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  • The image of a figure standing next to a camera and tripod is reflected in a mirror hung on a wall.
    The image of a figure standing next to a camera and tripod is reflected in a mirror hung on a wall.
    Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [The image of a figure standing next to a camera and tripod is reflected in a mirror hung on a wall.]
    Caption Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979.
    Image description The image of a figure standing next to a camera and tripod is reflected in a mirror hung on a wall.
    Year 1979
    Related pages Patricia Hearst - A Second Reading
  • A black and white installation photograph of a gallery space. Two dark square canvasses hang on the wall, one is a large and the other small.
    A black and white installation photograph of a gallery space. Two dark square canvasses hang on the wall, one is a large and the other small.
    John Torreano. Installation view, Artists Space, 1974. [A black and white installation photograph of a gallery space. Two dark square canvasses hang on the wall, one is a large and the other small.]
    Caption John Torreano. Installation view, Artists Space, 1974.
    Image description A black and white installation photograph of a gallery space. Two dark square canvasses hang on the wall, one is a large and the other small.
    Year 1974
    Related pages Sidney Geist, Marvin Torffield, John Torreano
  • Two facing gallery walls featuring framed drawings on white and black paper. The work on the left wall features small pencil lines arranged in a square shape, with negative space forming the shape of a large spiral. The works on the right wall feature various ornamental lines that form large circles.
    Two facing gallery walls featuring framed drawings on white and black paper. The work on the left wall features small pencil lines arranged in a square shape, with negative space forming the shape of a large spiral. The works on the right wall feature various ornamental lines that form large circles.
    Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [Two facing gallery walls featuring framed drawings on white and black paper. The work on the left wall features small pencil lines arranged in a square shape, with negative space forming the shape of a large spiral. The works on the right wall feature various ornamental lines that form large circles.]
    Caption Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description Two facing gallery walls featuring framed drawings on white and black paper. The work on the left wall features small pencil lines arranged in a square shape, with negative space forming the shape of a large spiral. The works on the right wall feature various ornamental lines that form large circles.
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • A close-up color image of two figures performing. One plays the drums, and the second figure plays the double bass. To their right, a large black speaker, and a microphone. Images are projected onto the back wall. The room is illuminated with red and blue light.
    A close-up color image of two figures performing. One plays the drums, and the second figure plays the double bass. To their right, a large black speaker, and a microphone. Images are projected onto the back wall. The room is illuminated with red and blue light.
    Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman. [A close-up color image of two figures performing. One plays the drums, and the second figure plays the double bass. To their right, a large black speaker, and a microphone. Images are projected onto the back wall. The room is illuminated with red and blue light.]
    Caption Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A close-up color image of two figures performing. One plays the drums, and the second figure plays the double bass. To their right, a large black speaker, and a microphone. Images are projected onto the back wall. The room is illuminated with red and blue light.
    Year
    Related pages Abasement #66
  • Sculpted cross with strings strapped around it, holding unidentified items together inside of it. Held on a white background with dimensions written in pencil on the right side.
    Sculpted cross with strings strapped around it, holding unidentified items together inside of it. Held on a white background with dimensions written in pencil on the right side.
    Jerry Beck, American Mummy, 1985. [Sculpted cross with strings strapped around it, holding unidentified items together inside of it. Held on a white background with dimensions written in pencil on the right side.]
    Caption Jerry Beck, American Mummy, 1985.
    Image description Sculpted cross with strings strapped around it, holding unidentified items together inside of it. Held on a white background with dimensions written in pencil on the right side.
    Year
    Related pages U.S. Projects
  • Color image of two performers on stage. The musician on the left is in profile, standing up, while playing the guitar. On the right side of the frame a musician is sitting down, out of focus, playing the drums.
    Color image of two performers on stage. The musician on the left is in profile, standing up, while playing the guitar. On the right side of the frame a musician is sitting down, out of focus, playing the drums.
    Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of two performers on stage. The musician on the left is in profile, standing up, while playing the guitar. On the right side of the frame a musician is sitting down, out of focus, playing the drums.]
    Caption Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of two performers on stage. The musician on the left is in profile, standing up, while playing the guitar. On the right side of the frame a musician is sitting down, out of focus, playing the drums.
    Year
    Related pages Abasement #76
  • Color photograph of a figure dressed in all white, dancing in a corridor bathed in red light.
    Color photograph of a figure dressed in all white, dancing in a corridor bathed in red light.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in all white, dancing in a corridor bathed in red light.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure dressed in all white, dancing in a corridor bathed in red light.
    Year 2022
    Related pages keyon gaskin 12-14
  • On the right, a figure speaking into a microphone appears to be in conversation with two humanoid blue birds.
    On the right, a figure speaking into a microphone appears to be in conversation with two humanoid blue birds.
    Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court [On the right, a figure speaking into a microphone appears to be in conversation with two humanoid blue birds.]
    Caption Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court
    Image description On the right, a figure speaking into a microphone appears to be in conversation with two humanoid blue birds.
    Year 2022
    Related pages Circus Amok
  • Eight pieces of paper with text in various languages arranged in a grid.
    Eight pieces of paper with text in various languages arranged in a grid.
    [Eight pieces of paper with text in various languages arranged in a grid.]
    Caption
    Image description Eight pieces of paper with text in various languages arranged in a grid.
    Year
    Related pages Mute Inglorious Nabokovs
  • A color photograph of a figure standing behind audio mixing equipment and a microphone in an orange-lit space. A seated observer watches in the foreground.
    A color photograph of a figure standing behind audio mixing equipment and a microphone in an orange-lit space. A seated observer watches in the foreground.
    Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure standing behind audio mixing equipment and a microphone in an orange-lit space. A seated observer watches in the foreground.]
    Caption Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space.
    Image description A color photograph of a figure standing behind audio mixing equipment and a microphone in an orange-lit space. A seated observer watches in the foreground.
    Year 2022
    Related pages Yuji Agematsu
  • Black-and-white image of nine figures sitting around a small table. One figure is playing a hand drum while the others chat and smoke.
    Black-and-white image of nine figures sitting around a small table. One figure is playing a hand drum while the others chat and smoke.
    Michio Okabe, Crazy Love, 1968 [Black-and-white image of nine figures sitting around a small table. One figure is playing a hand drum while the others chat and smoke.]
    Caption Michio Okabe, Crazy Love, 1968
    Image description Black-and-white image of nine figures sitting around a small table. One figure is playing a hand drum while the others chat and smoke.
    Year
    Related pages Yasunao Tone Film Screening #1
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • A person dressed in all pink holds a colorful heart-shaped canvas in her right hand while extending her left arm in the air. She is surrounded by rapt audience, who carefully track her movements.
    A person dressed in all pink holds a colorful heart-shaped canvas in her right hand while extending her left arm in the air. She is surrounded by rapt audience, who carefully track her movements.
    Jutta Koether, xxapollo. Performance documentation, Artists Space, January 5, 2020. Photo © Paula Court. [A person dressed in all pink holds a colorful heart-shaped canvas in her right hand while extending her left arm in the air. She is surrounded by rapt audience, who carefully track her movements.]
    Caption Jutta Koether, xxapollo. Performance documentation, Artists Space, January 5, 2020. Photo © Paula Court.
    Image description A person dressed in all pink holds a colorful heart-shaped canvas in her right hand while extending her left arm in the air. She is surrounded by rapt audience, who carefully track her movements.
    Year 2020
    Related pages
  • A long rectangular wooden table with three TV monitors facing outwards on different sides. Six small wooden seats with wired headphones resting on them are arranged in front of the monitors. One visible screen displays an image of a man sitting at a table.
    A long rectangular wooden table with three TV monitors facing outwards on different sides. Six small wooden seats with wired headphones resting on them are arranged in front of the monitors. One visible screen displays an image of a man sitting at a table.
    Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A long rectangular wooden table with three TV monitors facing outwards on different sides. Six small wooden seats with wired headphones resting on them are arranged in front of the monitors. One visible screen displays an image of a man sitting at a table.]
    Caption Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A long rectangular wooden table with three TV monitors facing outwards on different sides. Six small wooden seats with wired headphones resting on them are arranged in front of the monitors. One visible screen displays an image of a man sitting at a table.
    Year 2011
    Related pages Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979)
  • A profile of a man in a jacket on a gray and white background. Painted streaks of color are superimposed over the man's profile. The whole image is slightly blurry.
    A profile of a man in a jacket on a gray and white background. Painted streaks of color are superimposed over the man's profile. The whole image is slightly blurry.
    Establishing Shot. Installation view, Artists Space, 2004. [A profile of a man in a jacket on a gray and white background. Painted streaks of color are superimposed over the man's profile. The whole image is slightly blurry.]
    Caption Establishing Shot. Installation view, Artists Space, 2004.
    Image description A profile of a man in a jacket on a gray and white background. Painted streaks of color are superimposed over the man's profile. The whole image is slightly blurry.
    Year 2004
    Related pages Establishing Shot
  • A black and white photograph of a painting of a pastoral landscape with trees and a waterway.
    A black and white photograph of a painting of a pastoral landscape with trees and a waterway.
    Bill Benway, The Bath of Hercules in the Love Canal, 1986. [A black and white photograph of a painting of a pastoral landscape with trees and a waterway.]
    Caption Bill Benway, The Bath of Hercules in the Love Canal, 1986.
    Image description A black and white photograph of a painting of a pastoral landscape with trees and a waterway.
    Year
    Related pages Recent Art from Chicago
  • Along the gallery wall from left to right is an assemblage scultpure of found objects ranging from lightbulbs to racoon tails. To the right is a sculpture of chicken wings dangling from the wall. Further along is an offwhite square nearly flush with the wall. And on the floor sits a chair adorned with cloth and green onion.
    Along the gallery wall from left to right is an assemblage scultpure of found objects ranging from lightbulbs to racoon tails. To the right is a sculpture of chicken wings dangling from the wall. Further along is an offwhite square nearly flush with the wall. And on the floor sits a chair adorned with cloth and green onion.
    LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon [Along the gallery wall from left to right is an assemblage scultpure of found objects ranging from lightbulbs to racoon tails. To the right is a sculpture of chicken wings dangling from the wall. Further along is an offwhite square nearly flush with the wall. And on the floor sits a chair adorned with cloth and green onion.]
    Caption LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description Along the gallery wall from left to right is an assemblage scultpure of found objects ranging from lightbulbs to racoon tails. To the right is a sculpture of chicken wings dangling from the wall. Further along is an offwhite square nearly flush with the wall. And on the floor sits a chair adorned with cloth and green onion.
    Year 2025
    Related pages Arnold J. Kemp
  • A pink pamphlet with black text announcing
    A pink pamphlet with black text announcing
    [A pink pamphlet with black text announcing "Artists Space Presents: PUTT-MODERNISM", an "artist created 18-hole fully playable minature golf course." There is an illustrated map showing the location of the event, and additional printed information on the location and hours.]
    Caption
    Image description A pink pamphlet with black text announcing "Artists Space Presents: PUTT-MODERNISM", an "artist created 18-hole fully playable minature golf course." There is an illustrated map showing the location of the event, and additional printed information on the location and hours.
    Year 1994
    Related pages Putt-Modernism (Fulton Market)
  • A woman uses a shovel to dig a shallow rectangular pit in a grassy field. Four burlap sacks filled with earth lay to the left side.
    A woman uses a shovel to dig a shallow rectangular pit in a grassy field. Four burlap sacks filled with earth lay to the left side.
    Catalina Parra, Fosa común, 1984. Installation at Art Awareness Gallery, Lexington, New York, USA. Courtesy Archive, Catalina Parra, New York. [A woman uses a shovel to dig a shallow rectangular pit in a grassy field. Four burlap sacks filled with earth lay to the left side.]
    Caption Catalina Parra, Fosa común, 1984. Installation at Art Awareness Gallery, Lexington, New York, USA. Courtesy Archive, Catalina Parra, New York.
    Image description A woman uses a shovel to dig a shallow rectangular pit in a grassy field. Four burlap sacks filled with earth lay to the left side.
    Year 1984
    Related pages Whitney ISP Archive
  • Color photograph of a figure seated behind a white desk filled with audio equipment. On the wall behind is a projected illustation of a figure holding a bow and arrow. The room is bathed in an orange/red light.
    Color photograph of a figure seated behind a white desk filled with audio equipment. On the wall behind is a projected illustation of a figure holding a bow and arrow. The room is bathed in an orange/red light.
    Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color photograph of a figure seated behind a white desk filled with audio equipment. On the wall behind is a projected illustation of a figure holding a bow and arrow. The room is bathed in an orange/red light.]
    Caption Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a figure seated behind a white desk filled with audio equipment. On the wall behind is a projected illustation of a figure holding a bow and arrow. The room is bathed in an orange/red light.
    Year 2023
    Related pages Yasunao Tone Concert #2
  • Anelisse, Secrets and Lies, 2020, acrylic paint on paper
    Caption Anelisse, Secrets and Lies, 2020, acrylic paint on paper
    Image description
    Year
    Related pages ARTstudio
  • Dolls and other sculptural items appea on the wall and the floor along with text in a gallery setting.
    Dolls and other sculptural items appea on the wall and the floor along with text in a gallery setting.
    We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [Dolls and other sculptural items appea on the wall and the floor along with text in a gallery setting.]
    Caption We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
    Image description Dolls and other sculptural items appea on the wall and the floor along with text in a gallery setting.
    Year
    Related pages We the People
  • Photograph of a well-lit gallery space at the bottom of a staircase, with a glass vitrine on the left wall containing ephemera.
    Photograph of a well-lit gallery space at the bottom of a staircase, with a glass vitrine on the left wall containing ephemera.
    Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo. [Photograph of a well-lit gallery space at the bottom of a staircase, with a glass vitrine on the left wall containing ephemera.]
    Caption Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo.
    Image description Photograph of a well-lit gallery space at the bottom of a staircase, with a glass vitrine on the left wall containing ephemera.
    Year 2023
    Related pages Whitney Independent Study: Clocking Out: Time Beyond Management
  • A close up black and white image of multiple paintings hanging on a white wall and a sculpture occupying the gallery floor.
    A close up black and white image of multiple paintings hanging on a white wall and a sculpture occupying the gallery floor.
    Installation view from Annual Selections Show, Artists Space, 1985 [A close up black and white image of multiple paintings hanging on a white wall and a sculpture occupying the gallery floor.]
    Caption Installation view from Annual Selections Show, Artists Space, 1985
    Image description A close up black and white image of multiple paintings hanging on a white wall and a sculpture occupying the gallery floor.
    Year
    Related pages Annual Selections Show
  • Black and white photograph of three, geometric metal structures sitting on a wide, outdoor concrete plaza. One of the metal structures is situated in the center of the photograph, while the additional two sit behind it, flanking it on either side. The structures are composed of hollow cube-like and triangular components.
    Black and white photograph of three, geometric metal structures sitting on a wide, outdoor concrete plaza. One of the metal structures is situated in the center of the photograph, while the additional two sit behind it, flanking it on either side. The structures are composed of hollow cube-like and triangular components.
    Charlotte Posenenske, Series D Vierkantrohre (Square Tubes), 1967. Galvanized sheet steel, dimensions variable. Photo: Burkhard Brunn. [Black and white photograph of three, geometric metal structures sitting on a wide, outdoor concrete plaza. One of the metal structures is situated in the center of the photograph, while the additional two sit behind it, flanking it on either side. The structures are composed of hollow cube-like and triangular components.]
    Caption Charlotte Posenenske, Series D Vierkantrohre (Square Tubes), 1967. Galvanized sheet steel, dimensions variable. Photo: Burkhard Brunn.
    Image description Black and white photograph of three, geometric metal structures sitting on a wide, outdoor concrete plaza. One of the metal structures is situated in the center of the photograph, while the additional two sit behind it, flanking it on either side. The structures are composed of hollow cube-like and triangular components.
    Year 1967
    Related pages Charlotte Posenenske
  • Several students sit, looking down towards printed sheets of paper, in front of colorful silk banners with writing stating
    Several students sit, looking down towards printed sheets of paper, in front of colorful silk banners with writing stating
    YAP (Young Artists Perform), P.S. 140, 2018 [Several students sit, looking down towards printed sheets of paper, in front of colorful silk banners with writing stating "Your dreams can become a reality," "like a cheetah in a snail's race," "bridge can just go like boom bom boom BOOM," "I see a light it's so BRIGHT -Destiny" and others.\]
    Caption YAP (Young Artists Perform), P.S. 140, 2018
    Image description Several students sit, looking down towards printed sheets of paper, in front of colorful silk banners with writing stating "Your dreams can become a reality," "like a cheetah in a snail's race," "bridge can just go like boom bom boom BOOM," "I see a light it's so BRIGHT -Destiny" and others.\
    Year 2018
    Related pages Exhibitions and Events
  • The word
    The word
    Enough Tiranny Recalled, 1972–2009. Installation view, Artists Space, 2009. Photo: Daniel Pérez. [The word "TIRANNY" is handwritten in block letters on a wall. In front of it, there is a low-hanging disco ball, surrounded by various objects set on the floor, including a vase with flowers, a silver ball, a brown box, and more. The room is lit with a green hue.]
    Caption Enough Tiranny Recalled, 1972–2009. Installation view, Artists Space, 2009. Photo: Daniel Pérez.
    Image description The word "TIRANNY" is handwritten in block letters on a wall. In front of it, there is a low-hanging disco ball, surrounded by various objects set on the floor, including a vase with flowers, a silver ball, a brown box, and more. The room is lit with a green hue.
    Year 2009
    Related pages Marc Camille Chaimowicz: Enough Tiranny Recalled, 1972 – 2009
  • Two figures wearing medical scrubs stand across from each other, with a table with a mannequin on it in the middle.
    Two figures wearing medical scrubs stand across from each other, with a table with a mannequin on it in the middle.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [Two figures wearing medical scrubs stand across from each other, with a table with a mannequin on it in the middle.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court
    Image description Two figures wearing medical scrubs stand across from each other, with a table with a mannequin on it in the middle.
    Year 2022
    Related pages Grandmother Cindy
  • A figure performs on stage behind a table with audio equipment and holds an audio box to their mouth.
    A figure performs on stage behind a table with audio equipment and holds an audio box to their mouth.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure performs on stage behind a table with audio equipment and holds an audio box to their mouth.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure performs on stage behind a table with audio equipment and holds an audio box to their mouth.
    Year 2022
    Related pages Abasement #61
  • A red grid of punched-out circles overlays a background of yellow, orange, white, and black rectangles.
    A red grid of punched-out circles overlays a background of yellow, orange, white, and black rectangles.
    Murray Reich. Zapping for Zeke, 1988. [A red grid of punched-out circles overlays a background of yellow, orange, white, and black rectangles.]
    Caption Murray Reich. Zapping for Zeke, 1988.
    Image description A red grid of punched-out circles overlays a background of yellow, orange, white, and black rectangles.
    Year 1988
    Related pages Shirley Jaffe and Murray Reich
  • Caption
    Image description
    Year
    Related pages Segue Reading Series
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A color photo of the first room in the exhibition. To the left, a wooden high-top bar holds a cash register, a lamp and a book. Three high-top stools are lined up in front of the bar. A large drawing done in BLANK on cardboard hangs above the bar. To the right, a grey metal bookshelf holds books, bags of rice and flour, Wonder bread, toliet paper, q-tips and soap. Next to the bookshelf a yellow produce scale hangs from the ceiling holding bubble wrap. The back wall is painted green, appears like the walls used in construction projects, with a hand-painted sign that reads: Dorothy Porter Wesley: The Negro in the United States, A Selected Bibliography.
    A color photo of the first room in the exhibition. To the left, a wooden high-top bar holds a cash register, a lamp and a book. Three high-top stools are lined up in front of the bar. A large drawing done in BLANK on cardboard hangs above the bar. To the right, a grey metal bookshelf holds books, bags of rice and flour, Wonder bread, toliet paper, q-tips and soap. Next to the bookshelf a yellow produce scale hangs from the ceiling holding bubble wrap. The back wall is painted green, appears like the walls used in construction projects, with a hand-painted sign that reads: Dorothy Porter Wesley: The Negro in the United States, A Selected Bibliography.
    Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color photo of the first room in the exhibition. To the left, a wooden high-top bar holds a cash register, a lamp and a book. Three high-top stools are lined up in front of the bar. A large drawing done in BLANK on cardboard hangs above the bar. To the right, a grey metal bookshelf holds books, bags of rice and flour, Wonder bread, toliet paper, q-tips and soap. Next to the bookshelf a yellow produce scale hangs from the ceiling holding bubble wrap. The back wall is painted green, appears like the walls used in construction projects, with a hand-painted sign that reads: Dorothy Porter Wesley: The Negro in the United States, A Selected Bibliography.]
    Caption Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color photo of the first room in the exhibition. To the left, a wooden high-top bar holds a cash register, a lamp and a book. Three high-top stools are lined up in front of the bar. A large drawing done in BLANK on cardboard hangs above the bar. To the right, a grey metal bookshelf holds books, bags of rice and flour, Wonder bread, toliet paper, q-tips and soap. Next to the bookshelf a yellow produce scale hangs from the ceiling holding bubble wrap. The back wall is painted green, appears like the walls used in construction projects, with a hand-painted sign that reads: Dorothy Porter Wesley: The Negro in the United States, A Selected Bibliography.
    Year
    Related pages Char Jeré: Zoo or an Orchestra
  • Six people are seated and lounging in a digitally rendered landscape.
    Six people are seated and lounging in a digitally rendered landscape.
    Superstudio, still from Supersurface: An Alternative Model For Life On The Earth, 1972. 26min. [Six people are seated and lounging in a digitally rendered landscape.]
    Caption Superstudio, still from Supersurface: An Alternative Model For Life On The Earth, 1972. 26min.
    Image description Six people are seated and lounging in a digitally rendered landscape.
    Year 1972
    Related pages Film and Video Program | Macho Man, Tell It To My Heart: Collected by Julie Ault | February 13
  • A geometric metal sculpture against a blank, white background. The sculpture is composed of four identical components, each with two triangular spikes extending upwards or downwards. Each of the components is hollow, and the interior of the sculpture can be glimpsed from its side.
    A geometric metal sculpture against a blank, white background. The sculpture is composed of four identical components, each with two triangular spikes extending upwards or downwards. Each of the components is hollow, and the interior of the sculpture can be glimpsed from its side.
    Charlotte Posenenske, Series D Vierkantrohre (Square Tubes), 1967. Galvanized sheet steel, dimensions variable. [A geometric metal sculpture against a blank, white background. The sculpture is composed of four identical components, each with two triangular spikes extending upwards or downwards. Each of the components is hollow, and the interior of the sculpture can be glimpsed from its side.]
    Caption Charlotte Posenenske, Series D Vierkantrohre (Square Tubes), 1967. Galvanized sheet steel, dimensions variable.
    Image description A geometric metal sculpture against a blank, white background. The sculpture is composed of four identical components, each with two triangular spikes extending upwards or downwards. Each of the components is hollow, and the interior of the sculpture can be glimpsed from its side.
    Year 2010
    Related pages Charlotte Posenenske
  • Several sculptures and models sit in a gallery space with wooden floors. To the left of the image, there are several shining metalic forms supported by long, spider-like legs standing at hip height. On the image's right is a large model of a futuristic building. Hanging from the ceiling behind the metal sculptures is a shiny, white rectangular sculpture with sleek, ribbon-like forms.
    Several sculptures and models sit in a gallery space with wooden floors. To the left of the image, there are several shining metalic forms supported by long, spider-like legs standing at hip height. On the image's right is a large model of a futuristic building. Hanging from the ceiling behind the metal sculptures is a shiny, white rectangular sculpture with sleek, ribbon-like forms.
    Matters of Sensation. Installation view, Artists Space, 2008. Photo: Adam Reich. [Several sculptures and models sit in a gallery space with wooden floors. To the left of the image, there are several shining metalic forms supported by long, spider-like legs standing at hip height. On the image's right is a large model of a futuristic building. Hanging from the ceiling behind the metal sculptures is a shiny, white rectangular sculpture with sleek, ribbon-like forms.]
    Caption Matters of Sensation. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description Several sculptures and models sit in a gallery space with wooden floors. To the left of the image, there are several shining metalic forms supported by long, spider-like legs standing at hip height. On the image's right is a large model of a futuristic building. Hanging from the ceiling behind the metal sculptures is a shiny, white rectangular sculpture with sleek, ribbon-like forms.
    Year 2008
    Related pages Matters of Sensation
  • A faded image of a silhouette holding an umbrella outdoors
    A faded image of a silhouette holding an umbrella outdoors
    Jack Smith, still from Yellow Sequence, 1963. 16mm, (sound, color), 20 minutes. [A faded image of a silhouette holding an umbrella outdoors]
    Caption Jack Smith, still from Yellow Sequence, 1963. 16mm, (sound, color), 20 minutes.
    Image description A faded image of a silhouette holding an umbrella outdoors
    Year 1963
    Related pages The Great Pasty Triumph
  • Circular bricolage sculpture in a white-walled gallery space.
    Circular bricolage sculpture in a white-walled gallery space.
    Lizbeth Marano. Third Circle, 1985. [Circular bricolage sculpture in a white-walled gallery space.]
    Caption Lizbeth Marano. Third Circle, 1985.
    Image description Circular bricolage sculpture in a white-walled gallery space.
    Year
    Related pages Four Artists: An Exhibition of Painting and Sculpture
  • Abstract painting of two people sitting at a table, having a conversation.
    Abstract painting of two people sitting at a table, having a conversation.
    Avery Singer, The Studio Visit, 2012. Courtesy the artist and Gavin Brown's enterprise, New York/Rome and Kraupa-Tuskany Zeidler, Berlin. [Abstract painting of two people sitting at a table, having a conversation.]
    Caption Avery Singer, The Studio Visit, 2012. Courtesy the artist and Gavin Brown's enterprise, New York/Rome and Kraupa-Tuskany Zeidler, Berlin.
    Image description Abstract painting of two people sitting at a table, having a conversation.
    Year 2012
    Related pages The Love of Painting
  • A color image of a gallery space. In the corner of a gallery space, a taxidermied crow is perched atop an iron axe that is decorated with bottle caps. The crow and the iron axe are placed upon a tall pedestal about four feet tall, so that the crow is at, or above the viewers eye level. Entangled in the birds feathers and wings are strands of black hair.
    A color image of a gallery space. In the corner of a gallery space, a taxidermied crow is perched atop an iron axe that is decorated with bottle caps. The crow and the iron axe are placed upon a tall pedestal about four feet tall, so that the crow is at, or above the viewers eye level. Entangled in the birds feathers and wings are strands of black hair.
    Andy Robert, Favorite Perch, 2023. Taxidermy crow, hair, bottle caps, iron nails, iron axe. Image courtesy Artists Space, New York. Photo: Carter Seddon. [A color image of a gallery space. In the corner of a gallery space, a taxidermied crow is perched atop an iron axe that is decorated with bottle caps. The crow and the iron axe are placed upon a tall pedestal about four feet tall, so that the crow is at, or above the viewers eye level. Entangled in the birds feathers and wings are strands of black hair.]
    Caption Andy Robert, Favorite Perch, 2023. Taxidermy crow, hair, bottle caps, iron nails, iron axe. Image courtesy Artists Space, New York. Photo: Carter Seddon.
    Image description A color image of a gallery space. In the corner of a gallery space, a taxidermied crow is perched atop an iron axe that is decorated with bottle caps. The crow and the iron axe are placed upon a tall pedestal about four feet tall, so that the crow is at, or above the viewers eye level. Entangled in the birds feathers and wings are strands of black hair.
    Year
    Related pages Andy Robert: Papaloko
  • Three figures stand in front of a large banner bearing a portrait.
    Three figures stand in front of a large banner bearing a portrait.
    Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court [Three figures stand in front of a large banner bearing a portrait.]
    Caption Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court
    Image description Three figures stand in front of a large banner bearing a portrait.
    Year 2022
    Related pages Circus Amok
  • A figure to the left plays the saxophone while another figure sitting in the middle of the frame watches with a guitar in his lap, another figure in the back right plays the bass.
    A figure to the left plays the saxophone while another figure sitting in the middle of the frame watches with a guitar in his lap, another figure in the back right plays the bass.
    Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure to the left plays the saxophone while another figure sitting in the middle of the frame watches with a guitar in his lap, another figure in the back right plays the bass.]
    Caption Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure to the left plays the saxophone while another figure sitting in the middle of the frame watches with a guitar in his lap, another figure in the back right plays the bass.
    Year 2022
    Related pages Tisziji Muñoz with Francisco Mora Catlett and AfroHORN
  • Color image of a dark room, illuminated only by a projection of blue and orange amorphous shapes on a wall. The shadow of a table with dj equipment and gear is cast against the colorful projected image.
    Color image of a dark room, illuminated only by a projection of blue and orange amorphous shapes on a wall. The shadow of a table with dj equipment and gear is cast against the colorful projected image.
    Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman. [Color image of a dark room, illuminated only by a projection of blue and orange amorphous shapes on a wall. The shadow of a table with dj equipment and gear is cast against the colorful projected image.]
    Caption Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a dark room, illuminated only by a projection of blue and orange amorphous shapes on a wall. The shadow of a table with dj equipment and gear is cast against the colorful projected image.
    Year
    Related pages Abasement #63
  • Magazine cut-outs and ink drawings are collaged together on a background of yellow, pink, and orange paper. A piece of green paper at the bottom reads
    Magazine cut-outs and ink drawings are collaged together on a background of yellow, pink, and orange paper. A piece of green paper at the bottom reads
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of yellow, pink, and orange paper. A piece of green paper at the bottom reads "A/BA/SEME/N/T." Other pieces of typewritten text list the performers and event details.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a background of yellow, pink, and orange paper. A piece of green paper at the bottom reads "A/BA/SEME/N/T." Other pieces of typewritten text list the performers and event details.
    Year
    Related pages Abasement #72
  • A dark illustration featuring a small, white dog at the composition's lower left edge. A black, inky background vaguely resembling a forest surrounds the dog, who pauses mid stride to glance behind itself.
    A dark illustration featuring a small, white dog at the composition's lower left edge. A black, inky background vaguely resembling a forest surrounds the dog, who pauses mid stride to glance behind itself.
    [A dark illustration featuring a small, white dog at the composition's lower left edge. A black, inky background vaguely resembling a forest surrounds the dog, who pauses mid stride to glance behind itself.]
    Caption
    Image description A dark illustration featuring a small, white dog at the composition's lower left edge. A black, inky background vaguely resembling a forest surrounds the dog, who pauses mid stride to glance behind itself.
    Year 1992
    Related pages I Thought I Had Time
  • A low futon couch on a wooden platform with multicolored pillows is fit into the corner of a room with two windows. There is a short table with two placemats and brochures, and a television. In the foreground, there is a white plinth with a glass top housing an orange object.
    A low futon couch on a wooden platform with multicolored pillows is fit into the corner of a room with two windows. There is a short table with two placemats and brochures, and a television. In the foreground, there is a white plinth with a glass top housing an orange object.
    The columns held us up. Installation view, Artists Space, 2009. Photo: Adam Reich. [A low futon couch on a wooden platform with multicolored pillows is fit into the corner of a room with two windows. There is a short table with two placemats and brochures, and a television. In the foreground, there is a white plinth with a glass top housing an orange object.]
    Caption The columns held us up. Installation view, Artists Space, 2009. Photo: Adam Reich.
    Image description A low futon couch on a wooden platform with multicolored pillows is fit into the corner of a room with two windows. There is a short table with two placemats and brochures, and a television. In the foreground, there is a white plinth with a glass top housing an orange object.
    Year 2009
    Related pages The columns held us up
  • View of two white gallery walls featuring small framed works on paper, each featuring abstract calligraphic ink drawings.
    View of two white gallery walls featuring small framed works on paper, each featuring abstract calligraphic ink drawings.
    Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [View of two white gallery walls featuring small framed works on paper, each featuring abstract calligraphic ink drawings.]
    Caption Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description View of two white gallery walls featuring small framed works on paper, each featuring abstract calligraphic ink drawings.
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • A book shelf displays paper documents containing black and white images. Above, smaller documents, and a similar paper displayed in a white frame.
    A book shelf displays paper documents containing black and white images. Above, smaller documents, and a similar paper displayed in a white frame.
    Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A book shelf displays paper documents containing black and white images. Above, smaller documents, and a similar paper displayed in a white frame.]
    Caption Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A book shelf displays paper documents containing black and white images. Above, smaller documents, and a similar paper displayed in a white frame.
    Year 2013
    Related pages Documenting Cadere: 1972 - 1978
  • A black and white photograph of a gallery space. On the left, a window casts soft light onto a table and two chairs. On the right, a television monitor is positioned on a low bench.
    A black and white photograph of a gallery space. On the left, a window casts soft light onto a table and two chairs. On the right, a television monitor is positioned on a low bench.
    Artists Performance Series. Installation view, Artists Space, 1977. [A black and white photograph of a gallery space. On the left, a window casts soft light onto a table and two chairs. On the right, a television monitor is positioned on a low bench.]
    Caption Artists Performance Series. Installation view, Artists Space, 1977.
    Image description A black and white photograph of a gallery space. On the left, a window casts soft light onto a table and two chairs. On the right, a television monitor is positioned on a low bench.
    Year 1977
    Related pages Artists Performance Series
  • A view of two rows of red-eyed, cardboard cutout, police officers with sashes that read
    A view of two rows of red-eyed, cardboard cutout, police officers with sashes that read
    ART CLUB2000 Untitled (Punishing Enforcers of an Oppressive Regime), 1998 Eight printed cardboard standees, satin sashes, and LED lights Image courtesy Artists Space, New York Photo: Filip Wolak [A view of two rows of red-eyed, cardboard cutout, police officers with sashes that read "Punishing Enforcers of an Oppressive Regime." A blue police light sits in the corner of the red lit room.]
    Caption ART CLUB2000 Untitled (Punishing Enforcers of an Oppressive Regime), 1998 Eight printed cardboard standees, satin sashes, and LED lights Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A view of two rows of red-eyed, cardboard cutout, police officers with sashes that read "Punishing Enforcers of an Oppressive Regime." A blue police light sits in the corner of the red lit room.
    Year 2021
    Related pages ART CLUB2000
  • A display case presents ten clear small boxes, each filled with various liquids and items. Some contain liquid mercury, disassembled toy parts, newsprint images, and temporary tattoos on silly putty.
    A display case presents ten clear small boxes, each filled with various liquids and items. Some contain liquid mercury, disassembled toy parts, newsprint images, and temporary tattoos on silly putty.
    Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon. [A display case presents ten clear small boxes, each filled with various liquids and items. Some contain liquid mercury, disassembled toy parts, newsprint images, and temporary tattoos on silly putty. ]
    Caption Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon.
    Image description A display case presents ten clear small boxes, each filled with various liquids and items. Some contain liquid mercury, disassembled toy parts, newsprint images, and temporary tattoos on silly putty.
    Year
    Related pages Ralston Farina: Time // Time
  • A brown paper bag, placed on a shelf at an angle, an illustration, in colored pencil, of a man wearing a ten-gallon hat, in which his strands of black hair stick out from the bottom. A graphic that reads,
    A brown paper bag, placed on a shelf at an angle, an illustration, in colored pencil, of a man wearing a ten-gallon hat, in which his strands of black hair stick out from the bottom. A graphic that reads,
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A brown paper bag, placed on a shelf at an angle, an illustration, in colored pencil, of a man wearing a ten-gallon hat, in which his strands of black hair stick out from the bottom. A graphic that reads, "Pioneer," across his hat. In the background and the side of the bag are small detailed multicolored line patterns. A single cannabis leaf, facing sideways amongst the line pattern.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A brown paper bag, placed on a shelf at an angle, an illustration, in colored pencil, of a man wearing a ten-gallon hat, in which his strands of black hair stick out from the bottom. A graphic that reads, "Pioneer," across his hat. In the background and the side of the bag are small detailed multicolored line patterns. A single cannabis leaf, facing sideways amongst the line pattern.
    Year 2017
    Related pages Unholding
  • An image of a projection in a dark room above a glass display case holding ephemera.
    An image of a projection in a dark room above a glass display case holding ephemera.
    Till They Listen: Bill Gunn Directs America. Installation view, c. 1973, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [An image of a projection in a dark room above a glass display case holding ephemera.]
    Caption Till They Listen: Bill Gunn Directs America. Installation view, c. 1973, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description An image of a projection in a dark room above a glass display case holding ephemera.
    Year 2021
    Related pages Till They Listen: Bill Gunn Directs America
  • Along the wall are two glass display cases filled with ephemera, in the center of them, three images hang on the wall.
    Along the wall are two glass display cases filled with ephemera, in the center of them, three images hang on the wall.
    Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [Along the wall are two glass display cases filled with ephemera, in the center of them, three images hang on the wall.]
    Caption Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description Along the wall are two glass display cases filled with ephemera, in the center of them, three images hang on the wall.
    Year 2021
    Related pages Till They Listen: Bill Gunn Directs America
  • Camila, watercolor, acrylic and hand stamping, 2024
    Caption Camila, watercolor, acrylic and hand stamping, 2024
    Image description
    Year
    Related pages ARTstudio
  • A color photo of three individuals smiling and posing together in an embrace for the camera. Other individuals engage with each other in the background of a dimly lit space.
    A color photo of three individuals smiling and posing together in an embrace for the camera. Other individuals engage with each other in the background of a dimly lit space.
    Friends of Artists Space Annual Dinner, 2018. [A color photo of three individuals smiling and posing together in an embrace for the camera. Other individuals engage with each other in the background of a dimly lit space.]
    Caption Friends of Artists Space Annual Dinner, 2018.
    Image description A color photo of three individuals smiling and posing together in an embrace for the camera. Other individuals engage with each other in the background of a dimly lit space.
    Year 2018
    Related pages Support
  • One figure stands in a small square construction waist high and a nearby child stands inside another square construction with their head peeking out at the other figure. A figure stands behind them by a washbasin with clothes hanging from a clothesline in front of them. Bushes and trees appear behind them along with another edifice in the background. Video scan lines and black edges of CRT monitor are visible.
    One figure stands in a small square construction waist high and a nearby child stands inside another square construction with their head peeking out at the other figure. A figure stands behind them by a washbasin with clothes hanging from a clothesline in front of them. Bushes and trees appear behind them along with another edifice in the background. Video scan lines and black edges of CRT monitor are visible.
    Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart), 1983. Video (sound, black and white). Spanish with English subtitles. [One figure stands in a small square construction waist high and a nearby child stands inside another square construction with their head peeking out at the other figure. A figure stands behind them by a washbasin with clothes hanging from a clothesline in front of them. Bushes and trees appear behind them along with another edifice in the background. Video scan lines and black edges of CRT monitor are visible.]
    Caption Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart), 1983. Video (sound, black and white). Spanish with English subtitles.
    Image description One figure stands in a small square construction waist high and a nearby child stands inside another square construction with their head peeking out at the other figure. A figure stands behind them by a washbasin with clothes hanging from a clothesline in front of them. Bushes and trees appear behind them along with another edifice in the background. Video scan lines and black edges of CRT monitor are visible.
    Year 1983
    Related pages TV Sandino
  • Magenta pink background with black text that reads,
    Magenta pink background with black text that reads,
    Jenny Holzer. Poster, 1982. [Magenta pink background with black text that reads, "YOU GET AMAZING SENSATIONS FROM GUNS. YOU GET RESULTS FROM GUNS. MAN IS AN AGRESSIVE ANIMAL; YOU HAVE TO HAVE A GOOD OFFENSE AND A GOOD DEFENSE. TOO MANY CITIZENS THINK THEY ARE HELPLESS. THEY LEAVE EVERYTHING TO THE AUTHORITIES AND THIS CAUSES CORRUPTION. RESPONSIBILITY SHOULD GO BACK WHERE IT BELONGS. IT IS YOUR LIFE SO TAKE CONTROL AND FEEL VITAL. THERE MAY BE SOME ACCIDENTS ALONG THE PATH TO SELF-EXPRESSION AND SELF DETERMINATION. SOME INNOCENT PEOPLE WILL BE HURT. HOWEVER, G-U-N SPELLS PRIDE TO THE STRONG, SAFETY TO THE WEAK AND HOPE TO THE HOPELESS. GUNS MAKE WRONG RIGHT FAST."]
    Caption Jenny Holzer. Poster, 1982.
    Image description Magenta pink background with black text that reads, "YOU GET AMAZING SENSATIONS FROM GUNS. YOU GET RESULTS FROM GUNS. MAN IS AN AGRESSIVE ANIMAL; YOU HAVE TO HAVE A GOOD OFFENSE AND A GOOD DEFENSE. TOO MANY CITIZENS THINK THEY ARE HELPLESS. THEY LEAVE EVERYTHING TO THE AUTHORITIES AND THIS CAUSES CORRUPTION. RESPONSIBILITY SHOULD GO BACK WHERE IT BELONGS. IT IS YOUR LIFE SO TAKE CONTROL AND FEEL VITAL. THERE MAY BE SOME ACCIDENTS ALONG THE PATH TO SELF-EXPRESSION AND SELF DETERMINATION. SOME INNOCENT PEOPLE WILL BE HURT. HOWEVER, G-U-N SPELLS PRIDE TO THE STRONG, SAFETY TO THE WEAK AND HOPE TO THE HOPELESS. GUNS MAKE WRONG RIGHT FAST."
    Year
    Related pages Eating Friends
  • Wiljer, Randol and Aytor, Pico Duarte, acrylic paint on paper, 2024
    Caption Wiljer, Randol and Aytor, Pico Duarte, acrylic paint on paper, 2024
    Image description
    Year
    Related pages Threads of History
  • An all-over black and white pattern of
    An all-over black and white pattern of
    Karl Holmqvist, oxoxbox, 2012, Bespoke archival box wrapped in cotton book cloth with silkscreen, 24 1/2 x 20 1/2 x 1 1/2 inches, Signed and numbered certificate [An all-over black and white pattern of "oxox"]
    Caption Karl Holmqvist, oxoxbox, 2012, Bespoke archival box wrapped in cotton book cloth with silkscreen, 24 1/2 x 20 1/2 x 1 1/2 inches, Signed and numbered certificate
    Image description An all-over black and white pattern of "oxox"
    Year 2014
    Related pages Artists Space Annual Edition Portfolio 2013
  • An animation of a black and white clock whose hands move backwards. The clock is positioned on a silhouette of a head in profile. Sans-serif text below the graphic reads,
    An animation of a black and white clock whose hands move backwards. The clock is positioned on a silhouette of a head in profile. Sans-serif text below the graphic reads,
    [An animation of a black and white clock whose hands move backwards. The clock is positioned on a silhouette of a head in profile. Sans-serif text below the graphic reads, "The Fainnie Azul Horologe."]
    Caption
    Image description An animation of a black and white clock whose hands move backwards. The clock is positioned on a silhouette of a head in profile. Sans-serif text below the graphic reads, "The Fainnie Azul Horologe."
    Year 2014
    Related pages HOROLOGICS
  • Caption
    Image description
    Year
    Related pages Abasement #77
  • A black and white image of a painting. Two triangular shapes are painted on either side of the canvas. The hypotenuse of each triangle is tiered, appearing like stairs. The space between the triangles is painted in a darker shade.
    A black and white image of a painting. Two triangular shapes are painted on either side of the canvas. The hypotenuse of each triangle is tiered, appearing like stairs. The space between the triangles is painted in a darker shade.
    Fontaine Dunn, Untitled, 1976. From Gary Bower, Fontaine Dunn, Hermine Ford</>, Artists Space, 1976. [A black and white image of a painting. Two triangular shapes are painted on either side of the canvas. The hypotenuse of each triangle is tiered, appearing like stairs. The space between the triangles is painted in a darker shade.]
    Caption Fontaine Dunn, Untitled, 1976. From Gary Bower, Fontaine Dunn, Hermine Ford</>, Artists Space, 1976.
    Image description A black and white image of a painting. Two triangular shapes are painted on either side of the canvas. The hypotenuse of each triangle is tiered, appearing like stairs. The space between the triangles is painted in a darker shade.
    Year 1976
    Related pages Gary Bower, Fontaine Dunn, Hermine Ford
  • Color photo of two performers sitting on the ground in a dark venue space that is illuminated by deep red overhead lights. The performers are holding up clear, geometric objects against a neon yellow and blue projection on a wall.
    Color photo of two performers sitting on the ground in a dark venue space that is illuminated by deep red overhead lights. The performers are holding up clear, geometric objects against a neon yellow and blue projection on a wall.
    Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman. [Color photo of two performers sitting on the ground in a dark venue space that is illuminated by deep red overhead lights. The performers are holding up clear, geometric objects against a neon yellow and blue projection on a wall.]
    Caption Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color photo of two performers sitting on the ground in a dark venue space that is illuminated by deep red overhead lights. The performers are holding up clear, geometric objects against a neon yellow and blue projection on a wall.
    Year
    Related pages Abasement #64
  • A grainy black and white image of a figure seated on an indescernible animal or object.
    A grainy black and white image of a figure seated on an indescernible animal or object.
    Robert Longo, c. 1976. From Exchange Show: Hallwalls, Buffalo, NY, Artists Space, 1976. [A grainy black and white image of a figure seated on an indescernible animal or object.]
    Caption Robert Longo, c. 1976. From Exchange Show: Hallwalls, Buffalo, NY, Artists Space, 1976.
    Image description A grainy black and white image of a figure seated on an indescernible animal or object.
    Year 1976
    Related pages Exchange Show: Hallwalls, Buffalo, NY
  • Four framed photogrpahs in a grid hang on an angled wall to the left. Three decorated paper bags sit on white pedestals. An abstract landscape painting hangs on the wall in the background.
    Four framed photogrpahs in a grid hang on an angled wall to the left. Three decorated paper bags sit on white pedestals. An abstract landscape painting hangs on the wall in the background.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Four framed photogrpahs in a grid hang on an angled wall to the left. Three decorated paper bags sit on white pedestals. An abstract landscape painting hangs on the wall in the background.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description Four framed photogrpahs in a grid hang on an angled wall to the left. Three decorated paper bags sit on white pedestals. An abstract landscape painting hangs on the wall in the background.
    Year 2017
    Related pages Unholding
  • Three figures appear in distinctive dress flowing through space around each other as if in a duel amongst themselves with a black background.
    Three figures appear in distinctive dress flowing through space around each other as if in a duel amongst themselves with a black background.
    Installations by Jurgen Partenheimer and Stuart Wilson. Installation view, Artists Space, 1982. [Three figures appear in distinctive dress flowing through space around each other as if in a duel amongst themselves with a black background.]
    Caption Installations by Jurgen Partenheimer and Stuart Wilson. Installation view, Artists Space, 1982.
    Image description Three figures appear in distinctive dress flowing through space around each other as if in a duel amongst themselves with a black background.
    Year
    Related pages Installations by Jürgen Partenheimer and Stuart Wilson
  • William S. Burroughs. Target #5 (July 29, 1997), 1997 Courtesy John Giorno. . Photo: Adam Reich
    Caption William S. Burroughs. Target #5 (July 29, 1997), 1997 Courtesy John Giorno. . Photo: Adam Reich
    Image description
    Year
    Related pages Rip It Up and Start Again: William S. Burroughs, Charles Henri Ford, Ray Johnson, Philippe Thomas, Arthur Russell
  • Jenny Snider. A Solitude Encompassing the World, 1985.
    Caption Jenny Snider. A Solitude Encompassing the World, 1985.
    Image description
    Year
    Related pages Four Artists: An Exhibition of Painting and Sculpture
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A color image of a pink-hued room inside which an irregularly shaped platform with a reflective surface sits on the ground. Objects such as plants, a fish tank, and tree stumps sit on and around the platform.
    A color image of a pink-hued room inside which an irregularly shaped platform with a reflective surface sits on the ground. Objects such as plants, a fish tank, and tree stumps sit on and around the platform.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [A color image of a pink-hued room inside which an irregularly shaped platform with a reflective surface sits on the ground. Objects such as plants, a fish tank, and tree stumps sit on and around the platform.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022.
    Image description A color image of a pink-hued room inside which an irregularly shaped platform with a reflective surface sits on the ground. Objects such as plants, a fish tank, and tree stumps sit on and around the platform.
    Year
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Color image of a framed work of black graphite on paper. Black lines run throughout the composition, with a layer of white bumps creating a textured surface over the top, small patches of blue accent the piece.
    Color image of a framed work of black graphite on paper. Black lines run throughout the composition, with a layer of white bumps creating a textured surface over the top, small patches of blue accent the piece.
    Andy Robert, Inner Harbor, 2023. Photo: Filip Wolak. [Color image of a framed work of black graphite on paper. Black lines run throughout the composition, with a layer of white bumps creating a textured surface over the top, small patches of blue accent the piece.]
    Caption Andy Robert, Inner Harbor, 2023. Photo: Filip Wolak.
    Image description Color image of a framed work of black graphite on paper. Black lines run throughout the composition, with a layer of white bumps creating a textured surface over the top, small patches of blue accent the piece.
    Year 2023
    Related pages Artists for Artists Space
  • Color image of a framed piece of notebook graph paper, with a pen and ink drawing of a rectangle with various lines and dots. In the bottom-center of the paper is the word
    Color image of a framed piece of notebook graph paper, with a pen and ink drawing of a rectangle with various lines and dots. In the bottom-center of the paper is the word
    Andy Robert, The Terrain, 2021. Photo: Filip Wolak. [Color image of a framed piece of notebook graph paper, with a pen and ink drawing of a rectangle with various lines and dots. In the bottom-center of the paper is the word "TERRAIN."]
    Caption Andy Robert, The Terrain, 2021. Photo: Filip Wolak.
    Image description Color image of a framed piece of notebook graph paper, with a pen and ink drawing of a rectangle with various lines and dots. In the bottom-center of the paper is the word "TERRAIN."
    Year 2023
    Related pages Artists for Artists Space
  • A figure standing in front of a black square canvas in a gallery space.
    A figure standing in front of a black square canvas in a gallery space.
    Joseph Marioni pictured with his work. Installation view, Joseph Marioni, Andrew Ginzel, Barbara Schwartz, Artists Space, 1975. [A figure standing in front of a black square canvas in a gallery space.]
    Caption Joseph Marioni pictured with his work. Installation view, Joseph Marioni, Andrew Ginzel, Barbara Schwartz, Artists Space, 1975.
    Image description A figure standing in front of a black square canvas in a gallery space.
    Year 1975
    Related pages Joseph Marioni, Andrew Ginzel, Barbara Schwartz
  • A marionette wearing a black suit, collared shirt, and white Nike Air Force 1s is positioned laying prone on a windowsill. Red curtains cover half of the window behind the marionette. In the corner, a small stage lights is directed at the marionette. Outside of the window is an alleyway with graffiti.
    A marionette wearing a black suit, collared shirt, and white Nike Air Force 1s is positioned laying prone on a windowsill. Red curtains cover half of the window behind the marionette. In the corner, a small stage lights is directed at the marionette. Outside of the window is an alleyway with graffiti.
    Aristotelis Nikolas Mochloulis, Aristotelis Nikolas Mochloulis, 2025. Marionette. Photo: Carter Seddon. [A marionette wearing a black suit, collared shirt, and white Nike Air Force 1s is positioned laying prone on a windowsill. Red curtains cover half of the window behind the marionette. In the corner, a small stage lights is directed at the marionette. Outside of the window is an alleyway with graffiti.]
    Caption Aristotelis Nikolas Mochloulis, Aristotelis Nikolas Mochloulis, 2025. Marionette. Photo: Carter Seddon.
    Image description A marionette wearing a black suit, collared shirt, and white Nike Air Force 1s is positioned laying prone on a windowsill. Red curtains cover half of the window behind the marionette. In the corner, a small stage lights is directed at the marionette. Outside of the window is an alleyway with graffiti.
    Year
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
  • Cave of Animals, Listening Room project, May 2024
    Caption Cave of Animals, Listening Room project, May 2024
    Image description
    Year
    Related pages Exhibitions and Events
  • Collaged computer graphic of ranging scale palm trees, green peppers and other objects. Pink text over the top half of the image reads
    Collaged computer graphic of ranging scale palm trees, green peppers and other objects. Pink text over the top half of the image reads
    Flyer for Segue Reading Series featuring Edwin Torres and Ann Lauterbach. Saturday January 16, 2021, Artists Space. [Collaged computer graphic of ranging scale palm trees, green peppers and other objects. Pink text over the top half of the image reads "Edwin Torres/ Ann Lauterbach." Green text scattered throughout the image reads "Segue" and pink text on the lower half of the image reads, "16 January / 5 pm EST"]
    Caption Flyer for Segue Reading Series featuring Edwin Torres and Ann Lauterbach. Saturday January 16, 2021, Artists Space.
    Image description Collaged computer graphic of ranging scale palm trees, green peppers and other objects. Pink text over the top half of the image reads "Edwin Torres/ Ann Lauterbach." Green text scattered throughout the image reads "Segue" and pink text on the lower half of the image reads, "16 January / 5 pm EST"
    Year 2021
    Related pages Segue Reading Series: Edwin Torres & Ann Lauterbach
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    Year
    Related pages Listening to the LES
  • A group of people sitting in chairs arranged in a circle, all facing inwards. Drawings are hung on the walls.
    A group of people sitting in chairs arranged in a circle, all facing inwards. Drawings are hung on the walls.
    Artists Draw. Installation view, Artists Space, 1979. [A group of people sitting in chairs arranged in a circle, all facing inwards. Drawings are hung on the walls.]
    Caption Artists Draw. Installation view, Artists Space, 1979.
    Image description A group of people sitting in chairs arranged in a circle, all facing inwards. Drawings are hung on the walls.
    Year 1979
    Related pages Artists Draw: Tom Martin, Auste Peciura, Alan Saret, Patti Smith, Nancy Spero
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A group of people sit around a circular dining table. Wade Guyton and Kathy Halbreich are on the far left side of the frame. Andy Robert and Joan Jonas face each other and are mid-conversation. Robert wears a diamond-patterned sweater, black jacket, and black, red, and yellow striped beanie. Jonas wears a black jacket over a blue blouse with small red polka dots and scalloped edges, and her hair is held out of her face with a decorative clip.
    A group of people sit around a circular dining table. Wade Guyton and Kathy Halbreich are on the far left side of the frame. Andy Robert and Joan Jonas face each other and are mid-conversation. Robert wears a diamond-patterned sweater, black jacket, and black, red, and yellow striped beanie. Jonas wears a black jacket over a blue blouse with small red polka dots and scalloped edges, and her hair is held out of her face with a decorative clip.
    Wade Guyton, Kathy Halbreich, Andy Robert, Joan Jonas. Photo: Joshua Wildman [A group of people sit around a circular dining table. Wade Guyton and Kathy Halbreich are on the far left side of the frame. Andy Robert and Joan Jonas face each other and are mid-conversation. Robert wears a diamond-patterned sweater, black jacket, and black, red, and yellow striped beanie. Jonas wears a black jacket over a blue blouse with small red polka dots and scalloped edges, and her hair is held out of her face with a decorative clip.]
    Caption Wade Guyton, Kathy Halbreich, Andy Robert, Joan Jonas. Photo: Joshua Wildman
    Image description A group of people sit around a circular dining table. Wade Guyton and Kathy Halbreich are on the far left side of the frame. Andy Robert and Joan Jonas face each other and are mid-conversation. Robert wears a diamond-patterned sweater, black jacket, and black, red, and yellow striped beanie. Jonas wears a black jacket over a blue blouse with small red polka dots and scalloped edges, and her hair is held out of her face with a decorative clip.
    Year
    Related pages Support
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    Year
    Related pages Membership
  • A glass case displaying archival documents and images
    A glass case displaying archival documents and images
    ART CLUB2000 Selections from ART CLUB2000 archive, detail, 1992–1999 Image courtesy Artists Space, New York Photo: Filip Wolak [A glass case displaying archival documents and images]
    Caption ART CLUB2000 Selections from ART CLUB2000 archive, detail, 1992–1999 Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A glass case displaying archival documents and images
    Year 2021
    Related pages ART CLUB2000
  • Collage featuring a color image of the Mr. Peanut brand logo surrounded by black-and-white imagery, including a boy carrying a bindle.
    Collage featuring a color image of the Mr. Peanut brand logo surrounded by black-and-white imagery, including a boy carrying a bindle.
    Frederick Weston, SoBar, 2018. Collage. [Collage featuring a color image of the Mr. Peanut brand logo surrounded by black-and-white imagery, including a boy carrying a bindle.]
    Caption Frederick Weston, SoBar, 2018. Collage.
    Image description Collage featuring a color image of the Mr. Peanut brand logo surrounded by black-and-white imagery, including a boy carrying a bindle.
    Year 2018
    Related pages Fag, Stag, or Drag?
  • Close-up color image of a performer. They are looking down as they play guitar, using a wrench to strum on the guitar strings. In the foreground a sticker reads
    Close-up color image of a performer. They are looking down as they play guitar, using a wrench to strum on the guitar strings. In the foreground a sticker reads
    Abasement #75. Performance documentation, February 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Close-up color image of a performer. They are looking down as they play guitar, using a wrench to strum on the guitar strings. In the foreground a sticker reads "WAR IS OVER!". The performer and the room around them is tinted with blue light.]
    Caption Abasement #75. Performance documentation, February 3rd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Close-up color image of a performer. They are looking down as they play guitar, using a wrench to strum on the guitar strings. In the foreground a sticker reads "WAR IS OVER!". The performer and the room around them is tinted with blue light.
    Year
    Related pages Abasement #75
  • A green book cover with white lettering titled,
    A green book cover with white lettering titled,
    After Art, by David Joselit, published by Princeton University Press, 2012. [A green book cover with white lettering titled, "AFTER ART" by David Joselit.]
    Caption After Art, by David Joselit, published by Princeton University Press, 2012.
    Image description A green book cover with white lettering titled, "AFTER ART" by David Joselit.
    Year 2012
    Related pages Art and its Operations
  • A close up black and white image of a slide projection with two figures.
    A close up black and white image of a slide projection with two figures.
    Daniel Tilsdale. Still from Contacts, Ponytails, Noses and Bleach, 1988. Graphite on Xerox (presented in slide format). [A close up black and white image of a slide projection with two figures.]
    Caption Daniel Tilsdale. Still from Contacts, Ponytails, Noses and Bleach, 1988. Graphite on Xerox (presented in slide format).
    Image description A close up black and white image of a slide projection with two figures.
    Year 1988
    Related pages Too Black, Too Strong!
  • Two people in a mountainous, desert location face each other. One, dressed in an orange and green cloak, sits at a green desk. The other is posed with a mirror aimed at the clear sky.
    Two people in a mountainous, desert location face each other. One, dressed in an orange and green cloak, sits at a green desk. The other is posed with a mirror aimed at the clear sky.
    Untitled, c. 1970s, 35mm slide, Copyright Jack Smith Archive, Courtesy Gladstone Gallery, New York and Brussels [Two people in a mountainous, desert location face each other. One, dressed in an orange and green cloak, sits at a green desk. The other is posed with a mirror aimed at the clear sky.]
    Caption Untitled, c. 1970s, 35mm slide, Copyright Jack Smith Archive, Courtesy Gladstone Gallery, New York and Brussels
    Image description Two people in a mountainous, desert location face each other. One, dressed in an orange and green cloak, sits at a green desk. The other is posed with a mirror aimed at the clear sky.
    Year 1970
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • Plastic bags of objects appear on a white gallery wall.
    Plastic bags of objects appear on a white gallery wall.
    Young Fluxus. Installation view, Artists Space, 1982. [Plastic bags of objects appear on a white gallery wall.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description Plastic bags of objects appear on a white gallery wall.
    Year
    Related pages Young Fluxus
  • Image of a basement with a sculpture made of two fresnel lenses cut in the shape of wings hung on the back of a pillar to the left of the image. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Image of a basement with a sculpture made of two fresnel lenses cut in the shape of wings hung on the back of a pillar to the left of the image. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with a sculpture made of two fresnel lenses cut in the shape of wings hung on the back of a pillar to the left of the image. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a basement with a sculpture made of two fresnel lenses cut in the shape of wings hung on the back of a pillar to the left of the image. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Year 2022
    Related pages SCRAAATCH 11-18
  • A black cube-shaped speaker sits, tilted upwards, in the middle of a room with wooden floors and white walls. On a wall to the left of the image is a printed image of a fragment of a face with an open mouth, the skin painted in red, blue, and yellow. On a wall to the right are two printed works, one an illustration of a figure in black and white but with a section of the image above the figure's head blocked out with white space, another is a red and blue polka dot pattern in a hand-cut shape. On the wall in the middle of the room is a small white shelf with a small flat object on top of it.
    A black cube-shaped speaker sits, tilted upwards, in the middle of a room with wooden floors and white walls. On a wall to the left of the image is a printed image of a fragment of a face with an open mouth, the skin painted in red, blue, and yellow. On a wall to the right are two printed works, one an illustration of a figure in black and white but with a section of the image above the figure's head blocked out with white space, another is a red and blue polka dot pattern in a hand-cut shape. On the wall in the middle of the room is a small white shelf with a small flat object on top of it.
    Aloïs Godinat: New Works. Installation view, Artists Space, 2007. Photo: Bill Orcutt. [A black cube-shaped speaker sits, tilted upwards, in the middle of a room with wooden floors and white walls. On a wall to the left of the image is a printed image of a fragment of a face with an open mouth, the skin painted in red, blue, and yellow. On a wall to the right are two printed works, one an illustration of a figure in black and white but with a section of the image above the figure's head blocked out with white space, another is a red and blue polka dot pattern in a hand-cut shape. On the wall in the middle of the room is a small white shelf with a small flat object on top of it.]
    Caption Aloïs Godinat: New Works. Installation view, Artists Space, 2007. Photo: Bill Orcutt.
    Image description A black cube-shaped speaker sits, tilted upwards, in the middle of a room with wooden floors and white walls. On a wall to the left of the image is a printed image of a fragment of a face with an open mouth, the skin painted in red, blue, and yellow. On a wall to the right are two printed works, one an illustration of a figure in black and white but with a section of the image above the figure's head blocked out with white space, another is a red and blue polka dot pattern in a hand-cut shape. On the wall in the middle of the room is a small white shelf with a small flat object on top of it.
    Year 2007
    Related pages New Works
  • Grainy photograph of a wall drawing in a gallery space.
    Grainy photograph of a wall drawing in a gallery space.
    Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque. Installation view, Artists Space, 1981. [Grainy photograph of a wall drawing in a gallery space.]
    Caption Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque. Installation view, Artists Space, 1981.
    Image description Grainy photograph of a wall drawing in a gallery space.
    Year
    Related pages Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque
  • A figure in a blue morph suit leans over a wooden box placed on the floor, while another figure to the left films them. Blue light is projected onto the back wall to the right.
    A figure in a blue morph suit leans over a wooden box placed on the floor, while another figure to the left films them. Blue light is projected onto the back wall to the right.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit leans over a wooden box placed on the floor, while another figure to the left films them. Blue light is projected onto the back wall to the right.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description A figure in a blue morph suit leans over a wooden box placed on the floor, while another figure to the left films them. Blue light is projected onto the back wall to the right.
    Year 2022
    Related pages SCRAAATCH 12-3
  • Four overlapping photographs show a panorama of a crowd outside Artists Space at night. One group int he foreground files into the gallery through its double doors, while others on the sidewalk hold protest signs.
    Four overlapping photographs show a panorama of a crowd outside Artists Space at night. One group int he foreground files into the gallery through its double doors, while others on the sidewalk hold protest signs.
    Demonstrations outside Artists Space during the opening of Witnesses: Against Our Vanishing, November 16, 1989. [Four overlapping photographs show a panorama of a crowd outside Artists Space at night. One group int he foreground files into the gallery through its double doors, while others on the sidewalk hold protest signs.]
    Caption Demonstrations outside Artists Space during the opening of Witnesses: Against Our Vanishing, November 16, 1989.
    Image description Four overlapping photographs show a panorama of a crowd outside Artists Space at night. One group int he foreground files into the gallery through its double doors, while others on the sidewalk hold protest signs.
    Year 1989
    Related pages Witnesses: Against Our Vanishing
  • The image shows a white t-shirt in a frame with text printed on top in a wavy text that says,
    The image shows a white t-shirt in a frame with text printed on top in a wavy text that says,
    Richard Prince, Oedipus Schmedipus, 1994, Screenprint on white T-shirt Stretched over canvas in white lacquer frame, 25 1/4 x 19 1/2 in (64.1 x 49.5 cm), Edition of 26, Signed & numbered. [The image shows a white t-shirt in a frame with text printed on top in a wavy text that says, "A mother is having a very tense relationship / with her fourteen year old son. Screaming and / fighting are constantly going on in the house. / She finally brings him to a psychoanalyst. After / two sessions, the doctor calls the mother into / the office. / "Your son," he tells her, "has an Oedipus / complex." / "Oedipus, Schmedipus," the woman answers. / "as long as he loves his mother."]
    Caption Richard Prince, Oedipus Schmedipus, 1994, Screenprint on white T-shirt Stretched over canvas in white lacquer frame, 25 1/4 x 19 1/2 in (64.1 x 49.5 cm), Edition of 26, Signed & numbered.
    Image description The image shows a white t-shirt in a frame with text printed on top in a wavy text that says, "A mother is having a very tense relationship / with her fourteen year old son. Screaming and / fighting are constantly going on in the house. / She finally brings him to a psychoanalyst. After / two sessions, the doctor calls the mother into / the office. / "Your son," he tells her, "has an Oedipus / complex." / "Oedipus, Schmedipus," the woman answers. / "as long as he loves his mother."
    Year 1994
    Related pages Editions
  • Half-eaten fruit, chocolate, and candles sit on a low, stone tabletop under dim lighting.
    Half-eaten fruit, chocolate, and candles sit on a low, stone tabletop under dim lighting.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [Half-eaten fruit, chocolate, and candles sit on a low, stone tabletop under dim lighting.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description Half-eaten fruit, chocolate, and candles sit on a low, stone tabletop under dim lighting.
    Year 2019
    Related pages Speaker Music: drape over another
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Caption
    Image description
    Year
    Related pages Abasement #84
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Various people having conversations and looking around at the art during the exhibition opening.
    Various people having conversations and looking around at the art during the exhibition opening.
    Artists Draw. Installation view, Artists Space, 1979. [Various people having conversations and looking around at the art during the exhibition opening.]
    Caption Artists Draw. Installation view, Artists Space, 1979.
    Image description Various people having conversations and looking around at the art during the exhibition opening.
    Year 1979
    Related pages Artists Draw: Tom Martin, Auste Peciura, Alan Saret, Patti Smith, Nancy Spero
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    Year
    Related pages Abasement #82
  • Andres Serrano wearing a dark blue shirt and looking at an off-camera interviewer mid-speech.
    Andres Serrano wearing a dark blue shirt and looking at an off-camera interviewer mid-speech.
    University of Colorado, still from On Art and Artists Series. Andres Serrano: What Follows…, 1991. 31 min. [Andres Serrano wearing a dark blue shirt and looking at an off-camera interviewer mid-speech.]
    Caption University of Colorado, still from On Art and Artists Series. Andres Serrano: What Follows…, 1991. 31 min.
    Image description Andres Serrano wearing a dark blue shirt and looking at an off-camera interviewer mid-speech.
    Year 1991
    Related pages Film and Video Program | Macho Man, Tell It To My Heart: Collected by Julie Ault | December 12
  • An expansive space with a grid of white columns, sheer curtains cover windows lining the back wall.
    An expansive space with a grid of white columns, sheer curtains cover windows lining the back wall.
    Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space. 2010 [An expansive space with a grid of white columns, sheer curtains cover windows lining the back wall.]
    Caption Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space. 2010
    Image description An expansive space with a grid of white columns, sheer curtains cover windows lining the back wall.
    Year 2010
    Related pages
  • Two musicians standing on stage use electronic instruments. In the foreground there various more cords and audio instruments on stands. Both musicians have microphones and one is wearing a woven hat. The wall behind them is projected with images of trees, and a red light illuminates the left side of the frame.
    Two musicians standing on stage use electronic instruments. In the foreground there various more cords and audio instruments on stands. Both musicians have microphones and one is wearing a woven hat. The wall behind them is projected with images of trees, and a red light illuminates the left side of the frame.
    Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman. [Two musicians standing on stage use electronic instruments. In the foreground there various more cords and audio instruments on stands. Both musicians have microphones and one is wearing a woven hat. The wall behind them is projected with images of trees, and a red light illuminates the left side of the frame.]
    Caption Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Two musicians standing on stage use electronic instruments. In the foreground there various more cords and audio instruments on stands. Both musicians have microphones and one is wearing a woven hat. The wall behind them is projected with images of trees, and a red light illuminates the left side of the frame.
    Year
    Related pages Abasement #71
  • Miniature houses constructed of documents are displayed in vitrines in the middle of the room. Various photographs utilizing the wall and floor are displayed to the left on a purple section of wall. Tan, illustrated sacks of variable sizes hang on a white wall to the right.
    Miniature houses constructed of documents are displayed in vitrines in the middle of the room. Various photographs utilizing the wall and floor are displayed to the left on a purple section of wall. Tan, illustrated sacks of variable sizes hang on a white wall to the right.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Miniature houses constructed of documents are displayed in vitrines in the middle of the room. Various photographs utilizing the wall and floor are displayed to the left on a purple section of wall. Tan, illustrated sacks of variable sizes hang on a white wall to the right.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description Miniature houses constructed of documents are displayed in vitrines in the middle of the room. Various photographs utilizing the wall and floor are displayed to the left on a purple section of wall. Tan, illustrated sacks of variable sizes hang on a white wall to the right.
    Year 2017
    Related pages Unholding
  • Two figures in blue morph suits engage in an argument, standing on either side of a wooden table with a fresnel lens as the tabletop. A third figure to the right films their encounter, while audience members watch in the background.
    Two figures in blue morph suits engage in an argument, standing on either side of a wooden table with a fresnel lens as the tabletop. A third figure to the right films their encounter, while audience members watch in the background.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Two figures in blue morph suits engage in an argument, standing on either side of a wooden table with a fresnel lens as the tabletop. A third figure to the right films their encounter, while audience members watch in the background.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Two figures in blue morph suits engage in an argument, standing on either side of a wooden table with a fresnel lens as the tabletop. A third figure to the right films their encounter, while audience members watch in the background.
    Year 2022
    Related pages SCRAAATCH 12-3
  • Various paintings hang on the walls as guests enjoy the exhibition opening.
    Various paintings hang on the walls as guests enjoy the exhibition opening.
    Traditions: Five Painters. Installation View, Artists Space, 1978. [Various paintings hang on the walls as guests enjoy the exhibition opening.]
    Caption Traditions: Five Painters. Installation View, Artists Space, 1978.
    Image description Various paintings hang on the walls as guests enjoy the exhibition opening.
    Year
    Related pages Traditions: Five Painters, Charles Clough, William Fares, Sidney Goldberg, John Lees, Ann Thornycroft
  • Visit to Artists Space to see exhibition Zoo or an Orchestra, Char Jaré, 2024
    Caption Visit to Artists Space to see exhibition Zoo or an Orchestra, Char Jaré, 2024
    Image description
    Year
    Related pages Listening to the LES
  • Black and white photograph of cursive white text on a black background on the floor.
    Black and white photograph of cursive white text on a black background on the floor.
    Margia Kramer. Installation view, Artists Space, 1980. [Black and white photograph of cursive white text on a black background on the floor.]
    Caption Margia Kramer. Installation view, Artists Space, 1980.
    Image description Black and white photograph of cursive white text on a black background on the floor.
    Year 1980
    Related pages Margia Kramer
  • A horizontal white background with curved turquoise, orange, black, and purple lines. Text appears on top of the image reading,
    A horizontal white background with curved turquoise, orange, black, and purple lines. Text appears on top of the image reading,
    Flyer for Segue Reading Series featuring Wayne Koestenbaum and Morgan Võ. Saturday, October 30, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel [A horizontal white background with curved turquoise, orange, black, and purple lines. Text appears on top of the image reading, "Segue" (in pink) "Morgan Võ Wayne Koestenbaum" (in gray)]
    Caption Flyer for Segue Reading Series featuring Wayne Koestenbaum and Morgan Võ. Saturday, October 30, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel
    Image description A horizontal white background with curved turquoise, orange, black, and purple lines. Text appears on top of the image reading, "Segue" (in pink) "Morgan Võ Wayne Koestenbaum" (in gray)
    Year 2021
    Related pages Segue Reading Series: Wayne Koestenbaum & Morgan Vo
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Three white shelves, that extend the entire length of the frame, are filled with books of various colors and sizes.
    Three white shelves, that extend the entire length of the frame, are filled with books of various colors and sizes.
    The Library of Helen DeWitt Kitchen view Courtesy Helen DeWitt [Three white shelves, that extend the entire length of the frame, are filled with books of various colors and sizes.]
    Caption The Library of Helen DeWitt Kitchen view Courtesy Helen DeWitt
    Image description Three white shelves, that extend the entire length of the frame, are filled with books of various colors and sizes.
    Year 2014
    Related pages The Library Vaccine
  • A corner made by two white walls. One wall has four framed images of yellow amorphus shapes on different backrounds, arranged in a horizontal line. The other wall has three framed images, one hung by itself and the other two stacked vertically.
    A corner made by two white walls. One wall has four framed images of yellow amorphus shapes on different backrounds, arranged in a horizontal line. The other wall has three framed images, one hung by itself and the other two stacked vertically.
    Local Transit. Installation view, Artists Space, 2006. [A corner made by two white walls. One wall has four framed images of yellow amorphus shapes on different backrounds, arranged in a horizontal line. The other wall has three framed images, one hung by itself and the other two stacked vertically.]
    Caption Local Transit. Installation view, Artists Space, 2006.
    Image description A corner made by two white walls. One wall has four framed images of yellow amorphus shapes on different backrounds, arranged in a horizontal line. The other wall has three framed images, one hung by itself and the other two stacked vertically.
    Year 2006
    Related pages Local Transit: An Exhibition in Two Parts
  • White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Feb 17 / Lonnie Holley / Lee Bains
    White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Feb 17 / Lonnie Holley / Lee Bains
    [White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Feb 17 / Lonnie Holley / Lee Bains" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Feb 17 / Lonnie Holley / Lee Bains" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: Lonnie Holley & Lee Bains
  • A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man holding up the Iraqi flag.
    A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man holding up the Iraqi flag.
    Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man holding up the Iraqi flag.]
    Caption Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man holding up the Iraqi flag.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
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    Related pages Theresa Hak Kyung Cha: Multiple Offerings
  • A colorful painting of a landscape, with a river running through the center of the image, a mountain across the river and a cloudy sky
    A colorful painting of a landscape, with a river running through the center of the image, a mountain across the river and a cloudy sky
    Jayline Quiles, Landscape, 2018 [A colorful painting of a landscape, with a river running through the center of the image, a mountain across the river and a cloudy sky]
    Caption Jayline Quiles, Landscape, 2018
    Image description A colorful painting of a landscape, with a river running through the center of the image, a mountain across the river and a cloudy sky
    Year 2018
    Related pages Scholastic Art and Writing Awards
  • Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.
    Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.
    Year 2022
    Related pages keyon gaskin 12-14
  • Brad Kronz. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Caption Brad Kronz. Installation view, Artists Space, 2025. Photo: Carter Seddon
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  • A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, standing next to a frame on a wall that contains a seperate video of a man in a street, is on the back wall.
    A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, standing next to a frame on a wall that contains a seperate video of a man in a street, is on the back wall.
    Hito Steyerl, Guards, 2012, HD video on freestanding screen with sound, 20 mins, Courtesy of the artist and Andrew Kreps, New York. Installation view from Hito Steyerl, Artists Space, 2015. [A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, standing next to a frame on a wall that contains a seperate video of a man in a street, is on the back wall.]
    Caption Hito Steyerl, Guards, 2012, HD video on freestanding screen with sound, 20 mins, Courtesy of the artist and Andrew Kreps, New York. Installation view from Hito Steyerl, Artists Space, 2015.
    Image description A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, standing next to a frame on a wall that contains a seperate video of a man in a street, is on the back wall.
    Year 2015
    Related pages Hito Steyerl
  • Black text listing the collection's featured. From top to bottom, it reads,
    Black text listing the collection's featured. From top to bottom, it reads,
    [Black text listing the collection's featured. From top to bottom, it reads, "The Defaced Library Books of Kenneth Halliwell and Joe Orton," "edition hansjörg mayer," "Vigilance: An Exhibition Of Artist’s Books Exploring Strategies for Social Concern After an exhibition curated by Mike Grier and Lucy R. Lippard," "The Colin De Land Library," "Everything is About to Happen: An ongoing archive of artists’ books selected by Gregorio Magnani," and "The Library of Helen DeWitt."]
    Caption
    Image description Black text listing the collection's featured. From top to bottom, it reads, "The Defaced Library Books of Kenneth Halliwell and Joe Orton," "edition hansjörg mayer," "Vigilance: An Exhibition Of Artist’s Books Exploring Strategies for Social Concern After an exhibition curated by Mike Grier and Lucy R. Lippard," "The Colin De Land Library," "Everything is About to Happen: An ongoing archive of artists’ books selected by Gregorio Magnani," and "The Library of Helen DeWitt."
    Year 2014
    Related pages The Library Vaccine
  • Six abstracted and colorful drawings hang on a black wall. They vary in size and include motifs of clocks, animals, and partially drawn caricature-like people.
    Six abstracted and colorful drawings hang on a black wall. They vary in size and include motifs of clocks, animals, and partially drawn caricature-like people.
    Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon. [Six abstracted and colorful drawings hang on a black wall. They vary in size and include motifs of clocks, animals, and partially drawn caricature-like people. ]
    Caption Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon.
    Image description Six abstracted and colorful drawings hang on a black wall. They vary in size and include motifs of clocks, animals, and partially drawn caricature-like people.
    Year
    Related pages Ralston Farina: Time // Time
  • Six glass vitrines displaying books, photographs, and other paper ephemera are installed in the center of a gallery space. A series of old Hollywood films are projected on the back wall of the exhibition space.
    Six glass vitrines displaying books, photographs, and other paper ephemera are installed in the center of a gallery space. A series of old Hollywood films are projected on the back wall of the exhibition space.
    She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak. [Six glass vitrines displaying books, photographs, and other paper ephemera are installed in the center of a gallery space. A series of old Hollywood films are projected on the back wall of the exhibition space.]
    Caption She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak.
    Image description Six glass vitrines displaying books, photographs, and other paper ephemera are installed in the center of a gallery space. A series of old Hollywood films are projected on the back wall of the exhibition space.
    Year 2020
    Related pages She Who Is: Adrienne Kennedy and the Drama of Difference
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    Related pages Arthur Rimbaud in Verdun
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    Related pages Support
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A black and white image of a large room with a round black disk suspended from the ceiling over a gray circle in the floor. It is lit from above by mounted lights.
    A black and white image of a large room with a round black disk suspended from the ceiling over a gray circle in the floor. It is lit from above by mounted lights.
    Laurie Anderson, Whirlwind, 1996. Disk, 48 speakers, electronics, computer program. [A black and white image of a large room with a round black disk suspended from the ceiling over a gray circle in the floor. It is lit from above by mounted lights.]
    Caption Laurie Anderson, Whirlwind, 1996. Disk, 48 speakers, electronics, computer program.
    Image description A black and white image of a large room with a round black disk suspended from the ceiling over a gray circle in the floor. It is lit from above by mounted lights.
    Year 1996
    Related pages Laurie Anderson: Whirlwind
  • Mousetraps on a wooden floor in motion, snapping to capture ping pong balls resting atop them.
    Mousetraps on a wooden floor in motion, snapping to capture ping pong balls resting atop them.
    Ethan Crenson, Fission, 1996. Mixed media installation. [Mousetraps on a wooden floor in motion, snapping to capture ping pong balls resting atop them.]
    Caption Ethan Crenson, Fission, 1996. Mixed media installation.
    Image description Mousetraps on a wooden floor in motion, snapping to capture ping pong balls resting atop them.
    Year 1996
    Related pages Station to Station
  • Color photograph of the center of a gallery room, in which performers are seated in wooden chairs around the center, alongside three hanging screens that project a video still of a figure's face against a dark background. All around the room, audience members sit on the floor or stand.
    Color photograph of the center of a gallery room, in which performers are seated in wooden chairs around the center, alongside three hanging screens that project a video still of a figure's face against a dark background. All around the room, audience members sit on the floor or stand.
    Shala Miller performs Genesis: Medley at Artists Space, co-presented with Frieze New York 2023. Performance documentation, May 19th. Photo by Vanessa Diaz/CKA. Courtesy of Frieze. [Color photograph of the center of a gallery room, in which performers are seated in wooden chairs around the center, alongside three hanging screens that project a video still of a figure's face against a dark background. All around the room, audience members sit on the floor or stand.]
    Caption Shala Miller performs Genesis: Medley at Artists Space, co-presented with Frieze New York 2023. Performance documentation, May 19th. Photo by Vanessa Diaz/CKA. Courtesy of Frieze.
    Image description Color photograph of the center of a gallery room, in which performers are seated in wooden chairs around the center, alongside three hanging screens that project a video still of a figure's face against a dark background. All around the room, audience members sit on the floor or stand.
    Year 2023
    Related pages Genesis: Medley
  • Paintings are visible hanging on walls in a white-walled gallery space with white columns in the background.
    Paintings are visible hanging on walls in a white-walled gallery space with white columns in the background.
    Four Artists: An Exhibition of Painting and Sculpture. Installation View. Artists Space, 1985. [Paintings are visible hanging on walls in a white-walled gallery space with white columns in the background.]
    Caption Four Artists: An Exhibition of Painting and Sculpture. Installation View. Artists Space, 1985.
    Image description Paintings are visible hanging on walls in a white-walled gallery space with white columns in the background.
    Year
    Related pages Four Artists: An Exhibition of Painting and Sculpture
  • A black and white photograph of a crowded room filled with people conversing.
    A black and white photograph of a crowded room filled with people conversing.
    Opening at the Tanager Gallery, NY, 1959. [A black and white photograph of a crowded room filled with people conversing.]
    Caption Opening at the Tanager Gallery, NY, 1959.
    Image description A black and white photograph of a crowded room filled with people conversing.
    Year 1959
    Related pages Goodbye to Tenth Street, A Novel by Irving Sandler
  • A multicolored wall with a collage of images, text, and tv monitors. A larger than life, sculpted head leans against the wall while beach balls scatter around it.
    A multicolored wall with a collage of images, text, and tv monitors. A larger than life, sculpted head leans against the wall while beach balls scatter around it.
    New Red Order with Virgil B/G Taylor Progenerator, detail, 2020 – Ongoing Dibond prints with painted mural, five televisions, flag, plate, Improved Order of Red Men ephemera, and more 40 x 40 feet Image courtesy Artists Space, New York Photo: Filip Wolak [A multicolored wall with a collage of images, text, and tv monitors. A larger than life, sculpted head leans against the wall while beach balls scatter around it.]
    Caption New Red Order with Virgil B/G Taylor Progenerator, detail, 2020 – Ongoing Dibond prints with painted mural, five televisions, flag, plate, Improved Order of Red Men ephemera, and more 40 x 40 feet Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A multicolored wall with a collage of images, text, and tv monitors. A larger than life, sculpted head leans against the wall while beach balls scatter around it.
    Year 2021
    Related pages New Red Order: Feel at Home Here
  • The title of the book appears in white text atop an yellowed image of a room's interior. A plant, lamp, and some paper with notes cover the desk in the room.
    The title of the book appears in white text atop an yellowed image of a room's interior. A plant, lamp, and some paper with notes cover the desk in the room.
    Eds. Lisa Lee and Hal Foster, Critical Laboratory: The Writings of Thomas Hirschhorn (MIT Press, 2013). [The title of the book appears in white text atop an yellowed image of a room's interior. A plant, lamp, and some paper with notes cover the desk in the room.]
    Caption Eds. Lisa Lee and Hal Foster, Critical Laboratory: The Writings of Thomas Hirschhorn (MIT Press, 2013).
    Image description The title of the book appears in white text atop an yellowed image of a room's interior. A plant, lamp, and some paper with notes cover the desk in the room.
    Year 2013
    Related pages Critical Laboratory
  • A dimly lit room with a leather black couch facing a projection screen.
    A dimly lit room with a leather black couch facing a projection screen.
    Episode: Compari Project Space 2007 Installation view from Episode, Artists Space, 2007. Photo: Bill Orcutt. [A dimly lit room with a leather black couch facing a projection screen.]
    Caption Episode: Compari Project Space 2007 Installation view from Episode, Artists Space, 2007. Photo: Bill Orcutt.
    Image description A dimly lit room with a leather black couch facing a projection screen.
    Year 2007
    Related pages
  • Painting of figures with Native American headdresses on a white gallery wall with a sculpture appearing in front of it.
    Painting of figures with Native American headdresses on a white gallery wall with a sculpture appearing in front of it.
    We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [Painting of figures with Native American headdresses on a white gallery wall with a sculpture appearing in front of it.]
    Caption We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
    Image description Painting of figures with Native American headdresses on a white gallery wall with a sculpture appearing in front of it.
    Year
    Related pages We the People
  • Two photographs mounted on a white gallery wall.
    Two photographs mounted on a white gallery wall.
    Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two photographs mounted on a white gallery wall.]
    Caption Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979.
    Image description Two photographs mounted on a white gallery wall.
    Year 1979
    Related pages Place, (title to be determined), for a Participant: Ken Feingold
  • A color photograph of a floorbound television monitor, showing a figure in a snow bank. Above is an annotated drawing of a human figure.
    A color photograph of a floorbound television monitor, showing a figure in a snow bank. Above is an annotated drawing of a human figure.
    Milford Graves: Fundamental Frequency. Installation view (Movements in the Snow, 1990, Herbal Chart, c. 1980), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color photograph of a floorbound television monitor, showing a figure in a snow bank. Above is an annotated drawing of a human figure.]
    Caption Milford Graves: Fundamental Frequency. Installation view (Movements in the Snow, 1990, Herbal Chart, c. 1980), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak.
    Image description A color photograph of a floorbound television monitor, showing a figure in a snow bank. Above is an annotated drawing of a human figure.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • Color photograph of a figure dressed in all white, dancing in a corridor bathed in red light.
    Color photograph of a figure dressed in all white, dancing in a corridor bathed in red light.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in all white, dancing in a corridor bathed in red light.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure dressed in all white, dancing in a corridor bathed in red light.
    Year 2022
    Related pages keyon gaskin 12-18
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A black and white photograph of black silhouetted forms on a white wall, including a heart, a peace sign, a cross, an eye, and a clock.
    A black and white photograph of black silhouetted forms on a white wall, including a heart, a peace sign, a cross, an eye, and a clock.
    Matt Mullican, Wall labels, 1976. From Susan Eder, Matt Mullican, Artists Space, 1976. [A black and white photograph of black silhouetted forms on a white wall, including a heart, a peace sign, a cross, an eye, and a clock.]
    Caption Matt Mullican, Wall labels, 1976. From Susan Eder, Matt Mullican, Artists Space, 1976.
    Image description A black and white photograph of black silhouetted forms on a white wall, including a heart, a peace sign, a cross, an eye, and a clock.
    Year 1976
    Related pages Susan Eder, Matt Mullican
  • A black and white paintng of a group of individuals in party attire, multiple accents of red are placed throughout the painting.
    A black and white paintng of a group of individuals in party attire, multiple accents of red are placed throughout the painting.
    Living with Pop. A Reproduction of Capitalist Realism 2014 Gerhard Richter Party, 1963 © Atelier Gerhard Richter [A black and white paintng of a group of individuals in party attire, multiple accents of red are placed throughout the painting.]
    Caption Living with Pop. A Reproduction of Capitalist Realism 2014 Gerhard Richter Party, 1963 © Atelier Gerhard Richter
    Image description A black and white paintng of a group of individuals in party attire, multiple accents of red are placed throughout the painting.
    Year 2014
    Related pages
  • A view of a vending machine against a glazed over window, tiled images on a white gallery wall, and a glass table surrounded by four wooden chairs.
    A view of a vending machine against a glazed over window, tiled images on a white gallery wall, and a glass table surrounded by four wooden chairs.
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of a vending machine against a glazed over window, tiled images on a white gallery wall, and a glass table surrounded by four wooden chairs.]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A view of a vending machine against a glazed over window, tiled images on a white gallery wall, and a glass table surrounded by four wooden chairs.
    Year 2021
    Related pages ART CLUB2000
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  • Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.
    Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A color photograph of a gallery space with a row of dark columns on the left side. Several wooden cafe chairs with green cushions are visible. Upon the chairs rest gold-silver sequined pillows or television screens.
    A color photograph of a gallery space with a row of dark columns on the left side. Several wooden cafe chairs with green cushions are visible. Upon the chairs rest gold-silver sequined pillows or television screens.
    Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a gallery space with a row of dark columns on the left side. Several wooden cafe chairs with green cushions are visible. Upon the chairs rest gold-silver sequined pillows or television screens.]
    Caption Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of a gallery space with a row of dark columns on the left side. Several wooden cafe chairs with green cushions are visible. Upon the chairs rest gold-silver sequined pillows or television screens.
    Year 2022
    Related pages Nicole-Antonia Spagnola: Anti-Genesis
  • A colorful drawing depicts an image with blue and yellow background, and two elegant figures sitting on a red couch. They are both looking towards the viewer. On the right, a female-presenting figure wearing a pink suit has her legs up on the couch. The male-presenting figure is on the left. He is cross-legged and wearing a black suit. At their feet, a cat stretches.
    A colorful drawing depicts an image with blue and yellow background, and two elegant figures sitting on a red couch. They are both looking towards the viewer. On the right, a female-presenting figure wearing a pink suit has her legs up on the couch. The male-presenting figure is on the left. He is cross-legged and wearing a black suit. At their feet, a cat stretches.
    Drake Carr, Colin and Brandi at Home, 2023. Colored pencil, ink, acrylic on paper. 48 x 60 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak. [A colorful drawing depicts an image with blue and yellow background, and two elegant figures sitting on a red couch. They are both looking towards the viewer. On the right, a female-presenting figure wearing a pink suit has her legs up on the couch. The male-presenting figure is on the left. He is cross-legged and wearing a black suit. At their feet, a cat stretches.]
    Caption Drake Carr, Colin and Brandi at Home, 2023. Colored pencil, ink, acrylic on paper. 48 x 60 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description A colorful drawing depicts an image with blue and yellow background, and two elegant figures sitting on a red couch. They are both looking towards the viewer. On the right, a female-presenting figure wearing a pink suit has her legs up on the couch. The male-presenting figure is on the left. He is cross-legged and wearing a black suit. At their feet, a cat stretches.
    Year
    Related pages Drake Carr: Housecalls
  • Color image of three or four individuals captured in the middle of a conversation. Two individuals have their back turned to the camera, while another person is facing the lens with arms crossed, actively listening. An elegant and decorative dinner venue can be seen in the background.
    Color image of three or four individuals captured in the middle of a conversation. Two individuals have their back turned to the camera, while another person is facing the lens with arms crossed, actively listening. An elegant and decorative dinner venue can be seen in the background.
    Friends of Artists Space Dinner, 2023. Photo: Joshua Wildman. [Color image of three or four individuals captured in the middle of a conversation. Two individuals have their back turned to the camera, while another person is facing the lens with arms crossed, actively listening. An elegant and decorative dinner venue can be seen in the background.]
    Caption Friends of Artists Space Dinner, 2023. Photo: Joshua Wildman.
    Image description Color image of three or four individuals captured in the middle of a conversation. Two individuals have their back turned to the camera, while another person is facing the lens with arms crossed, actively listening. An elegant and decorative dinner venue can be seen in the background.
    Year
    Related pages Support
  • Dark blue text overlays red-pink background. The text reads: “March 25 / Ralph Lemon / Tracie Morris.
    Dark blue text overlays red-pink background. The text reads: “March 25 / Ralph Lemon / Tracie Morris.
    [Dark blue text overlays red-pink background. The text reads: “March 25 / Ralph Lemon / Tracie Morris." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description Dark blue text overlays red-pink background. The text reads: “March 25 / Ralph Lemon / Tracie Morris." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year 2023
    Related pages Segue Reading Series: Ralph Lemon & Tracie Morris
  • An exhibition wall filled with colorful posters, prints and magazine covers, a tv monitor sits on the floor.
    An exhibition wall filled with colorful posters, prints and magazine covers, a tv monitor sits on the floor.
    Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artist Space, 2013. Photo: Daniel Pérez. [An exhibition wall filled with colorful posters, prints and magazine covers, a tv monitor sits on the floor.]
    Caption Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artist Space, 2013. Photo: Daniel Pérez.
    Image description An exhibition wall filled with colorful posters, prints and magazine covers, a tv monitor sits on the floor.
    Year 2013
    Related pages
  • A multicolored object sits on a white base. A metal antenna extends out on a diagonal.
    A multicolored object sits on a white base. A metal antenna extends out on a diagonal.
    Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $3,500
    [A multicolored object sits on a white base. A metal antenna extends out on a diagonal.]
    Caption Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $3,500
    Image description A multicolored object sits on a white base. A metal antenna extends out on a diagonal.
    Year 2019
    Related pages Trisha Baga Edition
  • Black and white scan of a photograph of a figure standing on a tall square plinth in a gallery space, in front of an obscured crowd of viewers. The figure poses like a statue with their hands on their hips, wearing a pair of overalls and high, blocky heels, and a phallic strap-on around their waist.
    Black and white scan of a photograph of a figure standing on a tall square plinth in a gallery space, in front of an obscured crowd of viewers. The figure poses like a statue with their hands on their hips, wearing a pair of overalls and high, blocky heels, and a phallic strap-on around their waist.
    Scott Burton, Performance Portrait of the Artist with Cothurni and Ithyphallus, 25 April 1974. Documentation of performance at Artists Space. Courtesy Estate of Scott Burton. [Black and white scan of a photograph of a figure standing on a tall square plinth in a gallery space, in front of an obscured crowd of viewers. The figure poses like a statue with their hands on their hips, wearing a pair of overalls and high, blocky heels, and a phallic strap-on around their waist.]
    Caption Scott Burton, Performance Portrait of the Artist with Cothurni and Ithyphallus, 25 April 1974. Documentation of performance at Artists Space. Courtesy Estate of Scott Burton.
    Image description Black and white scan of a photograph of a figure standing on a tall square plinth in a gallery space, in front of an obscured crowd of viewers. The figure poses like a statue with their hands on their hips, wearing a pair of overalls and high, blocky heels, and a phallic strap-on around their waist.
    Year
    Related pages Queer Behavior: Scott Burton and Performance Art.
  • A pattern consisting of blue prints of delicate flowers repeats across a white surface. The image resembles wallpaper.
    A pattern consisting of blue prints of delicate flowers repeats across a white surface. The image resembles wallpaper.
    [A pattern consisting of blue prints of delicate flowers repeats across a white surface. The image resembles wallpaper.]
    Caption
    Image description A pattern consisting of blue prints of delicate flowers repeats across a white surface. The image resembles wallpaper.
    Year 2014
    Related pages The Demonstration of Capitalist Realism
  • A color installation view of a gallery space. Several handpainted LPs line the left wall. A television monitor is visible in the back corner with two chairs in front. A red tunic hangs above the monitor.
    A color installation view of a gallery space. Several handpainted LPs line the left wall. A television monitor is visible in the back corner with two chairs in front. A red tunic hangs above the monitor.
    Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color installation view of a gallery space. Several handpainted LPs line the left wall. A television monitor is visible in the back corner with two chairs in front. A red tunic hangs above the monitor.]
    Caption Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak.
    Image description A color installation view of a gallery space. Several handpainted LPs line the left wall. A television monitor is visible in the back corner with two chairs in front. A red tunic hangs above the monitor.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • VHS-distorted image of Wonder Woman holding up her fist, from which emanates a burst of energy.
    VHS-distorted image of Wonder Woman holding up her fist, from which emanates a burst of energy.
    Dara Birnbaum, Technology/Transformation: Wonder Woman, 1978/9. Videotape still. [VHS-distorted image of Wonder Woman holding up her fist, from which emanates a burst of energy.]
    Caption Dara Birnbaum, Technology/Transformation: Wonder Woman, 1978/9. Videotape still.
    Image description VHS-distorted image of Wonder Woman holding up her fist, from which emanates a burst of energy.
    Year
    Related pages How to be a wo(man)
  • Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.
    Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Projections of elongated gold figures.
    Projections of elongated gold figures.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [Projections of elongated gold figures.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York.
    Image description Projections of elongated gold figures.
    Year
    Related pages Grandmother Cindy
  • Rummana Hussain stands in an open courtyard cradling half a papaya in her hands, her mouth wide open in a silent scream. Behind her, indigo powder is scattered across the pavement.
    Rummana Hussain stands in an open courtyard cradling half a papaya in her hands, her mouth wide open in a silent scream. Behind her, indigo powder is scattered across the pavement.
    Rummana Hussain, Living on the Margins, 1995. Video, color, sound; 28 minutes. Courtesy Rummana Hussain Family Collection. [Rummana Hussain stands in an open courtyard cradling half a papaya in her hands, her mouth wide open in a silent scream. Behind her, indigo powder is scattered across the pavement.]
    Caption Rummana Hussain, Living on the Margins, 1995. Video, color, sound; 28 minutes. Courtesy Rummana Hussain Family Collection.
    Image description Rummana Hussain stands in an open courtyard cradling half a papaya in her hands, her mouth wide open in a silent scream. Behind her, indigo powder is scattered across the pavement.
    Year 1995
    Related pages Whitney ISP Archive
  • A black and white image of a black circle with a fish painted on it.
    A black and white image of a black circle with a fish painted on it.
    Gerry Morehead. Installation view from Gerry Morehead, Jim Pavlicovic, Artists Space, 1976. [A black and white image of a black circle with a fish painted on it.]
    Caption Gerry Morehead. Installation view from Gerry Morehead, Jim Pavlicovic, Artists Space, 1976.
    Image description A black and white image of a black circle with a fish painted on it.
    Year 1976
    Related pages Gerry Morehead, Jim Pavlicovic
  • A black and white image of two men facing the camera.
    A black and white image of two men facing the camera.
    Lance Loud and Andy Warhol. [A black and white image of two men facing the camera.]
    Caption Lance Loud and Andy Warhol.
    Image description A black and white image of two men facing the camera.
    Year
    Related pages An American Family
  • Two people in aprons use a printmaker. One stands in the foreground, using the machine, while the other stands to the left in the background.
    Two people in aprons use a printmaker. One stands in the foreground, using the machine, while the other stands to the left in the background.
    Students creating prints at International Print Center NY, 2019 [Two people in aprons use a printmaker. One stands in the foreground, using the machine, while the other stands to the left in the background.]
    Caption Students creating prints at International Print Center NY, 2019
    Image description Two people in aprons use a printmaker. One stands in the foreground, using the machine, while the other stands to the left in the background.
    Year 2019
    Related pages Portfolio Development
  • A geometric, silver metal sculpture sits on a wooden gallery floor in front of a large, light-filled window. The sculpture is modular, hollow, and consists of rectangular and triangular metal components. Two vent-like openings in the sculpture face the viewer, while the opposite side of the sculpture bends towards the gallery window.
    A geometric, silver metal sculpture sits on a wooden gallery floor in front of a large, light-filled window. The sculpture is modular, hollow, and consists of rectangular and triangular metal components. Two vent-like openings in the sculpture face the viewer, while the opposite side of the sculpture bends towards the gallery window.
    Charlotte Posenenske. Configured by the staff of Artists Space. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A geometric, silver metal sculpture sits on a wooden gallery floor in front of a large, light-filled window. The sculpture is modular, hollow, and consists of rectangular and triangular metal components. Two vent-like openings in the sculpture face the viewer, while the opposite side of the sculpture bends towards the gallery window.]
    Caption Charlotte Posenenske. Configured by the staff of Artists Space. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A geometric, silver metal sculpture sits on a wooden gallery floor in front of a large, light-filled window. The sculpture is modular, hollow, and consists of rectangular and triangular metal components. Two vent-like openings in the sculpture face the viewer, while the opposite side of the sculpture bends towards the gallery window.
    Year 2010
    Related pages Charlotte Posenenske
  • A profile of a man wearing glasses gazing beyond the frame. He sits in front of a painted portrait of a figure, who gazes in the same direction.
    A profile of a man wearing glasses gazing beyond the frame. He sits in front of a painted portrait of a figure, who gazes in the same direction.
    George Kuchar. [A profile of a man wearing glasses gazing beyond the frame. He sits in front of a painted portrait of a figure, who gazes in the same direction.]
    Caption George Kuchar.
    Image description A profile of a man wearing glasses gazing beyond the frame. He sits in front of a painted portrait of a figure, who gazes in the same direction.
    Year 2013
    Related pages George Kuchar
  • A figure sits in a dimly lit corner in profile, gazing forward. They flip through pages of a script displayed in front of them. An open laptop sits to their left.
    A figure sits in a dimly lit corner in profile, gazing forward. They flip through pages of a script displayed in front of them. An open laptop sits to their left.
    Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court. [A figure sits in a dimly lit corner in profile, gazing forward. They flip through pages of a script displayed in front of them. An open laptop sits to their left.]
    Caption Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court.
    Image description A figure sits in a dimly lit corner in profile, gazing forward. They flip through pages of a script displayed in front of them. An open laptop sits to their left.
    Year 2020
    Related pages Passages from People Who Led to My Plays
  • Potted plants and small figurines line the windowsill. Beneath the window are four framed works on paper.
    Potted plants and small figurines line the windowsill. Beneath the window are four framed works on paper.
    Adjua Gargi Nzinga Greaves, For Aricka, Ayana, Ayodele, Bernice, Chantelle, Charmaine, Cynthia Ch., Cynthia Co., Daphne, Davina, Dawn, Dina, Emily, Erica, Evadne, Frances, Gail, Gwen, Hara, Heather, Imanei, Imani, Janet, Jenny, Kadija, Kahdeidra, kale, Kelly, Kenya (R), LesLes, Lois, Lynnette, Madeleine, Mahogany, Marsha, Maiya, Najela, Nontsi, Ola, Pilar, Queen, RaFia, Ro-Ro, Sandra, Sasha, Serenity, Shana, Simone L, Simone W, Tabitha, Taiyi, Trinity, Uchenna, Vivian, Wangechi, X, Yvette, Zuri, detail, 2021. Living plants: Hannibal (Epipremnum aureum) with rose quartz, Gertrude Deuxieme (Tillandsia xerographica), Leonie (Philodendron totem), Eversley Deuxieme (Tillandsia xerographica), Melford (Epipremnum aureum) with amethyst; dessicated floral matter (eucalyptus, grass, willow, palm), knight on horseback figurine, brass candlesticks, polystyrene, porcelain and 18 karat gold plates, crystals (various), bamboo earrings, jade, cremains, leather, cork, glass, dragon figurine, sandalwood incense and ceramic holder, palo santo (Bursera graveolens), and window, overall dimensions variable. Courtesy Artists SPace, New York. Photo: Filip Wolak [Potted plants and small figurines line the windowsill. Beneath the window are four framed works on paper.]
    Caption Adjua Gargi Nzinga Greaves, For Aricka, Ayana, Ayodele, Bernice, Chantelle, Charmaine, Cynthia Ch., Cynthia Co., Daphne, Davina, Dawn, Dina, Emily, Erica, Evadne, Frances, Gail, Gwen, Hara, Heather, Imanei, Imani, Janet, Jenny, Kadija, Kahdeidra, kale, Kelly, Kenya (R), LesLes, Lois, Lynnette, Madeleine, Mahogany, Marsha, Maiya, Najela, Nontsi, Ola, Pilar, Queen, RaFia, Ro-Ro, Sandra, Sasha, Serenity, Shana, Simone L, Simone W, Tabitha, Taiyi, Trinity, Uchenna, Vivian, Wangechi, X, Yvette, Zuri, detail, 2021. Living plants: Hannibal (Epipremnum aureum) with rose quartz, Gertrude Deuxieme (Tillandsia xerographica), Leonie (Philodendron totem), Eversley Deuxieme (Tillandsia xerographica), Melford (Epipremnum aureum) with amethyst; dessicated floral matter (eucalyptus, grass, willow, palm), knight on horseback figurine, brass candlesticks, polystyrene, porcelain and 18 karat gold plates, crystals (various), bamboo earrings, jade, cremains, leather, cork, glass, dragon figurine, sandalwood incense and ceramic holder, palo santo (Bursera graveolens), and window, overall dimensions variable. Courtesy Artists SPace, New York. Photo: Filip Wolak
    Image description Potted plants and small figurines line the windowsill. Beneath the window are four framed works on paper.
    Year 2021
    Related pages Adjua Gargi Nzinga Greaves
  • View of 3 performers on stage from center left. Performers pictured in front of soft pink, blue, and white light against a wall. Leftmost performers is seated, speaking into a microphone and manipulating a tape machine with hands. Performer in center is drinking from a blue water bottle. Rightmost performer is making sound through cupped hands into microphone. Sharply defined shadows against back wall.
    View of 3 performers on stage from center left. Performers pictured in front of soft pink, blue, and white light against a wall. Leftmost performers is seated, speaking into a microphone and manipulating a tape machine with hands. Performer in center is drinking from a blue water bottle. Rightmost performer is making sound through cupped hands into microphone. Sharply defined shadows against back wall.
    Abasement #70. Performance documentation, July 1st, 2024, Artists Space. Photo: Joshua Wildman. [View of 3 performers on stage from center left. Performers pictured in front of soft pink, blue, and white light against a wall. Leftmost performers is seated, speaking into a microphone and manipulating a tape machine with hands. Performer in center is drinking from a blue water bottle. Rightmost performer is making sound through cupped hands into microphone. Sharply defined shadows against back wall. ]
    Caption Abasement #70. Performance documentation, July 1st, 2024, Artists Space. Photo: Joshua Wildman.
    Image description View of 3 performers on stage from center left. Performers pictured in front of soft pink, blue, and white light against a wall. Leftmost performers is seated, speaking into a microphone and manipulating a tape machine with hands. Performer in center is drinking from a blue water bottle. Rightmost performer is making sound through cupped hands into microphone. Sharply defined shadows against back wall.
    Year
    Related pages Abasement #70
  • A performer's hand adjusts the dials of audio equipment which is placed on top of a small desk. Their hands are adorned with rings and bracelets, and the scene is bathed in green light. The background is blue and purple tinted, and there are blurred silhouettes of audience members behind the performer.
    A performer's hand adjusts the dials of audio equipment which is placed on top of a small desk. Their hands are adorned with rings and bracelets, and the scene is bathed in green light. The background is blue and purple tinted, and there are blurred silhouettes of audience members behind the performer.
    Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata. [A performer's hand adjusts the dials of audio equipment which is placed on top of a small desk. Their hands are adorned with rings and bracelets, and the scene is bathed in green light. The background is blue and purple tinted, and there are blurred silhouettes of audience members behind the performer.]
    Caption Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata.
    Image description A performer's hand adjusts the dials of audio equipment which is placed on top of a small desk. Their hands are adorned with rings and bracelets, and the scene is bathed in green light. The background is blue and purple tinted, and there are blurred silhouettes of audience members behind the performer.
    Year
    Related pages S*an D. Henry-Smith
  • A figure leans over to arranges audio equipment on a desk using a flashlight held in their mouth. Red light fills the background.
    A figure leans over to arranges audio equipment on a desk using a flashlight held in their mouth. Red light fills the background.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure leans over to arranges audio equipment on a desk using a flashlight held in their mouth. Red light fills the background.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure leans over to arranges audio equipment on a desk using a flashlight held in their mouth. Red light fills the background.
    Year 2022
    Related pages Abasement #61
  • Books packed on two adjacent metal shelving units.
    Books packed on two adjacent metal shelving units.
    [Books packed on two adjacent metal shelving units.]
    Caption
    Image description Books packed on two adjacent metal shelving units.
    Year 2014
    Related pages Going Down the Market
  • A black-and-white photograph of a room with photographs arranged in a row on the right-hand wall, and in a large grid on the left wall.
    A black-and-white photograph of a room with photographs arranged in a row on the right-hand wall, and in a large grid on the left wall.
    John Mendelsohn and Donald Sultan, Installation view, Artists Space, 1977. [A black-and-white photograph of a room with photographs arranged in a row on the right-hand wall, and in a large grid on the left wall.]
    Caption John Mendelsohn and Donald Sultan, Installation view, Artists Space, 1977.
    Image description A black-and-white photograph of a room with photographs arranged in a row on the right-hand wall, and in a large grid on the left wall.
    Year 1977
    Related pages John Mendelsohn and Donald Sultan
  • Jutta Koether is a painter, performance artist, musician, critic, and theoretician based in New York and Berlin. Her work with Artists Space began in 2012 with her performance fifth season act and most recently Analogue Drive (2024) performed in Hong Kong for Artists Space and Empty Gallery. In her live works, Koether enacts a highly specific form of entangled action centering on and around specific artworks. Embedded with performative possibility, these objects – positioned in a room, a situation, a city – circuit together in a network of language, duration, and the artist's active negotiation between producer and produced. As a painter, Koether challenges the viewer’s understanding of the medium’s terms and histories, often appropriating and retooling elements from the work of male masters. Engaging a range of motifs and materials—such as grids, X-marks, and red paint—she cultivates painting’s ability to yield something unanticipated, vital, and feminine. Koether studied art and philosophy at the University of Cologne and the Whitney ISP. In 1981 she joined the editorial staff of the music and art journal Spex. She is the author of several books and has written for such publications as Eau de Cologne, Artforum, Texte zur Kunst, and Flash Art. From 2010 to 2024 Koether was Professor for Painting and Drawing at the University of Fine Arts Hamburg. She has had major solo exhibitions at the Museum Brandhorst, Munich, Mudam Luxembourg – Musée d’Art Moderne Grand-Duc Jean; Museum Abteiberg, Mönchengladbach; Artium Museoa, Vitoria-Gasteiz; PRAXES Center for Contemporary Art, Berlin; Moderna Museet, Stockholm; Van Abbemuseum, Eindhoven; Kunsthalle Bern, Switzerland; Academy of Fine Arts Vienna; and Kölnischer Kunstverein, Cologne, among other venues. [Photo: Empty Gallery, Hong Kong, 2024]
    Caption Jutta Koether is a painter, performance artist, musician, critic, and theoretician based in New York and Berlin. Her work with Artists Space began in 2012 with her performance fifth season act and most recently Analogue Drive (2024) performed in Hong Kong for Artists Space and Empty Gallery. In her live works, Koether enacts a highly specific form of entangled action centering on and around specific artworks. Embedded with performative possibility, these objects – positioned in a room, a situation, a city – circuit together in a network of language, duration, and the artist's active negotiation between producer and produced. As a painter, Koether challenges the viewer’s understanding of the medium’s terms and histories, often appropriating and retooling elements from the work of male masters. Engaging a range of motifs and materials—such as grids, X-marks, and red paint—she cultivates painting’s ability to yield something unanticipated, vital, and feminine. Koether studied art and philosophy at the University of Cologne and the Whitney ISP. In 1981 she joined the editorial staff of the music and art journal Spex. She is the author of several books and has written for such publications as Eau de Cologne, Artforum, Texte zur Kunst, and Flash Art. From 2010 to 2024 Koether was Professor for Painting and Drawing at the University of Fine Arts Hamburg. She has had major solo exhibitions at the Museum Brandhorst, Munich, Mudam Luxembourg – Musée d’Art Moderne Grand-Duc Jean; Museum Abteiberg, Mönchengladbach; Artium Museoa, Vitoria-Gasteiz; PRAXES Center for Contemporary Art, Berlin; Moderna Museet, Stockholm; Van Abbemuseum, Eindhoven; Kunsthalle Bern, Switzerland; Academy of Fine Arts Vienna; and Kölnischer Kunstverein, Cologne, among other venues. [Photo: Empty Gallery, Hong Kong, 2024]
    Image description
    Year
    Related pages Friends of Artists Space Dinner
  • A grid of 6 documents sitting opened on a table.
    A grid of 6 documents sitting opened on a table.
    Richard Hollis. Installation view, Artists Space, 2013. [A grid of 6 documents sitting opened on a table.]
    Caption Richard Hollis. Installation view, Artists Space, 2013.
    Image description A grid of 6 documents sitting opened on a table.
    Year 2013
    Related pages Richard Hollis
  • A figure sits behind a table, looking at a laptop screen, their face resting in their hand and a microphone placed next to their face.
    A figure sits behind a table, looking at a laptop screen, their face resting in their hand and a microphone placed next to their face.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure sits behind a table, looking at a laptop screen, their face resting in their hand and a microphone placed next to their face.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure sits behind a table, looking at a laptop screen, their face resting in their hand and a microphone placed next to their face.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • A color image of the corner of a gallery space. Half of the right wall has been painted blue, and a yellow painting of Black Queer figures in a barbershop is hung on the wall. Three soft sculptures are placed, evenly spaced apart along the floor, all depicting different figures.
    A color image of the corner of a gallery space. Half of the right wall has been painted blue, and a yellow painting of Black Queer figures in a barbershop is hung on the wall. Three soft sculptures are placed, evenly spaced apart along the floor, all depicting different figures.
    Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of the corner of a gallery space. Half of the right wall has been painted blue, and a yellow painting of Black Queer figures in a barbershop is hung on the wall. Three soft sculptures are placed, evenly spaced apart along the floor, all depicting different figures.]
    Caption Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of the corner of a gallery space. Half of the right wall has been painted blue, and a yellow painting of Black Queer figures in a barbershop is hung on the wall. Three soft sculptures are placed, evenly spaced apart along the floor, all depicting different figures.
    Year
    Related pages Jonathan Lyndon Chase
  • Two performers on stage, the one on the right is playing the drums and using electronic audio equipment, and the performer on the left is leaning over a large case on top of a table. The room is bathed in yellow, pink, red, and purple light. The wall behind them is projected with abstract patterns.
    Two performers on stage, the one on the right is playing the drums and using electronic audio equipment, and the performer on the left is leaning over a large case on top of a table. The room is bathed in yellow, pink, red, and purple light. The wall behind them is projected with abstract patterns.
    Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman. [Two performers on stage, the one on the right is playing the drums and using electronic audio equipment, and the performer on the left is leaning over a large case on top of a table. The room is bathed in yellow, pink, red, and purple light. The wall behind them is projected with abstract patterns.]
    Caption Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Two performers on stage, the one on the right is playing the drums and using electronic audio equipment, and the performer on the left is leaning over a large case on top of a table. The room is bathed in yellow, pink, red, and purple light. The wall behind them is projected with abstract patterns.
    Year
    Related pages Abasement #73
  • A close-up image of a musician surrounded by three microphones is sitting on the floor playing the violin. Three other violins lay on the stage before her. Abstract images are projected onto the back.
    A close-up image of a musician surrounded by three microphones is sitting on the floor playing the violin. Three other violins lay on the stage before her. Abstract images are projected onto the back.
    Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [A close-up image of a musician surrounded by three microphones is sitting on the floor playing the violin. Three other violins lay on the stage before her. Abstract images are projected onto the back.]
    Caption Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A close-up image of a musician surrounded by three microphones is sitting on the floor playing the violin. Three other violins lay on the stage before her. Abstract images are projected onto the back.
    Year
    Related pages Abasement #65
  • Color installation image showing a chandelier hanging from the ceiling and resting on the floor in front of a dark column.
    Color installation image showing a chandelier hanging from the ceiling and resting on the floor in front of a dark column.
    Jazmín López, Amazon, 2022. Chandelier and blood. Photo: Steven Cottingham. [Color installation image showing a chandelier hanging from the ceiling and resting on the floor in front of a dark column.]
    Caption Jazmín López, Amazon, 2022. Chandelier and blood. Photo: Steven Cottingham.
    Image description Color installation image showing a chandelier hanging from the ceiling and resting on the floor in front of a dark column.
    Year
    Related pages Whitney Independent Study: Everything is Common
  • Three performers from left to right play cymbals, drums, and a cello on stage. The wall behind the stage is lit with blue and white lights.
    Three performers from left to right play cymbals, drums, and a cello on stage. The wall behind the stage is lit with blue and white lights.
    Abasement #84. Performance documentation, February 16th, 2026, Artists Space. Photo: Joshua Wildman. [Three performers from left to right play cymbals, drums, and a cello on stage. The wall behind the stage is lit with blue and white lights. ]
    Caption Abasement #84. Performance documentation, February 16th, 2026, Artists Space. Photo: Joshua Wildman.
    Image description Three performers from left to right play cymbals, drums, and a cello on stage. The wall behind the stage is lit with blue and white lights.
    Year
    Related pages Abasement #84
  • A figure lit with red light is sitting at a table holding a microphone to their mouth. On the table are a desk lamp and a laptop computer.
    A figure lit with red light is sitting at a table holding a microphone to their mouth. On the table are a desk lamp and a laptop computer.
    Eiko Ishibashi, Two New York Nights. Performance documentation, June 8, 2022, Artists Space [A figure lit with red light is sitting at a table holding a microphone to their mouth. On the table are a desk lamp and a laptop computer.]
    Caption Eiko Ishibashi, Two New York Nights. Performance documentation, June 8, 2022, Artists Space
    Image description A figure lit with red light is sitting at a table holding a microphone to their mouth. On the table are a desk lamp and a laptop computer.
    Year
    Related pages Artists Space Venue
  • Black text on a grey background. The text reads: “Jan 17 / Cody-Rose Clevidence / Marcella Durand.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a grey background. The text reads: “Jan 17 / Cody-Rose Clevidence / Marcella Durand.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a grey background. The text reads: “Jan 17 / Cody-Rose Clevidence / Marcella Durand.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a grey background. The text reads: “Jan 17 / Cody-Rose Clevidence / Marcella Durand.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Cody-Rose Clevidence & Marcella Durand
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