, a figure in a graphic shirt stands and reads off a piece of paper. The rightmost figure wears a glitter and mesh top and plays the flute standing.
    Black-and-white photograph of three figures performing together. On the left, a figure in a striped shirt and glasses sits down in front of a table full of audio equipment, wearing headphones. In the middle, a figure in a graphic shirt stands and reads off a piece of paper. The rightmost figure wears a glitter and mesh top and plays the flute standing.
    Yasunao Tone, Carles Hac Mor, and Barbara Held performing Música desterritorialitzada at Metronom, Barcelona, Spain, 1997. [Black-and-white photograph of three figures performing together. On the left, a figure in a striped shirt and glasses sits down in front of a table full of audio equipment, wearing headphones. In the middle, a figure in a graphic shirt stands and reads off a piece of paper. The rightmost figure wears a glitter and mesh top and plays the flute standing.]
    Caption Yasunao Tone, Carles Hac Mor, and Barbara Held performing Música desterritorialitzada at Metronom, Barcelona, Spain, 1997.
    Image description Black-and-white photograph of three figures performing together. On the left, a figure in a striped shirt and glasses sits down in front of a table full of audio equipment, wearing headphones. In the middle, a figure in a graphic shirt stands and reads off a piece of paper. The rightmost figure wears a glitter and mesh top and plays the flute standing.
    Year
    Related pages Yasunao Tone in Concert with Barbara Held
  • Poster with a red-filtered image of a colonialist painting. In green and yellow font at the top of the image it reads,
    Poster with a red-filtered image of a colonialist painting. In green and yellow font at the top of the image it reads,
    [Poster with a red-filtered image of a colonialist painting. In green and yellow font at the top of the image it reads, "Land Mass / 18 December 2017 7pm" and at the bottom in the same font, "Natalie Diaz / Demian Dineyazhi / Sonia Guinansaca / Artists Space 55 Walker Street New York, NY 10013.]
    Caption
    Image description Poster with a red-filtered image of a colonialist painting. In green and yellow font at the top of the image it reads, "Land Mass / 18 December 2017 7pm" and at the bottom in the same font, "Natalie Diaz / Demian Dineyazhi / Sonia Guinansaca / Artists Space 55 Walker Street New York, NY 10013.
    Year 2017
    Related pages LAND MASS
  • A person dressed in blue stands next to a mannequin draped in red fabric lying on a rolling table. To the left is an IV stand and people seated in the background.
    A person dressed in blue stands next to a mannequin draped in red fabric lying on a rolling table. To the left is an IV stand and people seated in the background.
    devynn emory, Grandmother Cindy. Performance documentation, May 18, 2022, Artists Space [A person dressed in blue stands next to a mannequin draped in red fabric lying on a rolling table. To the left is an IV stand and people seated in the background.]
    Caption devynn emory, Grandmother Cindy. Performance documentation, May 18, 2022, Artists Space
    Image description A person dressed in blue stands next to a mannequin draped in red fabric lying on a rolling table. To the left is an IV stand and people seated in the background.
    Year
    Related pages Artists Space Venue
  • A color image of an unframed colorful drawing of a male-presenting figure. The figure is crossed-arm and sitting back in whats seems like a sofa. A cup of coffee sits on his right, and a potted plant and a vintage-looking radio are on his left.
    A color image of an unframed colorful drawing of a male-presenting figure. The figure is crossed-arm and sitting back in whats seems like a sofa. A cup of coffee sits on his right, and a potted plant and a vintage-looking radio are on his left.
    Drake Carr, Mel Ottenberg, 2023. Colored pencil on paper. 26 x 21 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak. [A color image of an unframed colorful drawing of a male-presenting figure. The figure is crossed-arm and sitting back in whats seems like a sofa. A cup of coffee sits on his right, and a potted plant and a vintage-looking radio are on his left.]
    Caption Drake Carr, Mel Ottenberg, 2023. Colored pencil on paper. 26 x 21 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description A color image of an unframed colorful drawing of a male-presenting figure. The figure is crossed-arm and sitting back in whats seems like a sofa. A cup of coffee sits on his right, and a potted plant and a vintage-looking radio are on his left.
    Year
    Related pages Drake Carr: Housecalls
  • A black and white photograph of a gallery space. On the wall, seven framed works are hung, each featuring a grid of small black and white images.
    A black and white photograph of a gallery space. On the wall, seven framed works are hung, each featuring a grid of small black and white images.
    Artists Performance Series. Installation view, Artists Space, 1977. [A black and white photograph of a gallery space. On the wall, seven framed works are hung, each featuring a grid of small black and white images.]
    Caption Artists Performance Series. Installation view, Artists Space, 1977.
    Image description A black and white photograph of a gallery space. On the wall, seven framed works are hung, each featuring a grid of small black and white images.
    Year 1977
    Related pages Artists Performance Series
  • A color image of a gallery space, taken from a wide angle. There is a checkerboard floor, with three large sculptures placed down the center. A large red painting is hung on the left wall. On the right wall are a series of paintings and durags.
    A color image of a gallery space, taken from a wide angle. There is a checkerboard floor, with three large sculptures placed down the center. A large red painting is hung on the left wall. On the right wall are a series of paintings and durags.
    Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of a gallery space, taken from a wide angle. There is a checkerboard floor, with three large sculptures placed down the center. A large red painting is hung on the left wall. On the right wall are a series of paintings and durags.]
    Caption Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of a gallery space, taken from a wide angle. There is a checkerboard floor, with three large sculptures placed down the center. A large red painting is hung on the left wall. On the right wall are a series of paintings and durags.
    Year
    Related pages Jonathan Lyndon Chase
  • A book shelf displays paper documents containing black and white images. Above, smaller documents, and a similar paper displayed in a white frame.
    A book shelf displays paper documents containing black and white images. Above, smaller documents, and a similar paper displayed in a white frame.
    Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A book shelf displays paper documents containing black and white images. Above, smaller documents, and a similar paper displayed in a white frame.]
    Caption Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A book shelf displays paper documents containing black and white images. Above, smaller documents, and a similar paper displayed in a white frame.
    Year 2013
    Related pages Documenting Cadere: 1972 - 1978
  • An angled view of large blue painting hanging on a white wall in an exhibition space. To the right of the painting in the center of the room, a projector positioned on a small stand projects an image onto a screen that is also supported by a similar, small stand. The projected image depicts a side view of a man and woman sitting across a table.
    An angled view of large blue painting hanging on a white wall in an exhibition space. To the right of the painting in the center of the room, a projector positioned on a small stand projects an image onto a screen that is also supported by a similar, small stand. The projected image depicts a side view of a man and woman sitting across a table.
    Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [An angled view of large blue painting hanging on a white wall in an exhibition space. To the right of the painting in the center of the room, a projector positioned on a small stand projects an image onto a screen that is also supported by a similar, small stand. The projected image depicts a side view of a man and woman sitting across a table.]
    Caption Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description An angled view of large blue painting hanging on a white wall in an exhibition space. To the right of the painting in the center of the room, a projector positioned on a small stand projects an image onto a screen that is also supported by a similar, small stand. The projected image depicts a side view of a man and woman sitting across a table.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • Two delicate, framed works on paper hang side by side against a white wall. A light blue color has been imprinted on the central portion of the wall. The artworks feature flecks of pastel color on an otherwise white surface.
    Two delicate, framed works on paper hang side by side against a white wall. A light blue color has been imprinted on the central portion of the wall. The artworks feature flecks of pastel color on an otherwise white surface.
    You Are The Everything and The Everything Is In You. Installation view, Artists Space, 2005. [Two delicate, framed works on paper hang side by side against a white wall. A light blue color has been imprinted on the central portion of the wall. The artworks feature flecks of pastel color on an otherwise white surface.]
    Caption You Are The Everything and The Everything Is In You. Installation view, Artists Space, 2005.
    Image description Two delicate, framed works on paper hang side by side against a white wall. A light blue color has been imprinted on the central portion of the wall. The artworks feature flecks of pastel color on an otherwise white surface.
    Year 2005
    Related pages You Are The Everything and The Everything Is In You
  • A collection of posters, drawings, paintings, photographs, and collages hang in clusters on a white gallery wall. On the right of the wall is a closed doorway. A long, multicolored poll wedged into a wood stump sits on the gallery floor.
    A collection of posters, drawings, paintings, photographs, and collages hang in clusters on a white gallery wall. On the right of the wall is a closed doorway. A long, multicolored poll wedged into a wood stump sits on the gallery floor.
    Apartment Show: If the dogs are barking. Installation view, Artists Space, 2009. [A collection of posters, drawings, paintings, photographs, and collages hang in clusters on a white gallery wall. On the right of the wall is a closed doorway. A long, multicolored poll wedged into a wood stump sits on the gallery floor.]
    Caption Apartment Show: If the dogs are barking. Installation view, Artists Space, 2009.
    Image description A collection of posters, drawings, paintings, photographs, and collages hang in clusters on a white gallery wall. On the right of the wall is a closed doorway. A long, multicolored poll wedged into a wood stump sits on the gallery floor.
    Year 2009
    Related pages Apartment Show: If the dogs are barking
  • Black text overlays a blue background. The top left corner reads: Heather Lynn Johnson / Edwin Torres. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, March 5, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5.
    Black text overlays a blue background. The top left corner reads: Heather Lynn Johnson / Edwin Torres. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, March 5, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5.
    Flyer for Segue Reading Series featuring Heather Lynn Johnson and Edwin Torres. March 5, 2022, Artists Space. [Black text overlays a blue background. The top left corner reads: Heather Lynn Johnson / Edwin Torres. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, March 5, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5."]
    Caption Flyer for Segue Reading Series featuring Heather Lynn Johnson and Edwin Torres. March 5, 2022, Artists Space.
    Image description Black text overlays a blue background. The top left corner reads: Heather Lynn Johnson / Edwin Torres. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, March 5, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5."
    Year 2022
    Related pages Segue Reading Series: Heather Lynn Johnson & Edwin Torres
  • Two black plinths stand in the center of an otherwise empty room. Each has a glass-encased top protecting a patch of grass, lit from below by a white light.
    Two black plinths stand in the center of an otherwise empty room. Each has a glass-encased top protecting a patch of grass, lit from below by a white light.
    Spring Exhibitions. Installation view, Artists Space, 2009. [Two black plinths stand in the center of an otherwise empty room. Each has a glass-encased top protecting a patch of grass, lit from below by a white light.]
    Caption Spring Exhibitions. Installation view, Artists Space, 2009.
    Image description Two black plinths stand in the center of an otherwise empty room. Each has a glass-encased top protecting a patch of grass, lit from below by a white light.
    Year 2009
    Related pages Spring Exhibitions
  • A yellow paper bag with handles, detailed illustrations across its sides. At the front is a drawing of two large crows. Intricate line designs in the background and along the handles. On the side of the bag is a barren tree, with small dots indicating snowfall, and a fence that stretches in the background.
    A yellow paper bag with handles, detailed illustrations across its sides. At the front is a drawing of two large crows. Intricate line designs in the background and along the handles. On the side of the bag is a barren tree, with small dots indicating snowfall, and a fence that stretches in the background.
    Peter Jemison, Crows in Winter (Paris), 1980s. [A yellow paper bag with handles, detailed illustrations across its sides. At the front is a drawing of two large crows. Intricate line designs in the background and along the handles. On the side of the bag is a barren tree, with small dots indicating snowfall, and a fence that stretches in the background.]
    Caption Peter Jemison, Crows in Winter (Paris), 1980s.
    Image description A yellow paper bag with handles, detailed illustrations across its sides. At the front is a drawing of two large crows. Intricate line designs in the background and along the handles. On the side of the bag is a barren tree, with small dots indicating snowfall, and a fence that stretches in the background.
    Year 2017
    Related pages Unholding
  • A postcard depicting a black-and-white photograph of the facade of a factory in Belgium sits on a plinth.
    A postcard depicting a black-and-white photograph of the facade of a factory in Belgium sits on a plinth.
    Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [A postcard depicting a black-and-white photograph of the facade of a factory in Belgium sits on a plinth. ]
    Caption Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Image description A postcard depicting a black-and-white photograph of the facade of a factory in Belgium sits on a plinth.
    Year
    Related pages Michael Asher
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