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  • A color image of a pink-hued room inside which an irregularly shaped platform with a reflective surface sits on the ground. Objects such as plants, a fish tank, and tree stumps sit on and around the platform.
    A color image of a pink-hued room inside which an irregularly shaped platform with a reflective surface sits on the ground. Objects such as plants, a fish tank, and tree stumps sit on and around the platform.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [A color image of a pink-hued room inside which an irregularly shaped platform with a reflective surface sits on the ground. Objects such as plants, a fish tank, and tree stumps sit on and around the platform.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022.
    Image description A color image of a pink-hued room inside which an irregularly shaped platform with a reflective surface sits on the ground. Objects such as plants, a fish tank, and tree stumps sit on and around the platform.
    Year
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A slice of bacon on a red background, with the words
    A slice of bacon on a red background, with the words
    Holly Morse, Bringing Home the Bacon, 1989. Oil on linen, 24 x 24 inches. [A slice of bacon on a red background, with the words "bringing home the B." spiraling on top of it in black text.]
    Caption Holly Morse, Bringing Home the Bacon, 1989. Oil on linen, 24 x 24 inches.
    Image description A slice of bacon on a red background, with the words "bringing home the B." spiraling on top of it in black text.
    Year 1989
    Related pages Post-Boys&Girls: Nine Painters
  • A black tote bag against a white background. Small white, all-caps sans-serif text in the middle states
    A black tote bag against a white background. Small white, all-caps sans-serif text in the middle states
    11 Cortlandt Alley Tote Bag. Produced by Artists Space. Edition of 150. 2019. $24 [A black tote bag against a white background. Small white, all-caps sans-serif text in the middle states "ARTISTS SPACE"]
    Caption 11 Cortlandt Alley Tote Bag. Produced by Artists Space. Edition of 150. 2019. $24
    Image description A black tote bag against a white background. Small white, all-caps sans-serif text in the middle states "ARTISTS SPACE"
    Year 2019
    Related pages Artists Space Items
  • A black and white photograph of a sculpture comprised of nine dark orbs on a dark circular backgroun.
    A black and white photograph of a sculpture comprised of nine dark orbs on a dark circular backgroun.
    Meryl Vladimer. Installation view, Louisa Chase, Ted Stamm, Meryl Vladimer, Artists Space, 1975. [A black and white photograph of a sculpture comprised of nine dark orbs on a dark circular backgroun.]
    Caption Meryl Vladimer. Installation view, Louisa Chase, Ted Stamm, Meryl Vladimer, Artists Space, 1975.
    Image description A black and white photograph of a sculpture comprised of nine dark orbs on a dark circular backgroun.
    Year 1975
    Related pages Louisa Chase, Ted Stamm, Meryl Vladimer
  • View of the audience at the Artists Space and Decolonize This Place event, with banners of resistance posted along the walls. One visible reads
    View of the audience at the Artists Space and Decolonize This Place event, with banners of resistance posted along the walls. One visible reads
    Our Uprisings: Art Action Assembly. Event documentation, November 20, 2016, Artists Space. Courtesy Decolonize This Place. Photo: Marz Saffore. [View of the audience at the Artists Space and Decolonize This Place event, with banners of resistance posted along the walls. One visible reads "Akai Gurley Murdered by NYPD Open Mic Moved To Streets," while another reads "ABOLISH WHITE SUPREMACY."]
    Caption Our Uprisings: Art Action Assembly. Event documentation, November 20, 2016, Artists Space. Courtesy Decolonize This Place. Photo: Marz Saffore.
    Image description View of the audience at the Artists Space and Decolonize This Place event, with banners of resistance posted along the walls. One visible reads "Akai Gurley Murdered by NYPD Open Mic Moved To Streets," while another reads "ABOLISH WHITE SUPREMACY."
    Year 2016
    Related pages Decolonize This Place
  • A black and white installation photograph of six paintings with dark geometric forms in a gallery space.
    A black and white installation photograph of six paintings with dark geometric forms in a gallery space.
    Judy Rifka. Installation view, Deborah S. Freedman, Judy Rifka, Ernest Silva, Artists Space, 1975. [A black and white installation photograph of six paintings with dark geometric forms in a gallery space.]
    Caption Judy Rifka. Installation view, Deborah S. Freedman, Judy Rifka, Ernest Silva, Artists Space, 1975.
    Image description A black and white installation photograph of six paintings with dark geometric forms in a gallery space.
    Year 1975
    Related pages Deborah S. Freedman, Judy Rifka, Ernest Silva
  • A black wall that reads
    A black wall that reads
    New Red Order with Virgil B/G Taylor. Native New Yorker: Sigillum Civitatis Novi Eboraci, 2021 Painted wall with cut vinyl, historical newspapers, television, and postcard 10 x 10 feet. Photo: Filip Wolak [A black wall that reads "Sigillum Civitatis Novi Eboraci 1625". Layered on the wall are multiple printed drawings and tv monitors, below sits a red beach ball.]
    Caption New Red Order with Virgil B/G Taylor. Native New Yorker: Sigillum Civitatis Novi Eboraci, 2021 Painted wall with cut vinyl, historical newspapers, television, and postcard 10 x 10 feet. Photo: Filip Wolak
    Image description A black wall that reads "Sigillum Civitatis Novi Eboraci 1625". Layered on the wall are multiple printed drawings and tv monitors, below sits a red beach ball.
    Year 2021
    Related pages New Red Order: Feel at Home Here
  • A black and white oil painting depicting a person lying facedown on asphalt.
    A black and white oil painting depicting a person lying facedown on asphalt.
    Jordan Kantor, Untitled (Pasolini), 2004. Oil on canvas, 52 x 96 inches. Courtesy the artist. [A black and white oil painting depicting a person lying facedown on asphalt.]
    Caption Jordan Kantor, Untitled (Pasolini), 2004. Oil on canvas, 52 x 96 inches. Courtesy the artist.
    Image description A black and white oil painting depicting a person lying facedown on asphalt.
    Year 2004
    Related pages Recent Paintings
  • Colin de Land sat at a desk, looking at paper materials in his lap. Various objects, documents, and books sit opened around him.
    Colin de Land sat at a desk, looking at paper materials in his lap. Various objects, documents, and books sit opened around him.
    Colin de Land at American Fine Arts, February 1996. Courtesy Smithsonian Archives of American Art. [Colin de Land sat at a desk, looking at paper materials in his lap. Various objects, documents, and books sit opened around him.]
    Caption Colin de Land at American Fine Arts, February 1996. Courtesy Smithsonian Archives of American Art.
    Image description Colin de Land sat at a desk, looking at paper materials in his lap. Various objects, documents, and books sit opened around him.
    Year 2014
    Related pages The Library Vaccine
  • El Bosque Luminoso Baja El Mar, Threads of History Presentations at M.S. 324, May 23, 2022
    Caption El Bosque Luminoso Baja El Mar, Threads of History Presentations at M.S. 324, May 23, 2022
    Image description
    Year 2022
    Related pages Exhibitions and Events
  • A view of a white-walled gallery with large abstract paintings hanging on the walls and a small pedestal display case on the right.
    A view of a white-walled gallery with large abstract paintings hanging on the walls and a small pedestal display case on the right.
    Benito Huerta: Attempted, Not Known. Installation view, Artists Space, 1989. [A view of a white-walled gallery with large abstract paintings hanging on the walls and a small pedestal display case on the right.]
    Caption Benito Huerta: Attempted, Not Known. Installation view, Artists Space, 1989.
    Image description A view of a white-walled gallery with large abstract paintings hanging on the walls and a small pedestal display case on the right.
    Year 1989
    Related pages Project: Attempted, Not Known
  • A black and white image of a floppy, stuffed rabbit toy. It is sitting on fabric and leaning up against a wall with faint floral design.
    A black and white image of a floppy, stuffed rabbit toy. It is sitting on fabric and leaning up against a wall with faint floral design.
    Judit Kurtág. Still from Episode, 2007. [A black and white image of a floppy, stuffed rabbit toy. It is sitting on fabric and leaning up against a wall with faint floral design.]
    Caption Judit Kurtág. Still from Episode, 2007.
    Image description A black and white image of a floppy, stuffed rabbit toy. It is sitting on fabric and leaning up against a wall with faint floral design.
    Year 2007
    Related pages Episode
  • Red and blue text overlay a yellow background with abstract lines and a drawing of a male face in side profile. The text in the middle reads
    Red and blue text overlay a yellow background with abstract lines and a drawing of a male face in side profile. The text in the middle reads
    Flyer for Segue Reading Series featuring Kyle Dacuyan and Judith Goldman. January 7, 2023, Artists Space. [Red and blue text overlay a yellow background with abstract lines and a drawing of a male face in side profile. The text in the middle reads "Kyle Dacuyan / Segue Reading Series / Judith Goldman."]
    Caption Flyer for Segue Reading Series featuring Kyle Dacuyan and Judith Goldman. January 7, 2023, Artists Space.
    Image description Red and blue text overlay a yellow background with abstract lines and a drawing of a male face in side profile. The text in the middle reads "Kyle Dacuyan / Segue Reading Series / Judith Goldman."
    Year
    Related pages Segue Reading Series: Kyle Dacuyan & Judith Goldman
  • Contact sheet of installation images taken during exhibition opening.
    Contact sheet of installation images taken during exhibition opening.
    Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley. [Contact sheet of installation images taken during exhibition opening.]
    Caption Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley.
    Image description Contact sheet of installation images taken during exhibition opening.
    Year 1979
    Related pages Lewis Stein
  • A framed, oval-shaped painting of a man and a conical plant sculpture decorated with hanging crepe paper tassels are displayed in a gallery.
    A framed, oval-shaped painting of a man and a conical plant sculpture decorated with hanging crepe paper tassels are displayed in a gallery.
    Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo: Jean Vong. [A framed, oval-shaped painting of a man and a conical plant sculpture decorated with hanging crepe paper tassels are displayed in a gallery.]
    Caption Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo: Jean Vong.
    Image description A framed, oval-shaped painting of a man and a conical plant sculpture decorated with hanging crepe paper tassels are displayed in a gallery.
    Year 2016
    Related pages The Clay Hen by Lukas Duwenhögger: A reading with Paul Lazar
  • A photograph of a construction site, with several steel beams and a sign titled
    A photograph of a construction site, with several steel beams and a sign titled
    Shaylene Viera, Revolution, photography, 2016 [A photograph of a construction site, with several steel beams and a sign titled "RAISE PLOW" lying on the ground]
    Caption Shaylene Viera, Revolution, photography, 2016
    Image description A photograph of a construction site, with several steel beams and a sign titled "RAISE PLOW" lying on the ground
    Year 2016
    Related pages Scholastic Art and Writing Awards
  • An exhibition view of various artworks. Several stylized portraits hang on the right; in the middle, a large didactic titled
    An exhibition view of various artworks. Several stylized portraits hang on the right; in the middle, a large didactic titled
    Reinventado, Word Up Community Bookshop and MS 324 students, 2019 [An exhibition view of various artworks. Several stylized portraits hang on the right; in the middle, a large didactic titled "REINVENTADO." On the left, several small photos of students in a classroom hang underneath a red-white-and blue airplane suspended from the ceiling]
    Caption Reinventado, Word Up Community Bookshop and MS 324 students, 2019
    Image description An exhibition view of various artworks. Several stylized portraits hang on the right; in the middle, a large didactic titled "REINVENTADO." On the left, several small photos of students in a classroom hang underneath a red-white-and blue airplane suspended from the ceiling
    Year
    Related pages Education Exhibitions and Events
  • Three desks are lined up in front of each other, each desktop has a TV monitor and clay rocks. In the back is a dark room with yellow LED light sculptures.
    Three desks are lined up in front of each other, each desktop has a TV monitor and clay rocks. In the back is a dark room with yellow LED light sculptures.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, September 16, 2022 - December 3, 2022. Photo: Filip Wolak [Three desks are lined up in front of each other, each desktop has a TV monitor and clay rocks. In the back is a dark room with yellow LED light sculptures.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, September 16, 2022 - December 3, 2022. Photo: Filip Wolak
    Image description Three desks are lined up in front of each other, each desktop has a TV monitor and clay rocks. In the back is a dark room with yellow LED light sculptures.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE_NEVER DELETE
  • 3 paintings hang on a wall. The painting to the left is circular, the center painting is rhombus shaped. The painting to the right is square.
    3 paintings hang on a wall. The painting to the left is circular, the center painting is rhombus shaped. The painting to the right is square.
    Traditions: Five Painters. Installation View, Artists Space, 1978. [3 paintings hang on a wall. The painting to the left is circular, the center painting is rhombus shaped. The painting to the right is square.]
    Caption Traditions: Five Painters. Installation View, Artists Space, 1978.
    Image description 3 paintings hang on a wall. The painting to the left is circular, the center painting is rhombus shaped. The painting to the right is square.
    Year
    Related pages Traditions: Five Painters, Charles Clough, William Fares, Sidney Goldberg, John Lees, Ann Thornycroft
  • Onlookers and news reporters with cameras crowd around helmeted police officers surrounding a graffitied truck.
    Onlookers and news reporters with cameras crowd around helmeted police officers surrounding a graffitied truck.
    DIVA TV Collective, Target City Hall, 1989. 27 min. [Onlookers and news reporters with cameras crowd around helmeted police officers surrounding a graffitied truck.]
    Caption DIVA TV Collective, Target City Hall, 1989. 27 min.
    Image description Onlookers and news reporters with cameras crowd around helmeted police officers surrounding a graffitied truck.
    Year 1989
    Related pages Film and Video Program | Macho Man, Tell It To My Heart: Collected by Julie Ault | December 5
  • A number of sculptures on pedestals can be seen in the foreground with paintings and sculptures behind them in a gallery setting.
    A number of sculptures on pedestals can be seen in the foreground with paintings and sculptures behind them in a gallery setting.
    We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [A number of sculptures on pedestals can be seen in the foreground with paintings and sculptures behind them in a gallery setting.]
    Caption We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
    Image description A number of sculptures on pedestals can be seen in the foreground with paintings and sculptures behind them in a gallery setting.
    Year
    Related pages We the People
  • A seated group of four people cluster together in front of a white background.
    A seated group of four people cluster together in front of a white background.
    Retrovizija (Peter Vezjak), still from Laibach: Sympathy for the Devil, 1988. 5 minutes, 40 seconds. [A seated group of four people cluster together in front of a white background.]
    Caption Retrovizija (Peter Vezjak), still from Laibach: Sympathy for the Devil, 1988. 5 minutes, 40 seconds.
    Image description A seated group of four people cluster together in front of a white background.
    Year 1988
    Related pages Deconstruction, Quotation, & Subversion: Video from Yugoslavia
  • A black box screening room featuring a a video of a bespecaled white haired man with glasses speaking to the camera in front of rows of books.
    A black box screening room featuring a a video of a bespecaled white haired man with glasses speaking to the camera in front of rows of books.
    New Economy. Installation view, Artists Space, 2007. [A black box screening room featuring a a video of a bespecaled white haired man with glasses speaking to the camera in front of rows of books.]
    Caption New Economy. Installation view, Artists Space, 2007.
    Image description A black box screening room featuring a a video of a bespecaled white haired man with glasses speaking to the camera in front of rows of books.
    Year 2007
    Related pages New Economy
  • A color installation view of a gallery space with three dark columns. A wicker pannier and a yellow brocade couch are visible in the foreground. In the background, a multi-tiered door, several paintings, a wooden stool and nightstand are also visible.
    A color installation view of a gallery space with three dark columns. A wicker pannier and a yellow brocade couch are visible in the foreground. In the background, a multi-tiered door, several paintings, a wooden stool and nightstand are also visible.
    Lyndon Barrois Jr.: Mirage Collar. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color installation view of a gallery space with three dark columns. A wicker pannier and a yellow brocade couch are visible in the foreground. In the background, a multi-tiered door, several paintings, a wooden stool and nightstand are also visible.]
    Caption Lyndon Barrois Jr.: Mirage Collar. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color installation view of a gallery space with three dark columns. A wicker pannier and a yellow brocade couch are visible in the foreground. In the background, a multi-tiered door, several paintings, a wooden stool and nightstand are also visible.
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
  • A black and white photograph of various objects hanging and standing in a white-walled gallery space.
    A black and white photograph of various objects hanging and standing in a white-walled gallery space.
    Freya Hansell. Installation view, Artists Space, 1980. [A black and white photograph of various objects hanging and standing in a white-walled gallery space.]
    Caption Freya Hansell. Installation view, Artists Space, 1980.
    Image description A black and white photograph of various objects hanging and standing in a white-walled gallery space.
    Year
    Related pages Freya Hansell
  • Dark drawing with branch-like figures appear from a twirling white line surrounded by black, fuzzy lines.
    Dark drawing with branch-like figures appear from a twirling white line surrounded by black, fuzzy lines.
    Carol Sun. Prospect Park Series - Winter, 1987. [Dark drawing with branch-like figures appear from a twirling white line surrounded by black, fuzzy lines.]
    Caption Carol Sun. Prospect Park Series - Winter, 1987.
    Image description Dark drawing with branch-like figures appear from a twirling white line surrounded by black, fuzzy lines.
    Year
    Related pages Selections from the Artists File
  • A hand reaches toward the bark of a tree, drawing a thick red line. There are leaves in the background.
    A hand reaches toward the bark of a tree, drawing a thick red line. There are leaves in the background.
    Michael Robinson. Still from If There Be Thorns, 2009. [A hand reaches toward the bark of a tree, drawing a thick red line. There are leaves in the background.]
    Caption Michael Robinson. Still from If There Be Thorns, 2009.
    Image description A hand reaches toward the bark of a tree, drawing a thick red line. There are leaves in the background.
    Year 2009
    Related pages Summer Knowledge: Michael Robinson
  • Amelia Bande stands in front of  wall covered with posters and gestures towards her eyes as she says, “We wore masks and protective eyewear at the protests in Santiago.”
    Amelia Bande stands in front of  wall covered with posters and gestures towards her eyes as she says, “We wore masks and protective eyewear at the protests in Santiago.”
    Amelia Bande. Stills from El estallido / The Outbreak, 2020. Recording of a live performance held over Zoom on August 7, 2020. Stage design and camera collaboration with Rachel Higgins. Courtesy the artist. [Amelia Bande stands in front of wall covered with posters and gestures towards her eyes as she says, “We wore masks and protective eyewear at the protests in Santiago.”]
    Caption Amelia Bande. Stills from El estallido / The Outbreak, 2020. Recording of a live performance held over Zoom on August 7, 2020. Stage design and camera collaboration with Rachel Higgins. Courtesy the artist.
    Image description Amelia Bande stands in front of wall covered with posters and gestures towards her eyes as she says, “We wore masks and protective eyewear at the protests in Santiago.”
    Year 2020
    Related pages Whitney ISP Archive
  • A woman sits, left of center, at a table filled with books. On the wall behind her, a banner with red text that reads,
    A woman sits, left of center, at a table filled with books. On the wall behind her, a banner with red text that reads,
    View of Vigilance: An Exhibition of Artists Books Exploring Strategies for Social Concern , Curated by Lucy R. Lippard and Mike Glier Franklin Furnace, 1979 Courtesy Mike Glier [A woman sits, left of center, at a table filled with books. On the wall behind her, a banner with red text that reads, "...Pessimism of the intellect, Optimism of the will... Gramsic," is displayed.]
    Caption View of Vigilance: An Exhibition of Artists Books Exploring Strategies for Social Concern , Curated by Lucy R. Lippard and Mike Glier Franklin Furnace, 1979 Courtesy Mike Glier
    Image description A woman sits, left of center, at a table filled with books. On the wall behind her, a banner with red text that reads, "...Pessimism of the intellect, Optimism of the will... Gramsic," is displayed.
    Year 2014
    Related pages The Library Vaccine
  • Partial view of a potted plant and a small figurine of a knight on horseback with a lance.
    Partial view of a potted plant and a small figurine of a knight on horseback with a lance.
    Adjua Gargi Nzinga Greaves, For Aricka, Ayana, Ayodele, Bernice, Chantelle, Charmaine, Cynthia Ch., Cynthia Co., Daphne, Davina, Dawn, Dina, Emily, Erica, Evadne, Frances, Gail, Gwen, Hara, Heather, Imanei, Imani, Janet, Jenny, Kadija, Kahdeidra, kale, Kelly, Kenya (R), LesLes, Lois, Lynnette, Madeleine, Mahogany, Marsha, Maiya, Najela, Nontsi, Ola, Pilar, Queen, RaFia, Ro-Ro, Sandra, Sasha, Serenity, Shana, Simone L, Simone W, Tabitha, Taiyi, Trinity, Uchenna, Vivian, Wangechi, X, Yvette, Zuri, detail, 2021. Living plants: Hannibal (Epipremnum aureum) with rose quartz, Gertrude Deuxieme (Tillandsia xerographica), Leonie (Philodendron totem), Eversley Deuxieme (Tillandsia xerographica), Melford (Epipremnum aureum) with amethyst; dessicated floral matter (eucalyptus, grass, willow, palm), knight on horseback figurine, brass candlesticks, polystyrene, porcelain and 18 karat gold plates, crystals (various), bamboo earrings, jade, cremains, leather, cork, glass, dragon figurine, sandalwood incense and ceramic holder, palo santo (Bursera graveolens), and window, overall dimensions variable. Courtesy Artists SPace, New York. Photo: Filip Wolak [Partial view of a potted plant and a small figurine of a knight on horseback with a lance.]
    Caption Adjua Gargi Nzinga Greaves, For Aricka, Ayana, Ayodele, Bernice, Chantelle, Charmaine, Cynthia Ch., Cynthia Co., Daphne, Davina, Dawn, Dina, Emily, Erica, Evadne, Frances, Gail, Gwen, Hara, Heather, Imanei, Imani, Janet, Jenny, Kadija, Kahdeidra, kale, Kelly, Kenya (R), LesLes, Lois, Lynnette, Madeleine, Mahogany, Marsha, Maiya, Najela, Nontsi, Ola, Pilar, Queen, RaFia, Ro-Ro, Sandra, Sasha, Serenity, Shana, Simone L, Simone W, Tabitha, Taiyi, Trinity, Uchenna, Vivian, Wangechi, X, Yvette, Zuri, detail, 2021. Living plants: Hannibal (Epipremnum aureum) with rose quartz, Gertrude Deuxieme (Tillandsia xerographica), Leonie (Philodendron totem), Eversley Deuxieme (Tillandsia xerographica), Melford (Epipremnum aureum) with amethyst; dessicated floral matter (eucalyptus, grass, willow, palm), knight on horseback figurine, brass candlesticks, polystyrene, porcelain and 18 karat gold plates, crystals (various), bamboo earrings, jade, cremains, leather, cork, glass, dragon figurine, sandalwood incense and ceramic holder, palo santo (Bursera graveolens), and window, overall dimensions variable. Courtesy Artists SPace, New York. Photo: Filip Wolak
    Image description Partial view of a potted plant and a small figurine of a knight on horseback with a lance.
    Year 2021
    Related pages Adjua Gargi Nzinga Greaves
  • Students visiting Sleepwalk at Parasol Projects, LES, 2022
    Caption Students visiting Sleepwalk at Parasol Projects, LES, 2022
    Image description
    Year 2022
    Related pages Portfolio Development
  • A large painting appears in a white-gallery space with various drawings of city architecture around a large amorphous black section in the middle. White columns and other paintings are visible in the surrounding area.
    A large painting appears in a white-gallery space with various drawings of city architecture around a large amorphous black section in the middle. White columns and other paintings are visible in the surrounding area.
    Five Spanish Artists. Installation View, Artists Space, 1985. [A large painting appears in a white-gallery space with various drawings of city architecture around a large amorphous black section in the middle. White columns and other paintings are visible in the surrounding area.]
    Caption Five Spanish Artists. Installation View, Artists Space, 1985.
    Image description A large painting appears in a white-gallery space with various drawings of city architecture around a large amorphous black section in the middle. White columns and other paintings are visible in the surrounding area.
    Year
    Related pages Five Spanish Artists
  • Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.
    Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022.
    Image description Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A tile wall with a grid of assorted photographs against a white background. A title to the left of the grid states
    A tile wall with a grid of assorted photographs against a white background. A title to the left of the grid states
    Photo Wall at P.S. 140, Nathan Straus, 2017. [A tile wall with a grid of assorted photographs against a white background. A title to the left of the grid states "Artists Space P.S. 140 Photography Club".]
    Caption Photo Wall at P.S. 140, Nathan Straus, 2017.
    Image description A tile wall with a grid of assorted photographs against a white background. A title to the left of the grid states "Artists Space P.S. 140 Photography Club".
    Year 2017
    Related pages BRIDGE Photography
  • Three unmatching bottles filled with urine surround the base of a black column. Two lie horizontal, one stands upright.
    Three unmatching bottles filled with urine surround the base of a black column. Two lie horizontal, one stands upright.
    Jason Hirata, Why Not Lie?, 2020 (detail view), plastic bottles, urine. Photo: Daniel Pérez [Three unmatching bottles filled with urine surround the base of a black column. Two lie horizontal, one stands upright.]
    Caption Jason Hirata, Why Not Lie?, 2020 (detail view), plastic bottles, urine. Photo: Daniel Pérez
    Image description Three unmatching bottles filled with urine surround the base of a black column. Two lie horizontal, one stands upright.
    Year 2019
    Related pages Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater
  • An image of a factory with smokestacks on concrete, just behind a body of water surrounded by long grasses.
    An image of a factory with smokestacks on concrete, just behind a body of water surrounded by long grasses.
    Lisi Raskin, still from = (equals), 2004. [An image of a factory with smokestacks on concrete, just behind a body of water surrounded by long grasses.]
    Caption Lisi Raskin, still from = (equals), 2004.
    Image description An image of a factory with smokestacks on concrete, just behind a body of water surrounded by long grasses.
    Year 2004
    Related pages Salad Days
  • A sepia photograph of an angled, above view of two men lying in seperate adjacent beds. On the walls above them, hang two small picture frames.
    A sepia photograph of an angled, above view of two men lying in seperate adjacent beds. On the walls above them, hang two small picture frames.
    Gerhard Richter Hotel Diana , 1967 80 copies + 40 artists proofs, signed and numbered screen print, 59,4 x 80 cm Courtesy of Edition Block, Berlin [A sepia photograph of an angled, above view of two men lying in seperate adjacent beds. On the walls above them, hang two small picture frames.]
    Caption Gerhard Richter Hotel Diana , 1967 80 copies + 40 artists proofs, signed and numbered screen print, 59,4 x 80 cm Courtesy of Edition Block, Berlin
    Image description A sepia photograph of an angled, above view of two men lying in seperate adjacent beds. On the walls above them, hang two small picture frames.
    Year 1967
    Related pages Living with Pop. A Reproduction of Capitalist Realism
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    Related pages Anne Gardiner: Through the Tulips and The Red Red Rose - May 2
  • A black and white image of a blank frame on a white wall. At the center of the frame, a sculptural mold of a brain protrudes out from the canvas.
    A black and white image of a blank frame on a white wall. At the center of the frame, a sculptural mold of a brain protrudes out from the canvas.
    AIDS Forum: Danny Dries - Generic Memorial (for WM. Schwedler, 1942-1982). Installation view, Artists Space, 1992. [A black and white image of a blank frame on a white wall. At the center of the frame, a sculptural mold of a brain protrudes out from the canvas.]
    Caption AIDS Forum: Danny Dries - Generic Memorial (for WM. Schwedler, 1942-1982). Installation view, Artists Space, 1992.
    Image description A black and white image of a blank frame on a white wall. At the center of the frame, a sculptural mold of a brain protrudes out from the canvas.
    Year 1992
    Related pages AIDS FORUM: Generic Memorial (for WM. Schwedler, 1942-1982)
  • A miniature clay sculpture of a man sitting, cross-legged, in an armchair is displayed on a carpeted floor. A curled wire extends from underneath the edge of the carpet where it meets the wooden floor below it.
    A miniature clay sculpture of a man sitting, cross-legged, in an armchair is displayed on a carpeted floor. A curled wire extends from underneath the edge of the carpet where it meets the wooden floor below it.
    The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [A miniature clay sculpture of a man sitting, cross-legged, in an armchair is displayed on a carpeted floor. A curled wire extends from underneath the edge of the carpet where it meets the wooden floor below it.]
    Caption The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich.
    Image description A miniature clay sculpture of a man sitting, cross-legged, in an armchair is displayed on a carpeted floor. A curled wire extends from underneath the edge of the carpet where it meets the wooden floor below it.
    Year 2014
    Related pages The Issues of Our Time
  • A photograph with a striped blue and white blurry background. In the center of the image, outlined in a blurry orange circle, is a clear image of a rope tied into a knot, holding a white object
    A photograph with a striped blue and white blurry background. In the center of the image, outlined in a blurry orange circle, is a clear image of a rope tied into a knot, holding a white object
    Michelle Santiago, Trap, photography, 2014 [A photograph with a striped blue and white blurry background. In the center of the image, outlined in a blurry orange circle, is a clear image of a rope tied into a knot, holding a white object]
    Caption Michelle Santiago, Trap, photography, 2014
    Image description A photograph with a striped blue and white blurry background. In the center of the image, outlined in a blurry orange circle, is a clear image of a rope tied into a knot, holding a white object
    Year 2014
    Related pages Scholastic Art and Writing Awards
  • A figure in a red sweater and a black bowler hat stands behind three microphones, speaking into them.
    A figure in a red sweater and a black bowler hat stands behind three microphones, speaking into them.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure in a red sweater and a black bowler hat stands behind three microphones, speaking into them.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure in a red sweater and a black bowler hat stands behind three microphones, speaking into them.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • Two figures dressed in blue morph suits walk around a basement space. One figure on the right stands behind a semi-circular rolling table made of wood and fresnel lenses. Along the back wall blue and purple live CCTV video footage is projected.
    Two figures dressed in blue morph suits walk around a basement space. One figure on the right stands behind a semi-circular rolling table made of wood and fresnel lenses. Along the back wall blue and purple live CCTV video footage is projected.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Two figures dressed in blue morph suits walk around a basement space. One figure on the right stands behind a semi-circular rolling table made of wood and fresnel lenses. Along the back wall blue and purple live CCTV video footage is projected.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Two figures dressed in blue morph suits walk around a basement space. One figure on the right stands behind a semi-circular rolling table made of wood and fresnel lenses. Along the back wall blue and purple live CCTV video footage is projected.
    Year 2022
    Related pages SCRAAATCH 11-18
  • A picture of a man in a coat sits above a series of books on a shelf.
    A picture of a man in a coat sits above a series of books on a shelf.
    She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak. [A picture of a man in a coat sits above a series of books on a shelf.]
    Caption She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak.
    Image description A picture of a man in a coat sits above a series of books on a shelf.
    Year 2020
    Related pages She Who Is: Adrienne Kennedy and the Drama of Difference
  • Six people are seated and lounging in a digitally rendered landscape.
    Six people are seated and lounging in a digitally rendered landscape.
    Superstudio, still from Supersurface: An Alternative Model For Life On The Earth, 1972. 26min. [Six people are seated and lounging in a digitally rendered landscape.]
    Caption Superstudio, still from Supersurface: An Alternative Model For Life On The Earth, 1972. 26min.
    Image description Six people are seated and lounging in a digitally rendered landscape.
    Year 1972
    Related pages Film and Video Program | Macho Man, Tell It To My Heart: Collected by Julie Ault | February 13
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    Related pages DRAFT IMAGE PAGE_NEVER DELETE
  • A man and a woman in a split screen view with a black space between them. The man's face is turned to the side; the woman is facing towards him, her eyes cast downwards, with two fingers pointing.
    A man and a woman in a split screen view with a black space between them. The man's face is turned to the side; the woman is facing towards him, her eyes cast downwards, with two fingers pointing.
    Anja Kirschner and David Panos, still from Living Truthfully Under Imaginary Circumstances, 2011. [A man and a woman in a split screen view with a black space between them. The man's face is turned to the side; the woman is facing towards him, her eyes cast downwards, with two fingers pointing.]
    Caption Anja Kirschner and David Panos, still from Living Truthfully Under Imaginary Circumstances, 2011.
    Image description A man and a woman in a split screen view with a black space between them. The man's face is turned to the side; the woman is facing towards him, her eyes cast downwards, with two fingers pointing.
    Year 2011
    Related pages Lights, Tears and Real Abstractions
  • In the foreground a large, orange slug sculpture forming a circular ring shape is installed around two cast-iron columns suspended by ten elastic cords such that it encircles the column and rests close to the ceiling. Behind it is a large, orange slug sculpture forming a circular ring shape installed around one cast-iron column suspended by eight elastic cords such that it encircles the column and rests at its vertical center. In this white-walled gallery space one can also notice a partial view of a painting in the background.
    In the foreground a large, orange slug sculpture forming a circular ring shape is installed around two cast-iron columns suspended by ten elastic cords such that it encircles the column and rests close to the ceiling. Behind it is a large, orange slug sculpture forming a circular ring shape installed around one cast-iron column suspended by eight elastic cords such that it encircles the column and rests at its vertical center. In this white-walled gallery space one can also notice a partial view of a painting in the background.
    Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez [In the foreground a large, orange slug sculpture forming a circular ring shape is installed around two cast-iron columns suspended by ten elastic cords such that it encircles the column and rests close to the ceiling. Behind it is a large, orange slug sculpture forming a circular ring shape installed around one cast-iron column suspended by eight elastic cords such that it encircles the column and rests at its vertical center. In this white-walled gallery space one can also notice a partial view of a painting in the background.]
    Caption Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez
    Image description In the foreground a large, orange slug sculpture forming a circular ring shape is installed around two cast-iron columns suspended by ten elastic cords such that it encircles the column and rests close to the ceiling. Behind it is a large, orange slug sculpture forming a circular ring shape installed around one cast-iron column suspended by eight elastic cords such that it encircles the column and rests at its vertical center. In this white-walled gallery space one can also notice a partial view of a painting in the background.
    Year 2020
    Related pages Jana Euler
  • A figure stands in front of a music stand speaking into a microphone. They are backlit by an image of a rippling upside down American flag.
    A figure stands in front of a music stand speaking into a microphone. They are backlit by an image of a rippling upside down American flag.
    New Red Order, Informants Get Paid! Performance documentation, Artists Space, January 23, 2020. Photo © Paula Court. [A figure stands in front of a music stand speaking into a microphone. They are backlit by an image of a rippling upside down American flag.]
    Caption New Red Order, Informants Get Paid! Performance documentation, Artists Space, January 23, 2020. Photo © Paula Court.
    Image description A figure stands in front of a music stand speaking into a microphone. They are backlit by an image of a rippling upside down American flag.
    Year 2020
    Related pages
  • Black text affixed to a white wall reads:
    Black text affixed to a white wall reads:
    _____, Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978, Artists Space, 1978. Installation view, Artists Space, 1978. [Black text affixed to a white wall reads: "Christopher D'Arcangelo / Louise Lawler / Adrian Piper / Cindy Sherman."]
    Caption _____, Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978, Artists Space, 1978. Installation view, Artists Space, 1978.
    Image description Black text affixed to a white wall reads: "Christopher D'Arcangelo / Louise Lawler / Adrian Piper / Cindy Sherman."
    Year 1978
    Related pages ______ , Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978.
  • A figure in a blue denim shirt wearing headphones sits at a dining room table cluttered with papers, bowls of fruit, and colorful candles. The figure's back faces the viewer. A bright and rocky, arid landscape is visible through the many windows that line the walls of the dining room.
    A figure in a blue denim shirt wearing headphones sits at a dining room table cluttered with papers, bowls of fruit, and colorful candles. The figure's back faces the viewer. A bright and rocky, arid landscape is visible through the many windows that line the walls of the dining room.
    [A figure in a blue denim shirt wearing headphones sits at a dining room table cluttered with papers, bowls of fruit, and colorful candles. The figure's back faces the viewer. A bright and rocky, arid landscape is visible through the many windows that line the walls of the dining room.]
    Caption
    Image description A figure in a blue denim shirt wearing headphones sits at a dining room table cluttered with papers, bowls of fruit, and colorful candles. The figure's back faces the viewer. A bright and rocky, arid landscape is visible through the many windows that line the walls of the dining room.
    Year 2014
    Related pages Macho Man, Tell It To My Heart: Collected by Julia Ault - Film and Video Program
  • A corner of a room filled with ping pong balls set atop mousetraps. They are lit from the side by a fluorescent tube light.
    A corner of a room filled with ping pong balls set atop mousetraps. They are lit from the side by a fluorescent tube light.
    Ethan Crenson, Fission, 1996. Mixed media installation. [A corner of a room filled with ping pong balls set atop mousetraps. They are lit from the side by a fluorescent tube light.]
    Caption Ethan Crenson, Fission, 1996. Mixed media installation.
    Image description A corner of a room filled with ping pong balls set atop mousetraps. They are lit from the side by a fluorescent tube light.
    Year 1996
    Related pages Station to Station
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    Year
    Related pages Milford Graves: Fundamental Frequency
  • Two screens are mounted vertically on metal poles that stretch floor to ceiling. The screens show black images with white light spots.
    Two screens are mounted vertically on metal poles that stretch floor to ceiling. The screens show black images with white light spots.
    Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [Two screens are mounted vertically on metal poles that stretch floor to ceiling. The screens show black images with white light spots.]
    Caption Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description Two screens are mounted vertically on metal poles that stretch floor to ceiling. The screens show black images with white light spots.
    Year 2011
    Related pages Hilary Lloyd
  • Characteristic, expressive handwriting on a page spells out phrases such as “All Power to the People!” and ”Seize the Time!” in both English and Spanish.
    Characteristic, expressive handwriting on a page spells out phrases such as “All Power to the People!” and ”Seize the Time!” in both English and Spanish.
    Third World Gay Revolution, “Come Out in Third World Lingo,” back cover of Come Out! 1, no. 7, (December/January 1970 – 7). Courtesy Archivo Moléculas Malucas. [Characteristic, expressive handwriting on a page spells out phrases such as “All Power to the People!” and ”Seize the Time!” in both English and Spanish.]
    Caption Third World Gay Revolution, “Come Out in Third World Lingo,” back cover of Come Out! 1, no. 7, (December/January 1970 – 7). Courtesy Archivo Moléculas Malucas.
    Image description Characteristic, expressive handwriting on a page spells out phrases such as “All Power to the People!” and ”Seize the Time!” in both English and Spanish.
    Year
    Related pages Whitney ISP Archive
  • A sink structure on wheels sits atop a tilted wooden table top with legs of varying sizes. Light from the ceiling is seen emanating onto the structure in the white-walled gallery space.
    A sink structure on wheels sits atop a tilted wooden table top with legs of varying sizes. Light from the ceiling is seen emanating onto the structure in the white-walled gallery space.
    U.S. Projects: Howard Fried. Installation view, Artists Space, 1983. [A sink structure on wheels sits atop a tilted wooden table top with legs of varying sizes. Light from the ceiling is seen emanating onto the structure in the white-walled gallery space.]
    Caption U.S. Projects: Howard Fried. Installation view, Artists Space, 1983.
    Image description A sink structure on wheels sits atop a tilted wooden table top with legs of varying sizes. Light from the ceiling is seen emanating onto the structure in the white-walled gallery space.
    Year
    Related pages U.S. Projects: Howard Fried
  • A cartoon drawing of men at a table with text underneath reading,
    A cartoon drawing of men at a table with text underneath reading,
    [A cartoon drawing of men at a table with text underneath reading, "Everybody sees right through your damned transparency."]
    Caption
    Image description A cartoon drawing of men at a table with text underneath reading, "Everybody sees right through your damned transparency."
    Year 2011
    Related pages The Whole of Troy is a Horse
  • A portrait of a heavily made-up standing person in a ballgown with outstretched arms in black evening gloves. The dark ballgown has rows of light names on it.
    A portrait of a heavily made-up standing person in a ballgown with outstretched arms in black evening gloves. The dark ballgown has rows of light names on it.
    Hunter Reynolds, Patina du Prey’s Memorial Dress: 1997 to 2007. Historical performance documentation. Photo: Maxine Henryson. [A portrait of a heavily made-up standing person in a ballgown with outstretched arms in black evening gloves. The dark ballgown has rows of light names on it.]
    Caption Hunter Reynolds, Patina du Prey’s Memorial Dress: 1997 to 2007. Historical performance documentation. Photo: Maxine Henryson.
    Image description A portrait of a heavily made-up standing person in a ballgown with outstretched arms in black evening gloves. The dark ballgown has rows of light names on it.
    Year
    Related pages Patina du Prey's Memorial Dress: 1993 to 2007
  • A sideways image of a photograph sitting on top of an open book. The photographs shows four people sitting next to each other. The book page is split with a column of text and a black and white image of a billboard that reads,
    A sideways image of a photograph sitting on top of an open book. The photographs shows four people sitting next to each other. The book page is split with a column of text and a black and white image of a billboard that reads,
    [A sideways image of a photograph sitting on top of an open book. The photographs shows four people sitting next to each other. The book page is split with a column of text and a black and white image of a billboard that reads, "Growing with Birmingham!"]
    Caption
    Image description A sideways image of a photograph sitting on top of an open book. The photographs shows four people sitting next to each other. The book page is split with a column of text and a black and white image of a billboard that reads, "Growing with Birmingham!"
    Year 2007
    Related pages Replica of a Lost Original
  • An open black wallet supported upright on a white surface by four binder clips attached to its left side and bottom edge.
    An open black wallet supported upright on a white surface by four binder clips attached to its left side and bottom edge.
    Daniel Joglar, Untitled, 2005. Courtesy the artist. [An open black wallet supported upright on a white surface by four binder clips attached to its left side and bottom edge.]
    Caption Daniel Joglar, Untitled, 2005. Courtesy the artist.
    Image description An open black wallet supported upright on a white surface by four binder clips attached to its left side and bottom edge.
    Year 2005
    Related pages Cosas Sin Hacer. Cosas Para Hacer Mañana
  • Black and white photograph close up of white picket fence and painted dark background.
    Black and white photograph close up of white picket fence and painted dark background.
    Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery. [Black and white photograph close up of white picket fence and painted dark background.]
    Caption Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery.
    Image description Black and white photograph close up of white picket fence and painted dark background.
    Year 1979
    Related pages Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach
  • A man with a shaved head wearing black pants and a striped collared shirt reads from sheets of paper, speaking into a standing microphone. Two figures sitting at a table behind him turn to gaze towards him as he speaks.
    A man with a shaved head wearing black pants and a striped collared shirt reads from sheets of paper, speaking into a standing microphone. Two figures sitting at a table behind him turn to gaze towards him as he speaks.
    The Friends of Artists Space Dinner, May 8, 2010. Wolfgang Tillmans's laudation. [A man with a shaved head wearing black pants and a striped collared shirt reads from sheets of paper, speaking into a standing microphone. Two figures sitting at a table behind him turn to gaze towards him as he speaks.]
    Caption The Friends of Artists Space Dinner, May 8, 2010. Wolfgang Tillmans's laudation.
    Image description A man with a shaved head wearing black pants and a striped collared shirt reads from sheets of paper, speaking into a standing microphone. Two figures sitting at a table behind him turn to gaze towards him as he speaks.
    Year 2010
    Related pages The Friends of Artists Space Dinner
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    Related pages virgil b/g taylor: Minor Publics
  • A large photo decal runs along the entire length of a long, horizontal wall in a light-filled gallery space with wooden floors. The photo decal depicts a to-scale, warmly-lit domestic space. A wooden chest of drawers, radiators, various shelves, and a low bed covered in a quilt fill the space. A dart board hangs on the wall, along with various paintings.
    A large photo decal runs along the entire length of a long, horizontal wall in a light-filled gallery space with wooden floors. The photo decal depicts a to-scale, warmly-lit domestic space. A wooden chest of drawers, radiators, various shelves, and a low bed covered in a quilt fill the space. A dart board hangs on the wall, along with various paintings.
    Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A large photo decal runs along the entire length of a long, horizontal wall in a light-filled gallery space with wooden floors. The photo decal depicts a to-scale, warmly-lit domestic space. A wooden chest of drawers, radiators, various shelves, and a low bed covered in a quilt fill the space. A dart board hangs on the wall, along with various paintings.]
    Caption Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A large photo decal runs along the entire length of a long, horizontal wall in a light-filled gallery space with wooden floors. The photo decal depicts a to-scale, warmly-lit domestic space. A wooden chest of drawers, radiators, various shelves, and a low bed covered in a quilt fill the space. A dart board hangs on the wall, along with various paintings.
    Year 2010
    Related pages Rip It Up and Start Again: William S. Burroughs, Charles Henri Ford, Ray Johnson, Philippe Thomas, Arthur Russell
  • An image is projected onto a white wall.
    An image is projected onto a white wall.
    Krzysztof Wodiczko: Guidelines. Installation View, Artists Space, 1978. [An image is projected onto a white wall.]
    Caption Krzysztof Wodiczko: Guidelines. Installation View, Artists Space, 1978.
    Image description An image is projected onto a white wall.
    Annotation 1978
    Year 1978
    Related pages Guidelines Krzysztof Wodiczko
  • A rainbow-hued poster of the Queen. Black serif text positioned above and below her image reads,
    A rainbow-hued poster of the Queen. Black serif text positioned above and below her image reads,
    Jeremy Deller, Together 4 Ever, 1995. Silkscreen on paper, 27 x 19 inches. Edition of 4. 2 of 4 AP. Courtesy the artist and Gavin Brown's Enterprise, New York. [A rainbow-hued poster of the Queen. Black serif text positioned above and below her image reads, "Together 4 Ever".]
    Caption Jeremy Deller, Together 4 Ever, 1995. Silkscreen on paper, 27 x 19 inches. Edition of 4. 2 of 4 AP. Courtesy the artist and Gavin Brown's Enterprise, New York.
    Image description A rainbow-hued poster of the Queen. Black serif text positioned above and below her image reads, "Together 4 Ever".
    Year 1995
    Related pages Artists Space Program Fund
  • Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Year 2022
    Related pages SCRAAATCH 11-18
  • A sheet with painted black figures on it hangs suspended in a front of lighted windows in a gallery space.
    A sheet with painted black figures on it hangs suspended in a front of lighted windows in a gallery space.
    Patricia Caire. Installation view, Artists Space, 1980. [A sheet with painted black figures on it hangs suspended in a front of lighted windows in a gallery space.]
    Caption Patricia Caire. Installation view, Artists Space, 1980.
    Image description A sheet with painted black figures on it hangs suspended in a front of lighted windows in a gallery space.
    Year
    Related pages Patricia Caire
  • A teal circle on a white background with several names written around the perimeter, circling the midpoint of the circle. White text on the right side of the circle reads,
    A teal circle on a white background with several names written around the perimeter, circling the midpoint of the circle. White text on the right side of the circle reads,
    Poster for No Total Weekend, May 29-31, 2015, Artists Space. [A teal circle on a white background with several names written around the perimeter, circling the midpoint of the circle. White text on the right side of the circle reads, "May 29-31. 2015 / No Total Weekend." The rest of the text spells out the schedule of the event.]
    Caption Poster for No Total Weekend, May 29-31, 2015, Artists Space.
    Image description A teal circle on a white background with several names written around the perimeter, circling the midpoint of the circle. White text on the right side of the circle reads, "May 29-31. 2015 / No Total Weekend." The rest of the text spells out the schedule of the event.
    Year 2015
    Related pages No Total Weekend
  • A figure stands behind a microphone and table with audio equipment. They hold one hand over their mouth and the other around their neck.
    A figure stands behind a microphone and table with audio equipment. They hold one hand over their mouth and the other around their neck.
    Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure stands behind a microphone and table with audio equipment. They hold one hand over their mouth and the other around their neck.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure stands behind a microphone and table with audio equipment. They hold one hand over their mouth and the other around their neck.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-10
  • A woman wearing headphones stands in front of a horizontal monitor displaying an image of two illustrated eyes and a nose. Behind the monitor, several framed photographs lean against a wall. A long, red carpet runs across the floor underneath the photographs.
    A woman wearing headphones stands in front of a horizontal monitor displaying an image of two illustrated eyes and a nose. Behind the monitor, several framed photographs lean against a wall. A long, red carpet runs across the floor underneath the photographs.
    Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A woman wearing headphones stands in front of a horizontal monitor displaying an image of two illustrated eyes and a nose. Behind the monitor, several framed photographs lean against a wall. A long, red carpet runs across the floor underneath the photographs.]
    Caption Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A woman wearing headphones stands in front of a horizontal monitor displaying an image of two illustrated eyes and a nose. Behind the monitor, several framed photographs lean against a wall. A long, red carpet runs across the floor underneath the photographs.
    Year 2013
    Related pages Frozen Lakes
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    Related pages Performance People
  • A detail shot of a larger photo collage work featuring 20 identical images in a grid that have been altered with black, yellow, or white paint to vary the scene presented of a man opening up the hood of a car.
    A detail shot of a larger photo collage work featuring 20 identical images in a grid that have been altered with black, yellow, or white paint to vary the scene presented of a man opening up the hood of a car.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A detail shot of a larger photo collage work featuring 20 identical images in a grid that have been altered with black, yellow, or white paint to vary the scene presented of a man opening up the hood of a car.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A detail shot of a larger photo collage work featuring 20 identical images in a grid that have been altered with black, yellow, or white paint to vary the scene presented of a man opening up the hood of a car.
    Year 2017
    Related pages Unholding
  • A color photograph of a red punching bag, other boxing equipment, and a human statue suspended from a rectangular wooden frame in a gallery space.
    A color photograph of a red punching bag, other boxing equipment, and a human statue suspended from a rectangular wooden frame in a gallery space.
    Milford Graves, Yara Training Bag, c. 1990. Wood, punching bags, hand-painted boxing gloves, springs, samurai sword, rubber balls, acupuncture model, tape,metal fixtures, athletic socks, rope. Dimensions variable. Photo: Filip Wolak. [A color photograph of a red punching bag, other boxing equipment, and a human statue suspended from a rectangular wooden frame in a gallery space.]
    Caption Milford Graves, Yara Training Bag, c. 1990. Wood, punching bags, hand-painted boxing gloves, springs, samurai sword, rubber balls, acupuncture model, tape,metal fixtures, athletic socks, rope. Dimensions variable. Photo: Filip Wolak.
    Image description A color photograph of a red punching bag, other boxing equipment, and a human statue suspended from a rectangular wooden frame in a gallery space.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • Color photograph of a gallery space. On the left wall is a projected black-and-white video. On the right wall are various scores, posters, and photographs, and a vitrine.
    Color photograph of a gallery space. On the left wall is a projected black-and-white video. On the right wall are various scores, posters, and photographs, and a vitrine.
    Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery space. On the left wall is a projected black-and-white video. On the right wall are various scores, posters, and photographs, and a vitrine.]
    Caption Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a gallery space. On the left wall is a projected black-and-white video. On the right wall are various scores, posters, and photographs, and a vitrine.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • Two figures wearing medical scrubs stand across from each other, with a table with a mannequin on it in the middle.
    Two figures wearing medical scrubs stand across from each other, with a table with a mannequin on it in the middle.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [Two figures wearing medical scrubs stand across from each other, with a table with a mannequin on it in the middle.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court
    Image description Two figures wearing medical scrubs stand across from each other, with a table with a mannequin on it in the middle.
    Year 2022
    Related pages Grandmother Cindy
  • A black and white photograph of a number of unmounted 35mm slides on a lightbox is visible in the foreground with a computer and printer visible in the background in an office setting.
    A black and white photograph of a number of unmounted 35mm slides on a lightbox is visible in the foreground with a computer and printer visible in the background in an office setting.
    The Artists File at Artists Space, 1986. [A black and white photograph of a number of unmounted 35mm slides on a lightbox is visible in the foreground with a computer and printer visible in the background in an office setting.]
    Caption The Artists File at Artists Space, 1986.
    Image description A black and white photograph of a number of unmounted 35mm slides on a lightbox is visible in the foreground with a computer and printer visible in the background in an office setting.
    Year
    Related pages Selections from the Artists File
  • A Samsung television monitor displaying Benjamin Buchloh, in a black sweater and thin rectangular glasses, being interviewed.
    A Samsung television monitor displaying Benjamin Buchloh, in a black sweater and thin rectangular glasses, being interviewed.
    Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A Samsung television monitor displaying Benjamin Buchloh, in a black sweater and thin rectangular glasses, being interviewed.]
    Caption Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A Samsung television monitor displaying Benjamin Buchloh, in a black sweater and thin rectangular glasses, being interviewed.
    Year 2011
    Related pages Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979)
  • Three standing lights point to illuminate a white wall. Standing beside them facing the wall is a figure wearing a coat and a hat with her hands lightly clasped behind her back. Barely visible on the wall beside her are stenciled outlines of trees.
    Three standing lights point to illuminate a white wall. Standing beside them facing the wall is a figure wearing a coat and a hat with her hands lightly clasped behind her back. Barely visible on the wall beside her are stenciled outlines of trees.
    Beech Forest. Performance view, Artists Space, 2007. [Three standing lights point to illuminate a white wall. Standing beside them facing the wall is a figure wearing a coat and a hat with her hands lightly clasped behind her back. Barely visible on the wall beside her are stenciled outlines of trees.]
    Caption Beech Forest. Performance view, Artists Space, 2007.
    Image description Three standing lights point to illuminate a white wall. Standing beside them facing the wall is a figure wearing a coat and a hat with her hands lightly clasped behind her back. Barely visible on the wall beside her are stenciled outlines of trees.
    Year 2007
    Related pages When Time Becomes Form: Beech Forest
  • A color photograph of three handpainted LPs in a wall mounted vitrine.
    A color photograph of three handpainted LPs in a wall mounted vitrine.
    Milford Graves: Fundamental Frequency. Installation view (handpainted LPs, 1966), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color photograph of three handpainted LPs in a wall mounted vitrine.]
    Caption Milford Graves: Fundamental Frequency. Installation view (handpainted LPs, 1966), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak.
    Image description A color photograph of three handpainted LPs in a wall mounted vitrine.
    Year 1991
    Related pages Milford Graves: Fundamental Frequency
  • A color photograph of a figure standing in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A speaker is visible in the background.
    A color photograph of a figure standing in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A speaker is visible in the background.
    Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure standing in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A speaker is visible in the background.]
    Caption Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space.
    Image description A color photograph of a figure standing in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A speaker is visible in the background.
    Year 2022
    Related pages Yuji Agematsu
  • A black and white image of paintings hanging on a white wall, and sculptures occupying the gallery floor.
    A black and white image of paintings hanging on a white wall, and sculptures occupying the gallery floor.
    Installation view from Annual Selections Show, Artists Space, 1985 [A black and white image of paintings hanging on a white wall, and sculptures occupying the gallery floor.]
    Caption Installation view from Annual Selections Show, Artists Space, 1985
    Image description A black and white image of paintings hanging on a white wall, and sculptures occupying the gallery floor.
    Year 1985
    Related pages Annual Selections Show
  • In a large, open gallery space, several photographs hang on walls to the right. To the left, multiple small monitors mounted to a colorful gallery wall play video works. In front of the monitors, there are wooden stools with headphones resting upon them.
    In a large, open gallery space, several photographs hang on walls to the right. To the left, multiple small monitors mounted to a colorful gallery wall play video works. In front of the monitors, there are wooden stools with headphones resting upon them.
    Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez.. [In a large, open gallery space, several photographs hang on walls to the right. To the left, multiple small monitors mounted to a colorful gallery wall play video works. In front of the monitors, there are wooden stools with headphones resting upon them.]
    Caption Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez..
    Image description In a large, open gallery space, several photographs hang on walls to the right. To the left, multiple small monitors mounted to a colorful gallery wall play video works. In front of the monitors, there are wooden stools with headphones resting upon them.
    Year 2012
    Related pages Radical Localism: Art, Video and Culture from Pueblo Nuevo’s Mexicali Rose
  • A print illustration of a suburban house. In the foreground, a pink flower cuts across the right frame from top to bottom.
    A print illustration of a suburban house. In the foreground, a pink flower cuts across the right frame from top to bottom.
    Sigmar Polke, Wochenendhaus, 1967. 80 copies + 40 artists proofs, signed and numbered screen print on cardboard, 59,5 x 84 cm. Courtesy of Edition Block, Berlin. [A print illustration of a suburban house. In the foreground, a pink flower cuts across the right frame from top to bottom.]
    Caption Sigmar Polke, Wochenendhaus, 1967. 80 copies + 40 artists proofs, signed and numbered screen print on cardboard, 59,5 x 84 cm. Courtesy of Edition Block, Berlin.
    Image description A print illustration of a suburban house. In the foreground, a pink flower cuts across the right frame from top to bottom.
    Year 1967
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A screenshot of the google images search results page for the query
    A screenshot of the google images search results page for the query
    [A screenshot of the google images search results page for the query "a history of negations."]
    Caption
    Image description A screenshot of the google images search results page for the query "a history of negations."
    Year
    Related pages A History of Negations
  • A large black bowl, painted with colorful faces, is filled to the brim with vibrant beaded jewelry. The bowl is placed on a tall black rectangular platform, covered with a beige woven blanket with long tassels and a white pattern along its border. Beaded jewelry from the bowl dangles down to the floor, intertwined and curled amongst themselves.
    A large black bowl, painted with colorful faces, is filled to the brim with vibrant beaded jewelry. The bowl is placed on a tall black rectangular platform, covered with a beige woven blanket with long tassels and a white pattern along its border. Beaded jewelry from the bowl dangles down to the floor, intertwined and curled amongst themselves.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A large black bowl, painted with colorful faces, is filled to the brim with vibrant beaded jewelry. The bowl is placed on a tall black rectangular platform, covered with a beige woven blanket with long tassels and a white pattern along its border. Beaded jewelry from the bowl dangles down to the floor, intertwined and curled amongst themselves.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A large black bowl, painted with colorful faces, is filled to the brim with vibrant beaded jewelry. The bowl is placed on a tall black rectangular platform, covered with a beige woven blanket with long tassels and a white pattern along its border. Beaded jewelry from the bowl dangles down to the floor, intertwined and curled amongst themselves.
    Year 2017
    Related pages Unholding
  • Black and white chart tracking the movement of trains through major cities in France. Text at the bottom of the chart reads
    Black and white chart tracking the movement of trains through major cities in France. Text at the bottom of the chart reads
    Liz Deschenes Ibry's timetable 1878 (Paris - Lyon), 2018, UV print on photogram, 8 x 14 inches, Signed edition of 100, 5APs, Courtesy of the artist. [Black and white chart tracking the movement of trains through major cities in France. Text at the bottom of the chart reads "Fig. 7. Graphique de la marche des trains sur un chemin de fer, d'après la méthode de Ibry."]
    Caption Liz Deschenes Ibry's timetable 1878 (Paris - Lyon), 2018, UV print on photogram, 8 x 14 inches, Signed edition of 100, 5APs, Courtesy of the artist.
    Image description Black and white chart tracking the movement of trains through major cities in France. Text at the bottom of the chart reads "Fig. 7. Graphique de la marche des trains sur un chemin de fer, d'après la méthode de Ibry."
    Year 2018
    Related pages Artists Space Annual Edition Portfolio 2018
  • A digital print of four books with annotations on each side.
    A digital print of four books with annotations on each side.
    Adjua Gargi Nzinga Greaves, SELF, 2021. Chromogenic print with pigment ink pen, 41 ½ x 41 ½ inches. Courtesy Artists Space, New York. Photo: Filip Wolak [A digital print of four books with annotations on each side.]
    Caption Adjua Gargi Nzinga Greaves, SELF, 2021. Chromogenic print with pigment ink pen, 41 ½ x 41 ½ inches. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A digital print of four books with annotations on each side.
    Year 2021
    Related pages Adjua Gargi Nzinga Greaves
  • A black and white portrait photograph of seven individuals looking at the camera with text partially visible behind them.
    A black and white portrait photograph of seven individuals looking at the camera with text partially visible behind them.
    Richard Weise and Harald Vizenor. Still from Harold of Orange, 1983. 16mm film (sound, color). 33 min 21 sec. [A black and white portrait photograph of seven individuals looking at the camera with text partially visible behind them.]
    Caption Richard Weise and Harald Vizenor. Still from Harold of Orange, 1983. 16mm film (sound, color). 33 min 21 sec.
    Image description A black and white portrait photograph of seven individuals looking at the camera with text partially visible behind them.
    Year
    Related pages We the People
  • A photograph of a large, open gallery space.  The visible walls feature a continuous painting that wraps around the room, showing human figures on saturated blue, yellow, and red backgrounds.  A single person stands int he room and looks at the painting.
    A photograph of a large, open gallery space.  The visible walls feature a continuous painting that wraps around the room, showing human figures on saturated blue, yellow, and red backgrounds.  A single person stands int he room and looks at the painting.
    Min Joong Art. Installation view, Artists Space, 1988. [A photograph of a large, open gallery space. The visible walls feature a continuous painting that wraps around the room, showing human figures on saturated blue, yellow, and red backgrounds. A single person stands int he room and looks at the painting.]
    Caption Min Joong Art. Installation view, Artists Space, 1988.
    Image description A photograph of a large, open gallery space. The visible walls feature a continuous painting that wraps around the room, showing human figures on saturated blue, yellow, and red backgrounds. A single person stands int he room and looks at the painting.
    Year 1988
    Related pages Min Joong Art: A New Cultural Moment from Korea
  • A photograph of a large gallery space with multiple rooms visible.  In the foreground, the floor is covered with flooring, except for a silhouette of a human figure which has been cut out of the flooring, through which the concrete below is visible.
    A photograph of a large gallery space with multiple rooms visible.  In the foreground, the floor is covered with flooring, except for a silhouette of a human figure which has been cut out of the flooring, through which the concrete below is visible.
    Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph of a large gallery space with multiple rooms visible. In the foreground, the floor is covered with flooring, except for a silhouette of a human figure which has been cut out of the flooring, through which the concrete below is visible.]
    Caption Selections from the Artists File. Installation view, Artists Space, 1989.
    Image description A photograph of a large gallery space with multiple rooms visible. In the foreground, the floor is covered with flooring, except for a silhouette of a human figure which has been cut out of the flooring, through which the concrete below is visible.
    Year 1989
    Related pages Selections from the Artist File
  • A dark screening room with a single brown couch. An image is projected on the wall, showing a hallway with a slightly ajar door, through which blue light is filtered.
    A dark screening room with a single brown couch. An image is projected on the wall, showing a hallway with a slightly ajar door, through which blue light is filtered.
    Episode. Installation view, Artists Space, 2007. Photo: Bill Orcutt. [A dark screening room with a single brown couch. An image is projected on the wall, showing a hallway with a slightly ajar door, through which blue light is filtered.]
    Caption Episode. Installation view, Artists Space, 2007. Photo: Bill Orcutt.
    Image description A dark screening room with a single brown couch. An image is projected on the wall, showing a hallway with a slightly ajar door, through which blue light is filtered.
    Year 2007
    Related pages Episode
  • Caption
    Image description
    Year
    Related pages Yasunao Tone: Region of Paramedia
  • A number of wooden sculptures appear in various shapes in a white-walled gallery space.
    A number of wooden sculptures appear in various shapes in a white-walled gallery space.
    Selections from the Artists File, installation view, Artists Space, 1986. [A number of wooden sculptures appear in various shapes in a white-walled gallery space.]
    Caption Selections from the Artists File, installation view, Artists Space, 1986.
    Image description A number of wooden sculptures appear in various shapes in a white-walled gallery space.
    Year
    Related pages Selections from the Artists File
  • An image of rocks, trees and coastline overlooking a large body of water. Collaged on top of the photograph are cutouts of flowers, carved stones, and a mosaic. Gray text gives details about a virtual reading event, with zoom meeting information written in yellow at the bottom.
    An image of rocks, trees and coastline overlooking a large body of water. Collaged on top of the photograph are cutouts of flowers, carved stones, and a mosaic. Gray text gives details about a virtual reading event, with zoom meeting information written in yellow at the bottom.
    [An image of rocks, trees and coastline overlooking a large body of water. Collaged on top of the photograph are cutouts of flowers, carved stones, and a mosaic. Gray text gives details about a virtual reading event, with zoom meeting information written in yellow at the bottom.]
    Caption
    Image description An image of rocks, trees and coastline overlooking a large body of water. Collaged on top of the photograph are cutouts of flowers, carved stones, and a mosaic. Gray text gives details about a virtual reading event, with zoom meeting information written in yellow at the bottom.
    Year 2020
    Related pages Segue Reading Series: Tongo Eisen-Martin & Jennifer Soong
  • A monitor facing a seating arrangement constructed of stacked pillows. Two pairs of monitors are suspended on poles in the background. An image of Hito Steyerl is seen in both pairs; next to an image of a pile of cigarettes and an image of shipping containers.
    A monitor facing a seating arrangement constructed of stacked pillows. Two pairs of monitors are suspended on poles in the background. An image of Hito Steyerl is seen in both pairs; next to an image of a pile of cigarettes and an image of shipping containers.
    Hito Steyerl. Installation view, Artists Space, 2015. [A monitor facing a seating arrangement constructed of stacked pillows. Two pairs of monitors are suspended on poles in the background. An image of Hito Steyerl is seen in both pairs; next to an image of a pile of cigarettes and an image of shipping containers.]
    Caption Hito Steyerl. Installation view, Artists Space, 2015.
    Image description A monitor facing a seating arrangement constructed of stacked pillows. Two pairs of monitors are suspended on poles in the background. An image of Hito Steyerl is seen in both pairs; next to an image of a pile of cigarettes and an image of shipping containers.
    Year 2015
    Related pages Hito Steyerl
  • Malaika Villamizar, Untitled, 2021, digital photography
    Caption Malaika Villamizar, Untitled, 2021, digital photography
    Image description
    Year 2021
    Related pages BRIDGE Photography
  • An empty pool with weeds growing out of cracks. There are trees and bushes in the background, and a pink glow on the righthand edge, as if from a sunspot.
    An empty pool with weeds growing out of cracks. There are trees and bushes in the background, and a pink glow on the righthand edge, as if from a sunspot.
    Michael Robinson. Still from Victory Over the Sun, 2007. [An empty pool with weeds growing out of cracks. There are trees and bushes in the background, and a pink glow on the righthand edge, as if from a sunspot.]
    Caption Michael Robinson. Still from Victory Over the Sun, 2007.
    Image description An empty pool with weeds growing out of cracks. There are trees and bushes in the background, and a pink glow on the righthand edge, as if from a sunspot.
    Year 2007
    Related pages Summer Knowledge: Michael Robinson
  • A photograph of a small room with clear walls and a clear door sitting against a wall in a white-walled gallery.  Inside the room, a wooden chair and shelves are visible.
    A photograph of a small room with clear walls and a clear door sitting against a wall in a white-walled gallery.  Inside the room, a wooden chair and shelves are visible.
    Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph of a small room with clear walls and a clear door sitting against a wall in a white-walled gallery. Inside the room, a wooden chair and shelves are visible.]
    Caption Selections from the Artists File. Installation view, Artists Space, 1989.
    Image description A photograph of a small room with clear walls and a clear door sitting against a wall in a white-walled gallery. Inside the room, a wooden chair and shelves are visible.
    Year 1989
    Related pages Selections from the Artist File
  • Color photograph of a figure in a red suit performing in a darkly lit room with LED light sculptures in the background. The figure holds their left hand out in a gesture, and with their right hand holds a mask in front of their face.
    Color photograph of a figure in a red suit performing in a darkly lit room with LED light sculptures in the background. The figure holds their left hand out in a gesture, and with their right hand holds a mask in front of their face.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure in a red suit performing in a darkly lit room with LED light sculptures in the background. The figure holds their left hand out in a gesture, and with their right hand holds a mask in front of their face.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a figure in a red suit performing in a darkly lit room with LED light sculptures in the background. The figure holds their left hand out in a gesture, and with their right hand holds a mask in front of their face.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A colored pencil rendering of a prison cell is contained inside a rectangular box with rounded edges, floating on a white lined sheet of paper. A pink heart in motion extends beyond the confines of the cell and onto lined paper.
    A colored pencil rendering of a prison cell is contained inside a rectangular box with rounded edges, floating on a white lined sheet of paper. A pink heart in motion extends beyond the confines of the cell and onto lined paper.
    Herman Wallace. Drawing. [A colored pencil rendering of a prison cell is contained inside a rectangular box with rounded edges, floating on a white lined sheet of paper. A pink heart in motion extends beyond the confines of the cell and onto lined paper.]
    Caption Herman Wallace. Drawing.
    Image description A colored pencil rendering of a prison cell is contained inside a rectangular box with rounded edges, floating on a white lined sheet of paper. A pink heart in motion extends beyond the confines of the cell and onto lined paper.
    Year 2007
    Related pages The House that Herman Built
  • White text arranged in two columns on a black background. Film roles, such as
    White text arranged in two columns on a black background. Film roles, such as
    Lise Soskolne, Film Still: Characters, 1999. Oil on canvas, 66 x 108 inches. [White text arranged in two columns on a black background. Film roles, such as "Desk Clerk" and "Beauty Queen" are listed on the left, with names of actors on the right.]
    Caption Lise Soskolne, Film Still: Characters, 1999. Oil on canvas, 66 x 108 inches.
    Image description White text arranged in two columns on a black background. Film roles, such as "Desk Clerk" and "Beauty Queen" are listed on the left, with names of actors on the right.
    Year 1999
    Related pages Lise Soskolne
  • A folding wall is erected in the center of a gallery space.  Its top features painted portraits of eight people from the waist up.  Below them, the lower half of the wall is covered in white, handpainted text on a black background.   The text extends onto the floor, and its bottom edge is bordered by a row of votive candles.  Behind this wall, other artworks are partially visible.
    A folding wall is erected in the center of a gallery space.  Its top features painted portraits of eight people from the waist up.  Below them, the lower half of the wall is covered in white, handpainted text on a black background.   The text extends onto the floor, and its bottom edge is bordered by a row of votive candles.  Behind this wall, other artworks are partially visible.
    Vidas Perdidas. Installation view, Artists Space, 1989. [A folding wall is erected in the center of a gallery space. Its top features painted portraits of eight people from the waist up. Below them, the lower half of the wall is covered in white, handpainted text on a black background. The text extends onto the floor, and its bottom edge is bordered by a row of votive candles. Behind this wall, other artworks are partially visible.]
    Caption Vidas Perdidas. Installation view, Artists Space, 1989.
    Image description A folding wall is erected in the center of a gallery space. Its top features painted portraits of eight people from the waist up. Below them, the lower half of the wall is covered in white, handpainted text on a black background. The text extends onto the floor, and its bottom edge is bordered by a row of votive candles. Behind this wall, other artworks are partially visible.
    Year 1989
    Related pages Vidas Perdidas/Lost Lives: Border Art/Workshop/Taller de Arte Fronterizo
  • A person is standing at the end of a stage, dressed in a long coat, with a stern expression on her face. A man sits at a desk in the corner, his head in his hands. There is a white trifold screen behind them, with an extra chair, and a banner written in German.
    A person is standing at the end of a stage, dressed in a long coat, with a stern expression on her face. A man sits at a desk in the corner, his head in his hands. There is a white trifold screen behind them, with an extra chair, and a banner written in German.
    Still from The Empty Plan (2010). [A person is standing at the end of a stage, dressed in a long coat, with a stern expression on her face. A man sits at a desk in the corner, his head in his hands. There is a white trifold screen behind them, with an extra chair, and a banner written in German.]
    Caption Still from The Empty Plan (2010).
    Image description A person is standing at the end of a stage, dressed in a long coat, with a stern expression on her face. A man sits at a desk in the corner, his head in his hands. There is a white trifold screen behind them, with an extra chair, and a banner written in German.
    Year 2010
    Related pages The Empty Plan
  • Black and white pen drawing featuring a cartoonish rendering of Manhattan and the surrounding boroughs that resembles a grassy mini-golf course. Golf holes are scattered across Manhattan amidst larger-than-life cut-out figures, convoluted structures, palm trees, and other quirky obstacles. Stray golf balls are scattered across the surrounding boroughs. A cluster of golf balls in New Jersey are arranged such that they spell out the words,
    Black and white pen drawing featuring a cartoonish rendering of Manhattan and the surrounding boroughs that resembles a grassy mini-golf course. Golf holes are scattered across Manhattan amidst larger-than-life cut-out figures, convoluted structures, palm trees, and other quirky obstacles. Stray golf balls are scattered across the surrounding boroughs. A cluster of golf balls in New Jersey are arranged such that they spell out the words,
    [Black and white pen drawing featuring a cartoonish rendering of Manhattan and the surrounding boroughs that resembles a grassy mini-golf course. Golf holes are scattered across Manhattan amidst larger-than-life cut-out figures, convoluted structures, palm trees, and other quirky obstacles. Stray golf balls are scattered across the surrounding boroughs. A cluster of golf balls in New Jersey are arranged such that they spell out the words, "PUTT-MODERNISM."]
    Caption
    Image description Black and white pen drawing featuring a cartoonish rendering of Manhattan and the surrounding boroughs that resembles a grassy mini-golf course. Golf holes are scattered across Manhattan amidst larger-than-life cut-out figures, convoluted structures, palm trees, and other quirky obstacles. Stray golf balls are scattered across the surrounding boroughs. A cluster of golf balls in New Jersey are arranged such that they spell out the words, "PUTT-MODERNISM."
    Year 1992
    Related pages Putt-Modernism
  • A rough sketch of a gallery with names in specific zones, done in blue ink
    A rough sketch of a gallery with names in specific zones, done in blue ink
    Floor plan sketch for Group Show, Artists Space, 1975. [A rough sketch of a gallery with names in specific zones, done in blue ink]
    Caption Floor plan sketch for Group Show, Artists Space, 1975.
    Image description A rough sketch of a gallery with names in specific zones, done in blue ink
    Year 1975
    Related pages Group Show
  • A painting of a person with red hair, cross-shaped earings, and black paint under their eyes.
    A painting of a person with red hair, cross-shaped earings, and black paint under their eyes.
    Tom Murrin, Johanna Went, 1985. Acrylic on foam core, 14.75 x 20 inches. Courtesy the artist. Photo: Patty Wallace. [A painting of a person with red hair, cross-shaped earings, and black paint under their eyes.]
    Caption Tom Murrin, Johanna Went, 1985. Acrylic on foam core, 14.75 x 20 inches. Courtesy the artist. Photo: Patty Wallace.
    Image description A painting of a person with red hair, cross-shaped earings, and black paint under their eyes.
    Year 1985
    Related pages Tony Bechara, Carmen Herrera, Tom Murrin, Mac Wells
  • A photograph of three TV screens stacked on top of each other. Two small speakers are visible on either side of the TV screens.
    A photograph of three TV screens stacked on top of each other. Two small speakers are visible on either side of the TV screens.
    Tiffany Sia, A Wet Finger in the Air, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A photograph of three TV screens stacked on top of each other. Two small speakers are visible on either side of the TV screens.]
    Caption Tiffany Sia, A Wet Finger in the Air, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A photograph of three TV screens stacked on top of each other. Two small speakers are visible on either side of the TV screens.
    Year 2021
    Related pages Tiffany Sia: Slippery When Wet
  • A figure reads into a microphone, glancing at their phone.
    A figure reads into a microphone, glancing at their phone.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure reads into a microphone, glancing at their phone.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure reads into a microphone, glancing at their phone.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • Image of a basement window that has been tinted with blue paint, streaming in blue light.
    Image of a basement window that has been tinted with blue paint, streaming in blue light.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement window that has been tinted with blue paint, streaming in blue light.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a basement window that has been tinted with blue paint, streaming in blue light.
    Year 2022
    Related pages SCRAAATCH 11-18
  • A figure in a white suit—the artist Jutta Koether—stands with her back to the viewer in front of a sculpture composed of a large glass pane with a painted canvas installed in the panel's center. Her left hand gestures in the air and grasps a metal wand with a butterfly ornament as well as papers with handwritten text.
    A figure in a white suit—the artist Jutta Koether—stands with her back to the viewer in front of a sculpture composed of a large glass pane with a painted canvas installed in the panel's center. Her left hand gestures in the air and grasps a metal wand with a butterfly ornament as well as papers with handwritten text.
    Fifth Season Act, Apotheosically. Performance documentation, May 31, 2012, Artists Space. [A figure in a white suit—the artist Jutta Koether—stands with her back to the viewer in front of a sculpture composed of a large glass pane with a painted canvas installed in the panel's center. Her left hand gestures in the air and grasps a metal wand with a butterfly ornament as well as papers with handwritten text.]
    Caption Fifth Season Act, Apotheosically. Performance documentation, May 31, 2012, Artists Space.
    Image description A figure in a white suit—the artist Jutta Koether—stands with her back to the viewer in front of a sculpture composed of a large glass pane with a painted canvas installed in the panel's center. Her left hand gestures in the air and grasps a metal wand with a butterfly ornament as well as papers with handwritten text.
    Year 2012
    Related pages Fifth Season Act, Apotheosically
  • Six rows of six small, faded images of a child in various poses, positioned at left center of frame.
    Six rows of six small, faded images of a child in various poses, positioned at left center of frame.
    Konrad Lueg Babies , 1967 80 copies + 40 artists proofs, signed and numbered screen print on cardboard, 59 x 83 cm Courtesy of Edition Block, Berlin [Six rows of six small, faded images of a child in various poses, positioned at left center of frame.]
    Caption Konrad Lueg Babies , 1967 80 copies + 40 artists proofs, signed and numbered screen print on cardboard, 59 x 83 cm Courtesy of Edition Block, Berlin
    Image description Six rows of six small, faded images of a child in various poses, positioned at left center of frame.
    Year 1967
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • William Carlos Williams' poem
    William Carlos Williams' poem
    [William Carlos Williams' poem "For Eleanor and Bill Monahan" written in black text on a white background.]
    Caption
    Image description William Carlos Williams' poem "For Eleanor and Bill Monahan" written in black text on a white background.
    Year 2011
    Related pages Simon Amstell's Do Nothing, read by Will Holder
  • Books, with series numbers (1-20) marked at the top of the spine, rest on an encolsed shelf against a white wall.
    Books, with series numbers (1-20) marked at the top of the spine, rest on an encolsed shelf against a white wall.
    [Books, with series numbers (1-20) marked at the top of the spine, rest on an encolsed shelf against a white wall.]
    Caption
    Image description Books, with series numbers (1-20) marked at the top of the spine, rest on an encolsed shelf against a white wall.
    Year 2014
    Related pages The Library Vaccine
  • Two black monitors facing opposite directions sit on a large, rectangular wooden table. One screen is visible, showing an image of two hands holding a piece of white paper with typed text. In the background, a framed photograph is installed on a white gallery wall.
    Two black monitors facing opposite directions sit on a large, rectangular wooden table. One screen is visible, showing an image of two hands holding a piece of white paper with typed text. In the background, a framed photograph is installed on a white gallery wall.
    Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez. [Two black monitors facing opposite directions sit on a large, rectangular wooden table. One screen is visible, showing an image of two hands holding a piece of white paper with typed text. In the background, a framed photograph is installed on a white gallery wall.]
    Caption Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description Two black monitors facing opposite directions sit on a large, rectangular wooden table. One screen is visible, showing an image of two hands holding a piece of white paper with typed text. In the background, a framed photograph is installed on a white gallery wall.
    Year 2011
    Related pages Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979)
  • A scan of a constructed line drawing using different architectural notations like dashed and construction lines.
    A scan of a constructed line drawing using different architectural notations like dashed and construction lines.
    Michael Kalil, an analytical study for Osmotic Membrane (detail), 1986. [A scan of a constructed line drawing using different architectural notations like dashed and construction lines.]
    Caption Michael Kalil, an analytical study for Osmotic Membrane (detail), 1986.
    Image description A scan of a constructed line drawing using different architectural notations like dashed and construction lines.
    Year
    Related pages From Here to Eternity: Fact and Fiction in Recent Architectural Projects
  • An offwhite poster with black letters framed two bands of a cropped watercolor painting announces a sound poetry festival entitled
    An offwhite poster with black letters framed two bands of a cropped watercolor painting announces a sound poetry festival entitled
    [An offwhite poster with black letters framed two bands of a cropped watercolor painting announces a sound poetry festival entitled "Chorus."]
    Caption
    Image description An offwhite poster with black letters framed two bands of a cropped watercolor painting announces a sound poetry festival entitled "Chorus."
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • A greyscale Polaroid of two shirtless men looking into each other's eyes.
    A greyscale Polaroid of two shirtless men looking into each other's eyes.
    Mark Morrisroe, Untitled [Stephen and Mark], c. 1984. Courtesy The Estate of Mark Morrisroe (Ringier Collection) at Fotomuseum Winterthur. [A greyscale Polaroid of two shirtless men looking into each other's eyes.]
    Caption Mark Morrisroe, Untitled [Stephen and Mark], c. 1984. Courtesy The Estate of Mark Morrisroe (Ringier Collection) at Fotomuseum Winterthur.
    Image description A greyscale Polaroid of two shirtless men looking into each other's eyes.
    Year 2011
    Related pages Mark Morrisroe: From This Moment On
  • Black-and-white photograph of a TV against a brick wall, connected to a camera recording directly above a spotlighted chair and desk. A figure sits across the empty chair at the desk, while another figure kneels down to the left side of the desk working on something.
    Black-and-white photograph of a TV against a brick wall, connected to a camera recording directly above a spotlighted chair and desk. A figure sits across the empty chair at the desk, while another figure kneels down to the left side of the desk working on something.
    Yasunao Tone and Suzanne Fletcher performing Voice and Phenomenon, Experimental Intermedia Foundation, New York, 1976. [Black-and-white photograph of a TV against a brick wall, connected to a camera recording directly above a spotlighted chair and desk. A figure sits across the empty chair at the desk, while another figure kneels down to the left side of the desk working on something.]
    Caption Yasunao Tone and Suzanne Fletcher performing Voice and Phenomenon, Experimental Intermedia Foundation, New York, 1976.
    Image description Black-and-white photograph of a TV against a brick wall, connected to a camera recording directly above a spotlighted chair and desk. A figure sits across the empty chair at the desk, while another figure kneels down to the left side of the desk working on something.
    Year
    Related pages Yasunao Tone: Region of Paramedia
  • A man in a sleeveless Metallica shirt stands in front of a makeshift music studio, looking at the camera.
    A man in a sleeveless Metallica shirt stands in front of a makeshift music studio, looking at the camera.
    [A man in a sleeveless Metallica shirt stands in front of a makeshift music studio, looking at the camera.]
    Caption
    Image description A man in a sleeveless Metallica shirt stands in front of a makeshift music studio, looking at the camera.
    Year 2013
    Related pages Bulletin Board Systems
  • Photograph of two figures, one in a suit, one in a suit and brown trenchcoat, striding across a city street. The facade of the buildings behind them is covered with a colorful mural and a long line of alternating, bright red and yellow posters. A large building sign above the posters reads
    Photograph of two figures, one in a suit, one in a suit and brown trenchcoat, striding across a city street. The facade of the buildings behind them is covered with a colorful mural and a long line of alternating, bright red and yellow posters. A large building sign above the posters reads
    [Photograph of two figures, one in a suit, one in a suit and brown trenchcoat, striding across a city street. The facade of the buildings behind them is covered with a colorful mural and a long line of alternating, bright red and yellow posters. A large building sign above the posters reads "S. KLEIN."]
    Caption
    Image description Photograph of two figures, one in a suit, one in a suit and brown trenchcoat, striding across a city street. The facade of the buildings behind them is covered with a colorful mural and a long line of alternating, bright red and yellow posters. A large building sign above the posters reads "S. KLEIN."
    Year 2010
    Related pages Group Material Show and Tell
  • Several small planks of wood of different sizes, shapes, and colors lean against a white gallery wall. Different words have been painted across the length of each plank, including
    Several small planks of wood of different sizes, shapes, and colors lean against a white gallery wall. Different words have been painted across the length of each plank, including
    Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Several small planks of wood of different sizes, shapes, and colors lean against a white gallery wall. Different words have been painted across the length of each plank, including "rhythm," "grace," "love," and "warmth." Above the planks hang two framed, green paintings.]
    Caption Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Several small planks of wood of different sizes, shapes, and colors lean against a white gallery wall. Different words have been painted across the length of each plank, including "rhythm," "grace," "love," and "warmth." Above the planks hang two framed, green paintings.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • An open hallway in a window-filled exhibition space. A gallery wall on the left side of the room displays a sideways, brown and gold American flag as well as a black and red fleg. A monitor sits on the ground to the right of the exhibition space, near one of the windows. A visitor stands in the background, viewing artworks displayed in the hallway.
    An open hallway in a window-filled exhibition space. A gallery wall on the left side of the room displays a sideways, brown and gold American flag as well as a black and red fleg. A monitor sits on the ground to the right of the exhibition space, near one of the windows. A visitor stands in the background, viewing artworks displayed in the hallway.
    Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [An open hallway in a window-filled exhibition space. A gallery wall on the left side of the room displays a sideways, brown and gold American flag as well as a black and red fleg. A monitor sits on the ground to the right of the exhibition space, near one of the windows. A visitor stands in the background, viewing artworks displayed in the hallway.]
    Caption Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description An open hallway in a window-filled exhibition space. A gallery wall on the left side of the room displays a sideways, brown and gold American flag as well as a black and red fleg. A monitor sits on the ground to the right of the exhibition space, near one of the windows. A visitor stands in the background, viewing artworks displayed in the hallway.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • A view of a vending machine against a glazed over window, tiled images on a white gallery wall, and a glass table surrounded by four wooden chairs.
    A view of a vending machine against a glazed over window, tiled images on a white gallery wall, and a glass table surrounded by four wooden chairs.
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of a vending machine against a glazed over window, tiled images on a white gallery wall, and a glass table surrounded by four wooden chairs.]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A view of a vending machine against a glazed over window, tiled images on a white gallery wall, and a glass table surrounded by four wooden chairs.
    Year 2021
    Related pages ART CLUB2000
  • A dim photograph of mulitple sculptures placed in the exhibtion space. A couple of black curtains are hung in the gallery.
    A dim photograph of mulitple sculptures placed in the exhibtion space. A couple of black curtains are hung in the gallery.
    Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque. Installation view, Artists Space, 1981. [A dim photograph of mulitple sculptures placed in the exhibtion space. A couple of black curtains are hung in the gallery.]
    Caption Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque. Installation view, Artists Space, 1981.
    Image description A dim photograph of mulitple sculptures placed in the exhibtion space. A couple of black curtains are hung in the gallery.
    Year
    Related pages Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque
  • A figure sits in a dimly lit corner in profile, gazing forward. They flip through pages of a script displayed in front of them. An open laptop sits to their left.
    A figure sits in a dimly lit corner in profile, gazing forward. They flip through pages of a script displayed in front of them. An open laptop sits to their left.
    Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court. [A figure sits in a dimly lit corner in profile, gazing forward. They flip through pages of a script displayed in front of them. An open laptop sits to their left.]
    Caption Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court.
    Image description A figure sits in a dimly lit corner in profile, gazing forward. They flip through pages of a script displayed in front of them. An open laptop sits to their left.
    Year 2020
    Related pages Passages from People Who Led to My Plays
  • Color photograph of two framed works that are hung on the wall. The piece on the left contains typed instructions for a musical performance, and the piece on the left contains hand-written notes for another performance.
    Color photograph of two framed works that are hung on the wall. The piece on the left contains typed instructions for a musical performance, and the piece on the left contains hand-written notes for another performance.
    Yasunao Tone: Region of Paramedia. Installation view (Music for Several Composers, Solo for Several Composers, Music for Every Tablaux, and Music for Footpeddal Organ, 1962-64; Diagram for Music for Footpeddal, 1962-64), Artists Space, 2023. Photo: Filip Wolak. [Color photograph of two framed works that are hung on the wall. The piece on the left contains typed instructions for a musical performance, and the piece on the left contains hand-written notes for another performance.]
    Caption Yasunao Tone: Region of Paramedia. Installation view (Music for Several Composers, Solo for Several Composers, Music for Every Tablaux, and Music for Footpeddal Organ, 1962-64; Diagram for Music for Footpeddal, 1962-64), Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of two framed works that are hung on the wall. The piece on the left contains typed instructions for a musical performance, and the piece on the left contains hand-written notes for another performance.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • A woman stands, facing away from the camera. She is standing on a photo backdrop of trees in a forest, which covers part of the floor and is raised into the air by stand. Studio lights surround her, casting a slight glare off the backdrop.
    A woman stands, facing away from the camera. She is standing on a photo backdrop of trees in a forest, which covers part of the floor and is raised into the air by stand. Studio lights surround her, casting a slight glare off the backdrop.
    Those Lost Trees by Viola Yesiltac (2005). [A woman stands, facing away from the camera. She is standing on a photo backdrop of trees in a forest, which covers part of the floor and is raised into the air by stand. Studio lights surround her, casting a slight glare off the backdrop.]
    Caption Those Lost Trees by Viola Yesiltac (2005).
    Image description A woman stands, facing away from the camera. She is standing on a photo backdrop of trees in a forest, which covers part of the floor and is raised into the air by stand. Studio lights surround her, casting a slight glare off the backdrop.
    Year 2005
    Related pages When Time Becomes Form: Beech Forest
  • Caption
    Image description
    Year
    Related pages Michael Asher / James Coleman
  • Margit Lewczuk. Installation View. Artists Space, 1985.
    Caption Margit Lewczuk. Installation View. Artists Space, 1985.
    Image description
    Year
    Related pages Four Artists: An Exhibition of Painting and Sculpture
  • A symmetrical image of windowless houses rendered in inverted colors with tones of purple, yellow, and pink.
    A symmetrical image of windowless houses rendered in inverted colors with tones of purple, yellow, and pink.
    Darren Wardle, Jailbreak, 2002. [A symmetrical image of windowless houses rendered in inverted colors with tones of purple, yellow, and pink.]
    Caption Darren Wardle, Jailbreak, 2002.
    Image description A symmetrical image of windowless houses rendered in inverted colors with tones of purple, yellow, and pink.
    Year 2002
    Related pages Painting as Paradox
  • Light blue text overlays a dark blue background. The top left corner reads:
    Light blue text overlays a dark blue background. The top left corner reads:
    Flyer for Segue Reading Series featuring Sueyeun Juliette Lee and Brian Teare. November 19, 2022, Artists Space. [Light blue text overlays a dark blue background. The top left corner reads: "Sueyeun Juliette Lee & Brian Teare / November 19, 5pm." The middle reads: "Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519."]
    Caption Flyer for Segue Reading Series featuring Sueyeun Juliette Lee and Brian Teare. November 19, 2022, Artists Space.
    Image description Light blue text overlays a dark blue background. The top left corner reads: "Sueyeun Juliette Lee & Brian Teare / November 19, 5pm." The middle reads: "Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519."
    Year
    Related pages Segue Reading Series: Sueyeun Juliette Lee & Brian Teare
  • Sculptures of lizards and turtles are seen on the top portion of the image in bright lighting on a white gallery wall and on the bottom of the image is a 10-gallon hat.
    Sculptures of lizards and turtles are seen on the top portion of the image in bright lighting on a white gallery wall and on the bottom of the image is a 10-gallon hat.
    Audrey Glassman, Untitled, 1983. Cibachrome, 28 x 42 inches. [Sculptures of lizards and turtles are seen on the top portion of the image in bright lighting on a white gallery wall and on the bottom of the image is a 10-gallon hat.]
    Caption Audrey Glassman, Untitled, 1983. Cibachrome, 28 x 42 inches.
    Image description Sculptures of lizards and turtles are seen on the top portion of the image in bright lighting on a white gallery wall and on the bottom of the image is a 10-gallon hat.
    Year
    Related pages U.S. Projects
  • A black and white photograph of a painted, sculpted object appears hanging above a person's head in a dark space.
    A black and white photograph of a painted, sculpted object appears hanging above a person's head in a dark space.
    Gerome Kamrowski. Paintings on the Surface of a Dome, 1960. [A black and white photograph of a painted, sculpted object appears hanging above a person's head in a dark space.]
    Caption Gerome Kamrowski. Paintings on the Surface of a Dome, 1960.
    Image description A black and white photograph of a painted, sculpted object appears hanging above a person's head in a dark space.
    Year
    Related pages Moderns in Mind
  • Book cover design featuring an image of a large room with red walls. A banner of colorful flags hangs from the ceiling. A large collection of objects is scattered on the floor, including coca-cola bottles, posters, chip bags, paint cans, detergent bottles, and other assorted items.
    Book cover design featuring an image of a large room with red walls. A banner of colorful flags hangs from the ceiling. A large collection of objects is scattered on the floor, including coca-cola bottles, posters, chip bags, paint cans, detergent bottles, and other assorted items.
    Show and Tell: A Chronicle of Group Material, edited by Julie Ault, published by Four Corners Books, 2010. [Book cover design featuring an image of a large room with red walls. A banner of colorful flags hangs from the ceiling. A large collection of objects is scattered on the floor, including coca-cola bottles, posters, chip bags, paint cans, detergent bottles, and other assorted items.]
    Caption Show and Tell: A Chronicle of Group Material, edited by Julie Ault, published by Four Corners Books, 2010.
    Image description Book cover design featuring an image of a large room with red walls. A banner of colorful flags hangs from the ceiling. A large collection of objects is scattered on the floor, including coca-cola bottles, posters, chip bags, paint cans, detergent bottles, and other assorted items.
    Year 2010
    Related pages Show & Tell: A Chronicle of Group Material
  • A color installation of three black tiered sculptures, placed on a wooden floor in a gallery space.
    A color installation of three black tiered sculptures, placed on a wooden floor in a gallery space.
    James Biederman. Installation view, Thomas Lanigan-Schmidt, James Biederman, Charles Simonds, Artists Space, 1974. [A color installation of three black tiered sculptures, placed on a wooden floor in a gallery space.]
    Caption James Biederman. Installation view, Thomas Lanigan-Schmidt, James Biederman, Charles Simonds, Artists Space, 1974.
    Image description A color installation of three black tiered sculptures, placed on a wooden floor in a gallery space.
    Year 1974
    Related pages Thomas Lanigan Schmidt, James Biederman, Charles Simonds
  • A black logo consisting of a lowercase letter
    A black logo consisting of a lowercase letter
    [A black logo consisting of a lowercase letter "b" connected to a smaller, lowercase letter "c" on a white background.]
    Caption
    Image description A black logo consisting of a lowercase letter "b" connected to a smaller, lowercase letter "c" on a white background.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • Detail view of a table filled with several stacks of a book titled *EINE PINOT GRIGIO BITTE*. The book covers appear in various shades of orange, pink, blue, yellow, and green, and are stamped with the same ornate Latin emblem. Some are comb bound and others are side stitched.
    Detail view of a table filled with several stacks of a book titled *EINE PINOT GRIGIO BITTE*. The book covers appear in various shades of orange, pink, blue, yellow, and green, and are stamped with the same ornate Latin emblem. Some are comb bound and others are side stitched.
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of a table filled with several stacks of a book titled *EINE PINOT GRIGIO BITTE*. The book covers appear in various shades of orange, pink, blue, yellow, and green, and are stamped with the same ornate Latin emblem. Some are comb bound and others are side stitched.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Detail view of a table filled with several stacks of a book titled *EINE PINOT GRIGIO BITTE*. The book covers appear in various shades of orange, pink, blue, yellow, and green, and are stamped with the same ornate Latin emblem. Some are comb bound and others are side stitched.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • A black and white photograph of a wooden bust of a horned deer like animal, attached to a white wall.
    A black and white photograph of a wooden bust of a horned deer like animal, attached to a white wall.
    Gwynn Murrill, Impala, laminated wood blocks, 1972. From Don Wynn, Judy Pfaff, Gwynn Murrill, Artists Space, 1974. [A black and white photograph of a wooden bust of a horned deer like animal, attached to a white wall.]
    Caption Gwynn Murrill, Impala, laminated wood blocks, 1972. From Don Wynn, Judy Pfaff, Gwynn Murrill, Artists Space, 1974.
    Image description A black and white photograph of a wooden bust of a horned deer like animal, attached to a white wall.
    Year 1974
    Related pages Don Wynn, Judy Pfaff, Gwynn Murrill
  • A figure stands facing a black tarp tacked to the wall. A second figure holds a camera, photographing the tarp. An image is projected on the back wall.
    A figure stands facing a black tarp tacked to the wall. A second figure holds a camera, photographing the tarp. An image is projected on the back wall.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A figure stands facing a black tarp tacked to the wall. A second figure holds a camera, photographing the tarp. An image is projected on the back wall.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A figure stands facing a black tarp tacked to the wall. A second figure holds a camera, photographing the tarp. An image is projected on the back wall.
    Year 2019
    Related pages Speaker Music: drape over another
  • 3 large paintings hang on the wall to the right. The foremost is rectangular, then further away is a rhombus shaped painting and lastly a circular piece.
    3 large paintings hang on the wall to the right. The foremost is rectangular, then further away is a rhombus shaped painting and lastly a circular piece.
    Traditions: Five Painters. Installation View, Artists Space, 1978. [3 large paintings hang on the wall to the right. The foremost is rectangular, then further away is a rhombus shaped painting and lastly a circular piece.]
    Caption Traditions: Five Painters. Installation View, Artists Space, 1978.
    Image description 3 large paintings hang on the wall to the right. The foremost is rectangular, then further away is a rhombus shaped painting and lastly a circular piece.
    Year
    Related pages Traditions: Five Painters, Charles Clough, William Fares, Sidney Goldberg, John Lees, Ann Thornycroft
  • A black and white image of an exhibtion space, sculptures sit on three pedestals in front a wall of paintings.
    A black and white image of an exhibtion space, sculptures sit on three pedestals in front a wall of paintings.
    We the People. Installation view, Artists Space. 1987. [A black and white image of an exhibtion space, sculptures sit on three pedestals in front a wall of paintings.]
    Caption We the People. Installation view, Artists Space. 1987.
    Image description A black and white image of an exhibtion space, sculptures sit on three pedestals in front a wall of paintings.
    Year 1987
    Related pages
  • Two figures wearing medical scrubs move a table with wheels, on which a mannequin lies.
    Two figures wearing medical scrubs move a table with wheels, on which a mannequin lies.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [Two figures wearing medical scrubs move a table with wheels, on which a mannequin lies.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court
    Image description Two figures wearing medical scrubs move a table with wheels, on which a mannequin lies.
    Year 2022
    Related pages Grandmother Cindy
  • A brochure cover for <i>The New World Order III: The Curio Shop at Artists Space</i>. There are collaged images of various photographs and restaurant marquees, and additional information about the location and time of the exhibition.
    A brochure cover for <i>The New World Order III: The Curio Shop at Artists Space</i>. There are collaged images of various photographs and restaurant marquees, and additional information about the location and time of the exhibition.
    [A brochure cover for The New World Order III: The Curio Shop at Artists Space. There are collaged images of various photographs and restaurant marquees, and additional information about the location and time of the exhibition.]
    Caption
    Image description A brochure cover for The New World Order III: The Curio Shop at Artists Space. There are collaged images of various photographs and restaurant marquees, and additional information about the location and time of the exhibition.
    Year 1993
    Related pages A New World Order III: The Curio Shop
  • A view through a doorway into a white-walled gallery space with drawings on the walls and a banner on the windows.
    A view through a doorway into a white-walled gallery space with drawings on the walls and a banner on the windows.
    Young Fluxus. Installation view, Artists Space, 1982. [A view through a doorway into a white-walled gallery space with drawings on the walls and a banner on the windows.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description A view through a doorway into a white-walled gallery space with drawings on the walls and a banner on the windows.
    Year
    Related pages Young Fluxus
  • Black text overlays a mauve background. The top left corner reads:
    Black text overlays a mauve background. The top left corner reads:
    Flyer for Segue Reading Series featuring Holly Melgard and Trey. Saturday, January 22, 2021, Artists Space. [Black text overlays a mauve background. The top left corner reads: "Holly Melgard and Trey (also known as Vernon Keeve III)" The center right reads: "Segue Reading Series & ARTISTS SPACE." The bottom left reads: "Saturday January 22, 5pm, Zoom ID: 893 9594 7519, Suggested donation $5". The image of a 5 dollar bill is placed within the text.]
    Caption Flyer for Segue Reading Series featuring Holly Melgard and Trey. Saturday, January 22, 2021, Artists Space.
    Image description Black text overlays a mauve background. The top left corner reads: "Holly Melgard and Trey (also known as Vernon Keeve III)" The center right reads: "Segue Reading Series & ARTISTS SPACE." The bottom left reads: "Saturday January 22, 5pm, Zoom ID: 893 9594 7519, Suggested donation $5". The image of a 5 dollar bill is placed within the text.
    Year 2021
    Related pages Segue Reading Series: Trey & Holly Melgard
  • Color installation image showing a video monitor mounted on a wall which is covered in tiled images of YouTube pages. A pair of wired headphones is hanging to the right of the monitor.
    Color installation image showing a video monitor mounted on a wall which is covered in tiled images of YouTube pages. A pair of wired headphones is hanging to the right of the monitor.
    Amalia Soto, My Apology, 2022. Single-Channel video, 23:59 minutes, wall vinyl. Photo: Steven Cottingham. [Color installation image showing a video monitor mounted on a wall which is covered in tiled images of YouTube pages. A pair of wired headphones is hanging to the right of the monitor.]
    Caption Amalia Soto, My Apology, 2022. Single-Channel video, 23:59 minutes, wall vinyl. Photo: Steven Cottingham.
    Image description Color installation image showing a video monitor mounted on a wall which is covered in tiled images of YouTube pages. A pair of wired headphones is hanging to the right of the monitor.
    Year
    Related pages Whitney Independent Study: Everything is Common
  • A miniature log cabin constructed of handwritten documents is displayed in a vitrine. The roof on the left side reads,
    A miniature log cabin constructed of handwritten documents is displayed in a vitrine. The roof on the left side reads,
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A miniature log cabin constructed of handwritten documents is displayed in a vitrine. The roof on the left side reads, "By the President of the United States of America, A Proclimation."]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A miniature log cabin constructed of handwritten documents is displayed in a vitrine. The roof on the left side reads, "By the President of the United States of America, A Proclimation."
    Year 2017
    Related pages Unholding
  • A dimly lit, color photograph of a desert installed on a white gallery wall. The desert ground is a bright orange color and includes many large rock features. The sky above is slightly blue and filled with clouds.
    A dimly lit, color photograph of a desert installed on a white gallery wall. The desert ground is a bright orange color and includes many large rock features. The sky above is slightly blue and filled with clouds.
    Urban Pornography. Installation view, Artists Space, 2001. [A dimly lit, color photograph of a desert installed on a white gallery wall. The desert ground is a bright orange color and includes many large rock features. The sky above is slightly blue and filled with clouds.]
    Caption Urban Pornography. Installation view, Artists Space, 2001.
    Image description A dimly lit, color photograph of a desert installed on a white gallery wall. The desert ground is a bright orange color and includes many large rock features. The sky above is slightly blue and filled with clouds.
    Year 2001
    Related pages Urban Pornography
  • Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.
    Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A sculpture sits to the right in front of two paintings in a gallery space.
    A sculpture sits to the right in front of two paintings in a gallery space.
    Paintings by Kathleen Gilje, sculpture by Mike Metz. ISelections from the Unaffiliated Artists File. Installation view, Artists Space, 1981. [A sculpture sits to the right in front of two paintings in a gallery space.]
    Caption Paintings by Kathleen Gilje, sculpture by Mike Metz. ISelections from the Unaffiliated Artists File. Installation view, Artists Space, 1981.
    Image description A sculpture sits to the right in front of two paintings in a gallery space.
    Year
    Related pages Selections from the Unaffiliated Artists File
  • A crowd of people standing outside a brick building, mingling and talking.
    A crowd of people standing outside a brick building, mingling and talking.
    [A crowd of people standing outside a brick building, mingling and talking.]
    Caption
    Image description A crowd of people standing outside a brick building, mingling and talking.
    Year 2013
    Related pages On the Necessity of Art's Exit from Contemporary Art
  • Two figures holding a mannequin look at a projection on the wall.
    Two figures holding a mannequin look at a projection on the wall.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [Two figures holding a mannequin look at a projection on the wall.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York.
    Image description Two figures holding a mannequin look at a projection on the wall.
    Year
    Related pages Grandmother Cindy
  • Black, capitlized text that reads,
    Black, capitlized text that reads,
    [Black, capitlized text that reads, "The Colin de Land Library."]
    Caption
    Image description Black, capitlized text that reads, "The Colin de Land Library."
    Year 2014
    Related pages The Library Vaccine
  • An irreverant cartoon promotional poster with text in grafitti.
    An irreverant cartoon promotional poster with text in grafitti.
    Bill Hayden, It's Get Better. [An irreverant cartoon promotional poster with text in grafitti.]
    Caption Bill Hayden, It's Get Better.
    Image description An irreverant cartoon promotional poster with text in grafitti.
    Year 2013
    Related pages It's Get Better Presented by Stewart Uoo
  • A drawing of a group of skeletons, dancing and playing instruments. In the center of the image, a red banner features black text that reads
    A drawing of a group of skeletons, dancing and playing instruments. In the center of the image, a red banner features black text that reads
    Flyer for The Rapture, Sunday, December 6, 2020, Artists Space. [A drawing of a group of skeletons, dancing and playing instruments. In the center of the image, a red banner features black text that reads "The Rapture".]
    Caption Flyer for The Rapture, Sunday, December 6, 2020, Artists Space.
    Image description A drawing of a group of skeletons, dancing and playing instruments. In the center of the image, a red banner features black text that reads "The Rapture".
    Year 2020
    Related pages The Rapture
  • Caption
    Image description
    Year
    Related pages New Red Times Magazine
  • A collage of four half-naked men dressed in a pilots hat arranged on paper.
    A collage of four half-naked men dressed in a pilots hat arranged on paper.
    Tom of Finland, Untitled, ca. 1966, collage on paper. Courtesy Tom of Finland Foundation, Permanent Collection. [A collage of four half-naked men dressed in a pilots hat arranged on paper.]
    Caption Tom of Finland, Untitled, ca. 1966, collage on paper. Courtesy Tom of Finland Foundation, Permanent Collection.
    Image description A collage of four half-naked men dressed in a pilots hat arranged on paper.
    Year 1966
    Related pages Tom of Finland: The Pleasure of Play
  • A black and white installation photograph of thirteen dark squares hung in a gallery space.
    A black and white installation photograph of thirteen dark squares hung in a gallery space.
    Ted Stamm, Blue Line Group, 1975. Installation view, Louisa Chase, Ted Stamm, Meryl Vladimer, Artists Space, 1975. [A black and white installation photograph of thirteen dark squares hung in a gallery space.]
    Caption Ted Stamm, Blue Line Group, 1975. Installation view, Louisa Chase, Ted Stamm, Meryl Vladimer, Artists Space, 1975.
    Image description A black and white installation photograph of thirteen dark squares hung in a gallery space.
    Year 1975
    Related pages Louisa Chase, Ted Stamm, Meryl Vladimer
  • A woman in a nude leotard-like top and silver leggings stands facing forward with her hand on her hip in a gallery space. Behind her, a figure in a black skirt and white collared shirt stands in a similar position, with his back to the former performer.
    A woman in a nude leotard-like top and silver leggings stands facing forward with her hand on her hip in a gallery space. Behind her, a figure in a black skirt and white collared shirt stands in a similar position, with his back to the former performer.
    The Friends of Artists Space Dinner, May 8, 2010. Michael Clark & Company's performance. [A woman in a nude leotard-like top and silver leggings stands facing forward with her hand on her hip in a gallery space. Behind her, a figure in a black skirt and white collared shirt stands in a similar position, with his back to the former performer.]
    Caption The Friends of Artists Space Dinner, May 8, 2010. Michael Clark & Company's performance.
    Image description A woman in a nude leotard-like top and silver leggings stands facing forward with her hand on her hip in a gallery space. Behind her, a figure in a black skirt and white collared shirt stands in a similar position, with his back to the former performer.
    Year 2010
    Related pages The Friends of Artists Space Dinner
  • A view of multiple works including an orange wall that reads
    A view of multiple works including an orange wall that reads
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of multiple works including an orange wall that reads "Wandering with no specific intent or has something specific in mind but doesn't tell what it is." met with a tower of gap shoe boxes. Near the gallery wall are life like cutouts of individuals dressed in animal costumes.]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A view of multiple works including an orange wall that reads "Wandering with no specific intent or has something specific in mind but doesn't tell what it is." met with a tower of gap shoe boxes. Near the gallery wall are life like cutouts of individuals dressed in animal costumes.
    Year 2021
    Related pages ART CLUB2000
  • A man and a woman sit in two low wooden chairs. The man wears a brown hat and striped suit, while the woman wears a white top with a low v-neck. Her hair is blonde and stylishly curled. She stares ahead, her left hand gently resting on her chin. The man stares sideways at her.
    A man and a woman sit in two low wooden chairs. The man wears a brown hat and striped suit, while the woman wears a white top with a low v-neck. Her hair is blonde and stylishly curled. She stares ahead, her left hand gently resting on her chin. The man stares sideways at her.
    Warnung vor einer heiligen Nutte (Beware of a Holy Whore). Dir. Rainer Werner Fassbinder. 1971. [A man and a woman sit in two low wooden chairs. The man wears a brown hat and striped suit, while the woman wears a white top with a low v-neck. Her hair is blonde and stylishly curled. She stares ahead, her left hand gently resting on her chin. The man stares sideways at her.]
    Caption Warnung vor einer heiligen Nutte (Beware of a Holy Whore). Dir. Rainer Werner Fassbinder. 1971.
    Image description A man and a woman sit in two low wooden chairs. The man wears a brown hat and striped suit, while the woman wears a white top with a low v-neck. Her hair is blonde and stylishly curled. She stares ahead, her left hand gently resting on her chin. The man stares sideways at her.
    Year 1971
    Related pages Pride Goes Before a Fall / Beware of a Holy Whore / Mise en Abyme
  • On the left, a framed photograph hangs on the wall. In the center, a sculpture built around a red electric guitar hangs from the wall. In the distance on the right, various posters and ephemera adorn the wall.
    On the left, a framed photograph hangs on the wall. In the center, a sculpture built around a red electric guitar hangs from the wall. In the distance on the right, various posters and ephemera adorn the wall.
    Attention Line. Installation view (James as Jimmy, 2001, Guitar from the exhibit All Indian All the Time, 2005), Artists Space, June 11, 2022 - August 20, 2022. Photo: Filip Wolak [On the left, a framed photograph hangs on the wall. In the center, a sculpture built around a red electric guitar hangs from the wall. In the distance on the right, various posters and ephemera adorn the wall.]
    Caption Attention Line. Installation view (James as Jimmy, 2001, Guitar from the exhibit All Indian All the Time, 2005), Artists Space, June 11, 2022 - August 20, 2022. Photo: Filip Wolak
    Image description On the left, a framed photograph hangs on the wall. In the center, a sculpture built around a red electric guitar hangs from the wall. In the distance on the right, various posters and ephemera adorn the wall.
    Year 2022
    Related pages Attention Line
  • A pile of multicolored string lights sits on a wooden floor, surrounded by assorted objects including a disco ball, a candlestick, and two pitchers. There is a pink glow over the objects, with another strand of white lights weaving through the objects.
    A pile of multicolored string lights sits on a wooden floor, surrounded by assorted objects including a disco ball, a candlestick, and two pitchers. There is a pink glow over the objects, with another strand of white lights weaving through the objects.
    Enough Tiranny Recalled, 1972–2009. Installation view, Artists Space, 2009. Photo: Daniel Pérez. [A pile of multicolored string lights sits on a wooden floor, surrounded by assorted objects including a disco ball, a candlestick, and two pitchers. There is a pink glow over the objects, with another strand of white lights weaving through the objects.]
    Caption Enough Tiranny Recalled, 1972–2009. Installation view, Artists Space, 2009. Photo: Daniel Pérez.
    Image description A pile of multicolored string lights sits on a wooden floor, surrounded by assorted objects including a disco ball, a candlestick, and two pitchers. There is a pink glow over the objects, with another strand of white lights weaving through the objects.
    Year 2009
    Related pages Marc Camille Chaimowicz: Enough Tiranny Recalled, 1972 – 2009
  • Five people's hands work on a colorful, abstract drawing with the drawing at the center of the image on a wooden table.
    Five people's hands work on a colorful, abstract drawing with the drawing at the center of the image on a wooden table.
    MS 324 group work, collaborative drawing, 2019 [Five people's hands work on a colorful, abstract drawing with the drawing at the center of the image on a wooden table.]
    Caption MS 324 group work, collaborative drawing, 2019
    Image description Five people's hands work on a colorful, abstract drawing with the drawing at the center of the image on a wooden table.
    Year 2019
    Related pages Portfolio Development
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    Year
    Related pages Grandmother Cindy
  • Two photographs mounted on a white gallery wall.
    Two photographs mounted on a white gallery wall.
    Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two photographs mounted on a white gallery wall.]
    Caption Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979.
    Image description Two photographs mounted on a white gallery wall.
    Year 1979
    Related pages Place, (title to be determined), for a Participant: Ken Feingold
  • A brown paper bag, opened and placed at an angle, with colored pencil illustrations of a balding man wearing sunglasses and a blue collared shirt, face slightly covered by a translucent red figurative silhouette, and along the other side of the bag, a white daisy with a long green stem.
    A brown paper bag, opened and placed at an angle, with colored pencil illustrations of a balding man wearing sunglasses and a blue collared shirt, face slightly covered by a translucent red figurative silhouette, and along the other side of the bag, a white daisy with a long green stem.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A brown paper bag, opened and placed at an angle, with colored pencil illustrations of a balding man wearing sunglasses and a blue collared shirt, face slightly covered by a translucent red figurative silhouette, and along the other side of the bag, a white daisy with a long green stem.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A brown paper bag, opened and placed at an angle, with colored pencil illustrations of a balding man wearing sunglasses and a blue collared shirt, face slightly covered by a translucent red figurative silhouette, and along the other side of the bag, a white daisy with a long green stem.
    Year 2017
    Related pages Unholding
  • A black and white image of a man and woman looking out beyond the camera with expressions of fear and concern. They each cradle a child in their arms. A young boy gazes up at the woman's face, clutching onto her arm with one hand. The man holds a girl close, his hand protectively bringing her head against his chest.
    A black and white image of a man and woman looking out beyond the camera with expressions of fear and concern. They each cradle a child in their arms. A young boy gazes up at the woman's face, clutching onto her arm with one hand. The man holds a girl close, his hand protectively bringing her head against his chest.
    Still from Mrs. Miniver, 1942. [A black and white image of a man and woman looking out beyond the camera with expressions of fear and concern. They each cradle a child in their arms. A young boy gazes up at the woman's face, clutching onto her arm with one hand. The man holds a girl close, his hand protectively bringing her head against his chest.]
    Caption Still from Mrs. Miniver, 1942.
    Image description A black and white image of a man and woman looking out beyond the camera with expressions of fear and concern. They each cradle a child in their arms. A young boy gazes up at the woman's face, clutching onto her arm with one hand. The man holds a girl close, his hand protectively bringing her head against his chest.
    Year 1942
    Related pages Mrs. Miniver
  • A projected image on a standing screen shows a bumper-to-bumper view of two shiny silver cars with a third car in the background.
    A projected image on a standing screen shows a bumper-to-bumper view of two shiny silver cars with a third car in the background.
    Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A projected image on a standing screen shows a bumper-to-bumper view of two shiny silver cars with a third car in the background.]
    Caption Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A projected image on a standing screen shows a bumper-to-bumper view of two shiny silver cars with a third car in the background.
    Year 2010
    Related pages Duncan Campbell: Make It New John
  • A black and white photograph of a performance, with a figure walking towards a white wall. A crowd looks on intently from the foreground.
    A black and white photograph of a performance, with a figure walking towards a white wall. A crowd looks on intently from the foreground.
    Matt Mullican. Performance documentation, 1976. From Susan Eder, Matt Mullican, Artists Space, 1976. [A black and white photograph of a performance, with a figure walking towards a white wall. A crowd looks on intently from the foreground.]
    Caption Matt Mullican. Performance documentation, 1976. From Susan Eder, Matt Mullican, Artists Space, 1976.
    Image description A black and white photograph of a performance, with a figure walking towards a white wall. A crowd looks on intently from the foreground.
    Year 1976
    Related pages Susan Eder, Matt Mullican
  • Two gold picture frames with black and white portraits of a woman (left) and a man (right) face each other on a shelf.
    Two gold picture frames with black and white portraits of a woman (left) and a man (right) face each other on a shelf.
    Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Two gold picture frames with black and white portraits of a woman (left) and a man (right) face each other on a shelf.]
    Caption Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Two gold picture frames with black and white portraits of a woman (left) and a man (right) face each other on a shelf.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A framed photo of a hand in the lower left corner adjusting a skewed image of K8 Hardy partially undressed in a windowed room, looking over her shoulder with her left arm held aloft.
    A framed photo of a hand in the lower left corner adjusting a skewed image of K8 Hardy partially undressed in a windowed room, looking over her shoulder with her left arm held aloft.
    K8 Hardy
, Sharing 2014, 2014
, C-print,
 23 ½ x 18 ½ in / 59,7 x 47,1 cm (image size), 24 x 18 4/5 in / 60,1 x 47,8 cm (paper size), Signed and Numbered. [A framed photo of a hand in the lower left corner adjusting a skewed image of K8 Hardy partially undressed in a windowed room, looking over her shoulder with her left arm held aloft.]
    Caption K8 Hardy
, Sharing 2014, 2014
, C-print,
 23 ½ x 18 ½ in / 59,7 x 47,1 cm (image size), 24 x 18 4/5 in / 60,1 x 47,8 cm (paper size), Signed and Numbered.
    Image description A framed photo of a hand in the lower left corner adjusting a skewed image of K8 Hardy partially undressed in a windowed room, looking over her shoulder with her left arm held aloft.
    Year
    Related pages Annual Edition Portfolio
  • A black and white photograph of a canvas filled with black and white abstract angular forms that are reminiscent of tables.
    A black and white photograph of a canvas filled with black and white abstract angular forms that are reminiscent of tables.
    John Mendelsohn. Installation view from John Mendelsohn and Donald Sultan. Artists Space, 1977. [A black and white photograph of a canvas filled with black and white abstract angular forms that are reminiscent of tables.]
    Caption John Mendelsohn. Installation view from John Mendelsohn and Donald Sultan. Artists Space, 1977.
    Image description A black and white photograph of a canvas filled with black and white abstract angular forms that are reminiscent of tables.
    Year 1977
    Related pages John Mendelsohn and Donald Sultan
  • A makeshift screening room enclosed by unpainted wooden walls. There are two wooden benches arranged to face a projector screen. The screen displays an image of a luxury pool surrounded by palm trees, with the sun shining.
    A makeshift screening room enclosed by unpainted wooden walls. There are two wooden benches arranged to face a projector screen. The screen displays an image of a luxury pool surrounded by palm trees, with the sun shining.
    Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz. [A makeshift screening room enclosed by unpainted wooden walls. There are two wooden benches arranged to face a projector screen. The screen displays an image of a luxury pool surrounded by palm trees, with the sun shining.]
    Caption Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz.
    Image description A makeshift screening room enclosed by unpainted wooden walls. There are two wooden benches arranged to face a projector screen. The screen displays an image of a luxury pool surrounded by palm trees, with the sun shining.
    Year 2010
    Related pages Sean Snyder
  • Photographs of an opulant room are collaged together, creating a view of a single space with multiple perspectives. White text centered on the image reads
    Photographs of an opulant room are collaged together, creating a view of a single space with multiple perspectives. White text centered on the image reads
    Flyer for Segue Reading Series featuring Sasha Banks and Derek McCormack. Saturday, October 31, 2020, Artists Space. Artist: Keith Higginbotham [Photographs of an opulant room are collaged together, creating a view of a single space with multiple perspectives. White text centered on the image reads "Sasha Banks / Derek McCormack," and black text below reads "Segue."]
    Caption Flyer for Segue Reading Series featuring Sasha Banks and Derek McCormack. Saturday, October 31, 2020, Artists Space. Artist: Keith Higginbotham
    Image description Photographs of an opulant room are collaged together, creating a view of a single space with multiple perspectives. White text centered on the image reads "Sasha Banks / Derek McCormack," and black text below reads "Segue."
    Year 2020
    Related pages Segue Reading Series: Derek McCormack & Sasha Banks
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
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