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  • A color photograph of a garden with green hedges, large road which appears as a stone path, and trees. Some plant branches are visible directly in the foreground. Centered in the image over the branches is the black outline of a rectangle. The left side of the rectangle is filled in to create a black square.
    A color photograph of a garden with green hedges, large road which appears as a stone path, and trees. Some plant branches are visible directly in the foreground. Centered in the image over the branches is the black outline of a rectangle. The left side of the rectangle is filled in to create a black square.
    Composition with Sol LeWitt's "Black Form (Dedicated to the Missing Jews)", (1987) as seen from the Rathaus Altona, Hamburg, DE, October 2021 [A color photograph of a garden with green hedges, large road which appears as a stone path, and trees. Some plant branches are visible directly in the foreground. Centered in the image over the branches is the black outline of a rectangle. The left side of the rectangle is filled in to create a black square.]
    Caption Composition with Sol LeWitt's "Black Form (Dedicated to the Missing Jews)", (1987) as seen from the Rathaus Altona, Hamburg, DE, October 2021
    Image description A color photograph of a garden with green hedges, large road which appears as a stone path, and trees. Some plant branches are visible directly in the foreground. Centered in the image over the branches is the black outline of a rectangle. The left side of the rectangle is filled in to create a black square.
    Year 2021
    Related pages virgil b/g taylor: Minor Publics
  • Scan of the cover and back cover of a book. On the front cover, black text on a white background reads
    Scan of the cover and back cover of a book. On the front cover, black text on a white background reads
    Cover of Christopher D'Arcangelo, Kunstverein Publishing and Artists Space. Photo: Cathy Weiner. [Scan of the cover and back cover of a book. On the front cover, black text on a white background reads "Christopher D'Arcangelo." The back cover features a black-and-white photograph of a figure doing a headstand, their back facing the viewer. The figure is shirtless, exposing black text written on their skin.]
    Caption Cover of Christopher D'Arcangelo, Kunstverein Publishing and Artists Space. Photo: Cathy Weiner.
    Image description Scan of the cover and back cover of a book. On the front cover, black text on a white background reads "Christopher D'Arcangelo." The back cover features a black-and-white photograph of a figure doing a headstand, their back facing the viewer. The figure is shirtless, exposing black text written on their skin.
    Year
    Related pages Support
  • Photograph of two figures, one in a suit, one in a suit and brown trenchcoat, striding across a city street. The facade of the buildings behind them is covered with a colorful mural and a long line of alternating, bright red and yellow posters. A large building sign above the posters reads
    Photograph of two figures, one in a suit, one in a suit and brown trenchcoat, striding across a city street. The facade of the buildings behind them is covered with a colorful mural and a long line of alternating, bright red and yellow posters. A large building sign above the posters reads
    [Photograph of two figures, one in a suit, one in a suit and brown trenchcoat, striding across a city street. The facade of the buildings behind them is covered with a colorful mural and a long line of alternating, bright red and yellow posters. A large building sign above the posters reads "S. KLEIN."]
    Caption
    Image description Photograph of two figures, one in a suit, one in a suit and brown trenchcoat, striding across a city street. The facade of the buildings behind them is covered with a colorful mural and a long line of alternating, bright red and yellow posters. A large building sign above the posters reads "S. KLEIN."
    Year 2010
    Related pages Group Material Show and Tell
  • View of various framed works on paper on white gallery walls featuring abstract calligraphic strokes.
    View of various framed works on paper on white gallery walls featuring abstract calligraphic strokes.
    Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [View of various framed works on paper on white gallery walls featuring abstract calligraphic strokes.]
    Caption Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description View of various framed works on paper on white gallery walls featuring abstract calligraphic strokes.
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • Black text overlays a mauve background. The top left corner reads:
    Black text overlays a mauve background. The top left corner reads:
    Flyer for Segue Reading Series featuring Holly Melgard and Trey. Saturday, January 22, 2021, Artists Space. [Black text overlays a mauve background. The top left corner reads: "Holly Melgard and Trey (also known as Vernon Keeve III)" The center right reads: "Segue Reading Series & ARTISTS SPACE." The bottom left reads: "Saturday January 22, 5pm, Zoom ID: 893 9594 7519, Suggested donation $5". The image of a 5 dollar bill is placed within the text.]
    Caption Flyer for Segue Reading Series featuring Holly Melgard and Trey. Saturday, January 22, 2021, Artists Space.
    Image description Black text overlays a mauve background. The top left corner reads: "Holly Melgard and Trey (also known as Vernon Keeve III)" The center right reads: "Segue Reading Series & ARTISTS SPACE." The bottom left reads: "Saturday January 22, 5pm, Zoom ID: 893 9594 7519, Suggested donation $5". The image of a 5 dollar bill is placed within the text.
    Year 2021
    Related pages Segue Reading Series: Trey & Holly Melgard
  • Color photograph of a gallery wall. On the left, four black-and-white photographs are hung vertically, and on the right is a shelf with a television monitor placed on it.
    Color photograph of a gallery wall. On the left, four black-and-white photographs are hung vertically, and on the right is a shelf with a television monitor placed on it.
    Yasunao Tone: Region of Paramedia. Installation view (Peter Moore, Concert at The Kitchen, 1979; Paramedia Music, 1990), Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery wall. On the left, four black-and-white photographs are hung vertically, and on the right is a shelf with a television monitor placed on it.]
    Caption Yasunao Tone: Region of Paramedia. Installation view (Peter Moore, Concert at The Kitchen, 1979; Paramedia Music, 1990), Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a gallery wall. On the left, four black-and-white photographs are hung vertically, and on the right is a shelf with a television monitor placed on it.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • Image of a basement with two sculptures made of wood and fresnel lenses placed on either side of the image. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Image of a basement with two sculptures made of wood and fresnel lenses placed on either side of the image. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with two sculptures made of wood and fresnel lenses placed on either side of the image. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a basement with two sculptures made of wood and fresnel lenses placed on either side of the image. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Year 2022
    Related pages SCRAAATCH 11-18
  • An animated setting of an icy background with miscellaneous objects and imagery appearing throughout. Light green text over the top half of the image reads,
    An animated setting of an icy background with miscellaneous objects and imagery appearing throughout. Light green text over the top half of the image reads,
    Flyer for Segue Reading Series featuring Monica de la Torre and Joan Retallack. Saturday, January 23, 2021, Artists Space. [An animated setting of an icy background with miscellaneous objects and imagery appearing throughout. Light green text over the top half of the image reads, "Monica De La Torre / Joan Retallack". Light green text in the center left of the image at a left-slanted angle reads, "SEGUE." On the left hand corner in light green text reads, "23 January" and on the right hand corner in light green text reads, "5PM EST."]
    Caption Flyer for Segue Reading Series featuring Monica de la Torre and Joan Retallack. Saturday, January 23, 2021, Artists Space.
    Image description An animated setting of an icy background with miscellaneous objects and imagery appearing throughout. Light green text over the top half of the image reads, "Monica De La Torre / Joan Retallack". Light green text in the center left of the image at a left-slanted angle reads, "SEGUE." On the left hand corner in light green text reads, "23 January" and on the right hand corner in light green text reads, "5PM EST."
    Year
    Related pages Segue Reading Series: Mónica de la Torre & Joan Retallack
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Close-up photo of a person with red hair, leaning against a wall while looking away from the camera.
    Close-up photo of a person with red hair, leaning against a wall while looking away from the camera.
    Jeff Preiss, still from STOP, 2012. 16mm film transferred to digital video. [Close-up photo of a person with red hair, leaning against a wall while looking away from the camera.]
    Caption Jeff Preiss, still from STOP, 2012. 16mm film transferred to digital video.
    Image description Close-up photo of a person with red hair, leaning against a wall while looking away from the camera.
    Year 2012
    Related pages Jeff Preiss and Union Gaucha Productions
  • An open hallway in a window-filled exhibition space. A gallery wall on the left side of the room displays a sideways, brown and gold American flag as well as a black and red fleg. A monitor sits on the ground to the right of the exhibition space, near one of the windows. A visitor stands in the background, viewing artworks displayed in the hallway.
    An open hallway in a window-filled exhibition space. A gallery wall on the left side of the room displays a sideways, brown and gold American flag as well as a black and red fleg. A monitor sits on the ground to the right of the exhibition space, near one of the windows. A visitor stands in the background, viewing artworks displayed in the hallway.
    Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [An open hallway in a window-filled exhibition space. A gallery wall on the left side of the room displays a sideways, brown and gold American flag as well as a black and red fleg. A monitor sits on the ground to the right of the exhibition space, near one of the windows. A visitor stands in the background, viewing artworks displayed in the hallway.]
    Caption Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description An open hallway in a window-filled exhibition space. A gallery wall on the left side of the room displays a sideways, brown and gold American flag as well as a black and red fleg. A monitor sits on the ground to the right of the exhibition space, near one of the windows. A visitor stands in the background, viewing artworks displayed in the hallway.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • A black and white film still of four people in period dress sprawled on a curving stone stairwell. Two of these people appear to have fainted, and are supported by the other two. At the top of the stairs, a person in a maid's costume peeks around the corner, observing.
    A black and white film still of four people in period dress sprawled on a curving stone stairwell. Two of these people appear to have fainted, and are supported by the other two. At the top of the stairs, a person in a maid's costume peeks around the corner, observing.
    James Coleman. Still from Seeing for Oneself, 1987-88. Slideshow (black and white), 40 min. [A black and white film still of four people in period dress sprawled on a curving stone stairwell. Two of these people appear to have fainted, and are supported by the other two. At the top of the stairs, a person in a maid's costume peeks around the corner, observing.]
    Caption James Coleman. Still from Seeing for Oneself, 1987-88. Slideshow (black and white), 40 min.
    Image description A black and white film still of four people in period dress sprawled on a curving stone stairwell. Two of these people appear to have fainted, and are supported by the other two. At the top of the stairs, a person in a maid's costume peeks around the corner, observing.
    Year 1988
    Related pages Michael Asher / James Coleman
  • A large white wall with symmetric, geometric patterns drawn on it.
    A large white wall with symmetric, geometric patterns drawn on it.
    Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich. [A large white wall with symmetric, geometric patterns drawn on it.]
    Caption Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich.
    Image description A large white wall with symmetric, geometric patterns drawn on it.
    Year 2009
    Related pages Paper Exhibition
  • Image of a dimly lit basement. Along the back wall, on the left, a shadow of a figure in profile is cast onto a blue and purple projected screen.
    Image of a dimly lit basement. Along the back wall, on the left, a shadow of a figure in profile is cast onto a blue and purple projected screen.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Image of a dimly lit basement. Along the back wall, on the left, a shadow of a figure in profile is cast onto a blue and purple projected screen.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a dimly lit basement. Along the back wall, on the left, a shadow of a figure in profile is cast onto a blue and purple projected screen.
    Year 2022
    Related pages SCRAAATCH 11-18
  • Color image of three performers on stage. The performer on the left is sitting at a table with a tape deck, the performer in the middle is playing cello with a bow, and the rightmost performer is standing with a microphone. One audience member is visible in the foreground. The musicians, as well as the wall behind them, are bathed in an abstract light projection.
    Color image of three performers on stage. The performer on the left is sitting at a table with a tape deck, the performer in the middle is playing cello with a bow, and the rightmost performer is standing with a microphone. One audience member is visible in the foreground. The musicians, as well as the wall behind them, are bathed in an abstract light projection.
    Abasement #78. Performance documentation, June 16th, 2025, Artists Space. Photo: Joshua Wildman. [Color image of three performers on stage. The performer on the left is sitting at a table with a tape deck, the performer in the middle is playing cello with a bow, and the rightmost performer is standing with a microphone. One audience member is visible in the foreground. The musicians, as well as the wall behind them, are bathed in an abstract light projection.]
    Caption Abasement #78. Performance documentation, June 16th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of three performers on stage. The performer on the left is sitting at a table with a tape deck, the performer in the middle is playing cello with a bow, and the rightmost performer is standing with a microphone. One audience member is visible in the foreground. The musicians, as well as the wall behind them, are bathed in an abstract light projection.
    Year
    Related pages Abasement #78
  • A dim room with four benches in front of a large video screen. A black and white image of a woman in front of a red star and a wreath is projected.
    A dim room with four benches in front of a large video screen. A black and white image of a woman in front of a red star and a wreath is projected.
    Hito Steyerl, November, 2004. Digital video with sound, 25 mins. Courtesy of the artist and Andrew Kreps, New York. [A dim room with four benches in front of a large video screen. A black and white image of a woman in front of a red star and a wreath is projected.]
    Caption Hito Steyerl, November, 2004. Digital video with sound, 25 mins. Courtesy of the artist and Andrew Kreps, New York.
    Image description A dim room with four benches in front of a large video screen. A black and white image of a woman in front of a red star and a wreath is projected.
    Year 2015
    Related pages Hito Steyerl
  • A black and white film still of a person lying against embroidered pillows. Another person sits alongside her and holds a mirror up to her face, reflecting it towards the camera.
    A black and white film still of a person lying against embroidered pillows. Another person sits alongside her and holds a mirror up to her face, reflecting it towards the camera.
    James Coleman. Still from Seeing for Oneself, 1987-88. Slideshow (black and white), 40 min. [A black and white film still of a person lying against embroidered pillows. Another person sits alongside her and holds a mirror up to her face, reflecting it towards the camera.]
    Caption James Coleman. Still from Seeing for Oneself, 1987-88. Slideshow (black and white), 40 min.
    Image description A black and white film still of a person lying against embroidered pillows. Another person sits alongside her and holds a mirror up to her face, reflecting it towards the camera.
    Year 1988
    Related pages Michael Asher / James Coleman
  • Color image of a painting, done on linen. The left edge is painting a light blue, and the bottom edge is painting orange, with a large rectangle of dark blue paint covering the rest of the work. Accents of light blue paint run through the center and around the edges.
    Color image of a painting, done on linen. The left edge is painting a light blue, and the bottom edge is painting orange, with a large rectangle of dark blue paint covering the rest of the work. Accents of light blue paint run through the center and around the edges.
    Julia Rommel, Back Channel, 2023. Photo: Filip Wolak. [Color image of a painting, done on linen. The left edge is painting a light blue, and the bottom edge is painting orange, with a large rectangle of dark blue paint covering the rest of the work. Accents of light blue paint run through the center and around the edges.]
    Caption Julia Rommel, Back Channel, 2023. Photo: Filip Wolak.
    Image description Color image of a painting, done on linen. The left edge is painting a light blue, and the bottom edge is painting orange, with a large rectangle of dark blue paint covering the rest of the work. Accents of light blue paint run through the center and around the edges.
    Year 2023
    Related pages Artists for Artists Space
  • White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Mar 23 / Dubravka Djuric / Fanny Howe
    White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Mar 23 / Dubravka Djuric / Fanny Howe
    [White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Mar 23 / Dubravka Djuric / Fanny Howe" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Mar 23 / Dubravka Djuric / Fanny Howe" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: Dubravka Djuric & Fanny Howe
  • An image of a multicolored wall filled with multiple tv monitors and info graphics. Black, red and yellow beach balls are scattered along the floor.
    An image of a multicolored wall filled with multiple tv monitors and info graphics. Black, red and yellow beach balls are scattered along the floor.
    New Red Order with Virgil B/G Taylor Progenerator, 2020 – Ongoing Painted mural with dibond prints, five televisions, flag, plate, Improved Order of Red Men ephemera, and mixed media 14 x 40 feet Image courtesy Artists Space, New York Photo: Filip Wolak [An image of a multicolored wall filled with multiple tv monitors and info graphics. Black, red and yellow beach balls are scattered along the floor.]
    Caption New Red Order with Virgil B/G Taylor Progenerator, 2020 – Ongoing Painted mural with dibond prints, five televisions, flag, plate, Improved Order of Red Men ephemera, and mixed media 14 x 40 feet Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description An image of a multicolored wall filled with multiple tv monitors and info graphics. Black, red and yellow beach balls are scattered along the floor.
    Year 2021
    Related pages New Red Order: Feel at Home Here
  • A person wearing a blue jacket and headphones sits at a table, surrounded by windows with view to a rocky, dry terrain.
    A person wearing a blue jacket and headphones sits at a table, surrounded by windows with view to a rocky, dry terrain.
    [A person wearing a blue jacket and headphones sits at a table, surrounded by windows with view to a rocky, dry terrain.]
    Caption
    Image description A person wearing a blue jacket and headphones sits at a table, surrounded by windows with view to a rocky, dry terrain.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • Jaylynn Reyna, Legendary, 2022, digital photograph
    Caption Jaylynn Reyna, Legendary, 2022, digital photograph
    Image description
    Year 2022
    Related pages Scholastic Art and Writing Awards
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Contact sheet of installation and opening photos from the exhibition.
    Contact sheet of installation and opening photos from the exhibition.
    Selections from the Unaffiliated Artists File. Installation view, Artists Space, 1982. [Contact sheet of installation and opening photos from the exhibition.]
    Caption Selections from the Unaffiliated Artists File. Installation view, Artists Space, 1982.
    Image description Contact sheet of installation and opening photos from the exhibition.
    Year
    Related pages Selections from the Unaffiliated Artists File
  • Caption
    Image description
    Year
    Related pages Whitney Independent Study: Everything is Common
  • A wide cyclindrical glass bottle with a lightbulb inserted at its opening.
    A wide cyclindrical glass bottle with a lightbulb inserted at its opening.
    Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich. [A wide cyclindrical glass bottle with a lightbulb inserted at its opening.]
    Caption Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich.
    Image description A wide cyclindrical glass bottle with a lightbulb inserted at its opening.
    Year 2009
    Related pages Paper Exhibition
  • Caption
    Image description
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • A view of multiple works including a black and white image on a beige wall, CRT monitors displaying individuals in a bluish hue, a tulip chair against a seafoam colored wall, and a single viewing station.
    A view of multiple works including a black and white image on a beige wall, CRT monitors displaying individuals in a bluish hue, a tulip chair against a seafoam colored wall, and a single viewing station.
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of multiple works including a black and white image on a beige wall, CRT monitors displaying individuals in a bluish hue, a tulip chair against a seafoam colored wall, and a single viewing station.]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A view of multiple works including a black and white image on a beige wall, CRT monitors displaying individuals in a bluish hue, a tulip chair against a seafoam colored wall, and a single viewing station.
    Year 2021
    Related pages ART CLUB2000
  • A human-sized steel box stands in the room, lit by white light from above. The box rests on metal supports, and a plastic tube protrudes from one side.
    A human-sized steel box stands in the room, lit by white light from above. The box rests on metal supports, and a plastic tube protrudes from one side.
    ricardo nagaoka, Untitled, 2025. Steel, electrolytes, urine, human body. Photo: Carter Seddon [A human-sized steel box stands in the room, lit by white light from above. The box rests on metal supports, and a plastic tube protrudes from one side.]
    Caption ricardo nagaoka, Untitled, 2025. Steel, electrolytes, urine, human body. Photo: Carter Seddon
    Image description A human-sized steel box stands in the room, lit by white light from above. The box rests on metal supports, and a plastic tube protrudes from one side.
    Year
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
  • A large, orange slug sculpture forming a circular ring shape around a cast-iron column suspended by eight elastic cords such that it encircles the column and rests at its vertical center. This is next to a square painting of a partially nude human figure in a white-walled gallery space. In the foreground the viewer can identify a partial view of a large, orange slug forming a circular ring near the ceiling.
    A large, orange slug sculpture forming a circular ring shape around a cast-iron column suspended by eight elastic cords such that it encircles the column and rests at its vertical center. This is next to a square painting of a partially nude human figure in a white-walled gallery space. In the foreground the viewer can identify a partial view of a large, orange slug forming a circular ring near the ceiling.
    Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez. [A large, orange slug sculpture forming a circular ring shape around a cast-iron column suspended by eight elastic cords such that it encircles the column and rests at its vertical center. This is next to a square painting of a partially nude human figure in a white-walled gallery space. In the foreground the viewer can identify a partial view of a large, orange slug forming a circular ring near the ceiling.]
    Caption Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez.
    Image description A large, orange slug sculpture forming a circular ring shape around a cast-iron column suspended by eight elastic cords such that it encircles the column and rests at its vertical center. This is next to a square painting of a partially nude human figure in a white-walled gallery space. In the foreground the viewer can identify a partial view of a large, orange slug forming a circular ring near the ceiling.
    Year 2020
    Related pages Jana Euler
  • An audience watches a performance, smoke fills the room to the left and a projector casts dark blue light over the audience.
    An audience watches a performance, smoke fills the room to the left and a projector casts dark blue light over the audience.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [An audience watches a performance, smoke fills the room to the left and a projector casts dark blue light over the audience.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description An audience watches a performance, smoke fills the room to the left and a projector casts dark blue light over the audience.
    Year 2022
    Related pages Abasement #61
  • A person sits on a wooden chair and looks off into the distance. His right elbow rests on a table partially visible in the photograph.
    A person sits on a wooden chair and looks off into the distance. His right elbow rests on a table partially visible in the photograph.
    Portrait of Bill Gunn. [A person sits on a wooden chair and looks off into the distance. His right elbow rests on a table partially visible in the photograph.]
    Caption Portrait of Bill Gunn.
    Image description A person sits on a wooden chair and looks off into the distance. His right elbow rests on a table partially visible in the photograph.
    Year 1981
    Related pages Till They Listen: Bill Gunn Directs America
  • Collage project on mapping and migration
    Caption Collage project on mapping and migration
    Image description
    Year
    Related pages Listening to the LES
  • Photographs hanging on a wall in a gallery space.
    Photographs hanging on a wall in a gallery space.
    David Kulik, Frank Majore, Kevin Noble, Ken Pelka, Pat Place, Rene Santos, and Brian Weil. Installation view, Artists Space, 1980. [Photographs hanging on a wall in a gallery space.]
    Caption David Kulik, Frank Majore, Kevin Noble, Ken Pelka, Pat Place, Rene Santos, and Brian Weil. Installation view, Artists Space, 1980.
    Image description Photographs hanging on a wall in a gallery space.
    Year
    Related pages David Kulik, Frank Majore, Kevin Noble, Ken Pelka, Pat Place, Rene Santos, and Brian Weil
  • A wide view of a gallery featuring an array of paintings, sculptures, and photographs hung along a wall and wrapping around a corner.
    A wide view of a gallery featuring an array of paintings, sculptures, and photographs hung along a wall and wrapping around a corner.
    Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith. [A wide view of a gallery featuring an array of paintings, sculptures, and photographs hung along a wall and wrapping around a corner.]
    Caption Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith.
    Image description A wide view of a gallery featuring an array of paintings, sculptures, and photographs hung along a wall and wrapping around a corner.
    Year 1989
    Related pages Witnesses: Against Our Vanishing
  • A grainy black and white image of a figure seated on an indescernible animal or object.
    A grainy black and white image of a figure seated on an indescernible animal or object.
    Robert Longo, c. 1976. From Exchange Show: Hallwalls, Buffalo, NY, Artists Space, 1976. [A grainy black and white image of a figure seated on an indescernible animal or object.]
    Caption Robert Longo, c. 1976. From Exchange Show: Hallwalls, Buffalo, NY, Artists Space, 1976.
    Image description A grainy black and white image of a figure seated on an indescernible animal or object.
    Year 1976
    Related pages Exchange Show: Hallwalls, Buffalo, NY
  • White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Feb 3 / Coco Gordon Moore / Tongo Eisen-Martin
    White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Feb 3 / Coco Gordon Moore / Tongo Eisen-Martin
    [White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Feb 3 / Coco Gordon Moore / Tongo Eisen-Martin" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Feb 3 / Coco Gordon Moore / Tongo Eisen-Martin" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: Coco Gordon Moore & Tongo Eisen-Martin
  • Caption
    Image description
    Year
    Related pages All These Different Things Are Sculpture
  • A color installation photograph of a gallery space with a painted drum set, a hanging gong. A television monitor is placed on the floor to the right with several LP covers hanging above.
    A color installation photograph of a gallery space with a painted drum set, a hanging gong. A television monitor is placed on the floor to the right with several LP covers hanging above.
    Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color installation photograph of a gallery space with a painted drum set, a hanging gong. A television monitor is placed on the floor to the right with several LP covers hanging above.]
    Caption Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak.
    Image description A color installation photograph of a gallery space with a painted drum set, a hanging gong. A television monitor is placed on the floor to the right with several LP covers hanging above.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • A blue book cover that reads,
    A blue book cover that reads,
    Felix Gonzalez-Torres. Julie Ault, Miwon Kwon, Robert Storr. steidldangin, 2008. Hardcover, 400 pages. $200. at the Artists Space Bookstore [A blue book cover that reads, "Felix Gonzalez-Torres, Julie Ault."]
    Caption Felix Gonzalez-Torres. Julie Ault, Miwon Kwon, Robert Storr. steidldangin, 2008. Hardcover, 400 pages. $200. at the Artists Space Bookstore
    Image description A blue book cover that reads, "Felix Gonzalez-Torres, Julie Ault."
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • Three large display cases exhibit various objects. The case most within sight displays drawings, posters, photogrpahs, newspaper clippings, and a small sculpture.
    Three large display cases exhibit various objects. The case most within sight displays drawings, posters, photogrpahs, newspaper clippings, and a small sculpture.
    Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon. [Three large display cases exhibit various objects. The case most within sight displays drawings, posters, photogrpahs, newspaper clippings, and a small sculpture.]
    Caption Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon.
    Image description Three large display cases exhibit various objects. The case most within sight displays drawings, posters, photogrpahs, newspaper clippings, and a small sculpture.
    Year
    Related pages Ralston Farina: Time // Time
  • Dolls with photos adjacaent to them hangon the wall on protruding nails and black text is also visible around them. An object can be seen on the floor and a text-based painting is on a wall adjacent to the dolls in this white-walled gallery setting.
    Dolls with photos adjacaent to them hangon the wall on protruding nails and black text is also visible around them. An object can be seen on the floor and a text-based painting is on a wall adjacent to the dolls in this white-walled gallery setting.
    We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [Dolls with photos adjacaent to them hangon the wall on protruding nails and black text is also visible around them. An object can be seen on the floor and a text-based painting is on a wall adjacent to the dolls in this white-walled gallery setting.]
    Caption We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
    Image description Dolls with photos adjacaent to them hangon the wall on protruding nails and black text is also visible around them. An object can be seen on the floor and a text-based painting is on a wall adjacent to the dolls in this white-walled gallery setting.
    Year
    Related pages We the People
  • Color image of front view of a booth inside an art fair. On the right wall hangs a colorful drawing. At the center of the booth, an installation shows the corner of a domestic space, with a window on each side and black and white curtains with pink flowers. Through the windows, the leg of a chair, a lamp, an easel, and some drawings can be seen.
    Color image of front view of a booth inside an art fair. On the right wall hangs a colorful drawing. At the center of the booth, an installation shows the corner of a domestic space, with a window on each side and black and white curtains with pink flowers. Through the windows, the leg of a chair, a lamp, an easel, and some drawings can be seen.
    Drake Carr: Housecalls. Installation view, Artists Space at the Armory Show, 2023. Photo: Filip Wolak. [Color image of front view of a booth inside an art fair. On the right wall hangs a colorful drawing. At the center of the booth, an installation shows the corner of a domestic space, with a window on each side and black and white curtains with pink flowers. Through the windows, the leg of a chair, a lamp, an easel, and some drawings can be seen.]
    Caption Drake Carr: Housecalls. Installation view, Artists Space at the Armory Show, 2023. Photo: Filip Wolak.
    Image description Color image of front view of a booth inside an art fair. On the right wall hangs a colorful drawing. At the center of the booth, an installation shows the corner of a domestic space, with a window on each side and black and white curtains with pink flowers. Through the windows, the leg of a chair, a lamp, an easel, and some drawings can be seen.
    Year
    Related pages Drake Carr: Housecalls
  • Color image of a performer standing on stage in front of a circular table. The performer bends over slightly to play music from a laptop and soundboard. Their face leans into a microphone while looking stage right at a music stand placed next to the circular table. A blue light emitted from a projector covers the whole stage and casts shadows of the performer and their setup onto the back wall.
    Color image of a performer standing on stage in front of a circular table. The performer bends over slightly to play music from a laptop and soundboard. Their face leans into a microphone while looking stage right at a music stand placed next to the circular table. A blue light emitted from a projector covers the whole stage and casts shadows of the performer and their setup onto the back wall.
    Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman. [Color image of a performer standing on stage in front of a circular table. The performer bends over slightly to play music from a laptop and soundboard. Their face leans into a microphone while looking stage right at a music stand placed next to the circular table. A blue light emitted from a projector covers the whole stage and casts shadows of the performer and their setup onto the back wall. ]
    Caption Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a performer standing on stage in front of a circular table. The performer bends over slightly to play music from a laptop and soundboard. Their face leans into a microphone while looking stage right at a music stand placed next to the circular table. A blue light emitted from a projector covers the whole stage and casts shadows of the performer and their setup onto the back wall.
    Year
    Related pages Abasement #67
  • An abstract mixed-media artwork featuring three yellow circles and spatterings of multicolored paint on a white canvas. Light blue text at the top of the composition reads,
    An abstract mixed-media artwork featuring three yellow circles and spatterings of multicolored paint on a white canvas. Light blue text at the top of the composition reads,
    Whitney Claflin, Hiatus, 2015. Mixed media on linen. Courtesy the artist and Real Fine Arts, New York. [An abstract mixed-media artwork featuring three yellow circles and spatterings of multicolored paint on a white canvas. Light blue text at the top of the composition reads, "dose style."]
    Caption Whitney Claflin, Hiatus, 2015. Mixed media on linen. Courtesy the artist and Real Fine Arts, New York.
    Image description An abstract mixed-media artwork featuring three yellow circles and spatterings of multicolored paint on a white canvas. Light blue text at the top of the composition reads, "dose style."
    Year 2015
    Related pages In Visible Architectures: Whitney Claflin & Corina Copp (in collaboration with Tymberly Canale & Lanny Jordan Jackson)
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A corner of a white ceiling is crossed by silver electrical tubing. A single lightbulb is affixed to one tube and is aimed at the ceiling, illuminating a circle of the ceiling only a few inches above it.
    A corner of a white ceiling is crossed by silver electrical tubing. A single lightbulb is affixed to one tube and is aimed at the ceiling, illuminating a circle of the ceiling only a few inches above it.
    Michael Asher, Installation view, Artists Space, 1988. [A corner of a white ceiling is crossed by silver electrical tubing. A single lightbulb is affixed to one tube and is aimed at the ceiling, illuminating a circle of the ceiling only a few inches above it.]
    Caption Michael Asher, Installation view, Artists Space, 1988.
    Image description A corner of a white ceiling is crossed by silver electrical tubing. A single lightbulb is affixed to one tube and is aimed at the ceiling, illuminating a circle of the ceiling only a few inches above it.
    Year 1988
    Related pages Michael Asher / James Coleman
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    Image description
    Year
    Related pages Project: Me and My Mink
  • Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 20 / Imani Elizabeth Jackson / Emily Simon.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 20 / Imani Elizabeth Jackson / Emily Simon.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 20 / Imani Elizabeth Jackson / Emily Simon.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 20 / Imani Elizabeth Jackson / Emily Simon.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Imani Elizabeth Jackson & Emily Simon
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A figure in a blue morph suit kneels down next to a wooden table and looks off to the right. Audience members sit along the floor in the background.
    A figure in a blue morph suit kneels down next to a wooden table and looks off to the right. Audience members sit along the floor in the background.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit kneels down next to a wooden table and looks off to the right. Audience members sit along the floor in the background.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description A figure in a blue morph suit kneels down next to a wooden table and looks off to the right. Audience members sit along the floor in the background.
    Year 2022
    Related pages SCRAAATCH 11-19
  • Blue descending text reads,
    Blue descending text reads,
    [Blue descending text reads, "Ri, ch, ard." Red descending text reads, "Ho, llis."]
    Caption
    Image description Blue descending text reads, "Ri, ch, ard." Red descending text reads, "Ho, llis."
    Year 2013
    Related pages Richard Hollis
  • Two figures wearing medical scrubs gaze into the distance.
    Two figures wearing medical scrubs gaze into the distance.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [Two figures wearing medical scrubs gaze into the distance.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court
    Image description Two figures wearing medical scrubs gaze into the distance.
    Year 2022
    Related pages Grandmother Cindy
  • A framed photograph displayed on a white wall. The photograph shows multicolored flowers laying on a white surface with a black background.
    A framed photograph displayed on a white wall. The photograph shows multicolored flowers laying on a white surface with a black background.
    Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A framed photograph displayed on a white wall. The photograph shows multicolored flowers laying on a white surface with a black background.]
    Caption Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A framed photograph displayed on a white wall. The photograph shows multicolored flowers laying on a white surface with a black background.
    Year 2011
    Related pages Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979)
  • Two sculptures installed in a gallery space featuring rectangular sheets of laminated, paper rectangles held together by metal rings. The sheets are suspended at their four corners by metal poles mounted in silver buckets.
    Two sculptures installed in a gallery space featuring rectangular sheets of laminated, paper rectangles held together by metal rings. The sheets are suspended at their four corners by metal poles mounted in silver buckets.
    DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Two sculptures installed in a gallery space featuring rectangular sheets of laminated, paper rectangles held together by metal rings. The sheets are suspended at their four corners by metal poles mounted in silver buckets.]
    Caption DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Two sculptures installed in a gallery space featuring rectangular sheets of laminated, paper rectangles held together by metal rings. The sheets are suspended at their four corners by metal poles mounted in silver buckets.
    Year 2012
    Related pages DUOX: DUOX4Larkin
  • A white postcard with purple text announcing fall 1990 exhibitions at Artists Space, including <i>Selections: Aljira & Artists Space</i>.
    A white postcard with purple text announcing fall 1990 exhibitions at Artists Space, including <i>Selections: Aljira & Artists Space</i>.
    Selections: Aljira & Artists Space Announcement Postcard [A white postcard with purple text announcing fall 1990 exhibitions at Artists Space, including Selections: Aljira & Artists Space.]
    Caption Selections: Aljira & Artists Space Announcement Postcard
    Image description A white postcard with purple text announcing fall 1990 exhibitions at Artists Space, including Selections: Aljira & Artists Space.
    Year 1990
    Related pages Selections: Aljira & Artists Space
  • A small store display shelf stuffed with Gap clothing store bags and a small palm tree. On the wall, a blue band wraps around to the adjacent wall with text that reads
    A small store display shelf stuffed with Gap clothing store bags and a small palm tree. On the wall, a blue band wraps around to the adjacent wall with text that reads
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A small store display shelf stuffed with Gap clothing store bags and a small palm tree. On the wall, a blue band wraps around to the adjacent wall with text that reads "Every customer will have their needs determined and merchandise suggested to meet those needs.". Above the text is a multilayered light display.]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A small store display shelf stuffed with Gap clothing store bags and a small palm tree. On the wall, a blue band wraps around to the adjacent wall with text that reads "Every customer will have their needs determined and merchandise suggested to meet those needs.". Above the text is a multilayered light display.
    Year 2021
    Related pages ART CLUB2000
  • A black and white photo of three figures. The faint circular outline of a clock face surrounds the middle one, who is wearing a suit and a helmet.
    A black and white photo of three figures. The faint circular outline of a clock face surrounds the middle one, who is wearing a suit and a helmet.
    Craig Baldwin, Spectres of the Spectrum (still), 1999. [A black and white photo of three figures. The faint circular outline of a clock face surrounds the middle one, who is wearing a suit and a helmet.]
    Caption Craig Baldwin, Spectres of the Spectrum (still), 1999.
    Image description A black and white photo of three figures. The faint circular outline of a clock face surrounds the middle one, who is wearing a suit and a helmet.
    Year
    Related pages Craig Baldwin in Conversation with Adam Khalil
  • A black and white photograph of a black square painting with a lighter border on the left and right sides.
    A black and white photograph of a black square painting with a lighter border on the left and right sides.
    Joseph Marioni. Installation view, Joseph Marioni, Andrew Ginzel, Barbara Schwartz, Artists Space, 1975. [A black and white photograph of a black square painting with a lighter border on the left and right sides.]
    Caption Joseph Marioni. Installation view, Joseph Marioni, Andrew Ginzel, Barbara Schwartz, Artists Space, 1975.
    Image description A black and white photograph of a black square painting with a lighter border on the left and right sides.
    Year 1975
    Related pages Joseph Marioni, Andrew Ginzel, Barbara Schwartz
  • The image shows a wooden paddle with the preamble for the U.S. Constitution reproduced on it. It says,
    The image shows a wooden paddle with the preamble for the U.S. Constitution reproduced on it. It says,
    Mike Kelley, Untitled, 1992, Beech wood paddle with screen print and leather strap, 23 1/4 in x 6 in x 3/4 in / 59.1 cm x 15.2 cm x 1.9 cm, Edition of 50. [The image shows a wooden paddle with the preamble for the U.S. Constitution reproduced on it. It says, "We the People of the United States, in Order to form a more perfect Union, establish Justice, insure domestic Tranquility, provide for the common defence, promote the general Welfare, and secure the Blessings of Liberty to ourselves and our Posterity, do ordain and establish this Constitution for the United States of America."]
    Caption Mike Kelley, Untitled, 1992, Beech wood paddle with screen print and leather strap, 23 1/4 in x 6 in x 3/4 in / 59.1 cm x 15.2 cm x 1.9 cm, Edition of 50.
    Image description The image shows a wooden paddle with the preamble for the U.S. Constitution reproduced on it. It says, "We the People of the United States, in Order to form a more perfect Union, establish Justice, insure domestic Tranquility, provide for the common defence, promote the general Welfare, and secure the Blessings of Liberty to ourselves and our Posterity, do ordain and establish this Constitution for the United States of America."
    Year 1992
    Related pages Editions
  • A grainy image of a person's face in striped tones of blue, orange, pink, and green.
    A grainy image of a person's face in striped tones of blue, orange, pink, and green.
    Kristin Lucas, still from Cable Xcess, 1996. [A grainy image of a person's face in striped tones of blue, orange, pink, and green.]
    Caption Kristin Lucas, still from Cable Xcess, 1996.
    Image description A grainy image of a person's face in striped tones of blue, orange, pink, and green.
    Year 1996
    Related pages Station to Station
  • A low platform on a concrete floor supporting a glasstop photograph of pink clouds on a blue sky.
    A low platform on a concrete floor supporting a glasstop photograph of pink clouds on a blue sky.
    Katsuhiro Saiki. Installation view, Artists Space, 2003. [A low platform on a concrete floor supporting a glasstop photograph of pink clouds on a blue sky.]
    Caption Katsuhiro Saiki. Installation view, Artists Space, 2003.
    Image description A low platform on a concrete floor supporting a glasstop photograph of pink clouds on a blue sky.
    Year 2003
    Related pages Katsuhiro Saiki
  • Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.
    Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A figure in a red sweater sits in a chair on stage. Two microphones are positioned around them. They hold a wooden stick and a red bell up.
    A figure in a red sweater sits in a chair on stage. Two microphones are positioned around them. They hold a wooden stick and a red bell up.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure in a red sweater sits in a chair on stage. Two microphones are positioned around them. They hold a wooden stick and a red bell up.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure in a red sweater sits in a chair on stage. Two microphones are positioned around them. They hold a wooden stick and a red bell up.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • A color image of a pink-hued room inside which an irregularly shaped platform with a reflective surface sits on the ground. Objects such as plants, a fish tank, and tree stumps sit on and around the platform.
    A color image of a pink-hued room inside which an irregularly shaped platform with a reflective surface sits on the ground. Objects such as plants, a fish tank, and tree stumps sit on and around the platform.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [A color image of a pink-hued room inside which an irregularly shaped platform with a reflective surface sits on the ground. Objects such as plants, a fish tank, and tree stumps sit on and around the platform.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022.
    Image description A color image of a pink-hued room inside which an irregularly shaped platform with a reflective surface sits on the ground. Objects such as plants, a fish tank, and tree stumps sit on and around the platform.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A view of a vending machine against a glazed over window, tiled images on a white gallery wall, and a glass table surrounded by four wooden chairs.
    A view of a vending machine against a glazed over window, tiled images on a white gallery wall, and a glass table surrounded by four wooden chairs.
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of a vending machine against a glazed over window, tiled images on a white gallery wall, and a glass table surrounded by four wooden chairs.]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A view of a vending machine against a glazed over window, tiled images on a white gallery wall, and a glass table surrounded by four wooden chairs.
    Year 2021
    Related pages ART CLUB2000
  • English version of the poem “You can survive without eating anything for three weeks in hot weather…/En climas cálidos, puede sobrevivir hasta tres semanas sin comer nada...” is written in the top-left portion of the page while the Spanish version is written in the lower-right. A grey line of varying widths divides the two languages.
    English version of the poem “You can survive without eating anything for three weeks in hot weather…/En climas cálidos, puede sobrevivir hasta tres semanas sin comer nada...” is written in the top-left portion of the page while the Spanish version is written in the lower-right. A grey line of varying widths divides the two languages.
    Electronic Disturbance Theater 2.0/b.a.n.g. lab. The Transborder Immigrant Tool, 2007–ongoing. Pages excerpted from The Transborder Immigrant Tool publication. Courtesy the artist, University of Michigan Ann Arbor, and University of California, San Diego. [English version of the poem “You can survive without eating anything for three weeks in hot weather…/En climas cálidos, puede sobrevivir hasta tres semanas sin comer nada...” is written in the top-left portion of the page while the Spanish version is written in the lower-right. A grey line of varying widths divides the two languages.]
    Caption Electronic Disturbance Theater 2.0/b.a.n.g. lab. The Transborder Immigrant Tool, 2007–ongoing. Pages excerpted from The Transborder Immigrant Tool publication. Courtesy the artist, University of Michigan Ann Arbor, and University of California, San Diego.
    Image description English version of the poem “You can survive without eating anything for three weeks in hot weather…/En climas cálidos, puede sobrevivir hasta tres semanas sin comer nada...” is written in the top-left portion of the page while the Spanish version is written in the lower-right. A grey line of varying widths divides the two languages.
    Year 2007
    Related pages Whitney ISP Archive
  • A black and white graphic illustration of a primitive man with leaves encircling his head and his waist, leaning on a branch. The thought bubble above his head reads
    A black and white graphic illustration of a primitive man with leaves encircling his head and his waist, leaning on a branch. The thought bubble above his head reads
    Liam Gillick, Thinking, 2010. Inkjet print on Sunset Cotton Etch 285 gsm. [A black and white graphic illustration of a primitive man with leaves encircling his head and his waist, leaning on a branch. The thought bubble above his head reads "Thinking more about production than consumption..."]
    Caption Liam Gillick, Thinking, 2010. Inkjet print on Sunset Cotton Etch 285 gsm.
    Image description A black and white graphic illustration of a primitive man with leaves encircling his head and his waist, leaning on a branch. The thought bubble above his head reads "Thinking more about production than consumption..."
    Year 2010
    Related pages Annual Edition Portfolio
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    Year
    Related pages Artists Space: Artists Fund
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A black Christmas tree stands in the room, adorned with white twinkling lights. A black toy train circulates around the shiny black base of the tree.
    A black Christmas tree stands in the room, adorned with white twinkling lights. A black toy train circulates around the shiny black base of the tree.
    Nandi Loaf, WÜNDERBAR, 2025. Artifical tree (monument), custom 4-4-0 model locomotive + semi-autonomous rail system, re-routed grid hardware, ornaments, site-specific electrical circulation. Photo: Carter Seddon [A black Christmas tree stands in the room, adorned with white twinkling lights. A black toy train circulates around the shiny black base of the tree.]
    Caption Nandi Loaf, WÜNDERBAR, 2025. Artifical tree (monument), custom 4-4-0 model locomotive + semi-autonomous rail system, re-routed grid hardware, ornaments, site-specific electrical circulation. Photo: Carter Seddon
    Image description A black Christmas tree stands in the room, adorned with white twinkling lights. A black toy train circulates around the shiny black base of the tree.
    Year
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
  • Black and white line drawing of a bucket with handle.
    Black and white line drawing of a bucket with handle.
    [Black and white line drawing of a bucket with handle.]
    Caption
    Image description Black and white line drawing of a bucket with handle.
    Year 2018
    Related pages Coop Fund Workshops
  • A black and white image of person in a coverall jumpsuit and backwards baseball cap reading aloud from a music stand. Behind them, a pair of sunglasses is shown on a white background.
    A black and white image of person in a coverall jumpsuit and backwards baseball cap reading aloud from a music stand. Behind them, a pair of sunglasses is shown on a white background.
    Joelle de la Casiniere. Still from La Grimoire Magnetique, 1983. 26 minutes. Photo: Micki McGee. [A black and white image of person in a coverall jumpsuit and backwards baseball cap reading aloud from a music stand. Behind them, a pair of sunglasses is shown on a white background.]
    Caption Joelle de la Casiniere. Still from La Grimoire Magnetique, 1983. 26 minutes. Photo: Micki McGee.
    Image description A black and white image of person in a coverall jumpsuit and backwards baseball cap reading aloud from a music stand. Behind them, a pair of sunglasses is shown on a white background.
    Year 1983
    Related pages Body Language: Studies in Female Expression
  • Black and white photo of various figures in an office space. The set and costumes are in the style of the 1950s. One woman sits at a desk looking through papers, one woman sits at a typewriter. Three other figures are also in the space in casual poses.
    Black and white photo of various figures in an office space. The set and costumes are in the style of the 1950s. One woman sits at a desk looking through papers, one woman sits at a typewriter. Three other figures are also in the space in casual poses.
    Cindy Sherman. Work unknown. [Black and white photo of various figures in an office space. The set and costumes are in the style of the 1950s. One woman sits at a desk looking through papers, one woman sits at a typewriter. Three other figures are also in the space in casual poses.]
    Caption Cindy Sherman. Work unknown.
    Image description Black and white photo of various figures in an office space. The set and costumes are in the style of the 1950s. One woman sits at a desk looking through papers, one woman sits at a typewriter. Three other figures are also in the space in casual poses.
    Year
    Related pages ______ , Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978.
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    Related pages Dream Lines: Drawings by Marian Zazeela
  • A small square of illegible text, an abstract image of two black squares on grey, and a painting of a person in period dress and a top hat all hang on a blue wall.
    A small square of illegible text, an abstract image of two black squares on grey, and a painting of a person in period dress and a top hat all hang on a blue wall.
    Millie Wilson, The Painter Who is Not One, 1990, detail. Acrylic on canvas, text, type, photos, wall paint, 13 by 25 feet, variable. [A small square of illegible text, an abstract image of two black squares on grey, and a painting of a person in period dress and a top hat all hang on a blue wall.]
    Caption Millie Wilson, The Painter Who is Not One, 1990, detail. Acrylic on canvas, text, type, photos, wall paint, 13 by 25 feet, variable.
    Image description A small square of illegible text, an abstract image of two black squares on grey, and a painting of a person in period dress and a top hat all hang on a blue wall.
    Year 1990
    Related pages Post-Boys&Girls: Nine Painters
  • Close up of two rows of pre-packaged salads in plastic containers on the shelves of a grocery store refrigerator.
    Close up of two rows of pre-packaged salads in plastic containers on the shelves of a grocery store refrigerator.
    [Close up of two rows of pre-packaged salads in plastic containers on the shelves of a grocery store refrigerator.]
    Caption
    Image description Close up of two rows of pre-packaged salads in plastic containers on the shelves of a grocery store refrigerator.
    Year 2008
    Related pages Salad Days 3
  • Three people wearing facemasks. One is dressed in an ultra-feminine mask, nightgown and open robe, facing the camera. The other two are facing the first figure, dressed casually in t-shirts and a denim vest.
    Three people wearing facemasks. One is dressed in an ultra-feminine mask, nightgown and open robe, facing the camera. The other two are facing the first figure, dressed casually in t-shirts and a denim vest.
    Mark Morrisroe. Still from Nymph-O-Maniac (1984). [Three people wearing facemasks. One is dressed in an ultra-feminine mask, nightgown and open robe, facing the camera. The other two are facing the first figure, dressed casually in t-shirts and a denim vest.]
    Caption Mark Morrisroe. Still from Nymph-O-Maniac (1984).
    Image description Three people wearing facemasks. One is dressed in an ultra-feminine mask, nightgown and open robe, facing the camera. The other two are facing the first figure, dressed casually in t-shirts and a denim vest.
    Year 1984
    Related pages Mark Morrisroe: Super 8
  • A headless woman in a white dress slumps next to a bust of a man's head lying on the floor. A fuzzy television screen background appears the figure.
    A headless woman in a white dress slumps next to a bust of a man's head lying on the floor. A fuzzy television screen background appears the figure.
    The Fairy Tale: Politics, Desire and Everyday Life. Installation View. Artists Space, 1986. [A headless woman in a white dress slumps next to a bust of a man's head lying on the floor. A fuzzy television screen background appears the figure.]
    Caption The Fairy Tale: Politics, Desire and Everyday Life. Installation View. Artists Space, 1986.
    Image description A headless woman in a white dress slumps next to a bust of a man's head lying on the floor. A fuzzy television screen background appears the figure.
    Year
    Related pages The Fairy Tale: Politics, Desire, and Everyday Life
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    Image description
    Year
    Related pages Abasement #77
  • A black and white photograph of a number of unmounted 35mm slides on a lightbox is visible in the foreground with a computer and printer visible in the background in an office setting.
    A black and white photograph of a number of unmounted 35mm slides on a lightbox is visible in the foreground with a computer and printer visible in the background in an office setting.
    The Artists File at Artists Space, 1986. [A black and white photograph of a number of unmounted 35mm slides on a lightbox is visible in the foreground with a computer and printer visible in the background in an office setting.]
    Caption The Artists File at Artists Space, 1986.
    Image description A black and white photograph of a number of unmounted 35mm slides on a lightbox is visible in the foreground with a computer and printer visible in the background in an office setting.
    Year
    Related pages Selections from the Artists File
  • A large gallery space houses a variety of plinths made of MDF, atop of which are placed various archival objects. Along the far back wall is a large photograph affixed to the wall that depicts a driveway with a large white reconstructed wall.
    A large gallery space houses a variety of plinths made of MDF, atop of which are placed various archival objects. Along the far back wall is a large photograph affixed to the wall that depicts a driveway with a large white reconstructed wall.
    Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [A large gallery space houses a variety of plinths made of MDF, atop of which are placed various archival objects. Along the far back wall is a large photograph affixed to the wall that depicts a driveway with a large white reconstructed wall.]
    Caption Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Image description A large gallery space houses a variety of plinths made of MDF, atop of which are placed various archival objects. Along the far back wall is a large photograph affixed to the wall that depicts a driveway with a large white reconstructed wall.
    Year
    Related pages Michael Asher
  • Color photograph of a corner of a gallery space. On the left wall hang various framed posters, and black-and-white photographs. A small window in the wall leads to the front of the gallery. On the right wall are more photographs and posters, and a vitrine. On the floor sits a television monitor displaying a black-and-white image of a pocketwatch.
    Color photograph of a corner of a gallery space. On the left wall hang various framed posters, and black-and-white photographs. A small window in the wall leads to the front of the gallery. On the right wall are more photographs and posters, and a vitrine. On the floor sits a television monitor displaying a black-and-white image of a pocketwatch.
    Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a corner of a gallery space. On the left wall hang various framed posters, and black-and-white photographs. A small window in the wall leads to the front of the gallery. On the right wall are more photographs and posters, and a vitrine. On the floor sits a television monitor displaying a black-and-white image of a pocketwatch.]
    Caption Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a corner of a gallery space. On the left wall hang various framed posters, and black-and-white photographs. A small window in the wall leads to the front of the gallery. On the right wall are more photographs and posters, and a vitrine. On the floor sits a television monitor displaying a black-and-white image of a pocketwatch.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • Dark blue text overlays red-pink background. The text reads: “March 11 / Yuko Otomo / Ed Steck.
    Dark blue text overlays red-pink background. The text reads: “March 11 / Yuko Otomo / Ed Steck.
    [Dark blue text overlays red-pink background. The text reads: “March 11 / Yuko Otomo / Ed Steck." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description Dark blue text overlays red-pink background. The text reads: “March 11 / Yuko Otomo / Ed Steck." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year 2023
    Related pages Segue Reading Series: Yuko Otomo & Ed Steck
  • Black text on a grey background. The text reads: “Feb 7 / Eric Bogosian / Bunny Rogers.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a grey background. The text reads: “Feb 7 / Eric Bogosian / Bunny Rogers.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a grey background. The text reads: “Feb 7 / Eric Bogosian / Bunny Rogers.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a grey background. The text reads: “Feb 7 / Eric Bogosian / Bunny Rogers.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Eric Bogosian & Bunny Rogers
  • A black-and-white photograph of a figure sitting in front of a microphone. The left side of their face and body is in shadow.
    A black-and-white photograph of a figure sitting in front of a microphone. The left side of their face and body is in shadow.
    Production still from Black Picture Show, 1978, picturing Sam Waymon. Photo: Marshall Johnson. Image courtesy of the artist. [A black-and-white photograph of a figure sitting in front of a microphone. The left side of their face and body is in shadow.]
    Caption Production still from Black Picture Show, 1978, picturing Sam Waymon. Photo: Marshall Johnson. Image courtesy of the artist.
    Image description A black-and-white photograph of a figure sitting in front of a microphone. The left side of their face and body is in shadow.
    Year 1975
    Related pages Sam Waymon in Concert
  • An individual TV monitor with three wooden chairs placed in front of it, each holding headphones. Edward Snowden appears speaking to the camera onscreen.
    An individual TV monitor with three wooden chairs placed in front of it, each holding headphones. Edward Snowden appears speaking to the camera onscreen.
    Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [An individual TV monitor with three wooden chairs placed in front of it, each holding headphones. Edward Snowden appears speaking to the camera onscreen.]
    Caption Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description An individual TV monitor with three wooden chairs placed in front of it, each holding headphones. Edward Snowden appears speaking to the camera onscreen.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • Two figures hold medical instruments over a table with a manneuqin and an IV.
    Two figures hold medical instruments over a table with a manneuqin and an IV.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [Two figures hold medical instruments over a table with a manneuqin and an IV.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York.
    Image description Two figures hold medical instruments over a table with a manneuqin and an IV.
    Year
    Related pages Grandmother Cindy
  • Two black plinths stand in the center of an otherwise empty room. Each has a glass-encased top protecting a patch of grass, lit from below by a white light.
    Two black plinths stand in the center of an otherwise empty room. Each has a glass-encased top protecting a patch of grass, lit from below by a white light.
    Spring Exhibitions. Installation view, Artists Space, 2009. [Two black plinths stand in the center of an otherwise empty room. Each has a glass-encased top protecting a patch of grass, lit from below by a white light.]
    Caption Spring Exhibitions. Installation view, Artists Space, 2009.
    Image description Two black plinths stand in the center of an otherwise empty room. Each has a glass-encased top protecting a patch of grass, lit from below by a white light.
    Year 2009
    Related pages Spring Exhibitions
  • A viewer is visible through the open door to a gallery room.
    A viewer is visible through the open door to a gallery room.
    Audio Works. Installation view, Artists Space, 1978. [A viewer is visible through the open door to a gallery room.]
    Caption Audio Works. Installation view, Artists Space, 1978.
    Image description A viewer is visible through the open door to a gallery room.
    Year 1978
    Related pages Audio Works
  • A white wall with orange and yellow lollipops arranged in lines. In front of the wall is a small television on a white plinth.
    A white wall with orange and yellow lollipops arranged in lines. In front of the wall is a small television on a white plinth.
    Salad Days. Installation view, Artists Space, 2004. [A white wall with orange and yellow lollipops arranged in lines. In front of the wall is a small television on a white plinth.]
    Caption Salad Days. Installation view, Artists Space, 2004.
    Image description A white wall with orange and yellow lollipops arranged in lines. In front of the wall is a small television on a white plinth.
    Year 2004
    Related pages Salad Days
  • A close-up detail of a large assemblage sculpture.
    A close-up detail of a large assemblage sculpture.
    Ed Bereal, Miss America: Manufacturing Consent: Upside Down and Backwards (detail), 2000-2014, mixed media and found objects, dimensions variable. Photo: Filip Wolak [A close-up detail of a large assemblage sculpture.]
    Caption Ed Bereal, Miss America: Manufacturing Consent: Upside Down and Backwards (detail), 2000-2014, mixed media and found objects, dimensions variable. Photo: Filip Wolak
    Image description A close-up detail of a large assemblage sculpture.
    Year 2022
    Related pages Attention Line
  • Drawing of upside down Christian iconography along with pyramid, desert landscape with white surrouding the images.
    Drawing of upside down Christian iconography along with pyramid, desert landscape with white surrouding the images.
    Hani Rashid, The Early 17th Century, 1985. Mixed media with ink, old paints, acids, chalks, 33 x 24 inches. [Drawing of upside down Christian iconography along with pyramid, desert landscape with white surrouding the images.]
    Caption Hani Rashid, The Early 17th Century, 1985. Mixed media with ink, old paints, acids, chalks, 33 x 24 inches.
    Image description Drawing of upside down Christian iconography along with pyramid, desert landscape with white surrouding the images.
    Year 1985
    Related pages Kursaal For An Evacuee
  • A musician standing on stage playing a small wooden instrument. They are looking down and wearing a headlamp. In front of them are multiple electronic instruments and cords. The wall in the background is scattered with white dots reflected from a disco ball.
    A musician standing on stage playing a small wooden instrument. They are looking down and wearing a headlamp. In front of them are multiple electronic instruments and cords. The wall in the background is scattered with white dots reflected from a disco ball.
    Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman. [A musician standing on stage playing a small wooden instrument. They are looking down and wearing a headlamp. In front of them are multiple electronic instruments and cords. The wall in the background is scattered with white dots reflected from a disco ball.]
    Caption Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description A musician standing on stage playing a small wooden instrument. They are looking down and wearing a headlamp. In front of them are multiple electronic instruments and cords. The wall in the background is scattered with white dots reflected from a disco ball.
    Year
    Related pages Abasement #71
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    Related pages Project: Model City
  • On the left wall of the gallery space sits of shelf containing a display case of photographs and jars. In the corner of the walls sits a televion on the floor playing a video. On the right wall is a painting vertically reading
    On the left wall of the gallery space sits of shelf containing a display case of photographs and jars. In the corner of the walls sits a televion on the floor playing a video. On the right wall is a painting vertically reading
    LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon [On the left wall of the gallery space sits of shelf containing a display case of photographs and jars. In the corner of the walls sits a televion on the floor playing a video. On the right wall is a painting vertically reading "NIGHTMARE" with skulls, stars, and abstracted forms superimposed on top. To the right of this is a framed landscape. A painted ceramic sits on a table in the foreground.]
    Caption LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description On the left wall of the gallery space sits of shelf containing a display case of photographs and jars. In the corner of the walls sits a televion on the floor playing a video. On the right wall is a painting vertically reading "NIGHTMARE" with skulls, stars, and abstracted forms superimposed on top. To the right of this is a framed landscape. A painted ceramic sits on a table in the foreground.
    Year 2025
    Related pages Arnold J. Kemp
  • A group of five performers dressed in red and white monochromatic outfits stand in front of microphones gesturing with their hands.
    A group of five performers dressed in red and white monochromatic outfits stand in front of microphones gesturing with their hands.
    Rashaad Newsome. Still from Shade Compositions, 2012. Video, color, sound; 50 minutes. Courtesy the artist. [A group of five performers dressed in red and white monochromatic outfits stand in front of microphones gesturing with their hands.]
    Caption Rashaad Newsome. Still from Shade Compositions, 2012. Video, color, sound; 50 minutes. Courtesy the artist.
    Image description A group of five performers dressed in red and white monochromatic outfits stand in front of microphones gesturing with their hands.
    Year 2012
    Related pages Whitney ISP Archive
  • Several portraits of men in various shapes, sizes, and colors, layered on top of eachother.
    Several portraits of men in various shapes, sizes, and colors, layered on top of eachother.
    Tom of Finland Untitled , ca. 1975 Collage on paper Tom of Finland Foundation, Permanent Collection [Several portraits of men in various shapes, sizes, and colors, layered on top of eachother.]
    Caption Tom of Finland Untitled , ca. 1975 Collage on paper Tom of Finland Foundation, Permanent Collection
    Image description Several portraits of men in various shapes, sizes, and colors, layered on top of eachother.
    Year 1975
    Related pages Tom of Finland: The Pleasure of Play
  • White text on a pink background spells out 24 artists' names, arranged to form the composite words
    White text on a pink background spells out 24 artists' names, arranged to form the composite words
    [White text on a pink background spells out 24 artists' names, arranged to form the composite words "ACTIVATED WALLS."]
    Caption
    Image description White text on a pink background spells out 24 artists' names, arranged to form the composite words "ACTIVATED WALLS."
    Year 1993
    Related pages Activated Walls
  • A hand reaches toward the bark of a tree, drawing a thick red line. There are leaves in the background.
    A hand reaches toward the bark of a tree, drawing a thick red line. There are leaves in the background.
    Michael Robinson. Still from If There Be Thorns, 2009. [A hand reaches toward the bark of a tree, drawing a thick red line. There are leaves in the background.]
    Caption Michael Robinson. Still from If There Be Thorns, 2009.
    Image description A hand reaches toward the bark of a tree, drawing a thick red line. There are leaves in the background.
    Year 2009
    Related pages Summer Knowledge: Michael Robinson
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A moving image of a person, dressed in black, side stepping slowly in the gallery as the camera pans over to them.
    A moving image of a person, dressed in black, side stepping slowly in the gallery as the camera pans over to them.
    Excerpt from Hito Stereyl, Guards, 2012, HD video on freestanding screen with sound, 20 mins. Courtesy of the artist and Andrew Kreps, New York. [A moving image of a person, dressed in black, side stepping slowly in the gallery as the camera pans over to them.]
    Caption Excerpt from Hito Stereyl, Guards, 2012, HD video on freestanding screen with sound, 20 mins. Courtesy of the artist and Andrew Kreps, New York.
    Image description A moving image of a person, dressed in black, side stepping slowly in the gallery as the camera pans over to them.
    Year 2012
    Related pages Hito Steyerl
  • A metal statue is being lifted from its platform by a crane via ropes around its neck and feet. A large building is visible behind it.
    A metal statue is being lifted from its platform by a crane via ropes around its neck and feet. A large building is visible behind it.
    [A metal statue is being lifted from its platform by a crane via ropes around its neck and feet. A large building is visible behind it.]
    Caption
    Image description A metal statue is being lifted from its platform by a crane via ropes around its neck and feet. A large building is visible behind it.
    Year 1991
    Related pages Western Agenda
  • Caption
    Image description
    Year
    Related pages Brad Kronz
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A rectangular pit resembling a mass grave is shown lined with bags of excavated sand. Barbed wire stretches across the pit and a shovel lays to one side. The site of the pit appears to be recreational, with a lake and picnic benches visible in the background.
    A rectangular pit resembling a mass grave is shown lined with bags of excavated sand. Barbed wire stretches across the pit and a shovel lays to one side. The site of the pit appears to be recreational, with a lake and picnic benches visible in the background.
    Catalina Parra, FOSA, 2001. Installation at Mercosul Biennial, Porto Alegre, Brazil. Courtesy Archive, Catalina Parra, New York. [A rectangular pit resembling a mass grave is shown lined with bags of excavated sand. Barbed wire stretches across the pit and a shovel lays to one side. The site of the pit appears to be recreational, with a lake and picnic benches visible in the background.]
    Caption Catalina Parra, FOSA, 2001. Installation at Mercosul Biennial, Porto Alegre, Brazil. Courtesy Archive, Catalina Parra, New York.
    Image description A rectangular pit resembling a mass grave is shown lined with bags of excavated sand. Barbed wire stretches across the pit and a shovel lays to one side. The site of the pit appears to be recreational, with a lake and picnic benches visible in the background.
    Year 2001
    Related pages Whitney ISP Archive
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    Image description
    Year
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • A circle of people sitting in chairs in discussion. Facing towards them are additional rows of chairs filled with an audience. To the left of the audience, there is a white plinth with a glass top housing several porcelin objects on a red fabric. On the wall behind the circle of speakers, there is a plaid composition featuring red, green, and peach colors.
    A circle of people sitting in chairs in discussion. Facing towards them are additional rows of chairs filled with an audience. To the left of the audience, there is a white plinth with a glass top housing several porcelin objects on a red fabric. On the wall behind the circle of speakers, there is a plaid composition featuring red, green, and peach colors.
    Flipside: Symposium. Program view, Artists Space, 2005. [A circle of people sitting in chairs in discussion. Facing towards them are additional rows of chairs filled with an audience. To the left of the audience, there is a white plinth with a glass top housing several porcelin objects on a red fabric. On the wall behind the circle of speakers, there is a plaid composition featuring red, green, and peach colors.]
    Caption Flipside: Symposium. Program view, Artists Space, 2005.
    Image description A circle of people sitting in chairs in discussion. Facing towards them are additional rows of chairs filled with an audience. To the left of the audience, there is a white plinth with a glass top housing several porcelin objects on a red fabric. On the wall behind the circle of speakers, there is a plaid composition featuring red, green, and peach colors.
    Year 2005
    Related pages Flipside: Symposium
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Color image of a man standing at a podium, reading from a program. The individual is flanked on both sides by guests seated at dinner tables within an elegant and decorative venue.
    Color image of a man standing at a podium, reading from a program. The individual is flanked on both sides by guests seated at dinner tables within an elegant and decorative venue.
    Friends of Artists Space Dinner, 2023. Photo: Joshua Wildman. [Color image of a man standing at a podium, reading from a program. The individual is flanked on both sides by guests seated at dinner tables within an elegant and decorative venue.]
    Caption Friends of Artists Space Dinner, 2023. Photo: Joshua Wildman.
    Image description Color image of a man standing at a podium, reading from a program. The individual is flanked on both sides by guests seated at dinner tables within an elegant and decorative venue.
    Year
    Related pages Support
  • Six paintings are hung on white walls at eye level. The paintings contain muted and vibrant warm colors depicting abstract shapes.
    Six paintings are hung on white walls at eye level. The paintings contain muted and vibrant warm colors depicting abstract shapes.
    Miyoko Ito: Heart of Hearts. Installation view, Artists Space, 2018. Photo: Daniel Peréz. [Six paintings are hung on white walls at eye level. The paintings contain muted and vibrant warm colors depicting abstract shapes.]
    Caption Miyoko Ito: Heart of Hearts. Installation view, Artists Space, 2018. Photo: Daniel Peréz.
    Image description Six paintings are hung on white walls at eye level. The paintings contain muted and vibrant warm colors depicting abstract shapes.
    Year 2018
    Related pages Miyoko Ito: Heart of Hearts
  • A figure in a white t-shirt turns from a woman holding a bouquet of lavender flowers. She glances down at the flowers, smiling. The two figures stand amongst a sitting crowd of applauding people. Some gaze up towards the figures and smile.
    A figure in a white t-shirt turns from a woman holding a bouquet of lavender flowers. She glances down at the flowers, smiling. The two figures stand amongst a sitting crowd of applauding people. Some gaze up towards the figures and smile.
    The Friends of Artists Space Dinner, May 8, 2010. Julie Ault receiving flowers from Stefan Kalmár. [A figure in a white t-shirt turns from a woman holding a bouquet of lavender flowers. She glances down at the flowers, smiling. The two figures stand amongst a sitting crowd of applauding people. Some gaze up towards the figures and smile.]
    Caption The Friends of Artists Space Dinner, May 8, 2010. Julie Ault receiving flowers from Stefan Kalmár.
    Image description A figure in a white t-shirt turns from a woman holding a bouquet of lavender flowers. She glances down at the flowers, smiling. The two figures stand amongst a sitting crowd of applauding people. Some gaze up towards the figures and smile.
    Year 2010
    Related pages The Friends of Artists Space Dinner
  • A vintage, black and white photograph of the interior of a shop window, which looks out upon a city street. Two men stand to the left side of the window, casually leaning against a pole and talking. Various metal vases, cutlery, and ornaments are displayed on the shelves within the window.
    A vintage, black and white photograph of the interior of a shop window, which looks out upon a city street. Two men stand to the left side of the window, casually leaning against a pole and talking. Various metal vases, cutlery, and ornaments are displayed on the shelves within the window.
    [A vintage, black and white photograph of the interior of a shop window, which looks out upon a city street. Two men stand to the left side of the window, casually leaning against a pole and talking. Various metal vases, cutlery, and ornaments are displayed on the shelves within the window.]
    Caption
    Image description A vintage, black and white photograph of the interior of a shop window, which looks out upon a city street. Two men stand to the left side of the window, casually leaning against a pole and talking. Various metal vases, cutlery, and ornaments are displayed on the shelves within the window.
    Year 2010
    Related pages Danh Vo: Autoerotic Asphyxiation
  • Color image of a performer standing up playing the violin. They are standing in front of a mic stand with their eyes closed. A drum kit is barely visible in the right corner of the image. The wall in the background is tinted with green and blue lights.
    Color image of a performer standing up playing the violin. They are standing in front of a mic stand with their eyes closed. A drum kit is barely visible in the right corner of the image. The wall in the background is tinted with green and blue lights.
    Abasement #75. Performance documentation, February 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of a performer standing up playing the violin. They are standing in front of a mic stand with their eyes closed. A drum kit is barely visible in the right corner of the image. The wall in the background is tinted with green and blue lights.]
    Caption Abasement #75. Performance documentation, February 3rd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a performer standing up playing the violin. They are standing in front of a mic stand with their eyes closed. A drum kit is barely visible in the right corner of the image. The wall in the background is tinted with green and blue lights.
    Year
    Related pages Abasement #75
  • A framed photo of a hand in the lower left corner adjusting a skewed image of K8 Hardy partially undressed in a windowed room, looking over her shoulder with her left arm held aloft.
    A framed photo of a hand in the lower left corner adjusting a skewed image of K8 Hardy partially undressed in a windowed room, looking over her shoulder with her left arm held aloft.
    K8 Hardy
, Sharing 2014, 2014
, C-print,
 23 ½ x 18 ½ in / 59,7 x 47,1 cm (image size), 24 x 18 4/5 in / 60,1 x 47,8 cm (paper size), Signed and Numbered. [A framed photo of a hand in the lower left corner adjusting a skewed image of K8 Hardy partially undressed in a windowed room, looking over her shoulder with her left arm held aloft.]
    Caption K8 Hardy
, Sharing 2014, 2014
, C-print,
 23 ½ x 18 ½ in / 59,7 x 47,1 cm (image size), 24 x 18 4/5 in / 60,1 x 47,8 cm (paper size), Signed and Numbered.
    Image description A framed photo of a hand in the lower left corner adjusting a skewed image of K8 Hardy partially undressed in a windowed room, looking over her shoulder with her left arm held aloft.
    Year
    Related pages Annual Edition Portfolio
  • A photograph of the outside of a brick building, with two signs standing against the wall, between the building's front windows, on the porch. The signs depict stylized figures, one saying
    A photograph of the outside of a brick building, with two signs standing against the wall, between the building's front windows, on the porch. The signs depict stylized figures, one saying
    Alza Tu Voz, front porch, exhibition at Dykeman Farmhouse Museum, 2017 [A photograph of the outside of a brick building, with two signs standing against the wall, between the building's front windows, on the porch. The signs depict stylized figures, one saying "No Mas Racism," and the other, "No a la discriminacion hispana"]
    Caption Alza Tu Voz, front porch, exhibition at Dykeman Farmhouse Museum, 2017
    Image description A photograph of the outside of a brick building, with two signs standing against the wall, between the building's front windows, on the porch. The signs depict stylized figures, one saying "No Mas Racism," and the other, "No a la discriminacion hispana"
    Year 2017
    Related pages Exhibitions and Events
  • Figures appear on the street with street lamps and a car coming in the center back part of the image.
    Figures appear on the street with street lamps and a car coming in the center back part of the image.
    Donna Nelson. Piles of Snow, 1983. [Figures appear on the street with street lamps and a car coming in the center back part of the image.]
    Caption Donna Nelson. Piles of Snow, 1983.
    Image description Figures appear on the street with street lamps and a car coming in the center back part of the image.
    Year
    Related pages Four Artists: An Exhibition of Painting and Sculpture
  • Two figures hold medical instruments over a table with a manneuqin and an IV.
    Two figures hold medical instruments over a table with a manneuqin and an IV.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [Two figures hold medical instruments over a table with a manneuqin and an IV.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court
    Image description Two figures hold medical instruments over a table with a manneuqin and an IV.
    Year 2022
    Related pages Grandmother Cindy
  • An abstract image featuring monotone areas of green, red, orange, and blue color. A large green rectangle stretches across the image's center. Three red shapes resembling falling figures are arranged within the green shape. To the left of the green shape, the composition is covered with a blue checkerboard pattern. Across the top portion of the image, amorphous, pipe-like red and orange forms twist and connect on a pale green backdrop.
    An abstract image featuring monotone areas of green, red, orange, and blue color. A large green rectangle stretches across the image's center. Three red shapes resembling falling figures are arranged within the green shape. To the left of the green shape, the composition is covered with a blue checkerboard pattern. Across the top portion of the image, amorphous, pipe-like red and orange forms twist and connect on a pale green backdrop.
    [An abstract image featuring monotone areas of green, red, orange, and blue color. A large green rectangle stretches across the image's center. Three red shapes resembling falling figures are arranged within the green shape. To the left of the green shape, the composition is covered with a blue checkerboard pattern. Across the top portion of the image, amorphous, pipe-like red and orange forms twist and connect on a pale green backdrop.]
    Caption
    Image description An abstract image featuring monotone areas of green, red, orange, and blue color. A large green rectangle stretches across the image's center. Three red shapes resembling falling figures are arranged within the green shape. To the left of the green shape, the composition is covered with a blue checkerboard pattern. Across the top portion of the image, amorphous, pipe-like red and orange forms twist and connect on a pale green backdrop.
    Year 2003
    Related pages Abstruction
  • A dimly lit, empty room filled with low chairs. A projection illuminates a dark wall opposite the chairs. The projection shows the interior of a vehicle, where a man wearing a keffiyeh sits in the front seat of the vehicle and leans over to the passenger seat.
    A dimly lit, empty room filled with low chairs. A projection illuminates a dark wall opposite the chairs. The projection shows the interior of a vehicle, where a man wearing a keffiyeh sits in the front seat of the vehicle and leans over to the passenger seat.
    Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A dimly lit, empty room filled with low chairs. A projection illuminates a dark wall opposite the chairs. The projection shows the interior of a vehicle, where a man wearing a keffiyeh sits in the front seat of the vehicle and leans over to the passenger seat.]
    Caption Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A dimly lit, empty room filled with low chairs. A projection illuminates a dark wall opposite the chairs. The projection shows the interior of a vehicle, where a man wearing a keffiyeh sits in the front seat of the vehicle and leans over to the passenger seat.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • A black and white photograph of a multicolored globe sitting on a wooden floor.
    A black and white photograph of a multicolored globe sitting on a wooden floor.
    Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Gary Burnley. [A black and white photograph of a multicolored globe sitting on a wooden floor.]
    Caption Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Gary Burnley.
    Image description A black and white photograph of a multicolored globe sitting on a wooden floor.
    Year 1979
    Related pages Gary Burnley
  • A color image of the corner of a gallery space. The two walls have been painted black, and various paintings depicting Black Queer figures are depicted. White and yellow drawings are painted onto the wall itself, moving through and around the artworks.
    A color image of the corner of a gallery space. The two walls have been painted black, and various paintings depicting Black Queer figures are depicted. White and yellow drawings are painted onto the wall itself, moving through and around the artworks.
    Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of the corner of a gallery space. The two walls have been painted black, and various paintings depicting Black Queer figures are depicted. White and yellow drawings are painted onto the wall itself, moving through and around the artworks.]
    Caption Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of the corner of a gallery space. The two walls have been painted black, and various paintings depicting Black Queer figures are depicted. White and yellow drawings are painted onto the wall itself, moving through and around the artworks.
    Year
    Related pages Jonathan Lyndon Chase
  • Dark image of the upper torso of a woman with liquid dripping in the foreground of the image.
    Dark image of the upper torso of a woman with liquid dripping in the foreground of the image.
    Jenny Holzer. Video still of Re-Make, 1982. [Dark image of the upper torso of a woman with liquid dripping in the foreground of the image.]
    Caption Jenny Holzer. Video still of Re-Make, 1982.
    Image description Dark image of the upper torso of a woman with liquid dripping in the foreground of the image.
    Year
    Related pages Eating Friends
  • Color photo of an installation work. A row of structural columns cut through the installation. In the foreground, a kinetic scutlpure featuring a sock being dipped into a pot sit on the floor next to a column. Behind the first column, two windows with images painted on the glass hang from the ceiling. Behind the windows, ceramic sculptures and kinetic sculptures featuring branches surround another column. To the right of the ceramic sculptures and branch sculptures, large paper-mache sculptures rest on the floor and hang on the walls. In the right forground, a large drawing done on craft paper featuring a cow hangs on the wall. In the background, two large drawings done on cardboard are hung from a wooden partition wall.
    Color photo of an installation work. A row of structural columns cut through the installation. In the foreground, a kinetic scutlpure featuring a sock being dipped into a pot sit on the floor next to a column. Behind the first column, two windows with images painted on the glass hang from the ceiling. Behind the windows, ceramic sculptures and kinetic sculptures featuring branches surround another column. To the right of the ceramic sculptures and branch sculptures, large paper-mache sculptures rest on the floor and hang on the walls. In the right forground, a large drawing done on craft paper featuring a cow hangs on the wall. In the background, two large drawings done on cardboard are hung from a wooden partition wall.
    Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photo of an installation work. A row of structural columns cut through the installation. In the foreground, a kinetic scutlpure featuring a sock being dipped into a pot sit on the floor next to a column. Behind the first column, two windows with images painted on the glass hang from the ceiling. Behind the windows, ceramic sculptures and kinetic sculptures featuring branches surround another column. To the right of the ceramic sculptures and branch sculptures, large paper-mache sculptures rest on the floor and hang on the walls. In the right forground, a large drawing done on craft paper featuring a cow hangs on the wall. In the background, two large drawings done on cardboard are hung from a wooden partition wall.]
    Caption Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photo of an installation work. A row of structural columns cut through the installation. In the foreground, a kinetic scutlpure featuring a sock being dipped into a pot sit on the floor next to a column. Behind the first column, two windows with images painted on the glass hang from the ceiling. Behind the windows, ceramic sculptures and kinetic sculptures featuring branches surround another column. To the right of the ceramic sculptures and branch sculptures, large paper-mache sculptures rest on the floor and hang on the walls. In the right forground, a large drawing done on craft paper featuring a cow hangs on the wall. In the background, two large drawings done on cardboard are hung from a wooden partition wall.
    Year
    Related pages Char Jeré: Zoo or an Orchestra
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A portrait of a woman whose face is covered by a colorful cloth that extends over her entire top body. Only the top of her ear and hair are visible.
    A portrait of a woman whose face is covered by a colorful cloth that extends over her entire top body. Only the top of her ear and hair are visible.
    Metahaven, WikiLeaks, 2011, Scarf. Photo: Meinke Klein. [A portrait of a woman whose face is covered by a colorful cloth that extends over her entire top body. Only the top of her ear and hair are visible.]
    Caption Metahaven, WikiLeaks, 2011, Scarf. Photo: Meinke Klein.
    Image description A portrait of a woman whose face is covered by a colorful cloth that extends over her entire top body. Only the top of her ear and hair are visible.
    Year 2011
    Related pages Frozen Lakes
  • Rummana Hussain stands in an open courtyard cradling half a papaya in her hands, her mouth wide open in a silent scream. Behind her, indigo powder is scattered across the pavement.
    Rummana Hussain stands in an open courtyard cradling half a papaya in her hands, her mouth wide open in a silent scream. Behind her, indigo powder is scattered across the pavement.
    Rummana Hussain, Living on the Margins, 1995. Video, color, sound; 28 minutes. Courtesy Rummana Hussain Family Collection. [Rummana Hussain stands in an open courtyard cradling half a papaya in her hands, her mouth wide open in a silent scream. Behind her, indigo powder is scattered across the pavement.]
    Caption Rummana Hussain, Living on the Margins, 1995. Video, color, sound; 28 minutes. Courtesy Rummana Hussain Family Collection.
    Image description Rummana Hussain stands in an open courtyard cradling half a papaya in her hands, her mouth wide open in a silent scream. Behind her, indigo powder is scattered across the pavement.
    Year 1995
    Related pages Whitney ISP Archive
  • 19 thinly outlined boxes arranged in columns of decreasing height on a black background. Each box contains a glowing, symmetrical, orange and purple geometric shape of varying complexity. In each box's lower right corner, white text lists three coordinates. There is a gradient key from purple through orange and yellow to white, with a minus sign at one end and a plus sign at the other, and above that, a complex mathematical formula. In the upper righthand corner, white text reads,
    19 thinly outlined boxes arranged in columns of decreasing height on a black background. Each box contains a glowing, symmetrical, orange and purple geometric shape of varying complexity. In each box's lower right corner, white text lists three coordinates. There is a gradient key from purple through orange and yellow to white, with a minus sign at one end and a plus sign at the other, and above that, a complex mathematical formula. In the upper righthand corner, white text reads,
    [19 thinly outlined boxes arranged in columns of decreasing height on a black background. Each box contains a glowing, symmetrical, orange and purple geometric shape of varying complexity. In each box's lower right corner, white text lists three coordinates. There is a gradient key from purple through orange and yellow to white, with a minus sign at one end and a plus sign at the other, and above that, a complex mathematical formula. In the upper righthand corner, white text reads, "Betsy Fagin and Alan Felsenthal" and "sat, 5/23 / 5pm nyc time / zoom id: 378 232 567."]
    Caption
    Image description 19 thinly outlined boxes arranged in columns of decreasing height on a black background. Each box contains a glowing, symmetrical, orange and purple geometric shape of varying complexity. In each box's lower right corner, white text lists three coordinates. There is a gradient key from purple through orange and yellow to white, with a minus sign at one end and a plus sign at the other, and above that, a complex mathematical formula. In the upper righthand corner, white text reads, "Betsy Fagin and Alan Felsenthal" and "sat, 5/23 / 5pm nyc time / zoom id: 378 232 567."
    Year 2020
    Related pages Segue Reading Series: Betsy Fagin & Alan Felsenthal
  • A white sign that reads
    A white sign that reads
    ART CLUB2000 Untitled (Stop on in when staying at The Mega Hotel), 1996 Oriented strand board, acrylic paint, plastic chain, and hardware 48 x 36 inches Image courtesy Artists Space, New York Photo: Filip Wolak [A white sign that reads "Stop on in when staying at The Mega Hotel!" sits outside of the gallery door.]
    Caption ART CLUB2000 Untitled (Stop on in when staying at The Mega Hotel), 1996 Oriented strand board, acrylic paint, plastic chain, and hardware 48 x 36 inches Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A white sign that reads "Stop on in when staying at The Mega Hotel!" sits outside of the gallery door.
    Year 2021
    Related pages ART CLUB2000
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Two figures stretch their arms out.
    Two figures stretch their arms out.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [Two figures stretch their arms out.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York.
    Image description Two figures stretch their arms out.
    Year
    Related pages Grandmother Cindy
  • Two juxtaposted images of two sets of thighs. In both images, a bright light illuminates the space between the figures' thighs. Light spots appear across the images.
    Two juxtaposted images of two sets of thighs. In both images, a bright light illuminates the space between the figures' thighs. Light spots appear across the images.
    Hilary Lloyd, Thighs, 2011. [Two juxtaposted images of two sets of thighs. In both images, a bright light illuminates the space between the figures' thighs. Light spots appear across the images.]
    Caption Hilary Lloyd, Thighs, 2011.
    Image description Two juxtaposted images of two sets of thighs. In both images, a bright light illuminates the space between the figures' thighs. Light spots appear across the images.
    Year 2011
    Related pages Hilary Lloyd
  • White glossy paper folded in geometric patterns against a white wall.
    White glossy paper folded in geometric patterns against a white wall.
    Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich. [White glossy paper folded in geometric patterns against a white wall.]
    Caption Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich.
    Image description White glossy paper folded in geometric patterns against a white wall.
    Year 2009
    Related pages Paper Exhibition
  • dissolving city, digital photographs, 2024
    Caption dissolving city, digital photographs, 2024
    Image description
    Year
    Related pages BRIDGE Photography
  • A color photograph of a figure with raised arms and in motion in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A crowd looks on in the background.
    A color photograph of a figure with raised arms and in motion in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A crowd looks on in the background.
    Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure with raised arms and in motion in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A crowd looks on in the background.]
    Caption Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space.
    Image description A color photograph of a figure with raised arms and in motion in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A crowd looks on in the background.
    Year 2022
    Related pages Yuji Agematsu
  • Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak
    Caption Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak
    Image description
    Year
    Related pages All These Different Things Are Sculpture
  • One figure on the left looks towards the camera and the other looks to the left. Outdoor suburban environment behind them. Subtitles burned into the bottom of the screen read,
    One figure on the left looks towards the camera and the other looks to the left. Outdoor suburban environment behind them. Subtitles burned into the bottom of the screen read,
    Martha Wallner and Miriam Loaisiga. Still from Con Guerra O Sin Guerra (With or Without War), 1987. Video (sound, black and white). Spanish with English subtitles. [One figure on the left looks towards the camera and the other looks to the left. Outdoor suburban environment behind them. Subtitles burned into the bottom of the screen read, "She should know how to keep house and be attentive." Video scan lines and outside edges of CRT monitor visible in the image.]
    Caption Martha Wallner and Miriam Loaisiga. Still from Con Guerra O Sin Guerra (With or Without War), 1987. Video (sound, black and white). Spanish with English subtitles.
    Image description One figure on the left looks towards the camera and the other looks to the left. Outdoor suburban environment behind them. Subtitles burned into the bottom of the screen read, "She should know how to keep house and be attentive." Video scan lines and outside edges of CRT monitor visible in the image.
    Year 1987
    Related pages TV Sandino
  • A miniature clay sculpture sitting on a gray table. The sculpture depicts a woman folding over, cross-legged, on carpet. Miscelaneous items are dispersed across the carpets.
    A miniature clay sculpture sitting on a gray table. The sculpture depicts a woman folding over, cross-legged, on carpet. Miscelaneous items are dispersed across the carpets.
    The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [A miniature clay sculpture sitting on a gray table. The sculpture depicts a woman folding over, cross-legged, on carpet. Miscelaneous items are dispersed across the carpets.]
    Caption The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich.
    Image description A miniature clay sculpture sitting on a gray table. The sculpture depicts a woman folding over, cross-legged, on carpet. Miscelaneous items are dispersed across the carpets.
    Year 2014
    Related pages The Issues of Our Time
  • A table with household items like cereal and plates and cups appear on it; next to this lies a bed and a television set. Wall paper is visible along with small framed pictures on the wall in a gallery setting.
    A table with household items like cereal and plates and cups appear on it; next to this lies a bed and a television set. Wall paper is visible along with small framed pictures on the wall in a gallery setting.
    The Fairy Tale: Politics, Desire and Everyday Life. Installation View. Artists Space, 1986. [A table with household items like cereal and plates and cups appear on it; next to this lies a bed and a television set. Wall paper is visible along with small framed pictures on the wall in a gallery setting.]
    Caption The Fairy Tale: Politics, Desire and Everyday Life. Installation View. Artists Space, 1986.
    Image description A table with household items like cereal and plates and cups appear on it; next to this lies a bed and a television set. Wall paper is visible along with small framed pictures on the wall in a gallery setting.
    Year
    Related pages The Fairy Tale: Politics, Desire, and Everyday Life
  • A black tote bag against a white background. Small white, all-caps sans-serif text in the middle states
    A black tote bag against a white background. Small white, all-caps sans-serif text in the middle states
    11 Cortlandt Alley Tote Bag. Produced by Artists Space. Edition of 150. 2019. $24 [A black tote bag against a white background. Small white, all-caps sans-serif text in the middle states "ARTISTS SPACE"]
    Caption 11 Cortlandt Alley Tote Bag. Produced by Artists Space. Edition of 150. 2019. $24
    Image description A black tote bag against a white background. Small white, all-caps sans-serif text in the middle states "ARTISTS SPACE"
    Year 2019
    Related pages Artists Space Items
  • Two women in dresses and matching shoes are splayed up against a screen with their arms raised. There is an image projected over them, with a white background and black geometric pattern, and two splotches of red over their bodies.
    Two women in dresses and matching shoes are splayed up against a screen with their arms raised. There is an image projected over them, with a white background and black geometric pattern, and two splotches of red over their bodies.
    [Two women in dresses and matching shoes are splayed up against a screen with their arms raised. There is an image projected over them, with a white background and black geometric pattern, and two splotches of red over their bodies.]
    Caption
    Image description Two women in dresses and matching shoes are splayed up against a screen with their arms raised. There is an image projected over them, with a white background and black geometric pattern, and two splotches of red over their bodies.
    Year 2007
    Related pages Things Will End Before They Start
  • A color photo of two smiling individuals seated at a banquet table, the person to the right has her hand on another guest's shoulder. The background depicts several other guests out of focus.
    A color photo of two smiling individuals seated at a banquet table, the person to the right has her hand on another guest's shoulder. The background depicts several other guests out of focus.
    The Founders Dinner, 2019. [A color photo of two smiling individuals seated at a banquet table, the person to the right has her hand on another guest's shoulder. The background depicts several other guests out of focus.]
    Caption The Founders Dinner, 2019.
    Image description A color photo of two smiling individuals seated at a banquet table, the person to the right has her hand on another guest's shoulder. The background depicts several other guests out of focus.
    Year 2019
    Related pages Support
  • An illustration including two men, wearing blazers and dress hats, gazing downwards next to another man. This man, dressed in dungarees and a baseball cap, is holding his penis.
    An illustration including two men, wearing blazers and dress hats, gazing downwards next to another man. This man, dressed in dungarees and a baseball cap, is holding his penis.
    Tom of Finland Untitled , 1947 Gouache on paper Tom of Finland Foundation, Permanent Collection [An illustration including two men, wearing blazers and dress hats, gazing downwards next to another man. This man, dressed in dungarees and a baseball cap, is holding his penis.]
    Caption Tom of Finland Untitled , 1947 Gouache on paper Tom of Finland Foundation, Permanent Collection
    Image description An illustration including two men, wearing blazers and dress hats, gazing downwards next to another man. This man, dressed in dungarees and a baseball cap, is holding his penis.
    Year 1947
    Related pages Tom of Finland: The Pleasure of Play
  • Lining the wall are multiple glass display cased filled with ephemera, text and images hang on the wall above them, in the corner sits a tv monitor on a shelf.
    Lining the wall are multiple glass display cased filled with ephemera, text and images hang on the wall above them, in the corner sits a tv monitor on a shelf.
    Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [Lining the wall are multiple glass display cased filled with ephemera, text and images hang on the wall above them, in the corner sits a tv monitor on a shelf.]
    Caption Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description Lining the wall are multiple glass display cased filled with ephemera, text and images hang on the wall above them, in the corner sits a tv monitor on a shelf.
    Year 2021
    Related pages Till They Listen: Bill Gunn Directs America
  • A black and white photograph of various objects hanging in a white-walled gallery space with a spotlight in center of the image.
    A black and white photograph of various objects hanging in a white-walled gallery space with a spotlight in center of the image.
    Freya Hansell. Installation view, Artists Space, 1980. [A black and white photograph of various objects hanging in a white-walled gallery space with a spotlight in center of the image.]
    Caption Freya Hansell. Installation view, Artists Space, 1980.
    Image description A black and white photograph of various objects hanging in a white-walled gallery space with a spotlight in center of the image.
    Year
    Related pages Freya Hansell
  • A classroom with several adults sitting around the perimeter. In the center, colorful student artworks are arranged across several desks.
    A classroom with several adults sitting around the perimeter. In the center, colorful student artworks are arranged across several desks.
    Arts and Family Engagement evening, student and parent panel on high school portfolio preparation, P.S. 140, 2019 [A classroom with several adults sitting around the perimeter. In the center, colorful student artworks are arranged across several desks.]
    Caption Arts and Family Engagement evening, student and parent panel on high school portfolio preparation, P.S. 140, 2019
    Image description A classroom with several adults sitting around the perimeter. In the center, colorful student artworks are arranged across several desks.
    Year
    Related pages Exhibitions and Events
  • An overexposed image of a person looking at the camera, their face partially obscured by the exposure.
    An overexposed image of a person looking at the camera, their face partially obscured by the exposure.
    Union Gaucha Productions Still from Totloop , 2003 16mm film (silent, color), 4 min 49 sec Collaboration with Fabio Kacero Courtesy of Union Gaucha Productions [An overexposed image of a person looking at the camera, their face partially obscured by the exposure.]
    Caption Union Gaucha Productions Still from Totloop , 2003 16mm film (silent, color), 4 min 49 sec Collaboration with Fabio Kacero Courtesy of Union Gaucha Productions
    Image description An overexposed image of a person looking at the camera, their face partially obscured by the exposure.
    Year 2003
    Related pages Union Gaucha Productions
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A view of multiple works displayed in a multilevel gallery space. An old tv monitor, a coffee machine, and an artificial seagull are placed near a yellow boombox sitting on a black rug. Beside the boombox is a large image of a group of individuals in a defaced bedroom.
    A view of multiple works displayed in a multilevel gallery space. An old tv monitor, a coffee machine, and an artificial seagull are placed near a yellow boombox sitting on a black rug. Beside the boombox is a large image of a group of individuals in a defaced bedroom.
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of multiple works displayed in a multilevel gallery space. An old tv monitor, a coffee machine, and an artificial seagull are placed near a yellow boombox sitting on a black rug. Beside the boombox is a large image of a group of individuals in a defaced bedroom.]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A view of multiple works displayed in a multilevel gallery space. An old tv monitor, a coffee machine, and an artificial seagull are placed near a yellow boombox sitting on a black rug. Beside the boombox is a large image of a group of individuals in a defaced bedroom.
    Year 2021
    Related pages ART CLUB2000
  • Three large display cases exhibit various objects. The case most within sight displays a selection of drawings and handwritten pages. To the left of the case, numerous yellow note cards align to form a code.
    Three large display cases exhibit various objects. The case most within sight displays a selection of drawings and handwritten pages. To the left of the case, numerous yellow note cards align to form a code.
    Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon. [Three large display cases exhibit various objects. The case most within sight displays a selection of drawings and handwritten pages. To the left of the case, numerous yellow note cards align to form a code. ]
    Caption Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon.
    Image description Three large display cases exhibit various objects. The case most within sight displays a selection of drawings and handwritten pages. To the left of the case, numerous yellow note cards align to form a code.
    Year
    Related pages Ralston Farina: Time // Time
  • Two figures wearing medical scrubs stand on pieces of red fabric, stretching outwards toward the audience.
    Two figures wearing medical scrubs stand on pieces of red fabric, stretching outwards toward the audience.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [Two figures wearing medical scrubs stand on pieces of red fabric, stretching outwards toward the audience.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court
    Image description Two figures wearing medical scrubs stand on pieces of red fabric, stretching outwards toward the audience.
    Year 2022
    Related pages Grandmother Cindy
  • An inverted color-like green, black, and white, overexposed image of a person wearing a hat, holding thier hands to their face. Most of their facial features are overexposed and not visible. In the bottom right of the image, a grey image is overlaid, as if cut-out, depicting various unidentifiable objects.
    An inverted color-like green, black, and white, overexposed image of a person wearing a hat, holding thier hands to their face. Most of their facial features are overexposed and not visible. In the bottom right of the image, a grey image is overlaid, as if cut-out, depicting various unidentifiable objects.
    Trisha Donnelly, Untitled, 2010, 3 1/2 x 5 in / 8,9 x 12,7 cm, C print, Signed and numbered certificate. [An inverted color-like green, black, and white, overexposed image of a person wearing a hat, holding thier hands to their face. Most of their facial features are overexposed and not visible. In the bottom right of the image, a grey image is overlaid, as if cut-out, depicting various unidentifiable objects.]
    Caption Trisha Donnelly, Untitled, 2010, 3 1/2 x 5 in / 8,9 x 12,7 cm, C print, Signed and numbered certificate.
    Image description An inverted color-like green, black, and white, overexposed image of a person wearing a hat, holding thier hands to their face. Most of their facial features are overexposed and not visible. In the bottom right of the image, a grey image is overlaid, as if cut-out, depicting various unidentifiable objects.
    Year 2010
    Related pages Artists Space Annual Edition Portfolio 2011
  • An angled view of a freestanding white wall displaying vinyl wall text in an exhibition space. The first sentence of the text reads,
    An angled view of a freestanding white wall displaying vinyl wall text in an exhibition space. The first sentence of the text reads,
    Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [An angled view of a freestanding white wall displaying vinyl wall text in an exhibition space. The first sentence of the text reads, "A plea for funds seems to come again." An adjacent wall is covered with a large, abstract image of a figure's portrait. It is rendered such that the figure's face appears to be emerging from a cloud in a night sky.]
    Caption Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description An angled view of a freestanding white wall displaying vinyl wall text in an exhibition space. The first sentence of the text reads, "A plea for funds seems to come again." An adjacent wall is covered with a large, abstract image of a figure's portrait. It is rendered such that the figure's face appears to be emerging from a cloud in a night sky.
    Year 2014
    Related pages Sam Pulitzer: A Colony for "Them"
  • Cutouts seen placed in front of drawing on wall. Paintings and sculptures can be seen in the area around it in a gallery setting.
    Cutouts seen placed in front of drawing on wall. Paintings and sculptures can be seen in the area around it in a gallery setting.
    Installation View from Recent Art From Chicago, Artists Space, March 8, 1986 - April 5, 1986. [Cutouts seen placed in front of drawing on wall. Paintings and sculptures can be seen in the area around it in a gallery setting.]
    Caption Installation View from Recent Art From Chicago, Artists Space, March 8, 1986 - April 5, 1986.
    Image description Cutouts seen placed in front of drawing on wall. Paintings and sculptures can be seen in the area around it in a gallery setting.
    Year
    Related pages Recent Art from Chicago
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    Related pages Exhibitions and Events
  • A life-size vinyl against a black wall depicting a black-and-white image of a body in motion, multiple images are overlayed on top of each other to create a ghostly atmosphere.
    A life-size vinyl against a black wall depicting a black-and-white image of a body in motion, multiple images are overlayed on top of each other to create a ghostly atmosphere.
    Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Shala Miller, Genesis, 2023), Artists Space, 2023. Photo: Filip Wolak. [A life-size vinyl against a black wall depicting a black-and-white image of a body in motion, multiple images are overlayed on top of each other to create a ghostly atmosphere.]
    Caption Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Shala Miller, Genesis, 2023), Artists Space, 2023. Photo: Filip Wolak.
    Image description A life-size vinyl against a black wall depicting a black-and-white image of a body in motion, multiple images are overlayed on top of each other to create a ghostly atmosphere.
    Year 2023
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • Black text on a green background. The text reads: “Jan 25 / Ted Rees / Jimin Seo.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a green background. The text reads: “Jan 25 / Ted Rees / Jimin Seo.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a green background. The text reads: “Jan 25 / Ted Rees / Jimin Seo.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a green background. The text reads: “Jan 25 / Ted Rees / Jimin Seo.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Ted Rees & Jimin Seo
  • Negative film image that has been mirrored across a diagonal line of symmetry, depicting a blue board with objects arranged on it to create vaguely recognizable patterns.
    Negative film image that has been mirrored across a diagonal line of symmetry, depicting a blue board with objects arranged on it to create vaguely recognizable patterns.
    Crystal Z Campbell, Revolver, 2022. 16mm film transferred to Digital Video, Stereo, Sound. 17:27 min. Courtesy the artist [Negative film image that has been mirrored across a diagonal line of symmetry, depicting a blue board with objects arranged on it to create vaguely recognizable patterns.]
    Caption Crystal Z Campbell, Revolver, 2022. 16mm film transferred to Digital Video, Stereo, Sound. 17:27 min. Courtesy the artist
    Image description Negative film image that has been mirrored across a diagonal line of symmetry, depicting a blue board with objects arranged on it to create vaguely recognizable patterns.
    Year
    Related pages Crystal Z Campbell
  • A cropped image of a group of students smiling for the camera in Tompkins Square Park. One holds a recording device, which has been overlaid with an opaque orange image of a lampshade. Green digital circles emanate out from it, as if to simulate a doppler-effected sound
    A cropped image of a group of students smiling for the camera in Tompkins Square Park. One holds a recording device, which has been overlaid with an opaque orange image of a lampshade. Green digital circles emanate out from it, as if to simulate a doppler-effected sound
    P.S. 140 students recording sounds at Tompkins Square Park, 2019 [A cropped image of a group of students smiling for the camera in Tompkins Square Park. One holds a recording device, which has been overlaid with an opaque orange image of a lampshade. Green digital circles emanate out from it, as if to simulate a doppler-effected sound]
    Caption P.S. 140 students recording sounds at Tompkins Square Park, 2019
    Image description A cropped image of a group of students smiling for the camera in Tompkins Square Park. One holds a recording device, which has been overlaid with an opaque orange image of a lampshade. Green digital circles emanate out from it, as if to simulate a doppler-effected sound
    Year 2019
    Related pages Listening to the LES
  • A teal circle on a white background with several names written around the perimeter, circling the midpoint of the circle. White text on the right side of the circle reads,
    A teal circle on a white background with several names written around the perimeter, circling the midpoint of the circle. White text on the right side of the circle reads,
    Poster for No Total Weekend, May 29-31, 2015, Artists Space. [A teal circle on a white background with several names written around the perimeter, circling the midpoint of the circle. White text on the right side of the circle reads, "May 29-31. 2015 / No Total Weekend." The rest of the text spells out the schedule of the event.]
    Caption Poster for No Total Weekend, May 29-31, 2015, Artists Space.
    Image description A teal circle on a white background with several names written around the perimeter, circling the midpoint of the circle. White text on the right side of the circle reads, "May 29-31. 2015 / No Total Weekend." The rest of the text spells out the schedule of the event.
    Year 2015
    Related pages No Total Weekend
  • A black and white book cover with the text
    A black and white book cover with the text
    The Expendable Reader, by John McHale, edited by Alex Kitnick, published by Columbia University Press, 2011. [A black and white book cover with the text "The Expendable Reader John McHale" overlaid on a recycling logo.]
    Caption The Expendable Reader, by John McHale, edited by Alex Kitnick, published by Columbia University Press, 2011.
    Image description A black and white book cover with the text "The Expendable Reader John McHale" overlaid on a recycling logo.
    Year 2011
    Related pages John McHale: The Expendable Reader
  • A color image of a gallery space, taken from a wide angle. There is a checkerboard floor, with three large sculptures placed down the center. A large red painting is hung on the left wall. On the right wall are a series of paintings and durags.
    A color image of a gallery space, taken from a wide angle. There is a checkerboard floor, with three large sculptures placed down the center. A large red painting is hung on the left wall. On the right wall are a series of paintings and durags.
    Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of a gallery space, taken from a wide angle. There is a checkerboard floor, with three large sculptures placed down the center. A large red painting is hung on the left wall. On the right wall are a series of paintings and durags.]
    Caption Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of a gallery space, taken from a wide angle. There is a checkerboard floor, with three large sculptures placed down the center. A large red painting is hung on the left wall. On the right wall are a series of paintings and durags.
    Year
    Related pages Jonathan Lyndon Chase
  • A view through a doorway into a white-walled gallery space with drawings on the walls and a banner on the windows.
    A view through a doorway into a white-walled gallery space with drawings on the walls and a banner on the windows.
    Young Fluxus. Installation view, Artists Space, 1982. [A view through a doorway into a white-walled gallery space with drawings on the walls and a banner on the windows.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description A view through a doorway into a white-walled gallery space with drawings on the walls and a banner on the windows.
    Year
    Related pages Young Fluxus
  • Figures wearing partial face coverings stand in front of a projection that reads:
    Figures wearing partial face coverings stand in front of a projection that reads:
    New Red Order, Informants Get Paid! Performance documentation, Artists Space, January 23, 2020. Photo © Paula Court. [Figures wearing partial face coverings stand in front of a projection that reads: "We cover for you / new red order"]
    Caption New Red Order, Informants Get Paid! Performance documentation, Artists Space, January 23, 2020. Photo © Paula Court.
    Image description Figures wearing partial face coverings stand in front of a projection that reads: "We cover for you / new red order"
    Year 2020
    Related pages
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A granulated image of a figure's face resembling the Statue of Liberty.
    A granulated image of a figure's face resembling the Statue of Liberty.
    Robert Longo, c. 1976. From Exchange Show: Hallwalls, Buffalo, NY, Artists Space, 1976. [A granulated image of a figure's face resembling the Statue of Liberty.]
    Caption Robert Longo, c. 1976. From Exchange Show: Hallwalls, Buffalo, NY, Artists Space, 1976.
    Image description A granulated image of a figure's face resembling the Statue of Liberty.
    Year 1976
    Related pages Exchange Show: Hallwalls, Buffalo, NY
  • Two figures crouch next to two abstract artworks standing on the floor of a gallery space. Both people have dyed hair and half-blue facepaint.
    Two figures crouch next to two abstract artworks standing on the floor of a gallery space. Both people have dyed hair and half-blue facepaint.
    CaptionKari Altmann, still from XOMIA, 2015. Courtesy the artist and Ellis King Gallery. [Two figures crouch next to two abstract artworks standing on the floor of a gallery space. Both people have dyed hair and half-blue facepaint.]
    Caption CaptionKari Altmann, still from XOMIA, 2015. Courtesy the artist and Ellis King Gallery.
    Image description Two figures crouch next to two abstract artworks standing on the floor of a gallery space. Both people have dyed hair and half-blue facepaint.
    Year 2015
    Related pages Kari Altmann & Ruth Saxelby
  • A figure in a blue dress stands behind a white table, and holds the end of a small folded up book. On the other side of the table, a row of people sitting on wooden chairs hold different sections of the book and read off of it.
    A figure in a blue dress stands behind a white table, and holds the end of a small folded up book. On the other side of the table, a row of people sitting on wooden chairs hold different sections of the book and read off of it.
    Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang. [A figure in a blue dress stands behind a white table, and holds the end of a small folded up book. On the other side of the table, a row of people sitting on wooden chairs hold different sections of the book and read off of it.]
    Caption Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang.
    Image description A figure in a blue dress stands behind a white table, and holds the end of a small folded up book. On the other side of the table, a row of people sitting on wooden chairs hold different sections of the book and read off of it.
    Year 2023
    Related pages Chang Yuchen: Coral Dictionary Vol. 1, 2019-2022
  • A figure with long brown hair wearing a gray sweater over a light pink and white button-down shirt clenches their eyes shut as a red ball hits their face.
    A figure with long brown hair wearing a gray sweater over a light pink and white button-down shirt clenches their eyes shut as a red ball hits their face.
    Traci Tullius, Some People Never Learn, 2001. [A figure with long brown hair wearing a gray sweater over a light pink and white button-down shirt clenches their eyes shut as a red ball hits their face.]
    Caption Traci Tullius, Some People Never Learn, 2001.
    Image description A figure with long brown hair wearing a gray sweater over a light pink and white button-down shirt clenches their eyes shut as a red ball hits their face.
    Year 2005
    Related pages Open Video Call
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
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    Year
    Related pages Anne Gardiner: Through the Tulips and The Red Red Rose - May 2
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    Year
    Related pages Abasement #83
  • A photo of the exterior of a building, with several colorful portrait paintings lying on the wooden porch. One has text stating
    A photo of the exterior of a building, with several colorful portrait paintings lying on the wooden porch. One has text stating
    Alza Tu Voz, back porch, exhibition at Dykeman Farmhouse Museum, 2017 [A photo of the exterior of a building, with several colorful portrait paintings lying on the wooden porch. One has text stating "no te dejes oprimir." A large poster hangs on the door to the building, with the title "Alza tu Voz"]
    Caption Alza Tu Voz, back porch, exhibition at Dykeman Farmhouse Museum, 2017
    Image description A photo of the exterior of a building, with several colorful portrait paintings lying on the wooden porch. One has text stating "no te dejes oprimir." A large poster hangs on the door to the building, with the title "Alza tu Voz"
    Year 2017
    Related pages Exhibitions and Events
  • A person is seen in profile, speaking to someone out of frame. They are wearing a glittery gold top with a pink fur neckline and beaded necklaces of different colors. They have large flower-shaped earrings and colorful makeup, including blue, shiny eyeshadow. Their dark hair appears to be covered by a bleached wig.
    A person is seen in profile, speaking to someone out of frame. They are wearing a glittery gold top with a pink fur neckline and beaded necklaces of different colors. They have large flower-shaped earrings and colorful makeup, including blue, shiny eyeshadow. Their dark hair appears to be covered by a bleached wig.
    Mark Morrisroe. Still from Hello from Bertha (1983). [A person is seen in profile, speaking to someone out of frame. They are wearing a glittery gold top with a pink fur neckline and beaded necklaces of different colors. They have large flower-shaped earrings and colorful makeup, including blue, shiny eyeshadow. Their dark hair appears to be covered by a bleached wig.]
    Caption Mark Morrisroe. Still from Hello from Bertha (1983).
    Image description A person is seen in profile, speaking to someone out of frame. They are wearing a glittery gold top with a pink fur neckline and beaded necklaces of different colors. They have large flower-shaped earrings and colorful makeup, including blue, shiny eyeshadow. Their dark hair appears to be covered by a bleached wig.
    Year 1983
    Related pages Mark Morrisroe: Super 8
  • A hand reaches into a bronze penny-share dish filled with coins.
    A hand reaches into a bronze penny-share dish filled with coins.
    Constantina Zavitsanos, LEAVE - A - PENNY / TAKE - A - PENNY, 2024, Bronze, 4.5 in. x 4.25 in. x 1.5 in. Photo: Destiny Mata [A hand reaches into a bronze penny-share dish filled with coins.]
    Caption Constantina Zavitsanos, LEAVE - A - PENNY / TAKE - A - PENNY, 2024, Bronze, 4.5 in. x 4.25 in. x 1.5 in. Photo: Destiny Mata
    Image description A hand reaches into a bronze penny-share dish filled with coins.
    Year
    Related pages fwiw
  • A couch is visible in the center with drawings, banners and paintings surrounding it in a white-walled gallery space.
    A couch is visible in the center with drawings, banners and paintings surrounding it in a white-walled gallery space.
    Young Fluxus. Installation view, Artists Space, 1982. [A couch is visible in the center with drawings, banners and paintings surrounding it in a white-walled gallery space.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description A couch is visible in the center with drawings, banners and paintings surrounding it in a white-walled gallery space.
    Year
    Related pages Young Fluxus
  • An image of a glass display case, above which hang various posters and epehemera. Behind the posters is a staircase.
    An image of a glass display case, above which hang various posters and epehemera. Behind the posters is a staircase.
    Attention Line. Installation view (posters and ephemera from Other Cinema, c. 1970s-80s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [An image of a glass display case, above which hang various posters and epehemera. Behind the posters is a staircase.]
    Caption Attention Line. Installation view (posters and ephemera from Other Cinema, c. 1970s-80s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak
    Image description An image of a glass display case, above which hang various posters and epehemera. Behind the posters is a staircase.
    Year
    Related pages Attention Line
  • A stone-walled lawn filled with people watching Kembra Pfahler.
    A stone-walled lawn filled with people watching Kembra Pfahler.
    Kembra Pfahler performing with the Girls of Karen Black. Photo: © Paula Court, 2018. [A stone-walled lawn filled with people watching Kembra Pfahler.]
    Caption Kembra Pfahler performing with the Girls of Karen Black. Photo: © Paula Court, 2018.
    Image description A stone-walled lawn filled with people watching Kembra Pfahler.
    Year 2018
    Related pages Garden Party at Marble Cemetery
  • Stylized white text on a tan background reads,
    Stylized white text on a tan background reads,
    [Stylized white text on a tan background reads, "Western Agenda." Small black text above the white text reads "March 14-May 4, 1991 / Artists Space" while several lines of smaller, spaced out text spells out words such as, "courage" "hardwork" and "prosperity."]
    Caption
    Image description Stylized white text on a tan background reads, "Western Agenda." Small black text above the white text reads "March 14-May 4, 1991 / Artists Space" while several lines of smaller, spaced out text spells out words such as, "courage" "hardwork" and "prosperity."
    Year 1991
    Related pages Western Agenda
  • Photo of a woman partially obscured by a white umbrella. A light shining on the umbrella casts a large shadow of the woman's hand on its curved surface.
    Photo of a woman partially obscured by a white umbrella. A light shining on the umbrella casts a large shadow of the woman's hand on its curved surface.
    Image courtesy Anne Gillis and Blank Forms. [Photo of a woman partially obscured by a white umbrella. A light shining on the umbrella casts a large shadow of the woman's hand on its curved surface.]
    Caption Image courtesy Anne Gillis and Blank Forms.
    Image description Photo of a woman partially obscured by a white umbrella. A light shining on the umbrella casts a large shadow of the woman's hand on its curved surface.
    Year 2016
    Related pages Blank Forms presents Anne Gillis
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