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  • An image of an exhibition space with a sculpted, larger than life head that hangs in the mezzanine.
    An image of an exhibition space with a sculpted, larger than life head that hangs in the mezzanine.
    New Red Order with Emmett de Muzio Hello, World!, detail, 2021 Wood with silicone, iPads, red feather, and polyester knit fabric step-and-repeat. Photo: Filip Wolak [An image of an exhibition space with a sculpted, larger than life head that hangs in the mezzanine.]
    Caption New Red Order with Emmett de Muzio Hello, World!, detail, 2021 Wood with silicone, iPads, red feather, and polyester knit fabric step-and-repeat. Photo: Filip Wolak
    Image description An image of an exhibition space with a sculpted, larger than life head that hangs in the mezzanine.
    Year 2021
    Related pages New Red Order: Feel at Home Here
  • Several people seated on a couch watch a monitor set on a pedestal in front of them.  A large speaker is placed to the right of the screen, and on the wall alongside this are two rows of black and white photographs.
    Several people seated on a couch watch a monitor set on a pedestal in front of them.  A large speaker is placed to the right of the screen, and on the wall alongside this are two rows of black and white photographs.
    Min Joong Art. Installation view, Artists Space, 1988. [Several people seated on a couch watch a monitor set on a pedestal in front of them. A large speaker is placed to the right of the screen, and on the wall alongside this are two rows of black and white photographs.]
    Caption Min Joong Art. Installation view, Artists Space, 1988.
    Image description Several people seated on a couch watch a monitor set on a pedestal in front of them. A large speaker is placed to the right of the screen, and on the wall alongside this are two rows of black and white photographs.
    Year 1988
    Related pages Min Joong Art: A New Cultural Moment from Korea
  • A color television CRT monitor is visible with a man's face on it. This monitor is shrouded in darkness and some indistinguishable object appears to be touching the screen.
    A color television CRT monitor is visible with a man's face on it. This monitor is shrouded in darkness and some indistinguishable object appears to be touching the screen.
    Installation view of Social Disease and Two Possibilities, Artists Space, April 12, 1986 - May 10, 1986. [A color television CRT monitor is visible with a man's face on it. This monitor is shrouded in darkness and some indistinguishable object appears to be touching the screen.]
    Caption Installation view of Social Disease and Two Possibilities, Artists Space, April 12, 1986 - May 10, 1986.
    Image description A color television CRT monitor is visible with a man's face on it. This monitor is shrouded in darkness and some indistinguishable object appears to be touching the screen.
    Year
    Related pages Social Disease and Two Possibilities
  • Three red-orange panels in white frames hang on a white wall in an open space.
    Three red-orange panels in white frames hang on a white wall in an open space.
    Hito Steyerl, Red Alert, 2007. Installation on 3 computer monitors. Courtesy of the artist. [Three red-orange panels in white frames hang on a white wall in an open space.]
    Caption Hito Steyerl, Red Alert, 2007. Installation on 3 computer monitors. Courtesy of the artist.
    Image description Three red-orange panels in white frames hang on a white wall in an open space.
    Year 2015
    Related pages Hito Steyerl
  • A color photograph of a figure in a pointed hat with a wide brim, wearing a black and white robe. The figure is pictured amid tree branches and vines that block their face. They hold a twisted vine in their left hand.
    A color photograph of a figure in a pointed hat with a wide brim, wearing a black and white robe. The figure is pictured amid tree branches and vines that block their face. They hold a twisted vine in their left hand.
    Portrait of Eiko Ishibashi [A color photograph of a figure in a pointed hat with a wide brim, wearing a black and white robe. The figure is pictured amid tree branches and vines that block their face. They hold a twisted vine in their left hand.]
    Caption Portrait of Eiko Ishibashi
    Image description A color photograph of a figure in a pointed hat with a wide brim, wearing a black and white robe. The figure is pictured amid tree branches and vines that block their face. They hold a twisted vine in their left hand.
    Year 2022
    Related pages Eiko Ishibashi in Concert
  • A wide angle image of a dark exhibition space, on the left a large projection is shown on a long wall, on the right photograph negatives hang off a wall.
    A wide angle image of a dark exhibition space, on the left a large projection is shown on a long wall, on the right photograph negatives hang off a wall.
    New Red Order: Feel at Home Here. Installation view, Artists Space, May 19 – August 21, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A wide angle image of a dark exhibition space, on the left a large projection is shown on a long wall, on the right photograph negatives hang off a wall.]
    Caption New Red Order: Feel at Home Here. Installation view, Artists Space, May 19 – August 21, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A wide angle image of a dark exhibition space, on the left a large projection is shown on a long wall, on the right photograph negatives hang off a wall.
    Year 2021
    Related pages New Red Order: Feel at Home Here
  • An image of a magazine rack with numerous copies of a magazine with a city-scape is positioned upside down, the point of the skyscraper reaching towards the bottom of the image. Googley eyes, eyebrows, and a mouth are drawn near the top of the building. Red serif font across the top of the image reads
    An image of a magazine rack with numerous copies of a magazine with a city-scape is positioned upside down, the point of the skyscraper reaching towards the bottom of the image. Googley eyes, eyebrows, and a mouth are drawn near the top of the building. Red serif font across the top of the image reads
    New Red Order Give it Back, detail, 2020 Acrylic LED displays with cut vinyl, water cooler, poster, couch, desk, chairs, magazine rack, The New Red Times Magazine, and three televisions. Image courtesy Artists Space, New York [An image of a magazine rack with numerous copies of a magazine with a city-scape is positioned upside down, the point of the skyscraper reaching towards the bottom of the image. Googley eyes, eyebrows, and a mouth are drawn near the top of the building. Red serif font across the top of the image reads "The New Red Times Magazine." White serif font in the bottom left corner reads "TIRED OF LIVING ON STOLEN LAND?" Below, red serif font reads "GIVE IT BACK."]
    Caption New Red Order Give it Back, detail, 2020 Acrylic LED displays with cut vinyl, water cooler, poster, couch, desk, chairs, magazine rack, The New Red Times Magazine, and three televisions. Image courtesy Artists Space, New York
    Image description An image of a magazine rack with numerous copies of a magazine with a city-scape is positioned upside down, the point of the skyscraper reaching towards the bottom of the image. Googley eyes, eyebrows, and a mouth are drawn near the top of the building. Red serif font across the top of the image reads "The New Red Times Magazine." White serif font in the bottom left corner reads "TIRED OF LIVING ON STOLEN LAND?" Below, red serif font reads "GIVE IT BACK."
    Year 2021
    Related pages New Red Order: Feel at Home Here
  • A black and white photograph of a figure standing in a gallery space, looking towards the camera. On the wall behind them, several canvases with no discernable markings hang.
    A black and white photograph of a figure standing in a gallery space, looking towards the camera. On the wall behind them, several canvases with no discernable markings hang.
    Jim Pavlicovic. Installation view featuring Jim Pavlicovic, from Gerry Morehead, Jim Pavlicovic, Artists Space, 1976. [A black and white photograph of a figure standing in a gallery space, looking towards the camera. On the wall behind them, several canvases with no discernable markings hang.]
    Caption Jim Pavlicovic. Installation view featuring Jim Pavlicovic, from Gerry Morehead, Jim Pavlicovic, Artists Space, 1976.
    Image description A black and white photograph of a figure standing in a gallery space, looking towards the camera. On the wall behind them, several canvases with no discernable markings hang.
    Year 1976
    Related pages Gerry Morehead, Jim Pavlicovic
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Caption
    Image description
    Year
    Related pages Abasement #77
  • Black-and-white photograph of a TV against a brick wall, connected to a camera recording directly above a spotlighted chair and desk. A figure sits across the empty chair at the desk, while another figure kneels down to the left side of the desk working on something.
    Black-and-white photograph of a TV against a brick wall, connected to a camera recording directly above a spotlighted chair and desk. A figure sits across the empty chair at the desk, while another figure kneels down to the left side of the desk working on something.
    Yasunao Tone and Suzanne Fletcher performing Voice and Phenomenon, Experimental Intermedia Foundation, New York, 1976. [Black-and-white photograph of a TV against a brick wall, connected to a camera recording directly above a spotlighted chair and desk. A figure sits across the empty chair at the desk, while another figure kneels down to the left side of the desk working on something.]
    Caption Yasunao Tone and Suzanne Fletcher performing Voice and Phenomenon, Experimental Intermedia Foundation, New York, 1976.
    Image description Black-and-white photograph of a TV against a brick wall, connected to a camera recording directly above a spotlighted chair and desk. A figure sits across the empty chair at the desk, while another figure kneels down to the left side of the desk working on something.
    Year
    Related pages Yasunao Tone: Region of Paramedia
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • An image of three red socks, accordion folded in the center of the leg.
    An image of three red socks, accordion folded in the center of the leg.
    Sigmar Polke Socken , 1963 Courtesy the Estate of Sigmar Polke © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn [An image of three red socks, accordion folded in the center of the leg.]
    Caption Sigmar Polke Socken , 1963 Courtesy the Estate of Sigmar Polke © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn
    Image description An image of three red socks, accordion folded in the center of the leg.
    Year 1963
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A color image of the corner of a gallery space. On the left white wall, a collection of six framed black and white photographs are arranged in a grid. Each frame is black, with three on the top and three on the bottom. On the right wall are four paper-based items hung in a row. The right-most item is an enlarged map, next to it are three smaller pieces of paper with handwritten notes and drawings.
    A color image of the corner of a gallery space. On the left white wall, a collection of six framed black and white photographs are arranged in a grid. Each frame is black, with three on the top and three on the bottom. On the right wall are four paper-based items hung in a row. The right-most item is an enlarged map, next to it are three smaller pieces of paper with handwritten notes and drawings.
    Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak. [A color image of the corner of a gallery space. On the left white wall, a collection of six framed black and white photographs are arranged in a grid. Each frame is black, with three on the top and three on the bottom. On the right wall are four paper-based items hung in a row. The right-most item is an enlarged map, next to it are three smaller pieces of paper with handwritten notes and drawings. ]
    Caption Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description A color image of the corner of a gallery space. On the left white wall, a collection of six framed black and white photographs are arranged in a grid. Each frame is black, with three on the top and three on the bottom. On the right wall are four paper-based items hung in a row. The right-most item is an enlarged map, next to it are three smaller pieces of paper with handwritten notes and drawings.
    Year
    Related pages All These Different Things Are Sculpture
  • Black & white photograph of a room with black walls. A figure stands behind a harp, next to a stool and music stand. A spotlight shines on the harp. In the middle of the space is a hanging screen that plays a projected video of a close-up of a face.
    Black & white photograph of a room with black walls. A figure stands behind a harp, next to a stool and music stand. A spotlight shines on the harp. In the middle of the space is a hanging screen that plays a projected video of a close-up of a face.
    Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan. [Black & white photograph of a room with black walls. A figure stands behind a harp, next to a stool and music stand. A spotlight shines on the harp. In the middle of the space is a hanging screen that plays a projected video of a close-up of a face.]
    Caption Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan.
    Image description Black & white photograph of a room with black walls. A figure stands behind a harp, next to a stool and music stand. A spotlight shines on the harp. In the middle of the space is a hanging screen that plays a projected video of a close-up of a face.
    Year 2023
    Related pages Genesis: Medley
  • Image of a basement with a sculpture made of two fresnel lenses cut in the shape of wings hung on the back of a pillar to the left of the image. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Image of a basement with a sculpture made of two fresnel lenses cut in the shape of wings hung on the back of a pillar to the left of the image. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with a sculpture made of two fresnel lenses cut in the shape of wings hung on the back of a pillar to the left of the image. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a basement with a sculpture made of two fresnel lenses cut in the shape of wings hung on the back of a pillar to the left of the image. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Year 2022
    Related pages SCRAAATCH 11-19
  • Caption
    Image description
    Year
    Related pages All These Different Things Are Sculpture
  • Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right appears to read from a text propped on the stand, while the figure on the left looks towards the audience, speaking and gesturing towards them with one hand.
    Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right appears to read from a text propped on the stand, while the figure on the left looks towards the audience, speaking and gesturing towards them with one hand.
    Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court. [Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right appears to read from a text propped on the stand, while the figure on the left looks towards the audience, speaking and gesturing towards them with one hand.]
    Caption Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court.
    Image description Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right appears to read from a text propped on the stand, while the figure on the left looks towards the audience, speaking and gesturing towards them with one hand.
    Year 2020
    Related pages Passages from People Who Led to My Plays
  • The word
    The word
    [The word "WAGE" with periods seperating each letter appears on a multi-colored background. The "A" in "WAGE" is colored yellow.]
    Caption
    Image description The word "WAGE" with periods seperating each letter appears on a multi-colored background. The "A" in "WAGE" is colored yellow.
    Year 2018
    Related pages W.A.G.E. RAGER. 10-year womAnniversary *Not-a-Gala* Party!
  • Cutouts seen placed in front of drawing on wall. Paintings and sculptures can be seen in the area around it in a gallery setting.
    Cutouts seen placed in front of drawing on wall. Paintings and sculptures can be seen in the area around it in a gallery setting.
    Installation View from Recent Art From Chicago, Artists Space, March 8, 1986 - April 5, 1986. [Cutouts seen placed in front of drawing on wall. Paintings and sculptures can be seen in the area around it in a gallery setting.]
    Caption Installation View from Recent Art From Chicago, Artists Space, March 8, 1986 - April 5, 1986.
    Image description Cutouts seen placed in front of drawing on wall. Paintings and sculptures can be seen in the area around it in a gallery setting.
    Year
    Related pages Recent Art from Chicago
  • A photo of a city alleyway acts as the background for this image. Superimposed on the photo are two groups of people in motion with right arms raised, holding cellphones. The group on the right faces toward the viewer, the group on the left faces away.
    A photo of a city alleyway acts as the background for this image. Superimposed on the photo are two groups of people in motion with right arms raised, holding cellphones. The group on the right faces toward the viewer, the group on the left faces away.
    [A photo of a city alleyway acts as the background for this image. Superimposed on the photo are two groups of people in motion with right arms raised, holding cellphones. The group on the right faces toward the viewer, the group on the left faces away.]
    Caption
    Image description A photo of a city alleyway acts as the background for this image. Superimposed on the photo are two groups of people in motion with right arms raised, holding cellphones. The group on the right faces toward the viewer, the group on the left faces away.
    Year 2019
    Related pages Ei Arakawa: WEWORK BABIES (11 Cortlandt Alley)
  • Four images arranged horizontally. From left to right: solid gray-blue, a gray-blue toned image of a shoreline, a gray toned image of a shoreline, and a gray toned image of a shoreline with a subtle pink sunrise in the sky.
    Four images arranged horizontally. From left to right: solid gray-blue, a gray-blue toned image of a shoreline, a gray toned image of a shoreline, and a gray toned image of a shoreline with a subtle pink sunrise in the sky.
    Christa Blatchford, still from See Around, 2008. [Four images arranged horizontally. From left to right: solid gray-blue, a gray-blue toned image of a shoreline, a gray toned image of a shoreline, and a gray toned image of a shoreline with a subtle pink sunrise in the sky.]
    Caption Christa Blatchford, still from See Around, 2008.
    Image description Four images arranged horizontally. From left to right: solid gray-blue, a gray-blue toned image of a shoreline, a gray toned image of a shoreline, and a gray toned image of a shoreline with a subtle pink sunrise in the sky.
    Year 2008
    Related pages See Around
  • Dark photograph of a plywood sculpture with shelves in a gallery space.
    Dark photograph of a plywood sculpture with shelves in a gallery space.
    Selections from the Unaffiliated Artists File. Installation view, Artists Space, 1981. [Dark photograph of a plywood sculpture with shelves in a gallery space.]
    Caption Selections from the Unaffiliated Artists File. Installation view, Artists Space, 1981.
    Image description Dark photograph of a plywood sculpture with shelves in a gallery space.
    Year
    Related pages Selections from the Unaffiliated Artists File
  • A color image of a gallery space. From left to right: a shovel with an iron claw at the base, a tree log on a pedestal and another tree log on pedestal, with a griffon vulture perched on the branch.
    A color image of a gallery space. From left to right: a shovel with an iron claw at the base, a tree log on a pedestal and another tree log on pedestal, with a griffon vulture perched on the branch.
    Andy Robert: PAPALOKO. Installation view (toutouni, 2023; bwa, 2023; Ruin, 2023), Artists Space, 2024. Photo: Carter Seddon. [A color image of a gallery space. From left to right: a shovel with an iron claw at the base, a tree log on a pedestal and another tree log on pedestal, with a griffon vulture perched on the branch.]
    Caption Andy Robert: PAPALOKO. Installation view (toutouni, 2023; bwa, 2023; Ruin, 2023), Artists Space, 2024. Photo: Carter Seddon.
    Image description A color image of a gallery space. From left to right: a shovel with an iron claw at the base, a tree log on a pedestal and another tree log on pedestal, with a griffon vulture perched on the branch.
    Year
    Related pages Andy Robert: Papaloko
  • Caption
    Image description
    Year
    Related pages Abasement #73
  • Eleven brown bags of varying sizes are displayed on a wall, pinned so that their mouths hang open slightly. Charcoal rubbings on the bags trace out corporate logos and other words and phrases.
    Eleven brown bags of varying sizes are displayed on a wall, pinned so that their mouths hang open slightly. Charcoal rubbings on the bags trace out corporate logos and other words and phrases.
    Alan Michelson. Permanent Title, 1993. Wax, muslin, charcoal. Overall: 144 x 144 x 9 in. (366 x 366 x 23 cm). Courtesy the artist. [Eleven brown bags of varying sizes are displayed on a wall, pinned so that their mouths hang open slightly. Charcoal rubbings on the bags trace out corporate logos and other words and phrases.]
    Caption Alan Michelson. Permanent Title, 1993. Wax, muslin, charcoal. Overall: 144 x 144 x 9 in. (366 x 366 x 23 cm). Courtesy the artist.
    Image description Eleven brown bags of varying sizes are displayed on a wall, pinned so that their mouths hang open slightly. Charcoal rubbings on the bags trace out corporate logos and other words and phrases.
    Year 1993
    Related pages Whitney ISP Archive
  • An installation view of multiple sewing stations and a clothing rack of red and white sweatshirts.
    An installation view of multiple sewing stations and a clothing rack of red and white sweatshirts.
    New Economy. Installation view, Artists Space, 2007. [An installation view of multiple sewing stations and a clothing rack of red and white sweatshirts.]
    Caption New Economy. Installation view, Artists Space, 2007.
    Image description An installation view of multiple sewing stations and a clothing rack of red and white sweatshirts.
    Year
    Related pages New Economy
  • A grainy black and white photo of a woman craning her head and shoulders, looking into a large camera. In the background there are trees with leaves.
    A grainy black and white photo of a woman craning her head and shoulders, looking into a large camera. In the background there are trees with leaves.
    Vaginal Davis, The White to Be Angry (still), 1999. [A grainy black and white photo of a woman craning her head and shoulders, looking into a large camera. In the background there are trees with leaves.]
    Caption Vaginal Davis, The White to Be Angry (still), 1999.
    Image description A grainy black and white photo of a woman craning her head and shoulders, looking into a large camera. In the background there are trees with leaves.
    Year 1999
    Related pages Attention Line Cinema Series: Vaginal Davis
  • A photograph of a large painting of vines and water hanging on a white gallery wall.  Beyond it, more painting and sculptures are visible in an adjacent gallery.
    A photograph of a large painting of vines and water hanging on a white gallery wall.  Beyond it, more painting and sculptures are visible in an adjacent gallery.
    Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph of a large painting of vines and water hanging on a white gallery wall. Beyond it, more painting and sculptures are visible in an adjacent gallery.]
    Caption Selections from the Artists File. Installation view, Artists Space, 1989.
    Image description A photograph of a large painting of vines and water hanging on a white gallery wall. Beyond it, more painting and sculptures are visible in an adjacent gallery.
    Year 1989
    Related pages Selections from the Artist File
  • Cindy Sherman, Jack Hanley, Claudia Gould, and Alexandra Audler stand together and smile at the camera in front of a red wall with an illusionistic landscape view inside a painted pointed arch window.
    Cindy Sherman, Jack Hanley, Claudia Gould, and Alexandra Audler stand together and smile at the camera in front of a red wall with an illusionistic landscape view inside a painted pointed arch window.
    Cindy Sherman, Jack Hanley, Claudia Gould, Alexandra Auder. Photo: Jenna Bascom [Cindy Sherman, Jack Hanley, Claudia Gould, and Alexandra Audler stand together and smile at the camera in front of a red wall with an illusionistic landscape view inside a painted pointed arch window. ]
    Caption Cindy Sherman, Jack Hanley, Claudia Gould, Alexandra Auder. Photo: Jenna Bascom
    Image description Cindy Sherman, Jack Hanley, Claudia Gould, and Alexandra Audler stand together and smile at the camera in front of a red wall with an illusionistic landscape view inside a painted pointed arch window.
    Year
    Related pages Support
  • A black and white photograph of a person standing in a doorframe. On the left, a broom rests against the wall. A circular window behind a radiator is visible on the right. Buckets of paint and painting rollers are scattered across the floor.
    A black and white photograph of a person standing in a doorframe. On the left, a broom rests against the wall. A circular window behind a radiator is visible on the right. Buckets of paint and painting rollers are scattered across the floor.
    Michael Brewster, An Acoustic Sculpture, A Clicker Drawing. View from Opening, April 2, 1977, Artists Space. [A black and white photograph of a person standing in a doorframe. On the left, a broom rests against the wall. A circular window behind a radiator is visible on the right. Buckets of paint and painting rollers are scattered across the floor.]
    Caption Michael Brewster, An Acoustic Sculpture, A Clicker Drawing. View from Opening, April 2, 1977, Artists Space.
    Image description A black and white photograph of a person standing in a doorframe. On the left, a broom rests against the wall. A circular window behind a radiator is visible on the right. Buckets of paint and painting rollers are scattered across the floor.
    Year 1977
    Related pages Michael Brewster: An Acoustic Sculpture, A Clicker Drawing
  • A book cover design featuring large pink text that reads,
    A book cover design featuring large pink text that reads,
    LaTasha N. Nevada Diggs, Twerk (New York: Belladonna Books, 2015). [A book cover design featuring large pink text that reads, "TWERK" against an abstract turquoise background. Parts of the letter "K" and "T" extend off the page and have been overlaid with a lacy ribbon pattern.]
    Caption LaTasha N. Nevada Diggs, Twerk (New York: Belladonna Books, 2015).
    Image description A book cover design featuring large pink text that reads, "TWERK" against an abstract turquoise background. Parts of the letter "K" and "T" extend off the page and have been overlaid with a lacy ribbon pattern.
    Year 2015
    Related pages In Visible Architectures: Juliana Huxtable & LaTasha N. Nevada Diggs
  • A portrait of Jonas Mekas in Rembrandt lighting looking directly into the camera, wearing his signature fedora and standing against a black background.
    A portrait of Jonas Mekas in Rembrandt lighting looking directly into the camera, wearing his signature fedora and standing against a black background.
    Union Gaucha Productions in collaboration with Fabio Kacero. Still from Totloop, 2003. 16mm film (silent, color), 4 min 49 sec. Courtesy of Union Gaucha Productions. [A portrait of Jonas Mekas in Rembrandt lighting looking directly into the camera, wearing his signature fedora and standing against a black background.]
    Caption Union Gaucha Productions in collaboration with Fabio Kacero. Still from Totloop, 2003. 16mm film (silent, color), 4 min 49 sec. Courtesy of Union Gaucha Productions.
    Image description A portrait of Jonas Mekas in Rembrandt lighting looking directly into the camera, wearing his signature fedora and standing against a black background.
    Year 2003
    Related pages Union Gaucha Productions
  • Black, Arial text, reads,
    Black, Arial text, reads,
    [Black, Arial text, reads, "The Library of Helen DeWitt."]
    Caption
    Image description Black, Arial text, reads, "The Library of Helen DeWitt."
    Year 2014
    Related pages The Library Vaccine
  • Several sculptures, paintings, video works, and photographs installed in a gallery space with wooden flooring. A sculpture consisting of a white panel affixed to a wooden board upon which two striped rocks rest is installed on the ground. A TV monitor is installed in the room's corner directly behind the sculpture. The portion of the wall directly behind the TV monitor has been covered with a grid of poster-like images. Three color photographs and two paintings with muted purple and gray tones frame the monitor on its left and right sides.
    Several sculptures, paintings, video works, and photographs installed in a gallery space with wooden flooring. A sculpture consisting of a white panel affixed to a wooden board upon which two striped rocks rest is installed on the ground. A TV monitor is installed in the room's corner directly behind the sculpture. The portion of the wall directly behind the TV monitor has been covered with a grid of poster-like images. Three color photographs and two paintings with muted purple and gray tones frame the monitor on its left and right sides.
    Log Cabin. Installation view, Artists Space, 2005. [Several sculptures, paintings, video works, and photographs installed in a gallery space with wooden flooring. A sculpture consisting of a white panel affixed to a wooden board upon which two striped rocks rest is installed on the ground. A TV monitor is installed in the room's corner directly behind the sculpture. The portion of the wall directly behind the TV monitor has been covered with a grid of poster-like images. Three color photographs and two paintings with muted purple and gray tones frame the monitor on its left and right sides.]
    Caption Log Cabin. Installation view, Artists Space, 2005.
    Image description Several sculptures, paintings, video works, and photographs installed in a gallery space with wooden flooring. A sculpture consisting of a white panel affixed to a wooden board upon which two striped rocks rest is installed on the ground. A TV monitor is installed in the room's corner directly behind the sculpture. The portion of the wall directly behind the TV monitor has been covered with a grid of poster-like images. Three color photographs and two paintings with muted purple and gray tones frame the monitor on its left and right sides.
    Year 2005
    Related pages Log Cabin
  • A white bust with a plaque reading
    A white bust with a plaque reading
    Still from The Last Days of Jack Sheppard (2009). [A white bust with a plaque reading "DEFOE" below it. Slightly offset and partially in shadow is a man seen in profile, dressed identically to the bust with a powdered wig.]
    Caption Still from The Last Days of Jack Sheppard (2009).
    Image description A white bust with a plaque reading "DEFOE" below it. Slightly offset and partially in shadow is a man seen in profile, dressed identically to the bust with a powdered wig.
    Year 2009
    Related pages The Last Days of Jack Sheppard
  • Scan of the cover and back cover of a book. On the front cover, black text on a white background reads
    Scan of the cover and back cover of a book. On the front cover, black text on a white background reads
    Cover of Christopher D'Arcangelo, Kunstverein Publishing and Artists Space. Photo: Cathy Weiner. [Scan of the cover and back cover of a book. On the front cover, black text on a white background reads "Christopher D'Arcangelo." The back cover features a black-and-white photograph of a figure doing a headstand, their back facing the viewer. The figure is shirtless, exposing black text written on their skin.]
    Caption Cover of Christopher D'Arcangelo, Kunstverein Publishing and Artists Space. Photo: Cathy Weiner.
    Image description Scan of the cover and back cover of a book. On the front cover, black text on a white background reads "Christopher D'Arcangelo." The back cover features a black-and-white photograph of a figure doing a headstand, their back facing the viewer. The figure is shirtless, exposing black text written on their skin.
    Year
    Related pages Support
  • Circular sculptural forms hang from the ceiling and touch the floor in a white-walled gallery space.
    Circular sculptural forms hang from the ceiling and touch the floor in a white-walled gallery space.
    Four Artists: An Exhibition of Painting and Sculpture. Installation View. Artists Space, 1985. [Circular sculptural forms hang from the ceiling and touch the floor in a white-walled gallery space.]
    Caption Four Artists: An Exhibition of Painting and Sculpture. Installation View. Artists Space, 1985.
    Image description Circular sculptural forms hang from the ceiling and touch the floor in a white-walled gallery space.
    Year
    Related pages Four Artists: An Exhibition of Painting and Sculpture
  • A bookshelf constructed from cardboard boxes sits slightly raised off the ground on a low platform. The top two rows face away from the camera, while the bottom two face out, filled with books. Opposite that is a white wall with blue text reading
    A bookshelf constructed from cardboard boxes sits slightly raised off the ground on a low platform. The top two rows face away from the camera, while the bottom two face out, filled with books. Opposite that is a white wall with blue text reading
    The columns held us up. Installation view, Artists Space, 2009. Photo: Adam Reich. [A bookshelf constructed from cardboard boxes sits slightly raised off the ground on a low platform. The top two rows face away from the camera, while the bottom two face out, filled with books. Opposite that is a white wall with blue text reading "Artists Space."]
    Caption The columns held us up. Installation view, Artists Space, 2009. Photo: Adam Reich.
    Image description A bookshelf constructed from cardboard boxes sits slightly raised off the ground on a low platform. The top two rows face away from the camera, while the bottom two face out, filled with books. Opposite that is a white wall with blue text reading "Artists Space."
    Year 2009
    Related pages The columns held us up
  • A painting of a bald man with glasses looking off to the side. He wears a red Lacoste polo shirt.
    A painting of a bald man with glasses looking off to the side. He wears a red Lacoste polo shirt.
    Tim Doud, 2001. [A painting of a bald man with glasses looking off to the side. He wears a red Lacoste polo shirt.]
    Caption Tim Doud, 2001.
    Image description A painting of a bald man with glasses looking off to the side. He wears a red Lacoste polo shirt.
    Year 2001
    Related pages Painting as Paradox
  • Collaged atop a purple, pink, and orange field is a series of abstract graphic and typewritten elements, including a man's face with a bandana covering his mouth. In the bottom left corner an upside down text reads
    Collaged atop a purple, pink, and orange field is a series of abstract graphic and typewritten elements, including a man's face with a bandana covering his mouth. In the bottom left corner an upside down text reads
    [Collaged atop a purple, pink, and orange field is a series of abstract graphic and typewritten elements, including a man's face with a bandana covering his mouth. In the bottom left corner an upside down text reads "ABASEMENT 61." Smaller text above lists the participating musicians and artists.]
    Caption
    Image description Collaged atop a purple, pink, and orange field is a series of abstract graphic and typewritten elements, including a man's face with a bandana covering his mouth. In the bottom left corner an upside down text reads "ABASEMENT 61." Smaller text above lists the participating musicians and artists.
    Year 2022
    Related pages Abasement #61
  • A photograph of a bookshelf lined with books covered in silver mylar.
    A photograph of a bookshelf lined with books covered in silver mylar.
    Tiffany Sia, Barriers Buy Time, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A photograph of a bookshelf lined with books covered in silver mylar.]
    Caption Tiffany Sia, Barriers Buy Time, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A photograph of a bookshelf lined with books covered in silver mylar.
    Year 2021
    Related pages Tiffany Sia: Slippery When Wet
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • An image of rocks, trees and coastline overlooking a large body of water. Collaged on top of the photograph are cutouts of flowers, carved stones, and a mosaic. Gray text gives details about a virtual reading event, with zoom meeting information written in yellow at the bottom.
    An image of rocks, trees and coastline overlooking a large body of water. Collaged on top of the photograph are cutouts of flowers, carved stones, and a mosaic. Gray text gives details about a virtual reading event, with zoom meeting information written in yellow at the bottom.
    [An image of rocks, trees and coastline overlooking a large body of water. Collaged on top of the photograph are cutouts of flowers, carved stones, and a mosaic. Gray text gives details about a virtual reading event, with zoom meeting information written in yellow at the bottom.]
    Caption
    Image description An image of rocks, trees and coastline overlooking a large body of water. Collaged on top of the photograph are cutouts of flowers, carved stones, and a mosaic. Gray text gives details about a virtual reading event, with zoom meeting information written in yellow at the bottom.
    Year 2020
    Related pages Segue Reading Series: Tongo Eisen-Martin & Jennifer Soong
  • A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.]
    Caption Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979.
    Image description A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Year 1979
    Related pages Patricia Hearst - A Second Reading
  • Caption
    Image description
    Year
    Related pages Artists Space: Artists Fund
  • Four collages, framed in a grid on a wall. Each collage features the same backdrop of a man stopped in the middle of the road opening the hood a car, the drivers seat door opened. Each collage features a different colored filter, arranged with images of various Indigenous people on reservations, European historical paintings, animals, gags, signs, objects, and detritus.
    Four collages, framed in a grid on a wall. Each collage features the same backdrop of a man stopped in the middle of the road opening the hood a car, the drivers seat door opened. Each collage features a different colored filter, arranged with images of various Indigenous people on reservations, European historical paintings, animals, gags, signs, objects, and detritus.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Four collages, framed in a grid on a wall. Each collage features the same backdrop of a man stopped in the middle of the road opening the hood a car, the drivers seat door opened. Each collage features a different colored filter, arranged with images of various Indigenous people on reservations, European historical paintings, animals, gags, signs, objects, and detritus.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description Four collages, framed in a grid on a wall. Each collage features the same backdrop of a man stopped in the middle of the road opening the hood a car, the drivers seat door opened. Each collage features a different colored filter, arranged with images of various Indigenous people on reservations, European historical paintings, animals, gags, signs, objects, and detritus.
    Year 2017
    Related pages Unholding
  • A man stands in the center of a room holding numerous baby dolls, surrounded by several performers striking yoga poses and a small crowd. A makeshift geometric metal structure stands next to him, with a baby doll sitting in a crease of the structure.
    A man stands in the center of a room holding numerous baby dolls, surrounded by several performers striking yoga poses and a small crowd. A makeshift geometric metal structure stands next to him, with a baby doll sitting in a crease of the structure.
    Ei Arakawa: WEWORK BABIES. Performance documentation, December 8, 2019, Artists Space. Photo © 2019 Paula Court. [A man stands in the center of a room holding numerous baby dolls, surrounded by several performers striking yoga poses and a small crowd. A makeshift geometric metal structure stands next to him, with a baby doll sitting in a crease of the structure.]
    Caption Ei Arakawa: WEWORK BABIES. Performance documentation, December 8, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A man stands in the center of a room holding numerous baby dolls, surrounded by several performers striking yoga poses and a small crowd. A makeshift geometric metal structure stands next to him, with a baby doll sitting in a crease of the structure.
    Year 2019
    Related pages Ei Arakawa: WEWORK BABIES (11 Cortlandt Alley)
  • Image of the street outside the gallery, looking into an alleyway with a white pillared building on the right with purple light showing behind the windows.
    Image of the street outside the gallery, looking into an alleyway with a white pillared building on the right with purple light showing behind the windows.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, September 16, 2022 - December 3, 2022. Photo: Filip Wolak [Image of the street outside the gallery, looking into an alleyway with a white pillared building on the right with purple light showing behind the windows.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, September 16, 2022 - December 3, 2022. Photo: Filip Wolak
    Image description Image of the street outside the gallery, looking into an alleyway with a white pillared building on the right with purple light showing behind the windows.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A series of books sit at eye level on a wall that displays a black and white photographic collage graphic behind them.
    A series of books sit at eye level on a wall that displays a black and white photographic collage graphic behind them.
    The Library Vaccine. Installation view, Artists Space, 2014. [A series of books sit at eye level on a wall that displays a black and white photographic collage graphic behind them.]
    Caption The Library Vaccine. Installation view, Artists Space, 2014.
    Image description A series of books sit at eye level on a wall that displays a black and white photographic collage graphic behind them.
    Year 2014
    Related pages The Library Vaccine
  • A rectangular, 3x5 grid hung on a white wall, comprised of close-up photographs of the inside of people's mouths. Just in front of the wall to the left of the photographs, there is a white plinth with a black Converse shoe, a false shin extending out of it, with a metal bone coming out of the top.
    A rectangular, 3x5 grid hung on a white wall, comprised of close-up photographs of the inside of people's mouths. Just in front of the wall to the left of the photographs, there is a white plinth with a black Converse shoe, a false shin extending out of it, with a metal bone coming out of the top.
    Salad Days. Installation view, Artists Space, 2004. [A rectangular, 3x5 grid hung on a white wall, comprised of close-up photographs of the inside of people's mouths. Just in front of the wall to the left of the photographs, there is a white plinth with a black Converse shoe, a false shin extending out of it, with a metal bone coming out of the top.]
    Caption Salad Days. Installation view, Artists Space, 2004.
    Image description A rectangular, 3x5 grid hung on a white wall, comprised of close-up photographs of the inside of people's mouths. Just in front of the wall to the left of the photographs, there is a white plinth with a black Converse shoe, a false shin extending out of it, with a metal bone coming out of the top.
    Year 2004
    Related pages Salad Days
  • Color image of a performer on stage, standing in front of various types of electronic audio equipment. They are wearing a monochromatic purple outfit and glasses. The wall behind them is decorated with blue, orange, and purple projections. The left side of the room is lit with small blue dots reflecting from a disco ball. A few audience members are visible in the bottom edge of the image.
    Color image of a performer on stage, standing in front of various types of electronic audio equipment. They are wearing a monochromatic purple outfit and glasses. The wall behind them is decorated with blue, orange, and purple projections. The left side of the room is lit with small blue dots reflecting from a disco ball. A few audience members are visible in the bottom edge of the image.
    Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of a performer on stage, standing in front of various types of electronic audio equipment. They are wearing a monochromatic purple outfit and glasses. The wall behind them is decorated with blue, orange, and purple projections. The left side of the room is lit with small blue dots reflecting from a disco ball. A few audience members are visible in the bottom edge of the image.]
    Caption Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a performer on stage, standing in front of various types of electronic audio equipment. They are wearing a monochromatic purple outfit and glasses. The wall behind them is decorated with blue, orange, and purple projections. The left side of the room is lit with small blue dots reflecting from a disco ball. A few audience members are visible in the bottom edge of the image.
    Year
    Related pages Abasement #76
  • A pattern consisting of blue prints of delicate flowers repeats across a white surface. The image resembles wallpaper.
    A pattern consisting of blue prints of delicate flowers repeats across a white surface. The image resembles wallpaper.
    [A pattern consisting of blue prints of delicate flowers repeats across a white surface. The image resembles wallpaper.]
    Caption
    Image description A pattern consisting of blue prints of delicate flowers repeats across a white surface. The image resembles wallpaper.
    Year 2014
    Related pages The Demonstration of Capitalist Realism
  • A black-and-white photograph of a figure sitting in front of a microphone. The left side of their face and body is in shadow.
    A black-and-white photograph of a figure sitting in front of a microphone. The left side of their face and body is in shadow.
    Production still from Black Picture Show, 1978, picturing Sam Waymon. Photo: Marshall Johnson. Image courtesy of the artist. [A black-and-white photograph of a figure sitting in front of a microphone. The left side of their face and body is in shadow.]
    Caption Production still from Black Picture Show, 1978, picturing Sam Waymon. Photo: Marshall Johnson. Image courtesy of the artist.
    Image description A black-and-white photograph of a figure sitting in front of a microphone. The left side of their face and body is in shadow.
    Year 1975
    Related pages Sam Waymon in Concert
  • A photograph of a large gallery space with multiple rooms visible.  In the foreground, the floor is covered with flooring, except for a silhouette of a human figure which has been cut out of the flooring, through which the concrete below is visible.  Two geometric abstract paintings hang on the wall above.
    A photograph of a large gallery space with multiple rooms visible.  In the foreground, the floor is covered with flooring, except for a silhouette of a human figure which has been cut out of the flooring, through which the concrete below is visible.  Two geometric abstract paintings hang on the wall above.
    Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph of a large gallery space with multiple rooms visible. In the foreground, the floor is covered with flooring, except for a silhouette of a human figure which has been cut out of the flooring, through which the concrete below is visible. Two geometric abstract paintings hang on the wall above.]
    Caption Selections from the Artists File. Installation view, Artists Space, 1989.
    Image description A photograph of a large gallery space with multiple rooms visible. In the foreground, the floor is covered with flooring, except for a silhouette of a human figure which has been cut out of the flooring, through which the concrete below is visible. Two geometric abstract paintings hang on the wall above.
    Year 1989
    Related pages Selections from the Artist File
  • Eight pieces of paper with text in various languages arranged in a grid.
    Eight pieces of paper with text in various languages arranged in a grid.
    [Eight pieces of paper with text in various languages arranged in a grid.]
    Caption
    Image description Eight pieces of paper with text in various languages arranged in a grid.
    Year
    Related pages Mute Inglorious Nabokovs
  • A printing plate for a $100,000 bill, featuring a portrait of Woodrow Wilson.
    A printing plate for a $100,000 bill, featuring a portrait of Woodrow Wilson.
    Rirkrit Tiravanija, untitled, 2011 (print mo’ money), 2011, Copper etching plate, Signed certificate. [A printing plate for a $100,000 bill, featuring a portrait of Woodrow Wilson.]
    Caption Rirkrit Tiravanija, untitled, 2011 (print mo’ money), 2011, Copper etching plate, Signed certificate.
    Image description A printing plate for a $100,000 bill, featuring a portrait of Woodrow Wilson.
    Year 2011
    Related pages Artists Space Annual Edition Portfolio 2012
  • A dimly lit, empty room filled with low chairs. A projection illuminates a dark wall opposite the chairs and displays an image of a man with tan skin and facial hair, wearing a keffiyeh.
    A dimly lit, empty room filled with low chairs. A projection illuminates a dark wall opposite the chairs and displays an image of a man with tan skin and facial hair, wearing a keffiyeh.
    Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A dimly lit, empty room filled with low chairs. A projection illuminates a dark wall opposite the chairs and displays an image of a man with tan skin and facial hair, wearing a keffiyeh.]
    Caption Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A dimly lit, empty room filled with low chairs. A projection illuminates a dark wall opposite the chairs and displays an image of a man with tan skin and facial hair, wearing a keffiyeh.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • Two people stand at the foot of an empty table, mid-conversation, looking off-camera to the left. The individual on the left holds a glass of wine.
    Two people stand at the foot of an empty table, mid-conversation, looking off-camera to the left. The individual on the left holds a glass of wine.
    Artists Space founder Irving Sandler, Miyoko Ito Dinner, 2018. [Two people stand at the foot of an empty table, mid-conversation, looking off-camera to the left. The individual on the left holds a glass of wine.]
    Caption Artists Space founder Irving Sandler, Miyoko Ito Dinner, 2018.
    Image description Two people stand at the foot of an empty table, mid-conversation, looking off-camera to the left. The individual on the left holds a glass of wine.
    Year 2018
    Related pages Support
  • Black and white photograph of white picket fence opening with dark painted background behind it.
    Black and white photograph of white picket fence opening with dark painted background behind it.
    Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery. [Black and white photograph of white picket fence opening with dark painted background behind it.]
    Caption Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery.
    Image description Black and white photograph of white picket fence opening with dark painted background behind it.
    Year
    Related pages Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach
  • Close-up of a black person leaning over a black birthing mannequin laying on a hospital bed in a patient room.
    Close-up of a black person leaning over a black birthing mannequin laying on a hospital bed in a patient room.
    Still from Fiction Contract, 2025. [Close-up of a black person leaning over a black birthing mannequin laying on a hospital bed in a patient room.]
    Caption Still from Fiction Contract, 2025.
    Image description Close-up of a black person leaning over a black birthing mannequin laying on a hospital bed in a patient room.
    Year
    Related pages Carolyn Lazard 1
  • A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.]
    Caption Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979.
    Image description A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Year 1979
    Related pages Patricia Hearst - A Second Reading
  • A two-page spread from the novel Dictée shows four diagrams of a human larynx and neck on the left-hand page and a page of writing from the novel on the right.
    A two-page spread from the novel Dictée shows four diagrams of a human larynx and neck on the left-hand page and a page of writing from the novel on the right.
    Theresa Hak Kyung Cha, Dictée (New York: Tanam Press, 1982), 74 - 75. [A two-page spread from the novel Dictée shows four diagrams of a human larynx and neck on the left-hand page and a page of writing from the novel on the right.]
    Caption Theresa Hak Kyung Cha, Dictée (New York: Tanam Press, 1982), 74 - 75.
    Image description A two-page spread from the novel Dictée shows four diagrams of a human larynx and neck on the left-hand page and a page of writing from the novel on the right.
    Year 1982
    Related pages Whitney ISP Archive
  • A figure in a blue morph suit leans their arms on top of a rolling table made of wood and fresnel lenses, pushing it toward another figure that stands in front of them filming them. In the background a third figure in a blue morph suit sits and leans down on top of a rectangular wooden frame. Blue footage is projected onto the back wall.
    A figure in a blue morph suit leans their arms on top of a rolling table made of wood and fresnel lenses, pushing it toward another figure that stands in front of them filming them. In the background a third figure in a blue morph suit sits and leans down on top of a rectangular wooden frame. Blue footage is projected onto the back wall.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit leans their arms on top of a rolling table made of wood and fresnel lenses, pushing it toward another figure that stands in front of them filming them. In the background a third figure in a blue morph suit sits and leans down on top of a rectangular wooden frame. Blue footage is projected onto the back wall.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description A figure in a blue morph suit leans their arms on top of a rolling table made of wood and fresnel lenses, pushing it toward another figure that stands in front of them filming them. In the background a third figure in a blue morph suit sits and leans down on top of a rectangular wooden frame. Blue footage is projected onto the back wall.
    Year 2022
    Related pages SCRAAATCH 12-3
  • A black and white still of a hand delicately reaching out to touch a stone surface.
    A black and white still of a hand delicately reaching out to touch a stone surface.
    Charles Simonds. Still from Mythologies, 1974. From Thomas Lanigan-Schmidt, James Biederman, Charles Simonds, Artists Space, 1974. [A black and white still of a hand delicately reaching out to touch a stone surface.]
    Caption Charles Simonds. Still from Mythologies, 1974. From Thomas Lanigan-Schmidt, James Biederman, Charles Simonds, Artists Space, 1974.
    Image description A black and white still of a hand delicately reaching out to touch a stone surface.
    Year 1974
    Related pages Thomas Lanigan Schmidt, James Biederman, Charles Simonds
  • Black text that reads,
    Black text that reads,
    [Black text that reads, "9/11, TRILOGY, Laura Poitras."]
    Caption
    Image description Black text that reads, "9/11, TRILOGY, Laura Poitras."
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 6 / Charles Alexander / Laura Jaramillo.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Caption Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 6 / Charles Alexander / Laura Jaramillo.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Image description
    Year
    Related pages Segue Reading Series: Charles Alexander & Laura Jaramillo
  • An angled view of 4 book stands perpendicular to a wall, all displaying various books, documents, and papers.
    An angled view of 4 book stands perpendicular to a wall, all displaying various books, documents, and papers.
    Richard Hollis. Installation view, Artists Space, 2013. [An angled view of 4 book stands perpendicular to a wall, all displaying various books, documents, and papers.]
    Caption Richard Hollis. Installation view, Artists Space, 2013.
    Image description An angled view of 4 book stands perpendicular to a wall, all displaying various books, documents, and papers.
    Year 2013
    Related pages Richard Hollis
  • Two figures stand facing one another, smiling. One wears a baseball cap and the other holds a camera.
    Two figures stand facing one another, smiling. One wears a baseball cap and the other holds a camera.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [Two figures stand facing one another, smiling. One wears a baseball cap and the other holds a camera.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description Two figures stand facing one another, smiling. One wears a baseball cap and the other holds a camera.
    Year 2019
    Related pages Speaker Music: drape over another
  • Caption
    Image description
    Year
    Related pages Carolyn Lazard
  • A figure in a red sweater stands on stage, with three microphones placed around them. They hold a white conch shell in their hands, their mouth is open.
    A figure in a red sweater stands on stage, with three microphones placed around them. They hold a white conch shell in their hands, their mouth is open.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure in a red sweater stands on stage, with three microphones placed around them. They hold a white conch shell in their hands, their mouth is open.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure in a red sweater stands on stage, with three microphones placed around them. They hold a white conch shell in their hands, their mouth is open.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • Cover image photographed by Cathy Weiner
    Caption Cover image photographed by Cathy Weiner
    Image description
    Year
    Related pages Christopher D'Arcangelo
  • A seven shelf, white, book case is housed full of various colorful and sized books.
    A seven shelf, white, book case is housed full of various colorful and sized books.
    The Library Vaccine. Installation view, Artists Space, 2014. [A seven shelf, white, book case is housed full of various colorful and sized books.]
    Caption The Library Vaccine. Installation view, Artists Space, 2014.
    Image description A seven shelf, white, book case is housed full of various colorful and sized books.
    Year 2014
    Related pages The Library Vaccine
  • A brightly painted red wall with the phrase “TWO-WAY” centered in large white text. The floor in front of the wall, and to the side is covered in a pattern of light blue linoleum tiles. Brown columns stretch into the darkness behind the wall.
    A brightly painted red wall with the phrase “TWO-WAY” centered in large white text. The floor in front of the wall, and to the side is covered in a pattern of light blue linoleum tiles. Brown columns stretch into the darkness behind the wall.
    Carolyn Lazard: Two-way. Installation view, Artists Space, 2025. Photo: Greg Carideo. [A brightly painted red wall with the phrase “TWO-WAY” centered in large white text. The floor in front of the wall, and to the side is covered in a pattern of light blue linoleum tiles. Brown columns stretch into the darkness behind the wall.]
    Caption Carolyn Lazard: Two-way. Installation view, Artists Space, 2025. Photo: Greg Carideo.
    Image description A brightly painted red wall with the phrase “TWO-WAY” centered in large white text. The floor in front of the wall, and to the side is covered in a pattern of light blue linoleum tiles. Brown columns stretch into the darkness behind the wall.
    Year
    Related pages Carolyn Lazard
  • A color photograph of a floorbound television monitor, showing a figure in a snow bank. Above is an annotated drawing of a human figure.
    A color photograph of a floorbound television monitor, showing a figure in a snow bank. Above is an annotated drawing of a human figure.
    Milford Graves: Fundamental Frequency. Installation view (Movements in the Snow, 1990, Herbal Chart, c. 1980), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color photograph of a floorbound television monitor, showing a figure in a snow bank. Above is an annotated drawing of a human figure.]
    Caption Milford Graves: Fundamental Frequency. Installation view (Movements in the Snow, 1990, Herbal Chart, c. 1980), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak.
    Image description A color photograph of a floorbound television monitor, showing a figure in a snow bank. Above is an annotated drawing of a human figure.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • Two girls stand, cutting threads, while working on a handmade chandelier. The chandelier has a small number of flower petals, with a purple rose in the center
    Two girls stand, cutting threads, while working on a handmade chandelier. The chandelier has a small number of flower petals, with a purple rose in the center
    Collaborative team working on chandelier, 2018 [Two girls stand, cutting threads, while working on a handmade chandelier. The chandelier has a small number of flower petals, with a purple rose in the center]
    Caption Collaborative team working on chandelier, 2018
    Image description Two girls stand, cutting threads, while working on a handmade chandelier. The chandelier has a small number of flower petals, with a purple rose in the center
    Year 2018
    Related pages Threads of History
  • Close up of three figures standing side by side. The figure on the right raises a fist in the air and appears to shout towards the figures on their left. They wear glasses and an intricate, gold and black collar piece. The figure directly to their left gazes downwards, pressing their fingers to their temples.
    Close up of three figures standing side by side. The figure on the right raises a fist in the air and appears to shout towards the figures on their left. They wear glasses and an intricate, gold and black collar piece. The figure directly to their left gazes downwards, pressing their fingers to their temples.
    The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak. [Close up of three figures standing side by side. The figure on the right raises a fist in the air and appears to shout towards the figures on their left. They wear glasses and an intricate, gold and black collar piece. The figure directly to their left gazes downwards, pressing their fingers to their temples.]
    Caption The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak.
    Image description Close up of three figures standing side by side. The figure on the right raises a fist in the air and appears to shout towards the figures on their left. They wear glasses and an intricate, gold and black collar piece. The figure directly to their left gazes downwards, pressing their fingers to their temples.
    Year 2020
    Related pages The Owl Answers
  • Several figures fill a dimly lit, basement room. Some figures sit and talk on large couches, while others stand and talk to each other. Video projections play on two of the space’s walls.
    Several figures fill a dimly lit, basement room. Some figures sit and talk on large couches, while others stand and talk to each other. Video projections play on two of the space’s walls.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [Several figures fill a dimly lit, basement room. Some figures sit and talk on large couches, while others stand and talk to each other. Video projections play on two of the space’s walls.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description Several figures fill a dimly lit, basement room. Some figures sit and talk on large couches, while others stand and talk to each other. Video projections play on two of the space’s walls.
    Year 2019
    Related pages Speaker Music: drape over another
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Two figures perform in front of large projected images.
    Two figures perform in front of large projected images.
    SCRAAATCH, Tower of Babel, 2019, Les Urbaines. Photo: Mathilda Olmi [Two figures perform in front of large projected images.]
    Caption SCRAAATCH, Tower of Babel, 2019, Les Urbaines. Photo: Mathilda Olmi
    Image description Two figures perform in front of large projected images.
    Year 2019
    Related pages SCRAAATCH 12-3
  • A black and white photograph with two projectors hanging central with projections on one wall and another hanging screen in a gallery space.
    A black and white photograph with two projectors hanging central with projections on one wall and another hanging screen in a gallery space.
    Anne Bray. Man on First and Third, 1987. Slide/Sound Installation. [A black and white photograph with two projectors hanging central with projections on one wall and another hanging screen in a gallery space.]
    Caption Anne Bray. Man on First and Third, 1987. Slide/Sound Installation.
    Image description A black and white photograph with two projectors hanging central with projections on one wall and another hanging screen in a gallery space.
    Year 1987
    Related pages Dark Rooms
  • A brown paper bag, opened and placed at an angle, with colored pencil illustrations of a balding man wearing sunglasses and a blue collared shirt, face slightly covered by a translucent red figurative silhouette, and along the other side of the bag, a white daisy with a long green stem.
    A brown paper bag, opened and placed at an angle, with colored pencil illustrations of a balding man wearing sunglasses and a blue collared shirt, face slightly covered by a translucent red figurative silhouette, and along the other side of the bag, a white daisy with a long green stem.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A brown paper bag, opened and placed at an angle, with colored pencil illustrations of a balding man wearing sunglasses and a blue collared shirt, face slightly covered by a translucent red figurative silhouette, and along the other side of the bag, a white daisy with a long green stem.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A brown paper bag, opened and placed at an angle, with colored pencil illustrations of a balding man wearing sunglasses and a blue collared shirt, face slightly covered by a translucent red figurative silhouette, and along the other side of the bag, a white daisy with a long green stem.
    Year 2017
    Related pages Unholding
  • Two people stand at the front of a full classroom in front of a projector screen that says,
    Two people stand at the front of a full classroom in front of a projector screen that says,
    P.S. 140 student workshopping poems, 2019 [Two people stand at the front of a full classroom in front of a projector screen that says, "Poetry workshop / Ms. Rebecca / Today's task: create headline poems." One reads from a notebook, the other listens on.]
    Caption P.S. 140 student workshopping poems, 2019
    Image description Two people stand at the front of a full classroom in front of a projector screen that says, "Poetry workshop / Ms. Rebecca / Today's task: create headline poems." One reads from a notebook, the other listens on.
    Year 2019
    Related pages Art and Literacy: Poetry
  • A figure reads into a microphone, glancing at their phone.
    A figure reads into a microphone, glancing at their phone.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure reads into a microphone, glancing at their phone.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure reads into a microphone, glancing at their phone.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • A figure in a blue dress sits behind a white table, facing an audeince and reading into a microphone. On the wall behind the presenter are two projected screens. The right screen depicts a table with a notebook, someone's hand turning the pages of the notebook, and an array of dried coral pieces. On the left screen is an image of the ocean and sky.
    A figure in a blue dress sits behind a white table, facing an audeince and reading into a microphone. On the wall behind the presenter are two projected screens. The right screen depicts a table with a notebook, someone's hand turning the pages of the notebook, and an array of dried coral pieces. On the left screen is an image of the ocean and sky.
    Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang. [A figure in a blue dress sits behind a white table, facing an audeince and reading into a microphone. On the wall behind the presenter are two projected screens. The right screen depicts a table with a notebook, someone's hand turning the pages of the notebook, and an array of dried coral pieces. On the left screen is an image of the ocean and sky.]
    Caption Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang.
    Image description A figure in a blue dress sits behind a white table, facing an audeince and reading into a microphone. On the wall behind the presenter are two projected screens. The right screen depicts a table with a notebook, someone's hand turning the pages of the notebook, and an array of dried coral pieces. On the left screen is an image of the ocean and sky.
    Year
    Related pages Chang Yuchen: Coral Dictionary Vol. 1, 2019-2022
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  • An overexposed image of a person looking at the camera, their face partially obscured by the exposure.
    An overexposed image of a person looking at the camera, their face partially obscured by the exposure.
    Union Gaucha Productions Still from Totloop , 2003 16mm film (silent, color), 4 min 49 sec Collaboration with Fabio Kacero Courtesy of Union Gaucha Productions [An overexposed image of a person looking at the camera, their face partially obscured by the exposure.]
    Caption Union Gaucha Productions Still from Totloop , 2003 16mm film (silent, color), 4 min 49 sec Collaboration with Fabio Kacero Courtesy of Union Gaucha Productions
    Image description An overexposed image of a person looking at the camera, their face partially obscured by the exposure.
    Year 2003
    Related pages Union Gaucha Productions
  • A black-and-white scan of a page of The New York Times newspaper, folded in half lengthwise. A translucent geometric pattern is visible across the image, with washed out pinks, greens, blues, and yellows. The visible story is a continuation from the story featured on the first arts page, titled
    A black-and-white scan of a page of The New York Times newspaper, folded in half lengthwise. A translucent geometric pattern is visible across the image, with washed out pinks, greens, blues, and yellows. The visible story is a continuation from the story featured on the first arts page, titled
    Rachel Harrison, What the world needs now, 2009, Inkjet print on Ilford Galerie Gold Fibre Silk, 310 gsm 22 x 17 in / 55,9 x 43,2 cm, Signed and numbered [A black-and-white scan of a page of The New York Times newspaper, folded in half lengthwise. A translucent geometric pattern is visible across the image, with washed out pinks, greens, blues, and yellows. The visible story is a continuation from the story featured on the first arts page, titled "Foundation's New Prize To Honor Artists Under 35." Above the title is a photo of Victor Pinchuk, a Ukrainian businessman and art collector. Below the title is six images of "artist-mentors:" Andreas Gursky, Jeff Koons, Damien Hirst, Takashi Murakami, and institutional board members Nicholas Serota and Glenn D. Lowry of the Tate and MoMA, respectively. Each of the six figures has a color wig, bright lipstick, and two have glasses, giving each a goofy appearance.]
    Caption Rachel Harrison, What the world needs now, 2009, Inkjet print on Ilford Galerie Gold Fibre Silk, 310 gsm 22 x 17 in / 55,9 x 43,2 cm, Signed and numbered
    Image description A black-and-white scan of a page of The New York Times newspaper, folded in half lengthwise. A translucent geometric pattern is visible across the image, with washed out pinks, greens, blues, and yellows. The visible story is a continuation from the story featured on the first arts page, titled "Foundation's New Prize To Honor Artists Under 35." Above the title is a photo of Victor Pinchuk, a Ukrainian businessman and art collector. Below the title is six images of "artist-mentors:" Andreas Gursky, Jeff Koons, Damien Hirst, Takashi Murakami, and institutional board members Nicholas Serota and Glenn D. Lowry of the Tate and MoMA, respectively. Each of the six figures has a color wig, bright lipstick, and two have glasses, giving each a goofy appearance.
    Year 2009
    Related pages Artists Space Annual Edition Portfolio 2010
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    Related pages Membership
  • Color photo of the enterance into the exhibition. A sign reading:
    Color photo of the enterance into the exhibition. A sign reading:
    Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photo of the enterance into the exhibition. A sign reading: "J.D. Grocery" is placed above a doorway. A wooden awning meant to look like a roof of a building goes across the width of the partition wall. The doorway is flanked by a cardboard fire hydrant and a box television on a small wooden chair. Through the doorway, three bar stools and a bookshelf with books and home goods are visable.]
    Caption Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photo of the enterance into the exhibition. A sign reading: "J.D. Grocery" is placed above a doorway. A wooden awning meant to look like a roof of a building goes across the width of the partition wall. The doorway is flanked by a cardboard fire hydrant and a box television on a small wooden chair. Through the doorway, three bar stools and a bookshelf with books and home goods are visable.
    Year
    Related pages Char Jeré: Zoo or an Orchestra
  • Abstract painting of two people sitting at a table, having a conversation.
    Abstract painting of two people sitting at a table, having a conversation.
    Avery Singer, The Studio Visit, 2012. Courtesy the artist and Gavin Brown's enterprise, New York/Rome and Kraupa-Tuskany Zeidler, Berlin. [Abstract painting of two people sitting at a table, having a conversation.]
    Caption Avery Singer, The Studio Visit, 2012. Courtesy the artist and Gavin Brown's enterprise, New York/Rome and Kraupa-Tuskany Zeidler, Berlin.
    Image description Abstract painting of two people sitting at a table, having a conversation.
    Year 2012
    Related pages The Love of Painting
  • A yellow colored background features black text in the top half of the image that reads,
    A yellow colored background features black text in the top half of the image that reads,
    Flyer for Segue Reading Series featuring Diana Cage & Jackie Ess. Saturday March 20, 2021, Artists Space. [A yellow colored background features black text in the top half of the image that reads, "Segue Reading Series / Diana Cage & Jackie Ess / March 20 / 5pm on Zoom / Suggested donation: Five dollars / Zoom ID: 830 2698 4031." Black text in the bottom right corner reads, "Artists Space."]
    Caption Flyer for Segue Reading Series featuring Diana Cage & Jackie Ess. Saturday March 20, 2021, Artists Space.
    Image description A yellow colored background features black text in the top half of the image that reads, "Segue Reading Series / Diana Cage & Jackie Ess / March 20 / 5pm on Zoom / Suggested donation: Five dollars / Zoom ID: 830 2698 4031." Black text in the bottom right corner reads, "Artists Space."
    Year
    Related pages Segue Reading Series: Diana Cage & Jackie Ess
  • Photograph of a glass vitrine containing various archival time-banking ephemera.
    Photograph of a glass vitrine containing various archival time-banking ephemera.
    Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo. [Photograph of a glass vitrine containing various archival time-banking ephemera.]
    Caption Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo.
    Image description Photograph of a glass vitrine containing various archival time-banking ephemera.
    Annotation 2023
    Year
    Related pages Whitney Independent Study: Clocking Out: Time Beyond Management
  • Color image of a gallery space with paintings done on adobe panels that rest on steel armatures, and are laid out around the space. The artworks depict paintings of various figures. On the wall hangs a wooden ladder horizontally.
    Color image of a gallery space with paintings done on adobe panels that rest on steel armatures, and are laid out around the space. The artworks depict paintings of various figures. On the wall hangs a wooden ladder horizontally.
    rafa esparza: Camino. Installation view (Timo, 2023; Adobera 1 (adobe brick mold), 2023; Sancha, 2023), Artists Space, 2023. Photo: Filip Wolak. [Color image of a gallery space with paintings done on adobe panels that rest on steel armatures, and are laid out around the space. The artworks depict paintings of various figures. On the wall hangs a wooden ladder horizontally.]
    Caption rafa esparza: Camino. Installation view (Timo, 2023; Adobera 1 (adobe brick mold), 2023; Sancha, 2023), Artists Space, 2023. Photo: Filip Wolak.
    Image description Color image of a gallery space with paintings done on adobe panels that rest on steel armatures, and are laid out around the space. The artworks depict paintings of various figures. On the wall hangs a wooden ladder horizontally.
    Year
    Related pages rafa esparza: Camino
  • A three-shelf, wooden bookshelf sits in a small enclave in a white-walled room. Various multicolored books fill the shelves and additional books rest on top of the bookshelf. Installed on the wall directly to the right of the shelf is a glowing, red neon tube that gently illuminates the room.
    A three-shelf, wooden bookshelf sits in a small enclave in a white-walled room. Various multicolored books fill the shelves and additional books rest on top of the bookshelf. Installed on the wall directly to the right of the shelf is a glowing, red neon tube that gently illuminates the room.
    The Serving Library. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A three-shelf, wooden bookshelf sits in a small enclave in a white-walled room. Various multicolored books fill the shelves and additional books rest on top of the bookshelf. Installed on the wall directly to the right of the shelf is a glowing, red neon tube that gently illuminates the room.]
    Caption The Serving Library. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A three-shelf, wooden bookshelf sits in a small enclave in a white-walled room. Various multicolored books fill the shelves and additional books rest on top of the bookshelf. Installed on the wall directly to the right of the shelf is a glowing, red neon tube that gently illuminates the room.
    Year 2011
    Related pages The Serving Library
  • A glass case displaying archival documents and images
    A glass case displaying archival documents and images
    ART CLUB2000 Selections from ART CLUB2000 archive, detail, 1992–1999 Image courtesy Artists Space, New York Photo: Filip Wolak [A glass case displaying archival documents and images]
    Caption ART CLUB2000 Selections from ART CLUB2000 archive, detail, 1992–1999 Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A glass case displaying archival documents and images
    Year 2021
    Related pages ART CLUB2000
  • Two men drawing on a large cloth sign in Arabic and English, stating
    Two men drawing on a large cloth sign in Arabic and English, stating
    Jamil Shammout and Michel Najjar paint the banner for The International Art Exhibition for Palestine. Beirut, 1978. Courtesy Claude Lazar [Two men drawing on a large cloth sign in Arabic and English, stating "INTERNATIONAL ART EXHIBITION FOR PALESTINE".]
    Caption Jamil Shammout and Michel Najjar paint the banner for The International Art Exhibition for Palestine. Beirut, 1978. Courtesy Claude Lazar
    Image description Two men drawing on a large cloth sign in Arabic and English, stating "INTERNATIONAL ART EXHIBITION FOR PALESTINE".
    Year 1978
    Related pages Past Disquiet
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    Related pages DRAFT IMAGE PAGE_NEVER DELETE
  • An opened case, with camera equipment resting inside gray foam, is displayed in the center of a room. A large black and white painting with text is hung on a wall underneath a hanging sculpture. In the background, individual papers of beer logos are displayed behind glass, stretching across two connecting walls.
    An opened case, with camera equipment resting inside gray foam, is displayed in the center of a room. A large black and white painting with text is hung on a wall underneath a hanging sculpture. In the background, individual papers of beer logos are displayed behind glass, stretching across two connecting walls.
    Social Surfaces. Installation view, Pearl River Mart, 2017. Photo: Ron Amstutz. [An opened case, with camera equipment resting inside gray foam, is displayed in the center of a room. A large black and white painting with text is hung on a wall underneath a hanging sculpture. In the background, individual papers of beer logos are displayed behind glass, stretching across two connecting walls.]
    Caption Social Surfaces. Installation view, Pearl River Mart, 2017. Photo: Ron Amstutz.
    Image description An opened case, with camera equipment resting inside gray foam, is displayed in the center of a room. A large black and white painting with text is hung on a wall underneath a hanging sculpture. In the background, individual papers of beer logos are displayed behind glass, stretching across two connecting walls.
    Year 2017
    Related pages Social Surfaces
  • A corner made by two white walls. One wall has four framed images of yellow amorphus shapes on different backrounds, arranged in a horizontal line. The other wall has three framed images, one hung by itself and the other two stacked vertically.
    A corner made by two white walls. One wall has four framed images of yellow amorphus shapes on different backrounds, arranged in a horizontal line. The other wall has three framed images, one hung by itself and the other two stacked vertically.
    Local Transit. Installation view, Artists Space, 2006. [A corner made by two white walls. One wall has four framed images of yellow amorphus shapes on different backrounds, arranged in a horizontal line. The other wall has three framed images, one hung by itself and the other two stacked vertically.]
    Caption Local Transit. Installation view, Artists Space, 2006.
    Image description A corner made by two white walls. One wall has four framed images of yellow amorphus shapes on different backrounds, arranged in a horizontal line. The other wall has three framed images, one hung by itself and the other two stacked vertically.
    Year 2006
    Related pages Local Transit: An Exhibition in Two Parts
  • A young boy with his arms outstretched leans against a wall. The wall is covered with a larger than life photograph of a crowd of people holding flags and signs, as in a protest or a rally.
    A young boy with his arms outstretched leans against a wall. The wall is covered with a larger than life photograph of a crowd of people holding flags and signs, as in a protest or a rally.
    Wish I Were Here. Photo: Alexandra Stock. [A young boy with his arms outstretched leans against a wall. The wall is covered with a larger than life photograph of a crowd of people holding flags and signs, as in a protest or a rally.]
    Caption Wish I Were Here. Photo: Alexandra Stock.
    Image description A young boy with his arms outstretched leans against a wall. The wall is covered with a larger than life photograph of a crowd of people holding flags and signs, as in a protest or a rally.
    Year 2011
    Related pages Bidoun Issue #25
  • A hand extends its fingers admist a shower of droplets of liquid. A bright light shines on the hand and droplets.
    A hand extends its fingers admist a shower of droplets of liquid. A bright light shines on the hand and droplets.
    [A hand extends its fingers admist a shower of droplets of liquid. A bright light shines on the hand and droplets.]
    Caption
    Image description A hand extends its fingers admist a shower of droplets of liquid. A bright light shines on the hand and droplets.
    Year 2008
    Related pages Nina in Position
  • Small house-like wooden sculptures appear on a table with a large white image on the ground between them. A video monitor and framed images are visible in the background.
    Small house-like wooden sculptures appear on a table with a large white image on the ground between them. A video monitor and framed images are visible in the background.
    Young Fluxus. Installation view, Artists Space, 1982. [Small house-like wooden sculptures appear on a table with a large white image on the ground between them. A video monitor and framed images are visible in the background.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description Small house-like wooden sculptures appear on a table with a large white image on the ground between them. A video monitor and framed images are visible in the background.
    Year
    Related pages Young Fluxus
  • A figure, sitting in profile and centered within the frame, speaks into a microphone.
    A figure, sitting in profile and centered within the frame, speaks into a microphone.
    Portrait of Ciarán Finlayson. [A figure, sitting in profile and centered within the frame, speaks into a microphone.]
    Caption Portrait of Ciarán Finlayson.
    Image description A figure, sitting in profile and centered within the frame, speaks into a microphone.
    Year 2021
    Related pages Artists Space Dialogues Spring 2021
  • A wide blue mop with a yellow handle is tethered to a white pillar by a black cord, and is stretched with the handle angled forward. Resting against the pillar is a tv, angled and facing slightly leftwards, displaying a sculpture in a parking lot.
    A wide blue mop with a yellow handle is tethered to a white pillar by a black cord, and is stretched with the handle angled forward. Resting against the pillar is a tv, angled and facing slightly leftwards, displaying a sculpture in a parking lot.
    Social Surfaces. Installation view, Alexander and Bonin, 2017. Photo: Ron Amstutz. [A wide blue mop with a yellow handle is tethered to a white pillar by a black cord, and is stretched with the handle angled forward. Resting against the pillar is a tv, angled and facing slightly leftwards, displaying a sculpture in a parking lot.]
    Caption Social Surfaces. Installation view, Alexander and Bonin, 2017. Photo: Ron Amstutz.
    Image description A wide blue mop with a yellow handle is tethered to a white pillar by a black cord, and is stretched with the handle angled forward. Resting against the pillar is a tv, angled and facing slightly leftwards, displaying a sculpture in a parking lot.
    Year 2017
    Related pages Social Surfaces
  • A black and white installation photograph of a sculpture. The piece features various triangular ramps, wooden square blocks, and curved wooden pieces with wheels, all placed on a wooden floor.
    A black and white installation photograph of a sculpture. The piece features various triangular ramps, wooden square blocks, and curved wooden pieces with wheels, all placed on a wooden floor.
    Louisa Chase. Installation view, Louisa Chase, Ted Stamm, Meryl Vladimer, Artists Space, 1975. [A black and white installation photograph of a sculpture. The piece features various triangular ramps, wooden square blocks, and curved wooden pieces with wheels, all placed on a wooden floor.]
    Caption Louisa Chase. Installation view, Louisa Chase, Ted Stamm, Meryl Vladimer, Artists Space, 1975.
    Image description A black and white installation photograph of a sculpture. The piece features various triangular ramps, wooden square blocks, and curved wooden pieces with wheels, all placed on a wooden floor.
    Year 1975
    Related pages Louisa Chase, Ted Stamm, Meryl Vladimer
  • An orange flyer features black sans serif text that reads:
    An orange flyer features black sans serif text that reads:
    [An orange flyer features black sans serif text that reads: "Artists for ARTISTS SPACE / a benefit exhibition / April 27–May 13, 2023." Underneath is the list of participating artists: "Richard Aldrich, Ei Arakawa, Oto Gillen, Renee Gladman, Robert Gober, Richard Hawkins, G. Peter Jemison, Sanya Kantarovsky, Danny McDonald, Julie Mehretu, Jill Mulleady, Ulrike Müller, Yoshitomo Nara, Elizabeth Peyton, Pope.L, Andy Robert, Julia Rommel, Cosima von Bonin."]
    Caption
    Image description An orange flyer features black sans serif text that reads: "Artists for ARTISTS SPACE / a benefit exhibition / April 27–May 13, 2023." Underneath is the list of participating artists: "Richard Aldrich, Ei Arakawa, Oto Gillen, Renee Gladman, Robert Gober, Richard Hawkins, G. Peter Jemison, Sanya Kantarovsky, Danny McDonald, Julie Mehretu, Jill Mulleady, Ulrike Müller, Yoshitomo Nara, Elizabeth Peyton, Pope.L, Andy Robert, Julia Rommel, Cosima von Bonin."
    Year 2023
    Related pages Artists for Artists Space
  • A band plays on stage, with a figure playing the piano in the foreground of the image, while another plays congas behind him. A third figure plays the tuba in the background.
    A band plays on stage, with a figure playing the piano in the foreground of the image, while another plays congas behind him. A third figure plays the tuba in the background.
    Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A band plays on stage, with a figure playing the piano in the foreground of the image, while another plays congas behind him. A third figure plays the tuba in the background.]
    Caption Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman
    Image description A band plays on stage, with a figure playing the piano in the foreground of the image, while another plays congas behind him. A third figure plays the tuba in the background.
    Year 2022
    Related pages Tisziji Muñoz with Francisco Mora Catlett and AfroHORN
  • A series of photographs are installed on a white gallery wall above a series of pipes that run horizontally along the wall. The photographs depict figures superimposed by saturated imagery.
    A series of photographs are installed on a white gallery wall above a series of pipes that run horizontally along the wall. The photographs depict figures superimposed by saturated imagery.
    Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A series of photographs are installed on a white gallery wall above a series of pipes that run horizontally along the wall. The photographs depict figures superimposed by saturated imagery.]
    Caption Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A series of photographs are installed on a white gallery wall above a series of pipes that run horizontally along the wall. The photographs depict figures superimposed by saturated imagery.
    Year 2010
    Related pages Rip It Up and Start Again: William S. Burroughs, Charles Henri Ford, Ray Johnson, Philippe Thomas, Arthur Russell
  • A figure in a suit performs on stage, reading into a microphone off sheets on a music stand in front of them.
    A figure in a suit performs on stage, reading into a microphone off sheets on a music stand in front of them.
    Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure in a suit performs on stage, reading into a microphone off sheets on a music stand in front of them.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure in a suit performs on stage, reading into a microphone off sheets on a music stand in front of them.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-10
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    Image description
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • A figure sits behind a table, looking at a laptop screen, their face resting in their hand and a microphone placed next to their face.
    A figure sits behind a table, looking at a laptop screen, their face resting in their hand and a microphone placed next to their face.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure sits behind a table, looking at a laptop screen, their face resting in their hand and a microphone placed next to their face.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure sits behind a table, looking at a laptop screen, their face resting in their hand and a microphone placed next to their face.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A black and white image of a person's face against a white tiled wall, with water pouring down over her.
    A black and white image of a person's face against a white tiled wall, with water pouring down over her.
    Judit Kurtág. Still from Episode, 2007. [A black and white image of a person's face against a white tiled wall, with water pouring down over her.]
    Caption Judit Kurtág. Still from Episode, 2007.
    Image description A black and white image of a person's face against a white tiled wall, with water pouring down over her.
    Year 2007
    Related pages Episode
  • A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.
    A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.
    Bases of the equestrian monument to Kaiser Wilhem which was destroyed by the British occupation in Münster after World War II. The photographs were printed as post cards in the early 20th century and collected from eBay and oldthing.de in 2021. [A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.]
    Caption Bases of the equestrian monument to Kaiser Wilhem which was destroyed by the British occupation in Münster after World War II. The photographs were printed as post cards in the early 20th century and collected from eBay and oldthing.de in 2021.
    Image description A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
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    Image description
    Year
    Related pages Jack Smith Film Retrospective
  • View of colorful panelled designed wall with shelves holding plants and other items. A blue desk with pamphlets on them is visible in the front left corner which is near a doorway into another room.
    View of colorful panelled designed wall with shelves holding plants and other items. A blue desk with pamphlets on them is visible in the front left corner which is near a doorway into another room.
    Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Haim Steinbach. [View of colorful panelled designed wall with shelves holding plants and other items. A blue desk with pamphlets on them is visible in the front left corner which is near a doorway into another room.]
    Caption Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Haim Steinbach.
    Image description View of colorful panelled designed wall with shelves holding plants and other items. A blue desk with pamphlets on them is visible in the front left corner which is near a doorway into another room.
    Year 1979
    Related pages Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach
  • The Spanish translation of the poem “La cholla, o cactus saltador, se agarra.../Cholla, or jumping cactus, attaches...” is shown above a thin grey horizontal line, below which appears the English translation of the same poem.
    The Spanish translation of the poem “La cholla, o cactus saltador, se agarra.../Cholla, or jumping cactus, attaches...” is shown above a thin grey horizontal line, below which appears the English translation of the same poem.
    Electronic Disturbance Theater 2.0/b.a.n.g. lab. The Transborder Immigrant Tool, 2007–ongoing. Pages excerpted from The Transborder Immigrant Tool publication. Courtesy the artist, University of Michigan Ann Arbor, and University of California, San Diego. [The Spanish translation of the poem “La cholla, o cactus saltador, se agarra.../Cholla, or jumping cactus, attaches...” is shown above a thin grey horizontal line, below which appears the English translation of the same poem.]
    Caption Electronic Disturbance Theater 2.0/b.a.n.g. lab. The Transborder Immigrant Tool, 2007–ongoing. Pages excerpted from The Transborder Immigrant Tool publication. Courtesy the artist, University of Michigan Ann Arbor, and University of California, San Diego.
    Image description The Spanish translation of the poem “La cholla, o cactus saltador, se agarra.../Cholla, or jumping cactus, attaches...” is shown above a thin grey horizontal line, below which appears the English translation of the same poem.
    Year 2007
    Related pages Whitney ISP Archive
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    Image description
    Year
    Related pages Milford Graves: Fundamental Frequency
  • White text overlays a green and brown background. The text reads: “May 6 / stefa marin alarcon / zavé martohardjono.
    White text overlays a green and brown background. The text reads: “May 6 / stefa marin alarcon / zavé martohardjono.
    [White text overlays a green and brown background. The text reads: “May 6 / stefa marin alarcon / zavé martohardjono." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description White text overlays a green and brown background. The text reads: “May 6 / stefa marin alarcon / zavé martohardjono." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: stefa marin alarcon & zavé martohardjono
  • A crowd if people sit on wooden chairs in a large gallery space. The crowd forms a semi-circle around a portion of the gallery floor covered in a brown, dirt-like material. A woman in a white suit stands amonst the debris and speaks into a microphone in front of a sculpture composed of a large pane of glass.
    A crowd if people sit on wooden chairs in a large gallery space. The crowd forms a semi-circle around a portion of the gallery floor covered in a brown, dirt-like material. A woman in a white suit stands amonst the debris and speaks into a microphone in front of a sculpture composed of a large pane of glass.
    Fifth Season Act, Apotheosically. Performance documentation, May 31, 2012, Artists Space. [A crowd if people sit on wooden chairs in a large gallery space. The crowd forms a semi-circle around a portion of the gallery floor covered in a brown, dirt-like material. A woman in a white suit stands amonst the debris and speaks into a microphone in front of a sculpture composed of a large pane of glass.]
    Caption Fifth Season Act, Apotheosically. Performance documentation, May 31, 2012, Artists Space.
    Image description A crowd if people sit on wooden chairs in a large gallery space. The crowd forms a semi-circle around a portion of the gallery floor covered in a brown, dirt-like material. A woman in a white suit stands amonst the debris and speaks into a microphone in front of a sculpture composed of a large pane of glass.
    Year 2012
    Related pages Fifth Season Act, Apotheosically
  • A black and white film still of two figures on a sidewalk, one stands against a stone wall looking through a small opening in the stone.
    A black and white film still of two figures on a sidewalk, one stands against a stone wall looking through a small opening in the stone.
    Charles Simonds. Still from Mythologies, 1974. From Thomas Lanigan-Schmidt, James Biederman, Charles Simonds, Artists Space, 1974. [A black and white film still of two figures on a sidewalk, one stands against a stone wall looking through a small opening in the stone.]
    Caption Charles Simonds. Still from Mythologies, 1974. From Thomas Lanigan-Schmidt, James Biederman, Charles Simonds, Artists Space, 1974.
    Image description A black and white film still of two figures on a sidewalk, one stands against a stone wall looking through a small opening in the stone.
    Year 1974
    Related pages Thomas Lanigan Schmidt, James Biederman, Charles Simonds
  • Sixty images with dark backgrounds and a white, pixelated spot emanating from their centers arranged in a grid formation on an indigo blue gallery wall.
    Sixty images with dark backgrounds and a white, pixelated spot emanating from their centers arranged in a grid formation on an indigo blue gallery wall.
    Whitney Museum of American Art Independent Study Program Studio Exhibition. Installation view, Artists Space, 2018. [Sixty images with dark backgrounds and a white, pixelated spot emanating from their centers arranged in a grid formation on an indigo blue gallery wall.]
    Caption Whitney Museum of American Art Independent Study Program Studio Exhibition. Installation view, Artists Space, 2018.
    Image description Sixty images with dark backgrounds and a white, pixelated spot emanating from their centers arranged in a grid formation on an indigo blue gallery wall.
    Year 2018
    Related pages Whitney Museum of American Art Independent Study Program Studio Exhibition
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Black and white image of an unmade bed under a wall covered with small images of people and idols.
    Black and white image of an unmade bed under a wall covered with small images of people and idols.
    [Black and white image of an unmade bed under a wall covered with small images of people and idols.]
    Caption
    Image description Black and white image of an unmade bed under a wall covered with small images of people and idols.
    Year 2014
    Related pages Malicious Damage
  • A center-parted white chiffon curtain revealing a set of six framed images mounted on the wall. A white bar runs slightly right of center of the image.
    A center-parted white chiffon curtain revealing a set of six framed images mounted on the wall. A white bar runs slightly right of center of the image.
    Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A center-parted white chiffon curtain revealing a set of six framed images mounted on the wall. A white bar runs slightly right of center of the image.]
    Caption Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A center-parted white chiffon curtain revealing a set of six framed images mounted on the wall. A white bar runs slightly right of center of the image.
    Year 2010
    Related pages Danh Vo: Autoerotic Asphyxiation
  • Various figures stand around a table with a mannequin on it. The mannequin is obscured by foliage and flowers.
    Various figures stand around a table with a mannequin on it. The mannequin is obscured by foliage and flowers.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [Various figures stand around a table with a mannequin on it. The mannequin is obscured by foliage and flowers.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York.
    Image description Various figures stand around a table with a mannequin on it. The mannequin is obscured by foliage and flowers.
    Year
    Related pages Grandmother Cindy
  • Rummana Hussain stands in an open courtyard cradling half a papaya in her hands, her mouth wide open in a silent scream. Behind her, indigo powder is scattered across the pavement.
    Rummana Hussain stands in an open courtyard cradling half a papaya in her hands, her mouth wide open in a silent scream. Behind her, indigo powder is scattered across the pavement.
    Rummana Hussain, Living on the Margins, 1995. Video, color, sound; 28 minutes. Courtesy Rummana Hussain Family Collection. [Rummana Hussain stands in an open courtyard cradling half a papaya in her hands, her mouth wide open in a silent scream. Behind her, indigo powder is scattered across the pavement.]
    Caption Rummana Hussain, Living on the Margins, 1995. Video, color, sound; 28 minutes. Courtesy Rummana Hussain Family Collection.
    Image description Rummana Hussain stands in an open courtyard cradling half a papaya in her hands, her mouth wide open in a silent scream. Behind her, indigo powder is scattered across the pavement.
    Year 1995
    Related pages Whitney ISP Archive
  • The gallery space displays an assortment of artworks on the left wall. On the far left, closest to the viewer, is a painting of Pope Francis with a top text reading
    The gallery space displays an assortment of artworks on the left wall. On the far left, closest to the viewer, is a painting of Pope Francis with a top text reading
    LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon [The gallery space displays an assortment of artworks on the left wall. On the far left, closest to the viewer, is a painting of Pope Francis with a top text reading "I WOKE UP LIKE THIS" and a bottom text reading "...FLAWLESS." An assortment of art objects, shelves, framed paintings, sculptural installations, and digital media recede into the gallery space along this wall. On the right a row of columns recede into the gallery space.]
    Caption LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description The gallery space displays an assortment of artworks on the left wall. On the far left, closest to the viewer, is a painting of Pope Francis with a top text reading "I WOKE UP LIKE THIS" and a bottom text reading "...FLAWLESS." An assortment of art objects, shelves, framed paintings, sculptural installations, and digital media recede into the gallery space along this wall. On the right a row of columns recede into the gallery space.
    Year 2025
    Related pages Arnold J. Kemp
  • A screenshot of a video call presentation. Names of individuals are weaved together digitally in a quilt-like fashion. These names are flanked on the right side by the images of ten individuals who are joining the call remotely.
    A screenshot of a video call presentation. Names of individuals are weaved together digitally in a quilt-like fashion. These names are flanked on the right side by the images of ten individuals who are joining the call remotely.
    We Are The History of the Future: Listening to the LES online presentation, My Story Our Story Quilt, P.S. 140 7th grade students [A screenshot of a video call presentation. Names of individuals are weaved together digitally in a quilt-like fashion. These names are flanked on the right side by the images of ten individuals who are joining the call remotely.]
    Caption We Are The History of the Future: Listening to the LES online presentation, My Story Our Story Quilt, P.S. 140 7th grade students
    Image description A screenshot of a video call presentation. Names of individuals are weaved together digitally in a quilt-like fashion. These names are flanked on the right side by the images of ten individuals who are joining the call remotely.
    Year 2020
    Related pages Exhibitions and Events
  • Color photograph of a figure wearing a conical sheath of reflective one-way mirror film. They stand in the corner of a dark room, shining a bright light against the wall behind them. Their silhouette can be vaguely seen under the mirror film.
    Color photograph of a figure wearing a conical sheath of reflective one-way mirror film. They stand in the corner of a dark room, shining a bright light against the wall behind them. Their silhouette can be vaguely seen under the mirror film.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure wearing a conical sheath of reflective one-way mirror film. They stand in the corner of a dark room, shining a bright light against the wall behind them. Their silhouette can be vaguely seen under the mirror film.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure wearing a conical sheath of reflective one-way mirror film. They stand in the corner of a dark room, shining a bright light against the wall behind them. Their silhouette can be vaguely seen under the mirror film.
    Year 2022
    Related pages keyon gaskin 12-14
  • Closeup view of three small framed works on paper hanging on a white gallery wall. The works feature detailed, abstract calligraphic strokes in black, orange, and chartreuse.
    Closeup view of three small framed works on paper hanging on a white gallery wall. The works feature detailed, abstract calligraphic strokes in black, orange, and chartreuse.
    Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [Closeup view of three small framed works on paper hanging on a white gallery wall. The works feature detailed, abstract calligraphic strokes in black, orange, and chartreuse.]
    Caption Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description Closeup view of three small framed works on paper hanging on a white gallery wall. The works feature detailed, abstract calligraphic strokes in black, orange, and chartreuse.
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • Black-and-white image of three figures performing in a band on stage, the right figure plays the saxophone, the middle figure plays the drums, and the right figure plays a synthesizer.
    Black-and-white image of three figures performing in a band on stage, the right figure plays the saxophone, the middle figure plays the drums, and the right figure plays a synthesizer.
    Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman [Black-and-white image of three figures performing in a band on stage, the right figure plays the saxophone, the middle figure plays the drums, and the right figure plays a synthesizer.]
    Caption Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman
    Image description Black-and-white image of three figures performing in a band on stage, the right figure plays the saxophone, the middle figure plays the drums, and the right figure plays a synthesizer.
    Year 2022
    Related pages Abasement: #62
  • Magazine cut-outs and ink drawings are collaged together on a pale yellow background, with red and orange accents throughout. Cut up pieces of light pink paper are scattered throughout the image, and feature typewritten text listing the performers and event details.
    Magazine cut-outs and ink drawings are collaged together on a pale yellow background, with red and orange accents throughout. Cut up pieces of light pink paper are scattered throughout the image, and feature typewritten text listing the performers and event details.
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a pale yellow background, with red and orange accents throughout. Cut up pieces of light pink paper are scattered throughout the image, and feature typewritten text listing the performers and event details.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a pale yellow background, with red and orange accents throughout. Cut up pieces of light pink paper are scattered throughout the image, and feature typewritten text listing the performers and event details.
    Year
    Related pages Abasement #69
  • A wooden bar with four chairs and a palm tree in a pot is displayed against a white wall.
    A wooden bar with four chairs and a palm tree in a pot is displayed against a white wall.
    Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [A wooden bar with four chairs and a palm tree in a pot is displayed against a white wall.]
    Caption Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013.
    Image description A wooden bar with four chairs and a palm tree in a pot is displayed against a white wall.
    Year 2013
    Related pages Pride Goes Before a Fall
  • Color image of the entrance into a gallery space. A blue wall juts out to create a small entrance on the righthand side. Along the floor is a walkway made of plywood. In the center of the room is a projected video onto the floor.
    Color image of the entrance into a gallery space. A blue wall juts out to create a small entrance on the righthand side. Along the floor is a walkway made of plywood. In the center of the room is a projected video onto the floor.
    Crystal Z Campbell: Ode to the Underloved. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of the entrance into a gallery space. A blue wall juts out to create a small entrance on the righthand side. Along the floor is a walkway made of plywood. In the center of the room is a projected video onto the floor.]
    Caption Crystal Z Campbell: Ode to the Underloved. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color image of the entrance into a gallery space. A blue wall juts out to create a small entrance on the righthand side. Along the floor is a walkway made of plywood. In the center of the room is a projected video onto the floor.
    Year
    Related pages Crystal Z Campbell
  • A split screen of two people, each visible between their nose and their chest. Both are extremely excited, with their hands raised up.
    A split screen of two people, each visible between their nose and their chest. Both are extremely excited, with their hands raised up.
    Catherine Ross, still from Fingering and Footing, 2005. [A split screen of two people, each visible between their nose and their chest. Both are extremely excited, with their hands raised up.]
    Caption Catherine Ross, still from Fingering and Footing, 2005.
    Image description A split screen of two people, each visible between their nose and their chest. Both are extremely excited, with their hands raised up.
    Year 2005
    Related pages The Mind/Body Problem
  • A black and white photograph of a multicolored globe sitting on a wooden floor.
    A black and white photograph of a multicolored globe sitting on a wooden floor.
    Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Gary Burnley. [A black and white photograph of a multicolored globe sitting on a wooden floor.]
    Caption Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Gary Burnley.
    Image description A black and white photograph of a multicolored globe sitting on a wooden floor.
    Year
    Related pages Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach
  • A headless woman in a white dress slumps next to a bust of a man's head lying on the floor. A fuzzy television screen background appears the figure.
    A headless woman in a white dress slumps next to a bust of a man's head lying on the floor. A fuzzy television screen background appears the figure.
    The Fairy Tale: Politics, Desire and Everyday Life. Installation View. Artists Space, 1986. [A headless woman in a white dress slumps next to a bust of a man's head lying on the floor. A fuzzy television screen background appears the figure.]
    Caption The Fairy Tale: Politics, Desire and Everyday Life. Installation View. Artists Space, 1986.
    Image description A headless woman in a white dress slumps next to a bust of a man's head lying on the floor. A fuzzy television screen background appears the figure.
    Year
    Related pages The Fairy Tale: Politics, Desire, and Everyday Life
  • A grid of pink hearts on a blue background.
    A grid of pink hearts on a blue background.
    [A grid of pink hearts on a blue background.]
    Caption
    Image description A grid of pink hearts on a blue background.
    Year 2017
    Related pages Bowery Poetry ❤ John Giorno
  • A wall that has various posters, photographs, and collages hanging from it.
    A wall that has various posters, photographs, and collages hanging from it.
    Attention Line. Installation view (various flyers and photographs by Johanna Went, c. 1970s-90s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [A wall that has various posters, photographs, and collages hanging from it.]
    Caption Attention Line. Installation view (various flyers and photographs by Johanna Went, c. 1970s-90s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak
    Image description A wall that has various posters, photographs, and collages hanging from it.
    Year
    Related pages Attention Line
  • A person looks at several sheets of paper with text and black and white photographs mounted on a wall. Hanging just above the papers is a sculpture of a human head with blonde wig.
    A person looks at several sheets of paper with text and black and white photographs mounted on a wall. Hanging just above the papers is a sculpture of a human head with blonde wig.
    Mr. Dead & Mrs. Free: A History of Squat Theatre. Installation view, Artists Space, 1996. [A person looks at several sheets of paper with text and black and white photographs mounted on a wall. Hanging just above the papers is a sculpture of a human head with blonde wig.]
    Caption Mr. Dead & Mrs. Free: A History of Squat Theatre. Installation view, Artists Space, 1996.
    Image description A person looks at several sheets of paper with text and black and white photographs mounted on a wall. Hanging just above the papers is a sculpture of a human head with blonde wig.
    Year 1996
    Related pages Mr. Dead & Mrs. Free: A History of Squat Theatre (1969 – 1991)
  • Graphic logo reads I ♥ John Giorno in red text.
    Graphic logo reads I ♥ John Giorno in red text.
    [Graphic logo reads I ♥ John Giorno in red text.]
    Caption
    Image description Graphic logo reads I ♥ John Giorno in red text.
    Year 2017
    Related pages Ugo Rondinone: I ♥ John Giorno
  • Black text on an orange background. The text reads: “Oct 19 / Xavier Cavazos / Pamela Booker.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on an orange background. The text reads: “Oct 19 / Xavier Cavazos / Pamela Booker.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on an orange background. The text reads: “Oct 19 / Xavier Cavazos / Pamela Booker.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on an orange background. The text reads: “Oct 19 / Xavier Cavazos / Pamela Booker.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Pamela Booker & Xavier Cavazos
  • In front of a large colorful projection, a figure wearing headphones around their neck leans down over musical technology.
    In front of a large colorful projection, a figure wearing headphones around their neck leans down over musical technology.
    SCRAAATCH, Tower of Babel, 2019, Les Urbaines. Photo: Mathilda Olmi [In front of a large colorful projection, a figure wearing headphones around their neck leans down over musical technology.]
    Caption SCRAAATCH, Tower of Babel, 2019, Les Urbaines. Photo: Mathilda Olmi
    Image description In front of a large colorful projection, a figure wearing headphones around their neck leans down over musical technology.
    Year 2019
    Related pages SCRAAATCH 11-18
  • A close-up view of an image on a television monitor with a blue tint. The image appears to be a portion of a person's face.
    A close-up view of an image on a television monitor with a blue tint. The image appears to be a portion of a person's face.
    Installation view of Social Disease and Two Possibilities, Artists Space, April 12, 1986 - May 10, 1986. [A close-up view of an image on a television monitor with a blue tint. The image appears to be a portion of a person's face.]
    Caption Installation view of Social Disease and Two Possibilities, Artists Space, April 12, 1986 - May 10, 1986.
    Image description A close-up view of an image on a television monitor with a blue tint. The image appears to be a portion of a person's face.
    Year
    Related pages Social Disease and Two Possibilities
  • Caption
    Image description
    Year
    Related pages Abasement #74
  • Gray silhouettes are displayed on adjacent walls. Miscellaneous items are displayed on gray tables. A microphone and its extended wire lays on the floor in front of a speaker.
    Gray silhouettes are displayed on adjacent walls. Miscellaneous items are displayed on gray tables. A microphone and its extended wire lays on the floor in front of a speaker.
    The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [Gray silhouettes are displayed on adjacent walls. Miscellaneous items are displayed on gray tables. A microphone and its extended wire lays on the floor in front of a speaker.]
    Caption The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich.
    Image description Gray silhouettes are displayed on adjacent walls. Miscellaneous items are displayed on gray tables. A microphone and its extended wire lays on the floor in front of a speaker.
    Year 2014
    Related pages The Issues of Our Time
  • An over-the-shoulder photo of a person holding a boom microphone pointed at a small oil pipeline fire several dozen feet away.
    An over-the-shoulder photo of a person holding a boom microphone pointed at a small oil pipeline fire several dozen feet away.
    A member of the collective Winter Count working on the film We Are in Crisis, 2016, North Dakota. [An over-the-shoulder photo of a person holding a boom microphone pointed at a small oil pipeline fire several dozen feet away.]
    Caption A member of the collective Winter Count working on the film We Are in Crisis, 2016, North Dakota.
    Image description An over-the-shoulder photo of a person holding a boom microphone pointed at a small oil pipeline fire several dozen feet away.
    Year 2016
    Related pages Without Us There Is No You
  • Close-up image of a peep hole installed in a light mauve wall. Through the peep hole, a figure wearing a blue shirt and black pants is visible in profile. Their image is warped by the surface of the peep hole, swirling and reflecting around the hole.
    Close-up image of a peep hole installed in a light mauve wall. Through the peep hole, a figure wearing a blue shirt and black pants is visible in profile. Their image is warped by the surface of the peep hole, swirling and reflecting around the hole.
    Julianne Swartz, Line Drawing, 2002. Site-specific installation, dimensions variable. [Close-up image of a peep hole installed in a light mauve wall. Through the peep hole, a figure wearing a blue shirt and black pants is visible in profile. Their image is warped by the surface of the peep hole, swirling and reflecting around the hole.]
    Caption Julianne Swartz, Line Drawing, 2002. Site-specific installation, dimensions variable.
    Image description Close-up image of a peep hole installed in a light mauve wall. Through the peep hole, a figure wearing a blue shirt and black pants is visible in profile. Their image is warped by the surface of the peep hole, swirling and reflecting around the hole.
    Year 2003
    Related pages Main Space = Project Spaces
  • Along the wall is a glass display case holding ephemera, hanging above are two black and white contact sheets.
    Along the wall is a glass display case holding ephemera, hanging above are two black and white contact sheets.
    Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [Along the wall is a glass display case holding ephemera, hanging above are two black and white contact sheets.]
    Caption Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description Along the wall is a glass display case holding ephemera, hanging above are two black and white contact sheets.
    Year 2021
    Related pages Till They Listen: Bill Gunn Directs America
  • A color installation photograph of a black and white abstract painting on a white background.
    A color installation photograph of a black and white abstract painting on a white background.
    Richard Klauber. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975. [A color installation photograph of a black and white abstract painting on a white background.]
    Caption Richard Klauber. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975.
    Image description A color installation photograph of a black and white abstract painting on a white background.
    Year 1975
    Related pages Ruth Hardinger, Richard Klauber
  • Contact sheet of installation images showing artwork hung up on walls .
    Contact sheet of installation images showing artwork hung up on walls .
    Patricia Hearst – a Second Reading. Contact sheet of installation views, Artists Space, 1979. [Contact sheet of installation images showing artwork hung up on walls .]
    Caption Patricia Hearst – a Second Reading. Contact sheet of installation views, Artists Space, 1979.
    Image description Contact sheet of installation images showing artwork hung up on walls .
    Year 1979
    Related pages Patricia Hearst - A Second Reading
  • A person in army camouflage and a military gun grabs a handful of packaged cookies from a stand selling assorted candies, snacks, sodas, and other food.
    A person in army camouflage and a military gun grabs a handful of packaged cookies from a stand selling assorted candies, snacks, sodas, and other food.
    Sean Snyder, still from Casio, Seiko, Sheraton, Toyota, Mars, 2004-5. Courtesy Lisson Gallery, London. [A person in army camouflage and a military gun grabs a handful of packaged cookies from a stand selling assorted candies, snacks, sodas, and other food.]
    Caption Sean Snyder, still from Casio, Seiko, Sheraton, Toyota, Mars, 2004-5. Courtesy Lisson Gallery, London.
    Image description A person in army camouflage and a military gun grabs a handful of packaged cookies from a stand selling assorted candies, snacks, sodas, and other food.
    Year 2005
    Related pages Sean Snyder
  • A room full of audience members in a pink-tinted room. The people in the front are sitting, and the ones behind are standing close together. Many people are clapping. The room is filled with patterns of white dots reflecting from a disco ball.
    A room full of audience members in a pink-tinted room. The people in the front are sitting, and the ones behind are standing close together. Many people are clapping. The room is filled with patterns of white dots reflecting from a disco ball.
    Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman. [A room full of audience members in a pink-tinted room. The people in the front are sitting, and the ones behind are standing close together. Many people are clapping. The room is filled with patterns of white dots reflecting from a disco ball.]
    Caption Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman.
    Image description A room full of audience members in a pink-tinted room. The people in the front are sitting, and the ones behind are standing close together. Many people are clapping. The room is filled with patterns of white dots reflecting from a disco ball.
    Year
    Related pages Abasement #74
  • A sculpted cross appears on a larger sculpted cross along with a small bottle on its left, a ladder inset on the right and an open text on the bottom part. All is hung on a white gallery wall and dimensions are written above the sculpture in pencil.
    A sculpted cross appears on a larger sculpted cross along with a small bottle on its left, a ladder inset on the right and an open text on the bottom part. All is hung on a white gallery wall and dimensions are written above the sculpture in pencil.
    Jerry Beck, Red Earth Cross, 1985. [A sculpted cross appears on a larger sculpted cross along with a small bottle on its left, a ladder inset on the right and an open text on the bottom part. All is hung on a white gallery wall and dimensions are written above the sculpture in pencil.]
    Caption Jerry Beck, Red Earth Cross, 1985.
    Image description A sculpted cross appears on a larger sculpted cross along with a small bottle on its left, a ladder inset on the right and an open text on the bottom part. All is hung on a white gallery wall and dimensions are written above the sculpture in pencil.
    Year
    Related pages U.S. Projects
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    Related pages FWIW
  • Color image of a performer standing on stage in front of a circular table. The performer bends over slightly to play music from a laptop and soundboard. Their face leans into a microphone while looking stage right at a music stand placed next to the circular table. A blue light emitted from a projector covers the whole stage and casts shadows of the performer and their setup onto the back wall.
    Color image of a performer standing on stage in front of a circular table. The performer bends over slightly to play music from a laptop and soundboard. Their face leans into a microphone while looking stage right at a music stand placed next to the circular table. A blue light emitted from a projector covers the whole stage and casts shadows of the performer and their setup onto the back wall.
    Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman. [Color image of a performer standing on stage in front of a circular table. The performer bends over slightly to play music from a laptop and soundboard. Their face leans into a microphone while looking stage right at a music stand placed next to the circular table. A blue light emitted from a projector covers the whole stage and casts shadows of the performer and their setup onto the back wall. ]
    Caption Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a performer standing on stage in front of a circular table. The performer bends over slightly to play music from a laptop and soundboard. Their face leans into a microphone while looking stage right at a music stand placed next to the circular table. A blue light emitted from a projector covers the whole stage and casts shadows of the performer and their setup onto the back wall.
    Year
    Related pages Abasement #67
  • A black and white photograph of a man in a leopard print costume standing center stage with his hands up and palms open facing toward the viewer. He stands with his legs outstretched and behind him rests a drum set which sits next to a gong. Microphones are positioned near his body, one on each side.
    A black and white photograph of a man in a leopard print costume standing center stage with his hands up and palms open facing toward the viewer. He stands with his legs outstretched and behind him rests a drum set which sits next to a gong. Microphones are positioned near his body, one on each side.
    Milford Graves at the Festival d'Automne à Paris, 1974, Black and white photograph. © Philippe Gras [A black and white photograph of a man in a leopard print costume standing center stage with his hands up and palms open facing toward the viewer. He stands with his legs outstretched and behind him rests a drum set which sits next to a gong. Microphones are positioned near his body, one on each side.]
    Caption Milford Graves at the Festival d'Automne à Paris, 1974, Black and white photograph. © Philippe Gras
    Image description A black and white photograph of a man in a leopard print costume standing center stage with his hands up and palms open facing toward the viewer. He stands with his legs outstretched and behind him rests a drum set which sits next to a gong. Microphones are positioned near his body, one on each side.
    Year 1974
    Related pages Milford Graves Memorial
  • A light sculpted figure appears on a pedestal in the foreground and behind it appears a map with images of humans and nature.
    A light sculpted figure appears on a pedestal in the foreground and behind it appears a map with images of humans and nature.
    We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [A light sculpted figure appears on a pedestal in the foreground and behind it appears a map with images of humans and nature.]
    Caption We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
    Image description A light sculpted figure appears on a pedestal in the foreground and behind it appears a map with images of humans and nature.
    Year
    Related pages We the People
  • Black, typed text that reads,
    Black, typed text that reads,
    [Black, typed text that reads, " Everything is About to Happen: An ongoing archive of artists’ books selected by Gregorio Magnani."]
    Caption
    Image description Black, typed text that reads, " Everything is About to Happen: An ongoing archive of artists’ books selected by Gregorio Magnani."
    Year 2014
    Related pages The Library Vaccine
  • A woman screaming while two men hold her down and touch her breasts.
    A woman screaming while two men hold her down and touch her breasts.
    Jack Smith. Still from *Flaming Creatures, 1962-63. [A woman screaming while two men hold her down and touch her breasts.]
    Caption Jack Smith. Still from *Flaming Creatures, 1962-63.
    Image description A woman screaming while two men hold her down and touch her breasts.
    Year 1962
    Related pages Explorations of an “Aesthetic of Delirium"
  • Image of a dimly lit basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Image of a dimly lit basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Image of a dimly lit basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a dimly lit basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Year 2022
    Related pages SCRAAATCH 11-19
  • Projections of elongated gold figures.
    Projections of elongated gold figures.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [Projections of elongated gold figures.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York.
    Image description Projections of elongated gold figures.
    Year
    Related pages Grandmother Cindy
  • An image featuring an oblong golden form whose top portion has a shiny, defined metallic surface. Its bottom half, however, has a liquid-like, transparent, and cracked texture. It sits on white background decorated with a swirling yellow line. Blue text that reads,
    An image featuring an oblong golden form whose top portion has a shiny, defined metallic surface. Its bottom half, however, has a liquid-like, transparent, and cracked texture. It sits on white background decorated with a swirling yellow line. Blue text that reads,
    Seth Price,Postcard Style Place, 2018, 23.5 x 16.5 inches [An image featuring an oblong golden form whose top portion has a shiny, defined metallic surface. Its bottom half, however, has a liquid-like, transparent, and cracked texture. It sits on white background decorated with a swirling yellow line. Blue text that reads, "NEWYORKCITY" emerges from the image's bottom edge and is arranged such that the text reads vertically. Lines composed of small blue dots radiate out from the text's right side, running over the golden form. Small black text at the image's lower left corner reads, "2020Solidarity - Seth Price."]
    Caption Seth Price,Postcard Style Place, 2018, 23.5 x 16.5 inches
    Image description An image featuring an oblong golden form whose top portion has a shiny, defined metallic surface. Its bottom half, however, has a liquid-like, transparent, and cracked texture. It sits on white background decorated with a swirling yellow line. Blue text that reads, "NEWYORKCITY" emerges from the image's bottom edge and is arranged such that the text reads vertically. Lines composed of small blue dots radiate out from the text's right side, running over the golden form. Small black text at the image's lower left corner reads, "2020Solidarity - Seth Price."
    Year 2018
    Related pages 2020Solidarity
  • A chair and desk face a white wall which has a grid of cards in varying colors on it. A notebook, stacks of cards, and pens are on the desk.
    A chair and desk face a white wall which has a grid of cards in varying colors on it. A notebook, stacks of cards, and pens are on the desk.
    Las Nietas de Nonó, el flow oculto de agua / the hidden flow of water, 2022, cards, QR codes, desk, chair, notebook, pencils, colored markers, quote by Audre Lorde; Dimensions variable. Photo: Filip Wolak [A chair and desk face a white wall which has a grid of cards in varying colors on it. A notebook, stacks of cards, and pens are on the desk.]
    Caption Las Nietas de Nonó, el flow oculto de agua / the hidden flow of water, 2022, cards, QR codes, desk, chair, notebook, pencils, colored markers, quote by Audre Lorde; Dimensions variable. Photo: Filip Wolak
    Image description A chair and desk face a white wall which has a grid of cards in varying colors on it. A notebook, stacks of cards, and pens are on the desk.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A row of small folded blue books are displayed on a black table. A piece of white coral is also placed in the middle of the table.
    A row of small folded blue books are displayed on a black table. A piece of white coral is also placed in the middle of the table.
    Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang. [A row of small folded blue books are displayed on a black table. A piece of white coral is also placed in the middle of the table.]
    Caption Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang.
    Image description A row of small folded blue books are displayed on a black table. A piece of white coral is also placed in the middle of the table.
    Year 2023
    Related pages Chang Yuchen: Coral Dictionary Vol. 1, 2019-2022
  • A close-up color image of a framed work displayed against a white wall. The drawing depicts a colorful abstract composition with a brown circle being the main figure from where trianagles and lines emerge. Soft pencil strokes complement the composition.
    A close-up color image of a framed work displayed against a white wall. The drawing depicts a colorful abstract composition with a brown circle being the main figure from where trianagles and lines emerge. Soft pencil strokes complement the composition.
    Renee Gladman, Grasses 2, 2022, graphite and oil pastel on paper, 22 x 30 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak. [A close-up color image of a framed work displayed against a white wall. The drawing depicts a colorful abstract composition with a brown circle being the main figure from where trianagles and lines emerge. Soft pencil strokes complement the composition.]
    Caption Renee Gladman, Grasses 2, 2022, graphite and oil pastel on paper, 22 x 30 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description A close-up color image of a framed work displayed against a white wall. The drawing depicts a colorful abstract composition with a brown circle being the main figure from where trianagles and lines emerge. Soft pencil strokes complement the composition.
    Year
    Related pages Renee Gladman
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A figure in a blue shirt kneels down on stage, they look down and hold a microphone to their face. Red light is cast onto the stage.
    A figure in a blue shirt kneels down on stage, they look down and hold a microphone to their face. Red light is cast onto the stage.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure in a blue shirt kneels down on stage, they look down and hold a microphone to their face. Red light is cast onto the stage.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure in a blue shirt kneels down on stage, they look down and hold a microphone to their face. Red light is cast onto the stage.
    Year
    Related pages Chorus: A Sound Poetry Festival 11-11
  • A flyer for the event, depicting a Manhattan city block with neon-hued clouds in the background.
    A flyer for the event, depicting a Manhattan city block with neon-hued clouds in the background.
    It's Get Better IV, 2016. [A flyer for the event, depicting a Manhattan city block with neon-hued clouds in the background.]
    Caption It's Get Better IV, 2016.
    Image description A flyer for the event, depicting a Manhattan city block with neon-hued clouds in the background.
    Year 2016
    Related pages It's Get Better IV
  • A photo of a room full of people seated at three long, rectangular tables. Each table has numerous glasses of wine, sparkling water, candles, and empty plates of food. In the foreground, people are talking to each other and smiling.
    A photo of a room full of people seated at three long, rectangular tables. Each table has numerous glasses of wine, sparkling water, candles, and empty plates of food. In the foreground, people are talking to each other and smiling.
    Friends of Artists Space Annual Dinner, 2017. [A photo of a room full of people seated at three long, rectangular tables. Each table has numerous glasses of wine, sparkling water, candles, and empty plates of food. In the foreground, people are talking to each other and smiling.]
    Caption Friends of Artists Space Annual Dinner, 2017.
    Image description A photo of a room full of people seated at three long, rectangular tables. Each table has numerous glasses of wine, sparkling water, candles, and empty plates of food. In the foreground, people are talking to each other and smiling.
    Year 2017
    Related pages Support
  • Two people stand in the foreground: one person holds a notebook and points to a page while the other looks on.
    Two people stand in the foreground: one person holds a notebook and points to a page while the other looks on.
    Artists Space Curator Jamie Stevens speaking with P.S. 140 Portfolio Students [Two people stand in the foreground: one person holds a notebook and points to a page while the other looks on.]
    Caption Artists Space Curator Jamie Stevens speaking with P.S. 140 Portfolio Students
    Image description Two people stand in the foreground: one person holds a notebook and points to a page while the other looks on.
    Year 2018
    Related pages Portfolio Development
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    Related pages Louise Lawler Tote Bag
  • A figure in a suit stands on stage, behind a music stand and two microphones.
    A figure in a suit stands on stage, behind a music stand and two microphones.
    Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure in a suit stands on stage, behind a music stand and two microphones.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure in a suit stands on stage, behind a music stand and two microphones.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-10
  • Detail view of a black display case depicting an image of woman printed on a white cloth, with the title *2000 WASTED YEARS*. She is sitting down in an antique chair, one foot up, wearing a full-body black-and-white suit adorned with black English and Japanese lettering.
    Detail view of a black display case depicting an image of woman printed on a white cloth, with the title *2000 WASTED YEARS*. She is sitting down in an antique chair, one foot up, wearing a full-body black-and-white suit adorned with black English and Japanese lettering.
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of a black display case depicting an image of woman printed on a white cloth, with the title *2000 WASTED YEARS*. She is sitting down in an antique chair, one foot up, wearing a full-body black-and-white suit adorned with black English and Japanese lettering.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Detail view of a black display case depicting an image of woman printed on a white cloth, with the title *2000 WASTED YEARS*. She is sitting down in an antique chair, one foot up, wearing a full-body black-and-white suit adorned with black English and Japanese lettering.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • Drawing of large square architectural development with half circle surrouding it and a small development above it to the right.
    Drawing of large square architectural development with half circle surrouding it and a small development above it to the right.
    Ian Bader. Spalation Clock, 1977. Axonometric. [Drawing of large square architectural development with half circle surrouding it and a small development above it to the right.]
    Caption Ian Bader. Spalation Clock, 1977. Axonometric.
    Image description Drawing of large square architectural development with half circle surrouding it and a small development above it to the right.
    Year 1977
    Related pages Architecture Project
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • A partial view of a large, orange circular slug sculpture is in front of a painting hanging in a white-walled gallery space.
    A partial view of a large, orange circular slug sculpture is in front of a painting hanging in a white-walled gallery space.
    Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez. [A partial view of a large, orange circular slug sculpture is in front of a painting hanging in a white-walled gallery space.]
    Caption Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez.
    Image description A partial view of a large, orange circular slug sculpture is in front of a painting hanging in a white-walled gallery space.
    Year 2020
    Related pages Jana Euler
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    Year
    Related pages Genesis: Medley
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