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  • A piece of stretched cloth covered with painted words reading,
    A piece of stretched cloth covered with painted words reading,
    Flyer for Inquiry & Investigation, 2018. [A piece of stretched cloth covered with painted words reading, "Inquiry" and "Investigation," along with digitally superimposed event information.]
    Caption Flyer for Inquiry & Investigation, 2018.
    Image description A piece of stretched cloth covered with painted words reading, "Inquiry" and "Investigation," along with digitally superimposed event information.
    Year 2018
    Related pages Inquiry & Investigation
  • A black and white film still of two people in period dress engaged in conversation at the far end of an ornate allway lit by candlelight.  In the foreground, a person in a maid's costume peeks around one end of a colonnade, observing.
    A black and white film still of two people in period dress engaged in conversation at the far end of an ornate allway lit by candlelight.  In the foreground, a person in a maid's costume peeks around one end of a colonnade, observing.
    James Coleman. Still from Seeing for Oneself, 1987-88. Slideshow (black and white), 40 min. [A black and white film still of two people in period dress engaged in conversation at the far end of an ornate allway lit by candlelight. In the foreground, a person in a maid's costume peeks around one end of a colonnade, observing.]
    Caption James Coleman. Still from Seeing for Oneself, 1987-88. Slideshow (black and white), 40 min.
    Image description A black and white film still of two people in period dress engaged in conversation at the far end of an ornate allway lit by candlelight. In the foreground, a person in a maid's costume peeks around one end of a colonnade, observing.
    Year 1988
    Related pages Michael Asher / James Coleman
  • A mostly nude woman with parts of her body obscured by plants and flowers. She holds her arms up, with a large plant sprig in each hand. She has a large stem woven through her hair, and a single flower held between her toes.
    A mostly nude woman with parts of her body obscured by plants and flowers. She holds her arms up, with a large plant sprig in each hand. She has a large stem woven through her hair, and a single flower held between her toes.
    Anna Gili, Flower Dress, 1987. [A mostly nude woman with parts of her body obscured by plants and flowers. She holds her arms up, with a large plant sprig in each hand. She has a large stem woven through her hair, and a single flower held between her toes.]
    Caption Anna Gili, Flower Dress, 1987.
    Image description A mostly nude woman with parts of her body obscured by plants and flowers. She holds her arms up, with a large plant sprig in each hand. She has a large stem woven through her hair, and a single flower held between her toes.
    Year 1987
    Related pages Anna Gili
  • A sculpted deer head with numerous designed drawn on it is viewed upright and with a veil hanging over it with a white background.
    A sculpted deer head with numerous designed drawn on it is viewed upright and with a veil hanging over it with a white background.
    Sherry Markovitz, Marmele Veiled, 1983. [A sculpted deer head with numerous designed drawn on it is viewed upright and with a veil hanging over it with a white background.]
    Caption Sherry Markovitz, Marmele Veiled, 1983.
    Image description A sculpted deer head with numerous designed drawn on it is viewed upright and with a veil hanging over it with a white background.
    Year
    Related pages U.S. Projects
  • A darkened classroom, lit dimly with overhead orange lights. Three rows of chairs and desks face an image projected on a screen. The image is a blurred figure with a pale face enveloped in a black cape.
    A darkened classroom, lit dimly with overhead orange lights. Three rows of chairs and desks face an image projected on a screen. The image is a blurred figure with a pale face enveloped in a black cape.
    [A darkened classroom, lit dimly with overhead orange lights. Three rows of chairs and desks face an image projected on a screen. The image is a blurred figure with a pale face enveloped in a black cape.]
    Caption
    Image description A darkened classroom, lit dimly with overhead orange lights. Three rows of chairs and desks face an image projected on a screen. The image is a blurred figure with a pale face enveloped in a black cape.
    Year 2009
    Related pages Alexandre Singh
  • A miniature home crafted out of printed and handwritten material is displayed on a vitrine. At the front of the house above the doorway reads,
    A miniature home crafted out of printed and handwritten material is displayed on a vitrine. At the front of the house above the doorway reads,
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A miniature home crafted out of printed and handwritten material is displayed on a vitrine. At the front of the house above the doorway reads, "CHEROKEE PHEONIX & INDIAN ADVOCATE." Two other homes can be seen in the background.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A miniature home crafted out of printed and handwritten material is displayed on a vitrine. At the front of the house above the doorway reads, "CHEROKEE PHEONIX & INDIAN ADVOCATE." Two other homes can be seen in the background.
    Year 2017
    Related pages Unholding
  • A table covered with a red tablecloth. The tablecloth is decorated with two white images: a person riding a horse and stylized text reading
    A table covered with a red tablecloth. The tablecloth is decorated with two white images: a person riding a horse and stylized text reading
    New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [A table covered with a red tablecloth. The tablecloth is decorated with two white images: a person riding a horse and stylized text reading "THE URGE TO MERGE." Lying on the table, there is a magazine with a green cover with a figure holding an axe. The cover text reads, "NEVER SETTLE" and "SPECIAL Future Recruits Issue".]
    Caption New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A table covered with a red tablecloth. The tablecloth is decorated with two white images: a person riding a horse and stylized text reading "THE URGE TO MERGE." Lying on the table, there is a magazine with a green cover with a figure holding an axe. The cover text reads, "NEVER SETTLE" and "SPECIAL Future Recruits Issue".
    Year 2020
    Related pages New Red Order: Informants Get Paid!
  • Two sculptures installed in a gallery space featuring rectangular sheets of laminated, paper rectangles held together by metal rings. The sheets are suspended at their four corners by metal poles mounted in silver buckets.
    Two sculptures installed in a gallery space featuring rectangular sheets of laminated, paper rectangles held together by metal rings. The sheets are suspended at their four corners by metal poles mounted in silver buckets.
    DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Two sculptures installed in a gallery space featuring rectangular sheets of laminated, paper rectangles held together by metal rings. The sheets are suspended at their four corners by metal poles mounted in silver buckets.]
    Caption DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Two sculptures installed in a gallery space featuring rectangular sheets of laminated, paper rectangles held together by metal rings. The sheets are suspended at their four corners by metal poles mounted in silver buckets.
    Year 2012
    Related pages DUOX: DUOX4Larkin
  • A painting depicting a blue tree and landscape with a turquoise lake against a peach-colored sky. Several areas of the water are black
    A painting depicting a blue tree and landscape with a turquoise lake against a peach-colored sky. Several areas of the water are black
    Christopher Binifacio, Oil Spill, 2018 [A painting depicting a blue tree and landscape with a turquoise lake against a peach-colored sky. Several areas of the water are black]
    Caption Christopher Binifacio, Oil Spill, 2018
    Image description A painting depicting a blue tree and landscape with a turquoise lake against a peach-colored sky. Several areas of the water are black
    Year 2018
    Related pages Scholastic Art and Writing Awards
  • A green object with a processing chip embedded in its front sits on a white base. On top of the object sit a red potato with a wire attached, false teeth, and a telephone cord.
    A green object with a processing chip embedded in its front sits on a white base. On top of the object sit a red potato with a wire attached, false teeth, and a telephone cord.
    Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $3,000
    [A green object with a processing chip embedded in its front sits on a white base. On top of the object sit a red potato with a wire attached, false teeth, and a telephone cord.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $3,000
    Image description A green object with a processing chip embedded in its front sits on a white base. On top of the object sit a red potato with a wire attached, false teeth, and a telephone cord.
    Year 2019
    Related pages Trisha Baga Edition
  • Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the left speaks, raising up both hands by her face, her fingers making
    Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the left speaks, raising up both hands by her face, her fingers making
    Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court. [Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the left speaks, raising up both hands by her face, her fingers making "air quotes."]
    Caption Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court.
    Image description Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the left speaks, raising up both hands by her face, her fingers making "air quotes."
    Year 2020
    Related pages Passages from People Who Led to My Plays
  • A person with pink nail polish hold up a Canon AE-1 film camera.
    A person with pink nail polish hold up a Canon AE-1 film camera.
    Aisha Rodriguez, Click, 2013. [A person with pink nail polish hold up a Canon AE-1 film camera.]
    Caption Aisha Rodriguez, Click, 2013.
    Image description A person with pink nail polish hold up a Canon AE-1 film camera.
    Year 2013
    Related pages Welcome To My World
  • A closet, sliding doors opened to reveal clothing folded on shelves and organized on hangers. To the right, a view into the hallway.
    A closet, sliding doors opened to reveal clothing folded on shelves and organized on hangers. To the right, a view into the hallway.
    [A closet, sliding doors opened to reveal clothing folded on shelves and organized on hangers. To the right, a view into the hallway.]
    Caption
    Image description A closet, sliding doors opened to reveal clothing folded on shelves and organized on hangers. To the right, a view into the hallway.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • Several sculptures, video works, and other artworks installed in a gallery space with wooden flooring. A large sculpture on the image's right side is composed of a series of wooden rifles gathered to form two, pole-like structures, between which a quilt-like blanket is wrapped around a supporting pole. To the left of this sculpture, a second, long structure composed of a series of white tiles runs diagonally across the gallery floor, forming a long line. Several TV monitors and 2D works are installed on the gallery walls behind the two sculptures.
    Several sculptures, video works, and other artworks installed in a gallery space with wooden flooring. A large sculpture on the image's right side is composed of a series of wooden rifles gathered to form two, pole-like structures, between which a quilt-like blanket is wrapped around a supporting pole. To the left of this sculpture, a second, long structure composed of a series of white tiles runs diagonally across the gallery floor, forming a long line. Several TV monitors and 2D works are installed on the gallery walls behind the two sculptures.
    Log Cabin. Installation view, Artists Space, 2005. [Several sculptures, video works, and other artworks installed in a gallery space with wooden flooring. A large sculpture on the image's right side is composed of a series of wooden rifles gathered to form two, pole-like structures, between which a quilt-like blanket is wrapped around a supporting pole. To the left of this sculpture, a second, long structure composed of a series of white tiles runs diagonally across the gallery floor, forming a long line. Several TV monitors and 2D works are installed on the gallery walls behind the two sculptures.]
    Caption Log Cabin. Installation view, Artists Space, 2005.
    Image description Several sculptures, video works, and other artworks installed in a gallery space with wooden flooring. A large sculpture on the image's right side is composed of a series of wooden rifles gathered to form two, pole-like structures, between which a quilt-like blanket is wrapped around a supporting pole. To the left of this sculpture, a second, long structure composed of a series of white tiles runs diagonally across the gallery floor, forming a long line. Several TV monitors and 2D works are installed on the gallery walls behind the two sculptures.
    Year 2005
    Related pages Log Cabin
  • Students stand outside of a storefront in New York - Word Up Community Bookshop. In the window are several signs with Black Lives Matter and
    Students stand outside of a storefront in New York - Word Up Community Bookshop. In the window are several signs with Black Lives Matter and
    MS 324 students outside Word Up Community Bookshop, 2018 [Students stand outside of a storefront in New York - Word Up Community Bookshop. In the window are several signs with Black Lives Matter and "Eat Sleep Read Local" slogans]
    Caption MS 324 students outside Word Up Community Bookshop, 2018
    Image description Students stand outside of a storefront in New York - Word Up Community Bookshop. In the window are several signs with Black Lives Matter and "Eat Sleep Read Local" slogans
    Year 2018
    Related pages Threads of History
  • Caption
    Image description
    Year
    Related pages Stone's Throw: Television from Cuba, Island in Goliath's Sea
  • Three people sit around a small circular white table, speaking on microphones. A small crowd gathers closely around them, listening to them speak. Many large bookshelves are stacked behind them.
    Three people sit around a small circular white table, speaking on microphones. A small crowd gathers closely around them, listening to them speak. Many large bookshelves are stacked behind them.
    Goodbye to Tenth Street: A Novel by Irving Sandler, book launch, 2018. [Three people sit around a small circular white table, speaking on microphones. A small crowd gathers closely around them, listening to them speak. Many large bookshelves are stacked behind them.]
    Caption Goodbye to Tenth Street: A Novel by Irving Sandler, book launch, 2018.
    Image description Three people sit around a small circular white table, speaking on microphones. A small crowd gathers closely around them, listening to them speak. Many large bookshelves are stacked behind them.
    Year 2018
    Related pages Membership
  • A black and white photograph of two projected images emerging from darkness.
    A black and white photograph of two projected images emerging from darkness.
    Charles Long. Installation view of Gnomons' Land, 1987. Film Installation. [A black and white photograph of two projected images emerging from darkness.]
    Caption Charles Long. Installation view of Gnomons' Land, 1987. Film Installation.
    Image description A black and white photograph of two projected images emerging from darkness.
    Year 1987
    Related pages Dark Rooms
  • A close up of a store display planter stuffed with Gap clothing store bags and crumpled documents.
    A close up of a store display planter stuffed with Gap clothing store bags and crumpled documents.
    ART CLUB2000 Plantar, 1993 Slatwall, mirror, spider plant, shopping bags Image courtesy Artists Space, New York Photo: Filip Wolak [A close up of a store display planter stuffed with Gap clothing store bags and crumpled documents.]
    Caption ART CLUB2000 Plantar, 1993 Slatwall, mirror, spider plant, shopping bags Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A close up of a store display planter stuffed with Gap clothing store bags and crumpled documents.
    Year 2021
    Related pages ART CLUB2000
  • A figure stands on a stage in front of a microphone. Behind the figures, a projection of a CRTV television fills the upper left quadrant of the frame.
    A figure stands on a stage in front of a microphone. Behind the figures, a projection of a CRTV television fills the upper left quadrant of the frame.
    [A figure stands on a stage in front of a microphone. Behind the figures, a projection of a CRTV television fills the upper left quadrant of the frame.]
    Caption
    Image description A figure stands on a stage in front of a microphone. Behind the figures, a projection of a CRTV television fills the upper left quadrant of the frame.
    Year 2020
    Related pages Segue Reading Series
  • Various objects sit on a concrete floor, including a miniature disco ball, a painted heart-shaped canvas, and a tangle of cords.
    Various objects sit on a concrete floor, including a miniature disco ball, a painted heart-shaped canvas, and a tangle of cords.
    Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court. [Various objects sit on a concrete floor, including a miniature disco ball, a painted heart-shaped canvas, and a tangle of cords.]
    Caption Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description Various objects sit on a concrete floor, including a miniature disco ball, a painted heart-shaped canvas, and a tangle of cords.
    Year 2020
    Related pages Jutta Koether
  • Two panels of square images, of which are surrounded by text within sections.
    Two panels of square images, of which are surrounded by text within sections.
    Invitation for the exhibition at Kaiserstraße 31A (two copies) Düsseldorf, May 11, 1963 Collection Tobias Kuttner, Berlin [Two panels of square images, of which are surrounded by text within sections.]
    Caption Invitation for the exhibition at Kaiserstraße 31A (two copies) Düsseldorf, May 11, 1963 Collection Tobias Kuttner, Berlin
    Image description Two panels of square images, of which are surrounded by text within sections.
    Year 1963
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • Projectors placed across a wood floor project variegated hues of white light onto a wall.
    Projectors placed across a wood floor project variegated hues of white light onto a wall.
    Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater. Installation view, Artists Space, 2019. Photo: Daniel Pérez. [Projectors placed across a wood floor project variegated hues of white light onto a wall.]
    Caption Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater. Installation view, Artists Space, 2019. Photo: Daniel Pérez.
    Image description Projectors placed across a wood floor project variegated hues of white light onto a wall.
    Year 2019
    Related pages
  • A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a rainbow wire.
    A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a rainbow wire.
    Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $3,000
    [A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a rainbow wire.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $3,000
    Image description A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a rainbow wire.
    Year 2019
    Related pages Trisha Baga Edition
  • A person, clad in a white jumpsuit and blue eye makeup, lies horizontally on the ground. Their top half body is visible in the bottom left corner. Next to them floats a handwritten thought bubble, which reads,
    A person, clad in a white jumpsuit and blue eye makeup, lies horizontally on the ground. Their top half body is visible in the bottom left corner. Next to them floats a handwritten thought bubble, which reads,
    Untitled (Performance at Galleria L'Attico), 1974 35mm slide, Copyright Jack Smith Archive, Courtesy Gladstone Gallery, New York and Brussels [A person, clad in a white jumpsuit and blue eye makeup, lies horizontally on the ground. Their top half body is visible in the bottom left corner. Next to them floats a handwritten thought bubble, which reads, "How can a queer escape the mocking laughter of wealthy normals if they visit his very rejection-sewer home to get art."]
    Caption Untitled (Performance at Galleria L'Attico), 1974 35mm slide, Copyright Jack Smith Archive, Courtesy Gladstone Gallery, New York and Brussels
    Image description A person, clad in a white jumpsuit and blue eye makeup, lies horizontally on the ground. Their top half body is visible in the bottom left corner. Next to them floats a handwritten thought bubble, which reads, "How can a queer escape the mocking laughter of wealthy normals if they visit his very rejection-sewer home to get art."
    Year 1974
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • A group of five performers dressed in red and white monochromatic outfits stand in front of microphones gesturing with their hands.
    A group of five performers dressed in red and white monochromatic outfits stand in front of microphones gesturing with their hands.
    Rashaad Newsome. Still from Shade Compositions, 2012. Video, color, sound; 50 minutes. Courtesy the artist. [A group of five performers dressed in red and white monochromatic outfits stand in front of microphones gesturing with their hands.]
    Caption Rashaad Newsome. Still from Shade Compositions, 2012. Video, color, sound; 50 minutes. Courtesy the artist.
    Image description A group of five performers dressed in red and white monochromatic outfits stand in front of microphones gesturing with their hands.
    Year 2012
    Related pages Whitney ISP Archive
  • Objects are cluttered on the floor of a room lit with a warm, yellow hue. There is a low-hanging disco ball, two standing lights, and a small television showing white static mounted on a stand. There are two vases with plants and a string of white lights.
    Objects are cluttered on the floor of a room lit with a warm, yellow hue. There is a low-hanging disco ball, two standing lights, and a small television showing white static mounted on a stand. There are two vases with plants and a string of white lights.
    Enough Tiranny Recalled, 1972–2009. Installation view, Artists Space, 2009. Photo: Daniel Pérez. [Objects are cluttered on the floor of a room lit with a warm, yellow hue. There is a low-hanging disco ball, two standing lights, and a small television showing white static mounted on a stand. There are two vases with plants and a string of white lights.]
    Caption Enough Tiranny Recalled, 1972–2009. Installation view, Artists Space, 2009. Photo: Daniel Pérez.
    Image description Objects are cluttered on the floor of a room lit with a warm, yellow hue. There is a low-hanging disco ball, two standing lights, and a small television showing white static mounted on a stand. There are two vases with plants and a string of white lights.
    Year 2009
    Related pages Marc Camille Chaimowicz: Enough Tiranny Recalled, 1972 – 2009
  • Red text that reads,
    Red text that reads,
    Nam June Paik Young Penis Symphony from Wolf Vostell, décollage No. 3 , 1962 © Nam June Pak Estate Collection Peter Wenzel [Red text that reads, "Young Penis Symphony, -curtain up-, the audience sees only a huge piece of white paper stretched across the whole stage mouth, from the ceiling to the floor and from the left to the right wing. Behind this paper, on the stagem stand ten young men... ready, -after a while- The first sticks his penis out through the paper to the audience..., The second sticks his penis out through the paper to the audience..., The third sticks his penis out through the paper to the audience..., The fourth sticks his penis out throught the paper to the audience..., The fifth sticks his penis out through the paper to the audience..., The sixth sticks his penis out through the paper to the audience..., The seventh sticks his penis out through the paper to the audience..., The eight sticks his penis out through the paper to the audience..., The ninth sticks his penis out throught the paper to the audience..., The tenth sticks his penis out through the paper to the audience..., N.J. Paik, Expected world premier about 1984 A.D., ref. Taiyono Kisetza Ishihara"]
    Caption Nam June Paik Young Penis Symphony from Wolf Vostell, décollage No. 3 , 1962 © Nam June Pak Estate Collection Peter Wenzel
    Image description Red text that reads, "Young Penis Symphony, -curtain up-, the audience sees only a huge piece of white paper stretched across the whole stage mouth, from the ceiling to the floor and from the left to the right wing. Behind this paper, on the stagem stand ten young men... ready, -after a while- The first sticks his penis out through the paper to the audience..., The second sticks his penis out through the paper to the audience..., The third sticks his penis out through the paper to the audience..., The fourth sticks his penis out throught the paper to the audience..., The fifth sticks his penis out through the paper to the audience..., The sixth sticks his penis out through the paper to the audience..., The seventh sticks his penis out through the paper to the audience..., The eight sticks his penis out through the paper to the audience..., The ninth sticks his penis out throught the paper to the audience..., The tenth sticks his penis out through the paper to the audience..., N.J. Paik, Expected world premier about 1984 A.D., ref. Taiyono Kisetza Ishihara"
    Year 1962
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • Four geometric, silver metal sculptures are installed on the floors of a light-filled gallery space. The sculptures are modular, hollow, and consist of cube-like and triangular metal components.
    Four geometric, silver metal sculptures are installed on the floors of a light-filled gallery space. The sculptures are modular, hollow, and consist of cube-like and triangular metal components.
    Charlotte Posenenske. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Four geometric, silver metal sculptures are installed on the floors of a light-filled gallery space. The sculptures are modular, hollow, and consist of cube-like and triangular metal components.]
    Caption Charlotte Posenenske. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description Four geometric, silver metal sculptures are installed on the floors of a light-filled gallery space. The sculptures are modular, hollow, and consist of cube-like and triangular metal components.
    Year 2010
    Related pages Charlotte Posenenske
  • Detail view of an interferometer emitting a green light onto a white wall.
    Detail view of an interferometer emitting a green light onto a white wall.
    Amalle Dublon & Constantina Zavitsanos, Mach Zehnder Interferometer, 2018. [Detail view of an interferometer emitting a green light onto a white wall.]
    Caption Amalle Dublon & Constantina Zavitsanos, Mach Zehnder Interferometer, 2018.
    Image description Detail view of an interferometer emitting a green light onto a white wall.
    Year 2018
    Related pages Quantum Entanglement: Producing Entangled Photon Pairs
  • A large gallery wall covered with wallpaper printed with tropical birds in colorful trees on a white background. There are assorted black-framed, colorful images hung on the wall, positioned in both portrait and landscape orientations.
    A large gallery wall covered with wallpaper printed with tropical birds in colorful trees on a white background. There are assorted black-framed, colorful images hung on the wall, positioned in both portrait and landscape orientations.
    Spring Exhibitions. Installation view, Artists Space, 2009. [A large gallery wall covered with wallpaper printed with tropical birds in colorful trees on a white background. There are assorted black-framed, colorful images hung on the wall, positioned in both portrait and landscape orientations.]
    Caption Spring Exhibitions. Installation view, Artists Space, 2009.
    Image description A large gallery wall covered with wallpaper printed with tropical birds in colorful trees on a white background. There are assorted black-framed, colorful images hung on the wall, positioned in both portrait and landscape orientations.
    Year 2009
    Related pages Spring Exhibitions
  • Three large windows are covered with a sheer fabric that includes faded printed text and images. Two gray silhouettes are displayed on the adjacent wall to the left. To the right, an electrical panel with exposed wires sits in the corner.
    Three large windows are covered with a sheer fabric that includes faded printed text and images. Two gray silhouettes are displayed on the adjacent wall to the left. To the right, an electrical panel with exposed wires sits in the corner.
    The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [Three large windows are covered with a sheer fabric that includes faded printed text and images. Two gray silhouettes are displayed on the adjacent wall to the left. To the right, an electrical panel with exposed wires sits in the corner.]
    Caption The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich.
    Image description Three large windows are covered with a sheer fabric that includes faded printed text and images. Two gray silhouettes are displayed on the adjacent wall to the left. To the right, an electrical panel with exposed wires sits in the corner.
    Year 2014
    Related pages The Issues of Our Time
  • A figure with dark, short hair wearing a brown shirt and white pants looks into the viewfinder of a large videocamera. They appear to stand on a precipice above the ocean, and their camera is aimed at the water below them.
    A figure with dark, short hair wearing a brown shirt and white pants looks into the viewfinder of a large videocamera. They appear to stand on a precipice above the ocean, and their camera is aimed at the water below them.
    [A figure with dark, short hair wearing a brown shirt and white pants looks into the viewfinder of a large videocamera. They appear to stand on a precipice above the ocean, and their camera is aimed at the water below them.]
    Caption
    Image description A figure with dark, short hair wearing a brown shirt and white pants looks into the viewfinder of a large videocamera. They appear to stand on a precipice above the ocean, and their camera is aimed at the water below them.
    Year 2007
    Related pages Program 3 - In The Poem About Love You Don't Write The Word Love Film Series at Anthology Film Archives
  • An an angled view of resident entrances from a street view with white text at the bottom that reads,
    An an angled view of resident entrances from a street view with white text at the bottom that reads,
    The Gentrification of the Mind: Witness To A Lost Imagination. Sarah Schulman. Univ. of California Press, 2012. Paperback, 192 pages. $20. at the Artists Space Bookstore [An an angled view of resident entrances from a street view with white text at the bottom that reads, "Sarah Schulman." Red text underneath reads, "The Gentrification of the Mind, Witness to a Lost Imagination."]
    Caption The Gentrification of the Mind: Witness To A Lost Imagination. Sarah Schulman. Univ. of California Press, 2012. Paperback, 192 pages. $20. at the Artists Space Bookstore
    Image description An an angled view of resident entrances from a street view with white text at the bottom that reads, "Sarah Schulman." Red text underneath reads, "The Gentrification of the Mind, Witness to a Lost Imagination."
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • Blue text reading “PROMOTE INDIGENOUS FUTURES” in all caps is overlaid on a faded image of a windowed glass building.
    Blue text reading “PROMOTE INDIGENOUS FUTURES” in all caps is overlaid on a faded image of a windowed glass building.
    [Blue text reading “PROMOTE INDIGENOUS FUTURES” in all caps is overlaid on a faded image of a windowed glass building.]
    Caption
    Image description Blue text reading “PROMOTE INDIGENOUS FUTURES” in all caps is overlaid on a faded image of a windowed glass building.
    Year 2020
    Related pages New Red Order: Informants Get Paid!
  • Drawing of a curving tower with accentuated imagery spilling into the white surrounding areas.
    Drawing of a curving tower with accentuated imagery spilling into the white surrounding areas.
    Hani Rashid, Certain First Principles, 1985. Mixed media with ink, old paint, acids, chalks, 33 x 24 inches. [Drawing of a curving tower with accentuated imagery spilling into the white surrounding areas.]
    Caption Hani Rashid, Certain First Principles, 1985. Mixed media with ink, old paint, acids, chalks, 33 x 24 inches.
    Image description Drawing of a curving tower with accentuated imagery spilling into the white surrounding areas.
    Year 1985
    Related pages Kursaal For An Evacuee
  • A angled view of a grey wall with documents displayed behind glass. The closest image depicts a colorful illustration of shapes, with two, green, square documents to the left of it.
    A angled view of a grey wall with documents displayed behind glass. The closest image depicts a colorful illustration of shapes, with two, green, square documents to the left of it.
    Living with Pop. A Reproduction of Capitalist Realism. Installation view of the section "Galerie h (1966),” Artists Space, 2014. [A angled view of a grey wall with documents displayed behind glass. The closest image depicts a colorful illustration of shapes, with two, green, square documents to the left of it.]
    Caption Living with Pop. A Reproduction of Capitalist Realism. Installation view of the section "Galerie h (1966),” Artists Space, 2014.
    Image description A angled view of a grey wall with documents displayed behind glass. The closest image depicts a colorful illustration of shapes, with two, green, square documents to the left of it.
    Year 2014
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • An abstract painting littered with dots, black shapes and line forms.
    An abstract painting littered with dots, black shapes and line forms.
    Lee Mullican, Four Musicians, 1984. [An abstract painting littered with dots, black shapes and line forms.]
    Caption Lee Mullican, Four Musicians, 1984.
    Image description An abstract painting littered with dots, black shapes and line forms.
    Year
    Related pages Moderns in Mind
  • A side view of a sculpture of a man leaning against a white column. He holds a book in his right hand. He is wearing a purple shirt, blue patterned shorts, and white sneakers.
    A side view of a sculpture of a man leaning against a white column. He holds a book in his right hand. He is wearing a purple shirt, blue patterned shorts, and white sneakers.
    Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [A side view of a sculpture of a man leaning against a white column. He holds a book in his right hand. He is wearing a purple shirt, blue patterned shorts, and white sneakers.]
    Caption Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013.
    Image description A side view of a sculpture of a man leaning against a white column. He holds a book in his right hand. He is wearing a purple shirt, blue patterned shorts, and white sneakers.
    Year 2013
    Related pages Pride Goes Before a Fall
  • A photograph with a striped blue and white blurry background. In the center of the image, outlined in a blurry orange circle, is a clear image of a rope tied into a knot, holding a white object
    A photograph with a striped blue and white blurry background. In the center of the image, outlined in a blurry orange circle, is a clear image of a rope tied into a knot, holding a white object
    Michelle Santiago, Trap, photography, 2014 [A photograph with a striped blue and white blurry background. In the center of the image, outlined in a blurry orange circle, is a clear image of a rope tied into a knot, holding a white object]
    Caption Michelle Santiago, Trap, photography, 2014
    Image description A photograph with a striped blue and white blurry background. In the center of the image, outlined in a blurry orange circle, is a clear image of a rope tied into a knot, holding a white object
    Year 2014
    Related pages Scholastic Art and Writing Awards
  • A black box screening room featuring a a video of a bespecaled white haired man with glasses speaking to the camera in front of rows of books.
    A black box screening room featuring a a video of a bespecaled white haired man with glasses speaking to the camera in front of rows of books.
    New Economy. Installation view, Artists Space, 2007. [A black box screening room featuring a a video of a bespecaled white haired man with glasses speaking to the camera in front of rows of books.]
    Caption New Economy. Installation view, Artists Space, 2007.
    Image description A black box screening room featuring a a video of a bespecaled white haired man with glasses speaking to the camera in front of rows of books.
    Year 2007
    Related pages New Economy
  • The corner of a room with two white walls. On one wall, there is a white collared shirt on a hanger, a black and white abstract image, and a small white sculpture.
    The corner of a room with two white walls. On one wall, there is a white collared shirt on a hanger, a black and white abstract image, and a small white sculpture.
    Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich. [The corner of a room with two white walls. On one wall, there is a white collared shirt on a hanger, a black and white abstract image, and a small white sculpture.]
    Caption Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich.
    Image description The corner of a room with two white walls. On one wall, there is a white collared shirt on a hanger, a black and white abstract image, and a small white sculpture.
    Year 2009
    Related pages Paper Exhibition
  • A black tote bag against a white background. Small white, all-caps sans-serif text in the middle states
    A black tote bag against a white background. Small white, all-caps sans-serif text in the middle states
    11 Cortlandt Alley Tote Bag. Produced by Artists Space. Edition of 150. 2019. $24 [A black tote bag against a white background. Small white, all-caps sans-serif text in the middle states "ARTISTS SPACE"]
    Caption 11 Cortlandt Alley Tote Bag. Produced by Artists Space. Edition of 150. 2019. $24
    Image description A black tote bag against a white background. Small white, all-caps sans-serif text in the middle states "ARTISTS SPACE"
    Year 2019
    Related pages Artists Space Items
  • On a muted pink background with a wavy green line running across the page, text in a darker pink and black reads: segue X artists space virtual readings / Zoom meeting ID: 378 232 567 / $5 suggested virtual door: / PayPal/seguefoundation / all proceeds go directly to readers.
    On a muted pink background with a wavy green line running across the page, text in a darker pink and black reads: segue X artists space virtual readings / Zoom meeting ID: 378 232 567 / $5 suggested virtual door: / PayPal/seguefoundation / all proceeds go directly to readers.
    [On a muted pink background with a wavy green line running across the page, text in a darker pink and black reads: segue X artists space virtual readings / Zoom meeting ID: 378 232 567 / $5 suggested virtual door: / PayPal/seguefoundation / all proceeds go directly to readers.]
    Caption
    Image description On a muted pink background with a wavy green line running across the page, text in a darker pink and black reads: segue X artists space virtual readings / Zoom meeting ID: 378 232 567 / $5 suggested virtual door: / PayPal/seguefoundation / all proceeds go directly to readers.
    Year 2020
    Related pages Segue Reading Series: Lonely Christopher & zakia henderson-brown
  • View of the audience members from the Artists Space and Decolonize this Place event, featuring black, white, red, and yellow banners on the wall with slogans for global resistance.
    View of the audience members from the Artists Space and Decolonize this Place event, featuring black, white, red, and yellow banners on the wall with slogans for global resistance.
    “Palestine, BLM & Boycott in the Arts.” Artists Space Books & Talks, Friday, November 4, 2016. Courtesy Decolonize This Place and Artists Space, New York. Photo: Andrés Rodriguez [View of the audience members from the Artists Space and Decolonize this Place event, featuring black, white, red, and yellow banners on the wall with slogans for global resistance.]
    Caption “Palestine, BLM & Boycott in the Arts.” Artists Space Books & Talks, Friday, November 4, 2016. Courtesy Decolonize This Place and Artists Space, New York. Photo: Andrés Rodriguez
    Image description View of the audience members from the Artists Space and Decolonize this Place event, featuring black, white, red, and yellow banners on the wall with slogans for global resistance.
    Year 2016
    Related pages Decolonize This Place
  • A dirty, gray tile floor with small wisps of hair scattered across it.
    A dirty, gray tile floor with small wisps of hair scattered across it.
    [A dirty, gray tile floor with small wisps of hair scattered across it.]
    Caption
    Image description A dirty, gray tile floor with small wisps of hair scattered across it.
    Year 2003
    Related pages Multitude
  • Small sculptures on pedestals are lined up diagonally in front of a map and various images.
    Small sculptures on pedestals are lined up diagonally in front of a map and various images.
    We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [Small sculptures on pedestals are lined up diagonally in front of a map and various images.]
    Caption We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
    Image description Small sculptures on pedestals are lined up diagonally in front of a map and various images.
    Year
    Related pages We the People
  • Three paintings appear on two adjacent walls in a white-walled gallery space.
    Three paintings appear on two adjacent walls in a white-walled gallery space.
    Four Artists: An Exhibition of Painting and Sculpture. Installation View. Artists Space, 1985. [Three paintings appear on two adjacent walls in a white-walled gallery space.]
    Caption Four Artists: An Exhibition of Painting and Sculpture. Installation View. Artists Space, 1985.
    Image description Three paintings appear on two adjacent walls in a white-walled gallery space.
    Year
    Related pages Four Artists: An Exhibition of Painting and Sculpture
  • A geometric, silver metal sculpture sits on a roll of brown paper spread across a wooden gallery floor. The sculpture is modular and consists of triangular metal components. Gray text, in German, is subtly printed across the paper. Two long rips appear in the paper's surface, as if created by the sculpture dragging across the paper's surface.
    A geometric, silver metal sculpture sits on a roll of brown paper spread across a wooden gallery floor. The sculpture is modular and consists of triangular metal components. Gray text, in German, is subtly printed across the paper. Two long rips appear in the paper's surface, as if created by the sculpture dragging across the paper's surface.
    Charlotte Posenenske. Configured by Ei Arakawa. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A geometric, silver metal sculpture sits on a roll of brown paper spread across a wooden gallery floor. The sculpture is modular and consists of triangular metal components. Gray text, in German, is subtly printed across the paper. Two long rips appear in the paper's surface, as if created by the sculpture dragging across the paper's surface.]
    Caption Charlotte Posenenske. Configured by Ei Arakawa. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A geometric, silver metal sculpture sits on a roll of brown paper spread across a wooden gallery floor. The sculpture is modular and consists of triangular metal components. Gray text, in German, is subtly printed across the paper. Two long rips appear in the paper's surface, as if created by the sculpture dragging across the paper's surface.
    Year 2010
    Related pages Charlotte Posenenske
  • A dim photograph of hanging sculptures and multiple objects on white pedestals.
    A dim photograph of hanging sculptures and multiple objects on white pedestals.
    Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque. Installation view, Artists Space, 1981. [A dim photograph of hanging sculptures and multiple objects on white pedestals.]
    Caption Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque. Installation view, Artists Space, 1981.
    Image description A dim photograph of hanging sculptures and multiple objects on white pedestals.
    Year
    Related pages Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque
  • A wooden ladder standing in the corner of a room with half-finished paintings on the wall. On the left wall, there is a colorful mural composed of swirls and circles. On the other wall, there is a sketch of a ballerina with dozens of black and white portraits of a woman's head with various words including
    A wooden ladder standing in the corner of a room with half-finished paintings on the wall. On the left wall, there is a colorful mural composed of swirls and circles. On the other wall, there is a sketch of a ballerina with dozens of black and white portraits of a woman's head with various words including
    Activated Walls. Installation view, Artists Space, 1993. [A wooden ladder standing in the corner of a room with half-finished paintings on the wall. On the left wall, there is a colorful mural composed of swirls and circles. On the other wall, there is a sketch of a ballerina with dozens of black and white portraits of a woman's head with various words including "CUNT" and "CUTIE."]
    Caption Activated Walls. Installation view, Artists Space, 1993.
    Image description A wooden ladder standing in the corner of a room with half-finished paintings on the wall. On the left wall, there is a colorful mural composed of swirls and circles. On the other wall, there is a sketch of a ballerina with dozens of black and white portraits of a woman's head with various words including "CUNT" and "CUTIE."
    Year 1993
    Related pages Activated Walls
  • Black text listing the collection's features. From top to bottom, it reads,
    Black text listing the collection's features. From top to bottom, it reads,
    [Black text listing the collection's features. From top to bottom, it reads, "The Defaced Library Books of Kenneth Halliwell and Joe Orton," "edition hansjörg mayer," "Vigilance: An Exhibition Of Artist’s Books Exploring Strategies for Social Concern After an exhibition curated by Mike Grier and Lucy R. Lippard," "The Colin De Land Library," "Everything is About to Happen: An ongoing archive of artists’ books selected by Gregorio Magnani," and "The Library of Helen DeWitt."]
    Caption
    Image description Black text listing the collection's features. From top to bottom, it reads, "The Defaced Library Books of Kenneth Halliwell and Joe Orton," "edition hansjörg mayer," "Vigilance: An Exhibition Of Artist’s Books Exploring Strategies for Social Concern After an exhibition curated by Mike Grier and Lucy R. Lippard," "The Colin De Land Library," "Everything is About to Happen: An ongoing archive of artists’ books selected by Gregorio Magnani," and "The Library of Helen DeWitt."
    Year 2014
    Related pages The Library Vaccine
  • A large black bowl, painted with colorful faces, is filled to the brim with vibrant beaded jewelry. The bowl is placed on a tall black rectangular platform, covered with a beige woven blanket with long tassels and a white pattern along its border. Beaded jewelry from the bowl dangles down to the floor, intertwined and curled amongst themselves.
    A large black bowl, painted with colorful faces, is filled to the brim with vibrant beaded jewelry. The bowl is placed on a tall black rectangular platform, covered with a beige woven blanket with long tassels and a white pattern along its border. Beaded jewelry from the bowl dangles down to the floor, intertwined and curled amongst themselves.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A large black bowl, painted with colorful faces, is filled to the brim with vibrant beaded jewelry. The bowl is placed on a tall black rectangular platform, covered with a beige woven blanket with long tassels and a white pattern along its border. Beaded jewelry from the bowl dangles down to the floor, intertwined and curled amongst themselves.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A large black bowl, painted with colorful faces, is filled to the brim with vibrant beaded jewelry. The bowl is placed on a tall black rectangular platform, covered with a beige woven blanket with long tassels and a white pattern along its border. Beaded jewelry from the bowl dangles down to the floor, intertwined and curled amongst themselves.
    Year 2017
    Related pages Unholding
  • The image shows a wooden paddle with the preamble for the U.S. Constitution reproduced on it. It says,
    The image shows a wooden paddle with the preamble for the U.S. Constitution reproduced on it. It says,
    Mike Kelley, Untitled, 1992, Beech wood paddle with screen print and leather strap, 23 1/4 in x 6 in x 3/4 in / 59.1 cm x 15.2 cm x 1.9 cm, Edition of 50. [The image shows a wooden paddle with the preamble for the U.S. Constitution reproduced on it. It says, "We the People of the United States, in Order to form a more perfect Union, establish Justice, insure domestic Tranquility, provide for the common defence, promote the general Welfare, and secure the Blessings of Liberty to ourselves and our Posterity, do ordain and establish this Constitution for the United States of America."]
    Caption Mike Kelley, Untitled, 1992, Beech wood paddle with screen print and leather strap, 23 1/4 in x 6 in x 3/4 in / 59.1 cm x 15.2 cm x 1.9 cm, Edition of 50.
    Image description The image shows a wooden paddle with the preamble for the U.S. Constitution reproduced on it. It says, "We the People of the United States, in Order to form a more perfect Union, establish Justice, insure domestic Tranquility, provide for the common defence, promote the general Welfare, and secure the Blessings of Liberty to ourselves and our Posterity, do ordain and establish this Constitution for the United States of America."
    Year 1992
    Related pages Editions
  • White text on a pink background spells out 24 artists' names, arranged to form the composite words
    White text on a pink background spells out 24 artists' names, arranged to form the composite words
    [White text on a pink background spells out 24 artists' names, arranged to form the composite words "ACTIVATED WALLS."]
    Caption
    Image description White text on a pink background spells out 24 artists' names, arranged to form the composite words "ACTIVATED WALLS."
    Year 1993
    Related pages Activated Walls
  • A painting hanging next to a bag behind a cross with light shining on it. A lighted ball is seen in one corner and lighted bottles in a box are seen in another corner.
    A painting hanging next to a bag behind a cross with light shining on it. A lighted ball is seen in one corner and lighted bottles in a box are seen in another corner.
    We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [A painting hanging next to a bag behind a cross with light shining on it. A lighted ball is seen in one corner and lighted bottles in a box are seen in another corner.]
    Caption We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
    Image description A painting hanging next to a bag behind a cross with light shining on it. A lighted ball is seen in one corner and lighted bottles in a box are seen in another corner.
    Year
    Related pages We the People
  • A black and white photograph of various floating constructed fish-like objects in space.
    A black and white photograph of various floating constructed fish-like objects in space.
    Gerome Kamrowski. Metaphysical Menagerie, 1986. [A black and white photograph of various floating constructed fish-like objects in space.]
    Caption Gerome Kamrowski. Metaphysical Menagerie, 1986.
    Image description A black and white photograph of various floating constructed fish-like objects in space.
    Year
    Related pages Moderns in Mind
  • An abstract sculpture with a chrome finish is displayed on a white pedestal. The sculpture's form includes amorphous voids alongside somewhat rectangular structures.
    An abstract sculpture with a chrome finish is displayed on a white pedestal. The sculpture's form includes amorphous voids alongside somewhat rectangular structures.
    UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [An abstract sculpture with a chrome finish is displayed on a white pedestal. The sculpture's form includes amorphous voids alongside somewhat rectangular structures.]
    Caption UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt.
    Image description An abstract sculpture with a chrome finish is displayed on a white pedestal. The sculpture's form includes amorphous voids alongside somewhat rectangular structures.
    Year 2006
    Related pages UniBodies
  • Two men in powdered wigs and colonial dress, surrounded by pieces of paper fluttering in the air and on the ground.
    Two men in powdered wigs and colonial dress, surrounded by pieces of paper fluttering in the air and on the ground.
    Still from The Last Days of Jack Sheppard (2009). [Two men in powdered wigs and colonial dress, surrounded by pieces of paper fluttering in the air and on the ground.]
    Caption Still from The Last Days of Jack Sheppard (2009).
    Image description Two men in powdered wigs and colonial dress, surrounded by pieces of paper fluttering in the air and on the ground.
    Year 2009
    Related pages The Last Days of Jack Sheppard
  • A darkened room with several wooden platforms with white pads on top facing a wide screen. The screen shows the image of a pond surrounded by trees.
    A darkened room with several wooden platforms with white pads on top facing a wide screen. The screen shows the image of a pond surrounded by trees.
    Kerry Tribe. Installation view of Florida, 2003. Video (sound). [A darkened room with several wooden platforms with white pads on top facing a wide screen. The screen shows the image of a pond surrounded by trees.]
    Caption Kerry Tribe. Installation view of Florida, 2003. Video (sound).
    Image description A darkened room with several wooden platforms with white pads on top facing a wide screen. The screen shows the image of a pond surrounded by trees.
    Year 2007
    Related pages Elephant Cemetery
  • A black and white image of a man working intently on a machine is projected on a standing screen in an open room.
    A black and white image of a man working intently on a machine is projected on a standing screen in an open room.
    Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A black and white image of a man working intently on a machine is projected on a standing screen in an open room.]
    Caption Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A black and white image of a man working intently on a machine is projected on a standing screen in an open room.
    Year 2010
    Related pages Duncan Campbell: Make It New John
  • A wooden ornament with a string attached at its top, is carved with the outlines of the worlds continents, becoming a miniature globe.
    A wooden ornament with a string attached at its top, is carved with the outlines of the worlds continents, becoming a miniature globe.
    Benito Huerta, Attempted, Not Known. Media unknown, dimesions unknown. [A wooden ornament with a string attached at its top, is carved with the outlines of the worlds continents, becoming a miniature globe.]
    Caption Benito Huerta, Attempted, Not Known. Media unknown, dimesions unknown.
    Image description A wooden ornament with a string attached at its top, is carved with the outlines of the worlds continents, becoming a miniature globe.
    Year 1989
    Related pages Project: Attempted, Not Known
  • A black and white photo captures a New York City postal service box.
    A black and white photo captures a New York City postal service box.
    Klara Lidén, Untitled (mailbox), 2012, Archival inkjet print, 24 x 18 inches, Signed and numbered certificate [A black and white photo captures a New York City postal service box.]
    Caption Klara Lidén, Untitled (mailbox), 2012, Archival inkjet print, 24 x 18 inches, Signed and numbered certificate
    Image description A black and white photo captures a New York City postal service box.
    Year 2014
    Related pages Artists Space Annual Edition Portfolio 2013
  • Two people wearing large sun hats look up towards an empty blue sky framed by scattered palm trees. Faint, white text written in dotted cloud formations is visible in the sky.
    Two people wearing large sun hats look up towards an empty blue sky framed by scattered palm trees. Faint, white text written in dotted cloud formations is visible in the sky.
    David Antin, Sky Poem, La Jolla, CA, Santa Monica, 1987. Courtesy Getty Research Institute, Los Angeles. [Two people wearing large sun hats look up towards an empty blue sky framed by scattered palm trees. Faint, white text written in dotted cloud formations is visible in the sky.]
    Caption David Antin, Sky Poem, La Jolla, CA, Santa Monica, 1987. Courtesy Getty Research Institute, Los Angeles.
    Image description Two people wearing large sun hats look up towards an empty blue sky framed by scattered palm trees. Faint, white text written in dotted cloud formations is visible in the sky.
    Year 1987
    Related pages Talking About David Antin
  • A photocollage of the same image, a man opening a car hood, repeated 14 x 4 times includes has been altered with white, yellow, and black paint in individual photographs. These include scenes such as fire, melting, and the addition of new characters.
    A photocollage of the same image, a man opening a car hood, repeated 14 x 4 times includes has been altered with white, yellow, and black paint in individual photographs. These include scenes such as fire, melting, and the addition of new characters.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A photocollage of the same image, a man opening a car hood, repeated 14 x 4 times includes has been altered with white, yellow, and black paint in individual photographs. These include scenes such as fire, melting, and the addition of new characters.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A photocollage of the same image, a man opening a car hood, repeated 14 x 4 times includes has been altered with white, yellow, and black paint in individual photographs. These include scenes such as fire, melting, and the addition of new characters.
    Year 2017
    Related pages Unholding
  • Two fountains of water in a dark room. The stream on the left is lit from behind by a red light, and the right stream by a yellow light.
    Two fountains of water in a dark room. The stream on the left is lit from behind by a red light, and the right stream by a yellow light.
    Enough Tiranny Recalled, 1972–2009. Installation view, Artists Space, 2009. Photo: Daniel Pérez. [Two fountains of water in a dark room. The stream on the left is lit from behind by a red light, and the right stream by a yellow light.]
    Caption Enough Tiranny Recalled, 1972–2009. Installation view, Artists Space, 2009. Photo: Daniel Pérez.
    Image description Two fountains of water in a dark room. The stream on the left is lit from behind by a red light, and the right stream by a yellow light.
    Year 2009
    Related pages Marc Camille Chaimowicz: Enough Tiranny Recalled, 1972 – 2009
  • A flowing figure with a circle underneath and small shapes covering head and hand with a white background.
    A flowing figure with a circle underneath and small shapes covering head and hand with a white background.
    Lisa Hoke, View, 1985. [A flowing figure with a circle underneath and small shapes covering head and hand with a white background.]
    Caption Lisa Hoke, View, 1985.
    Image description A flowing figure with a circle underneath and small shapes covering head and hand with a white background.
    Year
    Related pages Six Sculptors
  • A photo from behind the performer, looking out at a room full of people. The performer is seen in silhouette, sitting at a table, illuminated by a lamp on the table. Copies of the book *Here is Information. Mobilise.* are stacked across the table. Behind the audience, there is a projected video of an Arabic news channel.
    A photo from behind the performer, looking out at a room full of people. The performer is seen in silhouette, sitting at a table, illuminated by a lamp on the table. Copies of the book *Here is Information. Mobilise.* are stacked across the table. Behind the audience, there is a projected video of an Arabic news channel.
    Here Is Information. Mobilise. Book launch, 2017. [A photo from behind the performer, looking out at a room full of people. The performer is seen in silhouette, sitting at a table, illuminated by a lamp on the table. Copies of the book *Here is Information. Mobilise.* are stacked across the table. Behind the audience, there is a projected video of an Arabic news channel.]
    Caption Here Is Information. Mobilise. Book launch, 2017.
    Image description A photo from behind the performer, looking out at a room full of people. The performer is seen in silhouette, sitting at a table, illuminated by a lamp on the table. Copies of the book *Here is Information. Mobilise.* are stacked across the table. Behind the audience, there is a projected video of an Arabic news channel.
    Year 2017
    Related pages Membership
  • Three long and slim dresses on mannequin figures - one yellow, one orange, and one blue. Her signature and the date (12.5.15) appear in between each figure
    Three long and slim dresses on mannequin figures - one yellow, one orange, and one blue. Her signature and the date (12.5.15) appear in between each figure
    Ashley Baez, Untitled, colored pencil on paper 28 x 24 inches, 2016 [Three long and slim dresses on mannequin figures - one yellow, one orange, and one blue. Her signature and the date (12.5.15) appear in between each figure]
    Caption Ashley Baez, Untitled, colored pencil on paper 28 x 24 inches, 2016
    Image description Three long and slim dresses on mannequin figures - one yellow, one orange, and one blue. Her signature and the date (12.5.15) appear in between each figure
    Year 2016
    Related pages Scholastic Art and Writing Awards
  • A dim photograph of dark curtains and sculptures in a gallery space.
    A dim photograph of dark curtains and sculptures in a gallery space.
    Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque. Installation view, Artists Space, 1981. [A dim photograph of dark curtains and sculptures in a gallery space.]
    Caption Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque. Installation view, Artists Space, 1981.
    Image description A dim photograph of dark curtains and sculptures in a gallery space.
    Year
    Related pages Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque
  • The image shows a rectangular bed-like cushion with a black pillow that lays diagonally across the image patterned with two green and two black triangles of fabric.
    The image shows a rectangular bed-like cushion with a black pillow that lays diagonally across the image patterned with two green and two black triangles of fabric.
    Andrea Zittel, Perfected Pillow, 1995, Pair of fringed velvet pillows, 80 x 40 inches (203 x 102 cm); 18 x 36 in (46 x 91 cm), Edition of 39. [The image shows a rectangular bed-like cushion with a black pillow that lays diagonally across the image patterned with two green and two black triangles of fabric.]
    Caption Andrea Zittel, Perfected Pillow, 1995, Pair of fringed velvet pillows, 80 x 40 inches (203 x 102 cm); 18 x 36 in (46 x 91 cm), Edition of 39.
    Image description The image shows a rectangular bed-like cushion with a black pillow that lays diagonally across the image patterned with two green and two black triangles of fabric.
    Year 1995
    Related pages Editions
  • A cartoon drawing of men at a table with text underneath reading,
    A cartoon drawing of men at a table with text underneath reading,
    [A cartoon drawing of men at a table with text underneath reading, "Everybody sees right through your damned transparency."]
    Caption
    Image description A cartoon drawing of men at a table with text underneath reading, "Everybody sees right through your damned transparency."
    Year 2011
    Related pages The Whole of Troy is a Horse
  • A view of four red-eyed police officer cardboard cutouts with sashes that read
    A view of four red-eyed police officer cardboard cutouts with sashes that read
    ART CLUB2000 Untitled (Punishing Enforcers of an Oppressive Regime), detail, 1998 Eight printed cardboard standees, satin sashes, and LED lights Image courtesy Artists Space, New York Photo: Filip Wolak [A view of four red-eyed police officer cardboard cutouts with sashes that read "Punishing Enforcers of an Oppressive Regime." A blue police light sits in the corner of the red lit room.]
    Caption ART CLUB2000 Untitled (Punishing Enforcers of an Oppressive Regime), detail, 1998 Eight printed cardboard standees, satin sashes, and LED lights Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A view of four red-eyed police officer cardboard cutouts with sashes that read "Punishing Enforcers of an Oppressive Regime." A blue police light sits in the corner of the red lit room.
    Year 2021
    Related pages ART CLUB2000
  • Displayed on shelf, a framed poster, an open book, and book showing multiple images on cover.
    Displayed on shelf, a framed poster, an open book, and book showing multiple images on cover.
    She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak. [Displayed on shelf, a framed poster, an open book, and book showing multiple images on cover.]
    Caption She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak.
    Image description Displayed on shelf, a framed poster, an open book, and book showing multiple images on cover.
    Year 2020
    Related pages She Who Is: Adrienne Kennedy and the Drama of Difference
  • Semi-translucent, white cloth material embroidered with thin black and yellow linework. A cluster of embroidered black lines gather at the top of the fabric. At their center is a group of words that have been embroidered onto the fabric. They overlap with such density that they are illegible. Small embroidered yellow circles decorate the lower half and right corner of the fabric.
    Semi-translucent, white cloth material embroidered with thin black and yellow linework. A cluster of embroidered black lines gather at the top of the fabric. At their center is a group of words that have been embroidered onto the fabric. They overlap with such density that they are illegible. Small embroidered yellow circles decorate the lower half and right corner of the fabric.
    [Semi-translucent, white cloth material embroidered with thin black and yellow linework. A cluster of embroidered black lines gather at the top of the fabric. At their center is a group of words that have been embroidered onto the fabric. They overlap with such density that they are illegible. Small embroidered yellow circles decorate the lower half and right corner of the fabric.]
    Caption
    Image description Semi-translucent, white cloth material embroidered with thin black and yellow linework. A cluster of embroidered black lines gather at the top of the fabric. At their center is a group of words that have been embroidered onto the fabric. They overlap with such density that they are illegible. Small embroidered yellow circles decorate the lower half and right corner of the fabric.
    Year 2003
    Related pages Abstruction
  • An image of a wooden chair next to a wooden desk with a frame being prepared on top of it. They are placed on a wooden floor against a white wall.
    An image of a wooden chair next to a wooden desk with a frame being prepared on top of it. They are placed on a wooden floor against a white wall.
    Duane Zaloudek. Untitled, 1983. [An image of a wooden chair next to a wooden desk with a frame being prepared on top of it. They are placed on a wooden floor against a white wall.]
    Caption Duane Zaloudek. Untitled, 1983.
    Image description An image of a wooden chair next to a wooden desk with a frame being prepared on top of it. They are placed on a wooden floor against a white wall.
    Year
    Related pages Three Exhibitions Sponsored by the Mark Rothko Foundation
  • Various street art works on draped fabric, canvas and signs in a white-walled gallery space with a dog peering into a cardboard box. A person is visible in the left corner on the phone and a door is open on the right.
    Various street art works on draped fabric, canvas and signs in a white-walled gallery space with a dog peering into a cardboard box. A person is visible in the left corner on the phone and a door is open on the right.
    New Galleries of the Lower East Side. Installation View, Artists Space, 1984. Photo: Kenji Fujita. [Various street art works on draped fabric, canvas and signs in a white-walled gallery space with a dog peering into a cardboard box. A person is visible in the left corner on the phone and a door is open on the right.]
    Caption New Galleries of the Lower East Side. Installation View, Artists Space, 1984. Photo: Kenji Fujita.
    Image description Various street art works on draped fabric, canvas and signs in a white-walled gallery space with a dog peering into a cardboard box. A person is visible in the left corner on the phone and a door is open on the right.
    Year 1984
    Related pages New Galleries of the Lower East Side
  • Two black and white images displayed on a pedestal in front of a column in an exhibition space. Behind the column, several photographs in white frames lean against a gallery wall with many windows. A long red carpet stretches across the floor underneath the framed images.
    Two black and white images displayed on a pedestal in front of a column in an exhibition space. Behind the column, several photographs in white frames lean against a gallery wall with many windows. A long red carpet stretches across the floor underneath the framed images.
    Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Two black and white images displayed on a pedestal in front of a column in an exhibition space. Behind the column, several photographs in white frames lean against a gallery wall with many windows. A long red carpet stretches across the floor underneath the framed images.]
    Caption Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Two black and white images displayed on a pedestal in front of a column in an exhibition space. Behind the column, several photographs in white frames lean against a gallery wall with many windows. A long red carpet stretches across the floor underneath the framed images.
    Year 2013
    Related pages Frozen Lakes
  • A collaged image, depicting the upper body of a man, with his fists to his chin, overlaid with lower body of a horse. Blue text on top and bottom of image reads
    A collaged image, depicting the upper body of a man, with his fists to his chin, overlaid with lower body of a horse. Blue text on top and bottom of image reads
    Flyer for Segue Reading Series featuring Robert Glück & Ted Rees. Saturday, October 17, 2020, Artists Space. Artist: Keith Higginbotham [A collaged image, depicting the upper body of a man, with his fists to his chin, overlaid with lower body of a horse. Blue text on top and bottom of image reads "Robert Glück / Ted Rees / Segue".]
    Caption Flyer for Segue Reading Series featuring Robert Glück & Ted Rees. Saturday, October 17, 2020, Artists Space. Artist: Keith Higginbotham
    Image description A collaged image, depicting the upper body of a man, with his fists to his chin, overlaid with lower body of a horse. Blue text on top and bottom of image reads "Robert Glück / Ted Rees / Segue".
    Year 2020
    Related pages Segue Reading Series: Robert Glück & Ted Rees
  • Three plexiglass and poster board timelines and a large black structure are visible within a gallery space. The timelines depict photos and texts arranged by year, from 1999-2001. The structure has an image of an office wrapped around one column and a TV is visible through the structure.
    Three plexiglass and poster board timelines and a large black structure are visible within a gallery space. The timelines depict photos and texts arranged by year, from 1999-2001. The structure has an image of an office wrapped around one column and a TV is visible through the structure.
    Bernadette Corporation: 2000 Wasted Years. Installation View, Artists Space, 2012. Photo: Daniel Pérez. [Three plexiglass and poster board timelines and a large black structure are visible within a gallery space. The timelines depict photos and texts arranged by year, from 1999-2001. The structure has an image of an office wrapped around one column and a TV is visible through the structure.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation View, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Three plexiglass and poster board timelines and a large black structure are visible within a gallery space. The timelines depict photos and texts arranged by year, from 1999-2001. The structure has an image of an office wrapped around one column and a TV is visible through the structure.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • Behind two large columns is a wall mural displaying multiple cartoon vultures resting on black scaffolding. Beside the mural sits a pile of newsprint flyers.
    Behind two large columns is a wall mural displaying multiple cartoon vultures resting on black scaffolding. Beside the mural sits a pile of newsprint flyers.
    ART CLUB2000 Gli Avvoltoi (The Vultures), 1995 Vinyl paint and newsprint flyer Image courtesy Artists Space, New York Photo: Filip Wolak [Behind two large columns is a wall mural displaying multiple cartoon vultures resting on black scaffolding. Beside the mural sits a pile of newsprint flyers.]
    Caption ART CLUB2000 Gli Avvoltoi (The Vultures), 1995 Vinyl paint and newsprint flyer Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description Behind two large columns is a wall mural displaying multiple cartoon vultures resting on black scaffolding. Beside the mural sits a pile of newsprint flyers.
    Year 2021
    Related pages ART CLUB2000
  • White text against black background, landscape orientation poisitioned in portrait with words reading from bottom to top. The large title reads
    White text against black background, landscape orientation poisitioned in portrait with words reading from bottom to top. The large title reads
    Wolf Vostell idécollage No. 3, Bulletin aktueller Ideen , Cologne, December 1962 Collection Andersch [White text against black background, landscape orientation poisitioned in portrait with words reading from bottom to top. The large title reads "dé collage."]
    Caption Wolf Vostell idécollage No. 3, Bulletin aktueller Ideen , Cologne, December 1962 Collection Andersch
    Image description White text against black background, landscape orientation poisitioned in portrait with words reading from bottom to top. The large title reads "dé collage."
    Year 1962
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A white rectangular image with an opaque black circle in the center right, and a capital D outlined in black in the top left of the image.
    A white rectangular image with an opaque black circle in the center right, and a capital D outlined in black in the top left of the image.
    Adam Pendleton, Title TK, 2010, Silkscreen with embossing on Somerset Satin 500 gsm, 17 ¼ x 23 ½ inches, Signed and numbered. [A white rectangular image with an opaque black circle in the center right, and a capital D outlined in black in the top left of the image.]
    Caption Adam Pendleton, Title TK, 2010, Silkscreen with embossing on Somerset Satin 500 gsm, 17 ¼ x 23 ½ inches, Signed and numbered.
    Image description A white rectangular image with an opaque black circle in the center right, and a capital D outlined in black in the top left of the image.
    Year 2010
    Related pages Artists Space Annual Edition Portfolio 2010
  • The photograph shows a framed image with black geometric patterns mounted on a white wall with a black sculpture to its left sitting on a white plinth.
    The photograph shows a framed image with black geometric patterns mounted on a white wall with a black sculpture to its left sitting on a white plinth.
    Ryan Gander, What the postman brought, 2007, Mixed media Variable size, Edition of 17, 3 AP, Courtesy the artist, STORE London and Annet Gelink Amsterdam. [The photograph shows a framed image with black geometric patterns mounted on a white wall with a black sculpture to its left sitting on a white plinth.]
    Caption Ryan Gander, What the postman brought, 2007, Mixed media Variable size, Edition of 17, 3 AP, Courtesy the artist, STORE London and Annet Gelink Amsterdam.
    Image description The photograph shows a framed image with black geometric patterns mounted on a white wall with a black sculpture to its left sitting on a white plinth.
    Year 2007
    Related pages Editions
  • A document that reads,
    A document that reads,
    Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A document that reads, "1976," next to several newspaper and magazine articles organized on a white surface.]
    Caption Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A document that reads, "1976," next to several newspaper and magazine articles organized on a white surface.
    Year 2013
    Related pages Documenting Cadere: 1972 - 1978
  • An animation of a black and white clock whose hands move backwards. The clock is positioned on a silhouette of a head in profile. Sans-serif text below the graphic reads,
    An animation of a black and white clock whose hands move backwards. The clock is positioned on a silhouette of a head in profile. Sans-serif text below the graphic reads,
    [An animation of a black and white clock whose hands move backwards. The clock is positioned on a silhouette of a head in profile. Sans-serif text below the graphic reads, "The Fainnie Azul Horologe."]
    Caption
    Image description An animation of a black and white clock whose hands move backwards. The clock is positioned on a silhouette of a head in profile. Sans-serif text below the graphic reads, "The Fainnie Azul Horologe."
    Year 2014
    Related pages HOROLOGICS
  • A nude statue of a woman in a headdress. To the left, sideways text reads,
    A nude statue of a woman in a headdress. To the left, sideways text reads,
    Program for ‘At The Whitechapel Art Gallery, September – November 1981’ . Designed by Richard Hollis, 1981. Courtesy Richard Hollis [A nude statue of a woman in a headdress. To the left, sideways text reads, "At the Whitechapel Art Gallery."]
    Caption Program for ‘At The Whitechapel Art Gallery, September – November 1981’ . Designed by Richard Hollis, 1981. Courtesy Richard Hollis
    Image description A nude statue of a woman in a headdress. To the left, sideways text reads, "At the Whitechapel Art Gallery."
    Year 1981
    Related pages Richard Hollis
  • A color photo advertisement for an Olympus OM-10 camera, depicting a woman holding the camera and smiling, looking just past the viewer. The image is titled
    A color photo advertisement for an Olympus OM-10 camera, depicting a woman holding the camera and smiling, looking just past the viewer. The image is titled
    Anne Collier, Tear Sheet, 2010, Digital C-print, 23 1/3 x 20 in / 59,2 x 50,8 cm, Signed and numbered certificate. [A color photo advertisement for an Olympus OM-10 camera, depicting a woman holding the camera and smiling, looking just past the viewer. The image is titled "CHERYL TIEGS PRAISES HER FAVORITE MODEL." A short interview is printed at the bottom right of the image, where Cheryl goes back and forth with an "interviewer" about her love of the camera.]
    Caption Anne Collier, Tear Sheet, 2010, Digital C-print, 23 1/3 x 20 in / 59,2 x 50,8 cm, Signed and numbered certificate.
    Image description A color photo advertisement for an Olympus OM-10 camera, depicting a woman holding the camera and smiling, looking just past the viewer. The image is titled "CHERYL TIEGS PRAISES HER FAVORITE MODEL." A short interview is printed at the bottom right of the image, where Cheryl goes back and forth with an "interviewer" about her love of the camera.
    Year 2010
    Related pages Artists Space Annual Edition Portfolio 2011
  • A nude figure with a nude figure emerging from its neck is pierced with three arrows while its arms are hidden behind its back. Blood-like lines appear dripping from the arrows. A sky is visible behind the figure.
    A nude figure with a nude figure emerging from its neck is pierced with three arrows while its arms are hidden behind its back. Blood-like lines appear dripping from the arrows. A sky is visible behind the figure.
    Neraldo de la Paz. San Sebastian, 1984. [A nude figure with a nude figure emerging from its neck is pierced with three arrows while its arms are hidden behind its back. Blood-like lines appear dripping from the arrows. A sky is visible behind the figure.]
    Caption Neraldo de la Paz. San Sebastian, 1984.
    Image description A nude figure with a nude figure emerging from its neck is pierced with three arrows while its arms are hidden behind its back. Blood-like lines appear dripping from the arrows. A sky is visible behind the figure.
    Year
    Related pages Recent Art from Chicago
  • Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right is speaking, her hand pinched in a small gesture at her torso.
    Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right is speaking, her hand pinched in a small gesture at her torso.
    Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court. [Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right is speaking, her hand pinched in a small gesture at her torso.]
    Caption Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court.
    Image description Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right is speaking, her hand pinched in a small gesture at her torso.
    Year 2020
    Related pages Passages from People Who Led to My Plays
  • Older man with microphone stands next to five small boys. The wall behind them reads
    Older man with microphone stands next to five small boys. The wall behind them reads
    Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart), 1983. Video (sound, black and white). Spanish with English subtitles. [Older man with microphone stands next to five small boys. The wall behind them reads "en esta esquina" in black letters on one side and "CDS" in white letters on the other. Subtitles burned into the image at the bottom read, "Our prizes are 2000, 1000 and 500!" Video scan lines and outer edges of CRT monitor are visible.]
    Caption Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart), 1983. Video (sound, black and white). Spanish with English subtitles.
    Image description Older man with microphone stands next to five small boys. The wall behind them reads "en esta esquina" in black letters on one side and "CDS" in white letters on the other. Subtitles burned into the image at the bottom read, "Our prizes are 2000, 1000 and 500!" Video scan lines and outer edges of CRT monitor are visible.
    Year 1983
    Related pages TV Sandino
  • A framed image with black text, white background, and a black & white photo in the center hangs on a wall. The photo depicts a cop on the left who reaches towards a man holding a gun and a young child on the right. Above the photo it says,
    A framed image with black text, white background, and a black & white photo in the center hangs on a wall. The photo depicts a cop on the left who reaches towards a man holding a gun and a young child on the right. Above the photo it says,
    Lukas Duwenhögger, Restive Childhood, 2016, Archival inkjet with silkscreen on 320 gsm Hahnemühle Photorag Pearl paper, 20 ¾ x 15 ¾ inches (52,7 x 40 cm), Edition of 10 + 3 AP, Signed & Numbered. [A framed image with black text, white background, and a black & white photo in the center hangs on a wall. The photo depicts a cop on the left who reaches towards a man holding a gun and a young child on the right. Above the photo it says, "Out of the blue: / Children march on capital / demanding homo-adoption / innumerable casualties / heart-wrenching scenes." Beneath the photo, the text repeats but in Turkish.]
    Caption Lukas Duwenhögger, Restive Childhood, 2016, Archival inkjet with silkscreen on 320 gsm Hahnemühle Photorag Pearl paper, 20 ¾ x 15 ¾ inches (52,7 x 40 cm), Edition of 10 + 3 AP, Signed & Numbered.
    Image description A framed image with black text, white background, and a black & white photo in the center hangs on a wall. The photo depicts a cop on the left who reaches towards a man holding a gun and a young child on the right. Above the photo it says, "Out of the blue: / Children march on capital / demanding homo-adoption / innumerable casualties / heart-wrenching scenes." Beneath the photo, the text repeats but in Turkish.
    Year 2016
    Related pages Editions
  • An ant is mounted on a white surface by a white pin through its center. Its shadow is visible underneath it.
    An ant is mounted on a white surface by a white pin through its center. Its shadow is visible underneath it.
    Mark Morrisroe, Untitled, 1986. Courtesy The Estate of Mark Morrisroe (Ringier Collection) at Fotomuseum Winterthur. [An ant is mounted on a white surface by a white pin through its center. Its shadow is visible underneath it.]
    Caption Mark Morrisroe, Untitled, 1986. Courtesy The Estate of Mark Morrisroe (Ringier Collection) at Fotomuseum Winterthur.
    Image description An ant is mounted on a white surface by a white pin through its center. Its shadow is visible underneath it.
    Year 2011
    Related pages Mark Morrisroe: From This Moment On
  • A low-angled view of an empty gallery space with wooden flooring and white walls.
    A low-angled view of an empty gallery space with wooden flooring and white walls.
    [A low-angled view of an empty gallery space with wooden flooring and white walls.]
    Caption
    Image description A low-angled view of an empty gallery space with wooden flooring and white walls.
    Year 2016
    Related pages Richard Kennedy: Both
  • Pickle green background with black text that reads,
    Pickle green background with black text that reads,
    Jenny Holzer. Poster, 1982. [Pickle green background with black text that reads, "CHANGE IS THE BASIS OF HISTORY, THE PROOF OF VIGOR. THE OLD IS SOILED AND DISGUSTING BY NATURE. STALE FOOD IS REPELLENT, MONOGAMOUS LOVE BREEDS CONTEMPT, SENILITY CRIPPLES THE GOVERNMENT THAT IS TOO POWERFUL TOO LONG. UPHEAVAL IS DESIRABLE BECAUSE FRESH, UNTAINTED GROUPS SEIZE OPPORTUNITY. VIOLENT OVERTHROW IS NICE IF THE SITUATION IS INTOLERABLE. SLOW MODIFICATION IS EFFECTIVE BECAUSE PEOPLE ARE TRANSFORMED BEFORE THEY NOTICE AND RESIST. THE DECADENT AND THE POWERFUL CHAMPION CONTINUITY. "NOTHING ESSENTIAL CHANGES." THAT IS A MYTH. IT WILL BE REFUTED. THE NECESSARY BIRTH CONVULSIONS WILL BE TRIGGERED. ACTION WILL BRING THE EVIDENCE TO YOUR DOORSTEP."]
    Caption Jenny Holzer. Poster, 1982.
    Image description Pickle green background with black text that reads, "CHANGE IS THE BASIS OF HISTORY, THE PROOF OF VIGOR. THE OLD IS SOILED AND DISGUSTING BY NATURE. STALE FOOD IS REPELLENT, MONOGAMOUS LOVE BREEDS CONTEMPT, SENILITY CRIPPLES THE GOVERNMENT THAT IS TOO POWERFUL TOO LONG. UPHEAVAL IS DESIRABLE BECAUSE FRESH, UNTAINTED GROUPS SEIZE OPPORTUNITY. VIOLENT OVERTHROW IS NICE IF THE SITUATION IS INTOLERABLE. SLOW MODIFICATION IS EFFECTIVE BECAUSE PEOPLE ARE TRANSFORMED BEFORE THEY NOTICE AND RESIST. THE DECADENT AND THE POWERFUL CHAMPION CONTINUITY. "NOTHING ESSENTIAL CHANGES." THAT IS A MYTH. IT WILL BE REFUTED. THE NECESSARY BIRTH CONVULSIONS WILL BE TRIGGERED. ACTION WILL BRING THE EVIDENCE TO YOUR DOORSTEP."
    Year
    Related pages Eating Friends
  • A black-and-white photo depicting a behind the scenes view of a movie in production. A man holds the camera on the right - a cage is on the left, and two men speak in the center of the image, one facing the camera and one facing away.
    A black-and-white photo depicting a behind the scenes view of a movie in production. A man holds the camera on the right - a cage is on the left, and two men speak in the center of the image, one facing the camera and one facing away.
    Storm de Hirsch, still from Newsreel: Jonas in The Brig, 1964. Courtesy Anthology Film Archives. [A black-and-white photo depicting a behind the scenes view of a movie in production. A man holds the camera on the right - a cage is on the left, and two men speak in the center of the image, one facing the camera and one facing away.]
    Caption Storm de Hirsch, still from Newsreel: Jonas in The Brig, 1964. Courtesy Anthology Film Archives.
    Image description A black-and-white photo depicting a behind the scenes view of a movie in production. A man holds the camera on the right - a cage is on the left, and two men speak in the center of the image, one facing the camera and one facing away.
    Year 1964
    Related pages Jonas In The Brig
  • A folding wall is erected in the center of a gallery space.  Its top features painted portraits of eight people from the waist up.  Below them, the lower half of the wall is covered in white, handpainted text on a black background.   The text extends onto the floor, and its bottom edge is bordered by a row of votive candles.  Behind this wall, other artworks are partially visible.
    A folding wall is erected in the center of a gallery space.  Its top features painted portraits of eight people from the waist up.  Below them, the lower half of the wall is covered in white, handpainted text on a black background.   The text extends onto the floor, and its bottom edge is bordered by a row of votive candles.  Behind this wall, other artworks are partially visible.
    Vidas Perdidas. Installation view, Artists Space, 1989. [A folding wall is erected in the center of a gallery space. Its top features painted portraits of eight people from the waist up. Below them, the lower half of the wall is covered in white, handpainted text on a black background. The text extends onto the floor, and its bottom edge is bordered by a row of votive candles. Behind this wall, other artworks are partially visible.]
    Caption Vidas Perdidas. Installation view, Artists Space, 1989.
    Image description A folding wall is erected in the center of a gallery space. Its top features painted portraits of eight people from the waist up. Below them, the lower half of the wall is covered in white, handpainted text on a black background. The text extends onto the floor, and its bottom edge is bordered by a row of votive candles. Behind this wall, other artworks are partially visible.
    Year 1989
    Related pages Vidas Perdidas/Lost Lives: Border Art/Workshop/Taller de Arte Fronterizo
  • Black and white photograph of three, geometric metal structures sitting on a wide, outdoor concrete plaza. One of the metal structures is situated in the center of the photograph, while the additional two sit behind it, flanking it on either side. The structures are composed of hollow cube-like and triangular components.
    Black and white photograph of three, geometric metal structures sitting on a wide, outdoor concrete plaza. One of the metal structures is situated in the center of the photograph, while the additional two sit behind it, flanking it on either side. The structures are composed of hollow cube-like and triangular components.
    Charlotte Posenenske, Series D Vierkantrohre (Square Tubes), 1967. Galvanized sheet steel, dimensions variable. Photo: Burkhard Brunn. [Black and white photograph of three, geometric metal structures sitting on a wide, outdoor concrete plaza. One of the metal structures is situated in the center of the photograph, while the additional two sit behind it, flanking it on either side. The structures are composed of hollow cube-like and triangular components.]
    Caption Charlotte Posenenske, Series D Vierkantrohre (Square Tubes), 1967. Galvanized sheet steel, dimensions variable. Photo: Burkhard Brunn.
    Image description Black and white photograph of three, geometric metal structures sitting on a wide, outdoor concrete plaza. One of the metal structures is situated in the center of the photograph, while the additional two sit behind it, flanking it on either side. The structures are composed of hollow cube-like and triangular components.
    Year 1967
    Related pages Charlotte Posenenske
  • A flyer depicting a stylized black body in profile. Handwritten text at the top and bottom edges of the flyer reads,
    A flyer depicting a stylized black body in profile. Handwritten text at the top and bottom edges of the flyer reads,
    [A flyer depicting a stylized black body in profile. Handwritten text at the top and bottom edges of the flyer reads, "BODIES OF LIGHT / EXIT STRATEGY / DEC 3RD / DECOLONIZE THIS PLACE / 55 WALKER ST / 6PM-11PM / NEW YORK, NEW YORK."]
    Caption
    Image description A flyer depicting a stylized black body in profile. Handwritten text at the top and bottom edges of the flyer reads, "BODIES OF LIGHT / EXIT STRATEGY / DEC 3RD / DECOLONIZE THIS PLACE / 55 WALKER ST / 6PM-11PM / NEW YORK, NEW YORK."
    Year 2016
    Related pages Bodies of Light: Exit Strategy
  • Two illustrations framed on a wall. On the left, two men, dressed in suits, engage in intercource behind a women sat in a chair. On the right, a half naked man sits on a bench in a cell above a man licking his leg, and an exposed butt that is plugged.
    Two illustrations framed on a wall. On the left, two men, dressed in suits, engage in intercource behind a women sat in a chair. On the right, a half naked man sits on a bench in a cell above a man licking his leg, and an exposed butt that is plugged.
    Tom of Finland: The Pleasure of Play. Installation view, Artists Space, 2015. [Two illustrations framed on a wall. On the left, two men, dressed in suits, engage in intercource behind a women sat in a chair. On the right, a half naked man sits on a bench in a cell above a man licking his leg, and an exposed butt that is plugged.]
    Caption Tom of Finland: The Pleasure of Play. Installation view, Artists Space, 2015.
    Image description Two illustrations framed on a wall. On the left, two men, dressed in suits, engage in intercource behind a women sat in a chair. On the right, a half naked man sits on a bench in a cell above a man licking his leg, and an exposed butt that is plugged.
    Year 2015
    Related pages Tom of Finland: The Pleasure of Play
  • A woman seated on a couch wearing a green button-down shirt captured mid-laughter.
    A woman seated on a couch wearing a green button-down shirt captured mid-laughter.
    Jason Simon, still from Vera, 2003. 25 min. [A woman seated on a couch wearing a green button-down shirt captured mid-laughter.]
    Caption Jason Simon, still from Vera, 2003. 25 min.
    Image description A woman seated on a couch wearing a green button-down shirt captured mid-laughter.
    Year 2003
    Related pages Film and Video Program | Macho Man, Tell It To My Heart: Collected by Julie Ault | January 30
  • Two figures are pictured side by side in matching clothes. A cutout picture of a head, its mouth wide open, is collaged on top of the figure on the left side. White and black text over the image reads
    Two figures are pictured side by side in matching clothes. A cutout picture of a head, its mouth wide open, is collaged on top of the figure on the left side. White and black text over the image reads
    Flyer for Segue Reading Series featuring Evan Kennedy and Jennifer Nelson. Saturday, November 28, 2020, Artists Space. Artist: Keith Higginbotham [Two figures are pictured side by side in matching clothes. A cutout picture of a head, its mouth wide open, is collaged on top of the figure on the left side. White and black text over the image reads "Evan Kennedy / Jennifer Nelson / Segue."]
    Caption Flyer for Segue Reading Series featuring Evan Kennedy and Jennifer Nelson. Saturday, November 28, 2020, Artists Space. Artist: Keith Higginbotham
    Image description Two figures are pictured side by side in matching clothes. A cutout picture of a head, its mouth wide open, is collaged on top of the figure on the left side. White and black text over the image reads "Evan Kennedy / Jennifer Nelson / Segue."
    Year 2020
    Related pages Segue Reading Series: Jennifer Nelson & Evan Kennedy
  • Detail view of a black platform with a black screen at the end, depicting a person wearing a shirt
    Detail view of a black platform with a black screen at the end, depicting a person wearing a shirt
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of a black platform with a black screen at the end, depicting a person wearing a shirt]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Detail view of a black platform with a black screen at the end, depicting a person wearing a shirt
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • A gold helix sculpture.
    A gold helix sculpture.
    Tauba Auerbach, Reciprocal Helix (Z), 2014, 3D printed matte gold steel, 5 1/2 x 1 1/4 x 2/5 in / 14 x 3,2 x 1,1 cm, Signed and Numbered Certificate. [A gold helix sculpture.]
    Caption Tauba Auerbach, Reciprocal Helix (Z), 2014, 3D printed matte gold steel, 5 1/2 x 1 1/4 x 2/5 in / 14 x 3,2 x 1,1 cm, Signed and Numbered Certificate.
    Image description A gold helix sculpture.
    Year 2015
    Related pages Artists Space Annual Edition Portfolio 2015
  • A wide wooden worktable sits in a gallery space with various models, books, and papers displayed on its surface. One of the models located closest to the viewer is yellow and has an amorphous shape. A series of black and white photographs of buildings hang on the wall to the right of the table.
    A wide wooden worktable sits in a gallery space with various models, books, and papers displayed on its surface. One of the models located closest to the viewer is yellow and has an amorphous shape. A series of black and white photographs of buildings hang on the wall to the right of the table.
    Elephant Cemetery. Installation view, Artists Space, 2007. [A wide wooden worktable sits in a gallery space with various models, books, and papers displayed on its surface. One of the models located closest to the viewer is yellow and has an amorphous shape. A series of black and white photographs of buildings hang on the wall to the right of the table.]
    Caption Elephant Cemetery. Installation view, Artists Space, 2007.
    Image description A wide wooden worktable sits in a gallery space with various models, books, and papers displayed on its surface. One of the models located closest to the viewer is yellow and has an amorphous shape. A series of black and white photographs of buildings hang on the wall to the right of the table.
    Year 2007
    Related pages Elephant Cemetery
  • Three small televisions sit on a white shelf. Each displays a timestamped video of a person eating a lollipop.
    Three small televisions sit on a white shelf. Each displays a timestamped video of a person eating a lollipop.
    The Mind/Body Problem. Installation view, Artists Space, 2006. Photo: Alan Wiener. [Three small televisions sit on a white shelf. Each displays a timestamped video of a person eating a lollipop.]
    Caption The Mind/Body Problem. Installation view, Artists Space, 2006. Photo: Alan Wiener.
    Image description Three small televisions sit on a white shelf. Each displays a timestamped video of a person eating a lollipop.
    Year 2006
    Related pages The Mind/Body Problem
  • Still from video interview with Daniel Buren about the work of Christopher D'Arcangelo, conducted by Dean Inkster and Sébastien Pluot, 2010.
    Caption Still from video interview with Daniel Buren about the work of Christopher D'Arcangelo, conducted by Dean Inkster and Sébastien Pluot, 2010.
    Image description
    Year
    Related pages Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979)
  • A sink structure on wheels sits atop a tilted wooden table top with legs of varying sizes. Light from the ceiling is seen emanating onto the structure in the white-walled gallery space.
    A sink structure on wheels sits atop a tilted wooden table top with legs of varying sizes. Light from the ceiling is seen emanating onto the structure in the white-walled gallery space.
    U.S. Projects: Howard Fried. Installation view, Artists Space, 1983. [A sink structure on wheels sits atop a tilted wooden table top with legs of varying sizes. Light from the ceiling is seen emanating onto the structure in the white-walled gallery space.]
    Caption U.S. Projects: Howard Fried. Installation view, Artists Space, 1983.
    Image description A sink structure on wheels sits atop a tilted wooden table top with legs of varying sizes. Light from the ceiling is seen emanating onto the structure in the white-walled gallery space.
    Year
    Related pages U.S. Projects: Howard Fried
  • A screenshot of the google images search results page for the query
    A screenshot of the google images search results page for the query
    [A screenshot of the google images search results page for the query "a history of negations."]
    Caption
    Image description A screenshot of the google images search results page for the query "a history of negations."
    Year
    Related pages A History of Negations
  • A black converse shoe with a white sock. Extending out of the shoe is a white plastic false shin with a metal bone coming out of the top.
    A black converse shoe with a white sock. Extending out of the shoe is a white plastic false shin with a metal bone coming out of the top.
    Salad Days. Installation view, Artists Space, 2004. [A black converse shoe with a white sock. Extending out of the shoe is a white plastic false shin with a metal bone coming out of the top.]
    Caption Salad Days. Installation view, Artists Space, 2004.
    Image description A black converse shoe with a white sock. Extending out of the shoe is a white plastic false shin with a metal bone coming out of the top.
    Year 2004
    Related pages Salad Days
  • A scanned image of paper, angled at its forlds, that reads,
    A scanned image of paper, angled at its forlds, that reads,
    Invitation from Hommage an Schmela (Homage to Schmela) December 9 – 15, 1966 Galerie Schmela, Düsseldorf Estate Konrad Lueg [A scanned image of paper, angled at its forlds, that reads, "Hommage en schemla." On the bottom page are sections of dates with handwritten information.]
    Caption Invitation from Hommage an Schmela (Homage to Schmela) December 9 – 15, 1966 Galerie Schmela, Düsseldorf Estate Konrad Lueg
    Image description A scanned image of paper, angled at its forlds, that reads, "Hommage en schemla." On the bottom page are sections of dates with handwritten information.
    Year 1966
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A close-up, black and white image of a face, with parts of the image chipping off and revealing a black backing.
    A close-up, black and white image of a face, with parts of the image chipping off and revealing a black backing.
    Jeff Gibson, Delusions of Grandeur, 1989. Media unknown, 20 x 24 inches. [A close-up, black and white image of a face, with parts of the image chipping off and revealing a black backing.]
    Caption Jeff Gibson, Delusions of Grandeur, 1989. Media unknown, 20 x 24 inches.
    Image description A close-up, black and white image of a face, with parts of the image chipping off and revealing a black backing.
    Year
    Related pages Paraculture
  • One man takes off an orange sweater while another man watches.
    One man takes off an orange sweater while another man watches.
    Ken Okiishi. Still from Telly & Casper, 2000. Digital video (sound, color), 27 min. Courtesy the artist. [One man takes off an orange sweater while another man watches.]
    Caption Ken Okiishi. Still from Telly & Casper, 2000. Digital video (sound, color), 27 min. Courtesy the artist.
    Image description One man takes off an orange sweater while another man watches.
    Year 2000
    Related pages Ken Okiishi
  • A book case displaying 5 paper collages of men's portraits.
    A book case displaying 5 paper collages of men's portraits.
    Tom of Finland, Reference Pages, ca.1966 – 90. Collage on paper. Courtesy Tom of Finland Foundation. [A book case displaying 5 paper collages of men's portraits.]
    Caption Tom of Finland, Reference Pages, ca.1966 – 90. Collage on paper. Courtesy Tom of Finland Foundation.
    Image description A book case displaying 5 paper collages of men's portraits.
    Year 2015
    Related pages Tom of Finland: The Pleasure of Play
  • People standing around a gallery space with various globes surrounding them and frame images hanging on the wall to the right.
    People standing around a gallery space with various globes surrounding them and frame images hanging on the wall to the right.
    Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork: All is Pretty Andy Warhol!, Martin Cohen. [People standing around a gallery space with various globes surrounding them and frame images hanging on the wall to the right.]
    Caption Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork: All is Pretty Andy Warhol!, Martin Cohen.
    Image description People standing around a gallery space with various globes surrounding them and frame images hanging on the wall to the right.
    Year
    Related pages Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach
  • Onlookers and news reporters with cameras crowd around helmeted police officers surrounding a graffitied truck.
    Onlookers and news reporters with cameras crowd around helmeted police officers surrounding a graffitied truck.
    DIVA TV Collective, Target City Hall, 1989. 27 min. [Onlookers and news reporters with cameras crowd around helmeted police officers surrounding a graffitied truck.]
    Caption DIVA TV Collective, Target City Hall, 1989. 27 min.
    Image description Onlookers and news reporters with cameras crowd around helmeted police officers surrounding a graffitied truck.
    Year 1989
    Related pages Film and Video Program | Macho Man, Tell It To My Heart: Collected by Julie Ault | December 5
  • A large gallery space with white walls and wooden flooring. The length of a long gallery wall has been painted with amorphous areas of turquoise, yellow, red, and green color amidst vaguely cloud-like white shapes. Several rectangular canvases decorated with similar designs lean against the wall. A large blue shape resembling a bridge stretches across the wall design.
    A large gallery space with white walls and wooden flooring. The length of a long gallery wall has been painted with amorphous areas of turquoise, yellow, red, and green color amidst vaguely cloud-like white shapes. Several rectangular canvases decorated with similar designs lean against the wall. A large blue shape resembling a bridge stretches across the wall design.
    Abstruction. Installation view, Artists Space, 2003. [A large gallery space with white walls and wooden flooring. The length of a long gallery wall has been painted with amorphous areas of turquoise, yellow, red, and green color amidst vaguely cloud-like white shapes. Several rectangular canvases decorated with similar designs lean against the wall. A large blue shape resembling a bridge stretches across the wall design.]
    Caption Abstruction. Installation view, Artists Space, 2003.
    Image description A large gallery space with white walls and wooden flooring. The length of a long gallery wall has been painted with amorphous areas of turquoise, yellow, red, and green color amidst vaguely cloud-like white shapes. Several rectangular canvases decorated with similar designs lean against the wall. A large blue shape resembling a bridge stretches across the wall design.
    Year 2003
    Related pages Abstruction
  • A black and white line drawing of a person in an art gallery looking at a portrait on the wall. There is another piece on the wall of a person holding a rectangular box and blowing a bubble.
    A black and white line drawing of a person in an art gallery looking at a portrait on the wall. There is another piece on the wall of a person holding a rectangular box and blowing a bubble.
    [A black and white line drawing of a person in an art gallery looking at a portrait on the wall. There is another piece on the wall of a person holding a rectangular box and blowing a bubble.]
    Caption
    Image description A black and white line drawing of a person in an art gallery looking at a portrait on the wall. There is another piece on the wall of a person holding a rectangular box and blowing a bubble.
    Year 1997
    Related pages Hot Coffee
  • A wide view of an installation in a large exhibition space. Four images of figures posing in various outfits hang from the ceiling in diagonally decreasing proximity. To the right of the space, an abstract sculptural piece is displayed. To the left are several orange tables and two orange, transparent rectangles supported by metal frames.
    A wide view of an installation in a large exhibition space. Four images of figures posing in various outfits hang from the ceiling in diagonally decreasing proximity. To the right of the space, an abstract sculptural piece is displayed. To the left are several orange tables and two orange, transparent rectangles supported by metal frames.
    DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A wide view of an installation in a large exhibition space. Four images of figures posing in various outfits hang from the ceiling in diagonally decreasing proximity. To the right of the space, an abstract sculptural piece is displayed. To the left are several orange tables and two orange, transparent rectangles supported by metal frames.]
    Caption DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description A wide view of an installation in a large exhibition space. Four images of figures posing in various outfits hang from the ceiling in diagonally decreasing proximity. To the right of the space, an abstract sculptural piece is displayed. To the left are several orange tables and two orange, transparent rectangles supported by metal frames.
    Year 2012
    Related pages DUOX: DUOX4Larkin
  • A crowd of people fill a dimly lit red room, some sitting and some standing. Abstract images are projected on the space’s walls.
    A crowd of people fill a dimly lit red room, some sitting and some standing. Abstract images are projected on the space’s walls.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A crowd of people fill a dimly lit red room, some sitting and some standing. Abstract images are projected on the space’s walls.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A crowd of people fill a dimly lit red room, some sitting and some standing. Abstract images are projected on the space’s walls.
    Year 2019
    Related pages Speaker Music: drape over another
  • A black and white photograph of a sculpture, which sits on the ground near the corner of a room, its wiry frame covered by a transparent mesh material.
    A black and white photograph of a sculpture, which sits on the ground near the corner of a room, its wiry frame covered by a transparent mesh material.
    Beverly Semmes, Tree Net, 1989. [A black and white photograph of a sculpture, which sits on the ground near the corner of a room, its wiry frame covered by a transparent mesh material.]
    Caption Beverly Semmes, Tree Net, 1989.
    Image description A black and white photograph of a sculpture, which sits on the ground near the corner of a room, its wiry frame covered by a transparent mesh material.
    Year 1989
    Related pages Beverly Semmes
  • ["We (not I)" typed in red, black, and blue serif font.]
    Caption
    Image description "We (not I)" typed in red, black, and blue serif font.
    Year 2015
    Related pages Finding Words
  • An arrangement of 10 colored photos, each showing a different outdoor and indoor settings, including settings of nature, animals, a red trailer, an overexposed lecture hall, and a portrait of a woman.
    An arrangement of 10 colored photos, each showing a different outdoor and indoor settings, including settings of nature, animals, a red trailer, an overexposed lecture hall, and a portrait of a woman.
    Michaela Eichwald, Ten Top Photographs for Artists Space, 2015, Series of ten inkjet prints, Assorted dimensions range from 5 x 7 in to 5 x 7 ½ in / 12,7 x 17,8 cm to 12,7 x 19 cm, each Signed and Numbered Certificate [An arrangement of 10 colored photos, each showing a different outdoor and indoor settings, including settings of nature, animals, a red trailer, an overexposed lecture hall, and a portrait of a woman.]
    Caption Michaela Eichwald, Ten Top Photographs for Artists Space, 2015, Series of ten inkjet prints, Assorted dimensions range from 5 x 7 in to 5 x 7 ½ in / 12,7 x 17,8 cm to 12,7 x 19 cm, each Signed and Numbered Certificate
    Image description An arrangement of 10 colored photos, each showing a different outdoor and indoor settings, including settings of nature, animals, a red trailer, an overexposed lecture hall, and a portrait of a woman.
    Year 2016
    Related pages Artists Space Annual Edition Portfolio 2016
  • A large space with a wooden floor and white walls. On one wall is a black and white floorplan with 3D structures. On the other wall, there are a series of photographs with several small street signs arranged in a clump. To the right of that, there is a block of wall text with four frames below. Two of the frames hold *Time Magazine* covers.
    A large space with a wooden floor and white walls. On one wall is a black and white floorplan with 3D structures. On the other wall, there are a series of photographs with several small street signs arranged in a clump. To the right of that, there is a block of wall text with four frames below. Two of the frames hold *Time Magazine* covers.
    Establishing Shot. Installation view, Artists Space, 2004. [A large space with a wooden floor and white walls. On one wall is a black and white floorplan with 3D structures. On the other wall, there are a series of photographs with several small street signs arranged in a clump. To the right of that, there is a block of wall text with four frames below. Two of the frames hold *Time Magazine* covers.]
    Caption Establishing Shot. Installation view, Artists Space, 2004.
    Image description A large space with a wooden floor and white walls. On one wall is a black and white floorplan with 3D structures. On the other wall, there are a series of photographs with several small street signs arranged in a clump. To the right of that, there is a block of wall text with four frames below. Two of the frames hold *Time Magazine* covers.
    Year 2004
    Related pages Establishing Shot
  • A cropped face of a figure is seen on the right with the image of a lantern light perched on a tree branch filling the left side of the image.
    A cropped face of a figure is seen on the right with the image of a lantern light perched on a tree branch filling the left side of the image.
    Audrey Glassman, Untitled, 1983. Cibachrome, 28 x 42 inches. [A cropped face of a figure is seen on the right with the image of a lantern light perched on a tree branch filling the left side of the image.]
    Caption Audrey Glassman, Untitled, 1983. Cibachrome, 28 x 42 inches.
    Image description A cropped face of a figure is seen on the right with the image of a lantern light perched on a tree branch filling the left side of the image.
    Year
    Related pages U.S. Projects
  • A wide shot of a gallery space with wood floors and large windows. In the foreground is a screen mounted on two metal poles on a wheeled base. In the midground, there are two screens mounted on floor to ceiling metal poles arranged at a 90-degree angle to each other. In the background, there is another screen just visible from behind a white column.
    A wide shot of a gallery space with wood floors and large windows. In the foreground is a screen mounted on two metal poles on a wheeled base. In the midground, there are two screens mounted on floor to ceiling metal poles arranged at a 90-degree angle to each other. In the background, there is another screen just visible from behind a white column.
    Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A wide shot of a gallery space with wood floors and large windows. In the foreground is a screen mounted on two metal poles on a wheeled base. In the midground, there are two screens mounted on floor to ceiling metal poles arranged at a 90-degree angle to each other. In the background, there is another screen just visible from behind a white column.]
    Caption Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A wide shot of a gallery space with wood floors and large windows. In the foreground is a screen mounted on two metal poles on a wheeled base. In the midground, there are two screens mounted on floor to ceiling metal poles arranged at a 90-degree angle to each other. In the background, there is another screen just visible from behind a white column.
    Year 2011
    Related pages Hilary Lloyd
  • Three female mannequins arranged in front of five hanging timelines marked 2002-2006. The first mannequin sits in a chair and is wearing a golden shirt and black skirt with a towel tossed over its shoulder. The second wears several scarf chokers, a shirt cut in two pieces resembling an
    Three female mannequins arranged in front of five hanging timelines marked 2002-2006. The first mannequin sits in a chair and is wearing a golden shirt and black skirt with a towel tossed over its shoulder. The second wears several scarf chokers, a shirt cut in two pieces resembling an
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Three female mannequins arranged in front of five hanging timelines marked 2002-2006. The first mannequin sits in a chair and is wearing a golden shirt and black skirt with a towel tossed over its shoulder. The second wears several scarf chokers, a shirt cut in two pieces resembling an "x", and gray jeans accessorized with two button pins and large thigh cutouts. The third wears an Adidas jersey decorated with a "bc" logo and black baggy pants.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Three female mannequins arranged in front of five hanging timelines marked 2002-2006. The first mannequin sits in a chair and is wearing a golden shirt and black skirt with a towel tossed over its shoulder. The second wears several scarf chokers, a shirt cut in two pieces resembling an "x", and gray jeans accessorized with two button pins and large thigh cutouts. The third wears an Adidas jersey decorated with a "bc" logo and black baggy pants.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • View of the audience at the Artists Space and Decolonize This Place event, with banners of resistance posted along the walls. One visible reads
    View of the audience at the Artists Space and Decolonize This Place event, with banners of resistance posted along the walls. One visible reads
    Our Uprisings: Art Action Assembly. Event documentation, November 20, 2016, Artists Space. Courtesy Decolonize This Place. Photo: Marz Saffore. [View of the audience at the Artists Space and Decolonize This Place event, with banners of resistance posted along the walls. One visible reads "Akai Gurley Murdered by NYPD Open Mic Moved To Streets," while another reads "ABOLISH WHITE SUPREMACY."]
    Caption Our Uprisings: Art Action Assembly. Event documentation, November 20, 2016, Artists Space. Courtesy Decolonize This Place. Photo: Marz Saffore.
    Image description View of the audience at the Artists Space and Decolonize This Place event, with banners of resistance posted along the walls. One visible reads "Akai Gurley Murdered by NYPD Open Mic Moved To Streets," while another reads "ABOLISH WHITE SUPREMACY."
    Year 2016
    Related pages Decolonize This Place
  • Two screens hung on either side of the top of a support beam in a gallery. The room is otherwise empty. One screen depicts a woman walking down a fashion runway, wearing a black jacket and shorts with a sheer top.
    Two screens hung on either side of the top of a support beam in a gallery. The room is otherwise empty. One screen depicts a woman walking down a fashion runway, wearing a black jacket and shorts with a sheer top.
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Two screens hung on either side of the top of a support beam in a gallery. The room is otherwise empty. One screen depicts a woman walking down a fashion runway, wearing a black jacket and shorts with a sheer top.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Two screens hung on either side of the top of a support beam in a gallery. The room is otherwise empty. One screen depicts a woman walking down a fashion runway, wearing a black jacket and shorts with a sheer top.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • A number of colorful animal-like figures appear in space with a white background.
    A number of colorful animal-like figures appear in space with a white background.
    Gerome Kamrowski. Hopeful Monster, 1980. [A number of colorful animal-like figures appear in space with a white background.]
    Caption Gerome Kamrowski. Hopeful Monster, 1980.
    Image description A number of colorful animal-like figures appear in space with a white background.
    Year
    Related pages Moderns in Mind
  • A black and white image of the back of a chair in front of a man in front of a train car, in which a man exits the door.
    A black and white image of the back of a chair in front of a man in front of a train car, in which a man exits the door.
    Installation view at Kaiserstraße 31A, Düsseldorf May 11, 1963 Courtesy Archiv Kuttner, Erkrath Photo: Manfred Kuttner [A black and white image of the back of a chair in front of a man in front of a train car, in which a man exits the door.]
    Caption Installation view at Kaiserstraße 31A, Düsseldorf May 11, 1963 Courtesy Archiv Kuttner, Erkrath Photo: Manfred Kuttner
    Image description A black and white image of the back of a chair in front of a man in front of a train car, in which a man exits the door.
    Year 1963
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A television box monitor displays a diagram connecting Robert Smithson to Theresa Hak Kyung Cha, and the past to the present and the future.
    A television box monitor displays a diagram connecting Robert Smithson to Theresa Hak Kyung Cha, and the past to the present and the future.
    Renée Green. Still from Partially Buried Continued, 1997. Video, color, sound; 36 minutes. Courtesy the artist, Free Agent Media, and Video Data Bank. [A television box monitor displays a diagram connecting Robert Smithson to Theresa Hak Kyung Cha, and the past to the present and the future.]
    Caption Renée Green. Still from Partially Buried Continued, 1997. Video, color, sound; 36 minutes. Courtesy the artist, Free Agent Media, and Video Data Bank.
    Image description A television box monitor displays a diagram connecting Robert Smithson to Theresa Hak Kyung Cha, and the past to the present and the future.
    Year 1997
    Related pages Whitney ISP Archive
  • Chinatown anti-gentrification paraphrenelia posted on the wall, with phrases like
    Chinatown anti-gentrification paraphrenelia posted on the wall, with phrases like
    “Chinatown Is Not for Sale.” Installation by Chinatown Art Brigade. Artists Space Books & Talks, Saturday, October 22, 2016. Courtesy Chinatown Art Brigade, Decolonize This Place and Artists Space, New York. Photo: Marz Saffore [Chinatown anti-gentrification paraphrenelia posted on the wall, with phrases like "Tenants Unite!", "Housing is a Human Right!", "Stop Gentrification Now!" and "Who did you Displace to open your Gallery?", written in English and Mandarin. A monitor displaying a person holding a megaphone at a protest is fixed on the wall, the handouts surrounding it.]
    Caption “Chinatown Is Not for Sale.” Installation by Chinatown Art Brigade. Artists Space Books & Talks, Saturday, October 22, 2016. Courtesy Chinatown Art Brigade, Decolonize This Place and Artists Space, New York. Photo: Marz Saffore
    Image description Chinatown anti-gentrification paraphrenelia posted on the wall, with phrases like "Tenants Unite!", "Housing is a Human Right!", "Stop Gentrification Now!" and "Who did you Displace to open your Gallery?", written in English and Mandarin. A monitor displaying a person holding a megaphone at a protest is fixed on the wall, the handouts surrounding it.
    Year 2016
    Related pages Decolonize This Place
  • A brown and green object with a processing chip imbedded in its front sits on a white base. There is a battery with two wires sticking out the left side, and a small, silver crank device sitting on top.
    A brown and green object with a processing chip imbedded in its front sits on a white base. There is a battery with two wires sticking out the left side, and a small, silver crank device sitting on top.
    Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $3,000
    [A brown and green object with a processing chip imbedded in its front sits on a white base. There is a battery with two wires sticking out the left side, and a small, silver crank device sitting on top.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $3,000
    Image description A brown and green object with a processing chip imbedded in its front sits on a white base. There is a battery with two wires sticking out the left side, and a small, silver crank device sitting on top.
    Year 2019
    Related pages Trisha Baga Edition
  • An angled view of two adjacent gray walls displaying various paper material, documents, and photographs.
    An angled view of two adjacent gray walls displaying various paper material, documents, and photographs.
    Living with Pop. A Reproduction of Capitalist Realism. Installation view of the section “Düsseldorf and the Rhineland (1957–1964)," Artists Space, 2014. [An angled view of two adjacent gray walls displaying various paper material, documents, and photographs.]
    Caption Living with Pop. A Reproduction of Capitalist Realism. Installation view of the section “Düsseldorf and the Rhineland (1957–1964)," Artists Space, 2014.
    Image description An angled view of two adjacent gray walls displaying various paper material, documents, and photographs.
    Year 2014
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • Bold, black text of varying sizes arranged in a rectangular block on a white background reads,
    Bold, black text of varying sizes arranged in a rectangular block on a white background reads,
    [Bold, black text of varying sizes arranged in a rectangular block on a white background reads, "TREAT A COMPLETE STRANGER / AS A LOVER, HUG THEM / AS GOOD FRIENDS, AS THEY ARE / OR AS 10 YEARS AGO YOU MIGHT HAVE HAD / FABULOUS SEX / WITH ABSOLUTE ABANDON / WITH THE SAME STRANGER. / NOW LIFE IS RAVAGED / AND WE OFFER LOVE FROM THE SAME ROOT OF BOUNDLESS / COMPASSION."]
    Caption
    Image description Bold, black text of varying sizes arranged in a rectangular block on a white background reads, "TREAT A COMPLETE STRANGER / AS A LOVER, HUG THEM / AS GOOD FRIENDS, AS THEY ARE / OR AS 10 YEARS AGO YOU MIGHT HAVE HAD / FABULOUS SEX / WITH ABSOLUTE ABANDON / WITH THE SAME STRANGER. / NOW LIFE IS RAVAGED / AND WE OFFER LOVE FROM THE SAME ROOT OF BOUNDLESS / COMPASSION."
    Year 1993
    Related pages AIDS FORUM: John Giorno
  • A person wearing a black mask over their head reads a book titled <i>Kennedys An American Dream</i>.
    A person wearing a black mask over their head reads a book titled <i>Kennedys An American Dream</i>.
    Lee Gordon, Here's to America Series, 1990. Oil on canvas, 18 inch round. [A person wearing a black mask over their head reads a book titled Kennedys An American Dream.]
    Caption Lee Gordon, Here's to America Series, 1990. Oil on canvas, 18 inch round.
    Image description A person wearing a black mask over their head reads a book titled Kennedys An American Dream.
    Year 1990
    Related pages Post-Boys&Girls: Nine Painters
  • An image of three red socks, accordion folded in the center of the leg.
    An image of three red socks, accordion folded in the center of the leg.
    Sigmar Polke Socken , 1963 Courtesy the Estate of Sigmar Polke © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn [An image of three red socks, accordion folded in the center of the leg.]
    Caption Sigmar Polke Socken , 1963 Courtesy the Estate of Sigmar Polke © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn
    Image description An image of three red socks, accordion folded in the center of the leg.
    Year 1963
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A black and white drawing of a chair inside of a circle. Above the illustration, text announces an audio-visual installation by Bradley Wester, with details noting the collaborators, time, and place. Under the illustration, text reads,
    A black and white drawing of a chair inside of a circle. Above the illustration, text announces an audio-visual installation by Bradley Wester, with details noting the collaborators, time, and place. Under the illustration, text reads,
    [A black and white drawing of a chair inside of a circle. Above the illustration, text announces an audio-visual installation by Bradley Wester, with details noting the collaborators, time, and place. Under the illustration, text reads, "Still Sitting / He reads to me. My blood rises to leave, to escape the underneath. I am dead. I am new. I was safe in his arms asleep to the sound of the chair creaking with the turn of each page, a story. I am still sitting. Where will I go?"]
    Caption
    Image description A black and white drawing of a chair inside of a circle. Above the illustration, text announces an audio-visual installation by Bradley Wester, with details noting the collaborators, time, and place. Under the illustration, text reads, "Still Sitting / He reads to me. My blood rises to leave, to escape the underneath. I am dead. I am new. I was safe in his arms asleep to the sound of the chair creaking with the turn of each page, a story. I am still sitting. Where will I go?"
    Year 1992
    Related pages AIDS FORUM: Bradley Wester with Eric Latzky
  • Two slide projectors sit on a table, projecting small images onto perpendicular walls. On one wall, there is a paper lamp and three framed photographs: two black and white images of folded paper, and one color image.
    Two slide projectors sit on a table, projecting small images onto perpendicular walls. On one wall, there is a paper lamp and three framed photographs: two black and white images of folded paper, and one color image.
    Elephant Cemetery. Installation view, Artists Space, 2007. [Two slide projectors sit on a table, projecting small images onto perpendicular walls. On one wall, there is a paper lamp and three framed photographs: two black and white images of folded paper, and one color image.]
    Caption Elephant Cemetery. Installation view, Artists Space, 2007.
    Image description Two slide projectors sit on a table, projecting small images onto perpendicular walls. On one wall, there is a paper lamp and three framed photographs: two black and white images of folded paper, and one color image.
    Year 2007
    Related pages Elephant Cemetery
  • A grid of citrus fruits and coconuts, each cut in half to reveal the interior flesh, is presented in a variety of high contrast colors against a white ground.
    A grid of citrus fruits and coconuts, each cut in half to reveal the interior flesh, is presented in a variety of high contrast colors against a white ground.
    Guyton\Walker, Fruit Stickers for Artists Space, 2010. Set of 15 inkset printed stickers. [A grid of citrus fruits and coconuts, each cut in half to reveal the interior flesh, is presented in a variety of high contrast colors against a white ground.]
    Caption Guyton\Walker, Fruit Stickers for Artists Space, 2010. Set of 15 inkset printed stickers.
    Image description A grid of citrus fruits and coconuts, each cut in half to reveal the interior flesh, is presented in a variety of high contrast colors against a white ground.
    Year 2011
    Related pages Annual Edition Portfolio
  • A table with household items like cereal and plates and cups appear on it; next to this lies a bed and a television set. Wall paper is visible along with small framed pictures on the wall in a gallery setting.
    A table with household items like cereal and plates and cups appear on it; next to this lies a bed and a television set. Wall paper is visible along with small framed pictures on the wall in a gallery setting.
    The Fairy Tale: Politics, Desire and Everyday Life. Installation View. Artists Space, 1986. [A table with household items like cereal and plates and cups appear on it; next to this lies a bed and a television set. Wall paper is visible along with small framed pictures on the wall in a gallery setting.]
    Caption The Fairy Tale: Politics, Desire and Everyday Life. Installation View. Artists Space, 1986.
    Image description A table with household items like cereal and plates and cups appear on it; next to this lies a bed and a television set. Wall paper is visible along with small framed pictures on the wall in a gallery setting.
    Year
    Related pages The Fairy Tale: Politics, Desire, and Everyday Life
  • Two photographs are hanging next to each other on a wall.
    Two photographs are hanging next to each other on a wall.
    David Kulik, Frank Majore, Kevin Noble, Ken Pelka, Pat Place, Rene Santos, and Brian Weil. Installation view, Artists Space, 1980. [Two photographs are hanging next to each other on a wall.]
    Caption David Kulik, Frank Majore, Kevin Noble, Ken Pelka, Pat Place, Rene Santos, and Brian Weil. Installation view, Artists Space, 1980.
    Image description Two photographs are hanging next to each other on a wall.
    Year
    Related pages David Kulik, Frank Majore, Kevin Noble, Ken Pelka, Pat Place, Rene Santos, and Brian Weil
  • A number of small figurines appear on a sculpted object with various other items including a half of a guitar and a picture. All appearing in a white-walled gallery space.
    A number of small figurines appear on a sculpted object with various other items including a half of a guitar and a picture. All appearing in a white-walled gallery space.
    Installation view from Six Sculptors, Artists Space, January 25, 1986 - February 22, 1986. [A number of small figurines appear on a sculpted object with various other items including a half of a guitar and a picture. All appearing in a white-walled gallery space.]
    Caption Installation view from Six Sculptors, Artists Space, January 25, 1986 - February 22, 1986.
    Image description A number of small figurines appear on a sculpted object with various other items including a half of a guitar and a picture. All appearing in a white-walled gallery space.
    Year
    Related pages Six Sculptors
  • A close up black and white image of a slide projection with two figures.
    A close up black and white image of a slide projection with two figures.
    Daniel Tilsdale. Still from Contacts, Ponytails, Noses and Bleach, 1988. Graphite on Xerox (presented in slide format). [A close up black and white image of a slide projection with two figures.]
    Caption Daniel Tilsdale. Still from Contacts, Ponytails, Noses and Bleach, 1988. Graphite on Xerox (presented in slide format).
    Image description A close up black and white image of a slide projection with two figures.
    Year 1988
    Related pages Too Black, Too Strong!
  • Two foldable room dividers are installed in a large gallery. Multiple paintings are hung on the dividers, each depicting a scene of men in public and private spaces, engaged in various activities of work and leisure.
    Two foldable room dividers are installed in a large gallery. Multiple paintings are hung on the dividers, each depicting a scene of men in public and private spaces, engaged in various activities of work and leisure.
    Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo credit: Jean Vong. [Two foldable room dividers are installed in a large gallery. Multiple paintings are hung on the dividers, each depicting a scene of men in public and private spaces, engaged in various activities of work and leisure.]
    Caption Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo credit: Jean Vong.
    Image description Two foldable room dividers are installed in a large gallery. Multiple paintings are hung on the dividers, each depicting a scene of men in public and private spaces, engaged in various activities of work and leisure.
    Year 2016
    Related pages Lukas Duwenhögger: Undoolay
  • Two framed artworks side-by-side. One has a white background and features a collage of photographs, showing two people with their faces obscured by other images of nature and currency. The other artwork features a black background and two smaller photos arranged one on top of the other. The top image depicts a woman looking back at the camera, and the lower image depicts a forest.
    Two framed artworks side-by-side. One has a white background and features a collage of photographs, showing two people with their faces obscured by other images of nature and currency. The other artwork features a black background and two smaller photos arranged one on top of the other. The top image depicts a woman looking back at the camera, and the lower image depicts a forest.
    Leigh Ledare, Double Bind (Diptych #6/25), 2010. Courtesy the artist and Mitchell-Innes & Nash, New York. [Two framed artworks side-by-side. One has a white background and features a collage of photographs, showing two people with their faces obscured by other images of nature and currency. The other artwork features a black background and two smaller photos arranged one on top of the other. The top image depicts a woman looking back at the camera, and the lower image depicts a forest.]
    Caption Leigh Ledare, Double Bind (Diptych #6/25), 2010. Courtesy the artist and Mitchell-Innes & Nash, New York.
    Image description Two framed artworks side-by-side. One has a white background and features a collage of photographs, showing two people with their faces obscured by other images of nature and currency. The other artwork features a black background and two smaller photos arranged one on top of the other. The top image depicts a woman looking back at the camera, and the lower image depicts a forest.
    Year 2010
    Related pages Double Bind
  • A black and white photograph of various objects hanging in a white-walled gallery space with a spotlight in center of the image.
    A black and white photograph of various objects hanging in a white-walled gallery space with a spotlight in center of the image.
    Freya Hansell. Installation view, Artists Space, 1980. [A black and white photograph of various objects hanging in a white-walled gallery space with a spotlight in center of the image.]
    Caption Freya Hansell. Installation view, Artists Space, 1980.
    Image description A black and white photograph of various objects hanging in a white-walled gallery space with a spotlight in center of the image.
    Year
    Related pages Freya Hansell
  • Three adjacent panels, reading
    Three adjacent panels, reading
    "Identity". Installation View, Artists Space, 2011. Photo: Daniel Pérez. [Three adjacent panels, reading "pompidou", "moma", and "tate" in black text against a luminous white background hang in a dimly-lit exhibition space.]
    Caption "Identity". Installation View, Artists Space, 2011. Photo: Daniel Pérez.
    Image description Three adjacent panels, reading "pompidou", "moma", and "tate" in black text against a luminous white background hang in a dimly-lit exhibition space.
    Year 2011
    Related pages Dexter Sinister: "Identity"
  • A pen and watercolor artwork of several glasses resting on a surface, each filled with different color liquids and casting shadows towards the viewer
    A pen and watercolor artwork of several glasses resting on a surface, each filled with different color liquids and casting shadows towards the viewer
    Aisha Rodriguez, Untitled, 2014 [A pen and watercolor artwork of several glasses resting on a surface, each filled with different color liquids and casting shadows towards the viewer]
    Caption Aisha Rodriguez, Untitled, 2014
    Image description A pen and watercolor artwork of several glasses resting on a surface, each filled with different color liquids and casting shadows towards the viewer
    Year 2014
    Related pages Scholastic Art and Writing Awards
  • A person in a white button-down shirt with an outline of a black tie drawn on the front of the shirt. Their hands are adjusting the collar of the shirt.
    A person in a white button-down shirt with an outline of a black tie drawn on the front of the shirt. Their hands are adjusting the collar of the shirt.
    [A person in a white button-down shirt with an outline of a black tie drawn on the front of the shirt. Their hands are adjusting the collar of the shirt.]
    Caption
    Image description A person in a white button-down shirt with an outline of a black tie drawn on the front of the shirt. Their hands are adjusting the collar of the shirt.
    Year 2004
    Related pages The Score
  • Small house-like wooden sculptures appear on a table with a large white image on the ground between them. A video monitor and framed images are visible in the background.
    Small house-like wooden sculptures appear on a table with a large white image on the ground between them. A video monitor and framed images are visible in the background.
    Young Fluxus. Installation view, Artists Space, 1982. [Small house-like wooden sculptures appear on a table with a large white image on the ground between them. A video monitor and framed images are visible in the background.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description Small house-like wooden sculptures appear on a table with a large white image on the ground between them. A video monitor and framed images are visible in the background.
    Year
    Related pages Young Fluxus
  • View of a wall construction in a gallery setting.
    View of a wall construction in a gallery setting.
    Ed Levine. Installation view, Artists Space, 1980. [View of a wall construction in a gallery setting.]
    Caption Ed Levine. Installation view, Artists Space, 1980.
    Image description View of a wall construction in a gallery setting.
    Year
    Related pages Ed Levine
  • A split screen of two people, each visible between their nose and their chest. Both are extremely excited, with their hands raised up.
    A split screen of two people, each visible between their nose and their chest. Both are extremely excited, with their hands raised up.
    Catherine Ross, still from Fingering and Footing, 2005. [A split screen of two people, each visible between their nose and their chest. Both are extremely excited, with their hands raised up.]
    Caption Catherine Ross, still from Fingering and Footing, 2005.
    Image description A split screen of two people, each visible between their nose and their chest. Both are extremely excited, with their hands raised up.
    Year 2005
    Related pages The Mind/Body Problem
  • White Xs on an orange background forming an image of 'K.
    White Xs on an orange background forming an image of 'K.
    [White Xs on an orange background forming an image of 'K.]
    Caption
    Image description White Xs on an orange background forming an image of 'K.
    Year 2012
    Related pages 'K: Karl Holmqvist
  • A portrait-oriented view of a home interior. On the left, a doorway leads to a kitchen. On the right, the room opens to a living space with stacks of books on the floor and decor on the wall.
    A portrait-oriented view of a home interior. On the left, a doorway leads to a kitchen. On the right, the room opens to a living space with stacks of books on the floor and decor on the wall.
    [A portrait-oriented view of a home interior. On the left, a doorway leads to a kitchen. On the right, the room opens to a living space with stacks of books on the floor and decor on the wall.]
    Caption
    Image description A portrait-oriented view of a home interior. On the left, a doorway leads to a kitchen. On the right, the room opens to a living space with stacks of books on the floor and decor on the wall.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • Five people dressed in white, carefully looking down and stepping around an otherwise empty room.
    Five people dressed in white, carefully looking down and stepping around an otherwise empty room.
    Performance at Artists Space, 1980s [Five people dressed in white, carefully looking down and stepping around an otherwise empty room.]
    Caption Performance at Artists Space, 1980s
    Image description Five people dressed in white, carefully looking down and stepping around an otherwise empty room.
    Year
    Related pages History
  • A large painting illuminated by lights hangs on a wall behind two black columns. A small sculpture sits on the ground in front of it. Smaller artworks are visible on the connecting walls.
    A large painting illuminated by lights hangs on a wall behind two black columns. A small sculpture sits on the ground in front of it. Smaller artworks are visible on the connecting walls.
    Social Surfaces. Installation view, Bortolami, 2017. Photo: Ron Amstutz. [A large painting illuminated by lights hangs on a wall behind two black columns. A small sculpture sits on the ground in front of it. Smaller artworks are visible on the connecting walls.]
    Caption Social Surfaces. Installation view, Bortolami, 2017. Photo: Ron Amstutz.
    Image description A large painting illuminated by lights hangs on a wall behind two black columns. A small sculpture sits on the ground in front of it. Smaller artworks are visible on the connecting walls.
    Year 2017
    Related pages Social Surfaces
  • A low platform on a concrete floor supporting a glasstop photograph of pink clouds on a blue sky.
    A low platform on a concrete floor supporting a glasstop photograph of pink clouds on a blue sky.
    Katsuhiro Saiki. Installation view, Artists Space, 2003. [A low platform on a concrete floor supporting a glasstop photograph of pink clouds on a blue sky.]
    Caption Katsuhiro Saiki. Installation view, Artists Space, 2003.
    Image description A low platform on a concrete floor supporting a glasstop photograph of pink clouds on a blue sky.
    Year 2003
    Related pages Katsuhiro Saiki
  • A tile wall with a grid of assorted photographs against a white background. A title to the left of the grid states
    A tile wall with a grid of assorted photographs against a white background. A title to the left of the grid states
    Photo Wall at P.S. 140, Nathan Straus, 2017. [A tile wall with a grid of assorted photographs against a white background. A title to the left of the grid states "Artists Space P.S. 140 Photography Club".]
    Caption Photo Wall at P.S. 140, Nathan Straus, 2017.
    Image description A tile wall with a grid of assorted photographs against a white background. A title to the left of the grid states "Artists Space P.S. 140 Photography Club".
    Year 2017
    Related pages Photo Club
  • A man stands at a copy machine with the hood lifted and its light on. On a wall directly behind the copy machine, black fabric hangs from a small, horizontal pole to the right of the standing figure.
    A man stands at a copy machine with the hood lifted and its light on. On a wall directly behind the copy machine, black fabric hangs from a small, horizontal pole to the right of the standing figure.
    Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A man stands at a copy machine with the hood lifted and its light on. On a wall directly behind the copy machine, black fabric hangs from a small, horizontal pole to the right of the standing figure.]
    Caption Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A man stands at a copy machine with the hood lifted and its light on. On a wall directly behind the copy machine, black fabric hangs from a small, horizontal pole to the right of the standing figure.
    Year 2013
    Related pages Frozen Lakes
  • A screencapture from a video taken on a phone in Times Square, depicting a person facedown beside a car, still in motion, in the street.
    A screencapture from a video taken on a phone in Times Square, depicting a person facedown beside a car, still in motion, in the street.
    Devin Kenny, Not This, 2018. Single channel video. [A screencapture from a video taken on a phone in Times Square, depicting a person facedown beside a car, still in motion, in the street.]
    Caption Devin Kenny, Not This, 2018. Single channel video.
    Image description A screencapture from a video taken on a phone in Times Square, depicting a person facedown beside a car, still in motion, in the street.
    Year 2018
    Related pages Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff
  • A rendering of a head with two faces, one positioned head-on and the other seen in profile, is made from gradient strips of red, orange and yellow color. Dissecting lines and geometric shapes define the face's blocky features. The top lips are blue and the bottom red, while the left eye is black with a white dial and the right eye is a hazy blue with yellow lightning coming out of it. Under the image, text in red, white, blue serif font reads: the segue reading series and artists space present / a reading by David Larsen and Sara Larsen / saturday, may 9, 5 pm nyc time / zoom id: 378 232 567.
    A rendering of a head with two faces, one positioned head-on and the other seen in profile, is made from gradient strips of red, orange and yellow color. Dissecting lines and geometric shapes define the face's blocky features. The top lips are blue and the bottom red, while the left eye is black with a white dial and the right eye is a hazy blue with yellow lightning coming out of it. Under the image, text in red, white, blue serif font reads: the segue reading series and artists space present / a reading by David Larsen and Sara Larsen / saturday, may 9, 5 pm nyc time / zoom id: 378 232 567.
    [A rendering of a head with two faces, one positioned head-on and the other seen in profile, is made from gradient strips of red, orange and yellow color. Dissecting lines and geometric shapes define the face's blocky features. The top lips are blue and the bottom red, while the left eye is black with a white dial and the right eye is a hazy blue with yellow lightning coming out of it. Under the image, text in red, white, blue serif font reads: the segue reading series and artists space present / a reading by David Larsen and Sara Larsen / saturday, may 9, 5 pm nyc time / zoom id: 378 232 567.]
    Caption
    Image description A rendering of a head with two faces, one positioned head-on and the other seen in profile, is made from gradient strips of red, orange and yellow color. Dissecting lines and geometric shapes define the face's blocky features. The top lips are blue and the bottom red, while the left eye is black with a white dial and the right eye is a hazy blue with yellow lightning coming out of it. Under the image, text in red, white, blue serif font reads: the segue reading series and artists space present / a reading by David Larsen and Sara Larsen / saturday, may 9, 5 pm nyc time / zoom id: 378 232 567.
    Year 2020
    Related pages Segue Reading Series: David Larsen and Sara Larsen
  • An angled view of several dividers displaying artworks in the middle of a room. Colorful textiles hang from two of the central dividers, while several framed photographs lean against rightmost divider.
    An angled view of several dividers displaying artworks in the middle of a room. Colorful textiles hang from two of the central dividers, while several framed photographs lean against rightmost divider.
    Frozen Lakes. Installation view, Artists Space, 2013. Photo: Meinke Klein. [An angled view of several dividers displaying artworks in the middle of a room. Colorful textiles hang from two of the central dividers, while several framed photographs lean against rightmost divider.]
    Caption Frozen Lakes. Installation view, Artists Space, 2013. Photo: Meinke Klein.
    Image description An angled view of several dividers displaying artworks in the middle of a room. Colorful textiles hang from two of the central dividers, while several framed photographs lean against rightmost divider.
    Year 2013
    Related pages Frozen Lakes
  • A figure stands central raising their arms while others have their back turned towards the viewer as they face an audience seated in the background. Scan lines and the surrounding box of the CRT monitor are visible in the image.
    A figure stands central raising their arms while others have their back turned towards the viewer as they face an audience seated in the background. Scan lines and the surrounding box of the CRT monitor are visible in the image.
    Sistema Sandinista de Television. Still from Aqui En Esta Esquina (Here on This Corner), 1983. Video (sound, black and white). Spanish with English subtitles. [A figure stands central raising their arms while others have their back turned towards the viewer as they face an audience seated in the background. Scan lines and the surrounding box of the CRT monitor are visible in the image.]
    Caption Sistema Sandinista de Television. Still from Aqui En Esta Esquina (Here on This Corner), 1983. Video (sound, black and white). Spanish with English subtitles.
    Image description A figure stands central raising their arms while others have their back turned towards the viewer as they face an audience seated in the background. Scan lines and the surrounding box of the CRT monitor are visible in the image.
    Year 1983
    Related pages TV Sandino
  • An anatomical, drawn figure of the interior of a human ear. Small lines of serif text placed below the image label the various parts and nerves on the ear, which are labeled with corresponding numbers on the drawing.
    An anatomical, drawn figure of the interior of a human ear. Small lines of serif text placed below the image label the various parts and nerves on the ear, which are labeled with corresponding numbers on the drawing.
    [An anatomical, drawn figure of the interior of a human ear. Small lines of serif text placed below the image label the various parts and nerves on the ear, which are labeled with corresponding numbers on the drawing.]
    Caption
    Image description An anatomical, drawn figure of the interior of a human ear. Small lines of serif text placed below the image label the various parts and nerves on the ear, which are labeled with corresponding numbers on the drawing.
    Year 1992
    Related pages The Talking Cure - March 8
  • A close-up photo of the front grille of a car, depicting the bottom half of the Chevrolet logo and a section of the front metal grille. Several bugs are visible, dead and stuck to the grille.
    A close-up photo of the front grille of a car, depicting the bottom half of the Chevrolet logo and a section of the front metal grille. Several bugs are visible, dead and stuck to the grille.
    Danh Vo, Chevrolet Suburban, 2010, Digital C-print, 16 x 24 in / 40,6 x 61 cm Photo, credit: Thomas Cato Signed and numbered sales receipt. [A close-up photo of the front grille of a car, depicting the bottom half of the Chevrolet logo and a section of the front metal grille. Several bugs are visible, dead and stuck to the grille.]
    Caption Danh Vo, Chevrolet Suburban, 2010, Digital C-print, 16 x 24 in / 40,6 x 61 cm Photo, credit: Thomas Cato Signed and numbered sales receipt.
    Image description A close-up photo of the front grille of a car, depicting the bottom half of the Chevrolet logo and a section of the front metal grille. Several bugs are visible, dead and stuck to the grille.
    Year 2010
    Related pages Artists Space Annual Edition Portfolio 2011
  • Man standing outside at a microphone in front of a large silver inflatable penis, reading from a purple folder.
    Man standing outside at a microphone in front of a large silver inflatable penis, reading from a purple folder.
    Edgar Oliver reading at Marble Cemetery. Photo: © Paula Court, 2018. [Man standing outside at a microphone in front of a large silver inflatable penis, reading from a purple folder.]
    Caption Edgar Oliver reading at Marble Cemetery. Photo: © Paula Court, 2018.
    Image description Man standing outside at a microphone in front of a large silver inflatable penis, reading from a purple folder.
    Year 2018
    Related pages Garden Party at Marble Cemetery
  • A white book lying on a larger blue book.
    A white book lying on a larger blue book.
    Corrugated Slogans and An Anthology of Invalid Format. [A white book lying on a larger blue book.]
    Caption Corrugated Slogans and An Anthology of Invalid Format.
    Image description A white book lying on a larger blue book.
    Year 2013
    Related pages Novel Operations
  • A white book cover depicting silver coins with the text
    A white book cover depicting silver coins with the text
    Folio Series: Intangible Economies, 2012. [A white book cover depicting silver coins with the text "♥good for all night♥".]
    Caption Folio Series: Intangible Economies, 2012.
    Image description A white book cover depicting silver coins with the text "♥good for all night♥".
    Year 2013
    Related pages Intangible Economies
  • A person dressed in all pink reads from a sheet of paper into a microphone. She holds a small disco ball in her arm. She is surrounded by rapt audience members arranged in a semi-circle around her.
    A person dressed in all pink reads from a sheet of paper into a microphone. She holds a small disco ball in her arm. She is surrounded by rapt audience members arranged in a semi-circle around her.
    Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court. [A person dressed in all pink reads from a sheet of paper into a microphone. She holds a small disco ball in her arm. She is surrounded by rapt audience members arranged in a semi-circle around her.]
    Caption Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A person dressed in all pink reads from a sheet of paper into a microphone. She holds a small disco ball in her arm. She is surrounded by rapt audience members arranged in a semi-circle around her.
    Year 2020
    Related pages Jutta Koether
  • Several drawings and small paintings pinnned to the outside of a cabinet depicting city scenes, portraits, and still life images.
    Several drawings and small paintings pinnned to the outside of a cabinet depicting city scenes, portraits, and still life images.
    Classroom wall at PS140 Nathan Straus, with work from students in the Portfolio Development program. [Several drawings and small paintings pinnned to the outside of a cabinet depicting city scenes, portraits, and still life images.]
    Caption Classroom wall at PS140 Nathan Straus, with work from students in the Portfolio Development program.
    Image description Several drawings and small paintings pinnned to the outside of a cabinet depicting city scenes, portraits, and still life images.
    Year 2014
    Related pages The Importance of Art Education
  • A close up of low windows on a brick facade covered in layered black and yellow film.
    A close up of low windows on a brick facade covered in layered black and yellow film.
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A close up of low windows on a brick facade covered in layered black and yellow film.]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A close up of low windows on a brick facade covered in layered black and yellow film.
    Year 2021
    Related pages ART CLUB2000
  • A geometric, silver metal sculpture sits on a wooden gallery floor in a brightly-lit gallery space. The sculpture is modular and consists of rectangular and triangular metal components arranged in a tall, ring-shaped structure.
    A geometric, silver metal sculpture sits on a wooden gallery floor in a brightly-lit gallery space. The sculpture is modular and consists of rectangular and triangular metal components arranged in a tall, ring-shaped structure.
    Charlotte Posenenske. Configured by the staff of Artists Space. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A geometric, silver metal sculpture sits on a wooden gallery floor in a brightly-lit gallery space. The sculpture is modular and consists of rectangular and triangular metal components arranged in a tall, ring-shaped structure.]
    Caption Charlotte Posenenske. Configured by the staff of Artists Space. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A geometric, silver metal sculpture sits on a wooden gallery floor in a brightly-lit gallery space. The sculpture is modular and consists of rectangular and triangular metal components arranged in a tall, ring-shaped structure.
    Year 2010
    Related pages Charlotte Posenenske
  • Collaged image featuring a vintage color photograph of the Golden Gate Bridge. A gigantic box whose sides are covered with images of forest treetops covers the center portion of the bridge. The bridge appears to pass through the box through a hole in its left side, out of which water pours into the Bay below. Verdant, rolling hills are visible in the image's foreground.
    Collaged image featuring a vintage color photograph of the Golden Gate Bridge. A gigantic box whose sides are covered with images of forest treetops covers the center portion of the bridge. The bridge appears to pass through the box through a hole in its left side, out of which water pours into the Bay below. Verdant, rolling hills are visible in the image's foreground.
    [Collaged image featuring a vintage color photograph of the Golden Gate Bridge. A gigantic box whose sides are covered with images of forest treetops covers the center portion of the bridge. The bridge appears to pass through the box through a hole in its left side, out of which water pours into the Bay below. Verdant, rolling hills are visible in the image's foreground.]
    Caption
    Image description Collaged image featuring a vintage color photograph of the Golden Gate Bridge. A gigantic box whose sides are covered with images of forest treetops covers the center portion of the bridge. The bridge appears to pass through the box through a hole in its left side, out of which water pours into the Bay below. Verdant, rolling hills are visible in the image's foreground.
    Year 2003
    Related pages Superstudio: Life Without Objects
  • An outdoor landscape at night. Raindrops fall from the sky, and several dots of bright light are visible on the horizon over a great expanse of water, reflecting yellow light onto the water's surface.
    An outdoor landscape at night. Raindrops fall from the sky, and several dots of bright light are visible on the horizon over a great expanse of water, reflecting yellow light onto the water's surface.
    Emily Richardson, Redshift, 2001. DVD Projection, 4 min. [An outdoor landscape at night. Raindrops fall from the sky, and several dots of bright light are visible on the horizon over a great expanse of water, reflecting yellow light onto the water's surface.]
    Caption Emily Richardson, Redshift, 2001. DVD Projection, 4 min.
    Image description An outdoor landscape at night. Raindrops fall from the sky, and several dots of bright light are visible on the horizon over a great expanse of water, reflecting yellow light onto the water's surface.
    Year 2001
    Related pages Demonclownmonkey
  • A view through a doorway into a white-walled gallery space with drawings on the walls and a banner on the windows.
    A view through a doorway into a white-walled gallery space with drawings on the walls and a banner on the windows.
    Young Fluxus. Installation view, Artists Space, 1982. [A view through a doorway into a white-walled gallery space with drawings on the walls and a banner on the windows.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description A view through a doorway into a white-walled gallery space with drawings on the walls and a banner on the windows.
    Year
    Related pages Young Fluxus
  • A geometric, silver metal sculpture sits on a wooden gallery floor in front of a large, light-filled window. The sculpture is modular, hollow, and consists of rectangular and triangular metal components. Two vent-like openings in the sculpture face the viewer, while the opposite side of the sculpture bends towards the gallery window.
    A geometric, silver metal sculpture sits on a wooden gallery floor in front of a large, light-filled window. The sculpture is modular, hollow, and consists of rectangular and triangular metal components. Two vent-like openings in the sculpture face the viewer, while the opposite side of the sculpture bends towards the gallery window.
    Charlotte Posenenske. Configured by the staff of Artists Space. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A geometric, silver metal sculpture sits on a wooden gallery floor in front of a large, light-filled window. The sculpture is modular, hollow, and consists of rectangular and triangular metal components. Two vent-like openings in the sculpture face the viewer, while the opposite side of the sculpture bends towards the gallery window.]
    Caption Charlotte Posenenske. Configured by the staff of Artists Space. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A geometric, silver metal sculpture sits on a wooden gallery floor in front of a large, light-filled window. The sculpture is modular, hollow, and consists of rectangular and triangular metal components. Two vent-like openings in the sculpture face the viewer, while the opposite side of the sculpture bends towards the gallery window.
    Year 2010
    Related pages Charlotte Posenenske
  • A mostly unclothed person lying face-down on a messy bed.
    A mostly unclothed person lying face-down on a messy bed.
    Erik Lavesson, Harmony Grunge Cruise control, 2012. Photo: Milena Büsch. Contribution for PROVENCE Issue E – MADAME (Autumn / Winter 2012 / 2013). [A mostly unclothed person lying face-down on a messy bed.]
    Caption Erik Lavesson, Harmony Grunge Cruise control, 2012. Photo: Milena Büsch. Contribution for PROVENCE Issue E – MADAME (Autumn / Winter 2012 / 2013).
    Image description A mostly unclothed person lying face-down on a messy bed.
    Year 2012
    Related pages Provence Magazine: ISSUE E – MADAME
  • A text banner with a warm pastel yellow and green border, which reads
    A text banner with a warm pastel yellow and green border, which reads
    [A text banner with a warm pastel yellow and green border, which reads "IT CLOSES AT SUNSET", in a rounded-word Art style font. The shadows behind each letter are visible.]
    Caption
    Image description A text banner with a warm pastel yellow and green border, which reads "IT CLOSES AT SUNSET", in a rounded-word Art style font. The shadows behind each letter are visible.
    Year 2016
    Related pages Lukas Duwenhögger: Undoolay
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