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Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [A color image of a pink-hued room inside which an irregularly shaped platform with a reflective surface sits on the ground. Objects such as plants, a fish tank, and tree stumps sit on and around the platform.] -
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Holly Morse, Bringing Home the Bacon, 1989. Oil on linen, 24 x 24 inches. [A slice of bacon on a red background, with the words "bringing home the B." spiraling on top of it in black text.] -
11 Cortlandt Alley Tote Bag. Produced by Artists Space. Edition of 150. 2019. $24 [A black tote bag against a white background. Small white, all-caps sans-serif text in the middle states "ARTISTS SPACE"] -
Meryl Vladimer. Installation view, Louisa Chase, Ted Stamm, Meryl Vladimer, Artists Space, 1975. [A black and white photograph of a sculpture comprised of nine dark orbs on a dark circular backgroun.] -
Our Uprisings: Art Action Assembly. Event documentation, November 20, 2016, Artists Space. Courtesy Decolonize This Place. Photo: Marz Saffore. [View of the audience at the Artists Space and Decolonize This Place event, with banners of resistance posted along the walls. One visible reads "Akai Gurley Murdered by NYPD Open Mic Moved To Streets," while another reads "ABOLISH WHITE SUPREMACY."] -
Judy Rifka. Installation view, Deborah S. Freedman, Judy Rifka, Ernest Silva, Artists Space, 1975. [A black and white installation photograph of six paintings with dark geometric forms in a gallery space.] -
New Red Order with Virgil B/G Taylor. Native New Yorker: Sigillum Civitatis Novi Eboraci, 2021 Painted wall with cut vinyl, historical newspapers, television, and postcard 10 x 10 feet. Photo: Filip Wolak [A black wall that reads "Sigillum Civitatis Novi Eboraci 1625". Layered on the wall are multiple printed drawings and tv monitors, below sits a red beach ball.] -
Jordan Kantor, Untitled (Pasolini), 2004. Oil on canvas, 52 x 96 inches. Courtesy the artist. [A black and white oil painting depicting a person lying facedown on asphalt.] -
Colin de Land at American Fine Arts, February 1996. Courtesy Smithsonian Archives of American Art. [Colin de Land sat at a desk, looking at paper materials in his lap. Various objects, documents, and books sit opened around him.] -
El Bosque Luminoso Baja El Mar, Threads of History Presentations at M.S. 324, May 23, 2022 -
Benito Huerta: Attempted, Not Known. Installation view, Artists Space, 1989. [A view of a white-walled gallery with large abstract paintings hanging on the walls and a small pedestal display case on the right.] -
Judit Kurtág. Still from Episode, 2007. [A black and white image of a floppy, stuffed rabbit toy. It is sitting on fabric and leaning up against a wall with faint floral design.] -
Flyer for Segue Reading Series featuring Kyle Dacuyan and Judith Goldman. January 7, 2023, Artists Space. [Red and blue text overlay a yellow background with abstract lines and a drawing of a male face in side profile. The text in the middle reads "Kyle Dacuyan / Segue Reading Series / Judith Goldman."] -
Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley. [Contact sheet of installation images taken during exhibition opening.] -
Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo: Jean Vong. [A framed, oval-shaped painting of a man and a conical plant sculpture decorated with hanging crepe paper tassels are displayed in a gallery.] -
Shaylene Viera, Revolution, photography, 2016 [A photograph of a construction site, with several steel beams and a sign titled "RAISE PLOW" lying on the ground] -
Reinventado, Word Up Community Bookshop and MS 324 students, 2019 [An exhibition view of various artworks. Several stylized portraits hang on the right; in the middle, a large didactic titled "REINVENTADO." On the left, several small photos of students in a classroom hang underneath a red-white-and blue airplane suspended from the ceiling] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, September 16, 2022 - December 3, 2022. Photo: Filip Wolak [Three desks are lined up in front of each other, each desktop has a TV monitor and clay rocks. In the back is a dark room with yellow LED light sculptures.] -
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Traditions: Five Painters. Installation View, Artists Space, 1978. [3 paintings hang on a wall. The painting to the left is circular, the center painting is rhombus shaped. The painting to the right is square.] -
DIVA TV Collective, Target City Hall, 1989. 27 min. [Onlookers and news reporters with cameras crowd around helmeted police officers surrounding a graffitied truck.] -
We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [A number of sculptures on pedestals can be seen in the foreground with paintings and sculptures behind them in a gallery setting.] -
Retrovizija (Peter Vezjak), still from Laibach: Sympathy for the Devil, 1988. 5 minutes, 40 seconds. [A seated group of four people cluster together in front of a white background.] -
New Economy. Installation view, Artists Space, 2007. [A black box screening room featuring a a video of a bespecaled white haired man with glasses speaking to the camera in front of rows of books.] -
Lyndon Barrois Jr.: Mirage Collar. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color installation view of a gallery space with three dark columns. A wicker pannier and a yellow brocade couch are visible in the foreground. In the background, a multi-tiered door, several paintings, a wooden stool and nightstand are also visible.] -
Freya Hansell. Installation view, Artists Space, 1980. [A black and white photograph of various objects hanging and standing in a white-walled gallery space.] -
Carol Sun. Prospect Park Series - Winter, 1987. [Dark drawing with branch-like figures appear from a twirling white line surrounded by black, fuzzy lines.] -
Michael Robinson. Still from If There Be Thorns, 2009. [A hand reaches toward the bark of a tree, drawing a thick red line. There are leaves in the background.] -
Amelia Bande. Stills from El estallido / The Outbreak, 2020. Recording of a live performance held over Zoom on August 7, 2020. Stage design and camera collaboration with Rachel Higgins. Courtesy the artist. [Amelia Bande stands in front of wall covered with posters and gestures towards her eyes as she says, “We wore masks and protective eyewear at the protests in Santiago.”] -
View of Vigilance: An Exhibition of Artists Books Exploring Strategies for Social Concern , Curated by Lucy R. Lippard and Mike Glier Franklin Furnace, 1979 Courtesy Mike Glier [A woman sits, left of center, at a table filled with books. On the wall behind her, a banner with red text that reads, "...Pessimism of the intellect, Optimism of the will... Gramsic," is displayed.] -
Adjua Gargi Nzinga Greaves, For Aricka, Ayana, Ayodele, Bernice, Chantelle, Charmaine, Cynthia Ch., Cynthia Co., Daphne, Davina, Dawn, Dina, Emily, Erica, Evadne, Frances, Gail, Gwen, Hara, Heather, Imanei, Imani, Janet, Jenny, Kadija, Kahdeidra, kale, Kelly, Kenya (R), LesLes, Lois, Lynnette, Madeleine, Mahogany, Marsha, Maiya, Najela, Nontsi, Ola, Pilar, Queen, RaFia, Ro-Ro, Sandra, Sasha, Serenity, Shana, Simone L, Simone W, Tabitha, Taiyi, Trinity, Uchenna, Vivian, Wangechi, X, Yvette, Zuri, detail, 2021. Living plants: Hannibal (Epipremnum aureum) with rose quartz, Gertrude Deuxieme (Tillandsia xerographica), Leonie (Philodendron totem), Eversley Deuxieme (Tillandsia xerographica), Melford (Epipremnum aureum) with amethyst; dessicated floral matter (eucalyptus, grass, willow, palm), knight on horseback figurine, brass candlesticks, polystyrene, porcelain and 18 karat gold plates, crystals (various), bamboo earrings, jade, cremains, leather, cork, glass, dragon figurine, sandalwood incense and ceramic holder, palo santo (Bursera graveolens), and window, overall dimensions variable. Courtesy Artists SPace, New York. Photo: Filip Wolak [Partial view of a potted plant and a small figurine of a knight on horseback with a lance.] -
Students visiting Sleepwalk at Parasol Projects, LES, 2022 -
Five Spanish Artists. Installation View, Artists Space, 1985. [A large painting appears in a white-gallery space with various drawings of city architecture around a large amorphous black section in the middle. White columns and other paintings are visible in the surrounding area.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.] -
Photo Wall at P.S. 140, Nathan Straus, 2017. [A tile wall with a grid of assorted photographs against a white background. A title to the left of the grid states "Artists Space P.S. 140 Photography Club".] -
Jason Hirata, Why Not Lie?, 2020 (detail view), plastic bottles, urine. Photo: Daniel Pérez [Three unmatching bottles filled with urine surround the base of a black column. Two lie horizontal, one stands upright.] -
Lisi Raskin, still from = (equals), 2004. [An image of a factory with smokestacks on concrete, just behind a body of water surrounded by long grasses.] -
Gerhard Richter Hotel Diana , 1967 80 copies + 40 artists proofs, signed and numbered screen print, 59,4 x 80 cm Courtesy of Edition Block, Berlin [A sepia photograph of an angled, above view of two men lying in seperate adjacent beds. On the walls above them, hang two small picture frames.] -
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AIDS Forum: Danny Dries - Generic Memorial (for WM. Schwedler, 1942-1982). Installation view, Artists Space, 1992. [A black and white image of a blank frame on a white wall. At the center of the frame, a sculptural mold of a brain protrudes out from the canvas.] -
The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [A miniature clay sculpture of a man sitting, cross-legged, in an armchair is displayed on a carpeted floor. A curled wire extends from underneath the edge of the carpet where it meets the wooden floor below it.] -
Michelle Santiago, Trap, photography, 2014 [A photograph with a striped blue and white blurry background. In the center of the image, outlined in a blurry orange circle, is a clear image of a rope tied into a knot, holding a white object] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure in a red sweater and a black bowler hat stands behind three microphones, speaking into them.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Two figures dressed in blue morph suits walk around a basement space. One figure on the right stands behind a semi-circular rolling table made of wood and fresnel lenses. Along the back wall blue and purple live CCTV video footage is projected.] -
She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak. [A picture of a man in a coat sits above a series of books on a shelf.] -
Superstudio, still from Supersurface: An Alternative Model For Life On The Earth, 1972. 26min. [Six people are seated and lounging in a digitally rendered landscape.] -
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Anja Kirschner and David Panos, still from Living Truthfully Under Imaginary Circumstances, 2011. [A man and a woman in a split screen view with a black space between them. The man's face is turned to the side; the woman is facing towards him, her eyes cast downwards, with two fingers pointing.] -
Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez [In the foreground a large, orange slug sculpture forming a circular ring shape is installed around two cast-iron columns suspended by ten elastic cords such that it encircles the column and rests close to the ceiling. Behind it is a large, orange slug sculpture forming a circular ring shape installed around one cast-iron column suspended by eight elastic cords such that it encircles the column and rests at its vertical center. In this white-walled gallery space one can also notice a partial view of a painting in the background.] -
New Red Order, Informants Get Paid! Performance documentation, Artists Space, January 23, 2020. Photo © Paula Court. [A figure stands in front of a music stand speaking into a microphone. They are backlit by an image of a rippling upside down American flag.] -
_____, Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978, Artists Space, 1978. Installation view, Artists Space, 1978. [Black text affixed to a white wall reads: "Christopher D'Arcangelo / Louise Lawler / Adrian Piper / Cindy Sherman."] -
[A figure in a blue denim shirt wearing headphones sits at a dining room table cluttered with papers, bowls of fruit, and colorful candles. The figure's back faces the viewer. A bright and rocky, arid landscape is visible through the many windows that line the walls of the dining room.] -
Ethan Crenson, Fission, 1996. Mixed media installation. [A corner of a room filled with ping pong balls set atop mousetraps. They are lit from the side by a fluorescent tube light.] -
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Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [Two screens are mounted vertically on metal poles that stretch floor to ceiling. The screens show black images with white light spots.] -
Third World Gay Revolution, “Come Out in Third World Lingo,” back cover of Come Out! 1, no. 7, (December/January 1970 – 7). Courtesy Archivo Moléculas Malucas. [Characteristic, expressive handwriting on a page spells out phrases such as “All Power to the People!” and ”Seize the Time!” in both English and Spanish.] -
U.S. Projects: Howard Fried. Installation view, Artists Space, 1983. [A sink structure on wheels sits atop a tilted wooden table top with legs of varying sizes. Light from the ceiling is seen emanating onto the structure in the white-walled gallery space.] -
[A cartoon drawing of men at a table with text underneath reading, "Everybody sees right through your damned transparency."] -
Hunter Reynolds, Patina du Prey’s Memorial Dress: 1997 to 2007. Historical performance documentation. Photo: Maxine Henryson. [A portrait of a heavily made-up standing person in a ballgown with outstretched arms in black evening gloves. The dark ballgown has rows of light names on it.] -
[A sideways image of a photograph sitting on top of an open book. The photographs shows four people sitting next to each other. The book page is split with a column of text and a black and white image of a billboard that reads, "Growing with Birmingham!"] -
Daniel Joglar, Untitled, 2005. Courtesy the artist. [An open black wallet supported upright on a white surface by four binder clips attached to its left side and bottom edge.] -
Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery. [Black and white photograph close up of white picket fence and painted dark background.] -
The Friends of Artists Space Dinner, May 8, 2010. Wolfgang Tillmans's laudation. [A man with a shaved head wearing black pants and a striped collared shirt reads from sheets of paper, speaking into a standing microphone. Two figures sitting at a table behind him turn to gaze towards him as he speaks.] -
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Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A large photo decal runs along the entire length of a long, horizontal wall in a light-filled gallery space with wooden floors. The photo decal depicts a to-scale, warmly-lit domestic space. A wooden chest of drawers, radiators, various shelves, and a low bed covered in a quilt fill the space. A dart board hangs on the wall, along with various paintings.] -
Krzysztof Wodiczko: Guidelines. Installation View, Artists Space, 1978. [An image is projected onto a white wall.] -
Jeremy Deller, Together 4 Ever, 1995. Silkscreen on paper, 27 x 19 inches. Edition of 4. 2 of 4 AP. Courtesy the artist and Gavin Brown's Enterprise, New York. [A rainbow-hued poster of the Queen. Black serif text positioned above and below her image reads, "Together 4 Ever".] -
SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.] -
Patricia Caire. Installation view, Artists Space, 1980. [A sheet with painted black figures on it hangs suspended in a front of lighted windows in a gallery space.] -
Poster for No Total Weekend, May 29-31, 2015, Artists Space. [A teal circle on a white background with several names written around the perimeter, circling the midpoint of the circle. White text on the right side of the circle reads, "May 29-31. 2015 / No Total Weekend." The rest of the text spells out the schedule of the event.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure stands behind a microphone and table with audio equipment. They hold one hand over their mouth and the other around their neck.] -
Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A woman wearing headphones stands in front of a horizontal monitor displaying an image of two illustrated eyes and a nose. Behind the monitor, several framed photographs lean against a wall. A long, red carpet runs across the floor underneath the photographs.] -
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Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A detail shot of a larger photo collage work featuring 20 identical images in a grid that have been altered with black, yellow, or white paint to vary the scene presented of a man opening up the hood of a car.] -
Milford Graves, Yara Training Bag, c. 1990. Wood, punching bags, hand-painted boxing gloves, springs, samurai sword, rubber balls, acupuncture model, tape,metal fixtures, athletic socks, rope. Dimensions variable. Photo: Filip Wolak. [A color photograph of a red punching bag, other boxing equipment, and a human statue suspended from a rectangular wooden frame in a gallery space.] -
Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery space. On the left wall is a projected black-and-white video. On the right wall are various scores, posters, and photographs, and a vitrine.] -
Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [Two figures wearing medical scrubs stand across from each other, with a table with a mannequin on it in the middle.] -
The Artists File at Artists Space, 1986. [A black and white photograph of a number of unmounted 35mm slides on a lightbox is visible in the foreground with a computer and printer visible in the background in an office setting.] -
Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A Samsung television monitor displaying Benjamin Buchloh, in a black sweater and thin rectangular glasses, being interviewed.] -
Beech Forest. Performance view, Artists Space, 2007. [Three standing lights point to illuminate a white wall. Standing beside them facing the wall is a figure wearing a coat and a hat with her hands lightly clasped behind her back. Barely visible on the wall beside her are stenciled outlines of trees.] -
Milford Graves: Fundamental Frequency. Installation view (handpainted LPs, 1966), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color photograph of three handpainted LPs in a wall mounted vitrine.] -
Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure standing in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A speaker is visible in the background.] -
Installation view from Annual Selections Show, Artists Space, 1985 [A black and white image of paintings hanging on a white wall, and sculptures occupying the gallery floor.] -
Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez.. [In a large, open gallery space, several photographs hang on walls to the right. To the left, multiple small monitors mounted to a colorful gallery wall play video works. In front of the monitors, there are wooden stools with headphones resting upon them.] -
Sigmar Polke, Wochenendhaus, 1967. 80 copies + 40 artists proofs, signed and numbered screen print on cardboard, 59,5 x 84 cm. Courtesy of Edition Block, Berlin. [A print illustration of a suburban house. In the foreground, a pink flower cuts across the right frame from top to bottom.] -
[A screenshot of the google images search results page for the query "a history of negations."] -
Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A large black bowl, painted with colorful faces, is filled to the brim with vibrant beaded jewelry. The bowl is placed on a tall black rectangular platform, covered with a beige woven blanket with long tassels and a white pattern along its border. Beaded jewelry from the bowl dangles down to the floor, intertwined and curled amongst themselves.] -
Liz Deschenes Ibry's timetable 1878 (Paris - Lyon), 2018, UV print on photogram, 8 x 14 inches, Signed edition of 100, 5APs, Courtesy of the artist. [Black and white chart tracking the movement of trains through major cities in France. Text at the bottom of the chart reads "Fig. 7. Graphique de la marche des trains sur un chemin de fer, d'après la méthode de Ibry."] -
Adjua Gargi Nzinga Greaves, SELF, 2021. Chromogenic print with pigment ink pen, 41 ½ x 41 ½ inches. Courtesy Artists Space, New York. Photo: Filip Wolak [A digital print of four books with annotations on each side.] -
Richard Weise and Harald Vizenor. Still from Harold of Orange, 1983. 16mm film (sound, color). 33 min 21 sec. [A black and white portrait photograph of seven individuals looking at the camera with text partially visible behind them.] -
Min Joong Art. Installation view, Artists Space, 1988. [A photograph of a large, open gallery space. The visible walls feature a continuous painting that wraps around the room, showing human figures on saturated blue, yellow, and red backgrounds. A single person stands int he room and looks at the painting.] -
Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph of a large gallery space with multiple rooms visible. In the foreground, the floor is covered with flooring, except for a silhouette of a human figure which has been cut out of the flooring, through which the concrete below is visible.] -
Episode. Installation view, Artists Space, 2007. Photo: Bill Orcutt. [A dark screening room with a single brown couch. An image is projected on the wall, showing a hallway with a slightly ajar door, through which blue light is filtered.] -
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Selections from the Artists File, installation view, Artists Space, 1986. [A number of wooden sculptures appear in various shapes in a white-walled gallery space.] -
[An image of rocks, trees and coastline overlooking a large body of water. Collaged on top of the photograph are cutouts of flowers, carved stones, and a mosaic. Gray text gives details about a virtual reading event, with zoom meeting information written in yellow at the bottom.] -
Hito Steyerl. Installation view, Artists Space, 2015. [A monitor facing a seating arrangement constructed of stacked pillows. Two pairs of monitors are suspended on poles in the background. An image of Hito Steyerl is seen in both pairs; next to an image of a pile of cigarettes and an image of shipping containers.] -
Malaika Villamizar, Untitled, 2021, digital photography -
Michael Robinson. Still from Victory Over the Sun, 2007. [An empty pool with weeds growing out of cracks. There are trees and bushes in the background, and a pink glow on the righthand edge, as if from a sunspot.] -
Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph of a small room with clear walls and a clear door sitting against a wall in a white-walled gallery. Inside the room, a wooden chair and shelves are visible.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure in a red suit performing in a darkly lit room with LED light sculptures in the background. The figure holds their left hand out in a gesture, and with their right hand holds a mask in front of their face.] -
Herman Wallace. Drawing. [A colored pencil rendering of a prison cell is contained inside a rectangular box with rounded edges, floating on a white lined sheet of paper. A pink heart in motion extends beyond the confines of the cell and onto lined paper.] -
Lise Soskolne, Film Still: Characters, 1999. Oil on canvas, 66 x 108 inches. [White text arranged in two columns on a black background. Film roles, such as "Desk Clerk" and "Beauty Queen" are listed on the left, with names of actors on the right.] -
Vidas Perdidas. Installation view, Artists Space, 1989. [A folding wall is erected in the center of a gallery space. Its top features painted portraits of eight people from the waist up. Below them, the lower half of the wall is covered in white, handpainted text on a black background. The text extends onto the floor, and its bottom edge is bordered by a row of votive candles. Behind this wall, other artworks are partially visible.] -
Still from The Empty Plan (2010). [A person is standing at the end of a stage, dressed in a long coat, with a stern expression on her face. A man sits at a desk in the corner, his head in his hands. There is a white trifold screen behind them, with an extra chair, and a banner written in German.] -
[Black and white pen drawing featuring a cartoonish rendering of Manhattan and the surrounding boroughs that resembles a grassy mini-golf course. Golf holes are scattered across Manhattan amidst larger-than-life cut-out figures, convoluted structures, palm trees, and other quirky obstacles. Stray golf balls are scattered across the surrounding boroughs. A cluster of golf balls in New Jersey are arranged such that they spell out the words, "PUTT-MODERNISM."] -
Floor plan sketch for Group Show, Artists Space, 1975. [A rough sketch of a gallery with names in specific zones, done in blue ink] -
Tom Murrin, Johanna Went, 1985. Acrylic on foam core, 14.75 x 20 inches. Courtesy the artist. Photo: Patty Wallace. [A painting of a person with red hair, cross-shaped earings, and black paint under their eyes.] -
Tiffany Sia, A Wet Finger in the Air, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A photograph of three TV screens stacked on top of each other. Two small speakers are visible on either side of the TV screens.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure reads into a microphone, glancing at their phone.] -
SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement window that has been tinted with blue paint, streaming in blue light.] -
Fifth Season Act, Apotheosically. Performance documentation, May 31, 2012, Artists Space. [A figure in a white suit—the artist Jutta Koether—stands with her back to the viewer in front of a sculpture composed of a large glass pane with a painted canvas installed in the panel's center. Her left hand gestures in the air and grasps a metal wand with a butterfly ornament as well as papers with handwritten text.] -
Konrad Lueg Babies , 1967 80 copies + 40 artists proofs, signed and numbered screen print on cardboard, 59 x 83 cm Courtesy of Edition Block, Berlin [Six rows of six small, faded images of a child in various poses, positioned at left center of frame.] -
[William Carlos Williams' poem "For Eleanor and Bill Monahan" written in black text on a white background.] -
[Books, with series numbers (1-20) marked at the top of the spine, rest on an encolsed shelf against a white wall.] -
Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez. [Two black monitors facing opposite directions sit on a large, rectangular wooden table. One screen is visible, showing an image of two hands holding a piece of white paper with typed text. In the background, a framed photograph is installed on a white gallery wall.] -
Michael Kalil, an analytical study for Osmotic Membrane (detail), 1986. [A scan of a constructed line drawing using different architectural notations like dashed and construction lines.] -
[An offwhite poster with black letters framed two bands of a cropped watercolor painting announces a sound poetry festival entitled "Chorus."] -
Mark Morrisroe, Untitled [Stephen and Mark], c. 1984. Courtesy The Estate of Mark Morrisroe (Ringier Collection) at Fotomuseum Winterthur. [A greyscale Polaroid of two shirtless men looking into each other's eyes.] -
Yasunao Tone and Suzanne Fletcher performing Voice and Phenomenon, Experimental Intermedia Foundation, New York, 1976. [Black-and-white photograph of a TV against a brick wall, connected to a camera recording directly above a spotlighted chair and desk. A figure sits across the empty chair at the desk, while another figure kneels down to the left side of the desk working on something.] -
[A man in a sleeveless Metallica shirt stands in front of a makeshift music studio, looking at the camera.] -
[Photograph of two figures, one in a suit, one in a suit and brown trenchcoat, striding across a city street. The facade of the buildings behind them is covered with a colorful mural and a long line of alternating, bright red and yellow posters. A large building sign above the posters reads "S. KLEIN."] -
Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Several small planks of wood of different sizes, shapes, and colors lean against a white gallery wall. Different words have been painted across the length of each plank, including "rhythm," "grace," "love," and "warmth." Above the planks hang two framed, green paintings.] -
Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [An open hallway in a window-filled exhibition space. A gallery wall on the left side of the room displays a sideways, brown and gold American flag as well as a black and red fleg. A monitor sits on the ground to the right of the exhibition space, near one of the windows. A visitor stands in the background, viewing artworks displayed in the hallway.] -
ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of a vending machine against a glazed over window, tiled images on a white gallery wall, and a glass table surrounded by four wooden chairs.] -
Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque. Installation view, Artists Space, 1981. [A dim photograph of mulitple sculptures placed in the exhibtion space. A couple of black curtains are hung in the gallery.] -
Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court. [A figure sits in a dimly lit corner in profile, gazing forward. They flip through pages of a script displayed in front of them. An open laptop sits to their left.] -
Yasunao Tone: Region of Paramedia. Installation view (Music for Several Composers, Solo for Several Composers, Music for Every Tablaux, and Music for Footpeddal Organ, 1962-64; Diagram for Music for Footpeddal, 1962-64), Artists Space, 2023. Photo: Filip Wolak. [Color photograph of two framed works that are hung on the wall. The piece on the left contains typed instructions for a musical performance, and the piece on the left contains hand-written notes for another performance.] -
Those Lost Trees by Viola Yesiltac (2005). [A woman stands, facing away from the camera. She is standing on a photo backdrop of trees in a forest, which covers part of the floor and is raised into the air by stand. Studio lights surround her, casting a slight glare off the backdrop.] -
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Margit Lewczuk. Installation View. Artists Space, 1985. -
Darren Wardle, Jailbreak, 2002. [A symmetrical image of windowless houses rendered in inverted colors with tones of purple, yellow, and pink.] -
Flyer for Segue Reading Series featuring Sueyeun Juliette Lee and Brian Teare. November 19, 2022, Artists Space. [Light blue text overlays a dark blue background. The top left corner reads: "Sueyeun Juliette Lee & Brian Teare / November 19, 5pm." The middle reads: "Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519."] -
Audrey Glassman, Untitled, 1983. Cibachrome, 28 x 42 inches. [Sculptures of lizards and turtles are seen on the top portion of the image in bright lighting on a white gallery wall and on the bottom of the image is a 10-gallon hat.] -
Gerome Kamrowski. Paintings on the Surface of a Dome, 1960. [A black and white photograph of a painted, sculpted object appears hanging above a person's head in a dark space.] -
Show and Tell: A Chronicle of Group Material, edited by Julie Ault, published by Four Corners Books, 2010. [Book cover design featuring an image of a large room with red walls. A banner of colorful flags hangs from the ceiling. A large collection of objects is scattered on the floor, including coca-cola bottles, posters, chip bags, paint cans, detergent bottles, and other assorted items.] -
James Biederman. Installation view, Thomas Lanigan-Schmidt, James Biederman, Charles Simonds, Artists Space, 1974. [A color installation of three black tiered sculptures, placed on a wooden floor in a gallery space.] -
[A black logo consisting of a lowercase letter "b" connected to a smaller, lowercase letter "c" on a white background.] -
Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of a table filled with several stacks of a book titled *EINE PINOT GRIGIO BITTE*. The book covers appear in various shades of orange, pink, blue, yellow, and green, and are stamped with the same ornate Latin emblem. Some are comb bound and others are side stitched.] -
Gwynn Murrill, Impala, laminated wood blocks, 1972. From Don Wynn, Judy Pfaff, Gwynn Murrill, Artists Space, 1974. [A black and white photograph of a wooden bust of a horned deer like animal, attached to a white wall.] -
Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A figure stands facing a black tarp tacked to the wall. A second figure holds a camera, photographing the tarp. An image is projected on the back wall.] -
Traditions: Five Painters. Installation View, Artists Space, 1978. [3 large paintings hang on the wall to the right. The foremost is rectangular, then further away is a rhombus shaped painting and lastly a circular piece.] -
We the People. Installation view, Artists Space. 1987. [A black and white image of an exhibtion space, sculptures sit on three pedestals in front a wall of paintings.] -
Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [Two figures wearing medical scrubs move a table with wheels, on which a mannequin lies.] -
[A brochure cover for The New World Order III: The Curio Shop at Artists Space. There are collaged images of various photographs and restaurant marquees, and additional information about the location and time of the exhibition.] -
Young Fluxus. Installation view, Artists Space, 1982. [A view through a doorway into a white-walled gallery space with drawings on the walls and a banner on the windows.] -
Flyer for Segue Reading Series featuring Holly Melgard and Trey. Saturday, January 22, 2021, Artists Space. [Black text overlays a mauve background. The top left corner reads: "Holly Melgard and Trey (also known as Vernon Keeve III)" The center right reads: "Segue Reading Series & ARTISTS SPACE." The bottom left reads: "Saturday January 22, 5pm, Zoom ID: 893 9594 7519, Suggested donation $5". The image of a 5 dollar bill is placed within the text.] -
Amalia Soto, My Apology, 2022. Single-Channel video, 23:59 minutes, wall vinyl. Photo: Steven Cottingham. [Color installation image showing a video monitor mounted on a wall which is covered in tiled images of YouTube pages. A pair of wired headphones is hanging to the right of the monitor.] -
Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A miniature log cabin constructed of handwritten documents is displayed in a vitrine. The roof on the left side reads, "By the President of the United States of America, A Proclimation."] -
Urban Pornography. Installation view, Artists Space, 2001. [A dimly lit, color photograph of a desert installed on a white gallery wall. The desert ground is a bright orange color and includes many large rock features. The sky above is slightly blue and filled with clouds.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.] -
Paintings by Kathleen Gilje, sculpture by Mike Metz. ISelections from the Unaffiliated Artists File. Installation view, Artists Space, 1981. [A sculpture sits to the right in front of two paintings in a gallery space.] -
[A crowd of people standing outside a brick building, mingling and talking.] -
Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [Two figures holding a mannequin look at a projection on the wall.] -
[Black, capitlized text that reads, "The Colin de Land Library."] -
Bill Hayden, It's Get Better. [An irreverant cartoon promotional poster with text in grafitti.] -
Flyer for The Rapture, Sunday, December 6, 2020, Artists Space. [A drawing of a group of skeletons, dancing and playing instruments. In the center of the image, a red banner features black text that reads "The Rapture".] -
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Tom of Finland, Untitled, ca. 1966, collage on paper. Courtesy Tom of Finland Foundation, Permanent Collection. [A collage of four half-naked men dressed in a pilots hat arranged on paper.] -
Ted Stamm, Blue Line Group, 1975. Installation view, Louisa Chase, Ted Stamm, Meryl Vladimer, Artists Space, 1975. [A black and white installation photograph of thirteen dark squares hung in a gallery space.] -
The Friends of Artists Space Dinner, May 8, 2010. Michael Clark & Company's performance. [A woman in a nude leotard-like top and silver leggings stands facing forward with her hand on her hip in a gallery space. Behind her, a figure in a black skirt and white collared shirt stands in a similar position, with his back to the former performer.] -
ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of multiple works including an orange wall that reads "Wandering with no specific intent or has something specific in mind but doesn't tell what it is." met with a tower of gap shoe boxes. Near the gallery wall are life like cutouts of individuals dressed in animal costumes.] -
Warnung vor einer heiligen Nutte (Beware of a Holy Whore). Dir. Rainer Werner Fassbinder. 1971. [A man and a woman sit in two low wooden chairs. The man wears a brown hat and striped suit, while the woman wears a white top with a low v-neck. Her hair is blonde and stylishly curled. She stares ahead, her left hand gently resting on her chin. The man stares sideways at her.] -
Attention Line. Installation view (James as Jimmy, 2001, Guitar from the exhibit All Indian All the Time, 2005), Artists Space, June 11, 2022 - August 20, 2022. Photo: Filip Wolak [On the left, a framed photograph hangs on the wall. In the center, a sculpture built around a red electric guitar hangs from the wall. In the distance on the right, various posters and ephemera adorn the wall.] -
Enough Tiranny Recalled, 1972–2009. Installation view, Artists Space, 2009. Photo: Daniel Pérez. [A pile of multicolored string lights sits on a wooden floor, surrounded by assorted objects including a disco ball, a candlestick, and two pitchers. There is a pink glow over the objects, with another strand of white lights weaving through the objects.] -
MS 324 group work, collaborative drawing, 2019 [Five people's hands work on a colorful, abstract drawing with the drawing at the center of the image on a wooden table.] -
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Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two photographs mounted on a white gallery wall.] -
Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A brown paper bag, opened and placed at an angle, with colored pencil illustrations of a balding man wearing sunglasses and a blue collared shirt, face slightly covered by a translucent red figurative silhouette, and along the other side of the bag, a white daisy with a long green stem.] -
Still from Mrs. Miniver, 1942. [A black and white image of a man and woman looking out beyond the camera with expressions of fear and concern. They each cradle a child in their arms. A young boy gazes up at the woman's face, clutching onto her arm with one hand. The man holds a girl close, his hand protectively bringing her head against his chest.] -
Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A projected image on a standing screen shows a bumper-to-bumper view of two shiny silver cars with a third car in the background.] -
Matt Mullican. Performance documentation, 1976. From Susan Eder, Matt Mullican, Artists Space, 1976. [A black and white photograph of a performance, with a figure walking towards a white wall. A crowd looks on intently from the foreground.] -
Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Two gold picture frames with black and white portraits of a woman (left) and a man (right) face each other on a shelf.] -
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K8 Hardy , Sharing 2014, 2014 , C-print, 23 ½ x 18 ½ in / 59,7 x 47,1 cm (image size), 24 x 18 4/5 in / 60,1 x 47,8 cm (paper size), Signed and Numbered. [A framed photo of a hand in the lower left corner adjusting a skewed image of K8 Hardy partially undressed in a windowed room, looking over her shoulder with her left arm held aloft.] -
John Mendelsohn. Installation view from John Mendelsohn and Donald Sultan. Artists Space, 1977. [A black and white photograph of a canvas filled with black and white abstract angular forms that are reminiscent of tables.] -
Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz. [A makeshift screening room enclosed by unpainted wooden walls. There are two wooden benches arranged to face a projector screen. The screen displays an image of a luxury pool surrounded by palm trees, with the sun shining.] -
Flyer for Segue Reading Series featuring Sasha Banks and Derek McCormack. Saturday, October 31, 2020, Artists Space. Artist: Keith Higginbotham [Photographs of an opulant room are collaged together, creating a view of a single space with multiple perspectives. White text centered on the image reads "Sasha Banks / Derek McCormack," and black text below reads "Segue."] -
