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[A screenshot of the google images search results for the query "exit not escape."] -
Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of an ice block sitting on top of the keys of a reed organ. The reedorgan is covered in a sheet of clear plastic. A clock and instructions sit on a music stand behind the organ.] -
Union Gaucha Productions Still from Totloop , 2003 16mm film (silent, color), 4 min 49 sec Collaboration with Fabio Kacero Courtesy of Union Gaucha Productions [An overexposed image of a person looking at the camera, their face partially obscured by the exposure.] -
Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [An audience watches a performance, smoke and an orange light fill the room.] -
Ethan Crenson, Fission, 1996. Mixed media installation. [A corner of a room filled with ping pong balls set atop mousetraps. They are lit from the side by a fluorescent tube light.] -
Mitch Corber, video still, c. 1977. [Black lowercase typewriter text on a white background reads "we can't wait."] -
Mel Kendrick, Dinnever Hill. Installation view, Artists Space, 1974. [A black and white installation photograph of a gallery space. Placed on the floor, pairs of dark squares lean against a white wall.] -
Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Gary Burnley. [People standing around a gallery space with various globes surrounding them and frame images hanging on the wall to the right.] -
Elephant Cemetery. Installation view, Artists Space, 2007. [Two slide projectors sit on a table, projecting small images onto perpendicular walls. On one wall, there is a paper lamp and three framed photographs: two black and white images of folded paper, and one color image.] -
Danh Vo. Installation view from Autoerotic Asphyxiation, 2010. Photo: Daniel Pérez. [A vintage, framed black and white photograph of five priests dressed in all black stiffly pose before the camera for a portrait. The two men sitting closest to the viewer hold hands.] -
Wall Drawing. Installation view, Artists Space, 1981. [Multi-wall drawing of various figures visible in gallery space.] -
Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court. [A person dressed in all pink, holding several sheets of paper, speaks into a microphone. Her arms are draped with masses of cords. A crowd of audience members surrounds her, some seated and some standing.] -
Lyndon Barrois Jr., Guardians Gate (Farfanicchio), 2022; Masters of Fine Arts, 2011/2022. Wood, latex paint, antique brass elements, cast iron, oil paint, twigs, brass, burlap, packing felt; oil on canvas, artist frame, solvent transfer, plywood, curtains, frames, lights, easels, conservators coat, headlamp. Dimensions variable. Photo: Filip Wolak [A color photograph of a door with multiple nested smaller doors within the doorframe. Each individual doorway is framed with a gold outline. To the left are several empty picture frames and two studio lights. In front of dark green curtains is a painting set in a gold frame.] -
Klara Lidén, Untitled (mailbox), 2012, Archival inkjet print, 24 x 18 inches, Signed and numbered certificate [A black and white photo captures a New York City postal service box.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of three figures, wearing conical costumes made of reflective one-way mirror film, standing at the doorways of a gallery space.] -
The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich. [A bedroom scene set up in the middle of an open room. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.] -
Image provided by Gordon Hall. [In a grassy clearing in the shade of two green oak trees mostly obscuring the sky, the words “CENTER for EXPERIMENTAL LECTURES” are projected onto a small screen supported by a wooden frame held upright between leaning cinderblocks. Small monitor speakers are in the foreground on either side, one with a clamp light attached to it and a stack of books on top of it.] -
Jana Euler, Unstretched, bound, outside mission, 2020, acrylic on linen, bubble wrap, ratchet strap, chicken wire, dimensions variable. Photo: Daniel Pérez [A large, orange and brown stuffed slug sculpture is strapped around a Greco-Roman style columns on the facade of a cast iron building. The slug’s antennae points upwards.] -
Wish I Were Here. Photo: Alexandra Stock. [A young boy with his arms outstretched leans against a wall. The wall is covered with a larger than life photograph of a crowd of people holding flags and signs, as in a protest or a rally.] -
Pictures. Installation view, Artists Space, 1977. [A large room with white walls. Artworks hang on the right and left walls, covering most of the surface area. There is a door open towards the back of the room.] -
Milford Graves, Bikongo-Ifá: Spirit of the Being, 2020. Wood, tabla, acupuncture model, bata drum, Nkondi figure, George Washington Carverbust, compass, glass, peanuts, LabVIEW animation, monitors, bells, plasma, lamp, globe, eagle figurine, alarm clock, collaged paper, printouts, copper wire, paint marker, metal fasteners, casters. Dimensions Variable. Photo: Filip Wolak. [A color photograph of a sculpture composed of three monitors, drums, a human figure sculpture, and topped by a small sculpture of an eagle in mid-flight.] -
Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Two side-by-side magazine advertisements mounted on a white wall. On the left, a portrait-oriented multicolored image is titled, "One out of every 100 new business succeeds. Here's to those who take the odds." There is a short written blurb below. On the right, a landscape-oriented spread shows an image of a car with its doors open on the left page. On the right page, large text reads, "The Delorean. Live the dream." An additional image of a car and a single column of text is positioned to the right of this headline.] -
Replica of a Lost Original. Installation view, Artists Space, 2007. Photo: Bill Orcutt. [A gray television sits on a rectangular wooden board. There is a mass of wires extending from the back of it snaking towards a pile of nearby photographs. On one white wall opposite, there are two identical images. Leaning on the other white wall is a framed photograph of two books, a wooden rectangle, and a photograph stacked vertically on each other. There is a second photograph offset to the right.] -
Amalia Soto, My Apology, 2022. Single-Channel video, 23:59 minutes, wall vinyl. Photo: Steven Cottingham. [Color installation image showing a video monitor mounted on a wall which is covered in tiled images of YouTube pages. A pair of wired headphones is hanging to the right of the monitor.] -
Hannah Weiner, Book of Revelations, 1989, Pencil in altered book, dimensions variable [An image of a brightly photographed display case with a book which has been cut into in the center.] -
Richard Hawkins, Sarrasine 3, 2013, Archival pigment print on Sunset Cotton Etch 285 gsm with collage element on Hahnemühle Photo Rag 188 gsm, 19 x 16 inches, Signed and numbered [A photo and drawing collage featuring the image of a man in contrapposto with a phone to one ear. In the background, stairs leads into an arched passageway.] -
Liam Gillick, Thinking, 2010, Inkjet print on Sunset Cotton Etch 285 gsm, 24 x 20 in / 61 x 50,8 cm, Signed and numbered [An image depicting a digitally-created cartoon-style black-and-white humanoid figure standing upright, holding a stick. He has a long beard, hair across his body, and leaves as a skirt and hat. A thought bubble appears above his head, with sans-serif text stating "Thinking more about production than consumption..."] -
Benje LaRico. Goa IV (JEM), 1987. Enamel, Wood, Plastic on plywood. 48 inches x 96 inches x 6.75 inches. [A black and white image of a painted abstract figure. The figure consists of multiple materials and line qualities.] -
Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A large, shiny black structure consisting of three columns supporting a large, irregularly shaped flat plane installed in a gallery space. A black-and-white image wraps around the rightmost, cylindrical column of the structure. The image depicts a person dressing a mannequin in an office.] -
Jane Bowles with Cherifa in Tangier, 1967. Photo: Terrence Spencer/Time & Life Pictures/Getty. [Black and white photograph of two women, one in a white dress and the other in a black niqab and sunglasses, walking arm in arm in a narrow street.] -
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SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit kneels down next to a wooden table and looks off to the right. Audience members sit along the floor in the background.] -
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Artists Draw. Installation view, Artists Space, 1979. [A drawing of a man's head cut off at the neck with horns made of hair. Text along the top reads "flames of genius."] -
Richard Hollis. Installation view, Artists Space, 2013. [In the foreground, one side of a book stand displaying various posters and documents. Two more in the background include more items. Two people congregate in a coversation around a bookstand in the background.] -
Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space. 2010 [An expansive space with a grid of white columns, sheer curtains cover windows lining the back wall.] -
Folio Series: Intangible Economies, 2012. [A white book cover depicting silver coins with the text "♥good for all night♥".] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a fgure wearing a conical sheath of reflective one-way mirror film that covers their entire body. They squat down next to a viewer sitting in a wooden chair. The performer shines a bright light against their face, making their face visible from under the mirror film.] -
Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater. Installation view, Artists Space, 2019. Photo: Daniel Pérez. [Twelve long wooden poles are mounted on a white gallery wall in a circular formation, projecting out from the wall and intersecting a line of black columns, forming a teepee shape. A large piece of brown linen stained with various black, white, and rust-colors hangs from the poles. Part of the linen drapes on the ground below the teepee structure. Several sculptures are visible behind the structure, containing disembodied humanoid heads arranged among platforms and pieces of wood, cardboard, and other materials.] -
Frank Dimario, Octavius Neveaux. [A yellow print of a person with glasses leaning over and looking forward. Next to him is another person, his hands holding his chest, looking down.] -
Catalina Parra, Fosa común, 1984. Installation at Art Awareness Gallery, Lexington, New York, USA. Courtesy Archive, Catalina Parra, New York. [A woman uses a shovel to dig a shallow rectangular pit in a grassy field. Four burlap sacks filled with earth lay to the left side.] -
Millie Wilson, The Painter Who is Not One, 1990, detail. Acrylic on canvas, text, type, photos, wall paint, 13 by 25 feet, variable. [A small square of illegible text, an abstract image of two black squares on grey, and a painting of a person in period dress and a top hat all hang on a blue wall.] -
Lyndon Barrois Jr.: Mirage Collar. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a blye and white ceramic jug on a small wooden stool. Next to the jug is a color control strip.] -
Artists Draw. Installation view, Artists Space, 1979. [Various drawings are hung up on white walls. The drawings consist of simple shapes and lines.] -
Shala Miller performs Genesis: Medley at Artists Space, co-presented with Frieze New York 2023. Performance documentation, May 19th. Photo by Vanessa Diaz/CKA. Courtesy of Frieze. [Color photograph of a harpist, and a row of singers seated, and singing into a microphone stand. Audience members fill the room on either side of the seated performers.] -
Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York. [A figure facing a microphone looks upon a computer with audio software open.] -
Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A large potted fern sits to the right of an elevator door in a light-filled gallery space. To the right of the fern is a low, round table with a pen and open booklet on top of it. A large black and white image installed on the gallery wall behind the fern shows several art books lined up next to one another on a blank surface. Text above the books reads, "histoire de l'art cherche personnages."] -
Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A stack of large papers filled with text sit on a low, white plank on the ground. To the right of the paper stack, a newspaper clipping is displayed on a white wall. A small glass filled with rubber bands sits on the ground to the right of the paper stack.] -
Abstruction. Installation view, Artists Space, 2003. [A large gallery space with white walls and wooden flooring. The length of a long gallery wall has been painted with amorphous areas of turquoise, yellow, red, and green color amidst vaguely cloud-like white shapes. Several rectangular canvases decorated with similar designs lean against the wall. A large blue shape resembling a bridge stretches across the wall design.] -
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[Two women in front of a white wall. They are dressed in matching white jackets and short white skirts, and each wear a set of colorful rollerskates. One woman is on her toes with her arms extended behind her, reaching for and pulling the second woman who is leaning forward to grab her hands.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Two figures in blue morph suits face off, with one figure sitting down on a wooden box looking up at the other figure who stands above them wearing wings made of fresnel lenses. All the way on the right a figure takes video footage of the scene.] -
[A digitally-produced image featuring a series of translucent, yellow forms that resemble topographical renderings superimposed over a series of white grids.] -
[A white text logo reads, "Union Gaucha Productions."] -
rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a gallery space with various artworks organized within it. On the wall is an adobe panel painting of the side of a freeway. In the middle of the space is a small pile of freeway rubble with a bird sculpture placed on top of it. In front of the wall is a walkway made of adobe bricks, leading to a painting on adobe panel of a woman in a purple dress. ] -
Les LeVeque, The Rain Forest is on Fire, 1990. Mixed media, 65 x 126 x 26 inches. Photograph c/o Peter McClennan. [A large log spans the length of a table, held down with straps and with eight machetes affixed to the table alongside it. On either end of the log are two televisions, and the one facing the camera displays static.] -
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Yasunao Tone Concert #3. Performance documentation, March 16, 2023, Artists Space. Photo: Destiny Mata [Color image of a figure performing on a black stage in front of an audience. The figure on stage stands behind a white desk with a laptop and other audio equipment on it.] -
Dyonis Diaz, Underworld, 2020, collage, pastel and pen and ink -
Tracy Benissan, Untitled, 2014 [A drawing of several glasses of varying shapes holding colorful liquids suspended on a flat background] -
Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Three paper bags photographed at an angle sit on pedestals. Closest to the camera, the bag has been painted with white and blue foliage, and collaged with a drawing of Africa. The two, farther bags portray drawn portraits of men.] -
[Text reading “'We Cover for You. / – NRO” is overlaid on an image of a plastic gloved hand that applies blue plaster with a wooden stick.] -
Playing cards from Barbara Bloom's Solution. From Barbara Bloom, David Salle, Artists Space, 1976. [A photograph of six index cards with typed up clues.] -
Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [Three wooden chairs with headphones on top of them face a television monitor, which displays a figure wearing a keffiyeh. White text underneath the figure's face reads: "Mahyoob Abdul Latif, Adnan Latif's uncle."] -
Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure in a suit stands on stage, behind a music stand and speaks into a microphone.] -
Installation view, Robert Morgan. Artists Space, 1977. [A gallery space with a large circle of decals on the wall on the right. In the far left corner, a projector sits on a pedestal.] -
[Dark blue text overlays red-pink background. The text reads: “February 4 / Dodie Bellamy / Paige K. B." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)] -
Tom of Finland Untitled , 1967 Graphite on paper Tom of Finland Foundation, Permanent Collection [A man wearing only a leather jacket thrusts his pelvis forward as he ejaculates in front of seven enthusiastic men.] -
Colin MacCabe, Godard: Images, Sounds, Politics (Macmillan, 1980). [A bifold book cover. A picture of a woman singing into a microphone bleeds across the front and back cover and the title of the book is written in a blocky yellow font.] -
Cover for Everything is common catalogue by Jack Hogan [A person holding caution tape over a patch of wet cement with the words Everything is common written in it.] -
devynn emory, Grandmother Cindy. Performance documentation, May 18, 2022, Artists Space [A person dressed in blue stands next to a mannequin draped in red fabric lying on a rolling table. To the left is an IV stand and people seated in the background. ] -
Gerhard Richter Party , 1963 © Atelier Gerhard Richter [A black and white painting of five people, dressed in party attire, smiling at the camera. Red paint conveys cuts, stitches, and injuries across their neck, face, and limbs. The woman second to the right of the frame is portrayed with red-toned legs.] -
Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A large red carpet extends across the length of an exhibition space next to a windowed wall. A long line of framed photographs lean against the windowed wall. Two figures examine the photographs and additional artworks displayed in the space's background.] -
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Abstraction in Process. Installation view, Artists Space, March 26, 1987 - May 2, 1987. [On the right abstract paintings on rectangular wooden blocks, a column bisects the frame centrally and painted wood constructions are visible on the walls in the background in a white-walled gallery setting.] -
Five Spanish Artists. Installation View, Artists Space, 1985. [A large stick appears emerging from an image of reverberating water out of the image onto the upper lefthand corner of the gallery wall.] -
Young Fluxus. Installation view, Artists Space, 1982. Frames 31-36: Installation views of Tad Savinar’s “Rock” in Room 207. [Contact sheet of photos from the exhibition.] -
Exhibition Catalogue [A black and white image of a man photographing a plastic penguin in front of a decorative gate. Sideways text on the right reads, "Jack Smith, Art Crust of Spiritual Oasis, June 22 - September 9, 2018, Artists Space."] -
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New Economy. Installation view, Artists Space, 2007. [On the far wall is a triptych of photographic posters that show piles of logs with a bottom text, "Nothing is real, Everything is Possiblem." In the corner of the room are stacks of red crates with cola bottles and on the opposit wall is a sculpture resembling a part of bicycle that is attached to the wall.] -
Artists Space staff, 1979. Photographed by Cindy Sherman as part of a photo shoot for Cover Magazine. [A black and white photo of an office with several people standing and sitting behind desks.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit leans over a wooden box placed on the floor, while another figure to the left films them. Blue light is projected onto the back wall to the right.] -
Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A detail shot of a larger photo collage work featuring 20 identical images in a grid that have been altered with black, yellow, or white paint to vary the scene presented of a man opening up the hood of a car.] -
Young Fluxus. Installation view, Artists Space, 1982. [Detail of diamond-shaped sculpted object in its square container.] -
Perspective: The State of Existing in Space Before the Eye. Leaftlet cover, Artists Space, 1989. [At the center of a page there is an image of a charcoal drawing of a foot overlapping a scrap of an architectural diagram on a black background. Above this image, text reads, "Don Stinson, Perspective: The State of Existing in Space Before the Eye." Below the image, text reads, "September 28-November 4, Artists Space."] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, September 16, 2022 - December 3, 2022. Photo: Filip Wolak [Three desks are lined up in front of each other, each desktop has a TV monitor and clay rocks. In the back is a dark room with yellow LED light sculptures.] -
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James Coleman. Still from Seeing for Oneself, 1987-88. Slideshow (black and white), 40 min. [A black and white film still of two people in period dress. One lies on a patterned couch, wrapped in sheets, while the other stands observing. Above the couch, a mirror on the wall reflects the scene to the camera.] -
Juliana Huxtable, Train, 2018, Sound recording on compact disc housed in four-panel sleeve featuring original artwork, Recording: 14 min 17 seconds, sleeve: 5 x 10 inches, Signed and numbered. [A dense graphic background of yellow circles and green dots on red ground is layered with text that reads "close your eyes" in a variety of fonts and colors.] -
Marc Camille Chaimowicz, Enough Tiranny Recalled (Artists Space), 2009, 6 color screenprint, 24 x 24 in (60 x 60 cm), Edition of 10 + 3AP. [The screenprint shows a collage of photos some in black & white and some in color. Some images show scenes with people and others document different multimedia installations. On top of the collage in large white block letters is written "Enough / Tyranny, / Recalled."] -
Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays a courtroom depiction of two individuals, one with blonde hair and fair skin wearing a suit, the other tan with dark facial hair wearing a keffiyeh. Behind the seated men is an image of a man sitting on the floor, in what appears to be solitary confinement.] -
Louise Lawler. Installation View. Artists Space, 1986 [A yellowish image of a fireplace with paintings, a mirror and a TV monitor next to a line of text that reads: "Once there was a little boy and everything turned out alright. The End."] -
Andy Robert, The Terrain, 2021. Photo: Filip Wolak. [Color image of a framed piece of notebook graph paper, with a pen and ink drawing of a rectangle with various lines and dots. In the bottom-center of the paper is the word "TERRAIN."] -
Renee Gladman, Black Wandering, 2022, oil pastel, pigment, and gouache on paper, 30 x 44 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak. [An abstract drawing consisting of two white circles and two grey rectangles, from where lines and shapes emerge. Blurred white lines, and illegible text complement the composition. On both sides, green strokes, and a continuous white line create other abstract figures.] -
Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan. [Black & white photograph of a room with black walls. A figure stands behind a harp, next to a stool and music stand. A spotlight shines on the harp. In the middle of the space is a hanging screen that plays a projected video of a close-up of a face.] -
G. Peter Jemison, Apple Blossom Furry (Daffodils), 2000. Photo: Filip Wolak. [Color image of a painting, done on a paper bag, placed on a white pedestal. The painting features an apple blossom tree, with a light blue sky in the background, and green grass. The tree is painted over a blue square in the middle of the bag that reads "Mikasa."] -
Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [Two glass display cases holding ephemera sit on either side of a tv monitor, on the wall are four black and white contact sheets. ] -
The Mind/Body Problem. Installation view, Artists Space, 2006. Photo: Alan Wiener. [Six watercolor paintings affixed to a white wall with pins. The paintings are various sizes, five depicting the sky and landscapes at various times of day. In the center, a man is depicted facing backwards, pulling down his pants to expose a tattoo of a triangle.] -
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Installation view from J.B. Cobb, Martha Edelheit, Ree Morton, Artists Space, 1973. [A black and white photograph of a gallery space. A painting of nude reclining women hangs on the left, and a figure in a suit and tie looks on from the right.] -
The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak. [Five figures standing before a set of music stands. The figure closest to the viewer stands in profile and gazes ahead, while two figures directly behind them look towards him with furrowed brows.] -
Laura Cottingham & The Anita Pallenberg Story. Installation view, Artists Space, 2017. Photo: Daniel Pérez. [A photo taken on a diagonal of two people sitting on black chairs in a dimly lit room with a projection on the wall. The projection features a person with red hair looking at themself in a vanity mirror.] -
Mel Kendrick, Dinnever Hill. Installation view, Artists Space, 1974. [A black and white installation photograph of a gallery space. Placed on the floor pairs of dark squares lean against a white wall on the far end.] -
Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Two video monitors are mounted on a colorful gallery wall covered with a photo decal of large, white letters and a ram's head. Four stools sit in front of the monitors. A pair of headphones rests on each stool, connected to the monitors.] -
[A vintage, black and white photograph of the interior of a shop window, which looks out upon a city street. Two men stand to the left side of the window, casually leaning against a pole and talking. Various metal vases, cutlery, and ornaments are displayed on the shelves within the window.] -
Jolene Rickard, Leadership (detail), 1987. [A black and white photo of an antler.] -
[Two Artists Space tote bags lay in the autumn grass. One is black with a white line drawing, the other is pink with a black bold graphic.] -
Tom Rubnitz. Installation view, Artists Space, 1981. [Painted objects attached to the wall in a white-walled gallery space.] -
[A dirty, gray tile floor with small wisps of hair scattered across it.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in white, laying down on a window ledge facing the street. They raise on arm up and a white light shines from their pelvic area.] -
Steve Carter, Tile Series (detail), 1994. [A gray cross made from wire on a white background, with a small, red square held in the center.] -
Installation view of Social Disease and Two Possibilities, Artists Space, April 12, 1986 - May 10, 1986. [Two people sit on chairs in front of television monitors that are showing a black image. The television monitors are on pedestals in the gallery space.] -
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Front Yard Exhibition Galerie Parnass, Villa Jährling, Moltkestraße 67 February 1964 Photo: Rolf Jährling, Zentralarchiv des internationalen Kunsthandels ZADIK [A black and white image of four paintings of various sizes displayed against a fence with a thin layer of snow, marked with footprints, beneath them.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [A color image of a dark room featuring illuminated yellow and orange shapes floating on the wall and reflected on the floor.] -
Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery. [Black and white photograph of white picket fence with dark painted background behind it.] -
In the Kaleidoscope Room, by Elizabeth Stone. [A book cover of In The Kaleidoscope Room by Elizabeth Stone, with the title and author written at the top in yellow text. Underneath, there is an image of a woman's face with orange lazers shooting out of her forehead in the shape of a soda bottle, with a straw coming out of the top. Behind her are light green and dark green checkered mountains. Under that is an old silver car with yellow headlights on a pink and blue checkered floor.] -
Shala Miller performs Genesis: Medley at Artists Space, co-presented with Frieze New York 2023. Performance documentation, May 19th. Photo by Vanessa Diaz/CKA. Courtesy of Frieze. [Color photograph of two figures preparing to perform. In the foreground, out of focus, is the side profile of a figure playing a white keyboard, with music sheets in front of them. To the right, in focus, another figure sits on a wooden chair, eyes closed in concentration and behind a microphone stand.] -
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The Serving Library. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [Several framed posters, photographs, and ephemera varying sizes hang on a white gallery wall. On the right side of the wall hangs a photographic portrait of a figure in a striped shirt standing against a striped wall.] -
“Palestine, BLM & Boycott in the Arts.” Artists Space Books & Talks, Friday, November 4, 2016. Courtesy Decolonize This Place and Artists Space, New York. Photo: Andrés Rodriguez [A projection on the wall displaying two posters, one that reads "Black Lives Matter" featuring an upside down image of the Empire State building, and to its right, one that reads "Palestine, BLM & Boycott in the Arts" with a yellow background, orange lightining-style graphic, and Arabic text.] -
Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan. [Black & white photograph of a performer singing into a microphone stand, positioned along the center of the wall. The audience sits on the floor around the center of the room, where hanging screens depict a projected video of a close-up of a figure's face with a bright light coming from one side of the image.] -
Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [A close-up color image of a musician sitting on a chair playing an electric guitar in an unusual way. The guitar is laying on his legs and he is using a metal stick to play the chords. Blue and purple projections cast onto him.] -
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A Strategy Hinted At. Installation view, Artists Space, 1997. [A gallery space with a seat made from a wooden block in the center. On one wall, five artworks hang in a horizontal line. Several perpendicular walls emerge from the gallery wall to the right of the space. The perpendicular walls are arranged such that they create small booths, with a square hole in each wall.] -
Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [Two figures wearing medical scrubs stand across from each other, with a table with a mannequin on it in the middle.] -
Don Gummer. Installation view, Artists Space, 1974. [A color installation view of a gallery space with a white column, and three white tables.] -
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Barbara Kruger. Installation view, Artists Space, 1974. [A color photograph of abstract rectangles with white, green, and black stripes, arranged in a sun like shape on a white background.] -
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Jutta Koether, Fifth Season Act, Apotheosically, Artists Space, 2012. [A close-up image of an assemblage with a figure on the left-hand side in a white suit holding a microphone.] -
Margia Kramer. Installation view, Artists Space, 1980. [Black and white photograph of cursive white text on a black background on the floor.] -
Cici Wu, Foreign Object #1 Fluffy Light (anonymous), 2018. Handmade opalescent glass, CDS photo-reflectors, white and orange LED indicator, switch, chargeable battery, electronic board, memory cardboard. 4.5 × 4.5 × 4.5 in. (11.43 × 11.43 × 11.43 cm). Courtesy the artist and 47 Canal Gallery. Photo by Joerg Lohse. [A bulbous light-hued pink sphere-like object rests upon a white plinth. When in use, a red light on the object blinks to signal that the object is functioning correctly.] -
Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of a "bc" logo printed on a black glossy structure.] -
Margit Lewczuk. Installation View. Artists Space, 1985. -
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Wesley Kimler. Untitled (blindfolded), 1984. [A nude figure with a darkened face appears moving an art and directing their gaze towards the viewer.] -
Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee. [A black and white installation photograph of a gallery space. Several large framed pieces hang on the left and right walls.] -
Eileen Gray. E. 1027, 1926-29. Interior [Black-and-white photo of the interior of a house, with several paintings, a round and square rug, and two armchairs, of various styles considered modern around the early 20th century.] -
Der symbolische Auftraggeber/The Symbolic Commissioner, edited Søren Grammel, published by Sternberg Press, 2011. [A book cover design. The title "Der symbolische Auftraggeber/The Symbolic Commissioner" is situated at the top of the cover. Below it is an image of two sculptures made of large rectangular panels affixed in midair by metal poles that reach floor to ceiling. To the right of the sculptures is a white plinth, and in front of that, a television on the ground.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure reads into a microphone, glancing at their phone.] -
Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith. [Various paintings, drawings, and sculptures of torsos hang along a wall. In the corner, a bust with an upturned face sits on a pedestal.] -
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Richard Klauber. Small Black Painting, 1975. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975. [A color installation photograph of a black and white abstract painting on a white wall.] -
The Library Vaccine. Installation view, Artists Space, 2014. [A seven shelf, white, book case is housed full of various colorful and sized books.] -
Whitney Museum of American Art Independent Study Program Studio Exhibition. Installation view, Artists Space, 2018. Photo: Gustavo Murillo Fernández-Valdés. [A kite hangs from the ceiling of an exhibition space in front of a white gallery wall. Three yellow-toned paintings are displayed at eye level on the wall behind the kite. Three identical paintings depicting an image of a white, tent-like tarp sit at an angle on the gallery floor to the left of the yellow paintings.] -
Nihon University Film Club, Closed Vagina, 1963 [Black-and-white image of two figures leaned over the tiled wall of a bathtub.] -
virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of an alleyway. Two sets of grey and yellow posters hang on the brick surface, next to a large black doorway. ] -
[Red text reading “we cover for you / new red order / 1-888-NEW-RED1 / newredorder.org” is overlaid on an image of a person in a black shirt holding a rock in front of their face.] -
Pictures. Opening Reception, Artists Space, September 23, 1977. Photo: D. James Dee. [A black and white photograph of a gallery installation. A figure poses in front of a wall with several hanging objects, their arms outstretched to either side.] -
Friends of Artists Space Annual Dinner, 2022. [A color photo of several individuals engaged in festivities and banter within a large reception space. Light and dark red overhead lights shine onto the guests in the event. ] -
Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo. [Photograph of a well-lit gallery space at the bottom of a staircase, with a glass vitrine on the left wall containing ephemera.] -
ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [Two dynamic images of a group of individuals pinned by large push pins on a green gallery wall.] -
SCRAAATCH, Untitled July 4th Performance, 2022. Photo: Mo Costello. [A microphone and lights are set up in a field, with trees along the horizon line.] -
Zona. Carga y Descarga, Issue 3, 1973. Courtesy Rosario Ferré. [A blue and yellow promotional flyer with text in Spanish.] -
Friends of Artists Space Dinner, 2023. Photo: Joshua Wildman. [Color image of three individuals captured amidst lively conversation. Two individuals in the group have their backs facing the camera, attention focused on a woman in the center. A variety of party guests seated at different tables in an elegant venue can be seen in the background.] -
Selections from the Artists File, installation view, Artists Space, 1986. [Black fabric drops down from the black table top in an oval-like shape.] -
Artists Space founder Irving Sandler, Miyoko Ito Dinner, 2018. [Two people stand at the foot of an empty table, mid-conversation, looking off-camera to the left. The individual on the left holds a glass of wine.] -
Ben van Berkel: Mobile Forces banner detail, Artists Space, 1997. [Several black and white images collaged on a black background. Some of the images are photographs of various buildings, bridges, and other structures—some in the process of construction. At the bottom of the composition is an alien-like image of a man with dark eyes and a large nose.] -
Jenny Snider. A Solitude Encompassing the World, 1985. -
AIDS Forum: John Giorno - FABULOUS SEX/COMPASSION. Installation view, Artists Space, 1993. [Several paintings and sculptures installed on two walls that form a corner in a gallery space. A square painting featuring large, bold yellow text that reads, "LIFE IS A KILLER" hangs on the right wall. On the left wall, a block of large black text has been painted on the wall, from ceiling to floor. It reads, "THE WORLD IS GETTING EMPTY OF / EVERYONE I KNOW / ONE BY ONE / IN EVERY DIRECTION / THEY ARE LEAVING / THIS WORLD / FOR SOME PEOPLE / EVERYONE THEY KNOW HAS DIED."] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Two figures dressed in blue morph suits walk around a basement space. One figure on the right stands behind a semi-circular rolling table made of wood and fresnel lenses. Along the back wall blue and purple live CCTV video footage is projected.] -
Young Fluxus. Installation view, Artists Space, 1982. [The outline of a bird in black is visible on both sides of the image with black text in the center that reads, "If you look to the left, that is the left drawing, if you look to the right, that's the right drawing, but if you don't look anywhere that's the no drawing."] -
ART CLUB2000 Untitled (Individual Viewing Station for Interviews with Artists on the Year 1970), 1997 CRT monitor with videos of Vito Acconci, Simon Cerigo, Henry Flynt, Isa Genzken, Alex Katz, Les Levine, Niki Logis, Olivier Mosset, and Carolee Schneemann Image courtesy Artists Space, New York Photo: Filip Wolak [A display of nine CRT monitors showing nine individuals in a bluish hue.] -
[A person walking down a city street, speaking into a megaphone. Around him are several cars and scattered onlookers.] -
The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [A miniature clay sculpture sitting on a gray table. The sculpture depicts a woman folding over, cross-legged, on carpet. Miscelaneous items are dispersed across the carpets.] -
Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt. [Black and green sans-serif text decorating a white gallery wall. Large, green text stacked vertically reads, "lines of loss." Smaller, black text superimposed over each of the green lettered words reads, "gabriel kuri damian ortega manuel rocha mauricio rocha guillermo santamarina." A small wall label below the text notes the exhibition's sponsors.] -
Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [An image of two figures in blue scrubs standing on opposite ends of a sterile table. A medical mannequin on the table is covered in shiny red silk fabric. In the background, there are projections and forms draped in yellow fabric.] -
U.S. Projects: Howard Fried. Installation view, Artists Space, 1983. [A sink structure on wheels sits atop a tilted wooden table top with legs of varying sizes. Light from the ceiling is seen emanating onto the structure in the white-walled gallery space.] -
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Installation view from Annual Selections Show, Artists Space, 1985 [A black and white image of paintings hanging on a white wall, and sculptures occupying the gallery floor.] -
Robert Gero, Untitled, 1989. Straw, tar. [A vertical rectangle of straw on a white background. The top of the rectangle is covered by an inverted triangle made of black tar.] -
Served Up! R.M. Fischer. Installation view, Artists Space, 1979. [A black-and-white photograph of a long floor lamp with two protruding lampshades.] -
Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure standing in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A speaker is visible in the background.] -
Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of a dark basement room. On the back wall is projected an image with Chinese characters, and English characters that read "Three Poems of The Tong Dynasty."] -
Jenny Snider. It's a Sin to Tell a Lie, 1985. [An adult figure stands in the foreground while a smaller figure stands in the background in a corner. Above the figures reads: "It's a sin to tell a lie."] -
Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Close-up of a rectangular, silver metal plaque hanging on a white gallery wall. The plaque is inscribed with a diagram of an exhibition space. Numbers note the location of the artworks, while a key next to the diagram notes the titles and other tombstone information of the works.] -
Eric Mitchell, Mass Homocide. Performance documentation, November 19, 1977, Artists Space. [Three figures lie on the floor in a room painted with white walls. A figure dressed in all black watched on in the background. The image is repeated in a dyptich.] -
[Black and white photograph of Jean Fisher looking to the right.] -
Reese Williams. Installation view, Artists Space, 1980. [A number of framed photographs and texts are hung on walls in a gallery space.]
