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  • Caption
    Image description
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A wide blue mop with a yellow handle is tethered to a white pillar by a black cord, and is stretched with the handle angled forward. Resting against the pillar is a tv, angled and facing slightly leftwards, displaying a sculpture in a parking lot.
    A wide blue mop with a yellow handle is tethered to a white pillar by a black cord, and is stretched with the handle angled forward. Resting against the pillar is a tv, angled and facing slightly leftwards, displaying a sculpture in a parking lot.
    Social Surfaces. Installation view, Alexander and Bonin, 2017. Photo: Ron Amstutz. [A wide blue mop with a yellow handle is tethered to a white pillar by a black cord, and is stretched with the handle angled forward. Resting against the pillar is a tv, angled and facing slightly leftwards, displaying a sculpture in a parking lot.]
    Caption Social Surfaces. Installation view, Alexander and Bonin, 2017. Photo: Ron Amstutz.
    Image description A wide blue mop with a yellow handle is tethered to a white pillar by a black cord, and is stretched with the handle angled forward. Resting against the pillar is a tv, angled and facing slightly leftwards, displaying a sculpture in a parking lot.
    Year 2017
    Related pages Social Surfaces
  • A figure stands behind a table on a stage. Across the room, red light and small fragmented pieces of white light can be seen.
    A figure stands behind a table on a stage. Across the room, red light and small fragmented pieces of white light can be seen.
    Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court [A figure stands behind a table on a stage. Across the room, red light and small fragmented pieces of white light can be seen.]
    Caption Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court
    Image description A figure stands behind a table on a stage. Across the room, red light and small fragmented pieces of white light can be seen.
    Year 2022
    Related pages Eiko Ishibashi in Concert
  • A woman in a mask smoking a cigarette standing over a person lying on blankets on the street wearing cardboard heels.
    A woman in a mask smoking a cigarette standing over a person lying on blankets on the street wearing cardboard heels.
    Marie Karlberg. Still from Belongz to me, 2010. [A woman in a mask smoking a cigarette standing over a person lying on blankets on the street wearing cardboard heels.]
    Caption Marie Karlberg. Still from Belongz to me, 2010.
    Image description A woman in a mask smoking a cigarette standing over a person lying on blankets on the street wearing cardboard heels.
    Year 2010
    Related pages Marie Karlberg Videos
  • Eight large film stills are mounted on a wall, in two rows of four, leading into a dark hallway where a film projection is playing.
    Eight large film stills are mounted on a wall, in two rows of four, leading into a dark hallway where a film projection is playing.
    Laura Cottingham & The Anita Pallenberg Story. Installation view, Artists Space, 2017. Photo: Daniel Pérez. [Eight large film stills are mounted on a wall, in two rows of four, leading into a dark hallway where a film projection is playing.]
    Caption Laura Cottingham & The Anita Pallenberg Story. Installation view, Artists Space, 2017. Photo: Daniel Pérez.
    Image description Eight large film stills are mounted on a wall, in two rows of four, leading into a dark hallway where a film projection is playing.
    Year 2017
    Related pages Laura Cottingham & The Anita Pallenberg Story
  • Two photographs are mounted on a white gallery wall.
    Two photographs are mounted on a white gallery wall.
    Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two photographs are mounted on a white gallery wall.]
    Caption Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979.
    Image description Two photographs are mounted on a white gallery wall.
    Year 1979
    Related pages Place, (title to be determined), for a Participant: Ken Feingold
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • English version of the poem “You can survive without eating anything for three weeks in hot weather…/En climas cálidos, puede sobrevivir hasta tres semanas sin comer nada...” is written in the top-left portion of the page while the Spanish version is written in the lower-right. A grey line of varying widths divides the two languages.
    English version of the poem “You can survive without eating anything for three weeks in hot weather…/En climas cálidos, puede sobrevivir hasta tres semanas sin comer nada...” is written in the top-left portion of the page while the Spanish version is written in the lower-right. A grey line of varying widths divides the two languages.
    Electronic Disturbance Theater 2.0/b.a.n.g. lab. The Transborder Immigrant Tool, 2007–ongoing. Pages excerpted from The Transborder Immigrant Tool publication. Courtesy the artist, University of Michigan Ann Arbor, and University of California, San Diego. [English version of the poem “You can survive without eating anything for three weeks in hot weather…/En climas cálidos, puede sobrevivir hasta tres semanas sin comer nada...” is written in the top-left portion of the page while the Spanish version is written in the lower-right. A grey line of varying widths divides the two languages.]
    Caption Electronic Disturbance Theater 2.0/b.a.n.g. lab. The Transborder Immigrant Tool, 2007–ongoing. Pages excerpted from The Transborder Immigrant Tool publication. Courtesy the artist, University of Michigan Ann Arbor, and University of California, San Diego.
    Image description English version of the poem “You can survive without eating anything for three weeks in hot weather…/En climas cálidos, puede sobrevivir hasta tres semanas sin comer nada...” is written in the top-left portion of the page while the Spanish version is written in the lower-right. A grey line of varying widths divides the two languages.
    Year 2007
    Related pages Whitney ISP Archive
  • Color photograph of a large group of people standing around a gallery space. Chairs, and tanker desks with TV monitors on them are placed in the space. The audience watches a figure in a red suit that stands next to a column, holding their hand to their mouth.
    Color photograph of a large group of people standing around a gallery space. Chairs, and tanker desks with TV monitors on them are placed in the space. The audience watches a figure in a red suit that stands next to a column, holding their hand to their mouth.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a large group of people standing around a gallery space. Chairs, and tanker desks with TV monitors on them are placed in the space. The audience watches a figure in a red suit that stands next to a column, holding their hand to their mouth.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a large group of people standing around a gallery space. Chairs, and tanker desks with TV monitors on them are placed in the space. The audience watches a figure in a red suit that stands next to a column, holding their hand to their mouth.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Caption
    Image description
    Year
    Related pages Project: Me and My Mink
  • Black text on a green background. The text reads: “Jan 18 / Ann Lauterbach / Chris Campanioni.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a green background. The text reads: “Jan 18 / Ann Lauterbach / Chris Campanioni.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a green background. The text reads: “Jan 18 / Ann Lauterbach / Chris Campanioni.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a green background. The text reads: “Jan 18 / Ann Lauterbach / Chris Campanioni.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Ann Lauterbach & Chris Campanioni
  • Detail view of a display case. It is mostly empty, save for a metal gun-type object with two small pipes extending out of the nozzle, and a poster with the repeated letters
    Detail view of a display case. It is mostly empty, save for a metal gun-type object with two small pipes extending out of the nozzle, and a poster with the repeated letters
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of a display case. It is mostly empty, save for a metal gun-type object with two small pipes extending out of the nozzle, and a poster with the repeated letters "bc" hung on one side of the viewing window.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Detail view of a display case. It is mostly empty, save for a metal gun-type object with two small pipes extending out of the nozzle, and a poster with the repeated letters "bc" hung on one side of the viewing window.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • [Black text overlays a mauve background. The top left corner reads:
    [Black text overlays a mauve background. The top left corner reads:
    Flyer for Segue Reading Series featuring Charles Alexander and Lonely Christopher. Saturday, January 29, 2021, Artists Space. [[Black text overlays a mauve background. The top left corner reads: "Charles Alexander & Lonely Christopher" The center right reads: "Segue Reading Series & ARTISTS SPACE." The bottom left reads: "Saturday January 29, 5pm, Zoom ID: 893 9594 7519, Suggested donation $5". The image of a 5 dollar bill is placed within the text.]]
    Caption Flyer for Segue Reading Series featuring Charles Alexander and Lonely Christopher. Saturday, January 29, 2021, Artists Space.
    Image description [Black text overlays a mauve background. The top left corner reads: "Charles Alexander & Lonely Christopher" The center right reads: "Segue Reading Series & ARTISTS SPACE." The bottom left reads: "Saturday January 29, 5pm, Zoom ID: 893 9594 7519, Suggested donation $5". The image of a 5 dollar bill is placed within the text.]
    Year 2021
    Related pages Segue Reading Series: Charles Alexander & Lonely Christopher
  • Blotted smoke-dots curve across a vast blue sky, spelling out the phrase
    Blotted smoke-dots curve across a vast blue sky, spelling out the phrase
    Raúl Zurita, documentation of La vida nueva, 1982. Courtesy the artist. Photo by Ana María López. [Blotted smoke-dots curve across a vast blue sky, spelling out the phrase "MI DIOS ES PARAISO", above a jagged skyline of red brick buildings. The photograph is taken from the vantage point of the Flushing Airport, where a pile of debris, which appears to be torn-up asphalt, and a few puddles litter the runway. Three planes are parked in the lower fourth quadrant.]
    Caption Raúl Zurita, documentation of La vida nueva, 1982. Courtesy the artist. Photo by Ana María López.
    Image description Blotted smoke-dots curve across a vast blue sky, spelling out the phrase "MI DIOS ES PARAISO", above a jagged skyline of red brick buildings. The photograph is taken from the vantage point of the Flushing Airport, where a pile of debris, which appears to be torn-up asphalt, and a few puddles litter the runway. Three planes are parked in the lower fourth quadrant.
    Year 1982
    Related pages Whitney ISP Archive
  • Four clusters of photographs are mounted on a white gallery wall. Some of the photographs are black and white, while others are in color. All show images of a single or groups of figures. On the far right, a small projection of a man in a white shirt illuminates the wall.
    Four clusters of photographs are mounted on a white gallery wall. Some of the photographs are black and white, while others are in color. All show images of a single or groups of figures. On the far right, a small projection of a man in a white shirt illuminates the wall.
    Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Four clusters of photographs are mounted on a white gallery wall. Some of the photographs are black and white, while others are in color. All show images of a single or groups of figures. On the far right, a small projection of a man in a white shirt illuminates the wall.]
    Caption Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Four clusters of photographs are mounted on a white gallery wall. Some of the photographs are black and white, while others are in color. All show images of a single or groups of figures. On the far right, a small projection of a man in a white shirt illuminates the wall.
    Year 2012
    Related pages Radical Localism: Art, Video and Culture from Pueblo Nuevo’s Mexicali Rose
  • A black and white photograph of two projectors hanging central in a darkened gallery and projecting images onto two separate screens in the foreground with light coming in from the background
    A black and white photograph of two projectors hanging central in a darkened gallery and projecting images onto two separate screens in the foreground with light coming in from the background
    Anne Bray. Installation View of Man on First and Third, 1987. Slide and sound installation. [A black and white photograph of two projectors hanging central in a darkened gallery and projecting images onto two separate screens in the foreground with light coming in from the background]
    Caption Anne Bray. Installation View of Man on First and Third, 1987. Slide and sound installation.
    Image description A black and white photograph of two projectors hanging central in a darkened gallery and projecting images onto two separate screens in the foreground with light coming in from the background
    Year 1987
    Related pages Dark Rooms
  • An image of people in a circle wearing white ponchos holding white streamers and a large red balloon is superimposed on top of a city street, rendered in shades of black and grey.
    An image of people in a circle wearing white ponchos holding white streamers and a large red balloon is superimposed on top of a city street, rendered in shades of black and grey.
    [An image of people in a circle wearing white ponchos holding white streamers and a large red balloon is superimposed on top of a city street, rendered in shades of black and grey.]
    Caption
    Image description An image of people in a circle wearing white ponchos holding white streamers and a large red balloon is superimposed on top of a city street, rendered in shades of black and grey.
    Year 2019
    Related pages Ei Arakawa: WEWORK BABIES (11 Cortlandt Alley)
  • A flyer for the event depicting MTA subway routes in white on a red background. Event title reads
    A flyer for the event depicting MTA subway routes in white on a red background. Event title reads
    MTL+, Artists: NYC Not for Sale, 2016. [A flyer for the event depicting MTA subway routes in white on a red background. Event title reads "ARTISTS: NYC NOT FOR SALE" with a strikethrough on the alternative subtitle "IN THE BUSINESS OF GENTRIFICATION."]
    Caption MTL+, Artists: NYC Not for Sale, 2016.
    Image description A flyer for the event depicting MTA subway routes in white on a red background. Event title reads "ARTISTS: NYC NOT FOR SALE" with a strikethrough on the alternative subtitle "IN THE BUSINESS OF GENTRIFICATION."
    Year 2016
    Related pages Artists: NYC Is Not for Sale
  • A person with their face painted blue, framed by a large black mane of hair.
    A person with their face painted blue, framed by a large black mane of hair.
    Kembra Pfahler. Photo: © Paula Court, 2018. [A person with their face painted blue, framed by a large black mane of hair.]
    Caption Kembra Pfahler. Photo: © Paula Court, 2018.
    Image description A person with their face painted blue, framed by a large black mane of hair.
    Year 2018
    Related pages Garden Party at Marble Cemetery
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    Image description
    Year
    Related pages Project: Model City
  • A half-naked man sits inside a prison cell wearing a police cap and gripping a large electric dildo. His erect penis emerges from the fly of his leather pants, while a naked man on the floor licks the back of his leather boots.
    A half-naked man sits inside a prison cell wearing a police cap and gripping a large electric dildo. His erect penis emerges from the fly of his leather pants, while a naked man on the floor licks the back of his leather boots.
    Tom of Finland, Untitled, 1967. Graphite on paper. Private Collection, Sweden. [A half-naked man sits inside a prison cell wearing a police cap and gripping a large electric dildo. His erect penis emerges from the fly of his leather pants, while a naked man on the floor licks the back of his leather boots.]
    Caption Tom of Finland, Untitled, 1967. Graphite on paper. Private Collection, Sweden.
    Image description A half-naked man sits inside a prison cell wearing a police cap and gripping a large electric dildo. His erect penis emerges from the fly of his leather pants, while a naked man on the floor licks the back of his leather boots.
    Year 1967
    Related pages Tom of Finland: The Pleasure of Play
  • Black-and-white photo of the interior of a house, with several paintings, a round and square rug, and two armchairs, of various styles considered modern around the early 20th century.
    Black-and-white photo of the interior of a house, with several paintings, a round and square rug, and two armchairs, of various styles considered modern around the early 20th century.
    Eileen Gray. E. 1027, 1926-29. Interior [Black-and-white photo of the interior of a house, with several paintings, a round and square rug, and two armchairs, of various styles considered modern around the early 20th century.]
    Caption Eileen Gray. E. 1027, 1926-29. Interior
    Image description Black-and-white photo of the interior of a house, with several paintings, a round and square rug, and two armchairs, of various styles considered modern around the early 20th century.
    Year
    Related pages Presence and Absence
  • In the foreground a vacuum can be seen on a plexiglass shelf case with a fluorescent light underneath and above it. Behind it is an image on a white wall of an automobile with text visible that reads,
    In the foreground a vacuum can be seen on a plexiglass shelf case with a fluorescent light underneath and above it. Behind it is an image on a white wall of an automobile with text visible that reads,
    Jeff Koons. Installation View, Artists Space, 1983. [In the foreground a vacuum can be seen on a plexiglass shelf case with a fluorescent light underneath and above it. Behind it is an image on a white wall of an automobile with text visible that reads, "ROOOMY!" on the top left and "TOYOTA" on the bottom left and "NEW FAMILY CAMRY" on the bottom right.]
    Caption Jeff Koons. Installation View, Artists Space, 1983.
    Image description In the foreground a vacuum can be seen on a plexiglass shelf case with a fluorescent light underneath and above it. Behind it is an image on a white wall of an automobile with text visible that reads, "ROOOMY!" on the top left and "TOYOTA" on the bottom left and "NEW FAMILY CAMRY" on the bottom right.
    Year
    Related pages Los Angeles/New York Exchange
  • A number of sculpted objects lie suspended from the ceiling in front of a wall with other sculpted works and a nearby drawing is also visible.
    A number of sculpted objects lie suspended from the ceiling in front of a wall with other sculpted works and a nearby drawing is also visible.
    Young Fluxus. Installation view, Artists Space, 1982. [A number of sculpted objects lie suspended from the ceiling in front of a wall with other sculpted works and a nearby drawing is also visible.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description A number of sculpted objects lie suspended from the ceiling in front of a wall with other sculpted works and a nearby drawing is also visible.
    Year
    Related pages Young Fluxus
  • A woman in a dress standing in a swamp
    A woman in a dress standing in a swamp
    Rafael Sánchez. Performance still from Swamp Piece, 1993. Photo: Claire Barnier. [A woman in a dress standing in a swamp]
    Caption Rafael Sánchez. Performance still from Swamp Piece, 1993. Photo: Claire Barnier.
    Image description A woman in a dress standing in a swamp
    Year 1993
    Related pages An Evening With Rafael Sánchez
  • Two figures stretch their arms out.
    Two figures stretch their arms out.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [Two figures stretch their arms out.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York.
    Image description Two figures stretch their arms out.
    Year
    Related pages Grandmother Cindy
  • Three screens and a metallic sculpture are installed in a gallery space with wooden floors. The three screens are arranged next to each other, with the screen closest to the viewer displaying a series of figures with three bright forms attached to their torsos. The other two screens show increasingly blurry renderings of the same image. To the right of the screens, a tall, shiny and metallic sculpture sits on the gallery floor. A pocket-sized image of a figure is pasted to the sculpture's left sides.
    Three screens and a metallic sculpture are installed in a gallery space with wooden floors. The three screens are arranged next to each other, with the screen closest to the viewer displaying a series of figures with three bright forms attached to their torsos. The other two screens show increasingly blurry renderings of the same image. To the right of the screens, a tall, shiny and metallic sculpture sits on the gallery floor. A pocket-sized image of a figure is pasted to the sculpture's left sides.
    Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt. [Three screens and a metallic sculpture are installed in a gallery space with wooden floors. The three screens are arranged next to each other, with the screen closest to the viewer displaying a series of figures with three bright forms attached to their torsos. The other two screens show increasingly blurry renderings of the same image. To the right of the screens, a tall, shiny and metallic sculpture sits on the gallery floor. A pocket-sized image of a figure is pasted to the sculpture's left sides.]
    Caption Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt.
    Image description Three screens and a metallic sculpture are installed in a gallery space with wooden floors. The three screens are arranged next to each other, with the screen closest to the viewer displaying a series of figures with three bright forms attached to their torsos. The other two screens show increasingly blurry renderings of the same image. To the right of the screens, a tall, shiny and metallic sculpture sits on the gallery floor. A pocket-sized image of a figure is pasted to the sculpture's left sides.
    Year 2008
    Related pages Nina in Position
  • Sculptural and painted works appear in a white-walled gallery space.
    Sculptural and painted works appear in a white-walled gallery space.
    35 Artists Return to Artists Space. Installation view, Artists Space, 1981. [Sculptural and painted works appear in a white-walled gallery space.]
    Caption 35 Artists Return to Artists Space. Installation view, Artists Space, 1981.
    Image description Sculptural and painted works appear in a white-walled gallery space.
    Year
    Related pages 35 Artists Return to Artists Space: A Benefit Exhibition
  • Black text on a light green background. The text reads: “May 9 / Patricia Spears Jones / Khashayar
    Black text on a light green background. The text reads: “May 9 / Patricia Spears Jones / Khashayar
    [Black text on a light green background. The text reads: “May 9 / Patricia Spears Jones / Khashayar "Kess" Mohammadi.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a light green background. The text reads: “May 9 / Patricia Spears Jones / Khashayar "Kess" Mohammadi.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Patricia Spears Jones & Khashayar “Kess” Mohammadi
  • A skewed black-and-white image looking up at the façade of a building and the sky. An LED sign spelling
    A skewed black-and-white image looking up at the façade of a building and the sky. An LED sign spelling
    Eniya Alonzia, The Sky, 2018. [A skewed black-and-white image looking up at the façade of a building and the sky. An LED sign spelling "DINER" hangs from the left side of the building.]
    Caption Eniya Alonzia, The Sky, 2018.
    Image description A skewed black-and-white image looking up at the façade of a building and the sky. An LED sign spelling "DINER" hangs from the left side of the building.
    Year 2018
    Related pages BRIDGE Photography
  • A black-and-white photo of a man smiling with his arms crossed, standing in front of a number of hanging salamis, and wearing a hat with a logo stating
    A black-and-white photo of a man smiling with his arms crossed, standing in front of a number of hanging salamis, and wearing a hat with a logo stating
    Ally Bueno, Katz's, 2017. [A black-and-white photo of a man smiling with his arms crossed, standing in front of a number of hanging salamis, and wearing a hat with a logo stating "send a salami"]
    Caption Ally Bueno, Katz's, 2017.
    Image description A black-and-white photo of a man smiling with his arms crossed, standing in front of a number of hanging salamis, and wearing a hat with a logo stating "send a salami"
    Year 2017
    Related pages BRIDGE Photography
  • White text overlays a background of a close-up picture of grass and grey rocks. The text reads: “April 15 / hannah baer / Early Shinada.
    White text overlays a background of a close-up picture of grass and grey rocks. The text reads: “April 15 / hannah baer / Early Shinada.
    [White text overlays a background of a close-up picture of grass and grey rocks. The text reads: “April 15 / hannah baer / Early Shinada." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description White text overlays a background of a close-up picture of grass and grey rocks. The text reads: “April 15 / hannah baer / Early Shinada." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: hannah baer & Early Shinada
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Color image of a figure sitting behind a reed organ covered in a sheet of clear plastic. A clock sits on a music stannd with instructions behind the organ. The figure positions their hands on a large block of ice that sits on top of the keys of the organ.
    Color image of a figure sitting behind a reed organ covered in a sheet of clear plastic. A clock sits on a music stannd with instructions behind the organ. The figure positions their hands on a large block of ice that sits on top of the keys of the organ.
    Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of a figure sitting behind a reed organ covered in a sheet of clear plastic. A clock sits on a music stannd with instructions behind the organ. The figure positions their hands on a large block of ice that sits on top of the keys of the organ.]
    Caption Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata
    Image description Color image of a figure sitting behind a reed organ covered in a sheet of clear plastic. A clock sits on a music stannd with instructions behind the organ. The figure positions their hands on a large block of ice that sits on top of the keys of the organ.
    Year 2023
    Related pages Yasunao Tone Concert #2
  • A wooden chair sits against a white wall. Above it, an image of flowers on a patterned background with a border hangs on the wall. A fragment of the the flower image is missing, and it is affixed to two wooden poles that lean against the wall, placing it level with the flower image.
    A wooden chair sits against a white wall. Above it, an image of flowers on a patterned background with a border hangs on the wall. A fragment of the the flower image is missing, and it is affixed to two wooden poles that lean against the wall, placing it level with the flower image.
    Craig Pleasants, A House in the Tropics, 1988. [A wooden chair sits against a white wall. Above it, an image of flowers on a patterned background with a border hangs on the wall. A fragment of the the flower image is missing, and it is affixed to two wooden poles that lean against the wall, placing it level with the flower image.]
    Caption Craig Pleasants, A House in the Tropics, 1988.
    Image description A wooden chair sits against a white wall. Above it, an image of flowers on a patterned background with a border hangs on the wall. A fragment of the the flower image is missing, and it is affixed to two wooden poles that lean against the wall, placing it level with the flower image.
    Year 1988
    Related pages Selections from the Artist File
  • Frame photographs and text hang on the wall in a gallery space.
    Frame photographs and text hang on the wall in a gallery space.
    Pool Show. Installation view, Artists Space, 1980. [Frame photographs and text hang on the wall in a gallery space.]
    Caption Pool Show. Installation view, Artists Space, 1980.
    Image description Frame photographs and text hang on the wall in a gallery space.
    Year
    Related pages Pool Show
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    Image description
    Year
    Related pages Abasement #86
  • figure in a blue dress sits behind a white table, facing an audience. On the wall behind the presenter is a projected video that depicts an array of dried coral pieces on the left, and next to them a hand places a paper with illustrations of coral and a chart with notes underneath.
    figure in a blue dress sits behind a white table, facing an audience. On the wall behind the presenter is a projected video that depicts an array of dried coral pieces on the left, and next to them a hand places a paper with illustrations of coral and a chart with notes underneath.
    Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang. [figure in a blue dress sits behind a white table, facing an audience. On the wall behind the presenter is a projected video that depicts an array of dried coral pieces on the left, and next to them a hand places a paper with illustrations of coral and a chart with notes underneath.]
    Caption Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang.
    Image description figure in a blue dress sits behind a white table, facing an audience. On the wall behind the presenter is a projected video that depicts an array of dried coral pieces on the left, and next to them a hand places a paper with illustrations of coral and a chart with notes underneath.
    Year
    Related pages Chang Yuchen: Coral Dictionary Vol. 1, 2019-2022
  • Two images are superimposed over each other. The background image features car lot with a sign reading
    Two images are superimposed over each other. The background image features car lot with a sign reading
    Still from Shani Strand, No Telephone to Heaven (The Freedom of Unfreedom), 2023, 7 min 42 sec, Video and sound. [Two images are superimposed over each other. The background image features car lot with a sign reading "ZAKI'S AUTO." In the foreground two women wearing plastic masks dance horizontally while a third women, shown from the back, squats down.]
    Caption Still from Shani Strand, No Telephone to Heaven (The Freedom of Unfreedom), 2023, 7 min 42 sec, Video and sound.
    Image description Two images are superimposed over each other. The background image features car lot with a sign reading "ZAKI'S AUTO." In the foreground two women wearing plastic masks dance horizontally while a third women, shown from the back, squats down.
    Year
    Related pages Shani Strand: Everything Must Be Returned
  • ARTstudio exhibition at Blue Sky Gallery, PS 140, 2024
    Caption ARTstudio exhibition at Blue Sky Gallery, PS 140, 2024
    Image description
    Year
    Related pages ARTstudio
  • A close up of glazed over windows displaying the Old Navy logo and the date
    A close up of glazed over windows displaying the Old Navy logo and the date
    ART CLUB2000 Untitled (Old Navy - November 1996), 1996 Vinyl signs and glass wax Image courtesy Artists Space, New York Photo: Filip Wolak [A close up of glazed over windows displaying the Old Navy logo and the date "November 1996"]
    Caption ART CLUB2000 Untitled (Old Navy - November 1996), 1996 Vinyl signs and glass wax Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A close up of glazed over windows displaying the Old Navy logo and the date "November 1996"
    Year 2021
    Related pages ART CLUB2000
  • A wall that has various posters, photographs, and collages hanging from it.
    A wall that has various posters, photographs, and collages hanging from it.
    Attention Line. Installation view (various flyers and photographs by Johanna Went, c. 1970s-90s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [A wall that has various posters, photographs, and collages hanging from it.]
    Caption Attention Line. Installation view (various flyers and photographs by Johanna Went, c. 1970s-90s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak
    Image description A wall that has various posters, photographs, and collages hanging from it.
    Year
    Related pages Attention Line
  • A black and white photo of three figures. The faint circular outline of a clock face surrounds the middle one, who is wearing a suit and a helmet.
    A black and white photo of three figures. The faint circular outline of a clock face surrounds the middle one, who is wearing a suit and a helmet.
    Craig Baldwin, Spectres of the Spectrum (still), 1999. [A black and white photo of three figures. The faint circular outline of a clock face surrounds the middle one, who is wearing a suit and a helmet.]
    Caption Craig Baldwin, Spectres of the Spectrum (still), 1999.
    Image description A black and white photo of three figures. The faint circular outline of a clock face surrounds the middle one, who is wearing a suit and a helmet.
    Year
    Related pages Craig Baldwin in Conversation with Adam Khalil
  • A black and white photograph of a gallery space. A painting of nude reclining women hangs on the left, and a figure in a suit and tie looks on from the right.
    A black and white photograph of a gallery space. A painting of nude reclining women hangs on the left, and a figure in a suit and tie looks on from the right.
    Installation view from J.B. Cobb, Martha Edelheit, Ree Morton, Artists Space, 1973. [A black and white photograph of a gallery space. A painting of nude reclining women hangs on the left, and a figure in a suit and tie looks on from the right.]
    Caption Installation view from J.B. Cobb, Martha Edelheit, Ree Morton, Artists Space, 1973.
    Image description A black and white photograph of a gallery space. A painting of nude reclining women hangs on the left, and a figure in a suit and tie looks on from the right.
    Year 1973
    Related pages J.B. Cobb, Martha Edelheit, Ree Morton
  • Two rooms in a large gallery space are visible, with artworks hung on the walls and sculptures in the center of the further room.
    Two rooms in a large gallery space are visible, with artworks hung on the walls and sculptures in the center of the further room.
    Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith. [Two rooms in a large gallery space are visible, with artworks hung on the walls and sculptures in the center of the further room.]
    Caption Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith.
    Image description Two rooms in a large gallery space are visible, with artworks hung on the walls and sculptures in the center of the further room.
    Year 1989
    Related pages Witnesses: Against Our Vanishing
  • Green fluorescent strips arranged in gridded, triangle-shaped sections.
    Green fluorescent strips arranged in gridded, triangle-shaped sections.
    [Green fluorescent strips arranged in gridded, triangle-shaped sections.]
    Caption
    Image description Green fluorescent strips arranged in gridded, triangle-shaped sections.
    Year 2004
    Related pages Architecture & Design Project Series: Flux Room
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    Related pages Richard Hollis
  • A black and white photograph of various objects hanging and standing in a white-walled gallery space.
    A black and white photograph of various objects hanging and standing in a white-walled gallery space.
    Freya Hansell. Installation view, Artists Space, 1980. [A black and white photograph of various objects hanging and standing in a white-walled gallery space.]
    Caption Freya Hansell. Installation view, Artists Space, 1980.
    Image description A black and white photograph of various objects hanging and standing in a white-walled gallery space.
    Year
    Related pages Freya Hansell
  • A wide angle image of a dark exhibition space, on the left a large projection is shown on a long wall, on the right photograph negatives hang off a wall.
    A wide angle image of a dark exhibition space, on the left a large projection is shown on a long wall, on the right photograph negatives hang off a wall.
    New Red Order: Feel at Home Here. Installation view, Artists Space, May 19 – August 21, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A wide angle image of a dark exhibition space, on the left a large projection is shown on a long wall, on the right photograph negatives hang off a wall.]
    Caption New Red Order: Feel at Home Here. Installation view, Artists Space, May 19 – August 21, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A wide angle image of a dark exhibition space, on the left a large projection is shown on a long wall, on the right photograph negatives hang off a wall.
    Year 2021
    Related pages New Red Order: Feel at Home Here
  • Crystal Z Campbell, Revolver, 2022. 16mm film transferred to Digital Video, Stereo, Sound. 17:27 min. Courtesy the artist
    Caption Crystal Z Campbell, Revolver, 2022. 16mm film transferred to Digital Video, Stereo, Sound. 17:27 min. Courtesy the artist
    Image description
    Year
    Related pages Crystal Z Campbell
  • A small television set sits in front of a glass window with bars. Behind the window, grafitti can be seen.
    A small television set sits in front of a glass window with bars. Behind the window, grafitti can be seen.
    Attention Line. Installation view (compilation of seven New York subway performances by Tamio Shiraishi c. 2010-2020), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [A small television set sits in front of a glass window with bars. Behind the window, grafitti can be seen.]
    Caption Attention Line. Installation view (compilation of seven New York subway performances by Tamio Shiraishi c. 2010-2020), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak
    Image description A small television set sits in front of a glass window with bars. Behind the window, grafitti can be seen.
    Year 2022
    Related pages Attention Line
  • Photograph of a glass vitrine containing various archival time-banking ephemera.
    Photograph of a glass vitrine containing various archival time-banking ephemera.
    Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo. [Photograph of a glass vitrine containing various archival time-banking ephemera.]
    Caption Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo.
    Image description Photograph of a glass vitrine containing various archival time-banking ephemera.
    Annotation 2023
    Year
    Related pages Whitney Independent Study: Clocking Out: Time Beyond Management
  • An angled view of two adjacent walls, in between sit vitrines with minature houses constructed from documents. From left to right on the wall: colorful paper bags, a monitor with a video still, a purple section of wall with various photographic objects.
    An angled view of two adjacent walls, in between sit vitrines with minature houses constructed from documents. From left to right on the wall: colorful paper bags, a monitor with a video still, a purple section of wall with various photographic objects.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [An angled view of two adjacent walls, in between sit vitrines with minature houses constructed from documents. From left to right on the wall: colorful paper bags, a monitor with a video still, a purple section of wall with various photographic objects.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description An angled view of two adjacent walls, in between sit vitrines with minature houses constructed from documents. From left to right on the wall: colorful paper bags, a monitor with a video still, a purple section of wall with various photographic objects.
    Year 2017
    Related pages Unholding
  • A large, hollow paper mache head is seen from below in a black and white photograph. The head is held up by a metal armature and scaffold.
    A large, hollow paper mache head is seen from below in a black and white photograph. The head is held up by a metal armature and scaffold.
    Ralph Paquin and Ann Stoddard, ERAWA - ERA WAS, 1990. Installation view, Artists Space, 1990. [A large, hollow paper mache head is seen from below in a black and white photograph. The head is held up by a metal armature and scaffold.]
    Caption Ralph Paquin and Ann Stoddard, ERAWA - ERA WAS, 1990. Installation view, Artists Space, 1990.
    Image description A large, hollow paper mache head is seen from below in a black and white photograph. The head is held up by a metal armature and scaffold.
    Year 1990
    Related pages Project: ERAWA - ERA WAS
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Two photographs are mounted on a white gallery wall.
    Two photographs are mounted on a white gallery wall.
    Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two photographs are mounted on a white gallery wall.]
    Caption Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979.
    Image description Two photographs are mounted on a white gallery wall.
    Year 1979
    Related pages Place, (title to be determined), for a Participant: Ken Feingold
  • A figure in a blue shirt kneels down on stage, looking down and working with audio equipment. A blue light is cast onto them from below.
    A figure in a blue shirt kneels down on stage, looking down and working with audio equipment. A blue light is cast onto them from below.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure in a blue shirt kneels down on stage, looking down and working with audio equipment. A blue light is cast onto them from below.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure in a blue shirt kneels down on stage, looking down and working with audio equipment. A blue light is cast onto them from below.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • A bulbous light-hued pink sphere-like object rests upon a white plinth. When in use, a red light on the object blinks to signal that the object is functioning correctly.
    A bulbous light-hued pink sphere-like object rests upon a white plinth. When in use, a red light on the object blinks to signal that the object is functioning correctly.
    Cici Wu, Foreign Object #1 Fluffy Light (anonymous), 2018. Handmade opalescent glass, CDS photo-reflectors, white and orange LED indicator, switch, chargeable battery, electronic board, memory cardboard. 4.5 × 4.5 × 4.5 in. (11.43 × 11.43 × 11.43 cm). Courtesy the artist and 47 Canal Gallery. Photo by Joerg Lohse. [A bulbous light-hued pink sphere-like object rests upon a white plinth. When in use, a red light on the object blinks to signal that the object is functioning correctly.]
    Caption Cici Wu, Foreign Object #1 Fluffy Light (anonymous), 2018. Handmade opalescent glass, CDS photo-reflectors, white and orange LED indicator, switch, chargeable battery, electronic board, memory cardboard. 4.5 × 4.5 × 4.5 in. (11.43 × 11.43 × 11.43 cm). Courtesy the artist and 47 Canal Gallery. Photo by Joerg Lohse.
    Image description A bulbous light-hued pink sphere-like object rests upon a white plinth. When in use, a red light on the object blinks to signal that the object is functioning correctly.
    Year 2018
    Related pages Whitney ISP Archive
  • A performer plays the drums on stage, bathed in red light, while colorful geometric patterns are projected on the wall behind.
    A performer plays the drums on stage, bathed in red light, while colorful geometric patterns are projected on the wall behind.
    Abasement #85. Performance documentation, March 2nd, 2026, Artists Space. Photo: Joshua Wildman. [A performer plays the drums on stage, bathed in red light, while colorful geometric patterns are projected on the wall behind.]
    Caption Abasement #85. Performance documentation, March 2nd, 2026, Artists Space. Photo: Joshua Wildman.
    Image description A performer plays the drums on stage, bathed in red light, while colorful geometric patterns are projected on the wall behind.
    Year
    Related pages Abasement #85
  • A wall with pink pieces of paper arranged in long columns, floor to ceiling. In front of the wall there is a single white pole, and a metal stepladder.
    A wall with pink pieces of paper arranged in long columns, floor to ceiling. In front of the wall there is a single white pole, and a metal stepladder.
    Neil Goldberg, Fortune 500 Dream Fax Project, 1996. [A wall with pink pieces of paper arranged in long columns, floor to ceiling. In front of the wall there is a single white pole, and a metal stepladder.]
    Caption Neil Goldberg, Fortune 500 Dream Fax Project, 1996.
    Image description A wall with pink pieces of paper arranged in long columns, floor to ceiling. In front of the wall there is a single white pole, and a metal stepladder.
    Year 1996
    Related pages A Strategy Hinted At: New Conceptual Artists
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    Related pages Abasement #77
  • A black and white image of a person's face against a white tiled wall, with water pouring down over her.
    A black and white image of a person's face against a white tiled wall, with water pouring down over her.
    Judit Kurtág. Still from Episode, 2007. [A black and white image of a person's face against a white tiled wall, with water pouring down over her.]
    Caption Judit Kurtág. Still from Episode, 2007.
    Image description A black and white image of a person's face against a white tiled wall, with water pouring down over her.
    Year 2007
    Related pages Episode
  • Color image of a performer and a small white tent on a stage. The performer is on the left, wearing all white, with a bouquet of flowers in their hand and a stick of insense in their mouth. On the right side of the stage, the tent is lit up with multicolored projections. The top of the tent is decorated with colorful stars. The walls in the background, as well as the audience in the foreground, are lit by patterned projections and blue lights.
    Color image of a performer and a small white tent on a stage. The performer is on the left, wearing all white, with a bouquet of flowers in their hand and a stick of insense in their mouth. On the right side of the stage, the tent is lit up with multicolored projections. The top of the tent is decorated with colorful stars. The walls in the background, as well as the audience in the foreground, are lit by patterned projections and blue lights.
    Abasement #75. Performance documentation, February 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of a performer and a small white tent on a stage. The performer is on the left, wearing all white, with a bouquet of flowers in their hand and a stick of insense in their mouth. On the right side of the stage, the tent is lit up with multicolored projections. The top of the tent is decorated with colorful stars. The walls in the background, as well as the audience in the foreground, are lit by patterned projections and blue lights.]
    Caption Abasement #75. Performance documentation, February 3rd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a performer and a small white tent on a stage. The performer is on the left, wearing all white, with a bouquet of flowers in their hand and a stick of insense in their mouth. On the right side of the stage, the tent is lit up with multicolored projections. The top of the tent is decorated with colorful stars. The walls in the background, as well as the audience in the foreground, are lit by patterned projections and blue lights.
    Year
    Related pages Abasement #75
  • A digital print of four books with annotations on each side.
    A digital print of four books with annotations on each side.
    Adjua Gargi Nzinga Greaves, SELF, 2021. Chromogenic print with pigment ink pen, 41 ½ x 41 ½ inches. Courtesy Artists Space, New York. Photo: Filip Wolak [A digital print of four books with annotations on each side.]
    Caption Adjua Gargi Nzinga Greaves, SELF, 2021. Chromogenic print with pigment ink pen, 41 ½ x 41 ½ inches. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A digital print of four books with annotations on each side.
    Year 2021
    Related pages Adjua Gargi Nzinga Greaves
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • At the bottom of the gallery wall sits a small shelf housing a pair of construction boots that are extremely worn in and covered in white paint.
    At the bottom of the gallery wall sits a small shelf housing a pair of construction boots that are extremely worn in and covered in white paint.
    LIFE—a group show, curated by Arnold J. Kemp. Installation view (William Pope.L's boots, 2003), Artists Space, 2025. Photo: Carter Seddon [At the bottom of the gallery wall sits a small shelf housing a pair of construction boots that are extremely worn in and covered in white paint.]
    Caption LIFE—a group show, curated by Arnold J. Kemp. Installation view (William Pope.L's boots, 2003), Artists Space, 2025. Photo: Carter Seddon
    Image description At the bottom of the gallery wall sits a small shelf housing a pair of construction boots that are extremely worn in and covered in white paint.
    Year
    Related pages Arnold J. Kemp
  • A black and white photograph of a gallery space. On the left, a window casts soft light onto a table and two chairs. On the right, a television monitor is positioned on a low bench.
    A black and white photograph of a gallery space. On the left, a window casts soft light onto a table and two chairs. On the right, a television monitor is positioned on a low bench.
    Artists Performance Series. Installation view, Artists Space, 1977. [A black and white photograph of a gallery space. On the left, a window casts soft light onto a table and two chairs. On the right, a television monitor is positioned on a low bench.]
    Caption Artists Performance Series. Installation view, Artists Space, 1977.
    Image description A black and white photograph of a gallery space. On the left, a window casts soft light onto a table and two chairs. On the right, a television monitor is positioned on a low bench.
    Year 1977
    Related pages Artists Performance Series
  • A wide angle image of a beige wall lined with multiple tv monitors and glass display cases filled with ephemera, hanging on the wall are four black and white contact sheets.
    A wide angle image of a beige wall lined with multiple tv monitors and glass display cases filled with ephemera, hanging on the wall are four black and white contact sheets.
    Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A wide angle image of a beige wall lined with multiple tv monitors and glass display cases filled with ephemera, hanging on the wall are four black and white contact sheets.]
    Caption Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A wide angle image of a beige wall lined with multiple tv monitors and glass display cases filled with ephemera, hanging on the wall are four black and white contact sheets.
    Year 2021
    Related pages Till They Listen: Bill Gunn Directs America
  • Color image of three large pink fabric banners by Isabelle Frances McGuire, each emblazoned with three silver stars, hanging from ceiling to floor. In the gallery space behind the banners, an off-white foam sculpture of a naked human form rests supine on a small white platform.
    Color image of three large pink fabric banners by Isabelle Frances McGuire, each emblazoned with three silver stars, hanging from ceiling to floor. In the gallery space behind the banners, an off-white foam sculpture of a naked human form rests supine on a small white platform.
    Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon. [Color image of three large pink fabric banners by Isabelle Frances McGuire, each emblazoned with three silver stars, hanging from ceiling to floor. In the gallery space behind the banners, an off-white foam sculpture of a naked human form rests supine on a small white platform.]
    Caption Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description Color image of three large pink fabric banners by Isabelle Frances McGuire, each emblazoned with three silver stars, hanging from ceiling to floor. In the gallery space behind the banners, an off-white foam sculpture of a naked human form rests supine on a small white platform.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
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    Year
    Related pages Abasement #87
  • A group of people gathered on a city sidewalk, looking into a parked car. Above them, the text Recycling L.A., May 31-June 30, 1990, Artists Space" appears in a black square." />
    A group of people gathered on a city sidewalk, looking into a parked car. Above them, the text Recycling L.A., May 31-June 30, 1990, Artists Space" appears in a black square." />
    Recycling L.A., Newspaper cover, May 1990. [A group of people gathered on a city sidewalk, looking into a parked car. Above them, the text "Recycling L.A., May 31-June 30, 1990, Artists Space" appears in a black square.]
    Caption Recycling L.A., Newspaper cover, May 1990.
    Image description A group of people gathered on a city sidewalk, looking into a parked car. Above them, the text "Recycling L.A., May 31-June 30, 1990, Artists Space" appears in a black square.
    Year 1990
    Related pages Recycling L.A.
  • Photograph of a glass vitrine sitting against a wall, containing ephemera, and a graphic poster on the left that reads
    Photograph of a glass vitrine sitting against a wall, containing ephemera, and a graphic poster on the left that reads
    Clocking Out: Time Beyond Management. Installation view (Time Zone Protocols, Black Quantum Futurism, 2022; vitrine of archival time-banking materials), Artists Space, 2023. Photo: Greg Carideo. [Photograph of a glass vitrine sitting against a wall, containing ephemera, and a graphic poster on the left that reads "Dissolve the Arrow of Progress! Recreate Local Space-Times!"]
    Caption Clocking Out: Time Beyond Management. Installation view (Time Zone Protocols, Black Quantum Futurism, 2022; vitrine of archival time-banking materials), Artists Space, 2023. Photo: Greg Carideo.
    Image description Photograph of a glass vitrine sitting against a wall, containing ephemera, and a graphic poster on the left that reads "Dissolve the Arrow of Progress! Recreate Local Space-Times!"
    Year 2023
    Related pages Whitney Independent Study: Clocking Out: Time Beyond Management
  • A series of black and white film stills appear projected on a black background. Below them, white text reads
    A series of black and white film stills appear projected on a black background. Below them, white text reads
    LOOP 2 Pamphlet Cover, Artists Space, 1990. [A series of black and white film stills appear projected on a black background. Below them, white text reads "LOOP 2 Cultures Converge May 31-June 30 Artists Space."]
    Caption LOOP 2 Pamphlet Cover, Artists Space, 1990.
    Image description A series of black and white film stills appear projected on a black background. Below them, white text reads "LOOP 2 Cultures Converge May 31-June 30 Artists Space."
    Year 1990
    Related pages Project: Loop 2: Cultures Converge
  • Dark blue text overlays red-pink background. The text reads: “February 25 / Steffani Jemison / Anne Waldman.
    Dark blue text overlays red-pink background. The text reads: “February 25 / Steffani Jemison / Anne Waldman.
    [Dark blue text overlays red-pink background. The text reads: “February 25 / Steffani Jemison / Anne Waldman." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description Dark blue text overlays red-pink background. The text reads: “February 25 / Steffani Jemison / Anne Waldman." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year 2023
    Related pages Segue Reading Series: Steffani Jemison & Anne Waldman
  • A blue book cover with text that reads,
    A blue book cover with text that reads,
    [A blue book cover with text that reads, "The Truth About Hollis, W.J. West."]
    Caption
    Image description A blue book cover with text that reads, "The Truth About Hollis, W.J. West."
    Year 2013
    Related pages Richard Hollis
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    Related pages Education Publications
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Two gray silhouettes displayed next to each other on a white wall. In front of them, a gray table displays colorful documents.
    Two gray silhouettes displayed next to each other on a white wall. In front of them, a gray table displays colorful documents.
    The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [Two gray silhouettes displayed next to each other on a white wall. In front of them, a gray table displays colorful documents.]
    Caption The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich.
    Image description Two gray silhouettes displayed next to each other on a white wall. In front of them, a gray table displays colorful documents.
    Year 2014
    Related pages The Issues of Our Time
  • Color photograph of a figure in a red suit performing in a darkly lit room with LED light sculptures in the background. The figure holds their left hand out in a gesture, and with their right hand holds a mask in front of their face.
    Color photograph of a figure in a red suit performing in a darkly lit room with LED light sculptures in the background. The figure holds their left hand out in a gesture, and with their right hand holds a mask in front of their face.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure in a red suit performing in a darkly lit room with LED light sculptures in the background. The figure holds their left hand out in a gesture, and with their right hand holds a mask in front of their face.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a figure in a red suit performing in a darkly lit room with LED light sculptures in the background. The figure holds their left hand out in a gesture, and with their right hand holds a mask in front of their face.
    Year
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Black text overlays a light green background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Spring 2026 Season / April/May curated by Fence Books: / Emily Wallis Hughes & Nikolas Slackman
    Black text overlays a light green background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Spring 2026 Season / April/May curated by Fence Books: / Emily Wallis Hughes & Nikolas Slackman
    [Black text overlays a light green background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Spring 2026 Season / April/May curated by Fence Books: / Emily Wallis Hughes & Nikolas Slackman"]
    Caption
    Image description Black text overlays a light green background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Spring 2026 Season / April/May curated by Fence Books: / Emily Wallis Hughes & Nikolas Slackman"
    Year
    Related pages Segue Reading Series
  • Close up of three rows of pre-packaged salads in plastic containers on the shelves of a grocery store refrigerator.
    Close up of three rows of pre-packaged salads in plastic containers on the shelves of a grocery store refrigerator.
    Photo: Mirelle Borra. [Close up of three rows of pre-packaged salads in plastic containers on the shelves of a grocery store refrigerator.]
    Caption Photo: Mirelle Borra.
    Image description Close up of three rows of pre-packaged salads in plastic containers on the shelves of a grocery store refrigerator.
    Year 2008
    Related pages Salad Days 3
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    Related pages Of Forests and of Farms: On Faculty and Failure
  • An inverted triangle of straw held together with wax supports an X made of lead.
    An inverted triangle of straw held together with wax supports an X made of lead.
    Robert Gero, Untitled, 1989. Lead, straw, wax. [An inverted triangle of straw held together with wax supports an X made of lead.]
    Caption Robert Gero, Untitled, 1989. Lead, straw, wax.
    Image description An inverted triangle of straw held together with wax supports an X made of lead.
    Year 1989
    Related pages Energeia
  • A close-up image of a musician surrounded by three microphones is sitting on the floor playing the violin. Three other violins lay on the stage before her. Abstract images are projected onto the back.
    A close-up image of a musician surrounded by three microphones is sitting on the floor playing the violin. Three other violins lay on the stage before her. Abstract images are projected onto the back.
    Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [A close-up image of a musician surrounded by three microphones is sitting on the floor playing the violin. Three other violins lay on the stage before her. Abstract images are projected onto the back.]
    Caption Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A close-up image of a musician surrounded by three microphones is sitting on the floor playing the violin. Three other violins lay on the stage before her. Abstract images are projected onto the back.
    Year
    Related pages Abasement #65
  • A color image of the white wall of the gallery space. In the center, a projected image of two hands tying rope around the body of a fish. The black and white projected image is flanked by two sets of six black and white framed photographs. Each frame is black, with three on the top and three on the bottom.
    A color image of the white wall of the gallery space. In the center, a projected image of two hands tying rope around the body of a fish. The black and white projected image is flanked by two sets of six black and white framed photographs. Each frame is black, with three on the top and three on the bottom.
    Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak. [A color image of the white wall of the gallery space. In the center, a projected image of two hands tying rope around the body of a fish. The black and white projected image is flanked by two sets of six black and white framed photographs. Each frame is black, with three on the top and three on the bottom. ]
    Caption Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description A color image of the white wall of the gallery space. In the center, a projected image of two hands tying rope around the body of a fish. The black and white projected image is flanked by two sets of six black and white framed photographs. Each frame is black, with three on the top and three on the bottom.
    Year
    Related pages All These Different Things Are Sculpture
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    Image description
    Year
    Related pages Min Tanaka
  • A room with white walls, with two windows on the back wall with shades pulled halfway down. The wall to the left of the windows has three framed photographs, and a white plinth with a glass top. In front of the windows, a television on a low table faces sideways toward a low black couch. On the far right side, a protruding corner of a wall has white text projected on it reading
    A room with white walls, with two windows on the back wall with shades pulled halfway down. The wall to the left of the windows has three framed photographs, and a white plinth with a glass top. In front of the windows, a television on a low table faces sideways toward a low black couch. On the far right side, a protruding corner of a wall has white text projected on it reading
    The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich. [A room with white walls, with two windows on the back wall with shades pulled halfway down. The wall to the left of the windows has three framed photographs, and a white plinth with a glass top. In front of the windows, a television on a low table faces sideways toward a low black couch. On the far right side, a protruding corner of a wall has white text projected on it reading "cupholder mount vaio."]
    Caption The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description A room with white walls, with two windows on the back wall with shades pulled halfway down. The wall to the left of the windows has three framed photographs, and a white plinth with a glass top. In front of the windows, a television on a low table faces sideways toward a low black couch. On the far right side, a protruding corner of a wall has white text projected on it reading "cupholder mount vaio."
    Year 2008
    Related pages The New Normal
  • A flyer for the event, depicting a Manhattan city block with neon-hued clouds in the background.
    A flyer for the event, depicting a Manhattan city block with neon-hued clouds in the background.
    It's Get Better IV, 2016. [A flyer for the event, depicting a Manhattan city block with neon-hued clouds in the background.]
    Caption It's Get Better IV, 2016.
    Image description A flyer for the event, depicting a Manhattan city block with neon-hued clouds in the background.
    Year 2016
    Related pages It's Get Better IV
  • Two figures stand on stage, performing with audio equipment on a table in front of them.
    Two figures stand on stage, performing with audio equipment on a table in front of them.
    Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [Two figures stand on stage, performing with audio equipment on a table in front of them.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman
    Image description Two figures stand on stage, performing with audio equipment on a table in front of them.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-10
  • Sidewalk Archives, Artists Space, April 2023
    Caption Sidewalk Archives, Artists Space, April 2023
    Image description
    Year
    Related pages Exhibitions and Events
  • Two people on a city street in front of a graffitied brick wall. One faces the camera, holding a megaphone and a piece of paper at his sides. The other is walking, facing the side, and speaking into her megaphone and reading off a sheet of paper.
    Two people on a city street in front of a graffitied brick wall. One faces the camera, holding a megaphone and a piece of paper at his sides. The other is walking, facing the side, and speaking into her megaphone and reading off a sheet of paper.
    [Two people on a city street in front of a graffitied brick wall. One faces the camera, holding a megaphone and a piece of paper at his sides. The other is walking, facing the side, and speaking into her megaphone and reading off a sheet of paper.]
    Caption
    Image description Two people on a city street in front of a graffitied brick wall. One faces the camera, holding a megaphone and a piece of paper at his sides. The other is walking, facing the side, and speaking into her megaphone and reading off a sheet of paper.
    Year 2009
    Related pages Adam Pendleton
  • A gray television sits on a rectangular wooden board. There is a mass of wires next to it. In the background, a white paper with black text hangs on a white wall.
    A gray television sits on a rectangular wooden board. There is a mass of wires next to it. In the background, a white paper with black text hangs on a white wall.
    Replica of a Lost Original. Installation view, Artists Space, 2007. Photo: Bill Orcutt. [A gray television sits on a rectangular wooden board. There is a mass of wires next to it. In the background, a white paper with black text hangs on a white wall.]
    Caption Replica of a Lost Original. Installation view, Artists Space, 2007. Photo: Bill Orcutt.
    Image description A gray television sits on a rectangular wooden board. There is a mass of wires next to it. In the background, a white paper with black text hangs on a white wall.
    Year 2007
    Related pages Replica of a Lost Original
  • A black and white photograph of four sculptures resting on slightly elevated rectangular plinths, and a fifth sculpture mounted on the wall. The sculptures are constructed of metal molded into headless and limbless humanoid body shapes.
    A black and white photograph of four sculptures resting on slightly elevated rectangular plinths, and a fifth sculpture mounted on the wall. The sculptures are constructed of metal molded into headless and limbless humanoid body shapes.
    The Body Politic. Installation view, Artists Space, 1991. [A black and white photograph of four sculptures resting on slightly elevated rectangular plinths, and a fifth sculpture mounted on the wall. The sculptures are constructed of metal molded into headless and limbless humanoid body shapes.]
    Caption The Body Politic. Installation view, Artists Space, 1991.
    Image description A black and white photograph of four sculptures resting on slightly elevated rectangular plinths, and a fifth sculpture mounted on the wall. The sculptures are constructed of metal molded into headless and limbless humanoid body shapes.
    Year 1991
    Related pages The Body Politic
  • Black-and-white image of two figures performing on stage. On the right a figure looks down and manipulates audio equipment held in a briefcase. To the left and behind another figure is out of focus and plays the violin.
    Black-and-white image of two figures performing on stage. On the right a figure looks down and manipulates audio equipment held in a briefcase. To the left and behind another figure is out of focus and plays the violin.
    Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman [Black-and-white image of two figures performing on stage. On the right a figure looks down and manipulates audio equipment held in a briefcase. To the left and behind another figure is out of focus and plays the violin.]
    Caption Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman
    Image description Black-and-white image of two figures performing on stage. On the right a figure looks down and manipulates audio equipment held in a briefcase. To the left and behind another figure is out of focus and plays the violin.
    Year
    Related pages Abasement: #62
  • Two delicate, framed works on paper hang side by side against a white wall. A light blue color has been imprinted on the central portion of the wall. The artworks feature flecks of pastel color on an otherwise white surface.
    Two delicate, framed works on paper hang side by side against a white wall. A light blue color has been imprinted on the central portion of the wall. The artworks feature flecks of pastel color on an otherwise white surface.
    You Are The Everything and The Everything Is In You. Installation view, Artists Space, 2005. [Two delicate, framed works on paper hang side by side against a white wall. A light blue color has been imprinted on the central portion of the wall. The artworks feature flecks of pastel color on an otherwise white surface.]
    Caption You Are The Everything and The Everything Is In You. Installation view, Artists Space, 2005.
    Image description Two delicate, framed works on paper hang side by side against a white wall. A light blue color has been imprinted on the central portion of the wall. The artworks feature flecks of pastel color on an otherwise white surface.
    Year 2005
    Related pages You Are The Everything and The Everything Is In You
  • Two men embrace in the background, while a man wearing a black top hat stands in the foreground gazing at the camera.
    Two men embrace in the background, while a man wearing a black top hat stands in the foreground gazing at the camera.
    Marlon Riggs, still from Tongues Untied, 55 min, 1989. Credit: Signiyin' Works. [Two men embrace in the background, while a man wearing a black top hat stands in the foreground gazing at the camera.]
    Caption Marlon Riggs, still from Tongues Untied, 55 min, 1989. Credit: Signiyin' Works.
    Image description Two men embrace in the background, while a man wearing a black top hat stands in the foreground gazing at the camera.
    Year 1989
    Related pages Tom of Finland Film Evening
  • A painting of a bald man with glasses looking off to the side. He wears a red Lacoste polo shirt.
    A painting of a bald man with glasses looking off to the side. He wears a red Lacoste polo shirt.
    Tim Doud, 2001. [A painting of a bald man with glasses looking off to the side. He wears a red Lacoste polo shirt.]
    Caption Tim Doud, 2001.
    Image description A painting of a bald man with glasses looking off to the side. He wears a red Lacoste polo shirt.
    Year 2001
    Related pages Painting as Paradox
  • Gritty street wall background with a white poster on it with black text that reads,
    Gritty street wall background with a white poster on it with black text that reads,
    Jenny Holzer. Maxim Poster, 1982. [Gritty street wall background with a white poster on it with black text that reads, "ABUSE OF POWER SHOULD COME AS NO SURPRISE / ALIENATION CAN PRODUCE ECCENTRICS OR REVOLUTIONARIES / AN ELITE IS INEVITABLE / ANGER OR HATE CAN BE A USEFUL MOTIVATING FORCE / ANY SURPLUS IS IMMORAL / DISGUST IS THE APPROPRIATE RESPONSE TO MOST SITUATIONS / EVERYONE'S WORK IS EQUALLY IMPORTANT / EXCEPTIONAL PEOPLE DESERVE SPECIAL CONCESSIONS / FAITHFULNESS IS A SOCIAL NOT A BIOLOGICAL LAW / FREEDOM IS A LUXURY NOT A NECESSITY / GOVERNMENT IS A BURDEN ON THE PEOPLE / HUMANISM IS OBSOLETE / IDEALS ARE EVENTUALLY REPLACED BY CONVENTIONAL GOALS / INHERITANCE MUST BE ABOLISHED / KILLING IS UNAVOIDABLE BUT IS NOTHING TO BE PROUD OF / LABOR IS A LIFE-DESTROYING ACTIVITY / MONEY CREATES TASTE / MORALS ARE FOR LITTLE PEOPLE / MOST PEOPLE ARE NOT FIT TO RULE THEMSELVES / MOSTLY YOU SHOULD MIND YOUR OWN BUSINESS / MUCH WAS DECIDED BEFORE YOU WERE BORN / MURDER HAS ITS SEXUAL SIDE / PAIN CAN BE A VERY POSITIVE THING / PEOPLE ARE NUTS IF THEY THINK THEY CONTROL THEIR LIVES / PEOPLE WHO DON'T WORK WITH THEIR HANDS ARE PARASITES / PEOPLE WHO GO CRAZY ARE TOO SENSITIVE / PEOPLE WON'T BEHAVE IF THEY HAVE NOTHING TO LOSE / PLAYING IT SAFE CAN CAUSE A LOT OF DAMAGE / PRIVATE OWNERSHIP IS AN INVITATION TO DISASTER / ROMANTIC LOVE WAS INVENTED TO MANIPULATE WOMEN / SELFISHNESS IS THE MOST BASIC MOTIVATION / SEPARATISM IS THE WAY TO A NEW  BEGINNING / SEX DIFFERENCES ARE HERE TO STAY / STARVATION IS NATURE'S WAY / STERLIZIZATION IS OFTEN JUSTIFIED / STUPID PEOPLE SHOULDN'T BREED / TECHNOLOGY WILL MAKE OR BRAKE US / THE FAMILY IS LIVING ON BORROWED TIME / THE LAND BELONGS TO NO ONE / TIMIDITY IS LAUGHABLE / TORTURE IS HORRIBLE AND EXCITING / TRADING A LIFE FOR A LIFE IS FAIR ENOUGH / UNIQUE THINGS MUST BE  THE MOST VALUABLE / YOU DIG YOUR OWN GRAVE / YOU MUST REMEMBER YOU HAVE FREEDOM OF CHOICE."]
    Caption Jenny Holzer. Maxim Poster, 1982.
    Image description Gritty street wall background with a white poster on it with black text that reads, "ABUSE OF POWER SHOULD COME AS NO SURPRISE / ALIENATION CAN PRODUCE ECCENTRICS OR REVOLUTIONARIES / AN ELITE IS INEVITABLE / ANGER OR HATE CAN BE A USEFUL MOTIVATING FORCE / ANY SURPLUS IS IMMORAL / DISGUST IS THE APPROPRIATE RESPONSE TO MOST SITUATIONS / EVERYONE'S WORK IS EQUALLY IMPORTANT / EXCEPTIONAL PEOPLE DESERVE SPECIAL CONCESSIONS / FAITHFULNESS IS A SOCIAL NOT A BIOLOGICAL LAW / FREEDOM IS A LUXURY NOT A NECESSITY / GOVERNMENT IS A BURDEN ON THE PEOPLE / HUMANISM IS OBSOLETE / IDEALS ARE EVENTUALLY REPLACED BY CONVENTIONAL GOALS / INHERITANCE MUST BE ABOLISHED / KILLING IS UNAVOIDABLE BUT IS NOTHING TO BE PROUD OF / LABOR IS A LIFE-DESTROYING ACTIVITY / MONEY CREATES TASTE / MORALS ARE FOR LITTLE PEOPLE / MOST PEOPLE ARE NOT FIT TO RULE THEMSELVES / MOSTLY YOU SHOULD MIND YOUR OWN BUSINESS / MUCH WAS DECIDED BEFORE YOU WERE BORN / MURDER HAS ITS SEXUAL SIDE / PAIN CAN BE A VERY POSITIVE THING / PEOPLE ARE NUTS IF THEY THINK THEY CONTROL THEIR LIVES / PEOPLE WHO DON'T WORK WITH THEIR HANDS ARE PARASITES / PEOPLE WHO GO CRAZY ARE TOO SENSITIVE / PEOPLE WON'T BEHAVE IF THEY HAVE NOTHING TO LOSE / PLAYING IT SAFE CAN CAUSE A LOT OF DAMAGE / PRIVATE OWNERSHIP IS AN INVITATION TO DISASTER / ROMANTIC LOVE WAS INVENTED TO MANIPULATE WOMEN / SELFISHNESS IS THE MOST BASIC MOTIVATION / SEPARATISM IS THE WAY TO A NEW  BEGINNING / SEX DIFFERENCES ARE HERE TO STAY / STARVATION IS NATURE'S WAY / STERLIZIZATION IS OFTEN JUSTIFIED / STUPID PEOPLE SHOULDN'T BREED / TECHNOLOGY WILL MAKE OR BRAKE US / THE FAMILY IS LIVING ON BORROWED TIME / THE LAND BELONGS TO NO ONE / TIMIDITY IS LAUGHABLE / TORTURE IS HORRIBLE AND EXCITING / TRADING A LIFE FOR A LIFE IS FAIR ENOUGH / UNIQUE THINGS MUST BE  THE MOST VALUABLE / YOU DIG YOUR OWN GRAVE / YOU MUST REMEMBER YOU HAVE FREEDOM OF CHOICE."
    Year
    Related pages Eating Friends
  • Postcard from Robert Morgan. Artists Space, 1977
    Caption Postcard from Robert Morgan. Artists Space, 1977
    Image description
    Year
    Related pages Robert Morgan
  • Black text affixed to a white wall reads:
    Black text affixed to a white wall reads:
    _____, Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978, Artists Space, 1978. Installation view, Artists Space, 1978. [Black text affixed to a white wall reads: "Christopher D'Arcangelo / Louise Lawler / Adrian Piper / Cindy Sherman."]
    Caption _____, Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978, Artists Space, 1978. Installation view, Artists Space, 1978.
    Image description Black text affixed to a white wall reads: "Christopher D'Arcangelo / Louise Lawler / Adrian Piper / Cindy Sherman."
    Year 1978
    Related pages ______ , Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978.
  • An image depicting a digitally-created cartoon-style black-and-white humanoid figure standing upright, holding a stick. He has a long beard, hair across his body, and leaves as a skirt and hat. A thought bubble appears above his head, with sans-serif text stating
    An image depicting a digitally-created cartoon-style black-and-white humanoid figure standing upright, holding a stick. He has a long beard, hair across his body, and leaves as a skirt and hat. A thought bubble appears above his head, with sans-serif text stating
    Liam Gillick, Thinking, 2010, Inkjet print on Sunset Cotton Etch 285 gsm, 24 x 20 in / 61 x 50,8 cm, Signed and numbered [An image depicting a digitally-created cartoon-style black-and-white humanoid figure standing upright, holding a stick. He has a long beard, hair across his body, and leaves as a skirt and hat. A thought bubble appears above his head, with sans-serif text stating "Thinking more about production than consumption..."]
    Caption Liam Gillick, Thinking, 2010, Inkjet print on Sunset Cotton Etch 285 gsm, 24 x 20 in / 61 x 50,8 cm, Signed and numbered
    Image description An image depicting a digitally-created cartoon-style black-and-white humanoid figure standing upright, holding a stick. He has a long beard, hair across his body, and leaves as a skirt and hat. A thought bubble appears above his head, with sans-serif text stating "Thinking more about production than consumption..."
    Year 2010
    Related pages Artists Space Annual Edition Portfolio 2010
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A drawing of a chain attached to a constructed wall with text on the lower left of the page reading,
    A drawing of a chain attached to a constructed wall with text on the lower left of the page reading,
    Immanent Madness. Installation View. Artists Space, 1985-86. [A drawing of a chain attached to a constructed wall with text on the lower left of the page reading, "IMMINENT MADNESS THE WALL WE ARE NO LONGER CHAINED TO".]
    Caption Immanent Madness. Installation View. Artists Space, 1985-86.
    Image description A drawing of a chain attached to a constructed wall with text on the lower left of the page reading, "IMMINENT MADNESS THE WALL WE ARE NO LONGER CHAINED TO".
    Year 1985
    Related pages Immanent Madness
  • Black typewriter text, underlined, reads,
    Black typewriter text, underlined, reads,
    [Black typewriter text, underlined, reads, "Vigilance: An Exhibition of Artit's Books Exploring Strategies for Social Concern," text with no font alteration reads, "after an exhibition curated by Mike Glier and Lucy R. Lippard."]
    Caption
    Image description Black typewriter text, underlined, reads, "Vigilance: An Exhibition of Artit's Books Exploring Strategies for Social Concern," text with no font alteration reads, "after an exhibition curated by Mike Glier and Lucy R. Lippard."
    Year 2014
    Related pages The Library Vaccine
  • A speaker balances on its side on the top of a step ladder in a gallery space. Directly above the ladder are four large window panes which look out onto trees.
    A speaker balances on its side on the top of a step ladder in a gallery space. Directly above the ladder are four large window panes which look out onto trees.
    Michael Brewster. Text and documentation of installations, Inside, Outside, Down and Soliloquies, 1977. [A speaker balances on its side on the top of a step ladder in a gallery space. Directly above the ladder are four large window panes which look out onto trees.]
    Caption Michael Brewster. Text and documentation of installations, Inside, Outside, Down and Soliloquies, 1977.
    Image description A speaker balances on its side on the top of a step ladder in a gallery space. Directly above the ladder are four large window panes which look out onto trees.
    Year 1977
    Related pages Michael Brewster: An Acoustic Sculpture, A Clicker Drawing
  • A black-and-white photograph of a gallery space with several floor lamps installed throughout.
    A black-and-white photograph of a gallery space with several floor lamps installed throughout.
    Served Up! R.M. Fischer. Installation view, Artists Space, 1979. [A black-and-white photograph of a gallery space with several floor lamps installed throughout.]
    Caption Served Up! R.M. Fischer. Installation view, Artists Space, 1979.
    Image description A black-and-white photograph of a gallery space with several floor lamps installed throughout.
    Year
    Related pages Served Up! R. M. Fischer
  • Two people sit at a table while a third person places a plate of food in front of them.
    Two people sit at a table while a third person places a plate of food in front of them.
    Production still from Black Picture Show, 1978. Photo: Marshall Johnson. Image courtesy of the artist. [Two people sit at a table while a third person places a plate of food in front of them.]
    Caption Production still from Black Picture Show, 1978. Photo: Marshall Johnson. Image courtesy of the artist.
    Image description Two people sit at a table while a third person places a plate of food in front of them.
    Year 1975
    Related pages Black Picture Show
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Black and white video still of a figure in a packed crowd, speaking into a microphone. A date and time stamp at the bottom left corner of the still read,
    Black and white video still of a figure in a packed crowd, speaking into a microphone. A date and time stamp at the bottom left corner of the still read,
    Black Cat Collective. Still from Many Faces of Paper, 1989. [Black and white video still of a figure in a packed crowd, speaking into a microphone. A date and time stamp at the bottom left corner of the still read, "PM 1:11" and "FEB. 15 1988."]
    Caption Black Cat Collective. Still from Many Faces of Paper, 1989.
    Image description Black and white video still of a figure in a packed crowd, speaking into a microphone. A date and time stamp at the bottom left corner of the still read, "PM 1:11" and "FEB. 15 1988."
    Year 1989
    Related pages Video Witnesses: Festival of New Journalism
  • A photograph of the exhibition opening reception. A group of visitors look around at the art.
    A photograph of the exhibition opening reception. A group of visitors look around at the art.
    Four Scottish Artists. Opening Reception, Artists Space, 1979. [A photograph of the exhibition opening reception. A group of visitors look around at the art.]
    Caption Four Scottish Artists. Opening Reception, Artists Space, 1979.
    Image description A photograph of the exhibition opening reception. A group of visitors look around at the art.
    Year 1979
    Related pages Four Scottish Artists
  • White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Mar 23 / Dubravka Djuric / Fanny Howe
    White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Mar 23 / Dubravka Djuric / Fanny Howe
    [White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Mar 23 / Dubravka Djuric / Fanny Howe" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Mar 23 / Dubravka Djuric / Fanny Howe" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: Dubravka Djuric & Fanny Howe
  • A woman stands behind a microphone under dim red light. The woman looks down to her right while typing on a keyboard.
    A woman stands behind a microphone under dim red light. The woman looks down to her right while typing on a keyboard.
    Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York. [A woman stands behind a microphone under dim red light. The woman looks down to her right while typing on a keyboard.]
    Caption Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York.
    Image description A woman stands behind a microphone under dim red light. The woman looks down to her right while typing on a keyboard.
    Year
    Related pages Eiko Ishibashi in Concert
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    Image description
    Year
    Related pages Abasement #77
  • Stamped yellow text spelling out
    Stamped yellow text spelling out
    [Stamped yellow text spelling out "W.A.G.E" at a slight angle. Underneath that, typed pink text reads, "Working Artists and the Greater Economy."]
    Caption
    Image description Stamped yellow text spelling out "W.A.G.E" at a slight angle. Underneath that, typed pink text reads, "Working Artists and the Greater Economy."
    Year 2012
    Related pages W.A.G.E. Survey Release
  • A print of marbled, amorphous forms in blue, grey, and white is centrally intersected by a horizontal orange band.
    A print of marbled, amorphous forms in blue, grey, and white is centrally intersected by a horizontal orange band.
    Peter Saville, Bespoke archival box with hand-marbled paper and band, 24 1/2 x 20 1/2 x 1 1/2 in / 62,2 x 52 x 3,8 cm, Signed and Numbered. [A print of marbled, amorphous forms in blue, grey, and white is centrally intersected by a horizontal orange band.]
    Caption Peter Saville, Bespoke archival box with hand-marbled paper and band, 24 1/2 x 20 1/2 x 1 1/2 in / 62,2 x 52 x 3,8 cm, Signed and Numbered.
    Image description A print of marbled, amorphous forms in blue, grey, and white is centrally intersected by a horizontal orange band.
    Year 2015
    Related pages Artists Space Annual Edition Portfolio 2015
  • An image of a glass display case, above which hang various posters and epehemera. Behind the posters is a staircase.
    An image of a glass display case, above which hang various posters and epehemera. Behind the posters is a staircase.
    Attention Line. Installation view (posters and ephemera from Other Cinema, c. 1970s-80s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [An image of a glass display case, above which hang various posters and epehemera. Behind the posters is a staircase.]
    Caption Attention Line. Installation view (posters and ephemera from Other Cinema, c. 1970s-80s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak
    Image description An image of a glass display case, above which hang various posters and epehemera. Behind the posters is a staircase.
    Year
    Related pages Attention Line
  • Image taken between two curtains of a TV affixed to a wall on the right, displaying blue-tinted video footage of the performance with a fresnel lens hanging in front of the TV display.
    Image taken between two curtains of a TV affixed to a wall on the right, displaying blue-tinted video footage of the performance with a fresnel lens hanging in front of the TV display.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image taken between two curtains of a TV affixed to a wall on the right, displaying blue-tinted video footage of the performance with a fresnel lens hanging in front of the TV display.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image taken between two curtains of a TV affixed to a wall on the right, displaying blue-tinted video footage of the performance with a fresnel lens hanging in front of the TV display.
    Year 2022
    Related pages SCRAAATCH 11-18
  • An assortment of artworks are seen in the large gallery space. On the left wall, a painting reading
    An assortment of artworks are seen in the large gallery space. On the left wall, a painting reading
    LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon [An assortment of artworks are seen in the large gallery space. On the left wall, a painting reading "NIGHTMARE" at a vertical angle with images of skulls, stars, and abstracted forms superimposed on top, as well as a framed painting to the right. In the center of the room is a gridded artwork with letters inside, a table behind displaying two ceramic works, and metal armatures with red, white, and blue wax candles spelling "LOVE." The space is divided by a row of columns with both framed and hung paintings behind.]
    Caption LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description An assortment of artworks are seen in the large gallery space. On the left wall, a painting reading "NIGHTMARE" at a vertical angle with images of skulls, stars, and abstracted forms superimposed on top, as well as a framed painting to the right. In the center of the room is a gridded artwork with letters inside, a table behind displaying two ceramic works, and metal armatures with red, white, and blue wax candles spelling "LOVE." The space is divided by a row of columns with both framed and hung paintings behind.
    Year 2025
    Related pages Arnold J. Kemp
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Black & white photograph of an empty gallery room, with black walls. Hanging around the center of the space are three hanging screens playing the same synchronized video. Along the back wall a cello lays against a wooden chair, next to a harp and stool. On the side wall a spotlight shines on a microphone stand.
    Black & white photograph of an empty gallery room, with black walls. Hanging around the center of the space are three hanging screens playing the same synchronized video. Along the back wall a cello lays against a wooden chair, next to a harp and stool. On the side wall a spotlight shines on a microphone stand.
    Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan. [Black & white photograph of an empty gallery room, with black walls. Hanging around the center of the space are three hanging screens playing the same synchronized video. Along the back wall a cello lays against a wooden chair, next to a harp and stool. On the side wall a spotlight shines on a microphone stand.]
    Caption Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan.
    Image description Black & white photograph of an empty gallery room, with black walls. Hanging around the center of the space are three hanging screens playing the same synchronized video. Along the back wall a cello lays against a wooden chair, next to a harp and stool. On the side wall a spotlight shines on a microphone stand.
    Year 2023
    Related pages Genesis: Medley
  • Caption
    Image description
    Year
    Related pages Anne Gardiner: Through the Tulips and The Red Red Rose - May 2
  • Two performers play the drums on stage. The room is speckled with white dotted lights.
    Two performers play the drums on stage. The room is speckled with white dotted lights.
    Abasement #84. Performance documentation, February 16th, 2026, Artists Space. Photo: Joshua Wildman. [Two performers play the drums on stage. The room is speckled with white dotted lights.]
    Caption Abasement #84. Performance documentation, February 16th, 2026, Artists Space. Photo: Joshua Wildman.
    Image description Two performers play the drums on stage. The room is speckled with white dotted lights.
    Year
    Related pages Abasement #84
  • Photographs hanging on walls in a gallery space with a doorway on the right.
    Photographs hanging on walls in a gallery space with a doorway on the right.
    David Kulik, Frank Majore, Kevin Noble, Ken Pelka, Pat Place, Rene Santos, and Brian Weil. Installation view, Artists Space, 1980. [Photographs hanging on walls in a gallery space with a doorway on the right.]
    Caption David Kulik, Frank Majore, Kevin Noble, Ken Pelka, Pat Place, Rene Santos, and Brian Weil. Installation view, Artists Space, 1980.
    Image description Photographs hanging on walls in a gallery space with a doorway on the right.
    Year
    Related pages David Kulik, Frank Majore, Kevin Noble, Ken Pelka, Pat Place, Rene Santos, and Brian Weil
  • A figure in a blue dress stands behind a white table, they slowly unfold a book as another figure in the audience stands and reaches over to read off of the paper.
    A figure in a blue dress stands behind a white table, they slowly unfold a book as another figure in the audience stands and reaches over to read off of the paper.
    Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang. [A figure in a blue dress stands behind a white table, they slowly unfold a book as another figure in the audience stands and reaches over to read off of the paper.]
    Caption Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang.
    Image description A figure in a blue dress stands behind a white table, they slowly unfold a book as another figure in the audience stands and reaches over to read off of the paper.
    Year 2023
    Related pages Chang Yuchen: Coral Dictionary Vol. 1, 2019-2022
  • From below, a musician is seen manipulating electronics housed inside of a lunchbox that pictures a schoolbus painted with different colored rectangles that have sharp black borders. Above the schoolbus is text that reads "The Partridge Family". The walls behind the musician are bathed in soft green light.
    Caption From below, a musician is seen manipulating electronics housed inside of a lunchbox that pictures a schoolbus painted with different colored rectangles that have sharp black borders. Above the schoolbus is text that reads "The Partridge Family". The walls behind the musician are bathed in soft green light.
    Image description
    Year
    Related pages Abasement #70
  • Caption
    Image description
    Year
    Related pages fwiw
  • Close-up of two hands holding a series of black and white photographs, as if presenting them to the viewer. The top photograph depicts the roof of a small home that has caved in, battered by a recent storm. Debris and fallen branches are strewn around the home.
    Close-up of two hands holding a series of black and white photographs, as if presenting them to the viewer. The top photograph depicts the roof of a small home that has caved in, battered by a recent storm. Debris and fallen branches are strewn around the home.
    [Close-up of two hands holding a series of black and white photographs, as if presenting them to the viewer. The top photograph depicts the roof of a small home that has caved in, battered by a recent storm. Debris and fallen branches are strewn around the home.]
    Caption
    Image description Close-up of two hands holding a series of black and white photographs, as if presenting them to the viewer. The top photograph depicts the roof of a small home that has caved in, battered by a recent storm. Debris and fallen branches are strewn around the home.
    Year 2006
    Related pages Saturday Events Series
  • Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right appears to read from a text propped on the stand, while the figure on the left looks towards the audience, speaking and gesturing towards them with one hand.
    Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right appears to read from a text propped on the stand, while the figure on the left looks towards the audience, speaking and gesturing towards them with one hand.
    Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court. [Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right appears to read from a text propped on the stand, while the figure on the left looks towards the audience, speaking and gesturing towards them with one hand.]
    Caption Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court.
    Image description Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right appears to read from a text propped on the stand, while the figure on the left looks towards the audience, speaking and gesturing towards them with one hand.
    Year 2020
    Related pages Passages from People Who Led to My Plays
  • Painting of figures with Native American headdresses on a white gallery wall with a sculpture appearing in front of it.
    Painting of figures with Native American headdresses on a white gallery wall with a sculpture appearing in front of it.
    We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [Painting of figures with Native American headdresses on a white gallery wall with a sculpture appearing in front of it.]
    Caption We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
    Image description Painting of figures with Native American headdresses on a white gallery wall with a sculpture appearing in front of it.
    Year
    Related pages We the People
  • Brittany, Plant observation, watercolor painting, 2025
    Caption Brittany, Plant observation, watercolor painting, 2025
    Image description
    Year
    Related pages Threads of History
  • A nightime view of a truck driving past a parking lot. In the top left of the image is a superimposed video of a blond woman. The words
    A nightime view of a truck driving past a parking lot. In the top left of the image is a superimposed video of a blond woman. The words
    Ursula Biemann, still from Writing Desire, 2000. Video, 23 minutes. Courtesy the artist. [A nightime view of a truck driving past a parking lot. In the top left of the image is a superimposed video of a blond woman. The words "Hello I'm Natascha" appear in red to the right of the woman.]
    Caption Ursula Biemann, still from Writing Desire, 2000. Video, 23 minutes. Courtesy the artist.
    Image description A nightime view of a truck driving past a parking lot. In the top left of the image is a superimposed video of a blond woman. The words "Hello I'm Natascha" appear in red to the right of the woman.
    Year 2000
    Related pages New Economy
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    Image description
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Black-and-white photograph of a TV against a brick wall, connected to a camera recording directly above a spotlighted chair and desk. A figure sits across the empty chair at the desk, while another figure kneels down to the left side of the desk working on something.
    Black-and-white photograph of a TV against a brick wall, connected to a camera recording directly above a spotlighted chair and desk. A figure sits across the empty chair at the desk, while another figure kneels down to the left side of the desk working on something.
    Yasunao Tone and Suzanne Fletcher performing Voice and Phenomenon, Experimental Intermedia Foundation, New York, 1976. [Black-and-white photograph of a TV against a brick wall, connected to a camera recording directly above a spotlighted chair and desk. A figure sits across the empty chair at the desk, while another figure kneels down to the left side of the desk working on something.]
    Caption Yasunao Tone and Suzanne Fletcher performing Voice and Phenomenon, Experimental Intermedia Foundation, New York, 1976.
    Image description Black-and-white photograph of a TV against a brick wall, connected to a camera recording directly above a spotlighted chair and desk. A figure sits across the empty chair at the desk, while another figure kneels down to the left side of the desk working on something.
    Year
    Related pages Yasunao Tone: Region of Paramedia
  • A black and white image of two couches set in front of a TV monitor on a pedestal and two speakers installed on either side of it. The TV screen is on, but no clear image is visible on it. A door to exit is visible in the background.
    A black and white image of two couches set in front of a TV monitor on a pedestal and two speakers installed on either side of it. The TV screen is on, but no clear image is visible on it. A door to exit is visible in the background.
    Too Black, Too Strong! Installation View, Artists Space, 1988. [A black and white image of two couches set in front of a TV monitor on a pedestal and two speakers installed on either side of it. The TV screen is on, but no clear image is visible on it. A door to exit is visible in the background.]
    Caption Too Black, Too Strong! Installation View, Artists Space, 1988.
    Image description A black and white image of two couches set in front of a TV monitor on a pedestal and two speakers installed on either side of it. The TV screen is on, but no clear image is visible on it. A door to exit is visible in the background.
    Year 1988
    Related pages Too Black, Too Strong!
  • A figure in overalls spreads paint over a dark tarp hung against a white wall. The length of the tarp is covered with wide strokes of lighter paint.
    A figure in overalls spreads paint over a dark tarp hung against a white wall. The length of the tarp is covered with wide strokes of lighter paint.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A figure in overalls spreads paint over a dark tarp hung against a white wall. The length of the tarp is covered with wide strokes of lighter paint.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A figure in overalls spreads paint over a dark tarp hung against a white wall. The length of the tarp is covered with wide strokes of lighter paint.
    Year 2019
    Related pages Speaker Music: drape over another
  • Black and white photograph of Jean Fisher looking to the right.
    Black and white photograph of Jean Fisher looking to the right.
    [Black and white photograph of Jean Fisher looking to the right.]
    Caption
    Image description Black and white photograph of Jean Fisher looking to the right.
    Year 2018
    Related pages The Work Between Us: Reflections on Jean Fisher
  • A color photograph of a ceramic jub resting on a small wooden stool next to a color control strip. On the wall above and to the right is a painting of two hands. Another color control strip rests on top of the painting's frame.
    A color photograph of a ceramic jub resting on a small wooden stool next to a color control strip. On the wall above and to the right is a painting of two hands. Another color control strip rests on top of the painting's frame.
    Lyndon Barrois Jr., Breakaway Palm, 2022. Oil on linen-mounted board, brass, solvent transfers, raw linen panel, linoleum frame, plywood. 20.75 x 16.75 inches. Photo: Filip Wolak. [A color photograph of a ceramic jub resting on a small wooden stool next to a color control strip. On the wall above and to the right is a painting of two hands. Another color control strip rests on top of the painting's frame.]
    Caption Lyndon Barrois Jr., Breakaway Palm, 2022. Oil on linen-mounted board, brass, solvent transfers, raw linen panel, linoleum frame, plywood. 20.75 x 16.75 inches. Photo: Filip Wolak.
    Image description A color photograph of a ceramic jub resting on a small wooden stool next to a color control strip. On the wall above and to the right is a painting of two hands. Another color control strip rests on top of the painting's frame.
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
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    Year
    Related pages Ralston Farina: Time // Time
  • Several silhouetted figures backlit by a red glow stand among columns. The figure in the center holds a white-lit object in the air.
    Several silhouetted figures backlit by a red glow stand among columns. The figure in the center holds a white-lit object in the air.
    New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [Several silhouetted figures backlit by a red glow stand among columns. The figure in the center holds a white-lit object in the air.]
    Caption New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description Several silhouetted figures backlit by a red glow stand among columns. The figure in the center holds a white-lit object in the air.
    Year 2020
    Related pages New Red Order: Informants Get Paid!
  • Black and white depiction of two figures in the woods at night. One is is hammering a fence post by the light of the lantern held by the second person.
    Black and white depiction of two figures in the woods at night. One is is hammering a fence post by the light of the lantern held by the second person.
    Peter Wächtler, Untitled (Nightly Scene Forest), 2015 Black and white linocut on paper, 19 x 23 ½ in / 50,2 x 59,7 cm, Signed and Numbered. [Black and white depiction of two figures in the woods at night. One is is hammering a fence post by the light of the lantern held by the second person.]
    Caption Peter Wächtler, Untitled (Nightly Scene Forest), 2015 Black and white linocut on paper, 19 x 23 ½ in / 50,2 x 59,7 cm, Signed and Numbered.
    Image description Black and white depiction of two figures in the woods at night. One is is hammering a fence post by the light of the lantern held by the second person.
    Year 2016
    Related pages Artists Space Annual Edition Portfolio 2016
  • Several small planks of wood of different sizes, shapes, and colors lean against a white gallery wall. Different words have been painted across the length of each plank, including
    Several small planks of wood of different sizes, shapes, and colors lean against a white gallery wall. Different words have been painted across the length of each plank, including
    Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Several small planks of wood of different sizes, shapes, and colors lean against a white gallery wall. Different words have been painted across the length of each plank, including "rhythm," "grace," "love," and "warmth." Above the planks hang two framed, green paintings.]
    Caption Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Several small planks of wood of different sizes, shapes, and colors lean against a white gallery wall. Different words have been painted across the length of each plank, including "rhythm," "grace," "love," and "warmth." Above the planks hang two framed, green paintings.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • intermezzo?
    intermezzo?
    Abstraction in Process. Installation view, Artists Space, March 26, 1987 - May 2, 1987. [intermezzo?]
    Caption Abstraction in Process. Installation view, Artists Space, March 26, 1987 - May 2, 1987.
    Image description intermezzo?
    Year
    Related pages Abstraction in Process
  • Black text on a grey background. The text reads: “May 3 / John Keene / Laura Mullen.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a grey background. The text reads: “May 3 / John Keene / Laura Mullen.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a grey background. The text reads: “May 3 / John Keene / Laura Mullen.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a grey background. The text reads: “May 3 / John Keene / Laura Mullen.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: John Keene & Laura Mullen
  • A bright yellow object with a cracked surface is embedded with a computer chipboard on its front, and a multicolored fidget spinner on the top.
    A bright yellow object with a cracked surface is embedded with a computer chipboard on its front, and a multicolored fidget spinner on the top.
    Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $5,000
    [A bright yellow object with a cracked surface is embedded with a computer chipboard on its front, and a multicolored fidget spinner on the top.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $5,000
    Image description A bright yellow object with a cracked surface is embedded with a computer chipboard on its front, and a multicolored fidget spinner on the top.
    Year 2019
    Related pages Trisha Baga Edition
  • A man holding a clipboard at his side walks past a large, columned white wall with palm trees on either end.
    A man holding a clipboard at his side walks past a large, columned white wall with palm trees on either end.
    Still from The Empty Plan (2010). [A man holding a clipboard at his side walks past a large, columned white wall with palm trees on either end.]
    Caption Still from The Empty Plan (2010).
    Image description A man holding a clipboard at his side walks past a large, columned white wall with palm trees on either end.
    Year 2010
    Related pages The Empty Plan
  • Graphic image with five horizontal black bands going across the top, against an off-white background. In large font across the center is text that reads
    Graphic image with five horizontal black bands going across the top, against an off-white background. In large font across the center is text that reads
    [Graphic image with five horizontal black bands going across the top, against an off-white background. In large font across the center is text that reads "Housecalls." Along the bottom additional small text reads "Drake Carr presented by Artists Space at the Armory Art Show."]
    Caption
    Image description Graphic image with five horizontal black bands going across the top, against an off-white background. In large font across the center is text that reads "Housecalls." Along the bottom additional small text reads "Drake Carr presented by Artists Space at the Armory Art Show."
    Year
    Related pages Drake Carr: Housecalls
  • Two white walls meeting in a corner. The wall on the right has three large black and white photographs of people on winter streets with their small dogs. The wall on the left features a canvas covered in a red, green, and peach colored plaid pattern.
    Two white walls meeting in a corner. The wall on the right has three large black and white photographs of people on winter streets with their small dogs. The wall on the left features a canvas covered in a red, green, and peach colored plaid pattern.
    Flipside. Installation view, Artists Space, 2004. [Two white walls meeting in a corner. The wall on the right has three large black and white photographs of people on winter streets with their small dogs. The wall on the left features a canvas covered in a red, green, and peach colored plaid pattern.]
    Caption Flipside. Installation view, Artists Space, 2004.
    Image description Two white walls meeting in a corner. The wall on the right has three large black and white photographs of people on winter streets with their small dogs. The wall on the left features a canvas covered in a red, green, and peach colored plaid pattern.
    Year 2004
    Related pages Flipside
  • A cluster of four works on paper against a white gallery wall. The works feature swooping, abstract calligraphic strokes in black and light green ink.
    A cluster of four works on paper against a white gallery wall. The works feature swooping, abstract calligraphic strokes in black and light green ink.
    Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [A cluster of four works on paper against a white gallery wall. The works feature swooping, abstract calligraphic strokes in black and light green ink.]
    Caption Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description A cluster of four works on paper against a white gallery wall. The works feature swooping, abstract calligraphic strokes in black and light green ink.
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • An image of photograph negatives with LED lightboxes hanging off a wall.
    An image of photograph negatives with LED lightboxes hanging off a wall.
    New Red Order Beginning of the End of the Trail, detail, 2021 Wet-plate collodion glass negatives with LED lightboxes, pipes, and extension cords. Image courtesy Artists Space, New York Photo: Filip Wolak [An image of photograph negatives with LED lightboxes hanging off a wall.]
    Caption New Red Order Beginning of the End of the Trail, detail, 2021 Wet-plate collodion glass negatives with LED lightboxes, pipes, and extension cords. Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description An image of photograph negatives with LED lightboxes hanging off a wall.
    Year 2021
    Related pages New Red Order: Feel at Home Here
  • Toile curtains gather around the gallery windows, producing a soft, glowing white light. A glass-topped vitrine stands parallel to the windows, displaying small open books.
    Toile curtains gather around the gallery windows, producing a soft, glowing white light. A glass-topped vitrine stands parallel to the windows, displaying small open books.
    David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon [Toile curtains gather around the gallery windows, producing a soft, glowing white light. A glass-topped vitrine stands parallel to the windows, displaying small open books.]
    Caption David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon
    Image description Toile curtains gather around the gallery windows, producing a soft, glowing white light. A glass-topped vitrine stands parallel to the windows, displaying small open books.
    Year
    Related pages David Armstrong: Portraits
  • A black and white image of three overlapping pillows propped up against a white wall.
    A black and white image of three overlapping pillows propped up against a white wall.
    Ava Garber, 3 Pillows, 1990. Wax, fabric, wood and oil, 36 x 120 x 36 inches. [A black and white image of three overlapping pillows propped up against a white wall.]
    Caption Ava Garber, 3 Pillows, 1990. Wax, fabric, wood and oil, 36 x 120 x 36 inches.
    Image description A black and white image of three overlapping pillows propped up against a white wall.
    Year 1991
    Related pages Western Agenda
  • Color photo of two performers kneeling on the floor of a dark performance venue. A deep red glowing light emanating from between the performers serves as the only source of illumination. The crouching individuals are wearing quilted pants and have a variety of nightvision gear attached to their legs and torsos.
    Color photo of two performers kneeling on the floor of a dark performance venue. A deep red glowing light emanating from between the performers serves as the only source of illumination. The crouching individuals are wearing quilted pants and have a variety of nightvision gear attached to their legs and torsos.
    Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman. [Color photo of two performers kneeling on the floor of a dark performance venue. A deep red glowing light emanating from between the performers serves as the only source of illumination. The crouching individuals are wearing quilted pants and have a variety of nightvision gear attached to their legs and torsos.]
    Caption Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color photo of two performers kneeling on the floor of a dark performance venue. A deep red glowing light emanating from between the performers serves as the only source of illumination. The crouching individuals are wearing quilted pants and have a variety of nightvision gear attached to their legs and torsos.
    Year
    Related pages Abasement #64
  • A black and white image of a group of children clustered in front of a store window. On the right, the text
    A black and white image of a group of children clustered in front of a store window. On the right, the text
    Film still from Teaching TV, Artists Space, 1990. [A black and white image of a group of children clustered in front of a store window. On the right, the text "NO FRESH WORDS" overlays the image.]
    Caption Film still from Teaching TV, Artists Space, 1990.
    Image description A black and white image of a group of children clustered in front of a store window. On the right, the text "NO FRESH WORDS" overlays the image.
    Year 1990
    Related pages Teaching TV
  • Detail view of a greyscale sculpture made of varying polymer segments.
    Detail view of a greyscale sculpture made of varying polymer segments.
    PATTERNS / Marcelo Spina with Kreysler & Associates, Macro Piece, 2006. [Detail view of a greyscale sculpture made of varying polymer segments.]
    Caption PATTERNS / Marcelo Spina with Kreysler & Associates, Macro Piece, 2006.
    Image description Detail view of a greyscale sculpture made of varying polymer segments.
    Year 2006
    Related pages UniBodies
  • The English translation of the poem “When everything—including this cell phone—fails…/Cuando todo—incluyendo este teléfono móvil—faile...” appears above the Spanish translation. Two grey lines of different thicknesses cross to form an X-shape on the right of the page.
    The English translation of the poem “When everything—including this cell phone—fails…/Cuando todo—incluyendo este teléfono móvil—faile...” appears above the Spanish translation. Two grey lines of different thicknesses cross to form an X-shape on the right of the page.
    Electronic Disturbance Theater 2.0/b.a.n.g. lab. The Transborder Immigrant Tool, 2007–ongoing. Pages excerpted from The Transborder Immigrant Tool publication. Courtesy the artist, University of Michigan Ann Arbor, and University of California, San Diego. [The English translation of the poem “When everything—including this cell phone—fails…/Cuando todo—incluyendo este teléfono móvil—faile...” appears above the Spanish translation. Two grey lines of different thicknesses cross to form an X-shape on the right of the page.]
    Caption Electronic Disturbance Theater 2.0/b.a.n.g. lab. The Transborder Immigrant Tool, 2007–ongoing. Pages excerpted from The Transborder Immigrant Tool publication. Courtesy the artist, University of Michigan Ann Arbor, and University of California, San Diego.
    Image description The English translation of the poem “When everything—including this cell phone—fails…/Cuando todo—incluyendo este teléfono móvil—faile...” appears above the Spanish translation. Two grey lines of different thicknesses cross to form an X-shape on the right of the page.
    Year 2007
    Related pages Whitney ISP Archive
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A black and white photograph of a gallery space. A television monitor is placed on a bench on the left, and two figures look on from a couch directly across from the screen. Hanging on the wall to their right are four framed works.
    A black and white photograph of a gallery space. A television monitor is placed on a bench on the left, and two figures look on from a couch directly across from the screen. Hanging on the wall to their right are four framed works.
    Artists Performance Series. Installation view, Artists Space, 1977. [A black and white photograph of a gallery space. A television monitor is placed on a bench on the left, and two figures look on from a couch directly across from the screen. Hanging on the wall to their right are four framed works.]
    Caption Artists Performance Series. Installation view, Artists Space, 1977.
    Image description A black and white photograph of a gallery space. A television monitor is placed on a bench on the left, and two figures look on from a couch directly across from the screen. Hanging on the wall to their right are four framed works.
    Year 1977
    Related pages Artists Performance Series
  • A color photograph of a gallery space with an exposed back section of drywall. The wall features one grey panel with a framed image. A large piece of grey and yellow vinyl partialy hangs from the wall, falling in large folds on the right.
    A color photograph of a gallery space with an exposed back section of drywall. The wall features one grey panel with a framed image. A large piece of grey and yellow vinyl partialy hangs from the wall, falling in large folds on the right.
    virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a gallery space with an exposed back section of drywall. The wall features one grey panel with a framed image. A large piece of grey and yellow vinyl partialy hangs from the wall, falling in large folds on the right.]
    Caption virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of a gallery space with an exposed back section of drywall. The wall features one grey panel with a framed image. A large piece of grey and yellow vinyl partialy hangs from the wall, falling in large folds on the right.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
  • An open hallway in a window-filled exhibition space. A gallery wall on the left side of the room displays a sideways, brown and gold American flag as well as a black and red fleg. A monitor sits on the ground to the right of the exhibition space, near one of the windows. A visitor stands in the background, viewing artworks displayed in the hallway.
    An open hallway in a window-filled exhibition space. A gallery wall on the left side of the room displays a sideways, brown and gold American flag as well as a black and red fleg. A monitor sits on the ground to the right of the exhibition space, near one of the windows. A visitor stands in the background, viewing artworks displayed in the hallway.
    Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [An open hallway in a window-filled exhibition space. A gallery wall on the left side of the room displays a sideways, brown and gold American flag as well as a black and red fleg. A monitor sits on the ground to the right of the exhibition space, near one of the windows. A visitor stands in the background, viewing artworks displayed in the hallway.]
    Caption Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description An open hallway in a window-filled exhibition space. A gallery wall on the left side of the room displays a sideways, brown and gold American flag as well as a black and red fleg. A monitor sits on the ground to the right of the exhibition space, near one of the windows. A visitor stands in the background, viewing artworks displayed in the hallway.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • The inside of a room with a window looking out onto a view of Manhattan. The rightmost third of the image has been digitally altered such that it appears to warp and glitch.
    The inside of a room with a window looking out onto a view of Manhattan. The rightmost third of the image has been digitally altered such that it appears to warp and glitch.
    [The inside of a room with a window looking out onto a view of Manhattan. The rightmost third of the image has been digitally altered such that it appears to warp and glitch.]
    Caption
    Image description The inside of a room with a window looking out onto a view of Manhattan. The rightmost third of the image has been digitally altered such that it appears to warp and glitch.
    Year 2018
    Related pages PRACTICE x Wind
  • Black and white photograph of three, geometric metal structures sitting on a wide, outdoor concrete plaza. One of the metal structures is situated in the center of the photograph, while the additional two sit behind it, flanking it on either side. The structures are composed of hollow cube-like and triangular components.
    Black and white photograph of three, geometric metal structures sitting on a wide, outdoor concrete plaza. One of the metal structures is situated in the center of the photograph, while the additional two sit behind it, flanking it on either side. The structures are composed of hollow cube-like and triangular components.
    Charlotte Posenenske, Series D Vierkantrohre (Square Tubes), 1967. Galvanized sheet steel, dimensions variable. Photo: Burkhard Brunn. [Black and white photograph of three, geometric metal structures sitting on a wide, outdoor concrete plaza. One of the metal structures is situated in the center of the photograph, while the additional two sit behind it, flanking it on either side. The structures are composed of hollow cube-like and triangular components.]
    Caption Charlotte Posenenske, Series D Vierkantrohre (Square Tubes), 1967. Galvanized sheet steel, dimensions variable. Photo: Burkhard Brunn.
    Image description Black and white photograph of three, geometric metal structures sitting on a wide, outdoor concrete plaza. One of the metal structures is situated in the center of the photograph, while the additional two sit behind it, flanking it on either side. The structures are composed of hollow cube-like and triangular components.
    Year 1967
    Related pages Charlotte Posenenske
  • A seated performer in a black leather dress sings into a microphone, with their mouth open wide and left arm outstretched. On the wall behind, a projection of an abstract design of blue circles is juxtaposed by an orange-tinted photograph of a galaxy and stars.
    A seated performer in a black leather dress sings into a microphone, with their mouth open wide and left arm outstretched. On the wall behind, a projection of an abstract design of blue circles is juxtaposed by an orange-tinted photograph of a galaxy and stars.
    Abasement #87. Performance documentation, June 15th, 2026, Artists Space. Photo: Joshua Wildman. [A seated performer in a black leather dress sings into a microphone, with their mouth open wide and left arm outstretched. On the wall behind, a projection of an abstract design of blue circles is juxtaposed by an orange-tinted photograph of a galaxy and stars.]
    Caption Abasement #87. Performance documentation, June 15th, 2026, Artists Space. Photo: Joshua Wildman.
    Image description A seated performer in a black leather dress sings into a microphone, with their mouth open wide and left arm outstretched. On the wall behind, a projection of an abstract design of blue circles is juxtaposed by an orange-tinted photograph of a galaxy and stars.
    Year
    Related pages Abasement #87
  • Four dynamic images of a group of individuals pinned by large push pins on a blue gallery wall.
    Four dynamic images of a group of individuals pinned by large push pins on a blue gallery wall.
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [Four dynamic images of a group of individuals pinned by large push pins on a blue gallery wall.]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description Four dynamic images of a group of individuals pinned by large push pins on a blue gallery wall.
    Year 2021
    Related pages ART CLUB2000
  • A dimly lit gallery space with wooden flooring. Three large, rectangular photographs of various buildings’ architectural details are suspended from the ceiling, hanging on thin wires. Two of the images have been printed on a tarp-like material, while the image on the far left is suspended within a large sheet of transparent plexiglass.
    A dimly lit gallery space with wooden flooring. Three large, rectangular photographs of various buildings’ architectural details are suspended from the ceiling, hanging on thin wires. Two of the images have been printed on a tarp-like material, while the image on the far left is suspended within a large sheet of transparent plexiglass.
    Zaha Hadid. Installation view, Artists Space, 2003. [A dimly lit gallery space with wooden flooring. Three large, rectangular photographs of various buildings’ architectural details are suspended from the ceiling, hanging on thin wires. Two of the images have been printed on a tarp-like material, while the image on the far left is suspended within a large sheet of transparent plexiglass.]
    Caption Zaha Hadid. Installation view, Artists Space, 2003.
    Image description A dimly lit gallery space with wooden flooring. Three large, rectangular photographs of various buildings’ architectural details are suspended from the ceiling, hanging on thin wires. Two of the images have been printed on a tarp-like material, while the image on the far left is suspended within a large sheet of transparent plexiglass.
    Year 2003
    Related pages Mainspace Architecture & Design Project Series: Zaha Hadid
  • A room with a large set of drawers set against the wall. Above the drawers are the words
    A room with a large set of drawers set against the wall. Above the drawers are the words
    Audio Works. Installation view, Artists Space, 1978. [A room with a large set of drawers set against the wall. Above the drawers are the words "Audio Works Archive / Please Ask At The Front Desk To Have The Drawers Opened." On the right wall hang several papers and print-outs.]
    Caption Audio Works. Installation view, Artists Space, 1978.
    Image description A room with a large set of drawers set against the wall. Above the drawers are the words "Audio Works Archive / Please Ask At The Front Desk To Have The Drawers Opened." On the right wall hang several papers and print-outs.
    Year 1978
    Related pages Audio Works
  • A photograph of a gallery space. The right half of the image is taken up by a wall with printed text identifying the exhibitions,
    A photograph of a gallery space. The right half of the image is taken up by a wall with printed text identifying the exhibitions,
    Min Joong Art. Installation view, Artists Space, 1988. [A photograph of a gallery space. The right half of the image is taken up by a wall with printed text identifying the exhibitions, "Min Joong Art: A New Cultural Movement from Korea," and, "I Miss the Revolution."]
    Caption Min Joong Art. Installation view, Artists Space, 1988.
    Image description A photograph of a gallery space. The right half of the image is taken up by a wall with printed text identifying the exhibitions, "Min Joong Art: A New Cultural Movement from Korea," and, "I Miss the Revolution."
    Year 1988
    Related pages Min Joong Art: A New Cultural Moment from Korea
  • Caption
    Image description
    Year
    Related pages 2020Solidarity Christopher Wool
  • A large gallery space houses a variety of plinths made of MDF, atop of which are displayed archival objects such as journals and postcards. On the right wall in the foreground is a large photograph affixed to the wall which depicts a wooden museum bench with a box housing red deaccession catalogs made available within The Museum of Modern Art‘s exhibition space.
    A large gallery space houses a variety of plinths made of MDF, atop of which are displayed archival objects such as journals and postcards. On the right wall in the foreground is a large photograph affixed to the wall which depicts a wooden museum bench with a box housing red deaccession catalogs made available within The Museum of Modern Art‘s exhibition space.
    Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [A large gallery space houses a variety of plinths made of MDF, atop of which are displayed archival objects such as journals and postcards. On the right wall in the foreground is a large photograph affixed to the wall which depicts a wooden museum bench with a box housing red deaccession catalogs made available within The Museum of Modern Art‘s exhibition space.]
    Caption Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Image description A large gallery space houses a variety of plinths made of MDF, atop of which are displayed archival objects such as journals and postcards. On the right wall in the foreground is a large photograph affixed to the wall which depicts a wooden museum bench with a box housing red deaccession catalogs made available within The Museum of Modern Art‘s exhibition space.
    Year
    Related pages Michael Asher
  • Flyer design featuring a pile of pink hair against a lime green background. Large white text superimposed over the clump of hair at the top edge of the image reads,
    Flyer design featuring a pile of pink hair against a lime green background. Large white text superimposed over the clump of hair at the top edge of the image reads,
    [Flyer design featuring a pile of pink hair against a lime green background. Large white text superimposed over the clump of hair at the top edge of the image reads, "DEMONCLOWNMONKEY." Several small, black and white icons are arranged in a line along the image's lower edge. The icons feature stylized depictions of a skull with horns, a clown, a rabbit, and other symbols.]
    Caption
    Image description Flyer design featuring a pile of pink hair against a lime green background. Large white text superimposed over the clump of hair at the top edge of the image reads, "DEMONCLOWNMONKEY." Several small, black and white icons are arranged in a line along the image's lower edge. The icons feature stylized depictions of a skull with horns, a clown, a rabbit, and other symbols.
    Year
    Related pages Demonclownmonkey
  • City Seers, BRIDGE photography exhibition, the DOOR, May 2025
    Caption City Seers, BRIDGE photography exhibition, the DOOR, May 2025
    Image description
    Year
    Related pages Exhibitions and Events
  • A color image of a gallery space with two columns in the middle. Framed drawings depicting colorful abstract compositions hang on the white walls. Five of the drawings are made on black paper, and two on white paper.
    A color image of a gallery space with two columns in the middle. Framed drawings depicting colorful abstract compositions hang on the white walls. Five of the drawings are made on black paper, and two on white paper.
    Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of a gallery space with two columns in the middle. Framed drawings depicting colorful abstract compositions hang on the white walls. Five of the drawings are made on black paper, and two on white paper.]
    Caption Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of a gallery space with two columns in the middle. Framed drawings depicting colorful abstract compositions hang on the white walls. Five of the drawings are made on black paper, and two on white paper.
    Year
    Related pages Renee Gladman
  • Two video monitors installed on a freestanding wall in an exhibition space. A woman stands in front of the leftmost monitor, which displays a bright, red image. A larger monitor to the right displays a cool-toned scene of an ocean. White text superimposed over the image reads,
    Two video monitors installed on a freestanding wall in an exhibition space. A woman stands in front of the leftmost monitor, which displays a bright, red image. A larger monitor to the right displays a cool-toned scene of an ocean. White text superimposed over the image reads,
    Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Two video monitors installed on a freestanding wall in an exhibition space. A woman stands in front of the leftmost monitor, which displays a bright, red image. A larger monitor to the right displays a cool-toned scene of an ocean. White text superimposed over the image reads, "Death Mask III."]
    Caption Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Two video monitors installed on a freestanding wall in an exhibition space. A woman stands in front of the leftmost monitor, which displays a bright, red image. A larger monitor to the right displays a cool-toned scene of an ocean. White text superimposed over the image reads, "Death Mask III."
    Year 2013
    Related pages Frozen Lakes
  • A black and white film still of an apartment building, taken from the street. In front of the building is a sculpted landscape of rolling green grass. Two cars are parked on the street.
    A black and white film still of an apartment building, taken from the street. In front of the building is a sculpted landscape of rolling green grass. Two cars are parked on the street.
    Charles Simonds. Still from Mythologies, 1974. From Thomas Lanigan-Schmidt, James Biederman, Charles Simonds, Artists Space, 1974. [A black and white film still of an apartment building, taken from the street. In front of the building is a sculpted landscape of rolling green grass. Two cars are parked on the street.]
    Caption Charles Simonds. Still from Mythologies, 1974. From Thomas Lanigan-Schmidt, James Biederman, Charles Simonds, Artists Space, 1974.
    Image description A black and white film still of an apartment building, taken from the street. In front of the building is a sculpted landscape of rolling green grass. Two cars are parked on the street.
    Year 1974
    Related pages Thomas Lanigan Schmidt, James Biederman, Charles Simonds
  • Pink and yellow flyer announcing book launch for Disordered Attention by Claire Bishop, Thursday, May 30th, 6-8pm at Artists Space, 11 Cortlandt Alley. Additional accent text reads:
    Pink and yellow flyer announcing book launch for Disordered Attention by Claire Bishop, Thursday, May 30th, 6-8pm at Artists Space, 11 Cortlandt Alley. Additional accent text reads:
    Flyer for Disordered Attention: How We Look at Art and Performance Today by Claire Bishop Book Launch. Image design: Nikki Columbus. [Pink and yellow flyer announcing book launch for Disordered Attention by Claire Bishop, Thursday, May 30th, 6-8pm at Artists Space, 11 Cortlandt Alley. Additional accent text reads: "Bring your own iPhone"; "Bring your own Adderall!"; "No purchase necessary... but it wouldn't hurt."]
    Caption Flyer for Disordered Attention: How We Look at Art and Performance Today by Claire Bishop Book Launch. Image design: Nikki Columbus.
    Image description Pink and yellow flyer announcing book launch for Disordered Attention by Claire Bishop, Thursday, May 30th, 6-8pm at Artists Space, 11 Cortlandt Alley. Additional accent text reads: "Bring your own iPhone"; "Bring your own Adderall!"; "No purchase necessary... but it wouldn't hurt."
    Year
    Related pages Disordered Attention
  • Dyonis, Underworld, 2020, collage, pastel and pen and ink
    Caption Dyonis, Underworld, 2020, collage, pastel and pen and ink
    Image description
    Year
    Related pages ARTstudio
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Legs and feet appear from a small wooden dwelling with a black background.
    Legs and feet appear from a small wooden dwelling with a black background.
    Don Baum. Au Train Lake House, 1982. [Legs and feet appear from a small wooden dwelling with a black background.]
    Caption Don Baum. Au Train Lake House, 1982.
    Image description Legs and feet appear from a small wooden dwelling with a black background.
    Year
    Related pages Recent Art from Chicago
  • Beneath the Surface, BRIDGE photography presentation at City-As-School, November 5, 2021
    Caption Beneath the Surface, BRIDGE photography presentation at City-As-School, November 5, 2021
    Image description
    Year 2021
    Related pages Exhibitions and Events
  • A color image of a man and a woman standing facing each other. The man in the red shirt, with his back facing the viewers, points to himself; the woman in the blue top puts her hands on her hips and stares back at the man. A reflection of the man's irate facial expression is cast on a glass surface, overlapping onto the woman's body.
    A color image of a man and a woman standing facing each other. The man in the red shirt, with his back facing the viewers, points to himself; the woman in the blue top puts her hands on her hips and stares back at the man. A reflection of the man's irate facial expression is cast on a glass surface, overlapping onto the woman's body.
    Manuel De Landa, still from The Itch Scratch Itch Cycle, 1976, 16mm, color, sound, 8 minutes. [A color image of a man and a woman standing facing each other. The man in the red shirt, with his back facing the viewers, points to himself; the woman in the blue top puts her hands on her hips and stares back at the man. A reflection of the man's irate facial expression is cast on a glass surface, overlapping onto the woman's body.]
    Caption Manuel De Landa, still from The Itch Scratch Itch Cycle, 1976, 16mm, color, sound, 8 minutes.
    Image description A color image of a man and a woman standing facing each other. The man in the red shirt, with his back facing the viewers, points to himself; the woman in the blue top puts her hands on her hips and stares back at the man. A reflection of the man's irate facial expression is cast on a glass surface, overlapping onto the woman's body.
    Year
    Related pages Attention Line Cinema Series: Manuel DeLanda
  • Closeup view of two wooden box sculptures sitting side by side in a gallery. The box on the left is painted light yellow and has a pair of headphones hanging from its side; its lid is slightly ajar. The closed box on the right is covered completely in imitation gold leaf.
    Closeup view of two wooden box sculptures sitting side by side in a gallery. The box on the left is painted light yellow and has a pair of headphones hanging from its side; its lid is slightly ajar. The closed box on the right is covered completely in imitation gold leaf.
    Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view (Matthew Langan-Peck, Player 3, 2024; Matthew Langan-Peck, Box 7, 2024), Artists Space, 2024. Photo: Carter Seddon. [Closeup view of two wooden box sculptures sitting side by side in a gallery. The box on the left is painted light yellow and has a pair of headphones hanging from its side; its lid is slightly ajar. The closed box on the right is covered completely in imitation gold leaf.]
    Caption Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view (Matthew Langan-Peck, Player 3, 2024; Matthew Langan-Peck, Box 7, 2024), Artists Space, 2024. Photo: Carter Seddon.
    Image description Closeup view of two wooden box sculptures sitting side by side in a gallery. The box on the left is painted light yellow and has a pair of headphones hanging from its side; its lid is slightly ajar. The closed box on the right is covered completely in imitation gold leaf.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
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