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Robert Gero, Untitled, 1989. Sandstone, salt, aluminum, 60 x 9 x 9 inches. [A rectangular column of rough, brown material is capped by a smooth cube of white stone.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [A color image of a dark room featuring illuminated yellow and orange shapes floating on the wall and reflected on the floor.] -
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Adjua Gargi Nzinga Greaves, Autotelemachy, 2017. Collage, 59 x 68 inches. Photo: Filip Wolak [A collage of eucalyptus sprigs, other plants, and human figures attached to a framed map.] -
Milford Graves: Fundamental Frequency. Installation view (Hand-painted Drums, c.1970s; Earth Resonance, 2020; Untitled painting, c. 1980s), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color photograph of a hand painted drumset in a gallery space. A circular gong hangs above, and a painting done on a wooden panel is attached to the wall in the background.] -
Yates McKee, Strike Art: Contemporary Art and the Post-Occupy Condition (New York: Verso Books, 2017); edited by Nina Felshin, But Is It Art?: The Spirit of Art as Activism (Toronto: Bay Press, 1995). [A collage of images including book covers, "Strike Art," and "But is it Art?: The Spirit of Art as Activism," displayed alongside images of protestors holding up banners reading "Decolonize This Place" and a large banner draped across a clocktower that reads, "Free Education to All."] -
Lise Soskolne. Installation view, Artists Space, 1999. [Three large, monotone paintings, each hung on its own white wall. A protruding white wall with a blue canvas and white text in French partially obscures a black canvas with white text. Perpendicular to that is a red canvas.] -
Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of the silhouette of a figure on the right, they are bent over with a small radio in their hands. To the left is a standing microphone placed over speakers on a desk, with light sensors dangling on the wall behind.] -
Sidewalk Archives, Artists Space, April 2023 -
Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman. [Color photo of two men sitting at a worktable that holds various musical and electronic equipment. In the background, various audience members sit and observe the performers within a dimly lit space. Yellow projections shine on the wall behind the performers along with blue and pink spotted lights.] -
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Selections from the Unaffiliated Artists File. Installation view, Artists Space, 1982. [Contact sheet of installation and opening photos from the exhibition.] -
Constantina Zavitsanos, LEAVE - A - PENNY / TAKE - A - PENNY, 2024, Bronze, 4.5 in. x 4.25 in. x 1.5 in. [A common convenience store countertop coin share dish shines in solid bronze on a soft black velvet ledge. Its raised text reads: “LEAVE - A - PENNY / TAKE - A - PENNY”.] -
Octopus and water paintings, 2022 -
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Attention Line. Installation view (exceprts from Clairvoyant Journal, 1974, Clairvoyant Journal cassette tape, 1974, If Workshop, c. 1990 ), Artists Space, June 11 - August 20, 2022. Image courtesy Artists Space, New York. Photo: Filip Wolak [An image of a display case with several letters, and a television sitting on top.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. [Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.] -
Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view (Ruben Ulises Rodriguez Montoya, The Lil Rat that Made it on Board the Ship, 2021; Ruben Ulises Rodriguez Montoya, Goyas lil bat from “sueño de la razón produce monstruos”, 2022), Artists Space, 2024. Photo: Carter Seddon. [A hulking biomorphic black sculpture, composed of car parts and a large black t-shirt smeared with pigmented dragon skin silicone, hangs from the ceiling. To the right, a small sculpture of scuffed white plastic, brown fur, and various jutting animal teeth sits on a shelf.] -
Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [Photographs mounted to black backgrounds are hung up in a row on a white wall.] -
Ralph Paquin and Ann Stoddard, ERAWA - ERA WAS, 1990. Installation view, Artists Space, 1990. [A large, hollow paper mache head is seen from below in a black and white photograph. The head is held up by a metal armature and scaffold.] -
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Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A framed photograph displayed on a white wall. The photograph shows multicolored flowers laying on a white surface with a black background.] -
[Black text overlays a color-scheme grid background. The text reads: “Dec 9 / Jessica Laser / Jillian McManemin" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)] -
Limpe Fuchs, 2012. Festival Experimentelle Musik, Munich. [Black-and-white photo of a person pulling two ends of a rolled-up rope] -
Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of the corner of a gallery space. The walls are painted with blue accents, and there is a checkerboard floor. Large, vibrant paintings of Black Queer figures hang on the walls. Blue neon lights run along the frame of the window in the corner.] -
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SCRAAATCH, Untitled July 4th Performance, 2022. Photo: Mo Costello. [A microphone and lights are set up in a field, with trees along the horizon line.] -
DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A glass case filled with colorful paraphernalia sits on an orange table. The case is bound lengthwise and widthwise with straps. On top of the case sit two magnifying glasses and several stacks of plastic cups.] -
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Moyra Davey, still from Fifty Minutes, 2011. 50 min. [A man reclines while reading on a daybed draped with green linens. Behind him are four bookcases filled with vinyl records.] -
The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [A metal cutout of a hand, holding up its middle finger with others curled back, is installed on a white wall. The hand holds a stack of neon cards. Black text on the front of the top card reads, "High five, girls earned the point, they have a good feel."] -
Eric Mitchell, Mass Homocide. Performance documentation, November 19, 1977, Artists Space. [Three figures lie on the floor in a room painted with white walls. A figure dressed in all black watched on in the background. The image is repeated in a dyptich.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Two figures dressed in blue morph suits walk around a basement space. One figure on the right stands behind a semi-circular rolling table made of wood and fresnel lenses. Along the back wall blue and purple live CCTV video footage is projected.] -
I Thought I Had Time. Installation view, Artists Space, 1992. [A cross-shaped panel installed on a white wall. The left arm of the panel is painted gray, while its vertical bisector is painted a dark black color. The right arm of the panel features a collage of three identical black and white images of a doctor wearing protective gloves while injecting a figure's arm with a syringe.] -
Devin Kenny, Stop following me/follow me, 2016. Photo: Daniel Pérez. [An angled view of the illuminated stage of a overhead projector. A red flashlight descends from the lamp onto a flat pile of objects including photographs, drawings, transparents material, and more.] -
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Donald Moffett, Hidden Drive, 2018, C-print with diecut, 16 x 12 inches, Signed edition of 100, 5APs Courtesy of the artist [White flowers are superimposed on a photograph of a leafy shrub enshrouding a yellow street sign that reads "HIDDEN DRIVE." The face of the sign is damaged with many holes and other signs of impact that suggest gunfire.] -
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[A pattern consisting of blue prints of delicate flowers repeats across a white surface. The image resembles wallpaper.] -
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Frames 2-9: installation views of Ken Lum’s “Untitled Sculpture”; Frames 10-23:installation views of Nic Nicosia’s “Domestic Dramas” ; Frames 27-35: installation views of Peter Waite’s “Las Meninas”. Artists Space, 1982. [Contact sheets made from the installation of the exhibition.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Audience members are seated along a back wall, with a figure in a blue morph suit seated on a rectangular wooden frame alongside them. Blue light is projected onto a screen in the background.] -
Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two photographs are mounted on a white gallery wall.] -
Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A long rectangular wooden table with three TV monitors facing outwards on different sides. Six small wooden seats with wired headphones resting on them are arranged in front of the monitors. One visible screen displays an image of a man sitting at a table.] -
Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [A series of reproduced photographic stills are displayed in a row along a white gallery wall. The stills are taken from a television broadcast and depict graphics from commercials, and the inside of a television studio. In the foreground is a magazine, displayed open on a plinth made from MDF. ] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure on the left sings into a microphone, while on thhe right, a figure sitting down and wearing a baseball cap plays the guitar.] -
J.B. Cobb, Martha Edelheit, Ree Morton. Installation view, Artists Space, 1973. [A color installation photograph of a gallery space with several framed objects hanging on the wall, and a sculpture of a green parkscape on white stilts in the middle.] -
Kevin Labadie. Installation view. Artists Space, 1983. [A number of dark paper-thin objects are visible in the foreground and a netted covering with small pieces of string dispersed around it with light emanating from behind can be seen in the upper section of the image.] -
Felix Gonzalez-Torres, “Untitled” (A Portrait), 1991. 5 min. [A grid of fifteen black and white monitors, each displaying a unique text that names objects, phenomena, or other nouns characterizing an unidentified subject, such as "a silver sea," "civil disobedience," and "a new lesion."] -
Jack Smith, still from Hamlet in the Rented World (A Fragment), 1970-73. 16mm transferred to video, (sound, color), 27 minutes. [A figure wearing all black clothing, a black hood, heavy eyeshadow, and a fake mustache looks at the floor.] -
[19 thinly outlined boxes arranged in columns of decreasing height on a black background. Each box contains a glowing, symmetrical, orange and purple geometric shape of varying complexity. In each box's lower right corner, white text lists three coordinates. There is a gradient key from purple through orange and yellow to white, with a minus sign at one end and a plus sign at the other, and above that, a complex mathematical formula. In the upper righthand corner, white text reads, "Betsy Fagin and Alan Felsenthal" and "sat, 5/23 / 5pm nyc time / zoom id: 378 232 567."] -
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Vidas Perdidas. Installation view, Artists Space, 1989. [A folding wall is erected in the center of a gallery space. Its top features painted portraits of eight people from the waist up. Below them, the lower half of the wall is covered in white, handpainted text on a black background. The text extends onto the floor, and its bottom edge is bordered by a row of votive candles. Behind this wall, other artworks are partially visible.] -
Joseph Marioni pictured with his work. Installation view, Joseph Marioni, Andrew Ginzel, Barbara Schwartz, Artists Space, 1975. [A figure standing in front of a black square canvas in a gallery space.] -
Kayla Asalcedo, Lower East Side Map, 2018 [A black-and-white drawing in a collage style, depicting many public parking signs, street-level façades, advertisements, buildings, a bycicle, smoke, and two large, flowing arrows] -
You Are The Everything and The Everything Is In You. Installation view, Artists Space, 2005. [A corner of a gallery space with wooden floors. Two framed works on paper hang on the left wall. A light blue color has also been imprinted on the central portion of the wall. A long scroll of paper stretches horizontally across the wall to the right. The paper is covered with black and pastel-colored markings.] -
Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of a display case. Several mugs are stacked on top of each other on the left side of the case, while five others are placed haphazardly across its surface. Each white mug is decorated with black text that reads, *STANCHION*. Several photos of a nude woman are arranged across the surface of the case.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure in a red suit performing in a darkly lit room with LED light sculptures in the background. The figure holds their left hand out in a gesture, and with their right hand holds a mask in front of their face.] -
Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo credit: Jean Vong. [Two foldable room dividers are installed in a large gallery. Multiple paintings are hung on the dividers, each depicting a scene of men in public and private spaces, engaged in various activities of work and leisure.] -
Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of four framed works displayed against a white wall. The drawings depict abstract compositions made up of colorful shapes and lines, and pencil strokes.] -
SCRAAATCH, Untitled July 4th Performance, 2022. Photo: Mo Costello. [A microphone and lights are set up in a field, with trees along the horizon line.] -
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Carmen Herrera, Green's Way, 1988. Acrylic on canvas, 42 x 42 inches. Courtesy the artist. [Four green rectangles arranged in a pinwheel formation on a white background.] -
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Traditions: Five Painters. Installation View, Artists Space, 1978. [Various paintings hang on the walls as guests enjoy the exhibition opening.] -
Sidewalk Archives, Artists Space, April 2023 -
Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A series of photographs are installed on a white gallery wall above a series of pipes that run horizontally along the wall. The photographs depict figures superimposed by saturated imagery.] -
Classroom wall at PS140 Nathan Straus, with work from students in the Portfolio Development program. [Several drawings and small paintings pinnned to the outside of a cabinet depicting city scenes, portraits, and still life images.] -
Amalle Dublon & Constantina Zavitsanos, Interferometer (Quantum Eraser), 2018 (detail view). Photo: Daniel Pérez. [An inferometer in the foreground, bolted onto a black peg-board table, projects a green dot, through multiple lenses, onto a white wall.] -
Alan Michelson. Permanent Title, 1993. Wax, muslin, charcoal. Overall: 144 x 144 x 9 in. (366 x 366 x 23 cm). Courtesy the artist. [Eleven brown bags of varying sizes are displayed on a wall, pinned so that their mouths hang open slightly. Charcoal rubbings on the bags trace out corporate logos and other words and phrases.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure stands on stage speaking into a microphone.] -
Felix Gonzalez-Torres. Julie Ault, Miwon Kwon, Robert Storr. steidldangin, 2008. Hardcover, 400 pages. $200. at the Artists Space Bookstore [A blue book cover that reads, "Felix Gonzalez-Torres, Julie Ault."] -
virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a gallery space featuring two large windows on the left and a row of dark metal columns in the center. A pile of grey posters, a table with red chairs, hanging framed images, and blue posters are visible in the space. A large grey and yellow vinyl partially hangs from the wall on the right, cascading down to the ground in the far right corner.] -
Aristotelis Nikolas Mochloulis, Frog Man & Baby Frog, 2025. Michigan J. Frog plushies, miniature directors chairs, ARRI 150 Junior light, Manfrotto Nano light stand, speakers, audio excerpts from movies. Photo: Carter Seddon. [Two pieces of wood are joined to create a miniature stage set. In the center, sitting in a miniature director's chair are two cartoon frog plushies wearing black top hats. The larger frog plushy cradles the smaller frog in it's arms. Two more director's chairs are positioned facing the plushies, along with a miniature stage light and stand that shines a spotlight on the plushies.] -
Cover of FWIW: Constantina Zavitsanos. -
Ken Okiishi. Still from Telly & Casper, 2000. Digital video (sound, color), 27 min. Courtesy the artist. [One man takes off an orange sweater while another man watches.] -
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Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court [A seated crowd watches a performer who stands behind a table on a stage. The room is illuminated by red light and the reflection of a disco ball.] -
Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [Two figures stretch their arms out.] -
Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court. [A person dressed in all pink extends a heart-shaped canvas in front of her, while her eyes look away. She is surrounded by rapt audience members arranged in a semi-circle around her. There are light spots reflected at even intervals patterning the room.] -
SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with a table made of wood and a fresnel lens tabletop on the right side of the space. Along the top of the image the basement windows are tinted blue.] -
Drake Carr, Mel Ottenberg, 2023. Colored pencil on paper. 26 x 21 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak. [A color image of an unframed colorful drawing of a male-presenting figure. The figure is crossed-arm and sitting back in whats seems like a sofa. A cup of coffee sits on his right, and a potted plant and a vintage-looking radio are on his left.] -
[Semi-translucent, white cloth material embroidered with thin black and yellow linework. A cluster of embroidered black lines gather at the top of the fabric. At their center is a group of words that have been embroidered onto the fabric. They overlap with such density that they are illegible. Small embroidered yellow circles decorate the lower half and right corner of the fabric.] -
ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [Four dynamic images of a group of individuals pinned by large push pins on a blue gallery wall.] -
Four Artists: An Exhibition of Painting and Sculpture. Installation View. Artists Space, 1985. [Paintings are hanging on walls in a white-walled gallery space with columns in the background.] -
David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon [Toile curtains gather around the gallery window, producing a soft, glowing white light. Four black and white photographs hang across from the windows, receding into space. ] -
Underground: Jose Gabriel Fernandez. Installation view, Artists Space, 1991. [A transparent cone-shaped structure set in a bare room with wooden floors. There is a small hole in the wall just behind the structure.] -
She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak. [Six glass vitrines displaying books, photographs, and other paper ephemera are installed in the center of a gallery space. A film is being projected on the back wall of the exhibition space.] -
Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [Two figures wearing medical scrubs move a table with wheels, on which a mannequin lies.] -
Five Spanish Artists. Installation View, Artists Space, 1985. [A large stick appears emerging from an image of reverberating water out of the image onto the upper lefthand corner of the gallery wall.] -
Martin Beck, An Organized System of Instructions (Carpenter Center for the Visual Arts and Sternberg Press, 2017). [A hardcover book depicting a blueish outdoor park obscured by several grey sheets.] -
Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A stack of large papers filled with text sit on a low, white plank on the ground. To the right of the paper stack, a newspaper clipping is displayed on a white wall. A small glass filled with rubber bands sits on the ground to the right of the paper stack.] -
Left: Jazmín López, You don’t have to tell him, he knows what you want, 2022. Art Magazine. Right: Scott Cottingham, CHAIN-LINK,, 2022. Single-channel video with sound, comprising machinima, 3D animation, and found footage elements, 89 minutes. Photo: Steven Cottingham. [Color photograph of video work installed on a wooden desk. Visible on the wall in the background is a work on paper mounted on a mirror.] -
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Drake Carr, Tonne Goodman, 2023. Colored pencil on paper. 40 1/8 x 30 1/8 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak. [A color image of an unframed colorful drawing reasting on a wooden easel. The drawing shows a figure elagantly sitting cross-legged on a black chair. In the background, two painting are on the floor laying against the wall.] -
Still from The Last Days of Jack Sheppard (2009). [A hand reaches toward the black-gloved hand of a person dressed in a black mask and jester-style costume, complete with a black and white pattern and a ruff around the neck.] -
Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak [A color image of a gallery space. A freestanding white wall runs perpendicular into an existing white wall. On the right side, projected onto the existing wall, is a black and white image of a spoon resting next to a bowl of water. To the left of the projected image is a single black frame containing a black and white photograph, hung above a small floating vitrine. Installed in a single row on the freestanding wall, is a series of seven black and white photographs housed in black frames. Behind the freestanding walls, a sliver of window that faces the street outside is visible. Contained within the four transom windows are black and white enlargements of a white man smoking and blowing smoke rings. ] -
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Four Scottish Artists. Opening Reception, Artists Space, 1979. [A photograph of the exhibition opening reception. A group of visitors look around at the art.] -
Abasement #84. Performance documentation, February 16th, 2026, Artists Space. Photo: Joshua Wildman. [A performer plays the drums on stage. The stage and wall behind it are bathed in blue, patterned lights.] -
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Union Gaucha Productions Still from Phantom Limb , 1998 16mm film (silent, black and white), 21 min 45 sec Courtesy of Union Gaucha Productions [A black and white image of various tones of traingle shapes and lines.] -
Floor plan sketch for Group Show, Artists Space, 1975. [A rough sketch of a gallery with names in specific zones, done in blue ink] -
Susan Eder. Installation view, Artists Space, 1976. [A black and white installation view of a rectangular photographic work with wide white matting.] -
Fontaine Dunn, Untitled, 1976. From Gary Bower, Fontaine Dunn, Hermine Ford</>, Artists Space, 1976. [A black and white image of a painting. Two triangular shapes are painted on either side of the canvas. The hypotenuse of each triangle is tiered, appearing like stairs. The space between the triangles is painted in a darker shade.] -
[White text on a turquoise and grey ombré background. The text reads: “Feb 22 / Eszter Balint / Juliana Huxtable / Rezarta Seferi.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
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Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman. -
Allan McCollum. Installation view, Artists Space, 1980. [Blurry view of a painting hanging on a wall in gallery space.] -
Flyer for Segue Reading Series featuring Kamden Hilliard and E.J. McAdams. Saturday, November 13, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel [A horizontal image with a flat, light blue background. On the right side is a pink, cotton candy-like image of a cloud. The word, "Segue" appears in pink text on the top left side. The name, "Kamden Hilliard," is written on the center-left in large red text, while the name, "Laura Elrick," appears in purple on the center-right.] -
Poster from Polly II - A Plan for a Revolution in Docklands (2006). [A city skyline on fire behind black and white waves. Above that are four circular portraits of people and a title decal with the words "POLLY II: Plan for a Revolution in Docklands."] -
Perspective: The State of Existing in Space Before the Eye. Leaftlet cover, Artists Space, 1989. [At the center of a page there is an image of a charcoal drawing of a foot overlapping a scrap of an architectural diagram on a black background. Above this image, text reads, "Don Stinson, Perspective: The State of Existing in Space Before the Eye." Below the image, text reads, "September 28-November 4, Artists Space."] -
[A flyer depicting a stylized black body in profile. Handwritten text at the top and bottom edges of the flyer reads, "BODIES OF LIGHT / EXIT STRATEGY / DEC 3RD / DECOLONIZE THIS PLACE / 55 WALKER ST / 6PM-11PM / NEW YORK, NEW YORK."] -
[A warm-colored living space littered with discarded wrapping paper and boxes. A champagne bottle sits on a side table next to an orange couch.] -
Christa Blatchford, still from See Around, 2008. [Four images arranged horizontally. From left to right: solid gray-blue, a gray-blue toned image of a shoreline, a gray toned image of a shoreline, and a gray toned image of a shoreline with a subtle pink sunrise in the sky.] -
[White text on a blue and grey ombré background. The text reads: “March 22 / Sibyl Kempson / Timmy Straw.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
Western Agenda. Installation view, Artists Space, 1991. [A black and white photo of two monolithic sculptures side by side.] -
[Photograph of a large building on an urban street composed of rectangular sections of dark black and white stone that jut variously in towards and away from the building's facade. The bottom portion of the building is supported by two white columns and has a glass facade.] -
Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez. -
Adjua Gargi Nzinga Greaves, INDEX, 2021, C-trans print mounted on lightbox, 41 1/2 x 41 1/2 x 5 inches [Four books are arranged in the center of a color photograph in a grid-like formation, their edges meeting. Handwritten notations surround the books.] -
[Two rectangular orange paintings, in portrait orientation, hang on a white wall. Both canvases depict slugs filling up each rectangle. In the painting to the left, the slug almost forms into a square. In the painting to the right, the slug is stretched in a long line, twisting across the surface area of the canvas. The eyes of both slugs protrude from their animated bodies like antennae, raised and peeking over the boundary of each painting's edge.] -
Danh Vo, Chevrolet Suburban, 2010, Digital C-print, 16 x 24 in / 40,6 x 61 cm Photo, credit: Thomas Cato Signed and numbered sales receipt. [A close-up photo of the front grille of a car, depicting the bottom half of the Chevrolet logo and a section of the front metal grille. Several bugs are visible, dead and stuck to the grille.] -
Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Two black and white photographs of various men casually holding hands are mounted one on top of the other on a white gallery wall behind semi-translucent white curtains. Two hands draw the curtains back to reveal the images.] -
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rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of the entrance into a gallery space, with columns running down the hallway. At the forefront of the image are two large paintings made of adobe, and resting on steel armatures. Each painting features a representation of a person walking slowly. In between the armatures are adobe bricks layed out into a walkway on the floor.] -
Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court [Three figures adorning firefighter costumes pass white buckets back and forth while being menaced from above by a figure wearing a wig.] -
Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of a performer inside a handmade costume, decorated with pink paper tissue branded “Miu Miu”. The hand of the performer reaches out over the audience, holding a tube with tassels made of paper. The tops of heads of audience members are visible in the edges of the image. Multiple phones are facing the performer while recording. The background is decorated with multicolor abstract projections.] -
Lissette and Ruby, Las Avenida de los Gigantes, acrylic paint on paper, 2024 -
Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery. [Black and white photograph of white picket fence with dark painted background behind it.] -
Collage project on mapping and migration -
James Carpenter. Shaking. Installation view. Artists Space, 1985. [An indistinguishable projection on the wall with an installed light appearing above it facing the opposite direction and a bright light coming in from the upper right corner of the image. A column bisects the image.] -
Hiroshi Araki, still from Mechanic and Angel, 1990. [Black and white photograph of a doll lying on a wooden surface. To the left of the doll, white text on a metal surface reads, "GOD POWER." A cross is situated between the two words.] -
U.S. Projects: Peter Shelton. Installation view, Artists Space, 1982. [A large square edifice with an opening in its center bottom held up off the floor with numerous steel rods on its sides in a gallery setting. A shadow of a human figure appears/disappears in front of the work.] -
[Black-and-white photograph that has been double exposed. The dominant image shows a portrait of two smiling figures, standing side-by-side. Imposed on top of that is a faint image of a building and lights.] -
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DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A brown object housed in a mirrored glass case. An inscription on the case's surface reads, "BRAINWASH 408-983-2800." The case itself is enclosed in a larger glass vitrine supported by a white and orange table.] -
Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Gary Burnley. [A black and white photograph of a multicolored globe sitting on a wooden floor.] -
Irving Sandler, Goodbye to Tenth Street (New York: Pleasure Boat Studio, 2018). [Cover of the novel Goodbye to Tenth Street, featuring a blue-toned image of a streetpost with a road sign for East 10th Street and a one-way sign.] -
Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of a table filled with several stacks of a book titled *EINE PINOT GRIGIO BITTE*. The book covers appear in various shades of orange, pink, blue, yellow, and green, and are stamped with the same ornate Latin emblem. Some are comb bound and others are side stitched.] -
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Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure dressed in black performing in front of an audience in the background. The room is dark, with LED light sculptures made from dried SCOBY in the background. The figure sits on the floor, looking off to the right and holding a mask in front of their face.] -
Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of beige, yellow, orange, green, and red paper. Small pieces of paper with red typewritten text listing the performers and event details are scattered around the flyer.] -
ARTstudio exhibition at Blue Sky Gallery, PS 140, 2024 -
rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a gallery space with large panels of adobe with paintings of various figures on them. In the foreground is a painting of a panther that approaches the viewer. Adobe bricks are laid out on the floor to create short walkways.] -
Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of a closeup of a figure, in profile, holding up a small radio to their ear.] -
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[Five book covers on a transparent background next to eachother in a line. From left to right the titles read, "The Abolition of Work," "Modern Dreams," "The Man Without Qualities," "Money," and "Power."] -
Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman. [A performer plays a stringed instrument on stage. The performer and stage are bathed in pink and blue light.] -
Darien Urena, Living Brick, 2018. [A close-up photo of a snake plant in a white pot next to a brick wall, in front of a mural with somoene's instagram handle painted on.] -
Installation view, Robert Morgan. Artists Space, 1977. [A black-and-white photograph of a gallery space with multiple works, framed and unframed, on the walls.] -
_____, Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978, Artists Space, 1978. Installation view, Artists Space, 1978. [A white wall with the Artists Space logo affixed. Light bulbs are affixed to the edge of the wall. In the background a piece hangs on the wall.] -
[Poster with a red-filtered image of a colonialist painting. In green and yellow font at the top of the image it reads, "Land Mass / 18 December 2017 7pm" and at the bottom in the same font, "Natalie Diaz / Demian Dineyazhi / Sonia Guinansaca / Artists Space 55 Walker Street New York, NY 10013.] -
Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure stands on the stage with a mic, speaking to the crowd.] -
Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee. [Black and white installation shot of a gallery corner. Attached to the wall are nine square black pieces on the left, and two dark circles on the right.] -
Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court [Two figures stand back to back, juggling clubs above their heads.] -
Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A green, blue, and yellow abstract landscape painting hangs on a white wall. A purple buffalo painting is hanging on the wall to the left. To the right, a tall paper is pinned into a purple section of wall.] -
Urban Pornography. Installation view, Artists Space, 2001. [Several photographs installed in a gallery space with white walls and wooden flooring. Four color photographs are arranged in a vertical line on a wall to the right side of the image. The wall terminates to the left of the displayed photographs, and a second wall extends into the gallery space directly behind it. Two large images comprised of pink and purple hues hang on a far gallery wall in the background of the image. The image on the left displays a futuristic looking, interior space.] -
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Kristin Lucas, still from Cable Xcess, 1996. [A grainy image of a person's face in striped tones of blue, orange, pink, and green.] -
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Ed Atkins, Death Mask II: The Scent, 2010. HD video with sound, 8 minutes 19 seconds. Courtesy the artist, Cabinet Gallery, London and Isabella Bortolozzi Galerie, Berlin. [An open folding calculator, turned on its side and illuminated by bright green, peach, and pink lights.] -
Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata. [A group of people sit on the floor of a dimly-lit gallery. The audience is facing towards a wall on the left side of the image where a projection of live transcription text is projected. On the right side a performer bathed in green light holds their hands together as they stand infront of a mic. The audience member in the foreground is lit with red light, as well as an exit sign on the back wall. The rest of the gallery walls are blue and purple tinted.] -
Phillippe Demontaut, Annette Messager, Tom Wolf 1981. Annette Messager, Postcard, 1981. [A black and white photo of an eye cropped with a heavy black border.] -
K8 Hardy , Sharing 2014, 2014 , C-print, 23 ½ x 18 ½ in / 59,7 x 47,1 cm (image size), 24 x 18 4/5 in / 60,1 x 47,8 cm (paper size), Signed and Numbered. [A framed photo of a hand in the lower left corner adjusting a skewed image of K8 Hardy partially undressed in a windowed room, looking over her shoulder with her left arm held aloft.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.] -
Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A string of light bulbs decends from the celing of an exhibition space, with the end of its wiring resting on the ground below. A framed image of a figure's face is installed high on the wall directly behind the light string. A small cardboard box with gold details sits on the ground to the right of the light string.] -
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Community Listening event, Painting Sound, Listening to the LES, P.S. 140, 2019 [A classroom with several students, each at their own desk, painting with primary-color watercolors] -
Artists Draw. Installation view, Artists Space, 1979. [Two drawings hung up on adjacent walls. On the left is a nude headless figure with a star covering its groin and smaller figures walking along the top. On the right is a nude headless figure with two disembodied heads floating nearby with long extended tongues.] -
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Abasement #86. Performance documentation, April 6th, 2026, Artists Space. Photo: Joshua Wildman. [A performer operates a soundboard on stage. A shadow is cast on the wall behind, resembling another performer dancing with their hands thrown above their head. ] -
Robert Longo, Burning Word: Device for Young Artists, c. 1977. Cast metal. [A black and white photograph of a metal rod with the word "believe" attached to the end. A shadow spelling out "believe" is cast onto a white background.] -
Nayiel Walker, Self Portrait, 2018 [An abstract painting, mostly blue, purple, and black, with splashes of yellow and pink. Several of the brush strokes take on a vaguely anthropomorphic association.] -
Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a corner of a gallery space. On the left wall hang various framed posters, and black-and-white photographs. A small window in the wall leads to the front of the gallery. On the right wall are more photographs and posters, and a vitrine. On the floor sits a television monitor displaying a black-and-white image of a pocketwatch.] -
Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman. [A musician standing on stage playing a small wooden instrument. They are looking down and wearing a headlamp. In front of them are multiple electronic instruments and cords. The wall in the background is scattered with white dots reflected from a disco ball.]
