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  • A mouth silently forms the shape of the eight Korean vowel graphemes while video noise or ‘snow’ threatens to drown it out.
    A mouth silently forms the shape of the eight Korean vowel graphemes while video noise or ‘snow’ threatens to drown it out.
    Theresa Hak Kyung Cha, still from Mouth to Mouth, 1975. Video, black and white; 8 minutes. Courtesy University of California, Berkeley Art Museum and Pacific Film Archive. [A mouth silently forms the shape of the eight Korean vowel graphemes while video noise or ‘snow’ threatens to drown it out.]
    Caption Theresa Hak Kyung Cha, still from Mouth to Mouth, 1975. Video, black and white; 8 minutes. Courtesy University of California, Berkeley Art Museum and Pacific Film Archive.
    Image description A mouth silently forms the shape of the eight Korean vowel graphemes while video noise or ‘snow’ threatens to drown it out.
    Year 1975
    Related pages Whitney ISP Archive
  • A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background. A crowd looks on.
    A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background. A crowd looks on.
    Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background. A crowd looks on. ]
    Caption Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space.
    Image description A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background. A crowd looks on.
    Year
    Related pages Yuji Agematsu
  • A painting appears on the wall of figures dancing and two sculptures can be seen on pedestals in the foreground in a gallery setting.
    A painting appears on the wall of figures dancing and two sculptures can be seen on pedestals in the foreground in a gallery setting.
    We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [A painting appears on the wall of figures dancing and two sculptures can be seen on pedestals in the foreground in a gallery setting.]
    Caption We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
    Image description A painting appears on the wall of figures dancing and two sculptures can be seen on pedestals in the foreground in a gallery setting.
    Year
    Related pages We the People
  • An image of photograph negatives with LED lightboxes hanging off a wall.
    An image of photograph negatives with LED lightboxes hanging off a wall.
    New Red Order Beginning of the End of the Trail, detail, 2021 Wet-plate collodion glass negatives with LED lightboxes, pipes, and extension cords. Image courtesy Artists Space, New York Photo: Filip Wolak [An image of photograph negatives with LED lightboxes hanging off a wall. ]
    Caption New Red Order Beginning of the End of the Trail, detail, 2021 Wet-plate collodion glass negatives with LED lightboxes, pipes, and extension cords. Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description An image of photograph negatives with LED lightboxes hanging off a wall.
    Year 2021
    Related pages New Red Order: Feel at Home Here
  • An angled view of several dividers displaying artworks in the middle of a room. Colorful textiles hang from two of the central dividers, while several framed photographs lean against rightmost divider.
    An angled view of several dividers displaying artworks in the middle of a room. Colorful textiles hang from two of the central dividers, while several framed photographs lean against rightmost divider.
    Frozen Lakes. Installation view, Artists Space, 2013. Photo: Meinke Klein. [An angled view of several dividers displaying artworks in the middle of a room. Colorful textiles hang from two of the central dividers, while several framed photographs lean against rightmost divider.]
    Caption Frozen Lakes. Installation view, Artists Space, 2013. Photo: Meinke Klein.
    Image description An angled view of several dividers displaying artworks in the middle of a room. Colorful textiles hang from two of the central dividers, while several framed photographs lean against rightmost divider.
    Year 2013
    Related pages Frozen Lakes
  • A woman stands, facing away from the camera. She is standing on a photo backdrop of trees in a forest, which covers part of the floor and is raised into the air by stand. Studio lights surround her, casting a slight glare off the backdrop.
    A woman stands, facing away from the camera. She is standing on a photo backdrop of trees in a forest, which covers part of the floor and is raised into the air by stand. Studio lights surround her, casting a slight glare off the backdrop.
    Those Lost Trees by Viola Yesiltac (2005). [A woman stands, facing away from the camera. She is standing on a photo backdrop of trees in a forest, which covers part of the floor and is raised into the air by stand. Studio lights surround her, casting a slight glare off the backdrop.]
    Caption Those Lost Trees by Viola Yesiltac (2005).
    Image description A woman stands, facing away from the camera. She is standing on a photo backdrop of trees in a forest, which covers part of the floor and is raised into the air by stand. Studio lights surround her, casting a slight glare off the backdrop.
    Year 2005
    Related pages When Time Becomes Form: Beech Forest
  • Two figures in medical scrubs stare into the distance.
    Two figures in medical scrubs stare into the distance.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [Two figures in medical scrubs stare into the distance.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York.
    Image description Two figures in medical scrubs stare into the distance.
    Year
    Related pages Grandmother Cindy
  • Caption
    Image description
    Year
    Related pages Project: Model City
  • Catalogue cover design featuring an architectural sketch of an abstract contraption. A silhouette of a figure is transposed on top of the rendering. Black sans-serif text at the top and bottom edges of the cover reads,
    Catalogue cover design featuring an architectural sketch of an abstract contraption. A silhouette of a figure is transposed on top of the rendering. Black sans-serif text at the top and bottom edges of the cover reads,
    [Catalogue cover design featuring an architectural sketch of an abstract contraption. A silhouette of a figure is transposed on top of the rendering. Black sans-serif text at the top and bottom edges of the cover reads, "Joel Saunders & Scott Sherk / SIGHTING THE GALLERY / Artists Space / December 12, 1992 - January 30, 1993."]
    Caption
    Image description Catalogue cover design featuring an architectural sketch of an abstract contraption. A silhouette of a figure is transposed on top of the rendering. Black sans-serif text at the top and bottom edges of the cover reads, "Joel Saunders & Scott Sherk / SIGHTING THE GALLERY / Artists Space / December 12, 1992 - January 30, 1993."
    Year 1992
    Related pages Sighting the Gallery
  • A girl lays on a dark background. She wears a white leotard. Her arms are stretched straight out on either side, with her palms facing upwards. She gazes upwards, illuminated by a soft light.
    A girl lays on a dark background. She wears a white leotard. Her arms are stretched straight out on either side, with her palms facing upwards. She gazes upwards, illuminated by a soft light.
    Sarah Michelson. Devotion, 2011. Photo: Paula Court. [A girl lays on a dark background. She wears a white leotard. Her arms are stretched straight out on either side, with her palms facing upwards. She gazes upwards, illuminated by a soft light.]
    Caption Sarah Michelson. Devotion, 2011. Photo: Paula Court.
    Image description A girl lays on a dark background. She wears a white leotard. Her arms are stretched straight out on either side, with her palms facing upwards. She gazes upwards, illuminated by a soft light.
    Year 2011
    Related pages Performing Institution
  • A view down an isle, between theater seating and blue track lighting, to a projected video screen. On the back wall, a still image of a man, in a pilots uniform, gestures toward the viewers with two fingers. Hito Stereyl stands behind him with her arm outstretched.
    A view down an isle, between theater seating and blue track lighting, to a projected video screen. On the back wall, a still image of a man, in a pilots uniform, gestures toward the viewers with two fingers. Hito Stereyl stands behind him with her arm outstretched.
    Hito Steyerl, In Free Fall, 2010. HD video with sound, 30 mins. Courtesy of the artist and Andrew Kreps, New York. [A view down an isle, between theater seating and blue track lighting, to a projected video screen. On the back wall, a still image of a man, in a pilots uniform, gestures toward the viewers with two fingers. Hito Stereyl stands behind him with her arm outstretched.]
    Caption Hito Steyerl, In Free Fall, 2010. HD video with sound, 30 mins. Courtesy of the artist and Andrew Kreps, New York.
    Image description A view down an isle, between theater seating and blue track lighting, to a projected video screen. On the back wall, a still image of a man, in a pilots uniform, gestures toward the viewers with two fingers. Hito Stereyl stands behind him with her arm outstretched.
    Year 2015
    Related pages Hito Steyerl
  • A figure performs on stage, standing straight and looking at material held on a music stand in front of them.
    A figure performs on stage, standing straight and looking at material held on a music stand in front of them.
    Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure performs on stage, standing straight and looking at material held on a music stand in front of them.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure performs on stage, standing straight and looking at material held on a music stand in front of them.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-10
  • A ceramic figure of a headless gray dog sits on the top of a shining metal barrel in an open gallery space. A garland of sausages connected to the ceramic dog drapes over the sides of the barrel. A wooden chair sits behind and to the right of the barrel. Many paintings, drawings, photographs, and posters hang on the gallery walls.
    A ceramic figure of a headless gray dog sits on the top of a shining metal barrel in an open gallery space. A garland of sausages connected to the ceramic dog drapes over the sides of the barrel. A wooden chair sits behind and to the right of the barrel. Many paintings, drawings, photographs, and posters hang on the gallery walls.
    Apartment Show: If the dogs are barking. Installation view, Artists Space, 2009. [A ceramic figure of a headless gray dog sits on the top of a shining metal barrel in an open gallery space. A garland of sausages connected to the ceramic dog drapes over the sides of the barrel. A wooden chair sits behind and to the right of the barrel. Many paintings, drawings, photographs, and posters hang on the gallery walls.]
    Caption Apartment Show: If the dogs are barking. Installation view, Artists Space, 2009.
    Image description A ceramic figure of a headless gray dog sits on the top of a shining metal barrel in an open gallery space. A garland of sausages connected to the ceramic dog drapes over the sides of the barrel. A wooden chair sits behind and to the right of the barrel. Many paintings, drawings, photographs, and posters hang on the gallery walls.
    Year 2009
    Related pages Apartment Show: If the dogs are barking
  • A large display case whose top and bottom portions are made of a shiny, black material. Held between these black components is a glass vitrine that displays several objects, including a flat surface covered with inky text that reads,
    A large display case whose top and bottom portions are made of a shiny, black material. Held between these black components is a glass vitrine that displays several objects, including a flat surface covered with inky text that reads,
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A large display case whose top and bottom portions are made of a shiny, black material. Held between these black components is a glass vitrine that displays several objects, including a flat surface covered with inky text that reads, "BC." Behind and to the right of the display case, a shiny, black cubic structure—nearly of ceiling height— is installed in the gallery.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description A large display case whose top and bottom portions are made of a shiny, black material. Held between these black components is a glass vitrine that displays several objects, including a flat surface covered with inky text that reads, "BC." Behind and to the right of the display case, a shiny, black cubic structure—nearly of ceiling height— is installed in the gallery.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • A seated figure plays a guitar that lies in his lap.
    A seated figure plays a guitar that lies in his lap.
    Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court [A seated figure plays a guitar that lies in his lap.]
    Caption Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court
    Image description A seated figure plays a guitar that lies in his lap.
    Year 2022
    Related pages Eiko Ishibashi in Concert
  • A color installation photograph of a gallery space with several framed objects hanging on the wall, and a sculpture of a green parkscape on white stilts in the middle.
    A color installation photograph of a gallery space with several framed objects hanging on the wall, and a sculpture of a green parkscape on white stilts in the middle.
    J.B. Cobb, Martha Edelheit, Ree Morton. Installation view, Artists Space, 1973. [A color installation photograph of a gallery space with several framed objects hanging on the wall, and a sculpture of a green parkscape on white stilts in the middle.]
    Caption J.B. Cobb, Martha Edelheit, Ree Morton. Installation view, Artists Space, 1973.
    Image description A color installation photograph of a gallery space with several framed objects hanging on the wall, and a sculpture of a green parkscape on white stilts in the middle.
    Year 1973
    Related pages J.B. Cobb, Martha Edelheit, Ree Morton
  • A gallery space with high ceilings and wooden flooring. On the left, three paper collages hang on a two-toned wall. Two videos are projected onto the right wall side-by-side. In the background, a doorway frames a black and white, projected image of a man's face.
    A gallery space with high ceilings and wooden flooring. On the left, three paper collages hang on a two-toned wall. Two videos are projected onto the right wall side-by-side. In the background, a doorway frames a black and white, projected image of a man's face.
    Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A gallery space with high ceilings and wooden flooring. On the left, three paper collages hang on a two-toned wall. Two videos are projected onto the right wall side-by-side. In the background, a doorway frames a black and white, projected image of a man's face.]
    Caption Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A gallery space with high ceilings and wooden flooring. On the left, three paper collages hang on a two-toned wall. Two videos are projected onto the right wall side-by-side. In the background, a doorway frames a black and white, projected image of a man's face.
    Year 2018
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • A TV monitor is displayed left of center on a white wall plastered with black-and-white posters that read,
    A TV monitor is displayed left of center on a white wall plastered with black-and-white posters that read,
    Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [A TV monitor is displayed left of center on a white wall plastered with black-and-white posters that read, "Wanted, wee willy," and two large "e"s. To the right behind a doorway, large beanbags sit infront of bookshelves.]
    Caption Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013.
    Image description A TV monitor is displayed left of center on a white wall plastered with black-and-white posters that read, "Wanted, wee willy," and two large "e"s. To the right behind a doorway, large beanbags sit infront of bookshelves.
    Year 2013
    Related pages Pride Goes Before a Fall
  • A color photograph of two cardboard boxes stacked on a printer and resting against a dark column in a gallery space. The top box is narrow and open at the top, and the second box is large with blue text and detailing.
    A color photograph of two cardboard boxes stacked on a printer and resting against a dark column in a gallery space. The top box is narrow and open at the top, and the second box is large with blue text and detailing.
    Lyndon Barrois Jr., Primary Magi, 2021. Solvent transfers on gessoed copper, MagiColor 1600 printer and box, cardboard. 38 x 22 x 19 inches. Photo: Filip Wolak. [A color photograph of two cardboard boxes stacked on a printer and resting against a dark column in a gallery space. The top box is narrow and open at the top, and the second box is large with blue text and detailing.]
    Caption Lyndon Barrois Jr., Primary Magi, 2021. Solvent transfers on gessoed copper, MagiColor 1600 printer and box, cardboard. 38 x 22 x 19 inches. Photo: Filip Wolak.
    Image description A color photograph of two cardboard boxes stacked on a printer and resting against a dark column in a gallery space. The top box is narrow and open at the top, and the second box is large with blue text and detailing.
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
  • A person with their face painted blue, framed by a large black mane of hair.
    A person with their face painted blue, framed by a large black mane of hair.
    Kembra Pfahler. Photo: © Paula Court, 2018. [A person with their face painted blue, framed by a large black mane of hair.]
    Caption Kembra Pfahler. Photo: © Paula Court, 2018.
    Image description A person with their face painted blue, framed by a large black mane of hair.
    Year 2018
    Related pages Garden Party at Marble Cemetery
  • An abstract, multicolored squareish sculpture standing on a white base. A potato sits on top of the sculpture with a wire plugged into the top. A 9v battery is affixed to the side of the sculpture, connected to two comptuer chips affixed to the front.
    An abstract, multicolored squareish sculpture standing on a white base. A potato sits on top of the sculpture with a wire plugged into the top. A 9v battery is affixed to the side of the sculpture, connected to two comptuer chips affixed to the front.
    Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $5,000
    [An abstract, multicolored squareish sculpture standing on a white base. A potato sits on top of the sculpture with a wire plugged into the top. A 9v battery is affixed to the side of the sculpture, connected to two comptuer chips affixed to the front.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $5,000
    Image description An abstract, multicolored squareish sculpture standing on a white base. A potato sits on top of the sculpture with a wire plugged into the top. A 9v battery is affixed to the side of the sculpture, connected to two comptuer chips affixed to the front.
    Year 2019
    Related pages Trisha Baga Edition
  • In front of a large colorful projection, a figure wearing headphones around their neck leans down over musical technology.
    In front of a large colorful projection, a figure wearing headphones around their neck leans down over musical technology.
    SCRAAATCH, Tower of Babel, 2019, Les Urbaines. Photo: Mathilda Olmi [In front of a large colorful projection, a figure wearing headphones around their neck leans down over musical technology.]
    Caption SCRAAATCH, Tower of Babel, 2019, Les Urbaines. Photo: Mathilda Olmi
    Image description In front of a large colorful projection, a figure wearing headphones around their neck leans down over musical technology.
    Year 2019
    Related pages SCRAAATCH 11-19
  • Image of a TV screen playing blue-tinted video footage of the performance with a fresnel lens placed in front of the screen, distorting the image.
    Image of a TV screen playing blue-tinted video footage of the performance with a fresnel lens placed in front of the screen, distorting the image.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a TV screen playing blue-tinted video footage of the performance with a fresnel lens placed in front of the screen, distorting the image.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a TV screen playing blue-tinted video footage of the performance with a fresnel lens placed in front of the screen, distorting the image.
    Year 2022
    Related pages SCRAAATCH 11-19
  • A student sitting at a science room desk with a sink, drawing with a pencil on several sheets of paper. One sheet, foregrounded, has an outline of an airplane
    A student sitting at a science room desk with a sink, drawing with a pencil on several sheets of paper. One sheet, foregrounded, has an outline of an airplane
    Student prototyping design, 2018 [A student sitting at a science room desk with a sink, drawing with a pencil on several sheets of paper. One sheet, foregrounded, has an outline of an airplane]
    Caption Student prototyping design, 2018
    Image description A student sitting at a science room desk with a sink, drawing with a pencil on several sheets of paper. One sheet, foregrounded, has an outline of an airplane
    Year 2019
    Related pages Threads of History
  • A color photograph of a gallery space with several columns. In between two columns, a large fabric work is stretched with an image of cows lying on the ground. To the right, in between two other columns, a painting on fabric that depicts two people on a green background is hanging. Further in the background, a painting is visible hanging on the wall. In the foreground, one board from a cornhole set is resting on the floor.
    A color photograph of a gallery space with several columns. In between two columns, a large fabric work is stretched with an image of cows lying on the ground. To the right, in between two other columns, a painting on fabric that depicts two people on a green background is hanging. Further in the background, a painting is visible hanging on the wall. In the foreground, one board from a cornhole set is resting on the floor.
    Everything is common. Installation view, Artists Space, 2022. Photo: Steven Cottingham. [A color photograph of a gallery space with several columns. In between two columns, a large fabric work is stretched with an image of cows lying on the ground. To the right, in between two other columns, a painting on fabric that depicts two people on a green background is hanging. Further in the background, a painting is visible hanging on the wall. In the foreground, one board from a cornhole set is resting on the floor. ]
    Caption Everything is common. Installation view, Artists Space, 2022. Photo: Steven Cottingham.
    Image description A color photograph of a gallery space with several columns. In between two columns, a large fabric work is stretched with an image of cows lying on the ground. To the right, in between two other columns, a painting on fabric that depicts two people on a green background is hanging. Further in the background, a painting is visible hanging on the wall. In the foreground, one board from a cornhole set is resting on the floor.
    Year
    Related pages Whitney Independent Study: Everything is Common
  • A woman in a white dress with gold bracelets and red lipstick leans against a tree. Her left arms rests on a tree branch, and her right hand is on her hip.
    A woman in a white dress with gold bracelets and red lipstick leans against a tree. Her left arms rests on a tree branch, and her right hand is on her hip.
    Film Still for Leave Her to Heaven, 1945. [A woman in a white dress with gold bracelets and red lipstick leans against a tree. Her left arms rests on a tree branch, and her right hand is on her hip.]
    Caption Film Still for Leave Her to Heaven, 1945.
    Image description A woman in a white dress with gold bracelets and red lipstick leans against a tree. Her left arms rests on a tree branch, and her right hand is on her hip.
    Year 1945
    Related pages Leave Her to Heaven
  • An Elegoo microcontroller is affixed to the side of a brownish sculpture sitting on a white base. Two blue wires are plugged into a lemon and an onion on a platform, each connected to the microcontroller.
    An Elegoo microcontroller is affixed to the side of a brownish sculpture sitting on a white base. Two blue wires are plugged into a lemon and an onion on a platform, each connected to the microcontroller.
    Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    [An Elegoo microcontroller is affixed to the side of a brownish sculpture sitting on a white base. Two blue wires are plugged into a lemon and an onion on a platform, each connected to the microcontroller.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    Image description An Elegoo microcontroller is affixed to the side of a brownish sculpture sitting on a white base. Two blue wires are plugged into a lemon and an onion on a platform, each connected to the microcontroller.
    Year 2019
    Related pages Trisha Baga Edition
  • Three desks are lined up in front of each other, each desktop has a TV monitor and clay rocks. In the back is a dark room with yellow LED light sculptures.
    Three desks are lined up in front of each other, each desktop has a TV monitor and clay rocks. In the back is a dark room with yellow LED light sculptures.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, September 16, 2022 - December 3, 2022. Photo: Filip Wolak [Three desks are lined up in front of each other, each desktop has a TV monitor and clay rocks. In the back is a dark room with yellow LED light sculptures.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, September 16, 2022 - December 3, 2022. Photo: Filip Wolak
    Image description Three desks are lined up in front of each other, each desktop has a TV monitor and clay rocks. In the back is a dark room with yellow LED light sculptures.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A table with household items like cereal and plates and cups appear on it; next to this lies a bed and a television set. Wall paper is visible along with small framed pictures on the wall in a gallery setting.
    A table with household items like cereal and plates and cups appear on it; next to this lies a bed and a television set. Wall paper is visible along with small framed pictures on the wall in a gallery setting.
    The Fairy Tale: Politics, Desire and Everyday Life. Installation View. Artists Space, 1986. [A table with household items like cereal and plates and cups appear on it; next to this lies a bed and a television set. Wall paper is visible along with small framed pictures on the wall in a gallery setting.]
    Caption The Fairy Tale: Politics, Desire and Everyday Life. Installation View. Artists Space, 1986.
    Image description A table with household items like cereal and plates and cups appear on it; next to this lies a bed and a television set. Wall paper is visible along with small framed pictures on the wall in a gallery setting.
    Year
    Related pages The Fairy Tale: Politics, Desire, and Everyday Life
  • An animated setting of an icy background with miscellaneous objects and imagery appearing throughout. Light green text over the top half of the image reads,
    An animated setting of an icy background with miscellaneous objects and imagery appearing throughout. Light green text over the top half of the image reads,
    Flyer for Segue Reading Series featuring Monica de la Torre and Joan Retallack. Saturday, January 23, 2021, Artists Space. [An animated setting of an icy background with miscellaneous objects and imagery appearing throughout. Light green text over the top half of the image reads, "Monica De La Torre / Joan Retallack". Light green text in the center left of the image at a left-slanted angle reads, "SEGUE." On the left hand corner in light green text reads, "23 January" and on the right hand corner in light green text reads, "5PM EST."]
    Caption Flyer for Segue Reading Series featuring Monica de la Torre and Joan Retallack. Saturday, January 23, 2021, Artists Space.
    Image description An animated setting of an icy background with miscellaneous objects and imagery appearing throughout. Light green text over the top half of the image reads, "Monica De La Torre / Joan Retallack". Light green text in the center left of the image at a left-slanted angle reads, "SEGUE." On the left hand corner in light green text reads, "23 January" and on the right hand corner in light green text reads, "5PM EST."
    Year
    Related pages Segue Reading Series: Mónica de la Torre & Joan Retallack
  • A black and white image of a shirtless woman holding a baby, while another woman looks on from a doorway to the right.
    A black and white image of a shirtless woman holding a baby, while another woman looks on from a doorway to the right.
    Azian Nurudin. Still from The Headhunters of Borneo, 1989. 10 min. Photo: Micki McGee. [A black and white image of a shirtless woman holding a baby, while another woman looks on from a doorway to the right.]
    Caption Azian Nurudin. Still from The Headhunters of Borneo, 1989. 10 min. Photo: Micki McGee.
    Image description A black and white image of a shirtless woman holding a baby, while another woman looks on from a doorway to the right.
    Year 1989
    Related pages Body Language: Studies in Female Expression
  • A mostly unclothed person lying face-down on a messy bed.
    A mostly unclothed person lying face-down on a messy bed.
    Erik Lavesson, Harmony Grunge Cruise control, 2012. Photo: Milena Büsch. Contribution for PROVENCE Issue E – MADAME (Autumn / Winter 2012 / 2013). [A mostly unclothed person lying face-down on a messy bed.]
    Caption Erik Lavesson, Harmony Grunge Cruise control, 2012. Photo: Milena Büsch. Contribution for PROVENCE Issue E – MADAME (Autumn / Winter 2012 / 2013).
    Image description A mostly unclothed person lying face-down on a messy bed.
    Year 2012
    Related pages Provence Magazine: ISSUE E – MADAME
  • Caption
    Image description
    Year
    Related pages Michael Asher / James Coleman
  • A black and white, square wordsearch grid.
    A black and white, square wordsearch grid.
    [A black and white, square wordsearch grid.]
    Caption
    Image description A black and white, square wordsearch grid.
    Year 2015
    Related pages Finding Words
  • Two paintings and several sculptural elements are installed in a corner. The paintings, one in an oval frame and the other rectangular, have figurative subjects of humans and animals. A whimsical end table is illuminated by a light fixture shaped like a flowering plant whose stem extends from a patterned curtain hung against the wall.
    Two paintings and several sculptural elements are installed in a corner. The paintings, one in an oval frame and the other rectangular, have figurative subjects of humans and animals. A whimsical end table is illuminated by a light fixture shaped like a flowering plant whose stem extends from a patterned curtain hung against the wall.
    Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo credit: Jean Vong. [Two paintings and several sculptural elements are installed in a corner. The paintings, one in an oval frame and the other rectangular, have figurative subjects of humans and animals. A whimsical end table is illuminated by a light fixture shaped like a flowering plant whose stem extends from a patterned curtain hung against the wall.]
    Caption Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo credit: Jean Vong.
    Image description Two paintings and several sculptural elements are installed in a corner. The paintings, one in an oval frame and the other rectangular, have figurative subjects of humans and animals. A whimsical end table is illuminated by a light fixture shaped like a flowering plant whose stem extends from a patterned curtain hung against the wall.
    Year 2016
    Related pages Lukas Duwenhögger: Undoolay
  • Black and white chart tracking the movement of trains through major cities in France. Text at the bottom of the chart reads
    Black and white chart tracking the movement of trains through major cities in France. Text at the bottom of the chart reads
    Liz Deschenes Ibry's timetable 1878 (Paris - Lyon), 2018, UV print on photogram, 8 x 14 inches, Signed edition of 100, 5APs, Courtesy of the artist. [Black and white chart tracking the movement of trains through major cities in France. Text at the bottom of the chart reads "Fig. 7. Graphique de la marche des trains sur un chemin de fer, d'après la méthode de Ibry."]
    Caption Liz Deschenes Ibry's timetable 1878 (Paris - Lyon), 2018, UV print on photogram, 8 x 14 inches, Signed edition of 100, 5APs, Courtesy of the artist.
    Image description Black and white chart tracking the movement of trains through major cities in France. Text at the bottom of the chart reads "Fig. 7. Graphique de la marche des trains sur un chemin de fer, d'après la méthode de Ibry."
    Year 2018
    Related pages Artists Space Annual Edition Portfolio 2018
  • Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.
    Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022.
    Image description Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A sculpture sits to the right in front of two paintings in a gallery space.
    A sculpture sits to the right in front of two paintings in a gallery space.
    Paintings by Kathleen Gilje, sculpture by Mike Metz. ISelections from the Unaffiliated Artists File. Installation view, Artists Space, 1981. [A sculpture sits to the right in front of two paintings in a gallery space.]
    Caption Paintings by Kathleen Gilje, sculpture by Mike Metz. ISelections from the Unaffiliated Artists File. Installation view, Artists Space, 1981.
    Image description A sculpture sits to the right in front of two paintings in a gallery space.
    Year
    Related pages Selections from the Unaffiliated Artists File
  • A scanned image of paper, angled at its forlds, that reads,
    A scanned image of paper, angled at its forlds, that reads,
    Invitation from Hommage an Schmela (Homage to Schmela) December 9 – 15, 1966 Galerie Schmela, Düsseldorf Estate Konrad Lueg [A scanned image of paper, angled at its forlds, that reads, "Hommage en schemla." On the bottom page are sections of dates with handwritten information.]
    Caption Invitation from Hommage an Schmela (Homage to Schmela) December 9 – 15, 1966 Galerie Schmela, Düsseldorf Estate Konrad Lueg
    Image description A scanned image of paper, angled at its forlds, that reads, "Hommage en schemla." On the bottom page are sections of dates with handwritten information.
    Year 1966
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • Three vertical prints, framed and lined on a white wall. From left to right: A person wearing white sunglasses and a fluffy vest sits on the floor and peruses vinyls, two people are perched on a bed, wearing David-Bowie style makeup, one person wearing a bathrobe lights the others cigarette, who wears flamboyant pink underwear and socks, and two people are photographed from below as they are performing, one wears a patterned top and stands with their arms stretched and the other is playing an instrument with a mic in front of them.
    Three vertical prints, framed and lined on a white wall. From left to right: A person wearing white sunglasses and a fluffy vest sits on the floor and peruses vinyls, two people are perched on a bed, wearing David-Bowie style makeup, one person wearing a bathrobe lights the others cigarette, who wears flamboyant pink underwear and socks, and two people are photographed from below as they are performing, one wears a patterned top and stands with their arms stretched and the other is playing an instrument with a mic in front of them.
    Laura Cottingham & The Anita Pallenberg Story. Installation view, Artists Space, 2017. Photo: Daniel Pérez. [Three vertical prints, framed and lined on a white wall. From left to right: A person wearing white sunglasses and a fluffy vest sits on the floor and peruses vinyls, two people are perched on a bed, wearing David-Bowie style makeup, one person wearing a bathrobe lights the others cigarette, who wears flamboyant pink underwear and socks, and two people are photographed from below as they are performing, one wears a patterned top and stands with their arms stretched and the other is playing an instrument with a mic in front of them.]
    Caption Laura Cottingham & The Anita Pallenberg Story. Installation view, Artists Space, 2017. Photo: Daniel Pérez.
    Image description Three vertical prints, framed and lined on a white wall. From left to right: A person wearing white sunglasses and a fluffy vest sits on the floor and peruses vinyls, two people are perched on a bed, wearing David-Bowie style makeup, one person wearing a bathrobe lights the others cigarette, who wears flamboyant pink underwear and socks, and two people are photographed from below as they are performing, one wears a patterned top and stands with their arms stretched and the other is playing an instrument with a mic in front of them.
    Year 2017
    Related pages Laura Cottingham & The Anita Pallenberg Story
  • A figure wearing a red hoodie pours oil into a cooking pan on a stove while a figure wearing a T-shirt and jeans in the background chops a produce item. Another pot is visible on the stove along and a cabinet and light appear above the stove.
    A figure wearing a red hoodie pours oil into a cooking pan on a stove while a figure wearing a T-shirt and jeans in the background chops a produce item. Another pot is visible on the stove along and a cabinet and light appear above the stove.
    Isa Suero, from Help, 2020, portfolio, digital photograph [A figure wearing a red hoodie pours oil into a cooking pan on a stove while a figure wearing a T-shirt and jeans in the background chops a produce item. Another pot is visible on the stove along and a cabinet and light appear above the stove.]
    Caption Isa Suero, from Help, 2020, portfolio, digital photograph
    Image description A figure wearing a red hoodie pours oil into a cooking pan on a stove while a figure wearing a T-shirt and jeans in the background chops a produce item. Another pot is visible on the stove along and a cabinet and light appear above the stove.
    Year 2020
    Related pages BRIDGE Photography
  • Caption
    Image description
    Year
    Related pages Attention Line
  • An image of three red socks, accordion folded in the center of the leg.
    An image of three red socks, accordion folded in the center of the leg.
    Sigmar Polke Socken , 1963 Courtesy the Estate of Sigmar Polke © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn [An image of three red socks, accordion folded in the center of the leg.]
    Caption Sigmar Polke Socken , 1963 Courtesy the Estate of Sigmar Polke © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn
    Image description An image of three red socks, accordion folded in the center of the leg.
    Year 1963
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • Three large metal rectangular scuptures, hinging at an angle off the floor. A large photographic print of deer in woods hangs on the wall directly behind the sculptures.
    Three large metal rectangular scuptures, hinging at an angle off the floor. A large photographic print of deer in woods hangs on the wall directly behind the sculptures.
    Underground: Jose Gabriel Fernandez. Installation view, Artists Space, 1991. [Three large metal rectangular scuptures, hinging at an angle off the floor. A large photographic print of deer in woods hangs on the wall directly behind the sculptures.]
    Caption Underground: Jose Gabriel Fernandez. Installation view, Artists Space, 1991.
    Image description Three large metal rectangular scuptures, hinging at an angle off the floor. A large photographic print of deer in woods hangs on the wall directly behind the sculptures.
    Year 1991
    Related pages Underground: Jose Gabriel Fernandez
  • Installation view of a mechanical wall covering a window in a gallery space, with a diamond-shaped glass pane in the center letting light through.
    Installation view of a mechanical wall covering a window in a gallery space, with a diamond-shaped glass pane in the center letting light through.
    Alan Ruiz, Hunter Green 1390, 2016. Courtesy the artist. [Installation view of a mechanical wall covering a window in a gallery space, with a diamond-shaped glass pane in the center letting light through.]
    Caption Alan Ruiz, Hunter Green 1390, 2016. Courtesy the artist.
    Image description Installation view of a mechanical wall covering a window in a gallery space, with a diamond-shaped glass pane in the center letting light through.
    Year 2016
    Related pages In the Last Instance
  • An round, orange object with protruding spikes is set inside a brown box. The box's lid is set on the black floor next to it.
    An round, orange object with protruding spikes is set inside a brown box. The box's lid is set on the black floor next to it.
    Lynn Yamamoto. [An round, orange object with protruding spikes is set inside a brown box. The box's lid is set on the black floor next to it.]
    Caption Lynn Yamamoto.
    Image description An round, orange object with protruding spikes is set inside a brown box. The box's lid is set on the black floor next to it.
    Year 1993
    Related pages A New World Order III: The Curio Shop
  • A view of Chinatown at night, with a projection onto the side of a building which reads
    A view of Chinatown at night, with a projection onto the side of a building which reads
    Chinatown Art Brigade and The Illuminator Here to Stay, September 24, 2016 Courtesy Chinatown Art Brigade. Photo: KahEan Chang [A view of Chinatown at night, with a projection onto the side of a building which reads "Save Chinatown" with its own image of Chinatown storefronts underneath.]
    Caption Chinatown Art Brigade and The Illuminator Here to Stay, September 24, 2016 Courtesy Chinatown Art Brigade. Photo: KahEan Chang
    Image description A view of Chinatown at night, with a projection onto the side of a building which reads "Save Chinatown" with its own image of Chinatown storefronts underneath.
    Year 2016
    Related pages Decolonize This Place
  • A color photograph of a wooden nightstand with a red hankerchief, ceramic frog, wand, and enamel tumblers. On the right side of the nightstand, a brass hoop rests on the floor, propped up against the nightstand.
    A color photograph of a wooden nightstand with a red hankerchief, ceramic frog, wand, and enamel tumblers. On the right side of the nightstand, a brass hoop rests on the floor, propped up against the nightstand.
    Lyndon Barrois Jr., The Conjuror (After Bosch) f/ Addoley Dzegede, 2022. Enamel tumblers, ceramic frog, wooden wand, foam, graphite, batik dyed handkerchief, electroformed ink cartridge, copper, night stand. Dimensions variable. Photo: Filip Wolak. [A color photograph of a wooden nightstand with a red hankerchief, ceramic frog, wand, and enamel tumblers. On the right side of the nightstand, a brass hoop rests on the floor, propped up against the nightstand.]
    Caption Lyndon Barrois Jr., The Conjuror (After Bosch) f/ Addoley Dzegede, 2022. Enamel tumblers, ceramic frog, wooden wand, foam, graphite, batik dyed handkerchief, electroformed ink cartridge, copper, night stand. Dimensions variable. Photo: Filip Wolak.
    Image description A color photograph of a wooden nightstand with a red hankerchief, ceramic frog, wand, and enamel tumblers. On the right side of the nightstand, a brass hoop rests on the floor, propped up against the nightstand.
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
  • Overview of a gallery space depicting three plexiglass timelines, 1993-1995, and one black display case.
    Overview of a gallery space depicting three plexiglass timelines, 1993-1995, and one black display case.
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Overview of a gallery space depicting three plexiglass timelines, 1993-1995, and one black display case.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Overview of a gallery space depicting three plexiglass timelines, 1993-1995, and one black display case.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • A television monitor positioned on the ground with its wiring exposed. A pair of headphones rests on the ground to the right of the monitor. It displayes a still image of a washed-out portrait that implies movement through the blurring and repeititon of the face.
    A television monitor positioned on the ground with its wiring exposed. A pair of headphones rests on the ground to the right of the monitor. It displayes a still image of a washed-out portrait that implies movement through the blurring and repeititon of the face.
    The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [A television monitor positioned on the ground with its wiring exposed. A pair of headphones rests on the ground to the right of the monitor. It displayes a still image of a washed-out portrait that implies movement through the blurring and repeititon of the face.]
    Caption The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich.
    Image description A television monitor positioned on the ground with its wiring exposed. A pair of headphones rests on the ground to the right of the monitor. It displayes a still image of a washed-out portrait that implies movement through the blurring and repeititon of the face.
    Year 2014
    Related pages The Issues of Our Time
  • A person holding caution tape over a patch of wet cement with the words <i>Everything is common</i> written in it.
    A person holding caution tape over a patch of wet cement with the words <i>Everything is common</i> written in it.
    Cover for Everything is common catalogue by Jack Hogan [A person holding caution tape over a patch of wet cement with the words Everything is common written in it.]
    Caption Cover for Everything is common catalogue by Jack Hogan
    Image description A person holding caution tape over a patch of wet cement with the words Everything is common written in it.
    Year 2022
    Related pages Whitney Independent Study: Everything is Common
  • Standing on a beach, a Black woman holds up her hand, signing to a Black man. A caption at the bottom of the screen reads: “You’re speaking my language.”
    Standing on a beach, a Black woman holds up her hand, signing to a Black man. A caption at the bottom of the screen reads: “You’re speaking my language.”
    Still from Compensation, Zeinabu irene Davis, 1999 [Standing on a beach, a Black woman holds up her hand, signing to a Black man. A caption at the bottom of the screen reads: “You’re speaking my language.”]
    Caption Still from Compensation, Zeinabu irene Davis, 1999
    Image description Standing on a beach, a Black woman holds up her hand, signing to a Black man. A caption at the bottom of the screen reads: “You’re speaking my language.”
    Year
    Related pages Compensation (1999) with Zeinabu irene Davis and Michelle A. Banks
  • A figure on the left sings into a microphone, while on thhe right, a figure sitting down and wearing a baseball cap plays the guitar.
    A figure on the left sings into a microphone, while on thhe right, a figure sitting down and wearing a baseball cap plays the guitar.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure on the left sings into a microphone, while on thhe right, a figure sitting down and wearing a baseball cap plays the guitar.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure on the left sings into a microphone, while on thhe right, a figure sitting down and wearing a baseball cap plays the guitar.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • A long rectangular sculptue lies on the floor in front of paintings hanging on adjacent walls in a gallery setting.
    A long rectangular sculptue lies on the floor in front of paintings hanging on adjacent walls in a gallery setting.
    Installation View from Moderns in Mind, Artists Space, April 12, 1986 - May 10, 1986. [A long rectangular sculptue lies on the floor in front of paintings hanging on adjacent walls in a gallery setting.]
    Caption Installation View from Moderns in Mind, Artists Space, April 12, 1986 - May 10, 1986.
    Image description A long rectangular sculptue lies on the floor in front of paintings hanging on adjacent walls in a gallery setting.
    Year
    Related pages Moderns in Mind
  • On the left, two cream-colored folding chairs sit underneath a clear lampshade descending from the ceiling. On the right, the back of a projection screen is positioned between two standing speakers. A monitor sits on the ground beneath the screen.
    On the left, two cream-colored folding chairs sit underneath a clear lampshade descending from the ceiling. On the right, the back of a projection screen is positioned between two standing speakers. A monitor sits on the ground beneath the screen.
    The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [On the left, two cream-colored folding chairs sit underneath a clear lampshade descending from the ceiling. On the right, the back of a projection screen is positioned between two standing speakers. A monitor sits on the ground beneath the screen.]
    Caption The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich.
    Image description On the left, two cream-colored folding chairs sit underneath a clear lampshade descending from the ceiling. On the right, the back of a projection screen is positioned between two standing speakers. A monitor sits on the ground beneath the screen.
    Year 2014
    Related pages The Issues of Our Time
  • Sculpted boots appear wih leaves on a leaf-covered section of the floor surrounded by a picket fence. In the background a white door opens up with a stack behind it. Nearby tree branches and other rustic constructions populate the gallery space.
    Sculpted boots appear wih leaves on a leaf-covered section of the floor surrounded by a picket fence. In the background a white door opens up with a stack behind it. Nearby tree branches and other rustic constructions populate the gallery space.
    Installation view from Six Sculptors, Artists Space, January 25 ,1986 - February 22, 1986. [Sculpted boots appear wih leaves on a leaf-covered section of the floor surrounded by a picket fence. In the background a white door opens up with a stack behind it. Nearby tree branches and other rustic constructions populate the gallery space.]
    Caption Installation view from Six Sculptors, Artists Space, January 25 ,1986 - February 22, 1986.
    Image description Sculpted boots appear wih leaves on a leaf-covered section of the floor surrounded by a picket fence. In the background a white door opens up with a stack behind it. Nearby tree branches and other rustic constructions populate the gallery space.
    Year 1986
    Related pages Six Sculptors
  • Two figures are sitting at the table with one hand tightly gripped to the other. Four men stand behind them looking on and partial text on the wall is visible in the background. Subtiltes burned onto the bottom of the image read,
    Two figures are sitting at the table with one hand tightly gripped to the other. Four men stand behind them looking on and partial text on the wall is visible in the background. Subtiltes burned onto the bottom of the image read,
    Martha Wallner and Miriam Loaisiga. Still from Con Guerra O Sin Guerra (With or Without War), 1987. Video (sound, black and white). 20 minutes. Spanish with English subtitles. [Two figures are sitting at the table with one hand tightly gripped to the other. Four men stand behind them looking on and partial text on the wall is visible in the background. Subtiltes burned onto the bottom of the image read,"I'm sorry, I mean Mercedes won and Solis lost." Scan lines in the image and the outer box of a CRT monitor are visible.]
    Caption Martha Wallner and Miriam Loaisiga. Still from Con Guerra O Sin Guerra (With or Without War), 1987. Video (sound, black and white). 20 minutes. Spanish with English subtitles.
    Image description Two figures are sitting at the table with one hand tightly gripped to the other. Four men stand behind them looking on and partial text on the wall is visible in the background. Subtiltes burned onto the bottom of the image read,"I'm sorry, I mean Mercedes won and Solis lost." Scan lines in the image and the outer box of a CRT monitor are visible.
    Year 1987
    Related pages TV Sandino
  • Seven people are in a courtyard in period dress, facing the camera.  Some stand on a ladder, another leans against a colonnade in the background.  Smoke billows out behind them from an unseen source.
    Seven people are in a courtyard in period dress, facing the camera.  Some stand on a ladder, another leans against a colonnade in the background.  Smoke billows out behind them from an unseen source.
    Retrovizija (Peter Vezjak), still from Laibach: Sympathy for the Devil, 1988. 5 minutes, 40 seconds. [Seven people are in a courtyard in period dress, facing the camera. Some stand on a ladder, another leans against a colonnade in the background. Smoke billows out behind them from an unseen source.]
    Caption Retrovizija (Peter Vezjak), still from Laibach: Sympathy for the Devil, 1988. 5 minutes, 40 seconds.
    Image description Seven people are in a courtyard in period dress, facing the camera. Some stand on a ladder, another leans against a colonnade in the background. Smoke billows out behind them from an unseen source.
    Year 1988
    Related pages Deconstruction, Quotation, & Subversion: Video from Yugoslavia
  • Detail view of a greyscale sculpture made of varying polymer segments.
    Detail view of a greyscale sculpture made of varying polymer segments.
    PATTERNS / Marcelo Spina with Kreysler & Associates, Macro Piece, 2006. [Detail view of a greyscale sculpture made of varying polymer segments.]
    Caption PATTERNS / Marcelo Spina with Kreysler & Associates, Macro Piece, 2006.
    Image description Detail view of a greyscale sculpture made of varying polymer segments.
    Year 2006
    Related pages UniBodies
  • Painted objects attached to the wall in a white-walled gallery space.
    Painted objects attached to the wall in a white-walled gallery space.
    Tom Rubnitz. Installation view, Artists Space, 1981. [Painted objects attached to the wall in a white-walled gallery space.]
    Caption Tom Rubnitz. Installation view, Artists Space, 1981.
    Image description Painted objects attached to the wall in a white-walled gallery space.
    Year
    Related pages Tom Rubnitz
  • A black and white image of a building. A black flag hangs that reads,
    A black and white image of a building. A black flag hangs that reads,
    Artists Space, 38 Greene Street, 1993 – 2016. [A black and white image of a building. A black flag hangs that reads, "ARTISTS SPACE."]
    Caption Artists Space, 38 Greene Street, 1993 – 2016.
    Image description A black and white image of a building. A black flag hangs that reads, "ARTISTS SPACE."
    Year 2016
    Related pages Social Surfaces
  • Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.
    Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022.
    Image description Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A woman with dim red lights on her face in a dark environment stands and talks behind a microphone.
    A woman with dim red lights on her face in a dark environment stands and talks behind a microphone.
    Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York. [A woman with dim red lights on her face in a dark environment stands and talks behind a microphone.]
    Caption Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York.
    Image description A woman with dim red lights on her face in a dark environment stands and talks behind a microphone.
    Year
    Related pages Eiko Ishibashi in Concert
  • Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right looks towards the figure on the left, who looks down at their two hands. Their hands are turned, palms up, towards the sky, as if miming holding something.
    Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right looks towards the figure on the left, who looks down at their two hands. Their hands are turned, palms up, towards the sky, as if miming holding something.
    Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court. [Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right looks towards the figure on the left, who looks down at their two hands. Their hands are turned, palms up, towards the sky, as if miming holding something.]
    Caption Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court.
    Image description Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right looks towards the figure on the left, who looks down at their two hands. Their hands are turned, palms up, towards the sky, as if miming holding something.
    Year 2020
    Related pages Passages from People Who Led to My Plays
  • Caption
    Image description
    Year
    Related pages Louise Lawler Tote Bag
  • On a muted pink background with a wavy green line running across the page, text in a darker pink and black reads: segue X artists space virtual readings / Zoom meeting ID: 378 232 567 / $5 suggested virtual door: / PayPal/seguefoundation / all proceeds go directly to readers.
    On a muted pink background with a wavy green line running across the page, text in a darker pink and black reads: segue X artists space virtual readings / Zoom meeting ID: 378 232 567 / $5 suggested virtual door: / PayPal/seguefoundation / all proceeds go directly to readers.
    [On a muted pink background with a wavy green line running across the page, text in a darker pink and black reads: segue X artists space virtual readings / Zoom meeting ID: 378 232 567 / $5 suggested virtual door: / PayPal/seguefoundation / all proceeds go directly to readers.]
    Caption
    Image description On a muted pink background with a wavy green line running across the page, text in a darker pink and black reads: segue X artists space virtual readings / Zoom meeting ID: 378 232 567 / $5 suggested virtual door: / PayPal/seguefoundation / all proceeds go directly to readers.
    Year 2020
    Related pages Segue Reading Series: Lonely Christopher & zakia henderson-brown
  • A digitially generated image of a series of curved, x-shaped cutouts stacked one on top of the other in long rows. The rows are clustered around white text that reads
    A digitially generated image of a series of curved, x-shaped cutouts stacked one on top of the other in long rows. The rows are clustered around white text that reads
    [A digitially generated image of a series of curved, x-shaped cutouts stacked one on top of the other in long rows. The rows are clustered around white text that reads "h-edge." The shadows of the cutouts are visible on the ground directly below the text.]
    Caption
    Image description A digitially generated image of a series of curved, x-shaped cutouts stacked one on top of the other in long rows. The rows are clustered around white text that reads "h-edge." The shadows of the cutouts are visible on the ground directly below the text.
    Year 2006
    Related pages H_edge
  • On the left, a framed photograph hangs on the wall. In the center, a sculpture built around a red electric guitar hangs from the wall. In the distance on the right, various posters and ephemera adorn the wall.
    On the left, a framed photograph hangs on the wall. In the center, a sculpture built around a red electric guitar hangs from the wall. In the distance on the right, various posters and ephemera adorn the wall.
    Attention Line. Installation view (James as Jimmy, 2001, Guitar from the exhibit All Indian All the Time, 2005), Artists Space, June 11, 2022 - August 20, 2022. Photo: Filip Wolak [On the left, a framed photograph hangs on the wall. In the center, a sculpture built around a red electric guitar hangs from the wall. In the distance on the right, various posters and ephemera adorn the wall.]
    Caption Attention Line. Installation view (James as Jimmy, 2001, Guitar from the exhibit All Indian All the Time, 2005), Artists Space, June 11, 2022 - August 20, 2022. Photo: Filip Wolak
    Image description On the left, a framed photograph hangs on the wall. In the center, a sculpture built around a red electric guitar hangs from the wall. In the distance on the right, various posters and ephemera adorn the wall.
    Year 2022
    Related pages Attention Line
  • A figure with dark, short hair wearing a brown shirt and white pants looks into the viewfinder of a large videocamera. They appear to stand on a precipice above the ocean, and their camera is aimed at the water below them.
    A figure with dark, short hair wearing a brown shirt and white pants looks into the viewfinder of a large videocamera. They appear to stand on a precipice above the ocean, and their camera is aimed at the water below them.
    [A figure with dark, short hair wearing a brown shirt and white pants looks into the viewfinder of a large videocamera. They appear to stand on a precipice above the ocean, and their camera is aimed at the water below them.]
    Caption
    Image description A figure with dark, short hair wearing a brown shirt and white pants looks into the viewfinder of a large videocamera. They appear to stand on a precipice above the ocean, and their camera is aimed at the water below them.
    Year 2007
    Related pages Program 3 - In The Poem About Love You Don't Write The Word Love Film Series at Anthology Film Archives
  • Collaged images of pairs of half-naked men in various poses and positions.
    Collaged images of pairs of half-naked men in various poses and positions.
    Tom of Finland Untitled , ca. 1968 Collage on paper Tom of Finland Foundation, Permanent Collection [Collaged images of pairs of half-naked men in various poses and positions.]
    Caption Tom of Finland Untitled , ca. 1968 Collage on paper Tom of Finland Foundation, Permanent Collection
    Image description Collaged images of pairs of half-naked men in various poses and positions.
    Year 1968
    Related pages Tom of Finland: The Pleasure of Play
  • A black-and-white photograph of a long floor lamp with two protruding lampshades.
    A black-and-white photograph of a long floor lamp with two protruding lampshades.
    Served Up! R.M. Fischer. Installation view, Artists Space, 1979. [A black-and-white photograph of a long floor lamp with two protruding lampshades.]
    Caption Served Up! R.M. Fischer. Installation view, Artists Space, 1979.
    Image description A black-and-white photograph of a long floor lamp with two protruding lampshades.
    Year 1979
    Related pages Served Up! R. M. Fischer
  • A side projector projects an image of a figure in an elaborate dress onto a freestanding wall in the middle of a gallery space. A mannequin wearing a decorative orange costumes stands to the left of the projection. In the background, a video monitor sits on a table and framed documents hang on the walls.
    A side projector projects an image of a figure in an elaborate dress onto a freestanding wall in the middle of a gallery space. A mannequin wearing a decorative orange costumes stands to the left of the projection. In the background, a video monitor sits on a table and framed documents hang on the walls.
    Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A side projector projects an image of a figure in an elaborate dress onto a freestanding wall in the middle of a gallery space. A mannequin wearing a decorative orange costumes stands to the left of the projection. In the background, a video monitor sits on a table and framed documents hang on the walls.]
    Caption Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A side projector projects an image of a figure in an elaborate dress onto a freestanding wall in the middle of a gallery space. A mannequin wearing a decorative orange costumes stands to the left of the projection. In the background, a video monitor sits on a table and framed documents hang on the walls.
    Year 2018
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • Assorted Delorean paraphernalia displayed on a white background, including several images of cars and a binder filled with a user manual.
    Assorted Delorean paraphernalia displayed on a white background, including several images of cars and a binder filled with a user manual.
    Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Assorted Delorean paraphernalia displayed on a white background, including several images of cars and a binder filled with a user manual.]
    Caption Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description Assorted Delorean paraphernalia displayed on a white background, including several images of cars and a binder filled with a user manual.
    Year 2010
    Related pages Duncan Campbell: Make It New John
  • A sculpture resembling a pair of lungs installed on a white background. A stick covered with leaves forms the sculpture's treachea-like structure, while two bundles of uninflated, pink balloons form two lung-like shapes.
    A sculpture resembling a pair of lungs installed on a white background. A stick covered with leaves forms the sculpture's treachea-like structure, while two bundles of uninflated, pink balloons form two lung-like shapes.
    Alejandro Berlin, Artificial Spring, 1995. Balloons, artificial leaves, accordion bellows, wood, motor. [A sculpture resembling a pair of lungs installed on a white background. A stick covered with leaves forms the sculpture's treachea-like structure, while two bundles of uninflated, pink balloons form two lung-like shapes.]
    Caption Alejandro Berlin, Artificial Spring, 1995. Balloons, artificial leaves, accordion bellows, wood, motor.
    Image description A sculpture resembling a pair of lungs installed on a white background. A stick covered with leaves forms the sculpture's treachea-like structure, while two bundles of uninflated, pink balloons form two lung-like shapes.
    Year 1995
    Related pages Unnaturally Yours: Selected by Willie Cole
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A view of a small drum set lit by a spotlight underneath a demolished wall, blue and green gallery walls displaying dynamic images of individuals hung by large push pins.
    A view of a small drum set lit by a spotlight underneath a demolished wall, blue and green gallery walls displaying dynamic images of individuals hung by large push pins.
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of a small drum set lit by a spotlight underneath a demolished wall, blue and green gallery walls displaying dynamic images of individuals hung by large push pins.]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A view of a small drum set lit by a spotlight underneath a demolished wall, blue and green gallery walls displaying dynamic images of individuals hung by large push pins.
    Year 2021
    Related pages ART CLUB2000
  • An inverted triangle of straw held together with wax supports an X made of lead.
    An inverted triangle of straw held together with wax supports an X made of lead.
    Robert Gero, Untitled, 1989. Lead, straw, wax. [An inverted triangle of straw held together with wax supports an X made of lead.]
    Caption Robert Gero, Untitled, 1989. Lead, straw, wax.
    Image description An inverted triangle of straw held together with wax supports an X made of lead.
    Year 1989
    Related pages Energeia
  • A black and white photograph of a textured wall with white and grey splotches.
    A black and white photograph of a textured wall with white and grey splotches.
    Pamela Jenrette. Lavalava, 1974. From Scott Burton, Pamela Jenrette, Artists Space,1975. [A black and white photograph of a textured wall with white and grey splotches.]
    Caption Pamela Jenrette. Lavalava, 1974. From Scott Burton, Pamela Jenrette, Artists Space,1975.
    Image description A black and white photograph of a textured wall with white and grey splotches.
    Year 1975
    Related pages Scott Burton, Pamela Jenrette
  • Two paintings and a small indistinguishable sculpture are visible on adjacent walls with wall text on a wall to the left of them in a white-walled gallery space. The painting on the right shows a darkened American flag next with a block of black extending from the lefthand corner and the small sculpture to its right on the bottom. The painting on the left reads
    Two paintings and a small indistinguishable sculpture are visible on adjacent walls with wall text on a wall to the left of them in a white-walled gallery space. The painting on the right shows a darkened American flag next with a block of black extending from the lefthand corner and the small sculpture to its right on the bottom. The painting on the left reads
    3 Artists Select 3 Artists. Installation view, Artists Space, 1984. [Two paintings and a small indistinguishable sculpture are visible on adjacent walls with wall text on a wall to the left of them in a white-walled gallery space. The painting on the right shows a darkened American flag next with a block of black extending from the lefthand corner and the small sculpture to its right on the bottom. The painting on the left reads "MANNA" on the top and bottom with a large black "M" in the center of the image.]
    Caption 3 Artists Select 3 Artists. Installation view, Artists Space, 1984.
    Image description Two paintings and a small indistinguishable sculpture are visible on adjacent walls with wall text on a wall to the left of them in a white-walled gallery space. The painting on the right shows a darkened American flag next with a block of black extending from the lefthand corner and the small sculpture to its right on the bottom. The painting on the left reads "MANNA" on the top and bottom with a large black "M" in the center of the image.
    Year 1984
    Related pages 3 Artists Select 3 Artists
  • A close-up of a vitrine housing several postcards which have been drawn and collaged upon.
    A close-up of a vitrine housing several postcards which have been drawn and collaged upon.
    Attention Line. Installation view (various envelopes by Blaster Al Ackerman, c. 1970s-2000s, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [A close-up of a vitrine housing several postcards which have been drawn and collaged upon.]
    Caption Attention Line. Installation view (various envelopes by Blaster Al Ackerman, c. 1970s-2000s, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak
    Image description A close-up of a vitrine housing several postcards which have been drawn and collaged upon.
    Year 2022
    Related pages Attention Line
  • A black and white film still of four people in period dress standing in from of an ornately carved fireplace.  The people stand in two pairs, apparently engaged in conversation.
    A black and white film still of four people in period dress standing in from of an ornately carved fireplace.  The people stand in two pairs, apparently engaged in conversation.
    James Coleman. Still from Seeing for Oneself, 1987-88. Slideshow (black and white), 40 min. [A black and white film still of four people in period dress standing in from of an ornately carved fireplace. The people stand in two pairs, apparently engaged in conversation.]
    Caption James Coleman. Still from Seeing for Oneself, 1987-88. Slideshow (black and white), 40 min.
    Image description A black and white film still of four people in period dress standing in from of an ornately carved fireplace. The people stand in two pairs, apparently engaged in conversation.
    Year 1988
    Related pages Michael Asher / James Coleman
  • A wide view of a gallery featuring an array of paintings, sculptures, and photographs hung along a wall and wrapping around a corner.
    A wide view of a gallery featuring an array of paintings, sculptures, and photographs hung along a wall and wrapping around a corner.
    Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith. [A wide view of a gallery featuring an array of paintings, sculptures, and photographs hung along a wall and wrapping around a corner.]
    Caption Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith.
    Image description A wide view of a gallery featuring an array of paintings, sculptures, and photographs hung along a wall and wrapping around a corner.
    Year 1989
    Related pages Witnesses: Against Our Vanishing
  • Black, capitlized text that reads,
    Black, capitlized text that reads,
    [Black, capitlized text that reads, "The Colin de Land Library."]
    Caption
    Image description Black, capitlized text that reads, "The Colin de Land Library."
    Year 2014
    Related pages The Library Vaccine
  • The word
    The word
    Enough Tiranny Recalled, 1972–2009. Installation view, Artists Space, 2009. Photo: Daniel Pérez. [The word "TIRANNY" is handwritten in block letters on a wall. In front of it, there is a low-hanging disco ball, surrounded by various objects set on the floor, including a vase with flowers, a silver ball, a brown box, and more. The room is lit with a green hue.]
    Caption Enough Tiranny Recalled, 1972–2009. Installation view, Artists Space, 2009. Photo: Daniel Pérez.
    Image description The word "TIRANNY" is handwritten in block letters on a wall. In front of it, there is a low-hanging disco ball, surrounded by various objects set on the floor, including a vase with flowers, a silver ball, a brown box, and more. The room is lit with a green hue.
    Year 2009
    Related pages Marc Camille Chaimowicz: Enough Tiranny Recalled, 1972 – 2009
  • A color photograph of three wooden cafe chairs with green cushions next to a metal elevator door. One chair is stacked upside down on another on the left, and two pillows with black backs and sequined gold-silver fronts are placed between the chair's upturned legs. Another pillow rests on the cushion of the chair on the right.
    A color photograph of three wooden cafe chairs with green cushions next to a metal elevator door. One chair is stacked upside down on another on the left, and two pillows with black backs and sequined gold-silver fronts are placed between the chair's upturned legs. Another pillow rests on the cushion of the chair on the right.
    Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of three wooden cafe chairs with green cushions next to a metal elevator door. One chair is stacked upside down on another on the left, and two pillows with black backs and sequined gold-silver fronts are placed between the chair's upturned legs. Another pillow rests on the cushion of the chair on the right.]
    Caption Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of three wooden cafe chairs with green cushions next to a metal elevator door. One chair is stacked upside down on another on the left, and two pillows with black backs and sequined gold-silver fronts are placed between the chair's upturned legs. Another pillow rests on the cushion of the chair on the right.
    Year 2022
    Related pages Nicole-Antonia Spagnola: Anti-Genesis
  • A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background.
    A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background.
    Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background. ]
    Caption Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space.
    Image description A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background.
    Year 2022
    Related pages Yuji Agematsu
  • A color installation view of a gallery space with six glass vitrines positioned around four metal colums. A drum set and television monitor are also visible in the space.
    A color installation view of a gallery space with six glass vitrines positioned around four metal colums. A drum set and television monitor are also visible in the space.
    Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color installation view of a gallery space with six glass vitrines positioned around four metal colums. A drum set and television monitor are also visible in the space.]
    Caption Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak.
    Image description A color installation view of a gallery space with six glass vitrines positioned around four metal colums. A drum set and television monitor are also visible in the space.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • A gas fireplace turned on is framed with a strip of faux white marble on either side. The flames are yellow and white with glowing orange embers at their base. A yellow caption appears at the base of the fireplace with the following text in between musical notes: Where my dreams await someone to share.
    A gas fireplace turned on is framed with a strip of faux white marble on either side. The flames are yellow and white with glowing orange embers at their base. A yellow caption appears at the base of the fireplace with the following text in between musical notes: Where my dreams await someone to share.
    Carolyn Lazard. Still from Untitled, 2020. [A gas fireplace turned on is framed with a strip of faux white marble on either side. The flames are yellow and white with glowing orange embers at their base. A yellow caption appears at the base of the fireplace with the following text in between musical notes: Where my dreams await someone to share.]
    Caption Carolyn Lazard. Still from Untitled, 2020.
    Image description A gas fireplace turned on is framed with a strip of faux white marble on either side. The flames are yellow and white with glowing orange embers at their base. A yellow caption appears at the base of the fireplace with the following text in between musical notes: Where my dreams await someone to share.
    Year
    Related pages Repeat Viewings (2020-2021)
  • A green and white flyer with green and black text listing the event information.
    A green and white flyer with green and black text listing the event information.
    Flyer for the People's Cultural Plan Launch, July 18, 2017, Artists Space. [A green and white flyer with green and black text listing the event information.]
    Caption Flyer for the People's Cultural Plan Launch, July 18, 2017, Artists Space.
    Image description A green and white flyer with green and black text listing the event information.
    Year 2017
    Related pages The People's Cultural Plan
  • A person with sunglasses on a motorcycle. Behind him, a man in sunglasses sits on a stool playing a saxophone. There are three floor fans blowing toward the two people. The walls on either side are lit with a pink light, and the back wall with a yellow light.
    A person with sunglasses on a motorcycle. Behind him, a man in sunglasses sits on a stool playing a saxophone. There are three floor fans blowing toward the two people. The walls on either side are lit with a pink light, and the back wall with a yellow light.
    Salad Expo. Performance documentation, Artists Space, 2004. [A person with sunglasses on a motorcycle. Behind him, a man in sunglasses sits on a stool playing a saxophone. There are three floor fans blowing toward the two people. The walls on either side are lit with a pink light, and the back wall with a yellow light.]
    Caption Salad Expo. Performance documentation, Artists Space, 2004.
    Image description A person with sunglasses on a motorcycle. Behind him, a man in sunglasses sits on a stool playing a saxophone. There are three floor fans blowing toward the two people. The walls on either side are lit with a pink light, and the back wall with a yellow light.
    Year 2004
    Related pages Salad Expos
  • A photo in a black frame shows a person in military uniform, leaning against a concrete wall looking at a person who faces away from the camera with a patterned headscarf, red sweater, and light-yellow blanket.
    A photo in a black frame shows a person in military uniform, leaning against a concrete wall looking at a person who faces away from the camera with a patterned headscarf, red sweater, and light-yellow blanket.
    Emily Jacir, woman to woman, 2003/2009, C-Print, Sheet size: 12 x 16 inches (30.5 x 41 cm), Framed size: 14 3/4 x 18 1/2 inches (37.5 x 47 cm), Printed by Laumont. [A photo in a black frame shows a person in military uniform, leaning against a concrete wall looking at a person who faces away from the camera with a patterned headscarf, red sweater, and light-yellow blanket.]
    Caption Emily Jacir, woman to woman, 2003/2009, C-Print, Sheet size: 12 x 16 inches (30.5 x 41 cm), Framed size: 14 3/4 x 18 1/2 inches (37.5 x 47 cm), Printed by Laumont.
    Image description A photo in a black frame shows a person in military uniform, leaning against a concrete wall looking at a person who faces away from the camera with a patterned headscarf, red sweater, and light-yellow blanket.
    Year 2003.2009
    Related pages Editions
  • A woman is seated wearing a long, yellow dress with a full skirt that has extra fabric at the bottom. She is washing the front of her dress with soap suds, some of which are dripping down the front of the skirt.
    A woman is seated wearing a long, yellow dress with a full skirt that has extra fabric at the bottom. She is washing the front of her dress with soap suds, some of which are dripping down the front of the skirt.
    Yellow. Performance view, Artists Space, 2008. [A woman is seated wearing a long, yellow dress with a full skirt that has extra fabric at the bottom. She is washing the front of her dress with soap suds, some of which are dripping down the front of the skirt.]
    Caption Yellow. Performance view, Artists Space, 2008.
    Image description A woman is seated wearing a long, yellow dress with a full skirt that has extra fabric at the bottom. She is washing the front of her dress with soap suds, some of which are dripping down the front of the skirt.
    Year 2008
    Related pages When Time Becomes Form: Yellow
  • A yellow print of a person with glasses leaning over and looking forward. Next to him is another person, his hands holding his chest, looking down.
    A yellow print of a person with glasses leaning over and looking forward. Next to him is another person, his hands holding his chest, looking down.
    Frank Dimario, Octavius Neveaux. [A yellow print of a person with glasses leaning over and looking forward. Next to him is another person, his hands holding his chest, looking down.]
    Caption Frank Dimario, Octavius Neveaux.
    Image description A yellow print of a person with glasses leaning over and looking forward. Next to him is another person, his hands holding his chest, looking down.
    Year 2002
    Related pages Painting as Paradox
  • A black and white image of two blurry figures talking to each other in a dark room.
    A black and white image of two blurry figures talking to each other in a dark room.
    Jack Smith, Jack Smith at University of Colorado, 1980. Video, (sound, black and white), 100 minutes. [A black and white image of two blurry figures talking to each other in a dark room.]
    Caption Jack Smith, Jack Smith at University of Colorado, 1980. Video, (sound, black and white), 100 minutes.
    Image description A black and white image of two blurry figures talking to each other in a dark room.
    Year 1980
    Related pages Performance Premiere
  • Close up of three rows of pre-packaged salads in plastic containers on the shelves of a grocery store refrigerator.
    Close up of three rows of pre-packaged salads in plastic containers on the shelves of a grocery store refrigerator.
    Photo: Mirelle Borra. [Close up of three rows of pre-packaged salads in plastic containers on the shelves of a grocery store refrigerator.]
    Caption Photo: Mirelle Borra.
    Image description Close up of three rows of pre-packaged salads in plastic containers on the shelves of a grocery store refrigerator.
    Year 2008
    Related pages Salad Days 3
  • A speaker balances on its side on the top of a step ladder in a gallery space. Directly above the ladder are four large window panes which look out onto trees.
    A speaker balances on its side on the top of a step ladder in a gallery space. Directly above the ladder are four large window panes which look out onto trees.
    Michael Brewster. Text and documentation of installations, Inside, Outside, Down and Soliloquies, 1977. [A speaker balances on its side on the top of a step ladder in a gallery space. Directly above the ladder are four large window panes which look out onto trees.]
    Caption Michael Brewster. Text and documentation of installations, Inside, Outside, Down and Soliloquies, 1977.
    Image description A speaker balances on its side on the top of a step ladder in a gallery space. Directly above the ladder are four large window panes which look out onto trees.
    Year 1977
    Related pages Michael Brewster: An Acoustic Sculpture, A Clicker Drawing
  • A photo from behind the performer, looking out at a room full of people. The performer is seen in silhouette, sitting at a table, illuminated by a lamp on the table. Copies of the book *Here is Information. Mobilise.* are stacked across the table. Behind the audience, there is a projected video of an Arabic news channel.
    A photo from behind the performer, looking out at a room full of people. The performer is seen in silhouette, sitting at a table, illuminated by a lamp on the table. Copies of the book *Here is Information. Mobilise.* are stacked across the table. Behind the audience, there is a projected video of an Arabic news channel.
    Here Is Information. Mobilise. Book launch, 2017. [A photo from behind the performer, looking out at a room full of people. The performer is seen in silhouette, sitting at a table, illuminated by a lamp on the table. Copies of the book *Here is Information. Mobilise.* are stacked across the table. Behind the audience, there is a projected video of an Arabic news channel.]
    Caption Here Is Information. Mobilise. Book launch, 2017.
    Image description A photo from behind the performer, looking out at a room full of people. The performer is seen in silhouette, sitting at a table, illuminated by a lamp on the table. Copies of the book *Here is Information. Mobilise.* are stacked across the table. Behind the audience, there is a projected video of an Arabic news channel.
    Year 2017
    Related pages Membership
  • A figure in front of a microphone looks down upon a computer.
    A figure in front of a microphone looks down upon a computer.
    Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court [A figure in front of a microphone looks down upon a computer.]
    Caption Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court
    Image description A figure in front of a microphone looks down upon a computer.
    Year 2022
    Related pages Eiko Ishibashi in Concert
  • Americo Rossi, Untitled, 2021, digital photography
    Caption Americo Rossi, Untitled, 2021, digital photography
    Image description
    Year
    Related pages BRIDGE Photography
  • A color photograph of a gallery space. Behind three dark columns a large vinyl printed with text is attached to the wall, falling to the ground on the left side. In the center a large grey table with four red chairs and stacks of yellow and grey posters is visible.
    A color photograph of a gallery space. Behind three dark columns a large vinyl printed with text is attached to the wall, falling to the ground on the left side. In the center a large grey table with four red chairs and stacks of yellow and grey posters is visible.
    virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a gallery space. Behind three dark columns a large vinyl printed with text is attached to the wall, falling to the ground on the left side. In the center a large grey table with four red chairs and stacks of yellow and grey posters is visible.]
    Caption virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of a gallery space. Behind three dark columns a large vinyl printed with text is attached to the wall, falling to the ground on the left side. In the center a large grey table with four red chairs and stacks of yellow and grey posters is visible.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
  • A figure in side profile studies sheet music placed on a piano.
    A figure in side profile studies sheet music placed on a piano.
    Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure in side profile studies sheet music placed on a piano.]
    Caption Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure in side profile studies sheet music placed on a piano.
    Year 2022
    Related pages Tisziji Muñoz with Francisco Mora Catlett and AfroHORN
  • A color installation photograph of a black, grey, and white abstract painting on a white wall.
    A color installation photograph of a black, grey, and white abstract painting on a white wall.
    Richard Klauber. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975. [A color installation photograph of a black, grey, and white abstract painting on a white wall.]
    Caption Richard Klauber. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975.
    Image description A color installation photograph of a black, grey, and white abstract painting on a white wall.
    Year 1975
    Related pages Ruth Hardinger, Richard Klauber
  • The title and table of contents page of an essay published in the Harvard Law Review.
    The title and table of contents page of an essay published in the Harvard Law Review.
    Harris, Cheryl I, "Whiteness as Property." Harvard Law Review. Vol. 106, No. 8, June 1993. [The title and table of contents page of an essay published in the Harvard Law Review.]
    Caption Harris, Cheryl I, "Whiteness as Property." Harvard Law Review. Vol. 106, No. 8, June 1993.
    Image description The title and table of contents page of an essay published in the Harvard Law Review.
    Year 1993
    Related pages The Afterlife of Slavery: Markets, Property and Race
  • White painted brick wall; a black plate with white text that reads,
    White painted brick wall; a black plate with white text that reads,
    Alternative Art New York, 1965 - 1985. Julie Ault. Univ. of Minnesota Press, 2002. Paperback, 408 pages. $30. at the Artists Space Bookstore. [White painted brick wall; a black plate with white text that reads, "Title: Alternative Art New York Date: 1965-1985 Editor: Julie Ault."]
    Caption Alternative Art New York, 1965 - 1985. Julie Ault. Univ. of Minnesota Press, 2002. Paperback, 408 pages. $30. at the Artists Space Bookstore.
    Image description White painted brick wall; a black plate with white text that reads, "Title: Alternative Art New York Date: 1965-1985 Editor: Julie Ault."
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • Dirt appears on the edges of the floor and in the plastic clear cases hanging above them in a gallery setting.
    Dirt appears on the edges of the floor and in the plastic clear cases hanging above them in a gallery setting.
    Installation View from Recent Art From Chicago, Artists Space, March 8, 1986 - April 5, 1986. [Dirt appears on the edges of the floor and in the plastic clear cases hanging above them in a gallery setting.]
    Caption Installation View from Recent Art From Chicago, Artists Space, March 8, 1986 - April 5, 1986.
    Image description Dirt appears on the edges of the floor and in the plastic clear cases hanging above them in a gallery setting.
    Year
    Related pages Recent Art from Chicago
  • The image shows a white t-shirt in a frame with text printed on top in a wavy text that says,
    The image shows a white t-shirt in a frame with text printed on top in a wavy text that says,
    Richard Prince, Oedipus Schmedipus, 1994, Screenprint on white T-shirt Stretched over canvas in white lacquer frame, 25 1/4 x 19 1/2 in (64.1 x 49.5 cm), Edition of 26, Signed & numbered. [The image shows a white t-shirt in a frame with text printed on top in a wavy text that says, "A mother is having a very tense relationship / with her fourteen year old son. Screaming and / fighting are constantly going on in the house. / She finally brings him to a psychoanalyst. After / two sessions, the doctor calls the mother into / the office. / "Your son," he tells her, "has an Oedipus / complex." / "Oedipus, Schmedipus," the woman answers. / "as long as he loves his mother."]
    Caption Richard Prince, Oedipus Schmedipus, 1994, Screenprint on white T-shirt Stretched over canvas in white lacquer frame, 25 1/4 x 19 1/2 in (64.1 x 49.5 cm), Edition of 26, Signed & numbered.
    Image description The image shows a white t-shirt in a frame with text printed on top in a wavy text that says, "A mother is having a very tense relationship / with her fourteen year old son. Screaming and / fighting are constantly going on in the house. / She finally brings him to a psychoanalyst. After / two sessions, the doctor calls the mother into / the office. / "Your son," he tells her, "has an Oedipus / complex." / "Oedipus, Schmedipus," the woman answers. / "as long as he loves his mother."
    Year 1994
    Related pages Editions
  • Caption
    Image description
    Year
    Related pages 2020Solidarity Betty Tompkins
  • Three large windows are covered with a sheer fabric that includes faded printed text and images. Two gray silhouettes are displayed on the adjacent wall to the left. To the right, an electrical panel with exposed wires sits in the corner.
    Three large windows are covered with a sheer fabric that includes faded printed text and images. Two gray silhouettes are displayed on the adjacent wall to the left. To the right, an electrical panel with exposed wires sits in the corner.
    The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [Three large windows are covered with a sheer fabric that includes faded printed text and images. Two gray silhouettes are displayed on the adjacent wall to the left. To the right, an electrical panel with exposed wires sits in the corner.]
    Caption The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich.
    Image description Three large windows are covered with a sheer fabric that includes faded printed text and images. Two gray silhouettes are displayed on the adjacent wall to the left. To the right, an electrical panel with exposed wires sits in the corner.
    Year 2014
    Related pages The Issues of Our Time
  • A white gallery wall with several components. On the floor, there is a television with a cracked screen. Above that, a protruding shelf holds several booklets. There is a framed image with white text written on a black background, in the style of subway text, with the F and J train symbols below. Next to that, there is a standing white plinth with a glass covered top, housing a single tiny object. On the far righthand side, there are three framed photographs. One is a single image of a person wearing a blue shirt divided into two frames, and the other a hand holding out a holstered gun.
    A white gallery wall with several components. On the floor, there is a television with a cracked screen. Above that, a protruding shelf holds several booklets. There is a framed image with white text written on a black background, in the style of subway text, with the F and J train symbols below. Next to that, there is a standing white plinth with a glass covered top, housing a single tiny object. On the far righthand side, there are three framed photographs. One is a single image of a person wearing a blue shirt divided into two frames, and the other a hand holding out a holstered gun.
    The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich. [A white gallery wall with several components. On the floor, there is a television with a cracked screen. Above that, a protruding shelf holds several booklets. There is a framed image with white text written on a black background, in the style of subway text, with the F and J train symbols below. Next to that, there is a standing white plinth with a glass covered top, housing a single tiny object. On the far righthand side, there are three framed photographs. One is a single image of a person wearing a blue shirt divided into two frames, and the other a hand holding out a holstered gun.]
    Caption The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description A white gallery wall with several components. On the floor, there is a television with a cracked screen. Above that, a protruding shelf holds several booklets. There is a framed image with white text written on a black background, in the style of subway text, with the F and J train symbols below. Next to that, there is a standing white plinth with a glass covered top, housing a single tiny object. On the far righthand side, there are three framed photographs. One is a single image of a person wearing a blue shirt divided into two frames, and the other a hand holding out a holstered gun.
    Year 2008
    Related pages The New Normal
  • A photograph of a gallery space with works on paper hung on the far wall and plants, works on paper, and a collage mounted on the right wall, which is painted pink.
    A photograph of a gallery space with works on paper hung on the far wall and plants, works on paper, and a collage mounted on the right wall, which is painted pink.
    Adjua Gargi Nzinga Greaves: The x in florxal is silent when spoken. Installation view, Artists Space, 2021. Photo: Filip Wolak. Courtesy Artists Space, New York. [A photograph of a gallery space with works on paper hung on the far wall and plants, works on paper, and a collage mounted on the right wall, which is painted pink.]
    Caption Adjua Gargi Nzinga Greaves: The x in florxal is silent when spoken. Installation view, Artists Space, 2021. Photo: Filip Wolak. Courtesy Artists Space, New York.
    Image description A photograph of a gallery space with works on paper hung on the far wall and plants, works on paper, and a collage mounted on the right wall, which is painted pink.
    Year 2021
    Related pages Adjua Gargi Nzinga Greaves
  • Contact sheet of stills depicting numerous installation views.
    Contact sheet of stills depicting numerous installation views.
    Sixth Anniversary Exhibition. Installation views, Artists Space, 1979. [Contact sheet of stills depicting numerous installation views.]
    Caption Sixth Anniversary Exhibition. Installation views, Artists Space, 1979.
    Image description Contact sheet of stills depicting numerous installation views.
    Year 1979
    Related pages Sixth Anniversary Exhibition
  • Abstract painting with green filling most of the space with red lines emerging from the center outward.
    Abstract painting with green filling most of the space with red lines emerging from the center outward.
    Calvert Coggeshall. Untitled (green, red), 1987. Oil on canvas. [Abstract painting with green filling most of the space with red lines emerging from the center outward.]
    Caption Calvert Coggeshall. Untitled (green, red), 1987. Oil on canvas.
    Image description Abstract painting with green filling most of the space with red lines emerging from the center outward.
    Year
    Related pages Calvert Coggeshall and Frederick Hammersley: Painting
  • A display of multiple images on a white gallery wall.
    A display of multiple images on a white gallery wall.
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A display of multiple images on a white gallery wall.]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A display of multiple images on a white gallery wall.
    Year 2021
    Related pages ART CLUB2000
  • A graphic illustration of a headless female mannequin is seated against a checkered background. Her arms suggest the motion of tightening a sash around her waist, but the implied fabric around her body is missing from the image, leaving an empty space that divides her body in two halves.
    A graphic illustration of a headless female mannequin is seated against a checkered background. Her arms suggest the motion of tightening a sash around her waist, but the implied fabric around her body is missing from the image, leaving an empty space that divides her body in two halves.
    Caitlin Keogh, Interiors, 2016, 
Silkscreen on paper, 24 x 18 in / 61 x 45,7 cm, Signed and Numbered. [A graphic illustration of a headless female mannequin is seated against a checkered background. Her arms suggest the motion of tightening a sash around her waist, but the implied fabric around her body is missing from the image, leaving an empty space that divides her body in two halves.]
    Caption Caitlin Keogh, Interiors, 2016, 
Silkscreen on paper, 24 x 18 in / 61 x 45,7 cm, Signed and Numbered.
    Image description A graphic illustration of a headless female mannequin is seated against a checkered background. Her arms suggest the motion of tightening a sash around her waist, but the implied fabric around her body is missing from the image, leaving an empty space that divides her body in two halves.
    Year 2016
    Related pages Annual Edition Portfolio
  • Johanna Went, still from Passion Container,The Whiskey, Los Angeles October 26, 1988 Video, Color, Sound, 35 minutes.
    Caption Johanna Went, still from Passion Container,The Whiskey, Los Angeles October 26, 1988 Video, Color, Sound, 35 minutes.
    Image description
    Year 1988
    Related pages Attention Line Cinema Series: Johanna Went
  • A man and a woman sit in two low wooden chairs. The man wears a brown hat and striped suit, while the woman wears a white top with a low v-neck. Her hair is blonde and stylishly curled. She stares ahead, her left hand gently resting on her chin. The man stares sideways at her.
    A man and a woman sit in two low wooden chairs. The man wears a brown hat and striped suit, while the woman wears a white top with a low v-neck. Her hair is blonde and stylishly curled. She stares ahead, her left hand gently resting on her chin. The man stares sideways at her.
    Warnung vor einer heiligen Nutte (Beware of a Holy Whore). Dir. Rainer Werner Fassbinder. 1971. [A man and a woman sit in two low wooden chairs. The man wears a brown hat and striped suit, while the woman wears a white top with a low v-neck. Her hair is blonde and stylishly curled. She stares ahead, her left hand gently resting on her chin. The man stares sideways at her.]
    Caption Warnung vor einer heiligen Nutte (Beware of a Holy Whore). Dir. Rainer Werner Fassbinder. 1971.
    Image description A man and a woman sit in two low wooden chairs. The man wears a brown hat and striped suit, while the woman wears a white top with a low v-neck. Her hair is blonde and stylishly curled. She stares ahead, her left hand gently resting on her chin. The man stares sideways at her.
    Year 1971
    Related pages Pride Goes Before a Fall / Beware of a Holy Whore / Mise en Abyme
  • A wide shot of a person sitting at a table with a computer. The table is covered in a red tablecloth with white lettering that reads,
    A wide shot of a person sitting at a table with a computer. The table is covered in a red tablecloth with white lettering that reads,
    New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [A wide shot of a person sitting at a table with a computer. The table is covered in a red tablecloth with white lettering that reads, "WHAT ARE SAVAGES FOR?" and "THE URGE TO MERGE." Lighter red, stylized text reads "NEW RED ORDER" and "NEVER SETTLE." Behind the table, a projected image shows a man with one hand outstretched superimposed on a city skyline. On either side of the table are informational posters with printed text.]
    Caption New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A wide shot of a person sitting at a table with a computer. The table is covered in a red tablecloth with white lettering that reads, "WHAT ARE SAVAGES FOR?" and "THE URGE TO MERGE." Lighter red, stylized text reads "NEW RED ORDER" and "NEVER SETTLE." Behind the table, a projected image shows a man with one hand outstretched superimposed on a city skyline. On either side of the table are informational posters with printed text.
    Year 2020
    Related pages New Red Order: Informants Get Paid!
  • A few indistinguishable paintings appear on adjacent walls in a white-walled gallery space.
    A few indistinguishable paintings appear on adjacent walls in a white-walled gallery space.
    Five Spanish Artists. Installation View, Artists Space, 1985. [A few indistinguishable paintings appear on adjacent walls in a white-walled gallery space.]
    Caption Five Spanish Artists. Installation View, Artists Space, 1985.
    Image description A few indistinguishable paintings appear on adjacent walls in a white-walled gallery space.
    Year
    Related pages Five Spanish Artists
  • Two figures wearing medical scrubs gaze into the distance.
    Two figures wearing medical scrubs gaze into the distance.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [Two figures wearing medical scrubs gaze into the distance.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court
    Image description Two figures wearing medical scrubs gaze into the distance.
    Year 2022
    Related pages Grandmother Cindy
  • An image of a gold public bathroom toilet with a red Decolonize This Place sticker placed at the top of the toilet seat.
    An image of a gold public bathroom toilet with a red Decolonize This Place sticker placed at the top of the toilet seat.
    Anonymous action at the Solomon R. Guggenheim Museum, October 10, 2016. [An image of a gold public bathroom toilet with a red Decolonize This Place sticker placed at the top of the toilet seat.]
    Caption Anonymous action at the Solomon R. Guggenheim Museum, October 10, 2016.
    Image description An image of a gold public bathroom toilet with a red Decolonize This Place sticker placed at the top of the toilet seat.
    Year 2016
    Related pages Decolonize This Place
  • A figure sits behind a table, looking at a laptop screen, their face resting in their hand and a microphone placed next to their face.
    A figure sits behind a table, looking at a laptop screen, their face resting in their hand and a microphone placed next to their face.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure sits behind a table, looking at a laptop screen, their face resting in their hand and a microphone placed next to their face.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure sits behind a table, looking at a laptop screen, their face resting in their hand and a microphone placed next to their face.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • A television box monitor displays a diagram connecting Robert Smithson to Theresa Hak Kyung Cha, and the past to the present and the future.
    A television box monitor displays a diagram connecting Robert Smithson to Theresa Hak Kyung Cha, and the past to the present and the future.
    Renée Green. Still from Partially Buried Continued, 1997. Video, color, sound; 36 minutes. Courtesy the artist, Free Agent Media, and Video Data Bank. [A television box monitor displays a diagram connecting Robert Smithson to Theresa Hak Kyung Cha, and the past to the present and the future.]
    Caption Renée Green. Still from Partially Buried Continued, 1997. Video, color, sound; 36 minutes. Courtesy the artist, Free Agent Media, and Video Data Bank.
    Image description A television box monitor displays a diagram connecting Robert Smithson to Theresa Hak Kyung Cha, and the past to the present and the future.
    Year 1997
    Related pages Whitney ISP Archive
  • A black-and-white photo of the façade of a building in New York. A black flag with white text reading
    A black-and-white photo of the façade of a building in New York. A black flag with white text reading
    Artists Space, 38 Greene Street, 1998. [A black-and-white photo of the façade of a building in New York. A black flag with white text reading "Artists Space" hangs from several stories up, above a streetlamp.]
    Caption Artists Space, 38 Greene Street, 1998.
    Image description A black-and-white photo of the façade of a building in New York. A black flag with white text reading "Artists Space" hangs from several stories up, above a streetlamp.
    Year 1998
    Related pages About
  • A figure in a white t-shirt turns from a woman holding a bouquet of lavender flowers. She glances down at the flowers, smiling. The two figures stand amongst a sitting crowd of applauding people. Some gaze up towards the figures and smile.
    A figure in a white t-shirt turns from a woman holding a bouquet of lavender flowers. She glances down at the flowers, smiling. The two figures stand amongst a sitting crowd of applauding people. Some gaze up towards the figures and smile.
    The Friends of Artists Space Dinner, May 8, 2010. Julie Ault receiving flowers from Stefan Kalmár. [A figure in a white t-shirt turns from a woman holding a bouquet of lavender flowers. She glances down at the flowers, smiling. The two figures stand amongst a sitting crowd of applauding people. Some gaze up towards the figures and smile.]
    Caption The Friends of Artists Space Dinner, May 8, 2010. Julie Ault receiving flowers from Stefan Kalmár.
    Image description A figure in a white t-shirt turns from a woman holding a bouquet of lavender flowers. She glances down at the flowers, smiling. The two figures stand amongst a sitting crowd of applauding people. Some gaze up towards the figures and smile.
    Year 2010
    Related pages The Friends of Artists Space Dinner
  • A discolored envolope, stained and frayed, with cursive handwriting that reads
    A discolored envolope, stained and frayed, with cursive handwriting that reads
    Rent check envelope prop, c.1970s. Copyright Jack Smith Archive. Courtesy Gladstone Gallery, New York and Brussels [A discolored envolope, stained and frayed, with cursive handwriting that reads "The Lobster Lucky Landlord Paradise".]
    Caption Rent check envelope prop, c.1970s. Copyright Jack Smith Archive. Courtesy Gladstone Gallery, New York and Brussels
    Image description A discolored envolope, stained and frayed, with cursive handwriting that reads "The Lobster Lucky Landlord Paradise".
    Year
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • A black and white installation photograph of a sculpture. The piece features various triangular ramps, wooden square blocks, and curved wooden pieces with wheels, all placed on a wooden floor.
    A black and white installation photograph of a sculpture. The piece features various triangular ramps, wooden square blocks, and curved wooden pieces with wheels, all placed on a wooden floor.
    Louisa Chase. Installation view, Louisa Chase, Ted Stamm, Meryl Vladimer, Artists Space, 1975. [A black and white installation photograph of a sculpture. The piece features various triangular ramps, wooden square blocks, and curved wooden pieces with wheels, all placed on a wooden floor.]
    Caption Louisa Chase. Installation view, Louisa Chase, Ted Stamm, Meryl Vladimer, Artists Space, 1975.
    Image description A black and white installation photograph of a sculpture. The piece features various triangular ramps, wooden square blocks, and curved wooden pieces with wheels, all placed on a wooden floor.
    Year 1975
    Related pages Louisa Chase, Ted Stamm, Meryl Vladimer
  • A painting can be seen on the right adjacent to walls with a number of posters on them and a window. A sculpture on a pedestal can be seen in the background. A curving ceiling is visible above.
    A painting can be seen on the right adjacent to walls with a number of posters on them and a window. A sculpture on a pedestal can be seen in the background. A curving ceiling is visible above.
    We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [A painting can be seen on the right adjacent to walls with a number of posters on them and a window. A sculpture on a pedestal can be seen in the background. A curving ceiling is visible above.]
    Caption We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
    Image description A painting can be seen on the right adjacent to walls with a number of posters on them and a window. A sculpture on a pedestal can be seen in the background. A curving ceiling is visible above.
    Year
    Related pages We the People
  • A drawing of shadowy unrecognizable forms.
    A drawing of shadowy unrecognizable forms.
    Mark West, Welcome to the Neighborhood (detail), 1986. [A drawing of shadowy unrecognizable forms.]
    Caption Mark West, Welcome to the Neighborhood (detail), 1986.
    Image description A drawing of shadowy unrecognizable forms.
    Year
    Related pages From Here to Eternity: Fact and Fiction in Recent Architectural Projects
  • White text on a pink background spells out 24 artists' names, arranged to form the composite words
    White text on a pink background spells out 24 artists' names, arranged to form the composite words
    [White text on a pink background spells out 24 artists' names, arranged to form the composite words "ACTIVATED WALLS."]
    Caption
    Image description White text on a pink background spells out 24 artists' names, arranged to form the composite words "ACTIVATED WALLS."
    Year 1993
    Related pages Activated Walls
  • A wooden bench with a white, dome-like structure attached to its corner. Two framed drawings hang on the wall in the background.
    A wooden bench with a white, dome-like structure attached to its corner. Two framed drawings hang on the wall in the background.
    Social Surfaces. Installation view, 55 Walker Street, 2017. Photo: Ron Amstutz. [A wooden bench with a white, dome-like structure attached to its corner. Two framed drawings hang on the wall in the background.]
    Caption Social Surfaces. Installation view, 55 Walker Street, 2017. Photo: Ron Amstutz.
    Image description A wooden bench with a white, dome-like structure attached to its corner. Two framed drawings hang on the wall in the background.
    Year 2017
    Related pages Social Surfaces
  • Two pages of red sans-serif text on a white background, titled
    Two pages of red sans-serif text on a white background, titled
    Nick Relph, A List of Incorrect Things, 2010, Offset print 6 2/3 x 11 inches, Signed and numbered by Stuart Bailey and David Reinfurt, Text by Nick Relph. [Two pages of red sans-serif text on a white background, titled "Notes:"]
    Caption Nick Relph, A List of Incorrect Things, 2010, Offset print 6 2/3 x 11 inches, Signed and numbered by Stuart Bailey and David Reinfurt, Text by Nick Relph.
    Image description Two pages of red sans-serif text on a white background, titled "Notes:"
    Year 2010
    Related pages Artists Space Annual Edition Portfolio 2011
  • 20 photographs arranged in 5 rows of 4 on a white wall. The photos show various shots taken under beds. There is descriptive wall text to the right of the photos.
    20 photographs arranged in 5 rows of 4 on a white wall. The photos show various shots taken under beds. There is descriptive wall text to the right of the photos.
    The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich. [20 photographs arranged in 5 rows of 4 on a white wall. The photos show various shots taken under beds. There is descriptive wall text to the right of the photos.]
    Caption The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description 20 photographs arranged in 5 rows of 4 on a white wall. The photos show various shots taken under beds. There is descriptive wall text to the right of the photos.
    Year 2008
    Related pages The New Normal
  • Ana Vieira-Gerbracht, Untitled, 2021, digital photography
    Caption Ana Vieira-Gerbracht, Untitled, 2021, digital photography
    Image description
    Year 2021
    Related pages BRIDGE Photography
  • A black and white image of three individuals, one sitting inside a car and the others standing against it.
    A black and white image of three individuals, one sitting inside a car and the others standing against it.
    The Low Riders: Meridel Rubenstein. Postcard, Artists Space, 1981. [A black and white image of three individuals, one sitting inside a car and the others standing against it. ]
    Caption The Low Riders: Meridel Rubenstein. Postcard, Artists Space, 1981.
    Image description A black and white image of three individuals, one sitting inside a car and the others standing against it.
    Year 1981
    Related pages
  • Black text overlays a white background with an orange bunch of flowers in the upper right corner. The top left corner reads: “Sarah Mangold / & Toni Simon / May 7, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
    Black text overlays a white background with an orange bunch of flowers in the upper right corner. The top left corner reads: “Sarah Mangold / & Toni Simon / May 7, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
    Flyer for Segue Reading Series featuring Sarah Mangolf & Toni Simon. May 7, 2022. [Black text overlays a white background with an orange bunch of flowers in the upper right corner. The top left corner reads: “Sarah Mangold / & Toni Simon / May 7, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”]
    Caption Flyer for Segue Reading Series featuring Sarah Mangolf & Toni Simon. May 7, 2022.
    Image description Black text overlays a white background with an orange bunch of flowers in the upper right corner. The top left corner reads: “Sarah Mangold / & Toni Simon / May 7, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
    Year 2022
    Related pages Segue Reading Series: Sarah Mangold & Toni Simon
  • A long, cubic rectangle held by suspension wires on a weathered wooden floor. A small, white box rests within the rectangle.
    A long, cubic rectangle held by suspension wires on a weathered wooden floor. A small, white box rests within the rectangle.
    Underground: Jose Gabriel Fernandez. Installation view, Artists Space, 1991. [A long, cubic rectangle held by suspension wires on a weathered wooden floor. A small, white box rests within the rectangle.]
    Caption Underground: Jose Gabriel Fernandez. Installation view, Artists Space, 1991.
    Image description A long, cubic rectangle held by suspension wires on a weathered wooden floor. A small, white box rests within the rectangle.
    Year 1991
    Related pages Underground: Jose Gabriel Fernandez
  • View through a doorway with photographs and a black text on a poster on the foreground wall and a clock along with a propeller of fan upholstered to the wall on the back wall through the doorway.
    View through a doorway with photographs and a black text on a poster on the foreground wall and a clock along with a propeller of fan upholstered to the wall on the back wall through the doorway.
    Young Fluxus. Installation view, Artists Space, 1982. [View through a doorway with photographs and a black text on a poster on the foreground wall and a clock along with a propeller of fan upholstered to the wall on the back wall through the doorway.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description View through a doorway with photographs and a black text on a poster on the foreground wall and a clock along with a propeller of fan upholstered to the wall on the back wall through the doorway.
    Year
    Related pages Young Fluxus
  • Caption
    Image description
    Year
    Related pages John Mendelsohn and Donald Sultan
  • An anatomical, drawn figure of the interior of a human ear. Small lines of serif text placed below the image label the various parts and nerves on the ear, which are labeled with corresponding numbers on the drawing.
    An anatomical, drawn figure of the interior of a human ear. Small lines of serif text placed below the image label the various parts and nerves on the ear, which are labeled with corresponding numbers on the drawing.
    [An anatomical, drawn figure of the interior of a human ear. Small lines of serif text placed below the image label the various parts and nerves on the ear, which are labeled with corresponding numbers on the drawing.]
    Caption
    Image description An anatomical, drawn figure of the interior of a human ear. Small lines of serif text placed below the image label the various parts and nerves on the ear, which are labeled with corresponding numbers on the drawing.
    Year 1992
    Related pages The Talking Cure - March 8
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • An orange-tinted image of a woman partially obscured by a table full of electronic equipment and a large plant.
    An orange-tinted image of a woman partially obscured by a table full of electronic equipment and a large plant.
    [An orange-tinted image of a woman partially obscured by a table full of electronic equipment and a large plant.]
    Caption
    Image description An orange-tinted image of a woman partially obscured by a table full of electronic equipment and a large plant.
    Year
    Related pages Blank Forms presents Anywhere City: Maryanne Amacher
  • White text overlays a dark blue background. The top left corner reads: manuel arturo abreu / JJJJJerome Ellis. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, February 5, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5.
    White text overlays a dark blue background. The top left corner reads: manuel arturo abreu / JJJJJerome Ellis. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, February 5, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5.
    Flyer for Segue Reading Series featuring manuel arturo abreu and JJJJJerome Ellis. February 5, 2022, Artists Space. [White text overlays a dark blue background. The top left corner reads: manuel arturo abreu / JJJJJerome Ellis. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, February 5, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5."]
    Caption Flyer for Segue Reading Series featuring manuel arturo abreu and JJJJJerome Ellis. February 5, 2022, Artists Space.
    Image description White text overlays a dark blue background. The top left corner reads: manuel arturo abreu / JJJJJerome Ellis. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, February 5, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5."
    Year 2022
    Related pages Segue Reading Series: manuel arturo abreu & JJJJJerome Ellis
  • A figure in dark, loose clothing pulls on a glass door, their mirror image reflected back through the glass. They are lit from behind by a pink glow.
    A figure in dark, loose clothing pulls on a glass door, their mirror image reflected back through the glass. They are lit from behind by a pink glow.
    Emily Wardill. Still from Basking in What Feels Like ‘An Ocean of Grace’ I Soon Realise That I’m Not Looking at It, but Rather I Am It, Recognising Myself, 2006. [A figure in dark, loose clothing pulls on a glass door, their mirror image reflected back through the glass. They are lit from behind by a pink glow.]
    Caption Emily Wardill. Still from Basking in What Feels Like ‘An Ocean of Grace’ I Soon Realise That I’m Not Looking at It, but Rather I Am It, Recognising Myself, 2006.
    Image description A figure in dark, loose clothing pulls on a glass door, their mirror image reflected back through the glass. They are lit from behind by a pink glow.
    Year 2006
    Related pages Summer Knowledge: Emily Wardill
  • A large photo decal runs along the entire length of a long, horizontal wall in a light-filled gallery space with wooden floors. The photo decal depicts a to-scale, warmly-lit domestic space. A wooden chest of drawers, radiators, various shelves, and a low bed covered in a quilt fill the space. A dart board hangs on the wall, along with various paintings.
    A large photo decal runs along the entire length of a long, horizontal wall in a light-filled gallery space with wooden floors. The photo decal depicts a to-scale, warmly-lit domestic space. A wooden chest of drawers, radiators, various shelves, and a low bed covered in a quilt fill the space. A dart board hangs on the wall, along with various paintings.
    Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A large photo decal runs along the entire length of a long, horizontal wall in a light-filled gallery space with wooden floors. The photo decal depicts a to-scale, warmly-lit domestic space. A wooden chest of drawers, radiators, various shelves, and a low bed covered in a quilt fill the space. A dart board hangs on the wall, along with various paintings.]
    Caption Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A large photo decal runs along the entire length of a long, horizontal wall in a light-filled gallery space with wooden floors. The photo decal depicts a to-scale, warmly-lit domestic space. A wooden chest of drawers, radiators, various shelves, and a low bed covered in a quilt fill the space. A dart board hangs on the wall, along with various paintings.
    Year 2010
    Related pages Rip It Up and Start Again: William S. Burroughs, Charles Henri Ford, Ray Johnson, Philippe Thomas, Arthur Russell
  • Various figures stand around a mannequin covered with foliage and flowers.
    Various figures stand around a mannequin covered with foliage and flowers.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [Various figures stand around a mannequin covered with foliage and flowers.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court
    Image description Various figures stand around a mannequin covered with foliage and flowers.
    Year 2022
    Related pages Grandmother Cindy
  • Three figures standing by a set of music stands in front of a seated audience. The center figure faces the audience, her arms stretched wide. The figures on either side of her appear to mime grasping something above themselves—such as a bar or handle—with one hand. One's expression is solemn, the other's incredulous.
    Three figures standing by a set of music stands in front of a seated audience. The center figure faces the audience, her arms stretched wide. The figures on either side of her appear to mime grasping something above themselves—such as a bar or handle—with one hand. One's expression is solemn, the other's incredulous.
    The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak. [Three figures standing by a set of music stands in front of a seated audience. The center figure faces the audience, her arms stretched wide. The figures on either side of her appear to mime grasping something above themselves—such as a bar or handle—with one hand. One's expression is solemn, the other's incredulous.]
    Caption The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak.
    Image description Three figures standing by a set of music stands in front of a seated audience. The center figure faces the audience, her arms stretched wide. The figures on either side of her appear to mime grasping something above themselves—such as a bar or handle—with one hand. One's expression is solemn, the other's incredulous.
    Year 2020
    Related pages The Owl Answers
  • Sculptural white lettering appears on a shelf starting with 'b', but then a figure's torso appears and then the letters
    Sculptural white lettering appears on a shelf starting with 'b', but then a figure's torso appears and then the letters
    Group Material: Primer (for Raymond Williams). Artists Space, 1982. [Sculptural white lettering appears on a shelf starting with 'b', but then a figure's torso appears and then the letters "n" and "t". Next to this shelf is a photograph on a wall of a figure touching another person's back. There is an indistinguishable object under the shelf.]
    Caption Group Material: Primer (for Raymond Williams). Artists Space, 1982.
    Image description Sculptural white lettering appears on a shelf starting with 'b', but then a figure's torso appears and then the letters "n" and "t". Next to this shelf is a photograph on a wall of a figure touching another person's back. There is an indistinguishable object under the shelf.
    Year
    Related pages Group Material: Primer (for Raymond Williams)
  • A color photograph of a red poster with three faces and Japanese captions. The poster is beneath other ephemeral material, including an open book, a pamphlet, and a black and white photograph.
    A color photograph of a red poster with three faces and Japanese captions. The poster is beneath other ephemeral material, including an open book, a pamphlet, and a black and white photograph.
    Milford Graves: Fundamental Frequency. Installation view (ephemera c. 1980-1998), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color photograph of a red poster with three faces and Japanese captions. The poster is beneath other ephemeral material, including an open book, a pamphlet, and a black and white photograph.]
    Caption Milford Graves: Fundamental Frequency. Installation view (ephemera c. 1980-1998), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak.
    Image description A color photograph of a red poster with three faces and Japanese captions. The poster is beneath other ephemeral material, including an open book, a pamphlet, and a black and white photograph.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • Color photograph of a figure sitting at the head of a table with seven chairs in an empty room. In front of each chair there is a small stack of papers.
    Color photograph of a figure sitting at the head of a table with seven chairs in an empty room. In front of each chair there is a small stack of papers.
    Installation view of Barbara Bloom's Solution. From Barbara Bloom, David Salle, Artists Space, 1976. [Color photograph of a figure sitting at the head of a table with seven chairs in an empty room. In front of each chair there is a small stack of papers.]
    Caption Installation view of Barbara Bloom's Solution. From Barbara Bloom, David Salle, Artists Space, 1976.
    Image description Color photograph of a figure sitting at the head of a table with seven chairs in an empty room. In front of each chair there is a small stack of papers.
    Year 1976
    Related pages Barbara Bloom, David Salle
  • The bust of a teenage girl looking up and away from the viewer's perspective, with a green, grey and yellow background. On the green section, white text reads,
    The bust of a teenage girl looking up and away from the viewer's perspective, with a green, grey and yellow background. On the green section, white text reads,
    Leila Torres, Self Portrait, 2015 [The bust of a teenage girl looking up and away from the viewer's perspective, with a green, grey and yellow background. On the green section, white text reads, "We have lingered in the chamber of seas. With seaweed both red and brown. Till Human Voices Wake us. And we drown"]
    Caption Leila Torres, Self Portrait, 2015
    Image description The bust of a teenage girl looking up and away from the viewer's perspective, with a green, grey and yellow background. On the green section, white text reads, "We have lingered in the chamber of seas. With seaweed both red and brown. Till Human Voices Wake us. And we drown"
    Year 2015
    Related pages Scholastic Art and Writing Awards
  • A cross-shaped panel installed on a white wall. The left arm of the panel is painted gray, while its vertical bisector is painted a dark black color. The right arm of the panel features a collage of three identical black and white images of a doctor wearing protective gloves while injecting a figure's arm with a syringe.
    A cross-shaped panel installed on a white wall. The left arm of the panel is painted gray, while its vertical bisector is painted a dark black color. The right arm of the panel features a collage of three identical black and white images of a doctor wearing protective gloves while injecting a figure's arm with a syringe.
    I Thought I Had Time. Installation view, Artists Space, 1992. [A cross-shaped panel installed on a white wall. The left arm of the panel is painted gray, while its vertical bisector is painted a dark black color. The right arm of the panel features a collage of three identical black and white images of a doctor wearing protective gloves while injecting a figure's arm with a syringe.]
    Caption I Thought I Had Time. Installation view, Artists Space, 1992.
    Image description A cross-shaped panel installed on a white wall. The left arm of the panel is painted gray, while its vertical bisector is painted a dark black color. The right arm of the panel features a collage of three identical black and white images of a doctor wearing protective gloves while injecting a figure's arm with a syringe.
    Year 1992
    Related pages I Thought I Had Time
  • An over-the-shoulder photo of a person holding a boom microphone pointed at a small oil pipeline fire several dozen feet away.
    An over-the-shoulder photo of a person holding a boom microphone pointed at a small oil pipeline fire several dozen feet away.
    A member of the collective Winter Count working on the film We Are in Crisis, 2016, North Dakota. [An over-the-shoulder photo of a person holding a boom microphone pointed at a small oil pipeline fire several dozen feet away.]
    Caption A member of the collective Winter Count working on the film We Are in Crisis, 2016, North Dakota.
    Image description An over-the-shoulder photo of a person holding a boom microphone pointed at a small oil pipeline fire several dozen feet away.
    Year 2016
    Related pages Without Us There Is No You
  • A grainy black and white photo of a woman craning her head and shoulders, looking into a large camera. In the background there are trees with leaves.
    A grainy black and white photo of a woman craning her head and shoulders, looking into a large camera. In the background there are trees with leaves.
    Vaginal Davis, The White to Be Angry (still), 1999. [A grainy black and white photo of a woman craning her head and shoulders, looking into a large camera. In the background there are trees with leaves.]
    Caption Vaginal Davis, The White to Be Angry (still), 1999.
    Image description A grainy black and white photo of a woman craning her head and shoulders, looking into a large camera. In the background there are trees with leaves.
    Year 1999
    Related pages Attention Line Cinema Series: Vaginal Davis
  • A photograph of three TV screens stacked on top of each other. Two small speakers are visible on either side of the TV screens.
    A photograph of three TV screens stacked on top of each other. Two small speakers are visible on either side of the TV screens.
    Tiffany Sia, A Wet Finger in the Air, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A photograph of three TV screens stacked on top of each other. Two small speakers are visible on either side of the TV screens.]
    Caption Tiffany Sia, A Wet Finger in the Air, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A photograph of three TV screens stacked on top of each other. Two small speakers are visible on either side of the TV screens.
    Year 2021
    Related pages Tiffany Sia: Slippery When Wet
  • Two figures dance on stage in black-and-white.
    Two figures dance on stage in black-and-white.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [Two figures dance on stage in black-and-white.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description Two figures dance on stage in black-and-white.
    Year 2022
    Related pages Abasement #61
  • Exhibition Card (front)
    Caption Exhibition Card (front)
    Image description
    Year
    Related pages Four Artists: An Exhibition of Painting and Sculpture
  • A figure in a red sweater stands on stage, with three microphones placed around them. They hold a white conch shell in their hands, their mouth is open.
    A figure in a red sweater stands on stage, with three microphones placed around them. They hold a white conch shell in their hands, their mouth is open.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure in a red sweater stands on stage, with three microphones placed around them. They hold a white conch shell in their hands, their mouth is open.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure in a red sweater stands on stage, with three microphones placed around them. They hold a white conch shell in their hands, their mouth is open.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • Four collages, framed in a grid on a wall. Each collage features the same backdrop of a man stopped in the middle of the road opening the hood a car, the drivers seat door opened. Each collage features a different colored filter, arranged with images of various Indigenous people on reservations, European historical paintings, animals, gags, signs, objects, and detritus.
    Four collages, framed in a grid on a wall. Each collage features the same backdrop of a man stopped in the middle of the road opening the hood a car, the drivers seat door opened. Each collage features a different colored filter, arranged with images of various Indigenous people on reservations, European historical paintings, animals, gags, signs, objects, and detritus.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Four collages, framed in a grid on a wall. Each collage features the same backdrop of a man stopped in the middle of the road opening the hood a car, the drivers seat door opened. Each collage features a different colored filter, arranged with images of various Indigenous people on reservations, European historical paintings, animals, gags, signs, objects, and detritus.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description Four collages, framed in a grid on a wall. Each collage features the same backdrop of a man stopped in the middle of the road opening the hood a car, the drivers seat door opened. Each collage features a different colored filter, arranged with images of various Indigenous people on reservations, European historical paintings, animals, gags, signs, objects, and detritus.
    Year 2017
    Related pages Unholding
  • Students visiting Sleepwalk at Parasol Projects, LES, 2022
    Caption Students visiting Sleepwalk at Parasol Projects, LES, 2022
    Image description
    Year 2022
    Related pages Portfolio Development
  • A color installation photograph of two sculptures in a gallery space. The sculpture closer to the camera is composed of a human skeleton, and anatomical models of human heads, a brain, and a spine. The sculpture in the background features several monitors, and is topped by a sculpture of an eagle in mid-flight.
    A color installation photograph of two sculptures in a gallery space. The sculpture closer to the camera is composed of a human skeleton, and anatomical models of human heads, a brain, and a spine. The sculpture in the background features several monitors, and is topped by a sculpture of an eagle in mid-flight.
    Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color installation photograph of two sculptures in a gallery space. The sculpture closer to the camera is composed of a human skeleton, and anatomical models of human heads, a brain, and a spine. The sculpture in the background features several monitors, and is topped by a sculpture of an eagle in mid-flight.]
    Caption Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak.
    Image description A color installation photograph of two sculptures in a gallery space. The sculpture closer to the camera is composed of a human skeleton, and anatomical models of human heads, a brain, and a spine. The sculpture in the background features several monitors, and is topped by a sculpture of an eagle in mid-flight.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • An upwards-angeled view of an audience member, wearing a dark denim shirt, with a poster in the background that reads
    An upwards-angeled view of an audience member, wearing a dark denim shirt, with a poster in the background that reads
    An audience member speaks at “Palestine, BLM & Boycott in the Arts.” Artists Space Books & Talks, Friday, November 4, 2016. Courtesy Decolonize This Place and Artists Space, New York. Photo: Andrés Rodriguez [An upwards-angeled view of an audience member, wearing a dark denim shirt, with a poster in the background that reads "mourning for all those massacred in GAZA".]
    Caption An audience member speaks at “Palestine, BLM & Boycott in the Arts.” Artists Space Books & Talks, Friday, November 4, 2016. Courtesy Decolonize This Place and Artists Space, New York. Photo: Andrés Rodriguez
    Image description An upwards-angeled view of an audience member, wearing a dark denim shirt, with a poster in the background that reads "mourning for all those massacred in GAZA".
    Year 2016
    Related pages Decolonize This Place
  • A color film still of two figures at a table. Only their lower torsos and hands are visible. The figure on the right wears a watch and shuffles a deck of red playing cards next to several green bills.
    A color film still of two figures at a table. Only their lower torsos and hands are visible. The figure on the right wears a watch and shuffles a deck of red playing cards next to several green bills.
    Film still from Mo’ Money, 1992, Columbia Pictures. [A color film still of two figures at a table. Only their lower torsos and hands are visible. The figure on the right wears a watch and shuffles a deck of red playing cards next to several green bills.]
    Caption Film still from Mo’ Money, 1992, Columbia Pictures.
    Image description A color film still of two figures at a table. Only their lower torsos and hands are visible. The figure on the right wears a watch and shuffles a deck of red playing cards next to several green bills.
    Year 1992
    Related pages Lyndon Barrois Jr.: Mirage Collar
  • An image of a dark room with two spotlights, one pointed at wall text, and the other at a wall projection and glass display case.
    An image of a dark room with two spotlights, one pointed at wall text, and the other at a wall projection and glass display case.
    Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [An image of a dark room with two spotlights, one pointed at wall text, and the other at a wall projection and glass display case. ]
    Caption Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description An image of a dark room with two spotlights, one pointed at wall text, and the other at a wall projection and glass display case.
    Year 2021
    Related pages Till They Listen: Bill Gunn Directs America
  • Two people with hats, sunglasses, and long straight hair. One looks into the camera, the other diagonally past.
    Two people with hats, sunglasses, and long straight hair. One looks into the camera, the other diagonally past.
    Cecilia Dougherty. Still from Grapefruit, 1989. Video. [Two people with hats, sunglasses, and long straight hair. One looks into the camera, the other diagonally past.]
    Caption Cecilia Dougherty. Still from Grapefruit, 1989. Video.
    Image description Two people with hats, sunglasses, and long straight hair. One looks into the camera, the other diagonally past.
    Year 1989
    Related pages Remapping Boundaries: Video Art and Popular Culture
  • A bedroom scene set up in the middle of an open room, seen between two white poles. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.
    A bedroom scene set up in the middle of an open room, seen between two white poles. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.
    The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich. [A bedroom scene set up in the middle of an open room, seen between two white poles. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.]
    Caption The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description A bedroom scene set up in the middle of an open room, seen between two white poles. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.
    Year 2008
    Related pages The New Normal
  • A screenshot of a video call presentation. Several students are seen holding strips of white paper. They are flanked on the right side by the images of ten individuals who are joining the call remotely.
    A screenshot of a video call presentation. Several students are seen holding strips of white paper. They are flanked on the right side by the images of ten individuals who are joining the call remotely.
    We Are The History of the Future: Listening to the LES online presentation, weaving a North Star, P.S. 140 7th grade students [A screenshot of a video call presentation. Several students are seen holding strips of white paper. They are flanked on the right side by the images of ten individuals who are joining the call remotely.]
    Caption We Are The History of the Future: Listening to the LES online presentation, weaving a North Star, P.S. 140 7th grade students
    Image description A screenshot of a video call presentation. Several students are seen holding strips of white paper. They are flanked on the right side by the images of ten individuals who are joining the call remotely.
    Year 2020
    Related pages Exhibitions and Events
  • A book cover depicting a a desert with a hollowed-out egg shaped rock in the foreground and a tank in the background.
    A book cover depicting a a desert with a hollowed-out egg shaped rock in the foreground and a tank in the background.
    John Miller, The Ruin of Exchange and Other Writings on Art (JRP Ringier, 2012). [A book cover depicting a a desert with a hollowed-out egg shaped rock in the foreground and a tank in the background.]
    Caption John Miller, The Ruin of Exchange and Other Writings on Art (JRP Ringier, 2012).
    Image description A book cover depicting a a desert with a hollowed-out egg shaped rock in the foreground and a tank in the background.
    Year 2012
    Related pages The Ruin of Exchange: John Miller
  • Two screens are mounted, one above the other, on two metal poles. They show a single image split across the two screens of a black fabric with white dots, zigzags, and lines. In the background, there are two more screens mounted vertically on two metal poles. They show a black image with white light spots.
    Two screens are mounted, one above the other, on two metal poles. They show a single image split across the two screens of a black fabric with white dots, zigzags, and lines. In the background, there are two more screens mounted vertically on two metal poles. They show a black image with white light spots.
    Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [Two screens are mounted, one above the other, on two metal poles. They show a single image split across the two screens of a black fabric with white dots, zigzags, and lines. In the background, there are two more screens mounted vertically on two metal poles. They show a black image with white light spots.]
    Caption Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description Two screens are mounted, one above the other, on two metal poles. They show a single image split across the two screens of a black fabric with white dots, zigzags, and lines. In the background, there are two more screens mounted vertically on two metal poles. They show a black image with white light spots.
    Year 2011
    Related pages Hilary Lloyd
  • A group of people gathered on a city sidewalk, looking into a parked car.  Above them, the text Recycling L.A., May 31-June 30, 1990, Artists Space" appears in a black square." />
    A group of people gathered on a city sidewalk, looking into a parked car.  Above them, the text Recycling L.A., May 31-June 30, 1990, Artists Space" appears in a black square." />
    Recycling L.A., Newspaper cover, May 1990. [A group of people gathered on a city sidewalk, looking into a parked car. Above them, the text "Recycling L.A., May 31-June 30, 1990, Artists Space" appears in a black square.]
    Caption Recycling L.A., Newspaper cover, May 1990.
    Image description A group of people gathered on a city sidewalk, looking into a parked car. Above them, the text "Recycling L.A., May 31-June 30, 1990, Artists Space" appears in a black square.
    Year 1990
    Related pages Recycling L.A.
  • Two men sit at a bar discreetly discussing an event that occurs off-screen. Two other men appear in the background, focused on a separate activity.
    Two men sit at a bar discreetly discussing an event that occurs off-screen. Two other men appear in the background, focused on a separate activity.
    Warnung vor einer heiligen Nutte (Beware of a Holy Whore). Dir. Rainer Werner Fassbinder. 1971. [Two men sit at a bar discreetly discussing an event that occurs off-screen. Two other men appear in the background, focused on a separate activity.]
    Caption Warnung vor einer heiligen Nutte (Beware of a Holy Whore). Dir. Rainer Werner Fassbinder. 1971.
    Image description Two men sit at a bar discreetly discussing an event that occurs off-screen. Two other men appear in the background, focused on a separate activity.
    Year 1971
    Related pages Pride Goes Before a Fall / Beware of a Holy Whore / Mise en Abyme
  • A couch is visible in the center with drawings, banners and paintings surrounding it in a white-walled gallery space.
    A couch is visible in the center with drawings, banners and paintings surrounding it in a white-walled gallery space.
    Young Fluxus. Installation view, Artists Space, 1982. [A couch is visible in the center with drawings, banners and paintings surrounding it in a white-walled gallery space.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description A couch is visible in the center with drawings, banners and paintings surrounding it in a white-walled gallery space.
    Year
    Related pages Young Fluxus
  • Two red and blue spidery forms interlace, floating in the center of the page atop a blank sheet of staff paper.
    Two red and blue spidery forms interlace, floating in the center of the page atop a blank sheet of staff paper.
    Louise Bourgeois Jitterbug, 1998 Lithograph, 18 x 24 in / 46 x 61 cm, Signed & Numbered. [Two red and blue spidery forms interlace, floating in the center of the page atop a blank sheet of staff paper.]
    Caption Louise Bourgeois Jitterbug, 1998 Lithograph, 18 x 24 in / 46 x 61 cm, Signed & Numbered.
    Image description Two red and blue spidery forms interlace, floating in the center of the page atop a blank sheet of staff paper.
    Year 1998
    Related pages Editions
  • A photograph of a large gallery space with white walls and columns in the center of the room and artworks lining the walls.  In the center of the image, visible through the columns, are many small photographs hung in the shape of the letters
    A photograph of a large gallery space with white walls and columns in the center of the room and artworks lining the walls.  In the center of the image, visible through the columns, are many small photographs hung in the shape of the letters
    Min Joong Art. Installation view, Artists Space, 1988. [A photograph of a large gallery space with white walls and columns in the center of the room and artworks lining the walls. In the center of the image, visible through the columns, are many small photographs hung in the shape of the letters "DMZ."]
    Caption Min Joong Art. Installation view, Artists Space, 1988.
    Image description A photograph of a large gallery space with white walls and columns in the center of the room and artworks lining the walls. In the center of the image, visible through the columns, are many small photographs hung in the shape of the letters "DMZ."
    Year 1988
    Related pages Min Joong Art: A New Cultural Moment from Korea
  • Caption
    Image description
    Year
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • 21 silver, round, stainless steel trays sit nested on a wood floor.
    21 silver, round, stainless steel trays sit nested on a wood floor.
    Yuki Kimura, The Circle, 2019, 21 stainless steel round trays. Photo: Daniel Pérez [21 silver, round, stainless steel trays sit nested on a wood floor.]
    Caption Yuki Kimura, The Circle, 2019, 21 stainless steel round trays. Photo: Daniel Pérez
    Image description 21 silver, round, stainless steel trays sit nested on a wood floor.
    Year 2019
    Related pages Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater
  • A black and white photo of two monolithic sculptures side by side.
    A black and white photo of two monolithic sculptures side by side.
    Western Agenda. Installation view, Artists Space, 1991. [A black and white photo of two monolithic sculptures side by side. ]
    Caption Western Agenda. Installation view, Artists Space, 1991.
    Image description A black and white photo of two monolithic sculptures side by side.
    Year 1991
    Related pages
  • A close up image of a glass display case holding, images, books, and handwritten text. On the wall above is a paragraph of text that reads,
    A close up image of a glass display case holding, images, books, and handwritten text. On the wall above is a paragraph of text that reads,
    Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A close up image of a glass display case holding, images, books, and handwritten text. On the wall above is a paragraph of text that reads, " Anyway, dear Taylor, I will visit all the soft and dark spots in our town. I will walk backwards on old Endleman's fence, I will stare at the old books and try to place what words went with which conversation about whatever it was you said. I'll go to church and eat fruitcake, sweep the pavement, water the flowers, hose out the garage and tell our fathers about the big city, I might even have a few drinks to show them how much I have changed. And I will come to the cemetery and tell you how different it all is, and what it's like up here hanging on year after year."]
    Caption Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A close up image of a glass display case holding, images, books, and handwritten text. On the wall above is a paragraph of text that reads, " Anyway, dear Taylor, I will visit all the soft and dark spots in our town. I will walk backwards on old Endleman's fence, I will stare at the old books and try to place what words went with which conversation about whatever it was you said. I'll go to church and eat fruitcake, sweep the pavement, water the flowers, hose out the garage and tell our fathers about the big city, I might even have a few drinks to show them how much I have changed. And I will come to the cemetery and tell you how different it all is, and what it's like up here hanging on year after year."
    Year 2021
    Related pages Till They Listen: Bill Gunn Directs America
  • A pink object with a white, cracked surface sits on a white base. A flat green surface is attached to the left side, and a metal antenna extends out on a diagonal.
    A pink object with a white, cracked surface sits on a white base. A flat green surface is attached to the left side, and a metal antenna extends out on a diagonal.
    Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $2,500
    [A pink object with a white, cracked surface sits on a white base. A flat green surface is attached to the left side, and a metal antenna extends out on a diagonal.]
    Caption Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $2,500
    Image description A pink object with a white, cracked surface sits on a white base. A flat green surface is attached to the left side, and a metal antenna extends out on a diagonal.
    Year 2019
    Related pages Trisha Baga Edition
  • A view of a dimly lit room with a video monitor sitting on the ground of the right wall. The monitor screen is black with white text reading,
    A view of a dimly lit room with a video monitor sitting on the ground of the right wall. The monitor screen is black with white text reading,
    Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A view of a dimly lit room with a video monitor sitting on the ground of the right wall. The monitor screen is black with white text reading, "[The Manhattans continue to sing 'Shining Star']." Towards the corner, an inferometer projects green dots onto adjacent walls.]
    Caption Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A view of a dimly lit room with a video monitor sitting on the ground of the right wall. The monitor screen is black with white text reading, "[The Manhattans continue to sing 'Shining Star']." Towards the corner, an inferometer projects green dots onto adjacent walls.
    Year 2018
    Related pages Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff
  • A figure in a black hoodie and an LED light stapped on their chest performs on a stage, behind a table full of audio equipment. A green light projection is cast onto the stage.
    A figure in a black hoodie and an LED light stapped on their chest performs on a stage, behind a table full of audio equipment. A green light projection is cast onto the stage.
    Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman [A figure in a black hoodie and an LED light stapped on their chest performs on a stage, behind a table full of audio equipment. A green light projection is cast onto the stage.]
    Caption Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure in a black hoodie and an LED light stapped on their chest performs on a stage, behind a table full of audio equipment. A green light projection is cast onto the stage.
    Year
    Related pages Abasement: #62
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