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Artists Draw. Installation view, Artists Space, 1979. [A drawing depicting the entrance to a cave from the outside as well as the inside of a subterranean cave filled with stalagmites.] -
Fifth Season Act, Apotheosically. Performance documentation, May 31, 2012, Artists Space. [A figure in a white suit—the artist Jutta Koether—stands with her back to the viewer in front of a sculpture composed of a large glass pane with a painted canvas installed in the panel's center. Her left hand gestures in the air and grasps a metal wand with a butterfly ornament as well as papers with handwritten text.] -
Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery space. Various musical instruments and audio devices are placed around the middle of the room, photographs and vitrines hang on the walls, and various television monitors and projected images are placed along the sides of the room.] -
Alza Tu Voz, back porch, exhibition at Dykeman Farmhouse Museum, 2017 [A photo of the exterior of a building, with several colorful portrait paintings lying on the wooden porch. One has text stating "no te dejes oprimir." A large poster hangs on the door to the building, with the title "Alza tu Voz"] -
Jerry Beck, American Mummy, 1985. [Sculpted cross with strings strapped around it, holding unidentified items together inside of it. Held on a white background with dimensions written in pencil on the right side.] -
Adjua Gargi Nzinga Greaves, For Aricka, Ayana, Ayodele, Bernice, Chantelle, Charmaine, Cynthia Ch., Cynthia Co., Daphne, Davina, Dawn, Dina, Emily, Erica, Evadne, Frances, Gail, Gwen, Hara, Heather, Imanei, Imani, Janet, Jenny, Kadija, Kahdeidra, kale, Kelly, Kenya (R), LesLes, Lois, Lynnette, Madeleine, Mahogany, Marsha, Maiya, Najela, Nontsi, Ola, Pilar, Queen, RaFia, Ro-Ro, Sandra, Sasha, Serenity, Shana, Simone L, Simone W, Tabitha, Taiyi, Trinity, Uchenna, Vivian, Wangechi, X, Yvette, Zuri, detail, 2021. Living plants: Hannibal (Epipremnum aureum) with rose quartz, Gertrude Deuxieme (Tillandsia xerographica), Leonie (Philodendron totem), Eversley Deuxieme (Tillandsia xerographica), Melford (Epipremnum aureum) with amethyst; dessicated floral matter (eucalyptus, grass, willow, palm), knight on horseback figurine, brass candlesticks, polystyrene, porcelain and 18 karat gold plates, crystals (various), bamboo earrings, jade, cremains, leather, cork, glass, dragon figurine, sandalwood incense and ceramic holder, palo santo (Bursera graveolens), and window, overall dimensions variable. Courtesy Artists SPace, New York. Photo: Filip Wolak [A candlestick holder, a small glass box and a plate with rocks and leaves sit on a windowsill.] -
[White text on a grey ombré background. The text reads: “March 1 / Marina Abramović / William Parker.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
Heji Shin, Camp Habibi II, 2013, C-print, 20 x 16 inches, Signed edition of 100, 5APs, Courtesy of the artist. [Detail view of a camel's head against a palm tree and blue sky.] -
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Log Cabin. Installation view, Artists Space, 2005. [Multiple small, rectangular collages hung in two rows on a gallery wall. The collages are displayed in black frames and feature images of people as well as text fragments. Most are black and white or contain minimal color.] -
Flyer for Segue Reading Series featuring Ron Silliman and Tonya Foster. Saturday, January 9, 2021, Artists Space. [An image of multiple abstract line drawings. The drawings on the left are depicted in black and the drawings on the right are depicted in a range of colors. Black text over the top half of the image reads "Ron Silliman/ Tonya Foster." Black and white text layed out vertically between drawings reads "Segue" and black text on the lower half of the image reads, "9 January / 5 pm".] -
Richard Hollis. Installation view, Artists Space, 2013. [In the foreground, one side of a book stand displaying various posters and documents. Two more in the background include more items. Two people congregate in a coversation around a bookstand in the background.] -
Sherry Markovitz, Danny Boy, 1985. [A crafted deer head with horns appears on the wall with various drawn patterns on it.] -
Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [The image of a figure standing next to a camera and tripod is reflected in a mirror hung on a wall.] -
Marvin Torffield. Sesondo, 1974. Three coat plaster on wire lathe with nova ply and Masonite. Installation view, Artists Space, 1974. Credit: Marvin Torffield. [A color installation photograph of a figure in front of a curved white wall in a gallery space.] -
Gillian Wearing, All I Ever Wanted Was Love, 1992/93, 23.5 x 16.5 inches [Photograph of a youthful figure with short brown hair wearing blue jeans and a dark shirt with a green jacket tossed over their left shoulder. A black bandana covers their mouth, obscuring the lower half of their face. They hold a sign in front of their chest with both hands. The phrase, "ALL I EVER WANTED WAS LOVE" is scrawled across the sign in handwritten text. A hand-drawn image of a sun and palm tree decorate the right side of the poster. The figure stares directly at the viewer and poses against a dark wall. Small white text placed at the image's lower left corner reads, "2020Solidarity - Gillian Wearing."] -
Four Scottish Artists. Installation view, Artists Space, 1979. [3 large canvases hang on a white wall. In the lower right-hand corner of the canvas to the left is a small image of a dog. On the left side of the center canvas is small a human figure. On the upper right-hand corner of the canvas to the right is a small image of a woman's ankle and foot.] -
Louisa Chase. Installation view, Louisa Chase, Ted Stamm, Meryl Vladimer, Artists Space, 1975. [A black and white installation photograph of a sculpture. The piece features various triangular ramps, wooden square blocks, and curved wooden pieces with wheels, all placed on a wooden floor.] -
Tracy Benissan, Untitled, 2014 [A drawing of several glasses of varying shapes holding colorful liquids suspended on a flat background] -
Bookstore at 55 Walker Street. [A photo of the bookstore at 55 Walker Street - the front half is a bookstore, while the back half is an empty exhibition/performance space. Both have white walls and a light wood floor. They are divided by a temporary wall with a large doorway, which leaves a large gap between the top of the temporary wall and the ceiling. The back half is empty, with windows letting in light on the furthest wall. The front half has bookshelves adorning the walls, with a lower shelf to keep some books on display. A red pipe runs floor-to-ceiling between two columns of shelves.] -
Installation view, Wyn Geleynse film installation, Artists Space, May 24, 1986 - June 28, 1986. [On the left one can see a bright image of a man standing profile view and on the right appears a photograph of a naked woman shielding her face. Blackness surrounds these two images.] -
Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background. A white light shines down on them from the left.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit stands, their hands on their waist, and looks to the left. A figure behind them films them. Blue video footage is projected onto the back wall.] -
Adjua Gargi Nzinga Greaves: The x in florxal is silent when spoken. Installation view, Artists Space, 2021. Photo: Filip Wolak. Courtesy Artists Space, New York. [A photograph of a gallery space with works on paper hung on the far wall and plants, works on paper, and a collage mounted on the right wall, which is painted pink.] -
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Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [Fish-eye view featuring various clusters of framed works on paper hanging on three white gallery walls.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure smiles and stands behind a music stand and microphone.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure in a completely dark room, facing one wall and shining a light from their body against the wall.] -
Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court [A seated figure plays a guitar that lies in his lap.] -
T.J. Wilcox, I Fell in Love With Vanessa Redgrave, 2010, Perfect bound flip book 4-page cover plus 100 pages, 50 in color, with a text by the artist 3 x 6 1/2 x 3/4 inches, Signed and numbered [An image of a woman with frizzy hair, smiling and looking past the viewer. The image is slightly distorted, as if from a VHS tape.] -
Lisi Raskin, still from = (equals), 2004. [An image of a factory with smokestacks on concrete, just behind a body of water surrounded by long grasses.] -
Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of a gallery space. To the left of the image, on the foreground, a white wall with a window and a drawing of a parked car. The driver is speaking with a figure that leans on the car. Through the window, a painting of three figures is visible. In the background, four works hang on a black wall. In the center of the room, a black couch and a table in the shape of a body.] -
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ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of two black leather stools in front of an LED sign crawl of a text.] -
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Charlotte Posenenske. Configured by Ei Arakawa. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A geometric, silver metal sculpture sits on a wooden gallery floor. The sculpture is modular, hollow, and consists of cube-like and triangular metal components arranged in a long form that snakes across the ground. A large sheet of brown paper rests on the floor before the sculpture, crumpling against the sculpture's lower edge.] -
[Flyer featuring a white background with black text that provides the event details. In the center of the flyer is a photograph of two figures. The left figure is seated, and playing an oud. On the right, a woman stands with her hand raised to her chin.] -
Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery space. On the left wall series of photographs hang, and vitrines containing musical scores. Various musical instruments and audio devices are placed around the middle of the room, and various television monitors are placed along the sides of the room..] -
Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [A figure performs on the stage. He is sitting on a chair playing a guitar. To the right, there is another chair with an amp on the seat. Nature images are projected onto the stage, and back wall.] -
Urban Pornography. Installation view, Artists Space, 2001. [Three framed photographs installed in the corner of a gallery space with white walls and wooden flooring. Two darker, square photographs with large white frames are installed on the corner's left wall, while a lighter photograph of a gate-like structure is installed in a slim black frame on the corner's right wall.] -
Harvey Weiss statement, 1993. [Black text on a white background reads, "WAILING WALL / This work is an act of retribution, / an assault on indifference and denial, / a proclamation of loss, / for the dead and the living, / a wailing wall."] -
[A blue, black, and grey image of a cluster of wires, an equestrian sculpture, and an orb, surrounded by amorphous forms. At the bottom of the graphic, the word "CAPITAL" is written in dripping, painted letters while bubbles and silhouettes rise to the top of the image.] -
Everything is common. Installation view, Artists Space, 2022. Photo: Steven Cottingham. [A color photograph of a gallery space with several columns. In between two columns, a large fabric work is stretched with an image of cows lying on the ground. To the right, in between two other columns, a painting on fabric that depicts two people on a green background is hanging. Further in the background, a painting is visible hanging on the wall. In the foreground, one board from a cornhole set is resting on the floor.] -
Flyer for If improvisation could serve as a manual, if gesture could serve as a guide. May 26, 2022, Artists Space. [Digitally manipulated image of a cypress knee on a pink background. In the top left corner, "artists space / vleeshal center for contemporary art" is written in black text. In the centre “If improvisation could serve as a manual, if gesture could serve as a guide” is written in black text. In the bottom right corner “Thursday May 26 / 7:30pm 11 Cortlandt Alley” is written in black text.] -
We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [A painting hanging next to a bag behind a cross with light shining on it. A lighted ball is seen in one corner and lighted bottles in a box are seen in another corner.] -
Yasunao Tone, Carles Hac Mor, and Barbara Held performing Música desterritorialitzada at Metronom, Barcelona, Spain, 1997. [Black-and-white photograph of three figures performing together. On the left, a figure in a striped shirt and glasses sits down in front of a table full of audio equipment, wearing headphones. In the middle, a figure in a graphic shirt stands and reads off a piece of paper. The rightmost figure wears a glitter and mesh top and plays the flute standing.] -
Anne Bray. Film still from Man on First and Third, 1987. Slide and Sound Installation. [A black and white image of a hand holding a newspaper with a view of the street and surroudning buildings in the background.] -
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Young Fluxus. Installation view, Artists Space, 1982. [A number of objects and writings appear on the gallery wall and a desk with a light appears in front of it with windows visible in the background.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Three figures perform in a basement. On the left a figure in a blue morph suit wears a pair of wings made of fresnel lenses. On the right another figure in a blue morph suit stands behind a rolling table made of wood and fresnel lenses. Another figure to the far right takes video footage.] -
Corrugated Slogans and An Anthology of Invalid Format. [A white book lying on a larger blue book.] -
Liberalism at Large: The World According to the Economist, by Alexander Zevin, published by Verso Books, 2019. [A digital image of a red book title, overlaid several times on top of itself. A world map centered on the Atlantic ocean is visible in orange beneath the title.] -
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Jim Pavlicovic. Installation view featuring Jim Pavlicovic, from Gerry Morehead, Jim Pavlicovic, Artists Space, 1976. [A black and white photograph of a figure standing in a gallery space, looking towards the camera. On the wall behind them, several canvases with no discernable markings hang.] -
Developing cyanotypes, 2022 -
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P.S. 140 students painting sound, 2019 [An image of several students paitning with watercolors, each on their own desk] -
Yuki Kimura, The Circle, 2019, 21 stainless steel round trays. Photo: Daniel Pérez [21 silver, round, stainless steel trays sit nested on a wood floor.] -
Students visiting Sleepwalk at Parasol Projects, LES, 2022 -
Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A section of wooden flooring is displayed on the ground near four windows on adjacent walls of an exhibition space. A small bed, a candle on a night table, a metal stove, and a several chests stacked on top of one another are arranged on the wooden boards.] -
Portrait of Jackie Wang. [A figure, centered within the frame, leans against a beige tiled wall and stares directly into the camera.] -
[Blue descending text reads, "Ri, ch, ard." Red descending text reads, "Ho, llis."] -
Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A square, gray canvas with a large white circle centered towards its bottom edge hangs on a light, mauve-colored wall. At the bottom center of the circle, the canvas stretches outward in a verticle line.] -
The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [The floor of a gallery space divided into two sections, with wooden flooring on the left and carpeted flooring on the right. On the left, a fold-out table displays colorful documents. On the right, four minature copper squares sit on the ground next to two cream-colored foldable chairs. Multiple wires extend across the floor and under the carpet.] -
Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Two white walls are suspended on six vertical poles and are arranged so that they form a right corner. A large grid-like composition composed of many small squares is mounted on the left wall. On the right wall there are many photographs and printed video stills either mounted in grid patterns or one above the other.] -
Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A black and white image of a man working intently on a machine is projected on a standing screen in an open room.] -
SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement window that has been tinted with blue paint, streaming in blue light.] -
Caroline Key. Still from Speech Memory, 2007. 16mm film on video, color, sound; 23 minutes. Courtesy the artist. [A man wearing a grey polo shirt sitting in front of a sky blue wall signs in Japanese sign language.] -
SCRAAATCH, Untitled July 4th Performance, 2022. Photo: Mo Costello. [A microphone and lights are set up in a field, with trees along the horizon line.] -
Traditions: Five Painters. Installation View, Artists Space, 1978. [3 large paintings hang on the wall to the right. The foremost is rectangular, then further away is a rhombus shaped painting and lastly a circular piece.] -
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Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of the outside of a brick building. Three large windows running along the wall are each illuminated with neon lights. On the left side is a door to a gallery space, through which can be seen some large, colorful paintings hanging inside.] -
Young Fluxus. Installation view, Artists Space, 1982. [View through a doorway with photographs and a black text on a poster on the foreground wall and a clock along with a propeller of fan upholstered to the wall on the back wall through the doorway.] -
Performace by Matt Mullican From Susan Eder. Susan Eder, Matt Mullican. Performace by Matt Mullican, Artists Space, 1976. [A black and white image of a performance by two individuals tugging on opposite ends of fabric.] -
Social Surfaces. Installation view, 55 Walker Street, 2017. Photo: Ron Amstutz. [A wooden bench with a white, dome-like structure attached to its corner. Two framed drawings hang on the wall in the background.] -
Carlos Motta. We Who Feel Differently, 2012. New Museum, New York. Courtesy Mor Charpentier Galerie, Paris [Installation photograph. The floor is covered with multicolored carpet strips, some of which are raised above the floor to create seating or shelving for CRT television monitors. On the wall, several black-and-white artworks are hung, depicting human figures, and text is printed on the wall "WE WHO FEEL DIFFERENTLY." Several visitors stand and sit around the room.] -
Urban Pornography. Installation view, Artists Space, 2001. [A dimly lit, color photograph of a desert installed on a white gallery wall. The desert ground is a bright orange color and includes many large rock features. The sky above is slightly blue and filled with clouds.] -
We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [A number of sculptures on pedestals can be seen in the foreground with paintings and sculptures behind them in a gallery setting.] -
Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz. [Ten black and white photographs arranged in a rectangle on a white wall. The images show various scenes of assorted trash on streets.] -
Aisha Rodriguez, Click, 2013. [A person with pink nail polish hold up a Canon AE-1 film camera.] -
New Red Order with Maiingan “iNDiO1763” Wiikwedong, Gaile Pranckunaite, and Inpatient Press. Conscientious Conscripture, 2018 - Ongoing Polyester knit feather flag, polyester knit fabric step-and-repeat, table, tablecloth, chair, vinyl retractable banner, dibond print on easel, three televisions, red phone, newspaper box, and childrens activity book. Image courtesy Artists Space, New York Photo: Filip Wolak [A table with red cover that reads "NEW RED ORDER" sits in between three tv monitors. On either side of the tv monitors sits a banner and a newspaper dispenser.] -
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Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure reads into a microphone, glancing at their phone.] -
Not yet titled, 2019
Clay, glaze, mixed media
7 x 12 x 17 inches (variable)
$5,000
[An abstract, multicolored squareish sculpture standing on a white base. A potato sits on top of the sculpture with a wire plugged into the top. A 9v battery is affixed to the side of the sculpture, connected to two comptuer chips affixed to the front.] -
Charles Harbutt. Calle 59, Merida, Yucatan, 1982. [A city street is visible with a items and people driving by and a motorcyclist. On the sidewalk are people walking toward the camera, but looking in different directions. On the building behind the road is writing that reads, "Estufas Peninsulares, S.A.".] -
Flyer for Segue Reading Series featuring hannah baer and Cyrus Dunham. March 12, 2022, Artists Space. [Black text overlays a light blue background. The top left corner reads: hannah baer / Cyrus Dunham. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, March 12, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5."] -
Flipside. Installation view, Artists Space, 2004. [A red leather armchair with a coffee table on a gray rug in the corner of a room. On the coffee table, there are several books, a lamp, and an old radio. On the opposite wall, there are three photographs each showing the view out of three different windows.] -
Basie Allen, Palm-Lined with Potience. Book cover. 2022. [A black and white image of sun shining through various stems and foliage.] -
Four Scottish Artists. Opening Reception, Artists Space, 1979. [A photograph of the exhibition opening reception. A group of visitors look around at the art. Two dogs walk through the crowd.] -
James Coleman. Still from Seeing for Oneself, 1987-88. Slideshow (black and white), 40 min. [A black and white film still of a person with a white beard wearing an apron seated in front of a workbench covered in glass bottles and scientific instruments. He holds an hourglass and the wall behind him is lined with dials.] -
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Flyer for Segue Reading Series featuring Holly Melgard and Trey. Saturday, January 22, 2021, Artists Space. [Black text overlays a mauve background. The top left corner reads: "Holly Melgard and Trey (also known as Vernon Keeve III)" The center right reads: "Segue Reading Series & ARTISTS SPACE." The bottom left reads: "Saturday January 22, 5pm, Zoom ID: 893 9594 7519, Suggested donation $5". The image of a 5 dollar bill is placed within the text.] -
Duncan Campbell Big Fires Start Small, 2010, 3 color screenprint on poster, 25 1/2 x 16 1/2 inches (64,8 x 41,9 cm), Edition of 100, Signed and numbered. [The phrase "big fires start small" is written diagonally against a black background. "Big fires" appears in large bubble text surrounded by flames and "start small" appreas below in white blocky type.] -
Western Agenda. Installation view, Artists Space, 1991. [A black and white image of multiple sculptures along a wall.] -
Tisziji Muñoz [A black and white image of a figure in profile with long, wispy hair and a mustache holding a guitar.] -
Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan. [Black & white photograph of one side and the entrance into a gallery room. The walls are painted black, and at the corner of the entrance stands a performer singing into a microphone stand. Around him and along the wall audience members sit on the floor or stand.] -
Andy Robert, Inner Harbor, 2023. Photo: Filip Wolak. [Color image of a framed work of black graphite on paper. Black lines run throughout the composition, with a layer of white bumps creating a textured surface over the top, small patches of blue accent the piece.] -
Johanna Went, Shark Head, 1983, sweater, fabric, felt, toy poodle, Tide Detergent box cut out, panty hose mask with plastic toys and shark, dimensions variable. Photo: Filip Wolak [A life-sized costume in front of a large glass window.] -
Lee Mullican, Four Musicians, 1984. [An abstract painting littered with dots, black shapes and line forms.] -
Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court [A figure stands in the center, speaking into a microphone. To their right, two figures wear tall, pointy hats. To their left, a figure waves a flag while running.] -
Neraldo de la Paz. Melania's Thigh, 1982. [A small constructed dancing figurine appears on a pedestal with light shining on it from the right creating a shadow on its left.] -
Louise Lawler, Why Pictures Now (traced); Red, Yellow, Blue, Green, Sometimes Silver or Gold, 1981/2013, Archival pigment print with hand painted gouache in multiple colors, 3 x 6 in / 7,6 x 15,2 cm (image size), 10 x 8 in / 25,4 x 20 cm (paper size), Signed and Numbered [A line drawing of an ashtray containing a book of matches with "WHY PICTURES NOW" written on the front.] -
Lee Gordon, Father Reading to Son, 1987. Oil on white lead on canvas, 32 x 40 inches. [An adult sits in a chair and reads a book to a child seated on their lap and holding a doll. The adult wears wears a white, pointed, Klu Klux Klan-style hood.] -
Episode: Compari Project Space 2007 Installation view from Episode, Artists Space, 2007. Photo: Bill Orcutt. [A dimly lit room with a leather black couch facing a projection screen.] -
Meryl Vladimer. Installation view, Louisa Chase, Ted Stamm, Meryl Vladimer, Artists Space, 1975. [A black and white photograph of a sculpture comprised of nine dark orbs on a dark circular backgroun.] -
Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery space. Various musical instruments and audio devices are placed around the middle of the room, photographs and vitrines hang on the walls, and various television monitors are placed along the sides of the room.] -
Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater. Installation view, Artists Space, 2019. Photo: Daniel Pérez. [Twelve long wooden poles are mounted on a white gallery wall in a circular formation, projecting out from the wall and intersecting a line of black columns, forming a teepee shape. A large piece of brown linen stained with various black, white, and rust-colors hangs from the poles. Part of the linen drapes on the ground below the teepee structure. Several sculptures are visible behind the structure, containing disembodied humanoid heads arranged among platforms and pieces of wood, cardboard, and other materials.] -
On Being an Exhibition. Installation view, Artists Space, 2007. Photo: Bill Orcutt. [The interior of a Soho loft space. In the foreground, a plastic bucket hands from a red rope attached to an overhead pulley that is suspended from a wooden plank hanging overhead. '"ARTISTS SPACE" is written on the far wall, and a number of bookcases, a white pedestal with a clear plastic hood, and a front desk populate the room. Behind the front desk are two neon quotation marks.] -
Flyer for Segue Reading Series featuring Thom Donovan & Katie Fowley. Saturday, May 1, 2021, Artists Space. [An image of a large pineapple on a grass field against a galaxy sky. The text overlaid onto the image reads, "the segue reading series / and artists space are / sidereally pleased to invite / you to a reading by / Katie Fowley & Thom Donovan / it's gonna be ananasing / saturday, may 1 / 5pm eastern / $5 suggested / zoom id: 830 2698 4031] -
Living with Pop. A Reproduction of Capitalist Realism. Installation view of the section "Galerie h (1966),” Artists Space, 2014. [A angled view of a grey wall with documents displayed behind glass. The closest image depicts a colorful illustration of shapes, with two, green, square documents to the left of it.] -
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Jutta Koether, xxapollo. Performance documentation, Artists Space, January 5, 2020. Photo © 2020 Paula Court. [A person dressed in all pink extends a pink heart-shaped canvas over her head in front of a rapt audience. There are light spots reflected at even intervals patterning the room.] -
[White text overlays an image of an old wall with child-like drawings. The text reads: “April 29 / FUNTO / Jessica Lynne." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)] -
Pop or Populus: Art Between High and Low, by Bettina Funcke, published by Sternberg Press, 2009. [A white book cover with patterned text reading, "Pop or Populus." In between these words, small black text reads, "Art between High and Low" and "Betinna Funcke".] -
Tom of Finland, Untitled, ca. 1966, collage on paper. Courtesy Tom of Finland Foundation, Permanent Collection. [A collage of four half-naked men dressed in a pilots hat arranged on paper.] -
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[A vintage, black and white photograph of the interior of a shop window, which looks out upon a city street. Two men stand to the left side of the window, casually leaning against a pole and talking. Various metal vases, cutlery, and ornaments are displayed on the shelves within the window.] -
Marc Camille Chaimowicz, Enough Tiranny Recalled (Artists Space), 2009, 6 color screenprint, 24 x 24 in (60 x 60 cm), Edition of 10 + 3AP. [The screenprint shows a collage of photos some in black & white and some in color. Some images show scenes with people and others document different multimedia installations. On top of the collage in large white block letters is written "Enough / Tyranny, / Recalled."] -
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Richard Klauber. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975. [A color installation photograph of a black, grey, and white abstract painting on a white wall.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Image of a dimly lit basement. Along the back wall, on the left, a shadow of a figure in profile is cast onto a blue and purple projected screen.] -
Shaylene Viera, Revolution, photography, 2016 [A photograph of a construction site, with several steel beams and a sign titled "RAISE PLOW" lying on the ground] -
Adjua Gargi Nzinga Greaves, For Aricka, Ayana, Ayodele, Bernice, Chantelle, Charmaine, Cynthia Ch., Cynthia Co., Daphne, Davina, Dawn, Dina, Emily, Erica, Evadne, Frances, Gail, Gwen, Hara, Heather, Imanei, Imani, Janet, Jenny, Kadija, Kahdeidra, kale, Kelly, Kenya (R), LesLes, Lois, Lynnette, Madeleine, Mahogany, Marsha, Maiya, Najela, Nontsi, Ola, Pilar, Queen, RaFia, Ro-Ro, Sandra, Sasha, Serenity, Shana, Simone L, Simone W, Tabitha, Taiyi, Trinity, Uchenna, Vivian, Wangechi, X, Yvette, Zuri, detail, 2021. Living plants: Hannibal (Epipremnum aureum) with rose quartz, Gertrude Deuxieme (Tillandsia xerographica), Leonie (Philodendron totem), Eversley Deuxieme (Tillandsia xerographica), Melford (Epipremnum aureum) with amethyst; dessicated floral matter (eucalyptus, grass, willow, palm), knight on horseback figurine, brass candlesticks, polystyrene, porcelain and 18 karat gold plates, crystals (various), bamboo earrings, jade, cremains, leather, cork, glass, dragon figurine, sandalwood incense and ceramic holder, palo santo (Bursera graveolens), and window, overall dimensions variable. Courtesy Artists SPace, New York. Photo: Filip Wolak [Potted plants and small figurines line the windowsill. Beneath the window are four framed works on paper.] -
Grade 7 students with collage self-portraits, 2021 -
Facades, Landscapes, Interiors. Installation view, Artists Space, 1982. [Contact sheet of installation views of the exhibition.] -
[Two Artists Space tote bags lay in the autumn grass. One is black with a white line drawing, the other is pink with a black bold graphic.] -
Immanent Madness. Installation View. Artists Space, 1985-86. [A drawing of a multilayered circle. The inner circle reading "Imminent Madness", the second layer reading " academies, forest, huts, villages, cities," and the outer layer reading, "pleasure, luxury, neccesity, utility, comfort."] -
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Audtrey Glassman, Untitled, 1984. Cibachrome, 40 x 60 inches. [A child's face with a blurred white body stands next to a figure driving a car with one hand on the wheel and another outside of the window. The outside of the car is also white in appearance.] -
Seth Price, Embrace of Tradition, 2007/2013, Collage with combination photo relief and inkjet print, 16 3/4 x 13 inches (42.5 x 33 cm), Edition of 10 + 1 AP, Signed & numbered on front. [A white framed image hangs on a wall. The image shows line-drawn diagrams of lightbulbs. Above the diagrams it reads, "Fig. 1" and "Fig. 2." Above that it reads, "(no. model) T.A. Edison / Incandescing electric lamp / No. 341839 Patented May 11, 1886." Below the diagram it says, "Attest [with signatures below] inventor [with signatures below]." collaged on top of the print is a saturated red and blue flower at the bottom right and the word "light" in cursive on the top left.] -
Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [A crowd watches two figures in medical scrubs, facing each other on opposite sides of a table with wheels.] -
[White text on a blue and grey ombré background. The text reads: “Feb 8 / Rae Armantrout / John Kelsey.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
John Brattin, 1997. [A black and white Polaroid of a swirl on a striped background. At the bottom of the image, black handwritten text reads, "John Brattin - Enamel/Foam Giant Lollippop 7'H 3'Diam."] -
Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court [A figure wearing blue clothing uses the body of another person beneath them to hold their weight up.] -
Selections from the Unaffiliated Artists File. Installation view, Artists Space, 1981. [Dark photograph of a plywood sculpture in a gallery space.] -
Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman. [Close up of a solo musician sitting on stage playing a string instrument in their lap with a bow. They are looking to the side and they are covered in red light. The wall behind them is blue-tinted with patterned image projections.] -
Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman. [Color image of the audience. In the foreground, audience members are seated in chairs and in the background, folks stand and watch the performance. Almost all of their eyes are attuned towards the stage, which is out of frame to the right. Many of the audience members wear smiling, joyful faces as they watch the show. The audience sits in the dark of the seating area, small specks of bright white light reflecting from a disco ball scatter on their bodies and the walls behind them. ] -
Ei Arakawa, Mega Please Draw Freely, 2021 (The artist wears Uniqlo Roger Federer). [A person in a red shirt, white cap, and multicolored pants smiles and poses with a tennis racquet, standing atop a large piece of paper with colorful drawings on it. In the background are people sitting on the ground and printed images of trees.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit kneels down next to a wooden table and looks off to the right. Audience members sit along the floor in the background.] -
We the People. Installation view, Artists Space. 1987 [A black and white photo of an exhibition space, four sculptures on pedestals line the room diagonally with a mural painting behind them.] -
Anton Vidokle, still from This Is Cosmos, 2014. [A film still of a woman, captured from the shoulders up, standing in an outdoor field. The white subtitle reads "that death is a mistake."] -
Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Two screens installed on either side of the top portion a white column in a gallery space. The front screen displays a logo consisting of a large letter "b" and small letter "c" conjoined together. The room is otherwise empty.] -
Tom of Finland, Untitled, ca. 1930. Watercolor, pen and ink on paper. Courtesy The Family of Touko Laaksonen, Finland. [A vitrine displaying a nuclear family of paper dolls with their various options of clothing.] -
[Graphic image with five horizontal black bands going across the top, against an off-white background. In large font across the center is text that reads "Housecalls." Along the bottom additional small text reads "Drake Carr presented by Artists Space at the Armory Art Show."] -
Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two red photographs are mounted on a white gallery wall.] -
[A figure in a blue denim shirt wearing headphones sits at a dining room table cluttered with papers, bowls of fruit, and colorful candles. The figure's back faces the viewer. A bright and rocky, arid landscape is visible through the many windows that line the walls of the dining room.] -
Patricia Thornley. Untitled (detail), 1985. Electrical wire, string, fans, photograph, spotlight, wood, wax, dirt, water. Dimensions variable. [A spotlight shines on a photograph hanging on a white wall framed by string and electrical wire hanging around it and falling to the black floor underneath.] -
Split/Vision. Installation View. Artists Space, 1985-86. [Framed square and rectangualar photographs are visible in a white-walled gallery space with white columns centered in the image.] -
Daniel Tilsdale. Still from Contacts, Ponytails, Noses and Bleach, 1988. Graphite on Xerox (presented in slide format). [A close up black and white image of a slide projection with two figures.] -
Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Three planks of glass lean on a white wall. Etched displays read from left to right; "The more you teach the less you learn," a smiley-face,"But I swear dis beat go."] -
![The busts of two figures are drawn in black ink in front of a grey background. Below each figure is a text bubble that read: [below figure on left]](data:image/svg+xml,%3Csvg xmlns='http://www.w3.org/2000/svg' width='1500' height='1057'%3E%3C/svg%3E)
Amy Sillman, Turtlenecks, 2007, Archival ink jet on Somerset Paper, 11 1/4 x 17 1/2 inches (28.6 x 44.5 cm), Edition of 17, 10 AP, 1 BAT, Courtesy the artist and Sikkema Jenkins & Co., Printed by Jean-Yves Noblet Contemporary Prints. [The busts of two figures are drawn in black ink in front of a grey background. Below each figure is a text bubble that read: [below figure on left] "When did you get here?" [below figure on right] "Are you going to Basel?" At the bottom, center of the page is written "Turtlenecks."] -
New Red Order with Emmett de Muzio Hello, World!, detail, 2021 Wood with silicone, iPads, red feather, and polyester knit fabric step-and-repeat. Photo: Filip Wolak [An image of an exhibition space with a sculpted, larger than life head that hangs in the mezzanine.] -
Living with Pop. A Reproduction of Capitalist Realism. Installation view, Artists Space, 2014. [An angled view of a wall portraying four paintings, of various dimensions, at eye level. In the room, a 34mm projector displays a video, to the right, on a gray wall.] -
El Bosque Luminoso Baja El Mar, Threads of History Presentations at M.S. 324, May 23, 2022 -
K8 Hardy , Sharing 2014, 2014 , C-print, 23 ½ x 18 ½ in / 59,7 x 47,1 cm (image size), 24 x 18 4/5 in / 60,1 x 47,8 cm (paper size), Signed and Numbered. [A framed photo of a hand in the lower left corner adjusting a skewed image of K8 Hardy partially undressed in a windowed room, looking over her shoulder with her left arm held aloft.] -
Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [On the lefthand side of the image is a television monitor; on the righthand side, two paintings hang from the wall.] -
Young Fluxus. Installation view, Artists Space, 1982. [Three large wall text pieces appear in a white-walled gallery space.] -
Enough Tiranny Recalled, 1972–2009. Installation view, Artists Space, 2009. Photo: Daniel Pérez. [A disco ball reflects multicolored light spots across a room lit by pink and yellow hues. On the floor sit a second disco ball, a silver glittery hat, a silver chain, and a white convertable toy car.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a gallery space with an installation consisting of a large mirrored pond, made from a wooden base with a reflective lining on top, that is surrounded by tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling, and an orange construction net is placed over the pond.] -
Eric Mitchell, Mass Homocide. Performance documentation, November 19, 1977, Artists Space. [Three figures lie on the floor in a room painted with white walls. A figure dressed in all black watched on in the background. The image is repeated in a dyptich.] -
Matt Mullican, Wall labels, 1976. From Susan Eder, Matt Mullican, Artists Space, 1976. [A black and white photograph of black silhouettes on a white wall, including human figures, a car, a house, and a television set.] -
The Serving Library. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [Several framed posters, photographs, and other ephemera of varying sizes hang on a white gallery wall. At the center of the wall is a doorway-shaped opening, through which more of the gallery space is visible.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, September 16, 2022 - December 3, 2022. Photo: Filip Wolak [A picture of a gallery space with a phonebooth in the foreground. Behind the phonebooth is a reflective wooden base, and some plants. There is a video projected on a wall in the back of the space.] -
Flyer for Segue Reading Series featuring Richard Loranger and Yanyi. Saturday, November 21, 2020, Artists Space. Artist: Keith Higginbotham [Two cropped photographs of figures cut into irregular shapes are laid over a light blue background. White and blue text on the image reads "Richard Loranger / Yanyi / Segue."] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure wearing a conical sheath of reflective one-way mirror film that covers most of their body. They lay on the floor and spread one arm out from under the mirror film. A bright light shines from under the film.] -
Tom of Finland: The Pleasure of Play. Installation view, Artists Space, 2015. [Four pornographic illustrations framed on a wall.] -
Flyer for Segue Reading Series featuring Dazie Grego-Sykes and Douglas A. Martin. Saturday, October 24, 2020, Artists Space. Artist: Keith Higginbotham [Yellow rectangles with cropped black text are arranged haphardly on a white background. Black text over the top and bottom of the image reads "Dazie Grego-Sykes / Douglas A. Martin," and positioned in the center vertically, black text reads "Segue."] -
[A warm-colored living space littered with discarded wrapping paper and boxes. A champagne bottle sits on a side table next to an orange couch.] -
![[Amelia Bande sits on the floor next to a pile of stones and leans on a cement block while holding a white rock in her hand. She sings, “it brings landscapes where I am not.”]](data:image/svg+xml,%3Csvg xmlns='http://www.w3.org/2000/svg' width='1309' height='876'%3E%3C/svg%3E)
Amelia Bande. Stills from El estallido / The Outbreak, 2020. Recording of a live performance held over Zoom on August 7, 2020. Stage design and camera collaboration with Rachel Higgins. Courtesy the artist. [[Amelia Bande sits on the floor next to a pile of stones and leans on a cement block while holding a white rock in her hand. She sings, “it brings landscapes where I am not.”]] -
Film still from Now Voyager, 1942. [A black and white image of a woman looking into the camera. She has a wide-brimmed hat with a sheer veil over her face, and dark makeup.] -
Kevin Drumm. [A man looking at a laptop, with a modular synth and mixer next to the laptop.] -
Constantina Zavitsanos: fwiw. Installation view, Artists Space, 2024. Photo: Carter Seddon. [An installation view shows a darkened space flooded in red light. Between two ornate columns, a projector is mounted close to the ground on a short stand. An iridescent blue glows around a shadow cast by a scientific experiment on the left wall behind, while the ceiling is covered in warm crescent silhouettes. On the back black wall, lines of projected text overlap in varying directions.] -
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The Library of Helen DeWitt Kitchen view Courtesy Helen DeWitt [Three white shelves, that extend the entire length of the frame, are filled with books of various colors and sizes.] -
Jenny Snider. It's a Sin to Tell a Lie, 1985. [An adult figure stands in the foreground while a smaller figure stands in the background in a corner. Above the figures reads: "It's a sin to tell a lie."] -
[Flyer featuring densely collaged images of food in metal trays, renaissance-era images of saints and angels, Cookie Monster and other puppets, electric keyboards and vintage video game consoles, images of people holding vegetables and plates of food, and tree-filled landscapes. Below the collage, white sans-serif text is superimposed over an image of stars in space. The text reads: “artists space & the segue reading series invite you to a virtual reading by / Steven Seinberg / and / Darcie Dennigan / saturday, may 2nd, 5pm nyc time, zoom id: 378 232 567 / it will be robust.] -
Jill Mulleady, A Thought That Doesn't Change Remains a Stupid Lie, 4, 2023. Photo: Filip Wolak. [Color image of an oil painting of a flower arrangment, placed in a glass jar on a black table. The flowers are dying and falling over the sides of the jar, which holds a shallow amount of yellowed water.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Two figures in blue morph suits engage in an argument, standing on either side of a wooden table with a fresnel lens as the tabletop. A third figure to the right films their encounter, while audience members watch in the background.]
![The busts of two figures are drawn in black ink in front of a grey background. Below each figure is a text bubble that read: [below figure on left]](https://artistsspace.org/media/pages/store/editions/3365211628-1623172903/sillman-turtlenecks-lo-res-168x.jpg)
![The busts of two figures are drawn in black ink in front of a grey background. Below each figure is a text bubble that read: [below figure on left]](https://artistsspace.org/media/pages/store/editions/3365211628-1623172903/sillman-turtlenecks-lo-res.jpg)
![[Amelia Bande sits on the floor next to a pile of stones and leans on a cement block while holding a white rock in her hand. She sings, “it brings landscapes where I am not.”]](https://artistsspace.org/media/pages/programs/repeat-viewings-2020-2021/2789376304-1628182793/el-estallido-2-168x.png)
![[Amelia Bande sits on the floor next to a pile of stones and leans on a cement block while holding a white rock in her hand. She sings, “it brings landscapes where I am not.”]](https://artistsspace.org/media/pages/programs/repeat-viewings-2020-2021/2789376304-1628182793/el-estallido-2.png)
