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Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [Two figures wearing medical scrubs stand on pieces of red fabric, stretching outwards toward the audience.] -
Marie Karlberg. Still from Belongz to me, 2010. [A woman in a mask smoking a cigarette standing over a person lying on blankets on the street wearing cardboard heels.] -
[Black text on a grey background. The text reads: “April 5 / Marie Buck / Matthew Walker / Simone White.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
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El Bosque Luminoso Bajo El Mar, M.S. 324 exhibition, Threads of History, May 2023 -
Constantina Zavitsanos, LEAVE - A - PENNY / TAKE - A - PENNY, 2024, Bronze, 4.5 in. x 4.25 in. x 1.5 in. -
Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure plays the guitar sitting down, while another figure stands behind him playing the bass.] -
Attention Line. Installation view (James Luna with the High Cheekbones, 2006, Jacket from the exhibit All Indian All the Time, 2005), Artists Space, June 11, 2022 - August 20, 2022. Photo: Filip Wolak [An image of a wall with a poster hanging on the left, and and a brown and white jacket hanging on the right.] -
Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon. [A color image of a gallery space. Three shovels placed upright on pedestals are placed on the floor. To the left, a raditator on its side, partially covered in snake skin, lies on the floor. To the right of the shovels, a wooden divining rod attached to a pedestal sits upright on the floor.] -
Andy Robert: PAPALOKO. Installation view(Ruin, 2023; Untitled, 2023), Artists Space, 2024. Photo: Carter Seddon. [Color image of a gallery space. To the left, a taxidermied griffon vulture rests on a branch protuding from a section of a tree. Rusted, chain link fence is interwoven into the bark of the tree. Off to the right, a small shovel afixed to a childs chair is placed on the ground.] -
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Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak. [A color image of the corner of a gallery space. On the left wall there is a line of nine polaroid photographs, evenly spaced and hung about five feet from the light wooden floor. The right wall features a frame from a video being played from a projector. The black and white film frame shows the interior of an industrial space, the exposed ceiling rafters and brick wall. ] -
[Two rectangular orange paintings, in portrait orientation, hang on a white wall. Both canvases depict slugs filling up each rectangle. In the painting to the left, the slug almost forms into a square. In the painting to the right, the slug is stretched in a long line, twisting across the surface area of the canvas. The eyes of both slugs protrude from their animated bodies like antennae, raised and peeking over the boundary of each painting's edge.] -
SCRAAATCH, Untitled July 4th Performance, 2022. Photo: Mo Costello. [A microphone and lights are set up in a field, with trees along the horizon line.] -
Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph of a large painting of vines and water hanging on a white gallery wall. Beyond it, more painting and sculptures are visible in an adjacent gallery.] -
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Installation view from Split/Vision, Artists Space, 1985-86 -
Mike Bouchet, My Cola LITE, 2007. Cola bottles in plastic cases, dimensions variable. [A corner installation view of red crates containing glass bottles of cola on a wood floor.] -
Friends of Artists Space Annual Dinner, 2018. [A color photo of three individuals smiling and posing together in an embrace for the camera. Other individuals engage with each other in the background of a dimly lit space.] -
Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Two white walls are suspended on six vertical poles and are arranged so that they form a right corner. A large grid-like composition composed of many small squares is mounted on the left wall. On the right wall there are many photographs and printed video stills either mounted in grid patterns or one above the other.] -
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Claire Fontaine, Greve Humaine (Interrompue), 2009. [Five people, two standing and three in folding chairs, painting the partially formed words "GREVE H" in brown on white walls. Assorted debris is scattered on the floor around them.] -
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Exchange Show: Hallwalls, Buffalo, NY. Documentation of Opening Reception, Artists Space, 1976. Photos: Cindy Sherman. [Three black and white images arranged in a column. In the top photograph, a figure stands very close to a white wall. In the center photograph, a firue holds the sides of a their dark jacket, opening it up to reveal a white t-shirt. They stand next to a wall with three circular objects. The bottom photograph features a dog in the center foreground.] -
Students visiting Sleepwalk at Parasol Projects, LES, 2022 -
Flyer for Segue Reading Series featuring Marie Buck and Peter Inman. Saturday, January 30, 2021, Artists Space. [An image of a cat laying on a persons lap. The cat is holding an Ipod Nano displaying a skateboarder. Neon green text over the top half of the image reads, "Marie Buck / Peter Inman". Black text in the center left of the image reads, "SEGUE." Black text on the bottom half of the image reads, "30 January/ 5PM EST."] -
Gerome Kamrowski. Paintings on the Surface of a Dome, 1960. [A black and white photograph of a large constructed rock dome in a galelry space.] -
[A brochure cover for The New World Order III: The Curio Shop at Artists Space. There are collaged images of various photographs and restaurant marquees, and additional information about the location and time of the exhibition.] -
Tisziji Muñoz [A black and white image of a figure in profile with long, wispy hair and a mustache holding a guitar.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure dressed in black performing in front of an audience in the background. The room is dark, with LED light sculptures made from dried SCOBY in the background. The figure sits on the floor, looking off to the right and holding a mask in front of their face.] -
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Yasunao Tone Concert #3. Performance documentation, March 16, 2023, Artists Space. Photo: Destiny Mata [Color image of four figures seated in a row on a stage. Each figure sits behind a music stand.] -
Margia Kramer. Installation view, Artists Space, 1980. [Black and white photograph of cursive white text on a black background on the floor.] -
Performace by Matt Mullican From Susan Eder. Susan Eder, Matt Mullican. Performace by Matt Mullican, Artists Space, 1976. [A black and white image of a performance by two individuals tugging on opposite ends of fabric.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure in a red suit performing in a darkly lit room with LED light sculptures in the background. The figure holds their left hand out in a gesture, and with their right hand holds a mask in front of their face.] -
Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color installation view of a gallery space. A poster with a drawing of a human body hangs on the left, a television monitor with two chairs is in the center of the image. Above the monitor, a red tunic hangs from the wall.] -
Flyer for Segue Reading Series featuring Sasha Banks and Derek McCormack. Saturday, October 31, 2020, Artists Space. Artist: Keith Higginbotham [Photographs of an opulant room are collaged together, creating a view of a single space with multiple perspectives. White text centered on the image reads "Sasha Banks / Derek McCormack," and black text below reads "Segue."] -
The Fairy Tale: Politics, Desire and Everyday Life. Installation View. Artists Space, 1986. [A glass vitrine appears in the center with headphones and seats placed around it in a circle. Behind it is another glass vitrine sculpture as well as paintings and sculptural objects on the gallery walls.] -
Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt. [A square hole has been cut out of a blank, white gallery wall. Through the hole, several brown paper and cardboard boxes are visible.] -
Milford Graves, Bikongo-Ifá: Spirit of the Being, 2020. Wood, tabla, acupuncture model, bata drum, Nkondi figure, George Washington Carverbust, compass, glass, peanuts, LabVIEW animation, monitors, bells, plasma, lamp, globe, eagle figurine, alarm clock, collaged paper, printouts, copper wire, paint marker, metal fasteners, casters. Dimensions Variable. Photo: Filip Wolak. [A color photograph of a sculpture composed of three monitors, drums, a human figure sculpture, and topped by a small sculpture of an eagle in mid-flight.] -
J.B. Cobb, Optical, 1973. From J.B. Cobb, Martha Edelheit, Ree Morton, Artists Space, 1973. [A black and white photograph of a television set upon a wooden side table in front of a window in a gallery space.] -
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[Rainbow and white text on a black background reads "Book and/Edition/Sale/July 16-19/Downstairs/at ARTISTS/SPACE."] -
[Black text on a grey background. The text reads: “March 21 / Dave Morse / Anahid Nersessian.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure wearing a conical sheath of reflective one-way mirror film that covers most of their body. They lay on the floor and spread one arm out from under the mirror film. A bright light shines from under the film.] -
Rummana Hussain, Living on the Margins, 1995. Video, color, sound; 28 minutes. Courtesy Rummana Hussain Family Collection. [Rummana Hussain stands in an open courtyard cradling half a papaya in her hands, her mouth wide open in a silent scream. Behind her, indigo powder is scattered across the pavement.] -
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Abasement #82. Performance documentation, November 17th, 2025, Artists Space. Photo: Joshua Wildman. [A performer on stage faces the wall. Both the performer and wall are bathed in speckled blue and green lights.] -
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Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez. [A dimly lit room with a projection facing the front. The projection displays neon words that are slightly distorted, the legible text reads "Removes.....eight straight...."] -
Laura Cottingham & The Anita Pallenberg Story. Installation view, Artists Space, 2017. Photo: Daniel Pérez. [An empty dim-lit room with chairs with a projection on the wall. The projection features a close-up image of a person with wavy brown hair covering their face, lying facedown on a fluffy white carpet.] -
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Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [The image of a figure standing next to a camera and tripod is reflected in a mirror hung on a wall.] -
The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [Three metal cutouts of hands hold neon green cards displayed on a white wall. The hand on the rightmost side of the wall is holding up its middle finger.] -
Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of bright yellow paper. Pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.] -
U.S. Projects: Howard Fried. Installation view, Artists Space, 1983. [A sink structure on wheels sits atop a tilted wooden table top with legs of varying sizes. Light from the ceiling is seen emanating onto the structure in the white-walled gallery space.] -
Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman. [Color image of a musician standing behind a long table on a stage. The musician plays a large soundboard placed on the table. The musician wears a black long sleeve top and looks down at the soundboard as they play. They have short blond hair with bangs. A colorful image, almost like a close-up shot of a cell rendered in pink, red, blue and black is projected onto the stage and the wall behind the stage. A shadow of the musician appears on the back wall. ] -
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The Friends of Artists Space Dinner, May 8, 2010. Wolfgang Tillmans's laudation. [A man with a shaved head wearing black pants and a striped collared shirt reads from sheets of paper, speaking into a standing microphone. Two figures sitting at a table behind him turn to gaze towards him as he speaks.] -
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Abasement #75. Performance documentation, February 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of a performer sitting on a stage. Their right arm is reaching out to the side with their hand open, and their left arm is bent in towards their heart with a closed fist. They are wearing a white dress. Their hair and dress are tined by a green light. The wall and column in the background are patterned with multicolored abstract projections.] -
Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court [A figure in front of a microphone looks down upon a computer.] -
We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [A painting hanging next to a bag behind a cross with light shining on it. A lighted ball is seen in one corner and lighted bottles in a box are seen in another corner.] -
Aisha Rodriguez, Click, 2013. [A person with pink nail polish hold up a Canon AE-1 film camera.] -
The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [On the left, two cream-colored folding chairs sit underneath a clear lampshade descending from the ceiling. On the right, the back of a projection screen is positioned between two standing speakers. A monitor sits on the ground beneath the screen.] -
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Union Gaucha Productions. Still from A Vida de Infra - Tunga, 1999. 16mm film (sound, black and white), 10 min 17 sec. Courtesy of Union Gaucha Productions. [A black and white close of of a person, with slightly scraggly hair and amblyopia, looking into the camera.] -
David Kroll. The Intrusion of Fear, the Fear of Knowing, 1985. [A fanciful drawn landscape of hunters following deer next to a figure in front of their desk next to a window and fireplace.] -
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Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman. [Two performers on stage, the one on the right is playing the drums and using electronic audio equipment, and the performer on the left is leaning over a large case on top of a table. The room is bathed in yellow, pink, red, and purple light. The wall behind them is projected with abstract patterns.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a fgure wearing a conical sheath of reflective one-way mirror film that covers their entire body. They squat down next to a viewer sitting in a wooden chair. The performer shines a bright light against their face, making their face visible from under the mirror film.] -
Jo Anstey and Julie Zando. Still from The Bus Stops Here, 1990. 27 min. Photo: Micki McGee. [Two people in lab coats and protective goggles are shown in black and white, studying a beaker on the table in front of them.] -
Mel Kendrick, Dinnever Hill. Installation view, Artists Space, 1974. [A black and white installation photograph of a gallery space. Placed on the floor pairs of dark squares lean against a white wall on the far end.] -
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Emily Richardson, Redshift, 2001. DVD Projection, 4 min. [An outdoor landscape at night. Raindrops fall from the sky, and several dots of bright light are visible on the horizon over a great expanse of water, reflecting yellow light onto the water's surface.] -
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Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [An image of a glass display case, above which several drawings hang from the wall.] -
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Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman [A seated figure in a black hoodie and black beanie plays the guitar with red and purple light cast onto them.] -
Martine Flor, Echoes From A Scene IV, 2022. Part of a larger series, spatial photogram on polyester textile (diptych), and text. Photo: Steven Cottingham. [Color photograph of a work consisting of two large sheets of textile with shades of white and grey, suspended from the ceiling. The work casts a shadow on the wall behind it.] -
Students visiting Sleepwalk at Parasol Projects, LES, 2022 -
Traditions: Five Painters. Installation View, Artists Space, 1978. [A large rectangular painting hangs on a wall to the left.] -
Four Artists: An Exhibition of Painting and Sculpture. Installation View. Artists Space, 1985. [Paintings are visible hanging on walls in a white-walled gallery space with white columns in the background.] -
Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color installation photograph of five chairs spread out in a gallery space bisected by two dark columns. The chairs have tv screens resting on their green cushions.] -
We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [A painting can be seen on the right adjacent to walls with a number of posters on them and a window. A sculpture on a pedestal can be seen in the background. A curving ceiling is visible above.] -
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Kelly Poe, Leave, Take, Kill, 2004. Courtesy the artist and Anna Helwing Gallery, Los Angeles. [Yellow text on a brown background reading "LEAVE NOTHING BUT FOOTPRINTS / TAKE NOTHING BUT PICTURES / KILL NOTHING BUT TIME."] -
Jenny Holzer. Video still of Re-Make, 1982. [Dark image of the upper torso of a woman with liquid dripping in the foreground of the image.] -
Yasunao Tone: Region of Paramedia. Installation view (Instrument and Diagram for Music for Reed Organ, 1963), Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery space. In the foreground is a small reed organ, with a music stand holding a clock device behind it. In the background are vitrines holding other audio devices and ephemera. On the window to the right is a blown-up image of a man kneeling with his head to the floor. Black-and-white photographs hang on the wall.] -
Benje LaRico. Prova, 1986. Enamel, Plastic, Wood, Linoleum. 63.5 inches x 84.5 inches x 2.75 inches. [A black and white image of a painted abstract figure.] -
virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a gallery space featuring two large windows on the left and a row of dark metal columns in the center. A pile of grey posters, a table with red chairs, hanging framed images, and blue posters are visible in the space. A large grey and yellow vinyl partially hangs from the wall on the right, cascading down to the ground in the far right corner.] -
Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of a gallery space with two columns running across the room. On the left wall, four framed abstract drawings on black paper are displayed in a horizontal line. On the right wall, three framed abstract drawings on white paper are shown in a horizontal line.] -
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Abasement #83. Performance documentation, January 5th, 2026, Artists Space. Photo: Joshua Wildman. [A performer plays a wooden wind instrument on stage. Connected by plastic tubing and wooden rods, the instrument stands higher than the seated performer. ] -
Elephant Cemetery. Installation view, Artists Space, 2007. [A wide wooden worktable sits in a gallery space with various models, books, and papers displayed on its surface. One of the models located closest to the viewer is yellow and has an amorphous shape. A series of black and white photographs of buildings hang on the wall to the right of the table.] -
Viv Latta, from NYC streets portfolio, 2020, digital photograph [A figure centered in the image stares at the viewer wearing a backwards cap. The background appears as a monochrome gray.] -
Salad Days 3. Installation view, Artists Space, 2008. Photo: Jeremy Ross. [A large structure resembling a well is displayed in a gallery space with wooden floors. The sides of the well are constructed from spray-painted cinder blocks. Supported above the well's opening and a hanging, red bucket is a structure resembling the top portion of a house roof. Behind the well, three large paintings composed of colorful, gestural marks are installed on the gallery wall.] -
ARTstudio, Blue Sky Gallery, May 2024 -
The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich. [A bedroom scene set up in the middle of an open room. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.] -
Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A gif of installation images from Sam Pulitzer's, A Colony for "Them."] -
Untitled (note), date unknown, Copyright Jack Smith Archive, Courtesy Gladstone Gallery, New York and Brussels [A page ripped from a planner, with a header reading, "for week beginning Monday ...., Thursday, Friday, Saturday, Sunday." Handwritten red cursive text, written over divided sections reads, "Capitalism lends to expectation to be manipulated but politely and a horror of ordinary usage between people."] -
The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [Gray silhouettes are displayed on adjacent walls. Miscellaneous items are displayed on gray tables. A microphone and its extended wire lays on the floor in front of a speaker.] -
[A grid of pink hearts on a blue background.] -
Tim Doud, 2001. [A painting of a bald man with glasses looking off to the side. He wears a red Lacoste polo shirt.] -
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Nandi Loaf, Aristotelis Nikolas Mochloulis, rio nagaoka, Sydney Schrader. Installation view, Artists Space, 2025. Photo: Carter Seddon [A series of paintings made with brown and red paint against a white background are hung on a wall.] -
[A metal statue is being lifted from its platform by a crane via ropes around its neck and feet. A large building is visible behind it.] -
Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo. [Photograph of a corner of a gallery, with printed and woven works along one wall, next to a row of TV flatscreens on another wall. In the center of the space is a large wooden platform.] -
Abasement #75. Performance documentation, February 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of two performers on stage. The performer on the left is standing as they sing into a microphone and play the violin. The performer on the left is sitting down playing the drums with their mouth open in an expressive way. The drummer and the back wall are bathed in blue light, with blocks of white abstract patterns.] -
Darien Urena, Living Brick, 2018. [A close-up photo of a snake plant in a white pot next to a brick wall, in front of a mural with somoene's instagram handle painted on.] -
Still from The Last Days of Jack Sheppard (2009). [A animated cartoon in tones of black, blue, and grey depicting a silhouette of a prisoner with a chain on his leg and hands in the air, facing a large door with multiple locks.] -
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Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery. [Black and white photograph close up of white picket fence and painted dark background.] -
Clocking Out: Time Beyond Management. Installation view (Simon Gush, Clocking In, 2013), Artists Space, 2023. Photo: Greg Carideo. [Photograph of the hallway entrance into a basement gallery space. Along the left wall is a clock card machine and time card rack, vinyl text, and a pedestal with printed materials placed on top of it.] -
Marina Cappelletto. Still Life with Three Eggs, 1987. [House-like form with three egg-shaped objects surrounding it with some shadowing visible.] -
Rolando Politi, lets free the caps from being "bonded to the threads of a bottle." Image courtesy Rolando Politi. [A color image of a decorated waste container on the street. The container is adorned with bottle caps in different colors, sizes, and materials, nailed to the surface of the bin. The dense arrangement of the caps on its surface creates complex color patterns and textural accentuations.] -
Log Cabin. Installation view, Artists Space, 2005. [Multiple small, rectangular collages hung in two rows on a gallery wall. The collages are displayed in black frames and feature images of people as well as text fragments. Most are black and white or contain minimal color.] -
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Metaphysical Visions. Installation view, Artists Space, 1989. [In the foreground of a white gallery space is a large sculpture made of a wooden box topped with a floral textile and wooden chairs. Another sculpture and painting are installed behind it.] -
Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman [Black-and-white image of three figures performing in a band on stage, the right figure plays the saxophone, the middle figure plays the drums, and the right figure plays a synthesizer.] -
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virgil b/g taylor, cover of Fag Tips for Artists Space, 2022 [Over a white background yellow and black dotted lines appear in a swooping fashion. Several curved yellow lines with arrows on either end are also visible. The words "We, you?" and "Or, you, here" are printed in black text in the top and bottom thirds of the image. The words "activity," "condition," and "object" are printed in yellow text inside of ovals made of yellow dashes.] -
Yasunao Tone performing Paramedia, Experimental Intermedia Foundation, 1990 [Black-and-white photograph of two figures sitting behind tables filled with audio equipment. They are focused on manipulating the audio machines in front of them.] -
[A black and white line drawing of a person in an art gallery looking at a portrait on the wall. There is another piece on the wall of a person holding a rectangular box and blowing a bubble.] -
Paul Lamantia. Lilith, 1985. [Three figures with misshapen bodies and faces appear in a surreal setting.] -
[A black and white image of a woman painting on a three-dimensional canvas. She holds a paintbrush in her right hand and a jar of paint in her left hand while leaning over the canvas.] -
ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A display of multiple images on a white gallery wall.] -
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Marz Saffore speaking at “Palestine, BLM & Boycott in the Arts.” Artists Space Books & Talks, Friday, November 4, 2016. Courtesy Decolonize This Place and Artists Space, New York. Photo: Andrés Rodriguez [Marz Saffore, dressed in a beige argyle swearer, a polka dot button up, jeans, and a green cap, sits and speaks into a microphone.] -
Michio Okabe, Crazy Love, 1968 [Black-and-white image of nine figures sitting around a small table. One figure is playing a hand drum while the others chat and smoke.] -
Louisa Chase. Installation view, Louisa Chase, Ted Stamm, Meryl Vladimer, Artists Space, 1975. [A black and white installation photograph of a gallery space. Placed in a triangle formation around a column, several small objects lie on circular or rectangular mats on the floor.] -
Installation View from Moderns in Mind, Artists Space, April 12, 1986 - May 10, 1986. [A long rectangular sculptue lies on the floor in front of paintings hanging on adjacent walls in a gallery setting.] -
Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure in side profile plays the tuba which has been fitted with a microphone at the bell's opening.] -
Union Gaucha Productions Still from Phantom Limb , 1998 16mm film (silent, black and white), 21 min 45 sec Courtesy of Union Gaucha Productions [A black and white image of various tones of traingle shapes and lines.] -
[Fuel prices listed in white numbers separated by red lines on a dark blue display sign.] -
Establishing Shot Exhibition Catalogue, Artists Space, 2004. [A grid of slightly distorted portraits; the left side all in black and white and the right side in light blue and white. Arranged along the border between the two colors text reads vertically "ARTISTS SPACE." Additional text reads, "ESTABLISHING SHOT / 03.09 - 05.01.2004 / MAIN SPACE."] -
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Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A woman wearing headphones stands in front of a horizontal monitor displaying an image of two illustrated eyes and a nose. Behind the monitor, several framed photographs lean against a wall. A long, red carpet runs across the floor underneath the photographs.] -
Pamphlet Cover for Mike Henderson, Artists Space, 1990. [An abstract image of two rectangles, one light and one dark, each dotted with a grid of circles. Below this, black text reads, "Mike Henderson, April 19-May 19, Artists Space."] -
The Library Vaccine. Installation view, Artists Space, 2014. [A cluster of metal book shelves sit in the middle of the room. Visible are the cubbies of three structures, populated with books of various sizes and colors.] -
Tiffany Sia, Barriers Buy Time, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A row of books with silver covers on a shelf. A black table and chair can be seen in the reflection of the book cover.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure, wearing reflective one-way mirror film around their body, hanging off the ledge of an open doorway entrance.] -
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Jeff Feld, Performance of the only part of Robert Rauschenberg's "Pelican" that I know, 2001. [A person on roller skates and knee pads with a large, fabric umbrella held on his back.] -
Not yet titled, 2019
Clay, glaze, mixed media
12 x 13 x 5 inches (variable)
$5,000
[A glossy object with dark tones showing glimpses of bright blue and purple throughout is pictured on a white base. The object has a lemon and an onion balanced on either end, with electrical cords running from the produce to a chipboard at the object's center.] -
Tom of Finland, Untitled, ca. 1966, collage on paper. Courtesy Tom of Finland Foundation, Permanent Collection. [A collage of four half-naked men dressed in a pilots hat arranged on paper.] -
Audrey Glassman, Untitled, 1983. Cibachrome, 28 x 42 inches. [A cropped face of a figure is seen on the right with the image of a lantern light perched on a tree branch filling the left side of the image.] -
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Beverly Semmes, Woven Photograph, 1989. [A black and white photograph of a field with trees in the background has been cut into strips and woven back together.] -
Charles Ahearn, still from Sinatra, c. 1977. Black and white video, 3 min. [Black and white image of an open mouth, only partially visible in the darkness. A candle hovers in front, illuminating the figure's teeth, gums, and tongue.] -
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Four Scottish Artists. Opening Reception, Artists Space, 1979. [A photograph of the exhibition opening reception. A group of visitors look around at the art.] -
Young Fluxus. Installation view, Artists Space, 1982. [Plastic bags of objects appear on a white gallery wall.] -
Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure plays the drums in the background with an out of focus piano in the foreground.] -
Cici Wu, Foreign Object #1 Fluffy Light (anonymous), 2018. Handmade opalescent glass, CDS photo-reflectors, white and orange LED indicator, switch, chargeable battery, electronic board, memory cardboard. 4.5 × 4.5 × 4.5 in. (11.43 × 11.43 × 11.43 cm). Courtesy the artist and 47 Canal Gallery. Photo by Joerg Lohse. [A bulbous light-hued pink sphere-like object rests upon a white plinth. When in use, a red light on the object blinks to signal that the object is functioning correctly.] -
Abasement #84. Performance documentation, February 16th, 2026, Artists Space. Photo: Joshua Wildman. [Two performers play the drums on stage. The room is speckled with white dotted lights.] -
[An abstract pixelated artwork in pastel tones.] -
Abasement #81. Performance documentation, October 20th, 2025, Artists Space. Photo: Joshua Wildman. [A performer wears a suit adorned with large appendages and plays a stringed instrument. The stage and wall behind it are bathed in blue light. ] -
Anicka Yi, Flirting Is An Algorithm, 2015, Silkscreen on archival box, 24½ x 20½ x 1½ in / 62,2 x 52 x 3,8 cm, Signed and Numbered. [A spotted pattern against a white ground, with each spot having a unique stain, splatter, or drops of ink.] -
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Nihon University Film Club, Closed Vagina, 1963 [Black-and-white image of two figures leaned over the tiled wall of a bathtub.] -
Milford Graves, Hand-painted Drums, c. 1970s. Wood and metal bass drums, toms, snares, acrylic paint, and mixed media. Dimensions variable. Photo: Filip Wolak. [An aerial view of a hand painted drumset on a wooden floor.] -
Art Day, Blue Sky Gallery, 2017 [Eight colorful paintings are exhibited in a grid pattern on a wall with a small didactic. "Blue Sky Gallery - P.S. 140 and Artists Space Expanded Art Ideas" is printed on the wall.] -
Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich. [The corner of a room with two white walls. On one wall, there is a white collared shirt on a hanger, a black and white abstract image, and a small white sculpture.] -
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Jim Pavlicovic. Installation view featuring Jim Pavlicovic, from Gerry Morehead, Jim Pavlicovic, Artists Space, 1976. [A black and white photograph of a figure standing in a gallery space, looking towards the camera. On the wall behind them, several canvases with no discernable markings hang.] -
Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater. Installation view, Artists Space, 2019. Photo: Daniel Pérez. [Installation view of several works in a gallery space. Twelve long wooden poles are mounted on a white gallery wall in a circular formation, projecting out from the wall and intersecting a line of black columns, forming a teepee shape. A large piece of brown linen stained with various black, white, and rust-colors hangs from the poles. Part of the linen drapes on the ground below the teepee structure. A wooden wardrobe stands against a wall in front of the structure. Several bottles filled with urine stand in a line behind the structure, in front of an abstract sculpture in the corner of the room. The sculpture contains a humanoid head, a TV monitor, and haphazard pieces of wooden and cardboard.] -
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New Economy. Installation view, Artists Space, 2007. [An installation view of two rows of photographic portraits tacked to the walls. In the background is a red, white and black print that says "Imagine that capitalist revelations are overcome by local economic federations of grassroots groups that produce according to regional demand."] -
Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a wooden cafe chair with green cushion in a gallery space. The chair is placed up against the wall and a set of doors is visible in the background. A television screen rests atop the chair with a cord extending down to an outlet on the ground.] -
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Hito Steyerl, Liquidity, Inc., 2014, HD video with sound, 30 mins. Courtesy the artist and Andrew Kreps, New York. Installation view from Hito Steyerl, Artists Space, 2015. [A side view of a large video monitor screen, sitting on the ground, with a large ramp extending from the base. Two viewers sit on large pillows at the curve of the ramp. The room is tinted blue. On the screen, there is a man in a sitting in an office with a note pad and a pen at the table in front of him.] -
Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman. [Color image of audience members watching a performance out of the left side of the frame. On the left side of the image, there are two rows of seated audience members in shadow. In the center of the image, audience members stand against a wall. The upper half of the standing audience members is cast in orange and red light emitted from a projector. Behind the standing audience, an image of a figure rendered in red, yellow and blue is projected on the wall. On the right edge of the image, there is a table with clear glasses and bottles of wine. ] -
Laurie Palmer, Winter Flush, 1989. Installation view, Artists Space, 1989. [A pile of dark earth and plant matter is heaped against a wooden bannister.] -
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Morton Livingston Shamberg and Elsa von Freytag-Loringhoven. God, 1917. Philadelphia Museum of Art [A black pipe coming out of a concrete slab beneath it, twisting around, pointed up and cut off, against a whitish slab behind it, as if to frame the pipe.]
