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  • Caption
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  • Three book covers, arranged in a triangle, with title text reading from top to bottom, left to right,
    Three book covers, arranged in a triangle, with title text reading from top to bottom, left to right,
    [Three book covers, arranged in a triangle, with title text reading from top to bottom, left to right, "Danger In Dusseldorf," "Die, Chastrommel," and "Berliner."]
    Caption
    Image description Three book covers, arranged in a triangle, with title text reading from top to bottom, left to right, "Danger In Dusseldorf," "Die, Chastrommel," and "Berliner."
    Year 2014
    Related pages The Library Vaccine
  • A red background, half the Union Jack poisitoned behind sillhouette's of five men and a car, and text that reads,
    A red background, half the Union Jack poisitoned behind sillhouette's of five men and a car, and text that reads,
    Book cover for The Stagnant Society by Michael Shanks. Design by Richard Hollis. Published by Penguin Books, London, 1961. Courtesy Richard Hollis [A red background, half the Union Jack poisitoned behind sillhouette's of five men and a car, and text that reads, "The Stagnant Society, Michael Shanks."]
    Caption Book cover for The Stagnant Society by Michael Shanks. Design by Richard Hollis. Published by Penguin Books, London, 1961. Courtesy Richard Hollis
    Image description A red background, half the Union Jack poisitoned behind sillhouette's of five men and a car, and text that reads, "The Stagnant Society, Michael Shanks."
    Year 1961
    Related pages Richard Hollis
  • Color photograph of a figure wearing a conical sheath of reflective one-way mirror film. They stand in the corner of a dark room, shining a bright light against the wall behind them. Their silhouette can be vaguely seen under the mirror film.
    Color photograph of a figure wearing a conical sheath of reflective one-way mirror film. They stand in the corner of a dark room, shining a bright light against the wall behind them. Their silhouette can be vaguely seen under the mirror film.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure wearing a conical sheath of reflective one-way mirror film. They stand in the corner of a dark room, shining a bright light against the wall behind them. Their silhouette can be vaguely seen under the mirror film.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure wearing a conical sheath of reflective one-way mirror film. They stand in the corner of a dark room, shining a bright light against the wall behind them. Their silhouette can be vaguely seen under the mirror film.
    Year 2022
    Related pages keyon gaskin 12-16
  • An installation view of two abstract wall works made of wood and a water fountain sculpture in the background.
    An installation view of two abstract wall works made of wood and a water fountain sculpture in the background.
    New Economy. Installation view, Artists Space, 2007. [An installation view of two abstract wall works made of wood and a water fountain sculpture in the background.]
    Caption New Economy. Installation view, Artists Space, 2007.
    Image description An installation view of two abstract wall works made of wood and a water fountain sculpture in the background.
    Year
    Related pages New Economy
  • Two large, orange slug sculptures forming circular ring shapes around cast-iron columns suspended by elastic cords are visible inside a white-walled gallery space along with square paintings on walls in the background.
    Two large, orange slug sculptures forming circular ring shapes around cast-iron columns suspended by elastic cords are visible inside a white-walled gallery space along with square paintings on walls in the background.
    Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez. [Two large, orange slug sculptures forming circular ring shapes around cast-iron columns suspended by elastic cords are visible inside a white-walled gallery space along with square paintings on walls in the background.]
    Caption Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez.
    Image description Two large, orange slug sculptures forming circular ring shapes around cast-iron columns suspended by elastic cords are visible inside a white-walled gallery space along with square paintings on walls in the background.
    Year 2020
    Related pages Jana Euler
  • A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man with tan skin and facial hair, wearing aviators, talking to a soldier.
    A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man with tan skin and facial hair, wearing aviators, talking to a soldier.
    Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man with tan skin and facial hair, wearing aviators, talking to a soldier.]
    Caption Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man with tan skin and facial hair, wearing aviators, talking to a soldier.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • White text on a bright fuchsia background. The text reads: “Nov 8 / Samiya Bashir / Nora Treatbaby.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    White text on a bright fuchsia background. The text reads: “Nov 8 / Samiya Bashir / Nora Treatbaby.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [White text on a bright fuchsia background. The text reads: “Nov 8 / Samiya Bashir / Nora Treatbaby.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description White text on a bright fuchsia background. The text reads: “Nov 8 / Samiya Bashir / Nora Treatbaby.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Samiya Bashir & Nora Treatbaby
  • Two seated musicians are pictured with a mic stand in between them. One is playing a horn and one is playing a flute.
    Two seated musicians are pictured with a mic stand in between them. One is playing a horn and one is playing a flute.
    Axine M: Sold Licker Glass, 2024, Artists Space. Courtesy of ISSUE Project Room. Photography by Cameron Kelly McLeod. [Two seated musicians are pictured with a mic stand in between them. One is playing a horn and one is playing a flute. ]
    Caption Axine M: Sold Licker Glass, 2024, Artists Space. Courtesy of ISSUE Project Room. Photography by Cameron Kelly McLeod.
    Image description Two seated musicians are pictured with a mic stand in between them. One is playing a horn and one is playing a flute.
    Year
    Related pages Axine M: Sold Licker Glass
  • Color image of a man standing at a podium, reading from a program. The individual is flanked on both sides by guests seated at dinner tables within an elegant and decorative venue.
    Color image of a man standing at a podium, reading from a program. The individual is flanked on both sides by guests seated at dinner tables within an elegant and decorative venue.
    Friends of Artists Space Dinner, 2023. Photo: Joshua Wildman. [Color image of a man standing at a podium, reading from a program. The individual is flanked on both sides by guests seated at dinner tables within an elegant and decorative venue.]
    Caption Friends of Artists Space Dinner, 2023. Photo: Joshua Wildman.
    Image description Color image of a man standing at a podium, reading from a program. The individual is flanked on both sides by guests seated at dinner tables within an elegant and decorative venue.
    Year
    Related pages Support
  • Color image of a performance space illuminnated with blue and red light. On the left, a figure on a stage plays the double bass, there is a large black speaker to their right. Abstract images are projected onto the wall. Below the projections, audience members sit on chairs.
    Color image of a performance space illuminnated with blue and red light. On the left, a figure on a stage plays the double bass, there is a large black speaker to their right. Abstract images are projected onto the wall. Below the projections, audience members sit on chairs.
    Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman. [Color image of a performance space illuminnated with blue and red light. On the left, a figure on a stage plays the double bass, there is a large black speaker to their right. Abstract images are projected onto the wall. Below the projections, audience members sit on chairs.]
    Caption Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a performance space illuminnated with blue and red light. On the left, a figure on a stage plays the double bass, there is a large black speaker to their right. Abstract images are projected onto the wall. Below the projections, audience members sit on chairs.
    Year
    Related pages Abasement #66
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  • Color image of three large pink fabric banners by Isabelle Frances McGuire, each emblazoned with three silver stars, hanging from ceiling to floor. In the gallery space behind the banners, an off-white foam sculpture of a naked human form rests supine on a small white platform.
    Color image of three large pink fabric banners by Isabelle Frances McGuire, each emblazoned with three silver stars, hanging from ceiling to floor. In the gallery space behind the banners, an off-white foam sculpture of a naked human form rests supine on a small white platform.
    Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon. [Color image of three large pink fabric banners by Isabelle Frances McGuire, each emblazoned with three silver stars, hanging from ceiling to floor. In the gallery space behind the banners, an off-white foam sculpture of a naked human form rests supine on a small white platform.]
    Caption Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description Color image of three large pink fabric banners by Isabelle Frances McGuire, each emblazoned with three silver stars, hanging from ceiling to floor. In the gallery space behind the banners, an off-white foam sculpture of a naked human form rests supine on a small white platform.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • A close-up mage of a person wearing large glasses in front of a world map.
    A close-up mage of a person wearing large glasses in front of a world map.
    Joel Katz. Still from History Lessons, 1990. [A close-up mage of a person wearing large glasses in front of a world map.]
    Caption Joel Katz. Still from History Lessons, 1990.
    Image description A close-up mage of a person wearing large glasses in front of a world map.
    Year 1990
    Related pages Project: History Lessons
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    Image description
    Year
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  • A color installation view of a gallery space with three dark columns. A wicker pannier and a yellow brocade couch are visible in the foreground. In the background, a multi-tiered door, several paintings, a wooden stool and nightstand are also visible.
    A color installation view of a gallery space with three dark columns. A wicker pannier and a yellow brocade couch are visible in the foreground. In the background, a multi-tiered door, several paintings, a wooden stool and nightstand are also visible.
    Lyndon Barrois Jr.: Mirage Collar. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color installation view of a gallery space with three dark columns. A wicker pannier and a yellow brocade couch are visible in the foreground. In the background, a multi-tiered door, several paintings, a wooden stool and nightstand are also visible.]
    Caption Lyndon Barrois Jr.: Mirage Collar. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color installation view of a gallery space with three dark columns. A wicker pannier and a yellow brocade couch are visible in the foreground. In the background, a multi-tiered door, several paintings, a wooden stool and nightstand are also visible.
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
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    Image description
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  • A small, empty room with images projected on three walls. All are gray/blue shots of spinning tops on a white grid on concrete. The center image shows this from above, while the left and right images show the tops from the side.
    A small, empty room with images projected on three walls. All are gray/blue shots of spinning tops on a white grid on concrete. The center image shows this from above, while the left and right images show the tops from the side.
    Morir ('til Death). Installation view, Artists Space, 2003. [A small, empty room with images projected on three walls. All are gray/blue shots of spinning tops on a white grid on concrete. The center image shows this from above, while the left and right images show the tops from the side.]
    Caption Morir ('til Death). Installation view, Artists Space, 2003.
    Image description A small, empty room with images projected on three walls. All are gray/blue shots of spinning tops on a white grid on concrete. The center image shows this from above, while the left and right images show the tops from the side.
    Year 2003
    Related pages Morir ('til Death)
  • Color photograph of a figure in a red suit performing in a darkly lit room with LED light sculptures in the background. The figure holds their left hand out in a gesture, and with their right hand holds a mask in front of their face.
    Color photograph of a figure in a red suit performing in a darkly lit room with LED light sculptures in the background. The figure holds their left hand out in a gesture, and with their right hand holds a mask in front of their face.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure in a red suit performing in a darkly lit room with LED light sculptures in the background. The figure holds their left hand out in a gesture, and with their right hand holds a mask in front of their face.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a figure in a red suit performing in a darkly lit room with LED light sculptures in the background. The figure holds their left hand out in a gesture, and with their right hand holds a mask in front of their face.
    Year
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Detail view of a greyscale sculpture made of varying polymer segments.
    Detail view of a greyscale sculpture made of varying polymer segments.
    PATTERNS / Marcelo Spina with Kreysler & Associates, Macro Piece, 2006. [Detail view of a greyscale sculpture made of varying polymer segments.]
    Caption PATTERNS / Marcelo Spina with Kreysler & Associates, Macro Piece, 2006.
    Image description Detail view of a greyscale sculpture made of varying polymer segments.
    Year 2006
    Related pages UniBodies
  • A musician standing on stage playing a small wooden instrument. They are looking down and wearing a headlamp. In front of them are multiple electronic instruments and cords. The wall in the background is scattered with white dots reflected from a disco ball.
    A musician standing on stage playing a small wooden instrument. They are looking down and wearing a headlamp. In front of them are multiple electronic instruments and cords. The wall in the background is scattered with white dots reflected from a disco ball.
    Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman. [A musician standing on stage playing a small wooden instrument. They are looking down and wearing a headlamp. In front of them are multiple electronic instruments and cords. The wall in the background is scattered with white dots reflected from a disco ball.]
    Caption Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description A musician standing on stage playing a small wooden instrument. They are looking down and wearing a headlamp. In front of them are multiple electronic instruments and cords. The wall in the background is scattered with white dots reflected from a disco ball.
    Year
    Related pages Abasement #71
  • A painting collage with three separate figures represented hanging in a white-walled gallery space with a clock above it right where a finger in painting is pointing.
    A painting collage with three separate figures represented hanging in a white-walled gallery space with a clock above it right where a finger in painting is pointing.
    Selections from the Artists File. Installation View, Artists Space, October 1, 1987 - October 31, 1987. [A painting collage with three separate figures represented hanging in a white-walled gallery space with a clock above it right where a finger in painting is pointing.]
    Caption Selections from the Artists File. Installation View, Artists Space, October 1, 1987 - October 31, 1987.
    Image description A painting collage with three separate figures represented hanging in a white-walled gallery space with a clock above it right where a finger in painting is pointing.
    Year
    Related pages Selections from the Artists File
  • Several students sit, looking down towards printed sheets of paper, in front of colorful silk banners with writing stating
    Several students sit, looking down towards printed sheets of paper, in front of colorful silk banners with writing stating
    YAP (Young Artists Perform), P.S. 140, 2018 [Several students sit, looking down towards printed sheets of paper, in front of colorful silk banners with writing stating "Your dreams can become a reality," "like a cheetah in a snail's race," "bridge can just go like boom bom boom BOOM," "I see a light it's so BRIGHT -Destiny" and others.\]
    Caption YAP (Young Artists Perform), P.S. 140, 2018
    Image description Several students sit, looking down towards printed sheets of paper, in front of colorful silk banners with writing stating "Your dreams can become a reality," "like a cheetah in a snail's race," "bridge can just go like boom bom boom BOOM," "I see a light it's so BRIGHT -Destiny" and others.\
    Year 2018
    Related pages Exhibitions and Events
  • An image depicting a digitally-created cartoon-style black-and-white humanoid figure standing upright, holding a stick. He has a long beard, hair across his body, and leaves as a skirt and hat. A thought bubble appears above his head, with sans-serif text stating
    An image depicting a digitally-created cartoon-style black-and-white humanoid figure standing upright, holding a stick. He has a long beard, hair across his body, and leaves as a skirt and hat. A thought bubble appears above his head, with sans-serif text stating
    Liam Gillick, Thinking, 2010, Inkjet print on Sunset Cotton Etch 285 gsm, 24 x 20 in / 61 x 50,8 cm, Signed and numbered [An image depicting a digitally-created cartoon-style black-and-white humanoid figure standing upright, holding a stick. He has a long beard, hair across his body, and leaves as a skirt and hat. A thought bubble appears above his head, with sans-serif text stating "Thinking more about production than consumption..."]
    Caption Liam Gillick, Thinking, 2010, Inkjet print on Sunset Cotton Etch 285 gsm, 24 x 20 in / 61 x 50,8 cm, Signed and numbered
    Image description An image depicting a digitally-created cartoon-style black-and-white humanoid figure standing upright, holding a stick. He has a long beard, hair across his body, and leaves as a skirt and hat. A thought bubble appears above his head, with sans-serif text stating "Thinking more about production than consumption..."
    Year 2010
    Related pages Artists Space Annual Edition Portfolio 2010
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  • Placed at an angle between two iron columns are two box-like structures made of wooden boards. Behind the closer box, a pedestal presents a small wooden stool.
    Placed at an angle between two iron columns are two box-like structures made of wooden boards. Behind the closer box, a pedestal presents a small wooden stool.
    Brad Kronz. Installation view, Artists Space, 2025. Photo: Carter Seddon [Placed at an angle between two iron columns are two box-like structures made of wooden boards. Behind the closer box, a pedestal presents a small wooden stool. ]
    Caption Brad Kronz. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description Placed at an angle between two iron columns are two box-like structures made of wooden boards. Behind the closer box, a pedestal presents a small wooden stool.
    Year
    Related pages Brad Kronz
  • A view of two rows of red-eyed, cardboard cutout, police officers with sashes that read
    A view of two rows of red-eyed, cardboard cutout, police officers with sashes that read
    ART CLUB2000 Untitled (Punishing Enforcers of an Oppressive Regime), 1998 Eight printed cardboard standees, satin sashes, and LED lights Image courtesy Artists Space, New York Photo: Filip Wolak [A view of two rows of red-eyed, cardboard cutout, police officers with sashes that read "Punishing Enforcers of an Oppressive Regime." A blue police light sits in the corner of the red lit room.]
    Caption ART CLUB2000 Untitled (Punishing Enforcers of an Oppressive Regime), 1998 Eight printed cardboard standees, satin sashes, and LED lights Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A view of two rows of red-eyed, cardboard cutout, police officers with sashes that read "Punishing Enforcers of an Oppressive Regime." A blue police light sits in the corner of the red lit room.
    Year 2021
    Related pages ART CLUB2000
  • A close-up photograph of a light-colored mushroom with ruffled edges.
    A close-up photograph of a light-colored mushroom with ruffled edges.
    Laurie Palmer, Winter Flush, 1989. [A close-up photograph of a light-colored mushroom with ruffled edges.]
    Caption Laurie Palmer, Winter Flush, 1989.
    Image description A close-up photograph of a light-colored mushroom with ruffled edges.
    Year 1989
    Related pages Project: Winter Flush: A Temporary Garden
  • Two drawings are hung up on adjacent walls.
    Two drawings are hung up on adjacent walls.
    Artists Draw. Installation view, Artists Space, 1979. [Two drawings are hung up on adjacent walls.]
    Caption Artists Draw. Installation view, Artists Space, 1979.
    Image description Two drawings are hung up on adjacent walls.
    Year 1979
    Related pages Artists Draw: Tom Martin, Auste Peciura, Alan Saret, Patti Smith, Nancy Spero
  • A view between two book stands, perpendicular to the wall, displaying books, documents, and papers. On the wall, posters are staggered including various text and images.
    A view between two book stands, perpendicular to the wall, displaying books, documents, and papers. On the wall, posters are staggered including various text and images.
    Richard Hollis. Installation view, Artists Space, 2013. [A view between two book stands, perpendicular to the wall, displaying books, documents, and papers. On the wall, posters are staggered including various text and images.]
    Caption Richard Hollis. Installation view, Artists Space, 2013.
    Image description A view between two book stands, perpendicular to the wall, displaying books, documents, and papers. On the wall, posters are staggered including various text and images.
    Year 2013
    Related pages Richard Hollis
  • An image of a glass display case, above which several drawings hang from the wall.
    An image of a glass display case, above which several drawings hang from the wall.
    Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [An image of a glass display case, above which several drawings hang from the wall.]
    Caption Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak
    Image description An image of a glass display case, above which several drawings hang from the wall.
    Year 2022
    Related pages Attention Line
  • Brad Kronz, Forces at Work II, 2025. Wooden stool, felt, subwoofer, acrylic, wood, fabric, paper, board, screws and bolts, mc cable, leaves. Photo: Carter Seddon
    Caption Brad Kronz, Forces at Work II, 2025. Wooden stool, felt, subwoofer, acrylic, wood, fabric, paper, board, screws and bolts, mc cable, leaves. Photo: Carter Seddon
    Image description
    Year
    Related pages Brad Kronz
  • A dense graphic background of yellow circles and green dots on red ground is layered with text that reads
    A dense graphic background of yellow circles and green dots on red ground is layered with text that reads
    Juliana Huxtable, Train, 2018, Sound recording on compact disc housed in four-panel sleeve featuring original artwork, Recording: 14 min 17 seconds, sleeve: 5 x 10 inches, Signed and numbered. [A dense graphic background of yellow circles and green dots on red ground is layered with text that reads "close your eyes" in a variety of fonts and colors.]
    Caption Juliana Huxtable, Train, 2018, Sound recording on compact disc housed in four-panel sleeve featuring original artwork, Recording: 14 min 17 seconds, sleeve: 5 x 10 inches, Signed and numbered.
    Image description A dense graphic background of yellow circles and green dots on red ground is layered with text that reads "close your eyes" in a variety of fonts and colors.
    Year 2018
    Related pages Artists Space Annual Edition Portfolio 2018
  • Malaika Villamizar, Untitled, 2021, digital photography
    Caption Malaika Villamizar, Untitled, 2021, digital photography
    Image description
    Year 2021
    Related pages BRIDGE Photography
  • A black and white photograph of a dark geometric painting over a wooden background.
    A black and white photograph of a dark geometric painting over a wooden background.
    Judy Rifka. Installation view, Deborah S. Freedman, Judy Rifka and Ernest Silva, Artists Space, 1975. [A black and white photograph of a dark geometric painting over a wooden background.]
    Caption Judy Rifka. Installation view, Deborah S. Freedman, Judy Rifka and Ernest Silva, Artists Space, 1975.
    Image description A black and white photograph of a dark geometric painting over a wooden background.
    Year 1975
    Related pages Deborah S. Freedman, Judy Rifka, Ernest Silva
  • A close up image of a white building facade with numerous real estate listings lining the windows.
    A close up image of a white building facade with numerous real estate listings lining the windows.
    New Red Order Give it Back, detail, 2020 Acrylic LED displays with cut vinyl, water cooler, poster, couch, desk, chairs, magazine rack, The New Red Times Magazine, and three televisions. Image courtesy Artists Space, New York Photo: Filip Wolak [A close up image of a white building facade with numerous real estate listings lining the windows.]
    Caption New Red Order Give it Back, detail, 2020 Acrylic LED displays with cut vinyl, water cooler, poster, couch, desk, chairs, magazine rack, The New Red Times Magazine, and three televisions. Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A close up image of a white building facade with numerous real estate listings lining the windows.
    Year 2021
    Related pages New Red Order: Feel at Home Here
  • Two figures perform on a stage with a keyboard. Washes of blue, green, orange and pink light are projected onto them.
    Two figures perform on a stage with a keyboard. Washes of blue, green, orange and pink light are projected onto them.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [Two figures perform on a stage with a keyboard. Washes of blue, green, orange and pink light are projected onto them.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description Two figures perform on a stage with a keyboard. Washes of blue, green, orange and pink light are projected onto them.
    Year 2022
    Related pages Abasement #61
  • Filler Episode in New York, no. 2, Ricky Luckey, Honorable mention
    Caption Filler Episode in New York, no. 2, Ricky Luckey, Honorable mention
    Image description
    Year
    Related pages Scholastic Art and Writing Awards
  • Color image of a framed fragment of newspaper. The headlines of the two articles featured read,
    Color image of a framed fragment of newspaper. The headlines of the two articles featured read,
    Robert Gober, Untitled, 1992. Photo: Filip Wolak. [Color image of a framed fragment of newspaper. The headlines of the two articles featured read, "Bush Is Sent Forth as Champion of Family Values," and "Jury Convicts Man Who Locked His Children in Bronx Apartment." An image of steel pots and pans is placed on the bottom-left corner, and an image of a woman with her arms draped over a man in a suit is placed on the bottom-right corner.]
    Caption Robert Gober, Untitled, 1992. Photo: Filip Wolak.
    Image description Color image of a framed fragment of newspaper. The headlines of the two articles featured read, "Bush Is Sent Forth as Champion of Family Values," and "Jury Convicts Man Who Locked His Children in Bronx Apartment." An image of steel pots and pans is placed on the bottom-left corner, and an image of a woman with her arms draped over a man in a suit is placed on the bottom-right corner.
    Year 2023
    Related pages Artists for Artists Space
  • Dark blue text overlays red-pink background. The text reads: “March 11 / Yuko Otomo / Ed Steck.
    Dark blue text overlays red-pink background. The text reads: “March 11 / Yuko Otomo / Ed Steck.
    [Dark blue text overlays red-pink background. The text reads: “March 11 / Yuko Otomo / Ed Steck." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description Dark blue text overlays red-pink background. The text reads: “March 11 / Yuko Otomo / Ed Steck." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year 2023
    Related pages Segue Reading Series: Yuko Otomo & Ed Steck
  • Various small drawings on paper in india ink and pencil hang on a white gallery wall. The works in pencil feature a looping ornamental symbol, drawn in various orientations within the individual box units of gridded paper to form larger structures.
    Various small drawings on paper in india ink and pencil hang on a white gallery wall. The works in pencil feature a looping ornamental symbol, drawn in various orientations within the individual box units of gridded paper to form larger structures.
    Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [Various small drawings on paper in india ink and pencil hang on a white gallery wall. The works in pencil feature a looping ornamental symbol, drawn in various orientations within the individual box units of gridded paper to form larger structures.]
    Caption Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description Various small drawings on paper in india ink and pencil hang on a white gallery wall. The works in pencil feature a looping ornamental symbol, drawn in various orientations within the individual box units of gridded paper to form larger structures.
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • Several people seated on a couch watch a monitor set on a pedestal in front of them. A large speaker is placed to the right of the screen, and on the wall alongside this are two rows of black and white photographs.
    Several people seated on a couch watch a monitor set on a pedestal in front of them. A large speaker is placed to the right of the screen, and on the wall alongside this are two rows of black and white photographs.
    Min Joong Art. Installation view, Artists Space, 1988. [Several people seated on a couch watch a monitor set on a pedestal in front of them. A large speaker is placed to the right of the screen, and on the wall alongside this are two rows of black and white photographs.]
    Caption Min Joong Art. Installation view, Artists Space, 1988.
    Image description Several people seated on a couch watch a monitor set on a pedestal in front of them. A large speaker is placed to the right of the screen, and on the wall alongside this are two rows of black and white photographs.
    Year 1988
    Related pages Min Joong Art: A New Cultural Moment from Korea
  • A dim room with four benches in front of a large video projection screen. A still image of a woman suspended by rope is projected.
    A dim room with four benches in front of a large video projection screen. A still image of a woman suspended by rope is projected.
    Hito Steyerl, Lovely Andrea, 2007. Digital video with sound, 30 mins. Courtesy of the artist. [A dim room with four benches in front of a large video projection screen. A still image of a woman suspended by rope is projected.]
    Caption Hito Steyerl, Lovely Andrea, 2007. Digital video with sound, 30 mins. Courtesy of the artist.
    Image description A dim room with four benches in front of a large video projection screen. A still image of a woman suspended by rope is projected.
    Year 2015
    Related pages Hito Steyerl
  • A flyer for the event depicting an anti-DAPL protest
    A flyer for the event depicting an anti-DAPL protest
    MTL+. Water Is Life, 2016. Image courtesy the artists [A flyer for the event depicting an anti-DAPL protest]
    Caption MTL+. Water Is Life, 2016. Image courtesy the artists
    Image description A flyer for the event depicting an anti-DAPL protest
    Year 2016
    Related pages Water Is Life
  • Color image of a reed organ with a sheet of clear plastic falling off the organ, and a block of ice fallen on its side on the floor of a black stage.
    Color image of a reed organ with a sheet of clear plastic falling off the organ, and a block of ice fallen on its side on the floor of a black stage.
    Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of a reed organ with a sheet of clear plastic falling off the organ, and a block of ice fallen on its side on the floor of a black stage.]
    Caption Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata
    Image description Color image of a reed organ with a sheet of clear plastic falling off the organ, and a block of ice fallen on its side on the floor of a black stage.
    Year 2023
    Related pages Yasunao Tone Concert #2
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A black cube-shaped speaker sits, tilted upwards, in the middle of a room with wooden floors and white walls. On a wall to the left of the image is a printed image of a fragment of a face with an open mouth, the skin painted in red, blue, and yellow. On a wall to the right are two printed works, one an illustration of a figure in black and white but with a section of the image above the figure's head blocked out with white space, another is a red and blue polka dot pattern in a hand-cut shape. On the wall in the middle of the room is a small white shelf with a small flat object on top of it.
    A black cube-shaped speaker sits, tilted upwards, in the middle of a room with wooden floors and white walls. On a wall to the left of the image is a printed image of a fragment of a face with an open mouth, the skin painted in red, blue, and yellow. On a wall to the right are two printed works, one an illustration of a figure in black and white but with a section of the image above the figure's head blocked out with white space, another is a red and blue polka dot pattern in a hand-cut shape. On the wall in the middle of the room is a small white shelf with a small flat object on top of it.
    Aloïs Godinat: New Works. Installation view, Artists Space, 2007. Photo: Bill Orcutt. [A black cube-shaped speaker sits, tilted upwards, in the middle of a room with wooden floors and white walls. On a wall to the left of the image is a printed image of a fragment of a face with an open mouth, the skin painted in red, blue, and yellow. On a wall to the right are two printed works, one an illustration of a figure in black and white but with a section of the image above the figure's head blocked out with white space, another is a red and blue polka dot pattern in a hand-cut shape. On the wall in the middle of the room is a small white shelf with a small flat object on top of it.]
    Caption Aloïs Godinat: New Works. Installation view, Artists Space, 2007. Photo: Bill Orcutt.
    Image description A black cube-shaped speaker sits, tilted upwards, in the middle of a room with wooden floors and white walls. On a wall to the left of the image is a printed image of a fragment of a face with an open mouth, the skin painted in red, blue, and yellow. On a wall to the right are two printed works, one an illustration of a figure in black and white but with a section of the image above the figure's head blocked out with white space, another is a red and blue polka dot pattern in a hand-cut shape. On the wall in the middle of the room is a small white shelf with a small flat object on top of it.
    Year 2007
    Related pages New Works
  • Red and green text overlay an orange background with abstract lines and a drawing of a male figure riding a horse in the bottom left corner. The text in the middle reads
    Red and green text overlay an orange background with abstract lines and a drawing of a male figure riding a horse in the bottom left corner. The text in the middle reads
    Flyer for Segue Reading Series featuring erica kaufman and M. Lamar. January 28, 2023, Artists Space. [Red and green text overlay an orange background with abstract lines and a drawing of a male figure riding a horse in the bottom left corner. The text in the middle reads "erica kaufman / Segue Reading Series / M. Lamar."]
    Caption Flyer for Segue Reading Series featuring erica kaufman and M. Lamar. January 28, 2023, Artists Space.
    Image description Red and green text overlay an orange background with abstract lines and a drawing of a male figure riding a horse in the bottom left corner. The text in the middle reads "erica kaufman / Segue Reading Series / M. Lamar."
    Year
    Related pages Segue Reading Series: erica kaufman & M. Lamar
  • An image of an exhibition space with a sculpted, larger than life head that hangs in the mezzanine.
    An image of an exhibition space with a sculpted, larger than life head that hangs in the mezzanine.
    New Red Order with Emmett de Muzio Hello, World!, detail, 2021 Wood with silicone, iPads, red feather, and polyester knit fabric step-and-repeat. Photo: Filip Wolak [An image of an exhibition space with a sculpted, larger than life head that hangs in the mezzanine.]
    Caption New Red Order with Emmett de Muzio Hello, World!, detail, 2021 Wood with silicone, iPads, red feather, and polyester knit fabric step-and-repeat. Photo: Filip Wolak
    Image description An image of an exhibition space with a sculpted, larger than life head that hangs in the mezzanine.
    Year 2021
    Related pages New Red Order: Feel at Home Here
  • Staggered metal shelves that are filled with books of various color and sizes.
    Staggered metal shelves that are filled with books of various color and sizes.
    The Colin de Land Library Collection Alexander Schroeder, Berlin [Staggered metal shelves that are filled with books of various color and sizes.]
    Caption The Colin de Land Library Collection Alexander Schroeder, Berlin
    Image description Staggered metal shelves that are filled with books of various color and sizes.
    Year 2014
    Related pages The Library Vaccine
  • Three dark-colored objects are arranged on a wooden surface. The solid, organic forms curl and fold up towards their portruding tops.
    Three dark-colored objects are arranged on a wooden surface. The solid, organic forms curl and fold up towards their portruding tops.
    [Three dark-colored objects are arranged on a wooden surface. The solid, organic forms curl and fold up towards their portruding tops.]
    Caption
    Image description Three dark-colored objects are arranged on a wooden surface. The solid, organic forms curl and fold up towards their portruding tops.
    Year 2025
    Related pages Brad Kronz
  • Displayed on shelf, a framed poster, an open book, and book showing multiple images on cover.
    Displayed on shelf, a framed poster, an open book, and book showing multiple images on cover.
    She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak. [Displayed on shelf, a framed poster, an open book, and book showing multiple images on cover.]
    Caption She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak.
    Image description Displayed on shelf, a framed poster, an open book, and book showing multiple images on cover.
    Year 2020
    Related pages She Who Is: Adrienne Kennedy and the Drama of Difference
  • A close-up detail of a large assemblage sculpture.
    A close-up detail of a large assemblage sculpture.
    Ed Bereal, Miss America: Manufacturing Consent: Upside Down and Backwards (detail), 2000-2014, mixed media and found objects, dimensions variable. Photo: Filip Wolak [A close-up detail of a large assemblage sculpture.]
    Caption Ed Bereal, Miss America: Manufacturing Consent: Upside Down and Backwards (detail), 2000-2014, mixed media and found objects, dimensions variable. Photo: Filip Wolak
    Image description A close-up detail of a large assemblage sculpture.
    Year 2022
    Related pages Attention Line
  • White text on a pink background spells out 24 artists' names, arranged to form the composite words
    White text on a pink background spells out 24 artists' names, arranged to form the composite words
    [White text on a pink background spells out 24 artists' names, arranged to form the composite words "ACTIVATED WALLS."]
    Caption
    Image description White text on a pink background spells out 24 artists' names, arranged to form the composite words "ACTIVATED WALLS."
    Year 1993
    Related pages Activated Walls
  • Glowing bottles in a box are sitting in a darkened gallery space.
    Glowing bottles in a box are sitting in a darkened gallery space.
    We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [Glowing bottles in a box are sitting in a darkened gallery space.]
    Caption We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
    Image description Glowing bottles in a box are sitting in a darkened gallery space.
    Year
    Related pages We the People
  • Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.
    Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.
    Year 2022
    Related pages keyon gaskin 12-18
  • A view of a white-walled gallery with large abstract paintings hanging on the walls and a small pedestal display case on the right.
    A view of a white-walled gallery with large abstract paintings hanging on the walls and a small pedestal display case on the right.
    Benito Huerta: Attempted, Not Known. Installation view, Artists Space, 1989. [A view of a white-walled gallery with large abstract paintings hanging on the walls and a small pedestal display case on the right.]
    Caption Benito Huerta: Attempted, Not Known. Installation view, Artists Space, 1989.
    Image description A view of a white-walled gallery with large abstract paintings hanging on the walls and a small pedestal display case on the right.
    Year 1989
    Related pages Project: Attempted, Not Known
  • Two people stand at the foot of an empty table, mid-conversation, looking off-camera to the left. The individual on the left holds a glass of wine.
    Two people stand at the foot of an empty table, mid-conversation, looking off-camera to the left. The individual on the left holds a glass of wine.
    Artists Space founder Irving Sandler, Miyoko Ito Dinner, 2018. [Two people stand at the foot of an empty table, mid-conversation, looking off-camera to the left. The individual on the left holds a glass of wine.]
    Caption Artists Space founder Irving Sandler, Miyoko Ito Dinner, 2018.
    Image description Two people stand at the foot of an empty table, mid-conversation, looking off-camera to the left. The individual on the left holds a glass of wine.
    Year 2018
    Related pages Support
  • LaToya Ruby Frazier, A Message In Nestle Water Bottles from Shea Cobb and Amber Hasan at Sussex Drive and West Pierson Road, Flint, MI, 2017/2023, set of three archival pigment prints on Canson Platine Fibre Rag, 16 x 24 inches (40.6 x 61 cm)
    Caption LaToya Ruby Frazier, A Message In Nestle Water Bottles from Shea Cobb and Amber Hasan at Sussex Drive and West Pierson Road, Flint, MI, 2017/2023, set of three archival pigment prints on Canson Platine Fibre Rag, 16 x 24 inches (40.6 x 61 cm)
    Image description
    Year
    Related pages Artists Space: Artists Fund
  • Detail view of an interferometer emitting a green light onto a white wall.
    Detail view of an interferometer emitting a green light onto a white wall.
    Amalle Dublon & Constantina Zavitsanos, Mach Zehnder Interferometer, 2018. [Detail view of an interferometer emitting a green light onto a white wall.]
    Caption Amalle Dublon & Constantina Zavitsanos, Mach Zehnder Interferometer, 2018.
    Image description Detail view of an interferometer emitting a green light onto a white wall.
    Year 2018
    Related pages Quantum Entanglement: Producing Entangled Photon Pairs
  • A black and white, portrait photograph of a woman at the beach. She wears sunglasses and has short, curled hair.
    A black and white, portrait photograph of a woman at the beach. She wears sunglasses and has short, curled hair.
    [A black and white, portrait photograph of a woman at the beach. She wears sunglasses and has short, curled hair.]
    Caption
    Image description A black and white, portrait photograph of a woman at the beach. She wears sunglasses and has short, curled hair.
    Year 2006
    Related pages But it was all green
  • A large, square, sheet of paper, which has been folded into a 4x4 grid, unfolded, and hung on a white wall, leaving the creases. It is covered in a four-color gradient, from dark red, green, blue, to black, left to right, roughly not overlapping with the creases.
    A large, square, sheet of paper, which has been folded into a 4x4 grid, unfolded, and hung on a white wall, leaving the creases. It is covered in a four-color gradient, from dark red, green, blue, to black, left to right, roughly not overlapping with the creases.
    Wolfgang Tillmans, Speedmaster #2, 2011, Offset print on paper, 47 1/4 x 48 3/8 in / 120 x 122,9 cm, Hung with two metal brackets, Edition of 170, Signed and numbered, Printed on LuxoArt Velvet 200 gsm paper with Speedmaster XL by Dr. Cantz’sche Printshop, Ostfildern [A large, square, sheet of paper, which has been folded into a 4x4 grid, unfolded, and hung on a white wall, leaving the creases. It is covered in a four-color gradient, from dark red, green, blue, to black, left to right, roughly not overlapping with the creases.]
    Caption Wolfgang Tillmans, Speedmaster #2, 2011, Offset print on paper, 47 1/4 x 48 3/8 in / 120 x 122,9 cm, Hung with two metal brackets, Edition of 170, Signed and numbered, Printed on LuxoArt Velvet 200 gsm paper with Speedmaster XL by Dr. Cantz’sche Printshop, Ostfildern
    Image description A large, square, sheet of paper, which has been folded into a 4x4 grid, unfolded, and hung on a white wall, leaving the creases. It is covered in a four-color gradient, from dark red, green, blue, to black, left to right, roughly not overlapping with the creases.
    Year 2011
    Related pages Artists Space Annual Edition Portfolio 2012
  • Magazine cut-outs and ink drawings are collaged together on a background of pink, green, and yellowed paper. Pieces of yellow paper with typewritten text listing the performers and event details are scattered around the flyer.
    Magazine cut-outs and ink drawings are collaged together on a background of pink, green, and yellowed paper. Pieces of yellow paper with typewritten text listing the performers and event details are scattered around the flyer.
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of pink, green, and yellowed paper. Pieces of yellow paper with typewritten text listing the performers and event details are scattered around the flyer.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a background of pink, green, and yellowed paper. Pieces of yellow paper with typewritten text listing the performers and event details are scattered around the flyer.
    Year
    Related pages Abasement #76
  • An open book showing two black and white images. On the left, a person with a fur on his arms extends one leg into the air. On the right, the same person wears a unitard and hinges back with one leg straightened in front of him.
    An open book showing two black and white images. On the left, a person with a fur on his arms extends one leg into the air. On the right, the same person wears a unitard and hinges back with one leg straightened in front of him.
    Michael Clark in the production Mmm.... (1992). Photographed by Hugo Glendinning. [An open book showing two black and white images. On the left, a person with a fur on his arms extends one leg into the air. On the right, the same person wears a unitard and hinges back with one leg straightened in front of him.]
    Caption Michael Clark in the production Mmm.... (1992). Photographed by Hugo Glendinning.
    Image description An open book showing two black and white images. On the left, a person with a fur on his arms extends one leg into the air. On the right, the same person wears a unitard and hinges back with one leg straightened in front of him.
    Year 1992
    Related pages Michael Clark
  • Three paintings arranged in a horizontal line on a white wall. Each painting depicts a man walking on city streets or in a park.
    Three paintings arranged in a horizontal line on a white wall. Each painting depicts a man walking on city streets or in a park.
    Based on a True Story. Installation view, Artists Space, 2004. [Three paintings arranged in a horizontal line on a white wall. Each painting depicts a man walking on city streets or in a park.]
    Caption Based on a True Story. Installation view, Artists Space, 2004.
    Image description Three paintings arranged in a horizontal line on a white wall. Each painting depicts a man walking on city streets or in a park.
    Year 2004
    Related pages Based on a True Story
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Color image of a gallery space with several sculptures placed on the floor. To the left, a shovel is attached to a child's chair. In the center, a taxidermied griffon vulture is perched upon a pile of concrete rubble that sits in between two shovels standing upright on pedestals. To the far right, a radiator lays flat on the ground.
    Color image of a gallery space with several sculptures placed on the floor. To the left, a shovel is attached to a child's chair. In the center, a taxidermied griffon vulture is perched upon a pile of concrete rubble that sits in between two shovels standing upright on pedestals. To the far right, a radiator lays flat on the ground.
    Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon. [Color image of a gallery space with several sculptures placed on the floor. To the left, a shovel is attached to a child's chair. In the center, a taxidermied griffon vulture is perched upon a pile of concrete rubble that sits in between two shovels standing upright on pedestals. To the far right, a radiator lays flat on the ground.]
    Caption Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description Color image of a gallery space with several sculptures placed on the floor. To the left, a shovel is attached to a child's chair. In the center, a taxidermied griffon vulture is perched upon a pile of concrete rubble that sits in between two shovels standing upright on pedestals. To the far right, a radiator lays flat on the ground.
    Year
    Related pages Andy Robert: Papaloko
  • Caption
    Image description
    Year
    Related pages Abasement #72
  • Color photograph of a figure dressed in all white, dancing in a corridor bathed in red light.
    Color photograph of a figure dressed in all white, dancing in a corridor bathed in red light.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in all white, dancing in a corridor bathed in red light.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure dressed in all white, dancing in a corridor bathed in red light.
    Year 2022
    Related pages keyon gaskin 12-14
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    Image description
    Year
    Related pages Abasement #83
  • A color photograph of two wooden cafe chairs with green cushions in a gallery space with a dark metal column. A television screen with a cord extending down to an outlet in the floor rests upon each chair.
    A color photograph of two wooden cafe chairs with green cushions in a gallery space with a dark metal column. A television screen with a cord extending down to an outlet in the floor rests upon each chair.
    Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of two wooden cafe chairs with green cushions in a gallery space with a dark metal column. A television screen with a cord extending down to an outlet in the floor rests upon each chair.]
    Caption Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of two wooden cafe chairs with green cushions in a gallery space with a dark metal column. A television screen with a cord extending down to an outlet in the floor rests upon each chair.
    Year
    Related pages Nicole-Antonia Spagnola: Anti-Genesis
  • A black and white image of an exhibtion space, sculptures sit on three pedestals in front a wall of paintings.
    A black and white image of an exhibtion space, sculptures sit on three pedestals in front a wall of paintings.
    We the People. Installation view, Artists Space. 1987. [A black and white image of an exhibtion space, sculptures sit on three pedestals in front a wall of paintings.]
    Caption We the People. Installation view, Artists Space. 1987.
    Image description A black and white image of an exhibtion space, sculptures sit on three pedestals in front a wall of paintings.
    Year 1987
    Related pages
  • Caption
    Image description
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
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    Image description
    Year
    Related pages Brad Kronz
  • An inkjet print mounted on a pink wall. The print includes a woman standing behind a desk and in front of several rainbow-colored bookshelves. Above the bookshelves hang several flags.
    An inkjet print mounted on a pink wall. The print includes a woman standing behind a desk and in front of several rainbow-colored bookshelves. Above the bookshelves hang several flags.
    Adjua Gargi Nzinga Greaves, 1741 Honey Locust, 2020. Inkjet print, 44 x 58 inches. Edition of 2. Courtesy Artists Space, New York. Photo: Filip Wolak [An inkjet print mounted on a pink wall. The print includes a woman standing behind a desk and in front of several rainbow-colored bookshelves. Above the bookshelves hang several flags.]
    Caption Adjua Gargi Nzinga Greaves, 1741 Honey Locust, 2020. Inkjet print, 44 x 58 inches. Edition of 2. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description An inkjet print mounted on a pink wall. The print includes a woman standing behind a desk and in front of several rainbow-colored bookshelves. Above the bookshelves hang several flags.
    Year 2021
    Related pages Adjua Gargi Nzinga Greaves
  • Black text overlays a mauve background. The top left corner reads:
    Black text overlays a mauve background. The top left corner reads:
    Flyer for Segue Reading Series featuring Lila Zemborain and Justin Allen. Saturday, December 4, 2021, Artists Space. [Black text overlays a mauve background. The top left corner reads: "Lila Zemborain & Justin Allen." The center right reads: "Segue Reading Series & ARTISTS SPACE." The bottom left reads: "Saturday December 4 - 5pm, 11 Cortland Alley + Zoom". The image of a 5 dollar bill is placed within the text.]
    Caption Flyer for Segue Reading Series featuring Lila Zemborain and Justin Allen. Saturday, December 4, 2021, Artists Space.
    Image description Black text overlays a mauve background. The top left corner reads: "Lila Zemborain & Justin Allen." The center right reads: "Segue Reading Series & ARTISTS SPACE." The bottom left reads: "Saturday December 4 - 5pm, 11 Cortland Alley + Zoom". The image of a 5 dollar bill is placed within the text.
    Year 2021
    Related pages Segue Reading Series: Lila Zemborain & Justin Allen
  • A figure in a white t-shirt turns from a woman holding a bouquet of lavender flowers. She glances down at the flowers, smiling. The two figures stand amongst a sitting crowd of applauding people. Some gaze up towards the figures and smile.
    A figure in a white t-shirt turns from a woman holding a bouquet of lavender flowers. She glances down at the flowers, smiling. The two figures stand amongst a sitting crowd of applauding people. Some gaze up towards the figures and smile.
    The Friends of Artists Space Dinner, May 8, 2010. Julie Ault receiving flowers from Stefan Kalmár. [A figure in a white t-shirt turns from a woman holding a bouquet of lavender flowers. She glances down at the flowers, smiling. The two figures stand amongst a sitting crowd of applauding people. Some gaze up towards the figures and smile.]
    Caption The Friends of Artists Space Dinner, May 8, 2010. Julie Ault receiving flowers from Stefan Kalmár.
    Image description A figure in a white t-shirt turns from a woman holding a bouquet of lavender flowers. She glances down at the flowers, smiling. The two figures stand amongst a sitting crowd of applauding people. Some gaze up towards the figures and smile.
    Year 2010
    Related pages The Friends of Artists Space Dinner
  • Color photograph of a performer dressed in white, kneeling on all fours. A bright light from their pelvic area shines onto the floor, as viewers stand around the figure.
    Color photograph of a performer dressed in white, kneeling on all fours. A bright light from their pelvic area shines onto the floor, as viewers stand around the figure.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a performer dressed in white, kneeling on all fours. A bright light from their pelvic area shines onto the floor, as viewers stand around the figure.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a performer dressed in white, kneeling on all fours. A bright light from their pelvic area shines onto the floor, as viewers stand around the figure.
    Year 2022
    Related pages keyon gaskin 12-14
  • A figure plays the violin in front of a microphone.
    A figure plays the violin in front of a microphone.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure plays the violin in front of a microphone.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure plays the violin in front of a microphone.
    Year 2022
    Related pages Abasement #61
  • A large black disk installed on a white gallery wall. Bold gray text circling the circumfrence of the disk reads,
    A large black disk installed on a white gallery wall. Bold gray text circling the circumfrence of the disk reads,
    Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt. [A large black disk installed on a white gallery wall. Bold gray text circling the circumfrence of the disk reads, "PROYECTO PARA MONUMENTO." Directly to the left of the disk, a square hole has been cut into the gallery wall. A horizontal metal bar and several planks of wood are visible through the hole.]
    Caption Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt.
    Image description A large black disk installed on a white gallery wall. Bold gray text circling the circumfrence of the disk reads, "PROYECTO PARA MONUMENTO." Directly to the left of the disk, a square hole has been cut into the gallery wall. A horizontal metal bar and several planks of wood are visible through the hole.
    Year 1997
    Related pages Lines of Loss
  • A black and white image of three overlapping pillows propped up against a white wall.
    A black and white image of three overlapping pillows propped up against a white wall.
    Ava Garber, 3 Pillows, 1990. Wax, fabric, wood and oil, 36 x 120 x 36 inches. [A black and white image of three overlapping pillows propped up against a white wall.]
    Caption Ava Garber, 3 Pillows, 1990. Wax, fabric, wood and oil, 36 x 120 x 36 inches.
    Image description A black and white image of three overlapping pillows propped up against a white wall.
    Year 1991
    Related pages Western Agenda
  • Scanned image of a white page featuring a geometric drawing of a building divided into squares. Some of the squares are colored in charcoal and others are lightly filled in with pencil. Light smudges of black charcoal appear across the page. In the upper-center of the page, text reads:
    Scanned image of a white page featuring a geometric drawing of a building divided into squares. Some of the squares are colored in charcoal and others are lightly filled in with pencil. Light smudges of black charcoal appear across the page. In the upper-center of the page, text reads:
    Cover of Common Ruin, Win McCarthy, 2023. [Scanned image of a white page featuring a geometric drawing of a building divided into squares. Some of the squares are colored in charcoal and others are lightly filled in with pencil. Light smudges of black charcoal appear across the page. In the upper-center of the page, text reads: "Win McCarthy / Common Ruin".]
    Caption Cover of Common Ruin, Win McCarthy, 2023.
    Image description Scanned image of a white page featuring a geometric drawing of a building divided into squares. Some of the squares are colored in charcoal and others are lightly filled in with pencil. Light smudges of black charcoal appear across the page. In the upper-center of the page, text reads: "Win McCarthy / Common Ruin".
    Year
    Related pages Win McCarthy: Common Ruin
  • A digital print of four books with annotated notes on each side.
    A digital print of four books with annotated notes on each side.
    Adjua Gargi Nzinga Greaves, CONTEXT, 2021. Chromogenic print with pigment ink pen, 41 ½ x 41 ½ inches. Courtesy Artists Space, New York. Photo: Filip Wolak [A digital print of four books with annotated notes on each side.]
    Caption Adjua Gargi Nzinga Greaves, CONTEXT, 2021. Chromogenic print with pigment ink pen, 41 ½ x 41 ½ inches. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A digital print of four books with annotated notes on each side.
    Year 2021
    Related pages Adjua Gargi Nzinga Greaves
  • A multicolored object sits on a white base. A metal antenna extends out on a diagonal.
    A multicolored object sits on a white base. A metal antenna extends out on a diagonal.
    Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $3,500
    [A multicolored object sits on a white base. A metal antenna extends out on a diagonal.]
    Caption Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $3,500
    Image description A multicolored object sits on a white base. A metal antenna extends out on a diagonal.
    Year 2019
    Related pages Trisha Baga Edition
  • Various framed works on paper hang on two facing white gallery walls. Each features small looping ornamental symbols, drawn with pencil within the individual boxes of gridded paper, to form larger shapes and structures. The large work on the right wall features repeated ornamental symbols in gold on pink ground.
    Various framed works on paper hang on two facing white gallery walls. Each features small looping ornamental symbols, drawn with pencil within the individual boxes of gridded paper, to form larger shapes and structures. The large work on the right wall features repeated ornamental symbols in gold on pink ground.
    Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [Various framed works on paper hang on two facing white gallery walls. Each features small looping ornamental symbols, drawn with pencil within the individual boxes of gridded paper, to form larger shapes and structures. The large work on the right wall features repeated ornamental symbols in gold on pink ground.]
    Caption Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description Various framed works on paper hang on two facing white gallery walls. Each features small looping ornamental symbols, drawn with pencil within the individual boxes of gridded paper, to form larger shapes and structures. The large work on the right wall features repeated ornamental symbols in gold on pink ground.
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
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  • Color image of a performer standing up playing the violin. They are standing in front of a mic stand with their eyes closed. A drum kit is barely visible in the right corner of the image. The wall in the background is tinted with green and blue lights.
    Color image of a performer standing up playing the violin. They are standing in front of a mic stand with their eyes closed. A drum kit is barely visible in the right corner of the image. The wall in the background is tinted with green and blue lights.
    Abasement #75. Performance documentation, February 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of a performer standing up playing the violin. They are standing in front of a mic stand with their eyes closed. A drum kit is barely visible in the right corner of the image. The wall in the background is tinted with green and blue lights.]
    Caption Abasement #75. Performance documentation, February 3rd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a performer standing up playing the violin. They are standing in front of a mic stand with their eyes closed. A drum kit is barely visible in the right corner of the image. The wall in the background is tinted with green and blue lights.
    Year
    Related pages Abasement #75
  • White text overlays a color-scheme grid background. The text reads: “Nov 18 / Eileen Myles / Jackie Wang.
    White text overlays a color-scheme grid background. The text reads: “Nov 18 / Eileen Myles / Jackie Wang.
    [White text overlays a color-scheme grid background. The text reads: “Nov 18 / Eileen Myles / Jackie Wang." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description White text overlays a color-scheme grid background. The text reads: “Nov 18 / Eileen Myles / Jackie Wang." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: Eileen Myles & Jackie Wang
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A color photograph of a figure standing in an orange-lit space filled with various audio equipment. They lean down to press adjust a dial on an audio mixer.
    A color photograph of a figure standing in an orange-lit space filled with various audio equipment. They lean down to press adjust a dial on an audio mixer.
    Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure standing in an orange-lit space filled with various audio equipment. They lean down to press adjust a dial on an audio mixer.]
    Caption Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space.
    Image description A color photograph of a figure standing in an orange-lit space filled with various audio equipment. They lean down to press adjust a dial on an audio mixer.
    Year 2022
    Related pages Yuji Agematsu
  • A large potted fern sits to the right of an elevator door in a light-filled gallery space. To the right of the fern is a low, round table with a pen and open booklet on top of it. A large black and white image installed on the gallery wall behind the fern shows several art books lined up next to one another on a blank surface. Text above the books reads,
    A large potted fern sits to the right of an elevator door in a light-filled gallery space. To the right of the fern is a low, round table with a pen and open booklet on top of it. A large black and white image installed on the gallery wall behind the fern shows several art books lined up next to one another on a blank surface. Text above the books reads,
    Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A large potted fern sits to the right of an elevator door in a light-filled gallery space. To the right of the fern is a low, round table with a pen and open booklet on top of it. A large black and white image installed on the gallery wall behind the fern shows several art books lined up next to one another on a blank surface. Text above the books reads, "histoire de l'art cherche personnages."]
    Caption Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A large potted fern sits to the right of an elevator door in a light-filled gallery space. To the right of the fern is a low, round table with a pen and open booklet on top of it. A large black and white image installed on the gallery wall behind the fern shows several art books lined up next to one another on a blank surface. Text above the books reads, "histoire de l'art cherche personnages."
    Year 2010
    Related pages Rip It Up and Start Again: William S. Burroughs, Charles Henri Ford, Ray Johnson, Philippe Thomas, Arthur Russell
  • A color image of a close-up of a floating vitrine on a red wall, with four small paintings hung in a series above the vitrine. Inside the vitrine are six pages, with poems written on them and drawings of flowers decorating the pages. Thefour paintings above the poems depict Black Queer figures in darkened environments with gold, and colorful accents.
    A color image of a close-up of a floating vitrine on a red wall, with four small paintings hung in a series above the vitrine. Inside the vitrine are six pages, with poems written on them and drawings of flowers decorating the pages. Thefour paintings above the poems depict Black Queer figures in darkened environments with gold, and colorful accents.
    Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view (memory of barbers touch, 2022; Poems 1 -6, 2023), Artists Space, 2023. Photo: Filip Wolak. [A color image of a close-up of a floating vitrine on a red wall, with four small paintings hung in a series above the vitrine. Inside the vitrine are six pages, with poems written on them and drawings of flowers decorating the pages. Thefour paintings above the poems depict Black Queer figures in darkened environments with gold, and colorful accents.]
    Caption Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view (memory of barbers touch, 2022; Poems 1 -6, 2023), Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of a close-up of a floating vitrine on a red wall, with four small paintings hung in a series above the vitrine. Inside the vitrine are six pages, with poems written on them and drawings of flowers decorating the pages. Thefour paintings above the poems depict Black Queer figures in darkened environments with gold, and colorful accents.
    Year
    Related pages Jonathan Lyndon Chase
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    Year
    Related pages Lonnie Holley
  • A black and white book cover with the text
    A black and white book cover with the text
    The Expendable Reader, by John McHale, edited by Alex Kitnick, published by Columbia University Press, 2011. [A black and white book cover with the text "The Expendable Reader John McHale" overlaid on a recycling logo.]
    Caption The Expendable Reader, by John McHale, edited by Alex Kitnick, published by Columbia University Press, 2011.
    Image description A black and white book cover with the text "The Expendable Reader John McHale" overlaid on a recycling logo.
    Year 2011
    Related pages John McHale: The Expendable Reader
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A black and white photograph of a television sitting on a low table, with a fan sitting on top of it. White text in the bottom right reads,
    A black and white photograph of a television sitting on a low table, with a fan sitting on top of it. White text in the bottom right reads,
    Catalogue cover for Stone's Throw, Artists Space, 1990. [A black and white photograph of a television sitting on a low table, with a fan sitting on top of it. White text in the bottom right reads, "STONE'S THROW, TV FROM CUBA, ISLAND IN GOLIATH'S SEA. ORGANIZED BY DEE DEE HALLECK AND MONICA MELAMID. MARCH 8-APRIL 7, 1990. ARTISTS SPACE."]
    Caption Catalogue cover for Stone's Throw, Artists Space, 1990.
    Image description A black and white photograph of a television sitting on a low table, with a fan sitting on top of it. White text in the bottom right reads, "STONE'S THROW, TV FROM CUBA, ISLAND IN GOLIATH'S SEA. ORGANIZED BY DEE DEE HALLECK AND MONICA MELAMID. MARCH 8-APRIL 7, 1990. ARTISTS SPACE."
    Year 1990
    Related pages Stone's Throw: Television from Cuba, Island in Goliath's Sea
  • A black and white photograph showing a room filled with various standing lights and assorted objects sitting on the floor. Two people are standing, their outlines casting shadows on a white wall with the word
    A black and white photograph showing a room filled with various standing lights and assorted objects sitting on the floor. Two people are standing, their outlines casting shadows on a white wall with the word
    Enough Tiranny. Installation view, Serpentine Gallery, 1972. [A black and white photograph showing a room filled with various standing lights and assorted objects sitting on the floor. Two people are standing, their outlines casting shadows on a white wall with the word "TIRANNY" handwritten in large, block letters.]
    Caption Enough Tiranny. Installation view, Serpentine Gallery, 1972.
    Image description A black and white photograph showing a room filled with various standing lights and assorted objects sitting on the floor. Two people are standing, their outlines casting shadows on a white wall with the word "TIRANNY" handwritten in large, block letters.
    Year 1972
    Related pages Marc Camille Chaimowicz: Enough Tiranny Recalled, 1972 – 2009
  • A piece of stretched cloth covered with painted words reading,
    A piece of stretched cloth covered with painted words reading,
    Flyer for Inquiry & Investigation, 2018. [A piece of stretched cloth covered with painted words reading, "Inquiry" and "Investigation," along with digitally superimposed event information.]
    Caption Flyer for Inquiry & Investigation, 2018.
    Image description A piece of stretched cloth covered with painted words reading, "Inquiry" and "Investigation," along with digitally superimposed event information.
    Year 2018
    Related pages Inquiry & Investigation
  • A black and white image featuring a large, dark shape that resembles a plus sign. The plus sign sits at the center of a white backdrop covered by various irregular markings, including a large ink blot and print markings. While the surface of the plus sign is opaque, the background markings are slightly transparent. Small black text placed at the image's lower left corner reads,
    A black and white image featuring a large, dark shape that resembles a plus sign. The plus sign sits at the center of a white backdrop covered by various irregular markings, including a large ink blot and print markings. While the surface of the plus sign is opaque, the background markings are slightly transparent. Small black text placed at the image's lower left corner reads,
    Christopher Wool, untitled (wool poster between bridges), 2020, 23.5 x 16.5 inches [A black and white image featuring a large, dark shape that resembles a plus sign. The plus sign sits at the center of a white backdrop covered by various irregular markings, including a large ink blot and print markings. While the surface of the plus sign is opaque, the background markings are slightly transparent. Small black text placed at the image's lower left corner reads, "2020Solidarity - Christopher Wool," while text placed at the image's lower right corner reads, "A project by Between Bridges."]
    Caption Christopher Wool, untitled (wool poster between bridges), 2020, 23.5 x 16.5 inches
    Image description A black and white image featuring a large, dark shape that resembles a plus sign. The plus sign sits at the center of a white backdrop covered by various irregular markings, including a large ink blot and print markings. While the surface of the plus sign is opaque, the background markings are slightly transparent. Small black text placed at the image's lower left corner reads, "2020Solidarity - Christopher Wool," while text placed at the image's lower right corner reads, "A project by Between Bridges."
    Year 2020
    Related pages 2020Solidarity
  • A close-up icolor mage of a musician playing the guitar. Red light cast onto them. A disco ball hangs from the ceiling, projecting white dots onto the room.
    A close-up icolor mage of a musician playing the guitar. Red light cast onto them. A disco ball hangs from the ceiling, projecting white dots onto the room.
    Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [A close-up icolor mage of a musician playing the guitar. Red light cast onto them. A disco ball hangs from the ceiling, projecting white dots onto the room.]
    Caption Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A close-up icolor mage of a musician playing the guitar. Red light cast onto them. A disco ball hangs from the ceiling, projecting white dots onto the room.
    Year
    Related pages Abasement #65
  • A pile of multicolored string lights sits on a wooden floor, surrounded by assorted objects including a disco ball, a candlestick, and two pitchers. There is a pink glow over the objects, with another strand of white lights weaving through the objects.
    A pile of multicolored string lights sits on a wooden floor, surrounded by assorted objects including a disco ball, a candlestick, and two pitchers. There is a pink glow over the objects, with another strand of white lights weaving through the objects.
    Enough Tiranny Recalled, 1972–2009. Installation view, Artists Space, 2009. Photo: Daniel Pérez. [A pile of multicolored string lights sits on a wooden floor, surrounded by assorted objects including a disco ball, a candlestick, and two pitchers. There is a pink glow over the objects, with another strand of white lights weaving through the objects.]
    Caption Enough Tiranny Recalled, 1972–2009. Installation view, Artists Space, 2009. Photo: Daniel Pérez.
    Image description A pile of multicolored string lights sits on a wooden floor, surrounded by assorted objects including a disco ball, a candlestick, and two pitchers. There is a pink glow over the objects, with another strand of white lights weaving through the objects.
    Year 2009
    Related pages Marc Camille Chaimowicz: Enough Tiranny Recalled, 1972 – 2009
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  • Along the gallery wall from left to right is an assemblage scultpure of found objects ranging from lightbulbs to racoon tails. To the right is a sculpture of chicken wings dangling from the wall. Further along is an offwhite square nearly flush with the wall. And on the floor sits a chair adorned with cloth and green onion.
    Along the gallery wall from left to right is an assemblage scultpure of found objects ranging from lightbulbs to racoon tails. To the right is a sculpture of chicken wings dangling from the wall. Further along is an offwhite square nearly flush with the wall. And on the floor sits a chair adorned with cloth and green onion.
    LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon [Along the gallery wall from left to right is an assemblage scultpure of found objects ranging from lightbulbs to racoon tails. To the right is a sculpture of chicken wings dangling from the wall. Further along is an offwhite square nearly flush with the wall. And on the floor sits a chair adorned with cloth and green onion.]
    Caption LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description Along the gallery wall from left to right is an assemblage scultpure of found objects ranging from lightbulbs to racoon tails. To the right is a sculpture of chicken wings dangling from the wall. Further along is an offwhite square nearly flush with the wall. And on the floor sits a chair adorned with cloth and green onion.
    Year 2025
    Related pages Arnold J. Kemp
  • In the foreground is a set of vacuum cleaners on display vertically above each other on a plexiglass shelf rack with fluourescent lights underneath each one. Behind it on a wall is a Duratrans on a lightbox with text that reads:
    In the foreground is a set of vacuum cleaners on display vertically above each other on a plexiglass shelf rack with fluourescent lights underneath each one. Behind it on a wall is a Duratrans on a lightbox with text that reads:
    Installation view. Artists Space, 1983. Foreground: Jeff Koons. New Wet/Dry Triple Decker, 1982. Plexiglass, fluorescent light, new vacuum cleaners. 124 1/2 x 28 x 28 inches. [In the foreground is a set of vacuum cleaners on display vertically above each other on a plexiglass shelf rack with fluourescent lights underneath each one. Behind it on a wall is a Duratrans on a lightbox with text that reads: "New 100% Meri Ultra-lights" and a picture of a pack of ciagrettes appears next to the text. These works appear in a white-walled gallery space with a window in the far left back and a fluorescent light visible above.]
    Caption Installation view. Artists Space, 1983. Foreground: Jeff Koons. New Wet/Dry Triple Decker, 1982. Plexiglass, fluorescent light, new vacuum cleaners. 124 1/2 x 28 x 28 inches.
    Image description In the foreground is a set of vacuum cleaners on display vertically above each other on a plexiglass shelf rack with fluourescent lights underneath each one. Behind it on a wall is a Duratrans on a lightbox with text that reads: "New 100% Meri Ultra-lights" and a picture of a pack of ciagrettes appears next to the text. These works appear in a white-walled gallery space with a window in the far left back and a fluorescent light visible above.
    Year 1983
    Related pages Los Angeles/New York Exchange
  • Color image of a band of performers playing music on a stage together, colorful and patterned projections illuminate the group and the wall behind them. In order: group includes a keyboardist, a bass player, a drummer, a trumpet player and two saxaphone players.
    Color image of a band of performers playing music on a stage together, colorful and patterned projections illuminate the group and the wall behind them. In order: group includes a keyboardist, a bass player, a drummer, a trumpet player and two saxaphone players.
    Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman. [Color image of a band of performers playing music on a stage together, colorful and patterned projections illuminate the group and the wall behind them. In order: group includes a keyboardist, a bass player, a drummer, a trumpet player and two saxaphone players.]
    Caption Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a band of performers playing music on a stage together, colorful and patterned projections illuminate the group and the wall behind them. In order: group includes a keyboardist, a bass player, a drummer, a trumpet player and two saxaphone players.
    Year
    Related pages Abasement #63
  • Cerulean blue background with black text that reads,
    Cerulean blue background with black text that reads,
    Jenny Holzer. Poster, 1982. [Cerulean blue background with black text that reads,"REJOICE! OUR TIMES ARE INTOLERABLE. TAKE COURAGE FOR THE WORST IS A HARBINGER OF THE BEST. ONLY DIRE CIRCUMSTANCE CAN PRECIPITATE THE OVERTHROW OF OPPRESSORS. THE OLD AND CORRUPT MUST BE LAID TO WASTE BEFORE THE JUST CAN TRIUMPH. OPPOSITION IDENTIFIES AND ISOLATES THE ENEMY. CONFLICT OF INTEREST MUST BE SEEN FOR WHAT IT IS. DO NOT SUPPORT PALLIATIVE GESTURES; THEY CONFUSE THE PEOPLE AND DELAY THE INEVITABLE CONFRONTATION. DELAY THE INEVITABLE CONFRONTATION. DELAY IS NOT TOLERATED FOR IT JEOPARDIZES THE WELL-BEING OF THE MAJORITY. CONTRADICTION WILL BE HEIGHTENED. THE RECKONING WILL BE HASTENED BY THE STAGING OF SEED DISTURBANCES. THE APOCALYPSE WILL BLOSSOM."]
    Caption Jenny Holzer. Poster, 1982.
    Image description Cerulean blue background with black text that reads,"REJOICE! OUR TIMES ARE INTOLERABLE. TAKE COURAGE FOR THE WORST IS A HARBINGER OF THE BEST. ONLY DIRE CIRCUMSTANCE CAN PRECIPITATE THE OVERTHROW OF OPPRESSORS. THE OLD AND CORRUPT MUST BE LAID TO WASTE BEFORE THE JUST CAN TRIUMPH. OPPOSITION IDENTIFIES AND ISOLATES THE ENEMY. CONFLICT OF INTEREST MUST BE SEEN FOR WHAT IT IS. DO NOT SUPPORT PALLIATIVE GESTURES; THEY CONFUSE THE PEOPLE AND DELAY THE INEVITABLE CONFRONTATION. DELAY THE INEVITABLE CONFRONTATION. DELAY IS NOT TOLERATED FOR IT JEOPARDIZES THE WELL-BEING OF THE MAJORITY. CONTRADICTION WILL BE HEIGHTENED. THE RECKONING WILL BE HASTENED BY THE STAGING OF SEED DISTURBANCES. THE APOCALYPSE WILL BLOSSOM."
    Year
    Related pages Eating Friends
  • A color photograph of a door with multiple nested smaller doors within the doorframe. Each individual doorway is framed with a gold outline. To the left are several empty picture frames and two studio lights. In front of dark green curtains is a painting set in a gold frame.
    A color photograph of a door with multiple nested smaller doors within the doorframe. Each individual doorway is framed with a gold outline. To the left are several empty picture frames and two studio lights. In front of dark green curtains is a painting set in a gold frame.
    Lyndon Barrois Jr., Guardians Gate (Farfanicchio), 2022; Masters of Fine Arts, 2011/2022. Wood, latex paint, antique brass elements, cast iron, oil paint, twigs, brass, burlap, packing felt; oil on canvas, artist frame, solvent transfer, plywood, curtains, frames, lights, easels, conservators coat, headlamp. Dimensions variable. Photo: Filip Wolak [A color photograph of a door with multiple nested smaller doors within the doorframe. Each individual doorway is framed with a gold outline. To the left are several empty picture frames and two studio lights. In front of dark green curtains is a painting set in a gold frame.]
    Caption Lyndon Barrois Jr., Guardians Gate (Farfanicchio), 2022; Masters of Fine Arts, 2011/2022. Wood, latex paint, antique brass elements, cast iron, oil paint, twigs, brass, burlap, packing felt; oil on canvas, artist frame, solvent transfer, plywood, curtains, frames, lights, easels, conservators coat, headlamp. Dimensions variable. Photo: Filip Wolak
    Image description A color photograph of a door with multiple nested smaller doors within the doorframe. Each individual doorway is framed with a gold outline. To the left are several empty picture frames and two studio lights. In front of dark green curtains is a painting set in a gold frame.
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
  • A large white MDF board rests against a gray wall. A series of metal sardine cans are placed across the MDF board in a loose grid.
    A large white MDF board rests against a gray wall. A series of metal sardine cans are placed across the MDF board in a loose grid.
    William Pope.L, Maybe, 2009-2010. MDF board, sardine cans, plastic bag, cardboard box, nails, electrical extension cord, paint, graphite. 96 x 96 x 18 inches. [A large white MDF board rests against a gray wall. A series of metal sardine cans are placed across the MDF board in a loose grid. ]
    Caption William Pope.L, Maybe, 2009-2010. MDF board, sardine cans, plastic bag, cardboard box, nails, electrical extension cord, paint, graphite. 96 x 96 x 18 inches.
    Image description A large white MDF board rests against a gray wall. A series of metal sardine cans are placed across the MDF board in a loose grid.
    Year
    Related pages Arnold Kemp
  • A female mannequin stands in a gallery space. It is wearing blue trousers and a grey fur coat over a blue checkered shirt. The shirt and jacket are left unbuttoned, exposing the mannequin's breasts, obscured by a large bone necklace.
    A female mannequin stands in a gallery space. It is wearing blue trousers and a grey fur coat over a blue checkered shirt. The shirt and jacket are left unbuttoned, exposing the mannequin's breasts, obscured by a large bone necklace.
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A female mannequin stands in a gallery space. It is wearing blue trousers and a grey fur coat over a blue checkered shirt. The shirt and jacket are left unbuttoned, exposing the mannequin's breasts, obscured by a large bone necklace.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description A female mannequin stands in a gallery space. It is wearing blue trousers and a grey fur coat over a blue checkered shirt. The shirt and jacket are left unbuttoned, exposing the mannequin's breasts, obscured by a large bone necklace.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
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    Year
    Related pages Abasement #71
  • An installation shot of two gallery walls, one white and one unpainted wood, meeting in a corner. The white wall displays nine images with accompanying text. The wood wall has an old television on a metal stand, showing a cartoon image.
    An installation shot of two gallery walls, one white and one unpainted wood, meeting in a corner. The white wall displays nine images with accompanying text. The wood wall has an old television on a metal stand, showing a cartoon image.
    Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz. [An installation shot of two gallery walls, one white and one unpainted wood, meeting in a corner. The white wall displays nine images with accompanying text. The wood wall has an old television on a metal stand, showing a cartoon image.]
    Caption Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz.
    Image description An installation shot of two gallery walls, one white and one unpainted wood, meeting in a corner. The white wall displays nine images with accompanying text. The wood wall has an old television on a metal stand, showing a cartoon image.
    Year 2010
    Related pages Sean Snyder
  • A television monitor positioned on the ground with its wiring exposed. A pair of headphones rests on the ground to the right of the monitor. It displayes a still image of a washed-out portrait that implies movement through the blurring and repeititon of the face.
    A television monitor positioned on the ground with its wiring exposed. A pair of headphones rests on the ground to the right of the monitor. It displayes a still image of a washed-out portrait that implies movement through the blurring and repeititon of the face.
    The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [A television monitor positioned on the ground with its wiring exposed. A pair of headphones rests on the ground to the right of the monitor. It displayes a still image of a washed-out portrait that implies movement through the blurring and repeititon of the face.]
    Caption The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich.
    Image description A television monitor positioned on the ground with its wiring exposed. A pair of headphones rests on the ground to the right of the monitor. It displayes a still image of a washed-out portrait that implies movement through the blurring and repeititon of the face.
    Year 2014
    Related pages The Issues of Our Time
  • Dark drawing with white curved shapes in lines visible in the center with a perspectival depth.
    Dark drawing with white curved shapes in lines visible in the center with a perspectival depth.
    Carol Sun. Prospect Park Series - Ornithos, 1987. [Dark drawing with white curved shapes in lines visible in the center with a perspectival depth.]
    Caption Carol Sun. Prospect Park Series - Ornithos, 1987.
    Image description Dark drawing with white curved shapes in lines visible in the center with a perspectival depth.
    Year
    Related pages Selections from the Artists File
  • A black and white image with an organic border features Jack Smith in a white cloak standing in front of a wall. To the left of him are two posters that read,
    A black and white image with an organic border features Jack Smith in a white cloak standing in front of a wall. To the left of him are two posters that read,
    Jack Smith in Jack Smith’s Fear Ritual of Shark Museum, Cologne, 1974 Photograph © Gwenn Thomas. Courtesy Exile Gallery, Berlin and Southfirst, New York Courtesy New York University, Fales Library and Special Collections [A black and white image with an organic border features Jack Smith in a white cloak standing in front of a wall. To the left of him are two posters that read, "Krone," at the top in block letters. Behind him are large, white block letters that read, "R O N." A ghost-like figure with multiple arms is pictured above him.]
    Caption Jack Smith in Jack Smith’s Fear Ritual of Shark Museum, Cologne, 1974 Photograph © Gwenn Thomas. Courtesy Exile Gallery, Berlin and Southfirst, New York Courtesy New York University, Fales Library and Special Collections
    Image description A black and white image with an organic border features Jack Smith in a white cloak standing in front of a wall. To the left of him are two posters that read, "Krone," at the top in block letters. Behind him are large, white block letters that read, "R O N." A ghost-like figure with multiple arms is pictured above him.
    Year 1974
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • Two books lay side by side. On the left, a gray cover with black text reads
    Two books lay side by side. On the left, a gray cover with black text reads
    Covers of Jef Geys: Catalogue Raisonnable, WIELS, 2025 and Ghislaine Leung: Holdings (2015-2025), the Renaissance Society, 2025. [Two books lay side by side. On the left, a gray cover with black text reads "JEF GEYS." On the right, a yellow cover with white text reads "SCORE / NON-SCORES / SUB-SCORES."]
    Caption Covers of Jef Geys: Catalogue Raisonnable, WIELS, 2025 and Ghislaine Leung: Holdings (2015-2025), the Renaissance Society, 2025.
    Image description Two books lay side by side. On the left, a gray cover with black text reads "JEF GEYS." On the right, a yellow cover with white text reads "SCORE / NON-SCORES / SUB-SCORES."
    Year
    Related pages Jef Geys: Catalogue Raisonnable & Ghislaine Leung: Holdings (2015–2025)
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • An image of a dark exhibition space with three video projections projected on to a wall.
    An image of a dark exhibition space with three video projections projected on to a wall.
    New Red Order with Ashley Byler and Jeremy Pheiffer / Kate August and Enver Chakartash Urge 2 Merge, 2021 3 channel video, color 12 minutes (loop) Image courtesy Artists Space, New York Photo: Filip Wolak [An image of a dark exhibition space with three video projections projected on to a wall.]
    Caption New Red Order with Ashley Byler and Jeremy Pheiffer / Kate August and Enver Chakartash Urge 2 Merge, 2021 3 channel video, color 12 minutes (loop) Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description An image of a dark exhibition space with three video projections projected on to a wall.
    Year 2021
    Related pages New Red Order: Feel at Home Here
  • A view of multiple works including a black and white image on a beige wall, CRT monitors displaying individuals in a bluish hue, a tulip chair against a seafoam colored wall, and a single viewing station.
    A view of multiple works including a black and white image on a beige wall, CRT monitors displaying individuals in a bluish hue, a tulip chair against a seafoam colored wall, and a single viewing station.
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of multiple works including a black and white image on a beige wall, CRT monitors displaying individuals in a bluish hue, a tulip chair against a seafoam colored wall, and a single viewing station.]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A view of multiple works including a black and white image on a beige wall, CRT monitors displaying individuals in a bluish hue, a tulip chair against a seafoam colored wall, and a single viewing station.
    Year 2021
    Related pages ART CLUB2000
  • Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right appears to read from a text propped on the stand, while the figure on the left looks towards the audience, speaking and gesturing towards them with one hand.
    Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right appears to read from a text propped on the stand, while the figure on the left looks towards the audience, speaking and gesturing towards them with one hand.
    Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court. [Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right appears to read from a text propped on the stand, while the figure on the left looks towards the audience, speaking and gesturing towards them with one hand.]
    Caption Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court.
    Image description Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right appears to read from a text propped on the stand, while the figure on the left looks towards the audience, speaking and gesturing towards them with one hand.
    Year 2020
    Related pages Passages from People Who Led to My Plays
  • Black & white photograph of a performer sitting in a wooden chair. A spotlight shines on them from above, and they play a cello that leans against their body.
    Black & white photograph of a performer sitting in a wooden chair. A spotlight shines on them from above, and they play a cello that leans against their body.
    Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan. [Black & white photograph of a performer sitting in a wooden chair. A spotlight shines on them from above, and they play a cello that leans against their body.]
    Caption Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan.
    Image description Black & white photograph of a performer sitting in a wooden chair. A spotlight shines on them from above, and they play a cello that leans against their body.
    Year 2023
    Related pages Genesis: Medley
  • A black bumper sticker with white text on the back of a silver car reads,
    A black bumper sticker with white text on the back of a silver car reads,
    Mungo Thomson, The True Artist Helps the World by Revealing Mystic Truths (12 Step), 2004. [A black bumper sticker with white text on the back of a silver car reads, "The True Artist Helps the World by Revealing Mystic Truths."]
    Caption Mungo Thomson, The True Artist Helps the World by Revealing Mystic Truths (12 Step), 2004.
    Image description A black bumper sticker with white text on the back of a silver car reads, "The True Artist Helps the World by Revealing Mystic Truths."
    Year 2004
    Related pages Repeat Performance
  • Eleven brown bags of varying sizes are displayed on a wall, pinned so that their mouths hang open slightly. Charcoal rubbings on the bags trace out corporate logos and other words and phrases.
    Eleven brown bags of varying sizes are displayed on a wall, pinned so that their mouths hang open slightly. Charcoal rubbings on the bags trace out corporate logos and other words and phrases.
    Alan Michelson. Permanent Title, 1993. Wax, muslin, charcoal. Overall: 144 x 144 x 9 in. (366 x 366 x 23 cm). Courtesy the artist. [Eleven brown bags of varying sizes are displayed on a wall, pinned so that their mouths hang open slightly. Charcoal rubbings on the bags trace out corporate logos and other words and phrases.]
    Caption Alan Michelson. Permanent Title, 1993. Wax, muslin, charcoal. Overall: 144 x 144 x 9 in. (366 x 366 x 23 cm). Courtesy the artist.
    Image description Eleven brown bags of varying sizes are displayed on a wall, pinned so that their mouths hang open slightly. Charcoal rubbings on the bags trace out corporate logos and other words and phrases.
    Year 1993
    Related pages Whitney ISP Archive
  • A wide angle image of a dark exhibition space, on the left a large projection is shown on a long wall, on the right photograph negatives hang off a wall.
    A wide angle image of a dark exhibition space, on the left a large projection is shown on a long wall, on the right photograph negatives hang off a wall.
    New Red Order: Feel at Home Here. Installation view, Artists Space, May 19 – August 21, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A wide angle image of a dark exhibition space, on the left a large projection is shown on a long wall, on the right photograph negatives hang off a wall.]
    Caption New Red Order: Feel at Home Here. Installation view, Artists Space, May 19 – August 21, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A wide angle image of a dark exhibition space, on the left a large projection is shown on a long wall, on the right photograph negatives hang off a wall.
    Year 2021
    Related pages New Red Order: Feel at Home Here
  • A black and white image of electrical towers stretching into the distance.
    A black and white image of electrical towers stretching into the distance.
    Jolene Rickard, from Corn Blue Room, 2000. [A black and white image of electrical towers stretching into the distance.]
    Caption Jolene Rickard, from Corn Blue Room, 2000.
    Image description A black and white image of electrical towers stretching into the distance.
    Year 2017
    Related pages Unholding
  • Dirt can be seeng lining the walls on the floor and also in the clear cases above them. There is stark lighting of the walls in this gallery setting.
    Dirt can be seeng lining the walls on the floor and also in the clear cases above them. There is stark lighting of the walls in this gallery setting.
    Installation View from Recent Art From Chicago, Artists Space, March 8, 1986 - April 5, 1986. [Dirt can be seeng lining the walls on the floor and also in the clear cases above them. There is stark lighting of the walls in this gallery setting.]
    Caption Installation View from Recent Art From Chicago, Artists Space, March 8, 1986 - April 5, 1986.
    Image description Dirt can be seeng lining the walls on the floor and also in the clear cases above them. There is stark lighting of the walls in this gallery setting.
    Year
    Related pages Recent Art from Chicago
  • Caption
    Image description
    Year
    Related pages All These Different Things Are Sculpture
  • An image of a multicolored wall filled with multiple tv monitors and info graphics. Black, red and yellow beach balls are scattered along the floor.
    An image of a multicolored wall filled with multiple tv monitors and info graphics. Black, red and yellow beach balls are scattered along the floor.
    New Red Order with Virgil B/G Taylor Progenerator, 2020 – Ongoing Painted mural with dibond prints, five televisions, flag, plate, Improved Order of Red Men ephemera, and mixed media 14 x 40 feet Image courtesy Artists Space, New York Photo: Filip Wolak [An image of a multicolored wall filled with multiple tv monitors and info graphics. Black, red and yellow beach balls are scattered along the floor.]
    Caption New Red Order with Virgil B/G Taylor Progenerator, 2020 – Ongoing Painted mural with dibond prints, five televisions, flag, plate, Improved Order of Red Men ephemera, and mixed media 14 x 40 feet Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description An image of a multicolored wall filled with multiple tv monitors and info graphics. Black, red and yellow beach balls are scattered along the floor.
    Year 2021
    Related pages New Red Order: Feel at Home Here
  • Color image of a performer on stage holding an oversized goblet. They are wearing a monochromatic purple outfit, and standing sideways to the audience. A table in front of the performer is filled with various types of electronic audio equipment. The wall behind the stage is covered in a houndstooth projected pattern.
    Color image of a performer on stage holding an oversized goblet. They are wearing a monochromatic purple outfit, and standing sideways to the audience. A table in front of the performer is filled with various types of electronic audio equipment. The wall behind the stage is covered in a houndstooth projected pattern.
    Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of a performer on stage holding an oversized goblet. They are wearing a monochromatic purple outfit, and standing sideways to the audience. A table in front of the performer is filled with various types of electronic audio equipment. The wall behind the stage is covered in a houndstooth projected pattern.]
    Caption Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a performer on stage holding an oversized goblet. They are wearing a monochromatic purple outfit, and standing sideways to the audience. A table in front of the performer is filled with various types of electronic audio equipment. The wall behind the stage is covered in a houndstooth projected pattern.
    Year
    Related pages Abasement #76
  • Black text overlays a light purple background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Spring 2025 Season / April/May curated by Futurepoem / Saturdays at 5pm: 11 Cortlandt Alley + Zoom
    Black text overlays a light purple background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Spring 2025 Season / April/May curated by Futurepoem / Saturdays at 5pm: 11 Cortlandt Alley + Zoom
    [Black text overlays a light purple background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Spring 2025 Season / April/May curated by Futurepoem / Saturdays at 5pm: 11 Cortlandt Alley + Zoom"]
    Caption
    Image description Black text overlays a light purple background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Spring 2025 Season / April/May curated by Futurepoem / Saturdays at 5pm: 11 Cortlandt Alley + Zoom"
    Year
    Related pages Segue Reading Series
  • Two people dressed in black looking down. Superimposed on top of them is a poster reading,
    Two people dressed in black looking down. Superimposed on top of them is a poster reading,
    Still from Polly II - A Plan for a Revolution in Docklands (2006). [Two people dressed in black looking down. Superimposed on top of them is a poster reading, "JENNY DIVER CALLS ON ALL PEOPLE OF THE FLOOD EAST ORGANIZE NOW! PEACE TO HUMBLE DWELLINGS! WAR TO THE PALACES!"]
    Caption Still from Polly II - A Plan for a Revolution in Docklands (2006).
    Image description Two people dressed in black looking down. Superimposed on top of them is a poster reading, "JENNY DIVER CALLS ON ALL PEOPLE OF THE FLOOD EAST ORGANIZE NOW! PEACE TO HUMBLE DWELLINGS! WAR TO THE PALACES!"
    Year 2006
    Related pages Polly II - A Plan for a Revolution in Docklands
  • Two video monitors are mounted on a colorful gallery wall covered with a photo decal of large, white letters and a ram's head. Four stools sit in front of the monitors. A pair of headphones rests on each stool, connected to the monitors.
    Two video monitors are mounted on a colorful gallery wall covered with a photo decal of large, white letters and a ram's head. Four stools sit in front of the monitors. A pair of headphones rests on each stool, connected to the monitors.
    Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Two video monitors are mounted on a colorful gallery wall covered with a photo decal of large, white letters and a ram's head. Four stools sit in front of the monitors. A pair of headphones rests on each stool, connected to the monitors.]
    Caption Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Two video monitors are mounted on a colorful gallery wall covered with a photo decal of large, white letters and a ram's head. Four stools sit in front of the monitors. A pair of headphones rests on each stool, connected to the monitors.
    Year 2012
    Related pages Radical Localism: Art, Video and Culture from Pueblo Nuevo’s Mexicali Rose
  • A white wall in a dimly lit room is illuminated in patterns by circles of light.
    A white wall in a dimly lit room is illuminated in patterns by circles of light.
    Amalle Dublon & Constantina Zavitsanos, a composition of waters (adjusted to fit), 2018. Photo: Daniel Pérez. [A white wall in a dimly lit room is illuminated in patterns by circles of light.]
    Caption Amalle Dublon & Constantina Zavitsanos, a composition of waters (adjusted to fit), 2018. Photo: Daniel Pérez.
    Image description A white wall in a dimly lit room is illuminated in patterns by circles of light.
    Year 2018
    Related pages Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff
  • Faded photograph of artist Miyoko Ito standing with her arms crossed in front of two of her paintings.
    Faded photograph of artist Miyoko Ito standing with her arms crossed in front of two of her paintings.
    Miyoko Ito at the opening of Miyoko Ito: A Review, The Renaissance Society at the University of Chicago, 1980. [Faded photograph of artist Miyoko Ito standing with her arms crossed in front of two of her paintings.]
    Caption Miyoko Ito at the opening of Miyoko Ito: A Review, The Renaissance Society at the University of Chicago, 1980.
    Image description Faded photograph of artist Miyoko Ito standing with her arms crossed in front of two of her paintings.
    Year 1980
    Related pages Miyoko Ito: Heart of Hearts
  • Installation photograph. The floor is covered with multicolored carpet strips, some of which are raised above the floor to create seating or shelving for CRT television monitors. On the wall, several black-and-white artworks are hung, depicting human figures, and text is printed on the wall
    Installation photograph. The floor is covered with multicolored carpet strips, some of which are raised above the floor to create seating or shelving for CRT television monitors. On the wall, several black-and-white artworks are hung, depicting human figures, and text is printed on the wall
    Carlos Motta. We Who Feel Differently, 2012. New Museum, New York. Courtesy Mor Charpentier Galerie, Paris [Installation photograph. The floor is covered with multicolored carpet strips, some of which are raised above the floor to create seating or shelving for CRT television monitors. On the wall, several black-and-white artworks are hung, depicting human figures, and text is printed on the wall "WE WHO FEEL DIFFERENTLY." Several visitors stand and sit around the room.]
    Caption Carlos Motta. We Who Feel Differently, 2012. New Museum, New York. Courtesy Mor Charpentier Galerie, Paris
    Image description Installation photograph. The floor is covered with multicolored carpet strips, some of which are raised above the floor to create seating or shelving for CRT television monitors. On the wall, several black-and-white artworks are hung, depicting human figures, and text is printed on the wall "WE WHO FEEL DIFFERENTLY." Several visitors stand and sit around the room.
    Year 2012
    Related pages Drawing In A Straight Line
  • A television box monitor displays a diagram connecting Robert Smithson to Theresa Hak Kyung Cha, and the past to the present and the future.
    A television box monitor displays a diagram connecting Robert Smithson to Theresa Hak Kyung Cha, and the past to the present and the future.
    Renée Green. Still from Partially Buried Continued, 1997. Video, color, sound; 36 minutes. Courtesy the artist, Free Agent Media, and Video Data Bank. [A television box monitor displays a diagram connecting Robert Smithson to Theresa Hak Kyung Cha, and the past to the present and the future.]
    Caption Renée Green. Still from Partially Buried Continued, 1997. Video, color, sound; 36 minutes. Courtesy the artist, Free Agent Media, and Video Data Bank.
    Image description A television box monitor displays a diagram connecting Robert Smithson to Theresa Hak Kyung Cha, and the past to the present and the future.
    Year 1997
    Related pages Whitney ISP Archive
  • A black and white photograph of three forms over a wooden background. The forms are vaguely triangular and are white, grey, and black.
    A black and white photograph of three forms over a wooden background. The forms are vaguely triangular and are white, grey, and black.
    Judy Rifka. Installation view, Deborah S. Freedman, Judy Rifka and Ernest Silva. Artists Space, 1975. [A black and white photograph of three forms over a wooden background. The forms are vaguely triangular and are white, grey, and black.]
    Caption Judy Rifka. Installation view, Deborah S. Freedman, Judy Rifka and Ernest Silva. Artists Space, 1975.
    Image description A black and white photograph of three forms over a wooden background. The forms are vaguely triangular and are white, grey, and black.
    Year 1975
    Related pages Deborah S. Freedman, Judy Rifka, Ernest Silva
  • On the left, a framed photograph hangs on the wall. In the center, a sculpture built around a red electric guitar hangs from the wall. In the distance on the right, various posters and ephemera adorn the wall.
    On the left, a framed photograph hangs on the wall. In the center, a sculpture built around a red electric guitar hangs from the wall. In the distance on the right, various posters and ephemera adorn the wall.
    Attention Line. Installation view (James as Jimmy, 2001, Guitar from the exhibit All Indian All the Time, 2005), Artists Space, June 11, 2022 - August 20, 2022. Photo: Filip Wolak [On the left, a framed photograph hangs on the wall. In the center, a sculpture built around a red electric guitar hangs from the wall. In the distance on the right, various posters and ephemera adorn the wall.]
    Caption Attention Line. Installation view (James as Jimmy, 2001, Guitar from the exhibit All Indian All the Time, 2005), Artists Space, June 11, 2022 - August 20, 2022. Photo: Filip Wolak
    Image description On the left, a framed photograph hangs on the wall. In the center, a sculpture built around a red electric guitar hangs from the wall. In the distance on the right, various posters and ephemera adorn the wall.
    Year 2022
    Related pages Attention Line
  • A man and woman hold hands while running, captured as though suspended above the ground. The woman pushes a red baby stroller in front of her. The scene is backlit, with the sun over a body of water behind them. On the upper right hand corner is the logo for
    A man and woman hold hands while running, captured as though suspended above the ground. The woman pushes a red baby stroller in front of her. The scene is backlit, with the sun over a body of water behind them. On the upper right hand corner is the logo for
    [A man and woman hold hands while running, captured as though suspended above the ground. The woman pushes a red baby stroller in front of her. The scene is backlit, with the sun over a body of water behind them. On the upper right hand corner is the logo for "WeWork," offset on a diagonal.]
    Caption
    Image description A man and woman hold hands while running, captured as though suspended above the ground. The woman pushes a red baby stroller in front of her. The scene is backlit, with the sun over a body of water behind them. On the upper right hand corner is the logo for "WeWork," offset on a diagonal.
    Year 2019
    Related pages Ei Arakawa: WEWORK BABIES (11 Cortlandt Alley)
  • A hand holds up a lined notebook with a poem collaged from newspaper cutouts which says,
    A hand holds up a lined notebook with a poem collaged from newspaper cutouts which says,
    Orchidary Siahaya, headline poem, 2019 [A hand holds up a lined notebook with a poem collaged from newspaper cutouts which says, "This is not normal what's at stake life,/ our lives death most people run/ to a sadness disbelief/ and play bloody/ fire."]
    Caption Orchidary Siahaya, headline poem, 2019
    Image description A hand holds up a lined notebook with a poem collaged from newspaper cutouts which says, "This is not normal what's at stake life,/ our lives death most people run/ to a sadness disbelief/ and play bloody/ fire."
    Year 2019
    Related pages Art and Literacy: Poetry
  • Black and white photo of Andre Cadere holding a striped stick over one shoulder and crossing the street in New York City.
    Black and white photo of Andre Cadere holding a striped stick over one shoulder and crossing the street in New York City.
    Andre Cadere, 11 December, 1976, David Ebony Gallery, New York, 13.00 to 17.30, Photograph by Gianfranco Gorgoni Digital print Image size: 10 x 8 in / 25,4 x 20,3 cm Paper size: 11 x 8 in / 27,9 x 21,6 cm Signed and numbered certificate [Black and white photo of Andre Cadere holding a striped stick over one shoulder and crossing the street in New York City.]
    Caption Andre Cadere, 11 December, 1976, David Ebony Gallery, New York, 13.00 to 17.30, Photograph by Gianfranco Gorgoni Digital print Image size: 10 x 8 in / 25,4 x 20,3 cm Paper size: 11 x 8 in / 27,9 x 21,6 cm Signed and numbered certificate
    Image description Black and white photo of Andre Cadere holding a striped stick over one shoulder and crossing the street in New York City.
    Year 2015
    Related pages Artists Space Annual Edition Portfolio 2015
  • Two illustrations framed on a wall. On the left, two men, dressed in suits, engage in intercource behind a women sat in a chair. On the right, a half naked man sits on a bench in a cell above a man licking his leg, and an exposed butt that is plugged.
    Two illustrations framed on a wall. On the left, two men, dressed in suits, engage in intercource behind a women sat in a chair. On the right, a half naked man sits on a bench in a cell above a man licking his leg, and an exposed butt that is plugged.
    Tom of Finland: The Pleasure of Play. Installation view, Artists Space, 2015. [Two illustrations framed on a wall. On the left, two men, dressed in suits, engage in intercource behind a women sat in a chair. On the right, a half naked man sits on a bench in a cell above a man licking his leg, and an exposed butt that is plugged.]
    Caption Tom of Finland: The Pleasure of Play. Installation view, Artists Space, 2015.
    Image description Two illustrations framed on a wall. On the left, two men, dressed in suits, engage in intercource behind a women sat in a chair. On the right, a half naked man sits on a bench in a cell above a man licking his leg, and an exposed butt that is plugged.
    Year 2015
    Related pages Tom of Finland: The Pleasure of Play
  • An image of a mixed-media sculpture.
    An image of a mixed-media sculpture.
    James Luna, High-Tech-Peace-Pipe, 2000, mixed media, touch-tone phone, pipe, dimensions variable. Photo: Filip Wolak [An image of a mixed-media sculpture.]
    Caption James Luna, High-Tech-Peace-Pipe, 2000, mixed media, touch-tone phone, pipe, dimensions variable. Photo: Filip Wolak
    Image description An image of a mixed-media sculpture.
    Year 2022
    Related pages Attention Line
  • Four abstract sculptures constructed from neutral-toned materials are displayed atop white virtrines. Three more sculptures are hung in a row against a white wall.
    Four abstract sculptures constructed from neutral-toned materials are displayed atop white virtrines. Three more sculptures are hung in a row against a white wall.
    UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [Four abstract sculptures constructed from neutral-toned materials are displayed atop white virtrines. Three more sculptures are hung in a row against a white wall.]
    Caption UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt.
    Image description Four abstract sculptures constructed from neutral-toned materials are displayed atop white virtrines. Three more sculptures are hung in a row against a white wall.
    Year 2006
    Related pages UniBodies
  • An illustration of a row of figures holding bagpipes on either side of a large grey square.
    An illustration of a row of figures holding bagpipes on either side of a large grey square.
    Four Scottish Artists. Installation view, Artists Space, 1979. [An illustration of a row of figures holding bagpipes on either side of a large grey square.]
    Caption Four Scottish Artists. Installation view, Artists Space, 1979.
    Image description An illustration of a row of figures holding bagpipes on either side of a large grey square.
    Year 1979
    Related pages Four Scottish Artists
  • On the far wall is a triptych of photographic posters that show piles of logs with a bottom text,
    On the far wall is a triptych of photographic posters that show piles of logs with a bottom text,
    New Economy. Installation view, Artists Space, 2007. [On the far wall is a triptych of photographic posters that show piles of logs with a bottom text, "Nothing is real, Everything is Possiblem." In the corner of the room are stacks of red crates with cola bottles and on the opposit wall is a sculpture resembling a part of bicycle that is attached to the wall.]
    Caption New Economy. Installation view, Artists Space, 2007.
    Image description On the far wall is a triptych of photographic posters that show piles of logs with a bottom text, "Nothing is real, Everything is Possiblem." In the corner of the room are stacks of red crates with cola bottles and on the opposit wall is a sculpture resembling a part of bicycle that is attached to the wall.
    Year
    Related pages New Economy
  • Catalogue cover design featuring a black and white photograph of a series of animal skulls arranged on a back backdrop. The skulls vary in size and shape, and many have large, fang-like teeth. Small white text running along the cover's lower edge reads,
    Catalogue cover design featuring a black and white photograph of a series of animal skulls arranged on a back backdrop. The skulls vary in size and shape, and many have large, fang-like teeth. Small white text running along the cover's lower edge reads,
    [Catalogue cover design featuring a black and white photograph of a series of animal skulls arranged on a back backdrop. The skulls vary in size and shape, and many have large, fang-like teeth. Small white text running along the cover's lower edge reads, "reconstructions Jim Rittimann march 14 - may 4, 1991 Artists Space."]
    Caption
    Image description Catalogue cover design featuring a black and white photograph of a series of animal skulls arranged on a back backdrop. The skulls vary in size and shape, and many have large, fang-like teeth. Small white text running along the cover's lower edge reads, "reconstructions Jim Rittimann march 14 - may 4, 1991 Artists Space."
    Year 1991
    Related pages Reconstructions, assemblages
  • A color photograph of a gallery space. On the left, a large piece of grey and white vinyl hangs from the wall. A row of dark metal columns occupies the center of the space, extending back to a perpendicular section of grey metal scaffolding. On the right of the space there is a large grey table with four red chairs. The table holds a stack of yellow posters and two smaller stacks of grey handouts. The wall on the right has a large window and a blue poster.
    A color photograph of a gallery space. On the left, a large piece of grey and white vinyl hangs from the wall. A row of dark metal columns occupies the center of the space, extending back to a perpendicular section of grey metal scaffolding. On the right of the space there is a large grey table with four red chairs. The table holds a stack of yellow posters and two smaller stacks of grey handouts. The wall on the right has a large window and a blue poster.
    virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a gallery space. On the left, a large piece of grey and white vinyl hangs from the wall. A row of dark metal columns occupies the center of the space, extending back to a perpendicular section of grey metal scaffolding. On the right of the space there is a large grey table with four red chairs. The table holds a stack of yellow posters and two smaller stacks of grey handouts. The wall on the right has a large window and a blue poster.]
    Caption virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of a gallery space. On the left, a large piece of grey and white vinyl hangs from the wall. A row of dark metal columns occupies the center of the space, extending back to a perpendicular section of grey metal scaffolding. On the right of the space there is a large grey table with four red chairs. The table holds a stack of yellow posters and two smaller stacks of grey handouts. The wall on the right has a large window and a blue poster.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
  • A close up black and white image of a slide projection with two figures.
    A close up black and white image of a slide projection with two figures.
    Daniel Tilsdale. Still from Contacts, Ponytails, Noses and Bleach, 1988. Graphite on Xerox (presented in slide format). [A close up black and white image of a slide projection with two figures.]
    Caption Daniel Tilsdale. Still from Contacts, Ponytails, Noses and Bleach, 1988. Graphite on Xerox (presented in slide format).
    Image description A close up black and white image of a slide projection with two figures.
    Year 1988
    Related pages Too Black, Too Strong!
  • An open folding calculator, turned on its side and illuminated by bright green, peach, and pink lights.
    An open folding calculator, turned on its side and illuminated by bright green, peach, and pink lights.
    Ed Atkins, Death Mask II: The Scent, 2010. HD video with sound, 8 minutes 19 seconds. Courtesy the artist, Cabinet Gallery, London and Isabella Bortolozzi Galerie, Berlin. [An open folding calculator, turned on its side and illuminated by bright green, peach, and pink lights.]
    Caption Ed Atkins, Death Mask II: The Scent, 2010. HD video with sound, 8 minutes 19 seconds. Courtesy the artist, Cabinet Gallery, London and Isabella Bortolozzi Galerie, Berlin.
    Image description An open folding calculator, turned on its side and illuminated by bright green, peach, and pink lights.
    Year 2010
    Related pages Frozen Lakes
  • A dimly lit room with a projection facing the front. The projection displays neon words that are slightly distorted, the legible text reads
    A dimly lit room with a projection facing the front. The projection displays neon words that are slightly distorted, the legible text reads
    Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez. [A dimly lit room with a projection facing the front. The projection displays neon words that are slightly distorted, the legible text reads "Removes.....eight straight...."]
    Caption Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez.
    Image description A dimly lit room with a projection facing the front. The projection displays neon words that are slightly distorted, the legible text reads "Removes.....eight straight...."
    Year 2015
    Related pages Union Gaucha Productions
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  • A wooden box sits open atop a stool. Fabric, string, and fluffy white material spill out.
    A wooden box sits open atop a stool. Fabric, string, and fluffy white material spill out.
    Brad Kronz, While the Neglected Thought Dies, the Neglected Object Continues to Grow, 2025. Wooden stool, felt, cardboard, acrylic, paper, fabric, cotton stuffing, poly stuffing, push pins, yarn. Photo: Carter Seddon [A wooden box sits open atop a stool. Fabric, string, and fluffy white material spill out. ]
    Caption Brad Kronz, While the Neglected Thought Dies, the Neglected Object Continues to Grow, 2025. Wooden stool, felt, cardboard, acrylic, paper, fabric, cotton stuffing, poly stuffing, push pins, yarn. Photo: Carter Seddon
    Image description A wooden box sits open atop a stool. Fabric, string, and fluffy white material spill out.
    Year
    Related pages Brad Kronz
  • A color image of the outside of a brick building. Three large windows running along the wall are each illuminated with neon lights. On the left side is a door to a gallery space, through which can be seen some large, colorful paintings hanging inside.
    A color image of the outside of a brick building. Three large windows running along the wall are each illuminated with neon lights. On the left side is a door to a gallery space, through which can be seen some large, colorful paintings hanging inside.
    Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of the outside of a brick building. Three large windows running along the wall are each illuminated with neon lights. On the left side is a door to a gallery space, through which can be seen some large, colorful paintings hanging inside.]
    Caption Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of the outside of a brick building. Three large windows running along the wall are each illuminated with neon lights. On the left side is a door to a gallery space, through which can be seen some large, colorful paintings hanging inside.
    Year
    Related pages Jonathan Lyndon Chase
  • A black and white image of two couches set in front of a TV monitor on a pedestal and two speakers installed on either side of it. The TV screen is on, but no clear image is visible on it. A door to exit is visible in the background.
    A black and white image of two couches set in front of a TV monitor on a pedestal and two speakers installed on either side of it. The TV screen is on, but no clear image is visible on it. A door to exit is visible in the background.
    Too Black, Too Strong! Installation View, Artists Space, 1988. [A black and white image of two couches set in front of a TV monitor on a pedestal and two speakers installed on either side of it. The TV screen is on, but no clear image is visible on it. A door to exit is visible in the background.]
    Caption Too Black, Too Strong! Installation View, Artists Space, 1988.
    Image description A black and white image of two couches set in front of a TV monitor on a pedestal and two speakers installed on either side of it. The TV screen is on, but no clear image is visible on it. A door to exit is visible in the background.
    Year 1988
    Related pages Too Black, Too Strong!
  • An image of a hand holding a yellow golf ball projected onto the wall of a dimly-lit gallery space. Several square holes have been removed from several spots on the gallery wall, through which a space on the other side of the wall is visible.
    An image of a hand holding a yellow golf ball projected onto the wall of a dimly-lit gallery space. Several square holes have been removed from several spots on the gallery wall, through which a space on the other side of the wall is visible.
    Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt. [An image of a hand holding a yellow golf ball projected onto the wall of a dimly-lit gallery space. Several square holes have been removed from several spots on the gallery wall, through which a space on the other side of the wall is visible.]
    Caption Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt.
    Image description An image of a hand holding a yellow golf ball projected onto the wall of a dimly-lit gallery space. Several square holes have been removed from several spots on the gallery wall, through which a space on the other side of the wall is visible.
    Year 1997
    Related pages Lines of Loss
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  • A dirty, gray tile floor with small wisps of hair scattered across it.
    A dirty, gray tile floor with small wisps of hair scattered across it.
    [A dirty, gray tile floor with small wisps of hair scattered across it.]
    Caption
    Image description A dirty, gray tile floor with small wisps of hair scattered across it.
    Year 2003
    Related pages Multitude
  • Pink cursive text at an ascending angle which reads
    Pink cursive text at an ascending angle which reads
    [Pink cursive text at an ascending angle which reads "Undoolay," with horizontal green text underneath that reads "Lucas Duwenhogger."]
    Caption
    Image description Pink cursive text at an ascending angle which reads "Undoolay," with horizontal green text underneath that reads "Lucas Duwenhogger."
    Year 2016
    Related pages Lukas Duwenhögger: Undoolay
  • Black-and-white print featuring multiple photographs of a naked body, spotlighted against a black background and collaged together. Flashes of white light across the print obscure parts of the image, bringing the body in and out of focus.
    Black-and-white print featuring multiple photographs of a naked body, spotlighted against a black background and collaged together. Flashes of white light across the print obscure parts of the image, bringing the body in and out of focus.
    Shala Miller, Modern-Day Sisyphus I, 2023. Courtesy the artist [Black-and-white print featuring multiple photographs of a naked body, spotlighted against a black background and collaged together. Flashes of white light across the print obscure parts of the image, bringing the body in and out of focus.]
    Caption Shala Miller, Modern-Day Sisyphus I, 2023. Courtesy the artist
    Image description Black-and-white print featuring multiple photographs of a naked body, spotlighted against a black background and collaged together. Flashes of white light across the print obscure parts of the image, bringing the body in and out of focus.
    Year
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • A black and white image of a person sitting on a pedestal, performing in front of a crowd.
    A black and white image of a person sitting on a pedestal, performing in front of a crowd.
    Laurie Anderson; PersonA. Performance documentation, April 25, 1974, Artists Space. [A black and white image of a person sitting on a pedestal, performing in front of a crowd.]
    Caption Laurie Anderson; PersonA. Performance documentation, April 25, 1974, Artists Space.
    Image description A black and white image of a person sitting on a pedestal, performing in front of a crowd.
    Year 1974
    Related pages
  • A black and white closeup of a person's face. They have blunt bangs and dark, dramatic eye makeup and lipstick.
    A black and white closeup of a person's face. They have blunt bangs and dark, dramatic eye makeup and lipstick.
    DJ Princess Julia. [A black and white closeup of a person's face. They have blunt bangs and dark, dramatic eye makeup and lipstick.]
    Caption DJ Princess Julia.
    Image description A black and white closeup of a person's face. They have blunt bangs and dark, dramatic eye makeup and lipstick.
    Year 2012
    Related pages Club Nights NEIN POP
  • In this photograph, eleven people pose for a picture in front of drawings and paintings that hang on the wall. Most stand while three kneel.
    In this photograph, eleven people pose for a picture in front of drawings and paintings that hang on the wall. Most stand while three kneel.
    Blue Sky Gallery exhibition P.S. 140, 2019 [In this photograph, eleven people pose for a picture in front of drawings and paintings that hang on the wall. Most stand while three kneel.]
    Caption Blue Sky Gallery exhibition P.S. 140, 2019
    Image description In this photograph, eleven people pose for a picture in front of drawings and paintings that hang on the wall. Most stand while three kneel.
    Year 2019
    Related pages Portfolio Development
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  • A sculpture with a large pointy top appears on a black pedestal appear in a white-walled gallery space.
    A sculpture with a large pointy top appears on a black pedestal appear in a white-walled gallery space.
    Irene Fortuyn and Robert O'Brien. Atlantis, 1984. [A sculpture with a large pointy top appears on a black pedestal appear in a white-walled gallery space.]
    Caption Irene Fortuyn and Robert O'Brien. Atlantis, 1984.
    Image description A sculpture with a large pointy top appears on a black pedestal appear in a white-walled gallery space.
    Year
    Related pages International Projects: Holland
  • A person bathed in pink light bends over a table with equipment controlling projection visuals.
    A person bathed in pink light bends over a table with equipment controlling projection visuals.
    Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman. [A person bathed in pink light bends over a table with equipment controlling projection visuals. ]
    Caption Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A person bathed in pink light bends over a table with equipment controlling projection visuals.
    Year
    Related pages Abasement #80
  • An installation view shows a darkened space flooded in red light. Between two ornate columns, a projector is mounted close to the ground on a short stand. An iridescent blue glows around a shadow cast by a scientific experiment on the left wall behind, while the ceiling is covered in warm crescent silhouettes. On the back black wall, lines of projected text overlap in varying directions.
    An installation view shows a darkened space flooded in red light. Between two ornate columns, a projector is mounted close to the ground on a short stand. An iridescent blue glows around a shadow cast by a scientific experiment on the left wall behind, while the ceiling is covered in warm crescent silhouettes. On the back black wall, lines of projected text overlap in varying directions.
    Constantina Zavitsanos: fwiw. Installation view, Artists Space, 2024. Photo: Carter Seddon. [An installation view shows a darkened space flooded in red light. Between two ornate columns, a projector is mounted close to the ground on a short stand. An iridescent blue glows around a shadow cast by a scientific experiment on the left wall behind, while the ceiling is covered in warm crescent silhouettes. On the back black wall, lines of projected text overlap in varying directions.]
    Caption Constantina Zavitsanos: fwiw. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description An installation view shows a darkened space flooded in red light. Between two ornate columns, a projector is mounted close to the ground on a short stand. An iridescent blue glows around a shadow cast by a scientific experiment on the left wall behind, while the ceiling is covered in warm crescent silhouettes. On the back black wall, lines of projected text overlap in varying directions.
    Year
    Related pages fwiw
  • A monitor facing a seating arrangement constructed of stacked pillows. Two pairs of monitors are suspended on poles in the background. An image of Hito Steyerl is seen in both pairs; next to an image of a pile of cigarettes and an image of shipping containers.
    A monitor facing a seating arrangement constructed of stacked pillows. Two pairs of monitors are suspended on poles in the background. An image of Hito Steyerl is seen in both pairs; next to an image of a pile of cigarettes and an image of shipping containers.
    Hito Steyerl. Installation view, Artists Space, 2015. [A monitor facing a seating arrangement constructed of stacked pillows. Two pairs of monitors are suspended on poles in the background. An image of Hito Steyerl is seen in both pairs; next to an image of a pile of cigarettes and an image of shipping containers.]
    Caption Hito Steyerl. Installation view, Artists Space, 2015.
    Image description A monitor facing a seating arrangement constructed of stacked pillows. Two pairs of monitors are suspended on poles in the background. An image of Hito Steyerl is seen in both pairs; next to an image of a pile of cigarettes and an image of shipping containers.
    Year 2015
    Related pages Hito Steyerl
  • A portrait of Jonas Mekas in Rembrandt lighting looking directly into the camera, wearing his signature fedora and standing against a black background.
    A portrait of Jonas Mekas in Rembrandt lighting looking directly into the camera, wearing his signature fedora and standing against a black background.
    Union Gaucha Productions in collaboration with Fabio Kacero. Still from Totloop, 2003. 16mm film (silent, color), 4 min 49 sec. Courtesy of Union Gaucha Productions. [A portrait of Jonas Mekas in Rembrandt lighting looking directly into the camera, wearing his signature fedora and standing against a black background.]
    Caption Union Gaucha Productions in collaboration with Fabio Kacero. Still from Totloop, 2003. 16mm film (silent, color), 4 min 49 sec. Courtesy of Union Gaucha Productions.
    Image description A portrait of Jonas Mekas in Rembrandt lighting looking directly into the camera, wearing his signature fedora and standing against a black background.
    Year 2003
    Related pages Union Gaucha Productions
  • A black and white image of a sculpture resembling a rectangular prism displayed in the exhibition space.
    A black and white image of a sculpture resembling a rectangular prism displayed in the exhibition space.
    Installation view from International Projects: Belgium, featuring Didier Vermeiren, Artists Space, 1984 [A black and white image of a sculpture resembling a rectangular prism displayed in the exhibition space.]
    Caption Installation view from International Projects: Belgium, featuring Didier Vermeiren, Artists Space, 1984
    Image description A black and white image of a sculpture resembling a rectangular prism displayed in the exhibition space.
    Year
    Related pages International Projects: Belgium
  • Image of a dimly lit basement, a figure holding a video camera with a rig on their shoulder takes footage of the back wall, which has blue and purple light projected onto it.
    Image of a dimly lit basement, a figure holding a video camera with a rig on their shoulder takes footage of the back wall, which has blue and purple light projected onto it.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Image of a dimly lit basement, a figure holding a video camera with a rig on their shoulder takes footage of the back wall, which has blue and purple light projected onto it.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a dimly lit basement, a figure holding a video camera with a rig on their shoulder takes footage of the back wall, which has blue and purple light projected onto it.
    Year 2022
    Related pages SCRAAATCH 11-18
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  • Photograph of a well lit gallery, with various multimedia works placed around the space, projected against the walls, and hanging on the walls.
    Photograph of a well lit gallery, with various multimedia works placed around the space, projected against the walls, and hanging on the walls.
    Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo. [Photograph of a well lit gallery, with various multimedia works placed around the space, projected against the walls, and hanging on the walls.]
    Caption Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo.
    Image description Photograph of a well lit gallery, with various multimedia works placed around the space, projected against the walls, and hanging on the walls.
    Year 2023
    Related pages Whitney Independent Study: Clocking Out: Time Beyond Management
  • Nuestro Reflejo, Threads of History exhibition, Morris Jumel Mansion, March, 2025
    Caption Nuestro Reflejo, Threads of History exhibition, Morris Jumel Mansion, March, 2025
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    Related pages Exhibitions and Events
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  • A color image of the corner of a gallery space. The walls are painted with blue accents, and there is a checkerboard floor. Large, vibrant paintings of Black Queer figures hang on the walls. Blue neon lights run along the frame of the window in the corner.
    A color image of the corner of a gallery space. The walls are painted with blue accents, and there is a checkerboard floor. Large, vibrant paintings of Black Queer figures hang on the walls. Blue neon lights run along the frame of the window in the corner.
    Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of the corner of a gallery space. The walls are painted with blue accents, and there is a checkerboard floor. Large, vibrant paintings of Black Queer figures hang on the walls. Blue neon lights run along the frame of the window in the corner.]
    Caption Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of the corner of a gallery space. The walls are painted with blue accents, and there is a checkerboard floor. Large, vibrant paintings of Black Queer figures hang on the walls. Blue neon lights run along the frame of the window in the corner.
    Year
    Related pages Jonathan Lyndon Chase
  • Various colorful posters hang in a disassembled row on a black wall. In front of the wall sits a large display case exhibiting newspaper clippings, flyers, and drawings.
    Various colorful posters hang in a disassembled row on a black wall. In front of the wall sits a large display case exhibiting newspaper clippings, flyers, and drawings.
    Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon. [Various colorful posters hang in a disassembled row on a black wall. In front of the wall sits a large display case exhibiting newspaper clippings, flyers, and drawings.]
    Caption Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon.
    Image description Various colorful posters hang in a disassembled row on a black wall. In front of the wall sits a large display case exhibiting newspaper clippings, flyers, and drawings.
    Year
    Related pages Ralston Farina: Time // Time
  • Four pornographic illustrations framed on a wall.
    Four pornographic illustrations framed on a wall.
    Tom of Finland: The Pleasure of Play. Installation view, Artists Space, 2015. [Four pornographic illustrations framed on a wall.]
    Caption Tom of Finland: The Pleasure of Play. Installation view, Artists Space, 2015.
    Image description Four pornographic illustrations framed on a wall.
    Year 2015
    Related pages Tom of Finland: The Pleasure of Play
  • Three large prints rest on the floor against a windowed wall. Two on the left are black and white, of an interior room. On the right is a colorful illustration of two women.
    Three large prints rest on the floor against a windowed wall. Two on the left are black and white, of an interior room. On the right is a colorful illustration of two women.
    Living with Pop. A Reproduction of Capitalist Realism. Installation view, Artists Space, 2014. [Three large prints rest on the floor against a windowed wall. Two on the left are black and white, of an interior room. On the right is a colorful illustration of two women.]
    Caption Living with Pop. A Reproduction of Capitalist Realism. Installation view, Artists Space, 2014.
    Image description Three large prints rest on the floor against a windowed wall. Two on the left are black and white, of an interior room. On the right is a colorful illustration of two women.
    Year 2014
    Related pages Living with Pop. A Reproduction of Capitalist Realism
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