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  • A person in army camouflage and a military gun grabs a handful of packaged cookies from a stand selling assorted candies, snacks, sodas, and other food.
    A person in army camouflage and a military gun grabs a handful of packaged cookies from a stand selling assorted candies, snacks, sodas, and other food.
    Sean Snyder, still from Casio, Seiko, Sheraton, Toyota, Mars, 2004-5. Courtesy Lisson Gallery, London. [A person in army camouflage and a military gun grabs a handful of packaged cookies from a stand selling assorted candies, snacks, sodas, and other food.]
    Caption Sean Snyder, still from Casio, Seiko, Sheraton, Toyota, Mars, 2004-5. Courtesy Lisson Gallery, London.
    Image description A person in army camouflage and a military gun grabs a handful of packaged cookies from a stand selling assorted candies, snacks, sodas, and other food.
    Year 2005
    Related pages Sean Snyder
  • A diagonal view of photographs, paintings, sculptures, and prints against two walls. In the corner rests a TV displaying a person with their back turned.
    A diagonal view of photographs, paintings, sculptures, and prints against two walls. In the corner rests a TV displaying a person with their back turned.
    Social Surfaces. Installation view, Pearl River Mart, 2017. Photo: Ron Amstutz. [A diagonal view of photographs, paintings, sculptures, and prints against two walls. In the corner rests a TV displaying a person with their back turned.]
    Caption Social Surfaces. Installation view, Pearl River Mart, 2017. Photo: Ron Amstutz.
    Image description A diagonal view of photographs, paintings, sculptures, and prints against two walls. In the corner rests a TV displaying a person with their back turned.
    Year 2017
    Related pages Social Surfaces
  • A man stands on one foot on a half-rolled yoga mat, holding out a baby doll as if to throw it. Two people behind him are bent over yoga mats, mid-movement. A crowd of people stands around the group watching.
    A man stands on one foot on a half-rolled yoga mat, holding out a baby doll as if to throw it. Two people behind him are bent over yoga mats, mid-movement. A crowd of people stands around the group watching.
    Ei Arakawa: WEWORK BABIES. Performance documentation, December 8, 2019, Artists Space. Photo © 2019 Paula Court. [A man stands on one foot on a half-rolled yoga mat, holding out a baby doll as if to throw it. Two people behind him are bent over yoga mats, mid-movement. A crowd of people stands around the group watching.]
    Caption Ei Arakawa: WEWORK BABIES. Performance documentation, December 8, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A man stands on one foot on a half-rolled yoga mat, holding out a baby doll as if to throw it. Two people behind him are bent over yoga mats, mid-movement. A crowd of people stands around the group watching.
    Year 2019
    Related pages Ei Arakawa: WEWORK BABIES (11 Cortlandt Alley)
  • A line drawing of an ashtray containing a book of matches with
    A line drawing of an ashtray containing a book of matches with
    Louise Lawler, Why Pictures Now (traced); Red, Yellow, Blue, Green, Sometimes Silver or Gold, 1981/2013, Archival pigment print with hand painted gouache in multiple colors, 3 x 6 in / 7,6 x 15,2 cm (image size), 10 x 8 in / 25,4 x 20 cm (paper size), Signed and Numbered [A line drawing of an ashtray containing a book of matches with "WHY PICTURES NOW" written on the front.]
    Caption Louise Lawler, Why Pictures Now (traced); Red, Yellow, Blue, Green, Sometimes Silver or Gold, 1981/2013, Archival pigment print with hand painted gouache in multiple colors, 3 x 6 in / 7,6 x 15,2 cm (image size), 10 x 8 in / 25,4 x 20 cm (paper size), Signed and Numbered
    Image description A line drawing of an ashtray containing a book of matches with "WHY PICTURES NOW" written on the front.
    Year 2014
    Related pages Artists Space Annual Edition Portfolio 2014
  • A photograph of a large gallery space with multiple rooms visible. In the foreground, the floor is covered with flooring, except for a silhouette of a human figure which has been cut out of the flooring, through which the concrete below is visible. Two geometric abstract paintings hang on the wall above.
    A photograph of a large gallery space with multiple rooms visible. In the foreground, the floor is covered with flooring, except for a silhouette of a human figure which has been cut out of the flooring, through which the concrete below is visible. Two geometric abstract paintings hang on the wall above.
    Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph of a large gallery space with multiple rooms visible. In the foreground, the floor is covered with flooring, except for a silhouette of a human figure which has been cut out of the flooring, through which the concrete below is visible. Two geometric abstract paintings hang on the wall above.]
    Caption Selections from the Artists File. Installation view, Artists Space, 1989.
    Image description A photograph of a large gallery space with multiple rooms visible. In the foreground, the floor is covered with flooring, except for a silhouette of a human figure which has been cut out of the flooring, through which the concrete below is visible. Two geometric abstract paintings hang on the wall above.
    Year 1989
    Related pages Selections from the Artist File
  • A wide shot of a gallery space with three columns. At the base of one column is a colorful, flat piece. On the large wall behind that column, three paintings hang in a horizontal line. To left of that, several framed drawings are arranged in a horizontal line. Against the perpendicular wall, there is a plinth with a television and several headphones.
    A wide shot of a gallery space with three columns. At the base of one column is a colorful, flat piece. On the large wall behind that column, three paintings hang in a horizontal line. To left of that, several framed drawings are arranged in a horizontal line. Against the perpendicular wall, there is a plinth with a television and several headphones.
    Based on a True Story. Installation view, Artists Space, 2004. [A wide shot of a gallery space with three columns. At the base of one column is a colorful, flat piece. On the large wall behind that column, three paintings hang in a horizontal line. To left of that, several framed drawings are arranged in a horizontal line. Against the perpendicular wall, there is a plinth with a television and several headphones.]
    Caption Based on a True Story. Installation view, Artists Space, 2004.
    Image description A wide shot of a gallery space with three columns. At the base of one column is a colorful, flat piece. On the large wall behind that column, three paintings hang in a horizontal line. To left of that, several framed drawings are arranged in a horizontal line. Against the perpendicular wall, there is a plinth with a television and several headphones.
    Year 2004
    Related pages Based on a True Story
  • A framed photograph with a red border of a naked man on a blue shag carpet. The man is seated, leaning slightly back on his hands with his legs extended. He is bald with a full grey beard.
    A framed photograph with a red border of a naked man on a blue shag carpet. The man is seated, leaning slightly back on his hands with his legs extended. He is bald with a full grey beard.
    Flipside. Installation view, Artists Space, 2004. [A framed photograph with a red border of a naked man on a blue shag carpet. The man is seated, leaning slightly back on his hands with his legs extended. He is bald with a full grey beard.]
    Caption Flipside. Installation view, Artists Space, 2004.
    Image description A framed photograph with a red border of a naked man on a blue shag carpet. The man is seated, leaning slightly back on his hands with his legs extended. He is bald with a full grey beard.
    Year 2004
    Related pages Flipside
  • Detail view of a black display case depicting an image of woman printed on a white cloth, with the title *2000 WASTED YEARS*. She is sitting down in an antique chair, one foot up, wearing a full-body black-and-white suit adorned with black English and Japanese lettering.
    Detail view of a black display case depicting an image of woman printed on a white cloth, with the title *2000 WASTED YEARS*. She is sitting down in an antique chair, one foot up, wearing a full-body black-and-white suit adorned with black English and Japanese lettering.
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of a black display case depicting an image of woman printed on a white cloth, with the title *2000 WASTED YEARS*. She is sitting down in an antique chair, one foot up, wearing a full-body black-and-white suit adorned with black English and Japanese lettering.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Detail view of a black display case depicting an image of woman printed on a white cloth, with the title *2000 WASTED YEARS*. She is sitting down in an antique chair, one foot up, wearing a full-body black-and-white suit adorned with black English and Japanese lettering.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • A mostly black-and-white image depicting the façades of two buildings - one is light grey with a turquoise fire escape, and the other is dark grey with a black fire escape. On the lighter building, the street-level storefront says
    A mostly black-and-white image depicting the façades of two buildings - one is light grey with a turquoise fire escape, and the other is dark grey with a black fire escape. On the lighter building, the street-level storefront says
    Shayla Aviles, Untitled, 2018 [A mostly black-and-white image depicting the façades of two buildings - one is light grey with a turquoise fire escape, and the other is dark grey with a black fire escape. On the lighter building, the street-level storefront says "Mazeish"]
    Caption Shayla Aviles, Untitled, 2018
    Image description A mostly black-and-white image depicting the façades of two buildings - one is light grey with a turquoise fire escape, and the other is dark grey with a black fire escape. On the lighter building, the street-level storefront says "Mazeish"
    Year 2018
    Related pages Scholastic Art and Writing Awards
  • A black and white image of the exterior of a modern house standing on stilts.
    A black and white image of the exterior of a modern house standing on stilts.
    Eileen Gray, E. 1027, 1926-29. Exterior. [A black and white image of the exterior of a modern house standing on stilts.]
    Caption Eileen Gray, E. 1027, 1926-29. Exterior.
    Image description A black and white image of the exterior of a modern house standing on stilts.
    Year
    Related pages Presence and Absence
  • Book cover design featuring an image of a large room with red walls. A banner of colorful flags hangs from the ceiling. A large collection of objects is scattered on the floor, including coca-cola bottles, posters, chip bags, paint cans, detergent bottles, and other assorted items.
    Book cover design featuring an image of a large room with red walls. A banner of colorful flags hangs from the ceiling. A large collection of objects is scattered on the floor, including coca-cola bottles, posters, chip bags, paint cans, detergent bottles, and other assorted items.
    Show and Tell: A Chronicle of Group Material, edited by Julie Ault, published by Four Corners Books, 2010. [Book cover design featuring an image of a large room with red walls. A banner of colorful flags hangs from the ceiling. A large collection of objects is scattered on the floor, including coca-cola bottles, posters, chip bags, paint cans, detergent bottles, and other assorted items.]
    Caption Show and Tell: A Chronicle of Group Material, edited by Julie Ault, published by Four Corners Books, 2010.
    Image description Book cover design featuring an image of a large room with red walls. A banner of colorful flags hangs from the ceiling. A large collection of objects is scattered on the floor, including coca-cola bottles, posters, chip bags, paint cans, detergent bottles, and other assorted items.
    Year 2010
    Related pages Show & Tell: A Chronicle of Group Material
  • A teenage girl holds a film camera obscuring her face, and takes a photo of her reflection in a small, round mirror. The background is blurred but suggests a retail environment.
    A teenage girl holds a film camera obscuring her face, and takes a photo of her reflection in a small, round mirror. The background is blurred but suggests a retail environment.
    Geanet Rogers, Rosy Boom, photography, 2016 [A teenage girl holds a film camera obscuring her face, and takes a photo of her reflection in a small, round mirror. The background is blurred but suggests a retail environment.]
    Caption Geanet Rogers, Rosy Boom, photography, 2016
    Image description A teenage girl holds a film camera obscuring her face, and takes a photo of her reflection in a small, round mirror. The background is blurred but suggests a retail environment.
    Year 2016
    Related pages Scholastic Art and Writing Awards
  • A figure in a white military uniform shirt approaches a group of women on a city street. She holds out a platter of small cookies wrapped in small plastic wrappers to one of the figures, who has taken the cookie, unwrapped it, and reads a small note attached to it.
    A figure in a white military uniform shirt approaches a group of women on a city street. She holds out a platter of small cookies wrapped in small plastic wrappers to one of the figures, who has taken the cookie, unwrapped it, and reads a small note attached to it.
    Amy Westpfhal, still from The Informational Cookie Project, 2006. [A figure in a white military uniform shirt approaches a group of women on a city street. She holds out a platter of small cookies wrapped in small plastic wrappers to one of the figures, who has taken the cookie, unwrapped it, and reads a small note attached to it.]
    Caption Amy Westpfhal, still from The Informational Cookie Project, 2006.
    Image description A figure in a white military uniform shirt approaches a group of women on a city street. She holds out a platter of small cookies wrapped in small plastic wrappers to one of the figures, who has taken the cookie, unwrapped it, and reads a small note attached to it.
    Year 2006
    Related pages Salad Days 2
  • Photo of a person in a white robe and headdress carrying a pole in their right hand, standing outdoors against a grey sky
    Photo of a person in a white robe and headdress carrying a pole in their right hand, standing outdoors against a grey sky
    Film still from The Whirled (aka The Four Shorts of Jack Smith), dir. Ken Jacobs, 1956-63 [Photo of a person in a white robe and headdress carrying a pole in their right hand, standing outdoors against a grey sky]
    Caption Film still from The Whirled (aka The Four Shorts of Jack Smith), dir. Ken Jacobs, 1956-63
    Image description Photo of a person in a white robe and headdress carrying a pole in their right hand, standing outdoors against a grey sky
    Year
    Related pages Not Even Acting
  • A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man with tan skin and facial hair, wearing a aviator-style glasses. The caption underneath his image reads,
    A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man with tan skin and facial hair, wearing a aviator-style glasses. The caption underneath his image reads,
    Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man with tan skin and facial hair, wearing a aviator-style glasses. The caption underneath his image reads, "It was the Americans who did the killing, not the National Guard."]
    Caption Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man with tan skin and facial hair, wearing a aviator-style glasses. The caption underneath his image reads, "It was the Americans who did the killing, not the National Guard."
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • A black and white still of a hallway with a patterned balcony, which descends into stairs. Three geometric paintings are hung along the walls.
    A black and white still of a hallway with a patterned balcony, which descends into stairs. Three geometric paintings are hung along the walls.
    Union Gaucha Productions. Still from Phantom Limb, 1998. 16mm film (silent, black and white), 21 min 45 sec. Courtesy of Union Gaucha Productions. [A black and white still of a hallway with a patterned balcony, which descends into stairs. Three geometric paintings are hung along the walls.]
    Caption Union Gaucha Productions. Still from Phantom Limb, 1998. 16mm film (silent, black and white), 21 min 45 sec. Courtesy of Union Gaucha Productions.
    Image description A black and white still of a hallway with a patterned balcony, which descends into stairs. Three geometric paintings are hung along the walls.
    Year 1998
    Related pages Union Gaucha Productions
  • An upward angled view of two people performing with a gray curtain behind them. One person, with black hair and a yellow jacket, is playing an electric guitar, the other, with red hair and wearing a black sequin top and blue scarf with matching eyeshadow, is singing into a mic.
    An upward angled view of two people performing with a gray curtain behind them. One person, with black hair and a yellow jacket, is playing an electric guitar, the other, with red hair and wearing a black sequin top and blue scarf with matching eyeshadow, is singing into a mic.
    Laura Cottingham & Leslie Singer, still from The Anita Pallenburg Story, 2000. Digital Video, 76 min. [An upward angled view of two people performing with a gray curtain behind them. One person, with black hair and a yellow jacket, is playing an electric guitar, the other, with red hair and wearing a black sequin top and blue scarf with matching eyeshadow, is singing into a mic.]
    Caption Laura Cottingham & Leslie Singer, still from The Anita Pallenburg Story, 2000. Digital Video, 76 min.
    Image description An upward angled view of two people performing with a gray curtain behind them. One person, with black hair and a yellow jacket, is playing an electric guitar, the other, with red hair and wearing a black sequin top and blue scarf with matching eyeshadow, is singing into a mic.
    Year 2017
    Related pages Laura Cottingham & The Anita Pallenberg Story
  • Three vitrines are displayed in a light-filled gallery space with light wooden floors. The vitrines sit in between three white columns to the image's left side. On the right, a series of large, colorful prints featuring graphic, abstracted letters overlaid over various abstract shapes, patterns, and printed figures are displayed on a gallery wall.
    Three vitrines are displayed in a light-filled gallery space with light wooden floors. The vitrines sit in between three white columns to the image's left side. On the right, a series of large, colorful prints featuring graphic, abstracted letters overlaid over various abstract shapes, patterns, and printed figures are displayed on a gallery wall.
    Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Three vitrines are displayed in a light-filled gallery space with light wooden floors. The vitrines sit in between three white columns to the image's left side. On the right, a series of large, colorful prints featuring graphic, abstracted letters overlaid over various abstract shapes, patterns, and printed figures are displayed on a gallery wall.]
    Caption Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description Three vitrines are displayed in a light-filled gallery space with light wooden floors. The vitrines sit in between three white columns to the image's left side. On the right, a series of large, colorful prints featuring graphic, abstracted letters overlaid over various abstract shapes, patterns, and printed figures are displayed on a gallery wall.
    Year 2010
    Related pages Rip It Up and Start Again: William S. Burroughs, Charles Henri Ford, Ray Johnson, Philippe Thomas, Arthur Russell
  • People sitting on small wooden planks at the end of a pier. A large hole is visible in the side of the pier.
    People sitting on small wooden planks at the end of a pier. A large hole is visible in the side of the pier.
    Alvin Baltrop, The Piers (exterior view of day's end), 1975-8. Courtesy The Alvin Baltrop Trust and Third Streaming, New York. [People sitting on small wooden planks at the end of a pier. A large hole is visible in the side of the pier.]
    Caption Alvin Baltrop, The Piers (exterior view of day's end), 1975-8. Courtesy The Alvin Baltrop Trust and Third Streaming, New York.
    Image description People sitting on small wooden planks at the end of a pier. A large hole is visible in the side of the pier.
    Year 1975
    Related pages Artists Space Dialogues: Douglas Crimp and Bettina Funcke
  • An abstract sculpture with a chrome finish is displayed on a white pedestal. The sculpture's form includes amorphous voids alongside somewhat rectangular structures.
    An abstract sculpture with a chrome finish is displayed on a white pedestal. The sculpture's form includes amorphous voids alongside somewhat rectangular structures.
    UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [An abstract sculpture with a chrome finish is displayed on a white pedestal. The sculpture's form includes amorphous voids alongside somewhat rectangular structures.]
    Caption UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt.
    Image description An abstract sculpture with a chrome finish is displayed on a white pedestal. The sculpture's form includes amorphous voids alongside somewhat rectangular structures.
    Year 2006
    Related pages UniBodies
  • A black-and-white image depicting several translucent photos overlaid, some of natural plant life and others of industrial scenes, with power lines and bridge spokes
    A black-and-white image depicting several translucent photos overlaid, some of natural plant life and others of industrial scenes, with power lines and bridge spokes
    Sharon Halliday, Shaded Times, 2014 [A black-and-white image depicting several translucent photos overlaid, some of natural plant life and others of industrial scenes, with power lines and bridge spokes]
    Caption Sharon Halliday, Shaded Times, 2014
    Image description A black-and-white image depicting several translucent photos overlaid, some of natural plant life and others of industrial scenes, with power lines and bridge spokes
    Year 2014
    Related pages Scholastic Art and Writing Awards
  • A vintage, black and white photograph of the interior of a shop window, which looks out upon a city street. Two men stand to the left side of the window, casually leaning against a pole and talking. Various metal vases, cutlery, and ornaments are displayed on the shelves within the window.
    A vintage, black and white photograph of the interior of a shop window, which looks out upon a city street. Two men stand to the left side of the window, casually leaning against a pole and talking. Various metal vases, cutlery, and ornaments are displayed on the shelves within the window.
    [A vintage, black and white photograph of the interior of a shop window, which looks out upon a city street. Two men stand to the left side of the window, casually leaning against a pole and talking. Various metal vases, cutlery, and ornaments are displayed on the shelves within the window.]
    Caption
    Image description A vintage, black and white photograph of the interior of a shop window, which looks out upon a city street. Two men stand to the left side of the window, casually leaning against a pole and talking. Various metal vases, cutlery, and ornaments are displayed on the shelves within the window.
    Year 2010
    Related pages Danh Vo: Autoerotic Asphyxiation
  • A classroom with several adults sitting around the perimeter. In the center, colorful student artworks are arranged across several desks.
    A classroom with several adults sitting around the perimeter. In the center, colorful student artworks are arranged across several desks.
    Arts and Family Engagement evening, student and parent panel on high school portfolio preparation, P.S. 140, 2019 [A classroom with several adults sitting around the perimeter. In the center, colorful student artworks are arranged across several desks.]
    Caption Arts and Family Engagement evening, student and parent panel on high school portfolio preparation, P.S. 140, 2019
    Image description A classroom with several adults sitting around the perimeter. In the center, colorful student artworks are arranged across several desks.
    Year
    Related pages Education Exhibitions and Events
  • A girl lays on a dark background. She wears a white leotard. Her arms are stretched straight out on either side, with her palms facing upwards. She gazes upwards, illuminated by a soft light.
    A girl lays on a dark background. She wears a white leotard. Her arms are stretched straight out on either side, with her palms facing upwards. She gazes upwards, illuminated by a soft light.
    Sarah Michelson. Devotion, 2011. Photo: Paula Court. [A girl lays on a dark background. She wears a white leotard. Her arms are stretched straight out on either side, with her palms facing upwards. She gazes upwards, illuminated by a soft light.]
    Caption Sarah Michelson. Devotion, 2011. Photo: Paula Court.
    Image description A girl lays on a dark background. She wears a white leotard. Her arms are stretched straight out on either side, with her palms facing upwards. She gazes upwards, illuminated by a soft light.
    Year 2011
    Related pages Performing Institution
  • Two men dressed in uniform and carrying guns are looking toward the right of the image. They are within the red seats of a theatre; one is sitting and one is standing.
    Two men dressed in uniform and carrying guns are looking toward the right of the image. They are within the red seats of a theatre; one is sitting and one is standing.
    Still from The Empty Plan (2010). [Two men dressed in uniform and carrying guns are looking toward the right of the image. They are within the red seats of a theatre; one is sitting and one is standing.]
    Caption Still from The Empty Plan (2010).
    Image description Two men dressed in uniform and carrying guns are looking toward the right of the image. They are within the red seats of a theatre; one is sitting and one is standing.
    Year 2010
    Related pages The Empty Plan
  • A small, empty room with images projected on three walls. All are gray/blue shots of spinning tops on a white grid on concrete. The center image shows this from above, while the left and right images show the tops from the side.
    A small, empty room with images projected on three walls. All are gray/blue shots of spinning tops on a white grid on concrete. The center image shows this from above, while the left and right images show the tops from the side.
    Morir ('til Death). Installation view, Artists Space, 2003. [A small, empty room with images projected on three walls. All are gray/blue shots of spinning tops on a white grid on concrete. The center image shows this from above, while the left and right images show the tops from the side.]
    Caption Morir ('til Death). Installation view, Artists Space, 2003.
    Image description A small, empty room with images projected on three walls. All are gray/blue shots of spinning tops on a white grid on concrete. The center image shows this from above, while the left and right images show the tops from the side.
    Year 2003
    Related pages Morir ('til Death)
  • Several figures fill a dimly lit, basement room. Some figures sit and talk on large couches, while others stand and talk to each other. Video projections play on two of the space’s walls.
    Several figures fill a dimly lit, basement room. Some figures sit and talk on large couches, while others stand and talk to each other. Video projections play on two of the space’s walls.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [Several figures fill a dimly lit, basement room. Some figures sit and talk on large couches, while others stand and talk to each other. Video projections play on two of the space’s walls.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description Several figures fill a dimly lit, basement room. Some figures sit and talk on large couches, while others stand and talk to each other. Video projections play on two of the space’s walls.
    Year 2019
    Related pages Speaker Music: drape over another
  • A geometric composition of red, purple, black, yellow, blue, and green flat shapes on a white background.
    A geometric composition of red, purple, black, yellow, blue, and green flat shapes on a white background.
    Shirley Jaffe. White Begonia, 1986. Oil on canvas, 86x70 inches. [A geometric composition of red, purple, black, yellow, blue, and green flat shapes on a white background.]
    Caption Shirley Jaffe. White Begonia, 1986. Oil on canvas, 86x70 inches.
    Image description A geometric composition of red, purple, black, yellow, blue, and green flat shapes on a white background.
    Year 1986
    Related pages Shirley Jaffe and Murray Reich
  • A black and white image of a woman painting on a three-dimensional canvas. She holds a paintbrush in her right hand and a jar of paint in her left hand while leaning over the canvas.
    A black and white image of a woman painting on a three-dimensional canvas. She holds a paintbrush in her right hand and a jar of paint in her left hand while leaning over the canvas.
    [A black and white image of a woman painting on a three-dimensional canvas. She holds a paintbrush in her right hand and a jar of paint in her left hand while leaning over the canvas.]
    Caption
    Image description A black and white image of a woman painting on a three-dimensional canvas. She holds a paintbrush in her right hand and a jar of paint in her left hand while leaning over the canvas.
    Year 2013
    Related pages Zilia Sánchez
  • A miniature clay sculpture of a man sitting, cross-legged, in an armchair is displayed on a carpeted floor. A curled wire extends from underneath the edge of the carpet where it meets the wooden floor below it.
    A miniature clay sculpture of a man sitting, cross-legged, in an armchair is displayed on a carpeted floor. A curled wire extends from underneath the edge of the carpet where it meets the wooden floor below it.
    The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [A miniature clay sculpture of a man sitting, cross-legged, in an armchair is displayed on a carpeted floor. A curled wire extends from underneath the edge of the carpet where it meets the wooden floor below it.]
    Caption The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich.
    Image description A miniature clay sculpture of a man sitting, cross-legged, in an armchair is displayed on a carpeted floor. A curled wire extends from underneath the edge of the carpet where it meets the wooden floor below it.
    Year 2014
    Related pages The Issues of Our Time
  • Two white walls are suspended on six vertical poles and are arranged so that they form a right corner. A large grid-like composition composed of many small squares is mounted on the left wall. On the right wall there are many photographs and printed video stills either mounted in grid patterns or one above the other.
    Two white walls are suspended on six vertical poles and are arranged so that they form a right corner. A large grid-like composition composed of many small squares is mounted on the left wall. On the right wall there are many photographs and printed video stills either mounted in grid patterns or one above the other.
    Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Two white walls are suspended on six vertical poles and are arranged so that they form a right corner. A large grid-like composition composed of many small squares is mounted on the left wall. On the right wall there are many photographs and printed video stills either mounted in grid patterns or one above the other.]
    Caption Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Two white walls are suspended on six vertical poles and are arranged so that they form a right corner. A large grid-like composition composed of many small squares is mounted on the left wall. On the right wall there are many photographs and printed video stills either mounted in grid patterns or one above the other.
    Year 2012
    Related pages Radical Localism: Art, Video and Culture from Pueblo Nuevo’s Mexicali Rose
  • A painting depicting a blue tree and landscape with a turquoise lake against a peach-colored sky. Several areas of the water are black
    A painting depicting a blue tree and landscape with a turquoise lake against a peach-colored sky. Several areas of the water are black
    Christopher Binifacio, Oil Spill, 2018 [A painting depicting a blue tree and landscape with a turquoise lake against a peach-colored sky. Several areas of the water are black]
    Caption Christopher Binifacio, Oil Spill, 2018
    Image description A painting depicting a blue tree and landscape with a turquoise lake against a peach-colored sky. Several areas of the water are black
    Year 2018
    Related pages Scholastic Art and Writing Awards
  • An individual TV monitor with three wooden chairs placed in front of it, each holding headphones. Edward Snowden appears speaking to the camera onscreen.
    An individual TV monitor with three wooden chairs placed in front of it, each holding headphones. Edward Snowden appears speaking to the camera onscreen.
    Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [An individual TV monitor with three wooden chairs placed in front of it, each holding headphones. Edward Snowden appears speaking to the camera onscreen.]
    Caption Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description An individual TV monitor with three wooden chairs placed in front of it, each holding headphones. Edward Snowden appears speaking to the camera onscreen.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • An oil painting of a colorful city crowded with buildings.
    An oil painting of a colorful city crowded with buildings.
    James Sheehan, Halcyon Days, 2000. [An oil painting of a colorful city crowded with buildings.]
    Caption James Sheehan, Halcyon Days, 2000.
    Image description An oil painting of a colorful city crowded with buildings.
    Year 2000
    Related pages Painting as Paradox
  • An abstract painting composed of central strokes of light orange paint framed from above and below by two stripes of blue paint at the composition's top and bottom edges. Black paint markings punctuate the wash of orange color.
    An abstract painting composed of central strokes of light orange paint framed from above and below by two stripes of blue paint at the composition's top and bottom edges. Black paint markings punctuate the wash of orange color.
    Nick Mauss, So long, 2013. Ceramic plaque, 11 x 15 inches. Courtesy the artist and 303 Gallery, New York. [An abstract painting composed of central strokes of light orange paint framed from above and below by two stripes of blue paint at the composition's top and bottom edges. Black paint markings punctuate the wash of orange color.]
    Caption Nick Mauss, So long, 2013. Ceramic plaque, 11 x 15 inches. Courtesy the artist and 303 Gallery, New York.
    Image description An abstract painting composed of central strokes of light orange paint framed from above and below by two stripes of blue paint at the composition's top and bottom edges. Black paint markings punctuate the wash of orange color.
    Year 2013
    Related pages Frieze New York
  • A large black display case with several books arranged in a small viewing window. One book is titled *MOBY-DICK*, while another displays japanese text and a woman on its cover.
    A large black display case with several books arranged in a small viewing window. One book is titled *MOBY-DICK*, while another displays japanese text and a woman on its cover.
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A large black display case with several books arranged in a small viewing window. One book is titled *MOBY-DICK*, while another displays japanese text and a woman on its cover.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description A large black display case with several books arranged in a small viewing window. One book is titled *MOBY-DICK*, while another displays japanese text and a woman on its cover.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • A drawing of several glasses of varying shapes holding colorful liquids suspended on a flat background
    A drawing of several glasses of varying shapes holding colorful liquids suspended on a flat background
    Tracy Benissan, Untitled, 2014 [A drawing of several glasses of varying shapes holding colorful liquids suspended on a flat background]
    Caption Tracy Benissan, Untitled, 2014
    Image description A drawing of several glasses of varying shapes holding colorful liquids suspended on a flat background
    Year 2014
    Related pages Scholastic Art and Writing Awards
  • Four copper squares embedded with images and text lean against a white wall. The squares sit on a tan carpet.
    Four copper squares embedded with images and text lean against a white wall. The squares sit on a tan carpet.
    The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [Four copper squares embedded with images and text lean against a white wall. The squares sit on a tan carpet.]
    Caption The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich.
    Image description Four copper squares embedded with images and text lean against a white wall. The squares sit on a tan carpet.
    Year 2014
    Related pages The Issues of Our Time
  • Black, Arial text, reads,
    Black, Arial text, reads,
    [Black, Arial text, reads, "The Library of Helen DeWitt."]
    Caption
    Image description Black, Arial text, reads, "The Library of Helen DeWitt."
    Year 2014
    Related pages The Library Vaccine
  • A geometric metal sculpture against a blank, white background. The sculpture is composed of four identical components, each with two triangular spikes extending upwards or downwards. Each of the components is hollow, and the interior of the sculpture can be glimpsed from its side.
    A geometric metal sculpture against a blank, white background. The sculpture is composed of four identical components, each with two triangular spikes extending upwards or downwards. Each of the components is hollow, and the interior of the sculpture can be glimpsed from its side.
    Charlotte Posenenske, Series D Vierkantrohre (Square Tubes), 1967. Galvanized sheet steel, dimensions variable. [A geometric metal sculpture against a blank, white background. The sculpture is composed of four identical components, each with two triangular spikes extending upwards or downwards. Each of the components is hollow, and the interior of the sculpture can be glimpsed from its side.]
    Caption Charlotte Posenenske, Series D Vierkantrohre (Square Tubes), 1967. Galvanized sheet steel, dimensions variable.
    Image description A geometric metal sculpture against a blank, white background. The sculpture is composed of four identical components, each with two triangular spikes extending upwards or downwards. Each of the components is hollow, and the interior of the sculpture can be glimpsed from its side.
    Year 2010
    Related pages Charlotte Posenenske
  • Close-up image of the faces of a man and a woman, both of their figures cut off by the frame. The woman stands slightly in front of the man, who stands directly behind her shoulder. She wears lipstick, jewelry, and has short hair, while the man is older and wears a suit with a stiff collar. Neither figure looks at each other, gazing elsewhere.
    Close-up image of the faces of a man and a woman, both of their figures cut off by the frame. The woman stands slightly in front of the man, who stands directly behind her shoulder. She wears lipstick, jewelry, and has short hair, while the man is older and wears a suit with a stiff collar. Neither figure looks at each other, gazing elsewhere.
    [Close-up image of the faces of a man and a woman, both of their figures cut off by the frame. The woman stands slightly in front of the man, who stands directly behind her shoulder. She wears lipstick, jewelry, and has short hair, while the man is older and wears a suit with a stiff collar. Neither figure looks at each other, gazing elsewhere.]
    Caption
    Image description Close-up image of the faces of a man and a woman, both of their figures cut off by the frame. The woman stands slightly in front of the man, who stands directly behind her shoulder. She wears lipstick, jewelry, and has short hair, while the man is older and wears a suit with a stiff collar. Neither figure looks at each other, gazing elsewhere.
    Year 2007
    Related pages Program 5 - In The Poem About Love You Don't Write The Word Love Film Series at Anthology Film Archives
  • A flyer with an abstract, colorful artwork on the left and exhibition information on the right.
    A flyer with an abstract, colorful artwork on the left and exhibition information on the right.
    Exterior of exhibition invitation. International Art Exhibition for Palestine. Beirut, 1978. Courtesy Mona Saudi. [A flyer with an abstract, colorful artwork on the left and exhibition information on the right.]
    Caption Exterior of exhibition invitation. International Art Exhibition for Palestine. Beirut, 1978. Courtesy Mona Saudi.
    Image description A flyer with an abstract, colorful artwork on the left and exhibition information on the right.
    Year 1978
    Related pages Past Disquiet
  • A photo of a front desk in a library - several desks with computers, bookshelves, and a couch are also visible. Four paintings lie on top of the bookshelves, depicting stylized figures against block color backgrounds
    A photo of a front desk in a library - several desks with computers, bookshelves, and a couch are also visible. Four paintings lie on top of the bookshelves, depicting stylized figures against block color backgrounds
    Alza Tu Voz, exhibition at Washington Heights Public Library, 2017 [A photo of a front desk in a library - several desks with computers, bookshelves, and a couch are also visible. Four paintings lie on top of the bookshelves, depicting stylized figures against block color backgrounds]
    Caption Alza Tu Voz, exhibition at Washington Heights Public Library, 2017
    Image description A photo of a front desk in a library - several desks with computers, bookshelves, and a couch are also visible. Four paintings lie on top of the bookshelves, depicting stylized figures against block color backgrounds
    Year
    Related pages Education Exhibitions and Events
  • A black-and-white image of a woman wearing a striped dress and clip-on hat, eyes closed, arms stretched behind her. She stands in a room with several linens pinned to the walls and floor
    A black-and-white image of a woman wearing a striped dress and clip-on hat, eyes closed, arms stretched behind her. She stands in a room with several linens pinned to the walls and floor
    The Baroness Elsa von Freytag-Loringhoven, 1915 [A black-and-white image of a woman wearing a striped dress and clip-on hat, eyes closed, arms stretched behind her. She stands in a room with several linens pinned to the walls and floor]
    Caption The Baroness Elsa von Freytag-Loringhoven, 1915
    Image description A black-and-white image of a woman wearing a striped dress and clip-on hat, eyes closed, arms stretched behind her. She stands in a room with several linens pinned to the walls and floor
    Year 1915
    Related pages Presence and Absence
  • A green book cover, with it's title at the top reading,
    A green book cover, with it's title at the top reading,
    Joe Orton and Kenneth Halliwell Collins Guide to Roses , 1959 – 1962 Book cover collage Courtesy Islington Local History Centre [A green book cover, with it's title at the top reading, "Collings guid to ROSES;" a yellow rose against a white background, and a collaged photo of a dogs face below it. The right bottom corner of the page reads, "by Bertram Park."]
    Caption Joe Orton and Kenneth Halliwell Collins Guide to Roses , 1959 – 1962 Book cover collage Courtesy Islington Local History Centre
    Image description A green book cover, with it's title at the top reading, "Collings guid to ROSES;" a yellow rose against a white background, and a collaged photo of a dogs face below it. The right bottom corner of the page reads, "by Bertram Park."
    Year 2014
    Related pages The Library Vaccine
  • Photgraphic print of a low, blue and red building situated next to an empty multi-lane road on a sunny day. The building has a low blue facade with many windows, which face the street, and is decorated with two angular blue stripes. The building has a low, curved red roof. Text running along the side of the roof reads,
    Photgraphic print of a low, blue and red building situated next to an empty multi-lane road on a sunny day. The building has a low blue facade with many windows, which face the street, and is decorated with two angular blue stripes. The building has a low, curved red roof. Text running along the side of the roof reads,
    Lourdes Grobet, Untitled Olmayaztec Series, 1992. C-print, 11 x 14 inches. Courtesy the artist. [Photgraphic print of a low, blue and red building situated next to an empty multi-lane road on a sunny day. The building has a low blue facade with many windows, which face the street, and is decorated with two angular blue stripes. The building has a low, curved red roof. Text running along the side of the roof reads, "RESTAURANTE." A tall, pyramid-like structure is visible in the distance behind the restaurant.]
    Caption Lourdes Grobet, Untitled Olmayaztec Series, 1992. C-print, 11 x 14 inches. Courtesy the artist.
    Image description Photgraphic print of a low, blue and red building situated next to an empty multi-lane road on a sunny day. The building has a low blue facade with many windows, which face the street, and is decorated with two angular blue stripes. The building has a low, curved red roof. Text running along the side of the roof reads, "RESTAURANTE." A tall, pyramid-like structure is visible in the distance behind the restaurant.
    Year 2001
    Related pages Urban Pornography
  • Multiple paintings are hung on white walls, some in rounded frames, depicting various people in outdoor settings. Suspended from the ceiling is a sculpture in the shape of an inverted cone and covered in artificial plants. Multicolored streamers hang from the base of the sculpture.
    Multiple paintings are hung on white walls, some in rounded frames, depicting various people in outdoor settings. Suspended from the ceiling is a sculpture in the shape of an inverted cone and covered in artificial plants. Multicolored streamers hang from the base of the sculpture.
    Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo credit: Jean Vong. [Multiple paintings are hung on white walls, some in rounded frames, depicting various people in outdoor settings. Suspended from the ceiling is a sculpture in the shape of an inverted cone and covered in artificial plants. Multicolored streamers hang from the base of the sculpture.]
    Caption Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo credit: Jean Vong.
    Image description Multiple paintings are hung on white walls, some in rounded frames, depicting various people in outdoor settings. Suspended from the ceiling is a sculpture in the shape of an inverted cone and covered in artificial plants. Multicolored streamers hang from the base of the sculpture.
    Year 2016
    Related pages Lukas Duwenhögger: Undoolay
  • A profile of a man wearing glasses gazing beyond the frame. He sits in front of a painted portrait of a figure, who gazes in the same direction.
    A profile of a man wearing glasses gazing beyond the frame. He sits in front of a painted portrait of a figure, who gazes in the same direction.
    George Kuchar. [A profile of a man wearing glasses gazing beyond the frame. He sits in front of a painted portrait of a figure, who gazes in the same direction.]
    Caption George Kuchar.
    Image description A profile of a man wearing glasses gazing beyond the frame. He sits in front of a painted portrait of a figure, who gazes in the same direction.
    Year 2013
    Related pages George Kuchar
  • Close up of the torso and legs of a figure with long hair wearing nylon tights and a blue silk jacket on their bare chest. They are illuminated by red stage lights and appear to stand on a stage in front of a drum set and speakers.
    Close up of the torso and legs of a figure with long hair wearing nylon tights and a blue silk jacket on their bare chest. They are illuminated by red stage lights and appear to stand on a stage in front of a drum set and speakers.
    [Close up of the torso and legs of a figure with long hair wearing nylon tights and a blue silk jacket on their bare chest. They are illuminated by red stage lights and appear to stand on a stage in front of a drum set and speakers.]
    Caption
    Image description Close up of the torso and legs of a figure with long hair wearing nylon tights and a blue silk jacket on their bare chest. They are illuminated by red stage lights and appear to stand on a stage in front of a drum set and speakers.
    Year 2012
    Related pages Sandy Relief Dance Party
  • A black remote control with a red light pointing out of its head. Six insect-like legs are attached to the body of the remote, three on each side, and it is poised on the wall as if crawling.
    A black remote control with a red light pointing out of its head. Six insect-like legs are attached to the body of the remote, three on each side, and it is poised on the wall as if crawling.
    Kristin Lucas, Social Climber, 1997. [A black remote control with a red light pointing out of its head. Six insect-like legs are attached to the body of the remote, three on each side, and it is poised on the wall as if crawling.]
    Caption Kristin Lucas, Social Climber, 1997.
    Image description A black remote control with a red light pointing out of its head. Six insect-like legs are attached to the body of the remote, three on each side, and it is poised on the wall as if crawling.
    Year 1997
    Related pages Station to Station
  • A bright yellow poster for Top Hat (1935) features a man in a black tuxedo with coattails and a woman in a long white dress with a full skirt, captured in exuberant dance atop a black top hat. Orange rays radiate from around the woman, while around them are smaller illustrated vignettes of the dancing couple in various poses amidst music notes. Text at the top of the poster reads
    A bright yellow poster for Top Hat (1935) features a man in a black tuxedo with coattails and a woman in a long white dress with a full skirt, captured in exuberant dance atop a black top hat. Orange rays radiate from around the woman, while around them are smaller illustrated vignettes of the dancing couple in various poses amidst music notes. Text at the top of the poster reads
    Poster for Top Hat, 1935. [A bright yellow poster for Top Hat (1935) features a man in a black tuxedo with coattails and a woman in a long white dress with a full skirt, captured in exuberant dance atop a black top hat. Orange rays radiate from around the woman, while around them are smaller illustrated vignettes of the dancing couple in various poses amidst music notes. Text at the top of the poster reads "They're dancing cheek-to-cheek again!" and bold type listing the featured actors' names, Fred Astaire and Ginger Rogers. The movie title is superimposed on the top hat in red type. Further film credits include Irving Berlin (music and lyrics), and supporting cast (Edward Everett Horton, Helen Broderick, Erick Rhodes, and Eric Blore), with direction by Mark Sandrich.]
    Caption Poster for Top Hat, 1935.
    Image description A bright yellow poster for Top Hat (1935) features a man in a black tuxedo with coattails and a woman in a long white dress with a full skirt, captured in exuberant dance atop a black top hat. Orange rays radiate from around the woman, while around them are smaller illustrated vignettes of the dancing couple in various poses amidst music notes. Text at the top of the poster reads "They're dancing cheek-to-cheek again!" and bold type listing the featured actors' names, Fred Astaire and Ginger Rogers. The movie title is superimposed on the top hat in red type. Further film credits include Irving Berlin (music and lyrics), and supporting cast (Edward Everett Horton, Helen Broderick, Erick Rhodes, and Eric Blore), with direction by Mark Sandrich.
    Year 1935
    Related pages Top Hat
  • Three plexiglass and poster board timelines and a large black structure are visible within a gallery space. The timelines depict photos and texts arranged by year, from 1999-2001. The structure has an image of an office wrapped around one column and a TV is visible through the structure.
    Three plexiglass and poster board timelines and a large black structure are visible within a gallery space. The timelines depict photos and texts arranged by year, from 1999-2001. The structure has an image of an office wrapped around one column and a TV is visible through the structure.
    Bernadette Corporation: 2000 Wasted Years. Installation View, Artists Space, 2012. Photo: Daniel Pérez. [Three plexiglass and poster board timelines and a large black structure are visible within a gallery space. The timelines depict photos and texts arranged by year, from 1999-2001. The structure has an image of an office wrapped around one column and a TV is visible through the structure.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation View, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Three plexiglass and poster board timelines and a large black structure are visible within a gallery space. The timelines depict photos and texts arranged by year, from 1999-2001. The structure has an image of an office wrapped around one column and a TV is visible through the structure.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • Black and white photo of Andre Cadere holding a striped stick over one shoulder and crossing the street in New York City.
    Black and white photo of Andre Cadere holding a striped stick over one shoulder and crossing the street in New York City.
    Andre Cadere, 11 December, 1976, David Ebony Gallery, New York, 13.00 to 17.30, Photograph by Gianfranco Gorgoni Digital print Image size: 10 x 8 in / 25,4 x 20,3 cm Paper size: 11 x 8 in / 27,9 x 21,6 cm Signed and numbered certificate [Black and white photo of Andre Cadere holding a striped stick over one shoulder and crossing the street in New York City.]
    Caption Andre Cadere, 11 December, 1976, David Ebony Gallery, New York, 13.00 to 17.30, Photograph by Gianfranco Gorgoni Digital print Image size: 10 x 8 in / 25,4 x 20,3 cm Paper size: 11 x 8 in / 27,9 x 21,6 cm Signed and numbered certificate
    Image description Black and white photo of Andre Cadere holding a striped stick over one shoulder and crossing the street in New York City.
    Year 2015
    Related pages Artists Space Annual Edition Portfolio 2015
  • Silver, italic text displayed across the top edges of two adjacent white, gallery walls reads,
    Silver, italic text displayed across the top edges of two adjacent white, gallery walls reads,
    Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Silver, italic text displayed across the top edges of two adjacent white, gallery walls reads, "Death Sentence 2009 Love It To Death 1971 Jesse… 989 Moon over Miami 1991-95 Archive." Two images hang on the wall below the text. To the right of a white column positioned in front of the wall hangs a separate drawing. Orchid plants sit to the left of the column on the ground.]
    Caption Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Silver, italic text displayed across the top edges of two adjacent white, gallery walls reads, "Death Sentence 2009 Love It To Death 1971 Jesse… 989 Moon over Miami 1991-95 Archive." Two images hang on the wall below the text. To the right of a white column positioned in front of the wall hangs a separate drawing. Orchid plants sit to the left of the column on the ground.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • Close-up of a series of metal cutouts shaped like curved
    Close-up of a series of metal cutouts shaped like curved
    H_edge. Installation view, Artists Space, 2006. Photo: Whitney Cox. [Close-up of a series of metal cutouts shaped like curved "x"'s hanging from lengths of metal chainlinks. The many rows of cutouts overlap, forming a hedge-like sculptural body.]
    Caption H_edge. Installation view, Artists Space, 2006. Photo: Whitney Cox.
    Image description Close-up of a series of metal cutouts shaped like curved "x"'s hanging from lengths of metal chainlinks. The many rows of cutouts overlap, forming a hedge-like sculptural body.
    Year 2006
    Related pages H_edge
  • A metal form sits on a sloped gray slap on top of a low, rectangular plinth. The 3D form is composed of thin metal sheets that together form an amorphous shape that casts a series of shadows on the surface below it.
    A metal form sits on a sloped gray slap on top of a low, rectangular plinth. The 3D form is composed of thin metal sheets that together form an amorphous shape that casts a series of shadows on the surface below it.
    Matters of Sensation. Installation view, Artists Space, 2008. Photo: Adam Reich. [A metal form sits on a sloped gray slap on top of a low, rectangular plinth. The 3D form is composed of thin metal sheets that together form an amorphous shape that casts a series of shadows on the surface below it.]
    Caption Matters of Sensation. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description A metal form sits on a sloped gray slap on top of a low, rectangular plinth. The 3D form is composed of thin metal sheets that together form an amorphous shape that casts a series of shadows on the surface below it.
    Year 2008
    Related pages Matters of Sensation
  • A black and white photgraph of four square paintings of clocks in a horizontal line, each showing a different time.
    A black and white photgraph of four square paintings of clocks in a horizontal line, each showing a different time.
    Mike Henderson, Four Clocks, 1990. Installation view, Artists Space, 1990. Four panels, encaustic on masonite, 19 x 18.5 inches. [A black and white photgraph of four square paintings of clocks in a horizontal line, each showing a different time.]
    Caption Mike Henderson, Four Clocks, 1990. Installation view, Artists Space, 1990. Four panels, encaustic on masonite, 19 x 18.5 inches.
    Image description A black and white photgraph of four square paintings of clocks in a horizontal line, each showing a different time.
    Year 1990
    Related pages Mike Henderson
  • A cylindrical lamp with cutouts in various shapes projects a shadow on white walls. The lamp sits on a white base, surrounded by three circular floor cushions. On the far wall, there is a mounted television screen showing white text.
    A cylindrical lamp with cutouts in various shapes projects a shadow on white walls. The lamp sits on a white base, surrounded by three circular floor cushions. On the far wall, there is a mounted television screen showing white text.
    Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich. [A cylindrical lamp with cutouts in various shapes projects a shadow on white walls. The lamp sits on a white base, surrounded by three circular floor cushions. On the far wall, there is a mounted television screen showing white text.]
    Caption Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich.
    Image description A cylindrical lamp with cutouts in various shapes projects a shadow on white walls. The lamp sits on a white base, surrounded by three circular floor cushions. On the far wall, there is a mounted television screen showing white text.
    Year 2009
    Related pages Paper Exhibition
  • A black and white photograph of four sculptures resting on slightly elevated rectangular plinths, and a fifth sculpture mounted on the wall. The sculptures are constructed of metal molded into headless and limbless humanoid body shapes.
    A black and white photograph of four sculptures resting on slightly elevated rectangular plinths, and a fifth sculpture mounted on the wall. The sculptures are constructed of metal molded into headless and limbless humanoid body shapes.
    The Body Politic. Installation view, Artists Space, 1991. [A black and white photograph of four sculptures resting on slightly elevated rectangular plinths, and a fifth sculpture mounted on the wall. The sculptures are constructed of metal molded into headless and limbless humanoid body shapes.]
    Caption The Body Politic. Installation view, Artists Space, 1991.
    Image description A black and white photograph of four sculptures resting on slightly elevated rectangular plinths, and a fifth sculpture mounted on the wall. The sculptures are constructed of metal molded into headless and limbless humanoid body shapes.
    Year 1991
    Related pages The Body Politic
  • An angled view of the external corner of two walls. On the left are monitors, displaying various images. On the right large paintings and images are hung on all surface area of the wall.
    An angled view of the external corner of two walls. On the left are monitors, displaying various images. On the right large paintings and images are hung on all surface area of the wall.
    Living with Pop. A Reproduction of Capitalist Realism. Installation view, Artists Space, 2014. [An angled view of the external corner of two walls. On the left are monitors, displaying various images. On the right large paintings and images are hung on all surface area of the wall.]
    Caption Living with Pop. A Reproduction of Capitalist Realism. Installation view, Artists Space, 2014.
    Image description An angled view of the external corner of two walls. On the left are monitors, displaying various images. On the right large paintings and images are hung on all surface area of the wall.
    Year 2014
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A photograph of a gallery space with white walls hung with artworks. In the foreground is a large painting that takes the form of a map of Korea. In the background, another gallery with more artworks is visible.
    A photograph of a gallery space with white walls hung with artworks. In the foreground is a large painting that takes the form of a map of Korea. In the background, another gallery with more artworks is visible.
    Ming Joon Art. Installation view, Artists Space, 1988. [A photograph of a gallery space with white walls hung with artworks. In the foreground is a large painting that takes the form of a map of Korea. In the background, another gallery with more artworks is visible.]
    Caption Ming Joon Art. Installation view, Artists Space, 1988.
    Image description A photograph of a gallery space with white walls hung with artworks. In the foreground is a large painting that takes the form of a map of Korea. In the background, another gallery with more artworks is visible.
    Year 1988
    Related pages Ming Joong Art: A New Cultural Moment from Korea
  • A grid of four drawings on paper displayed on a light, mauve-colored wall. The drawings contain organic shapes and linework depicting abstract forms.
    A grid of four drawings on paper displayed on a light, mauve-colored wall. The drawings contain organic shapes and linework depicting abstract forms.
    Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A grid of four drawings on paper displayed on a light, mauve-colored wall. The drawings contain organic shapes and linework depicting abstract forms.]
    Caption Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A grid of four drawings on paper displayed on a light, mauve-colored wall. The drawings contain organic shapes and linework depicting abstract forms.
    Year 2013
    Related pages Zilia Sánchez
  • A person sits in a chair with a ladder next to them, bent over and painting on the bottom of a wall. The wall is painted top to bottom with a large black cross and several figures. Hand-painted text at the top of the wall reads,
    A person sits in a chair with a ladder next to them, bent over and painting on the bottom of a wall. The wall is painted top to bottom with a large black cross and several figures. Hand-painted text at the top of the wall reads,
    Activated Walls. Installation view, Artists Space, 1993. [A person sits in a chair with a ladder next to them, bent over and painting on the bottom of a wall. The wall is painted top to bottom with a large black cross and several figures. Hand-painted text at the top of the wall reads, "WHAT THE CHURCH OFFERS."]
    Caption Activated Walls. Installation view, Artists Space, 1993.
    Image description A person sits in a chair with a ladder next to them, bent over and painting on the bottom of a wall. The wall is painted top to bottom with a large black cross and several figures. Hand-painted text at the top of the wall reads, "WHAT THE CHURCH OFFERS."
    Year 1993
    Related pages Activated Walls
  • A drawing shows a man reading a magazine while sitting on the couch. A shirtless man leans on the couch behind him, reading the magazine over the seated man's shoulder.
    A drawing shows a man reading a magazine while sitting on the couch. A shirtless man leans on the couch behind him, reading the magazine over the seated man's shoulder.
    Tom of Finland, Untitled, 1985. Graphite on paper. Tom of Finland Foundation, Permanent Collection. [A drawing shows a man reading a magazine while sitting on the couch. A shirtless man leans on the couch behind him, reading the magazine over the seated man's shoulder.]
    Caption Tom of Finland, Untitled, 1985. Graphite on paper. Tom of Finland Foundation, Permanent Collection.
    Image description A drawing shows a man reading a magazine while sitting on the couch. A shirtless man leans on the couch behind him, reading the magazine over the seated man's shoulder.
    Year 1985
    Related pages Touko Laaksonen (Tom of Finland)
  • A green poster with white text giving information about a virtual reading event. There is an image at the bottom of a person looking into digital, VR-style goggles with large headphones. Smaller white text in the bottom corner reads,
    A green poster with white text giving information about a virtual reading event. There is an image at the bottom of a person looking into digital, VR-style goggles with large headphones. Smaller white text in the bottom corner reads,
    [A green poster with white text giving information about a virtual reading event. There is an image at the bottom of a person looking into digital, VR-style goggles with large headphones. Smaller white text in the bottom corner reads, "stay well & be good to each other."]
    Caption
    Image description A green poster with white text giving information about a virtual reading event. There is an image at the bottom of a person looking into digital, VR-style goggles with large headphones. Smaller white text in the bottom corner reads, "stay well & be good to each other."
    Year 2020
    Related pages Segue Reading Series: Tongo Eisen-Martin & Jennifer Soong
  • A mouth silently forms the shape of the eight Korean vowel graphemes while video noise or ‘snow’ threatens to drown it out.
    A mouth silently forms the shape of the eight Korean vowel graphemes while video noise or ‘snow’ threatens to drown it out.
    Theresa Hak Kyung Cha, still from Mouth to Mouth, 1975. Video, black and white; 8 minutes. Courtesy University of California, Berkeley Art Museum and Pacific Film Archive. [A mouth silently forms the shape of the eight Korean vowel graphemes while video noise or ‘snow’ threatens to drown it out.]
    Caption Theresa Hak Kyung Cha, still from Mouth to Mouth, 1975. Video, black and white; 8 minutes. Courtesy University of California, Berkeley Art Museum and Pacific Film Archive.
    Image description A mouth silently forms the shape of the eight Korean vowel graphemes while video noise or ‘snow’ threatens to drown it out.
    Year 1975
    Related pages Whitney ISP Archive
  • Two white panels of canvas positioned together to form a square shape. Both canvases display an organic pink form. Parts of the canvas within the pink shapes stretch outwards to form protruding circular and ovular, knob-like shapes.
    Two white panels of canvas positioned together to form a square shape. Both canvases display an organic pink form. Parts of the canvas within the pink shapes stretch outwards to form protruding circular and ovular, knob-like shapes.
    Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Two white panels of canvas positioned together to form a square shape. Both canvases display an organic pink form. Parts of the canvas within the pink shapes stretch outwards to form protruding circular and ovular, knob-like shapes.]
    Caption Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Two white panels of canvas positioned together to form a square shape. Both canvases display an organic pink form. Parts of the canvas within the pink shapes stretch outwards to form protruding circular and ovular, knob-like shapes.
    Year 2013
    Related pages Zilia Sánchez
  • Detail view of a sculpture with a shiny grey finish. The shape of the sculpture forms a skeletal structure around amorphous square voids.
    Detail view of a sculpture with a shiny grey finish. The shape of the sculpture forms a skeletal structure around amorphous square voids.
    UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [Detail view of a sculpture with a shiny grey finish. The shape of the sculpture forms a skeletal structure around amorphous square voids.]
    Caption UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt.
    Image description Detail view of a sculpture with a shiny grey finish. The shape of the sculpture forms a skeletal structure around amorphous square voids.
    Year 2006
    Related pages UniBodies
  • Collage featuring a color image of the Mr. Peanut brand logo surrounded by black-and-white imagery, including a boy carrying a bindle.
    Collage featuring a color image of the Mr. Peanut brand logo surrounded by black-and-white imagery, including a boy carrying a bindle.
    Frederick Weston, SoBar, 2018. Collage. [Collage featuring a color image of the Mr. Peanut brand logo surrounded by black-and-white imagery, including a boy carrying a bindle.]
    Caption Frederick Weston, SoBar, 2018. Collage.
    Image description Collage featuring a color image of the Mr. Peanut brand logo surrounded by black-and-white imagery, including a boy carrying a bindle.
    Year 2018
    Related pages Fag, Stag, or Drag?
  • A white ceiling with penciled text reading
    A white ceiling with penciled text reading
    Mark Hamilton: Echoplex. Installation view, Artists Space, 2006. [A white ceiling with penciled text reading "ROAD TO RUN."]
    Caption Mark Hamilton: Echoplex. Installation view, Artists Space, 2006.
    Image description A white ceiling with penciled text reading "ROAD TO RUN."
    Year 2006
    Related pages Echoplex
  • A yellow industrial machine rests atop a pile of rubble and stone. Across the clear blue sky, sky-typers write “MI DIOS ES MERIDA” in white smoke-dots.
    A yellow industrial machine rests atop a pile of rubble and stone. Across the clear blue sky, sky-typers write “MI DIOS ES MERIDA” in white smoke-dots.
    Raúl Zurita, La vida nueva, 1982. Video, color, sound; 27 minutes 42 seconds. Videography by Juan Downey. Courtesy the artist. [A yellow industrial machine rests atop a pile of rubble and stone. Across the clear blue sky, sky-typers write “MI DIOS ES MERIDA” in white smoke-dots.]
    Caption Raúl Zurita, La vida nueva, 1982. Video, color, sound; 27 minutes 42 seconds. Videography by Juan Downey. Courtesy the artist.
    Image description A yellow industrial machine rests atop a pile of rubble and stone. Across the clear blue sky, sky-typers write “MI DIOS ES MERIDA” in white smoke-dots.
    Year 1982
    Related pages Whitney ISP Archive
  • Two skewed images of Native American men holding drums on either side of a person in a sheer red dress and mask, posing for the camera.
    Two skewed images of Native American men holding drums on either side of a person in a sheer red dress and mask, posing for the camera.
    Kent Monkman. Still from Dance to Miss Chief, 2010. [Two skewed images of Native American men holding drums on either side of a person in a sheer red dress and mask, posing for the camera.]
    Caption Kent Monkman. Still from Dance to Miss Chief, 2010.
    Image description Two skewed images of Native American men holding drums on either side of a person in a sheer red dress and mask, posing for the camera.
    Year 2010
    Related pages THE INFORMANTS
  • Two white models of large buildings sitting on a wooden floor. Between the two models is a large mound of dirt.
    Two white models of large buildings sitting on a wooden floor. Between the two models is a large mound of dirt.
    Salad Days. Installation view, Artists Space, 2004. [Two white models of large buildings sitting on a wooden floor. Between the two models is a large mound of dirt.]
    Caption Salad Days. Installation view, Artists Space, 2004.
    Image description Two white models of large buildings sitting on a wooden floor. Between the two models is a large mound of dirt.
    Year 2004
    Related pages Salad Days
  • Low res image of two men, with tan skin and curly hair, kissing profusely.
    Low res image of two men, with tan skin and curly hair, kissing profusely.
    Julio Torres, Search Results: Drunks Kissing, 2010. [Low res image of two men, with tan skin and curly hair, kissing profusely.]
    Caption Julio Torres, Search Results: Drunks Kissing, 2010.
    Image description Low res image of two men, with tan skin and curly hair, kissing profusely.
    Year 2010
    Related pages Radical Localism: Art, Video and Culture from Pueblo Nuevo’s Mexicali Rose
  • On a muted pink background with a wavy green line running across the page, text in a darker pink and black reads: segue X artists space virtual readings / Zoom meeting ID: 378 232 567 / $5 suggested virtual door: / PayPal/seguefoundation / all proceeds go directly to readers.
    On a muted pink background with a wavy green line running across the page, text in a darker pink and black reads: segue X artists space virtual readings / Zoom meeting ID: 378 232 567 / $5 suggested virtual door: / PayPal/seguefoundation / all proceeds go directly to readers.
    [On a muted pink background with a wavy green line running across the page, text in a darker pink and black reads: segue X artists space virtual readings / Zoom meeting ID: 378 232 567 / $5 suggested virtual door: / PayPal/seguefoundation / all proceeds go directly to readers.]
    Caption
    Image description On a muted pink background with a wavy green line running across the page, text in a darker pink and black reads: segue X artists space virtual readings / Zoom meeting ID: 378 232 567 / $5 suggested virtual door: / PayPal/seguefoundation / all proceeds go directly to readers.
    Year 2020
    Related pages Segue Reading Series: Lonely Christopher & zakia henderson-brown
  • A wide shot of a gallery space with wood floors and large windows. In the foreground is a screen mounted on two metal poles on a wheeled base. In the midground, there are two screens mounted on floor to ceiling metal poles arranged at a 90-degree angle to each other. In the background, there is another screen just visible from behind a white column.
    A wide shot of a gallery space with wood floors and large windows. In the foreground is a screen mounted on two metal poles on a wheeled base. In the midground, there are two screens mounted on floor to ceiling metal poles arranged at a 90-degree angle to each other. In the background, there is another screen just visible from behind a white column.
    Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A wide shot of a gallery space with wood floors and large windows. In the foreground is a screen mounted on two metal poles on a wheeled base. In the midground, there are two screens mounted on floor to ceiling metal poles arranged at a 90-degree angle to each other. In the background, there is another screen just visible from behind a white column.]
    Caption Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A wide shot of a gallery space with wood floors and large windows. In the foreground is a screen mounted on two metal poles on a wheeled base. In the midground, there are two screens mounted on floor to ceiling metal poles arranged at a 90-degree angle to each other. In the background, there is another screen just visible from behind a white column.
    Year 2011
    Related pages Hilary Lloyd
  • A colorful drawing with sketches of two people is projected onto a dark wall. The image is partially obscured by two silhouetted figures.
    A colorful drawing with sketches of two people is projected onto a dark wall. The image is partially obscured by two silhouetted figures.
    Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court. [A colorful drawing with sketches of two people is projected onto a dark wall. The image is partially obscured by two silhouetted figures.]
    Caption Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A colorful drawing with sketches of two people is projected onto a dark wall. The image is partially obscured by two silhouetted figures.
    Year 2020
    Related pages Jutta Koether
  • An exhibition view of various artworks. Several stylized portraits hang on the right; in the middle, a large didactic titled
    An exhibition view of various artworks. Several stylized portraits hang on the right; in the middle, a large didactic titled
    Reinventado, exhibition at Word Up Community Bookshop, 2018 [An exhibition view of various artworks. Several stylized portraits hang on the right; in the middle, a large didactic titled "REINVENTADO." On the left, several small photos of students in a classroom hang underneath a red-white-and blue airplane suspended from the ceiling]
    Caption Reinventado, exhibition at Word Up Community Bookshop, 2018
    Image description An exhibition view of various artworks. Several stylized portraits hang on the right; in the middle, a large didactic titled "REINVENTADO." On the left, several small photos of students in a classroom hang underneath a red-white-and blue airplane suspended from the ceiling
    Year 2018
    Related pages Threads of History
  • A photo from behind the performer, looking out at a room full of people. The performer is seen in silhouette, sitting at a table, illuminated by a lamp on the table. Copies of the book *Here is Information. Mobilise.* are stacked across the table. Behind the audience, there is a projected video of an Arabic news channel.
    A photo from behind the performer, looking out at a room full of people. The performer is seen in silhouette, sitting at a table, illuminated by a lamp on the table. Copies of the book *Here is Information. Mobilise.* are stacked across the table. Behind the audience, there is a projected video of an Arabic news channel.
    Here Is Information. Mobilise. Book launch, 2017. [A photo from behind the performer, looking out at a room full of people. The performer is seen in silhouette, sitting at a table, illuminated by a lamp on the table. Copies of the book *Here is Information. Mobilise.* are stacked across the table. Behind the audience, there is a projected video of an Arabic news channel.]
    Caption Here Is Information. Mobilise. Book launch, 2017.
    Image description A photo from behind the performer, looking out at a room full of people. The performer is seen in silhouette, sitting at a table, illuminated by a lamp on the table. Copies of the book *Here is Information. Mobilise.* are stacked across the table. Behind the audience, there is a projected video of an Arabic news channel.
    Year 2017
    Related pages Membership
  • A corner of a wall imposed with the text,
    A corner of a wall imposed with the text,
    See Around. Installation view, Artists Space, 2008. Photo: Adam Reich. [A corner of a wall imposed with the text, "Christa Blatchford: See Around."]
    Caption See Around. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description A corner of a wall imposed with the text, "Christa Blatchford: See Around."
    Year 2008
    Related pages See Around
  • An installation view of a brightly colored painting lodged into a rectangular sheet of glass which is made to stand upright by being wedged into a block of concrete which sits on a floor scattered with wood chips.
    An installation view of a brightly colored painting lodged into a rectangular sheet of glass which is made to stand upright by being wedged into a block of concrete which sits on a floor scattered with wood chips.
    Jutta Koether, Fifth Season Act, Apotheosically, Artists Space, 2012. [An installation view of a brightly colored painting lodged into a rectangular sheet of glass which is made to stand upright by being wedged into a block of concrete which sits on a floor scattered with wood chips.]
    Caption Jutta Koether, Fifth Season Act, Apotheosically, Artists Space, 2012.
    Image description An installation view of a brightly colored painting lodged into a rectangular sheet of glass which is made to stand upright by being wedged into a block of concrete which sits on a floor scattered with wood chips.
    Year 2012
    Related pages Jutta Koether
  • A black box screening room featuring a a video of a bespecaled white haired man with glasses speaking to the camera in front of rows of books.
    A black box screening room featuring a a video of a bespecaled white haired man with glasses speaking to the camera in front of rows of books.
    New Economy. Installation view, Artists Space, 2007. [A black box screening room featuring a a video of a bespecaled white haired man with glasses speaking to the camera in front of rows of books.]
    Caption New Economy. Installation view, Artists Space, 2007.
    Image description A black box screening room featuring a a video of a bespecaled white haired man with glasses speaking to the camera in front of rows of books.
    Year 2007
    Related pages New Economy
  • Book cover design featuring a white mask in the shape of a human face installed on a white backdrop. Ribbons of white material extend from the mask's lower right side, curling on the backdrop. Black text reading
    Book cover design featuring a white mask in the shape of a human face installed on a white backdrop. Ribbons of white material extend from the mask's lower right side, curling on the backdrop. Black text reading
    Price, Seth by Seth Price, edited by Beatrix Ruf, text by Michael Newman, published by JRP Ringier, 2010. [Book cover design featuring a white mask in the shape of a human face installed on a white backdrop. Ribbons of white material extend from the mask's lower right side, curling on the backdrop. Black text reading "PRICE, SETH" is superimposed on the image's upper left corner.]
    Caption Price, Seth by Seth Price, edited by Beatrix Ruf, text by Michael Newman, published by JRP Ringier, 2010.
    Image description Book cover design featuring a white mask in the shape of a human face installed on a white backdrop. Ribbons of white material extend from the mask's lower right side, curling on the backdrop. Black text reading "PRICE, SETH" is superimposed on the image's upper left corner.
    Year 2010
    Related pages Seth Price Book Launch
  • A room, view from above a stair case, with a group of men sat scatted around the area.
    A room, view from above a stair case, with a group of men sat scatted around the area.
    Waiting room view of Leben mit Pop - Eine Demonstration für den kapitalistischen Realismus , 1963 (Living with Pop – A Demonstration for Capitalist Realism) © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Reiner Ruthenbeck [A room, view from above a stair case, with a group of men sat scatted around the area.]
    Caption Waiting room view of Leben mit Pop - Eine Demonstration für den kapitalistischen Realismus , 1963 (Living with Pop – A Demonstration for Capitalist Realism) © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Reiner Ruthenbeck
    Image description A room, view from above a stair case, with a group of men sat scatted around the area.
    Year 1963
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A sleek, computer-rendered form against a black backdrop. The form has a disk-like shape with various extensions radiating out from its center. Parts of it appear to glow red or yellow.
    A sleek, computer-rendered form against a black backdrop. The form has a disk-like shape with various extensions radiating out from its center. Parts of it appear to glow red or yellow.
    [A sleek, computer-rendered form against a black backdrop. The form has a disk-like shape with various extensions radiating out from its center. Parts of it appear to glow red or yellow.]
    Caption
    Image description A sleek, computer-rendered form against a black backdrop. The form has a disk-like shape with various extensions radiating out from its center. Parts of it appear to glow red or yellow.
    Year 2008
    Related pages Matters of Sensation
  • A group of people gathered on a city sidewalk, looking into a parked car. Above them, the text Recycling L.A., May 31-June 30, 1990, Artists Space" appears in a black square." />
    A group of people gathered on a city sidewalk, looking into a parked car. Above them, the text Recycling L.A., May 31-June 30, 1990, Artists Space" appears in a black square." />
    Recycling L.A., Newspaper cover, May 1990. [A group of people gathered on a city sidewalk, looking into a parked car. Above them, the text "Recycling L.A., May 31-June 30, 1990, Artists Space" appears in a black square.]
    Caption Recycling L.A., Newspaper cover, May 1990.
    Image description A group of people gathered on a city sidewalk, looking into a parked car. Above them, the text "Recycling L.A., May 31-June 30, 1990, Artists Space" appears in a black square.
    Year 1990
    Related pages Recycling L.A.
  • Three metal cutouts of hands, each displaying a different finger expression, are installed on a white wall. Each hand holds stacks of white, blue, and purple cards.
    Three metal cutouts of hands, each displaying a different finger expression, are installed on a white wall. Each hand holds stacks of white, blue, and purple cards.
    The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [Three metal cutouts of hands, each displaying a different finger expression, are installed on a white wall. Each hand holds stacks of white, blue, and purple cards.]
    Caption The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich.
    Image description Three metal cutouts of hands, each displaying a different finger expression, are installed on a white wall. Each hand holds stacks of white, blue, and purple cards.
    Year 2014
    Related pages The Issues of Our Time
  • Three light, mauve-colored walls in an exhibition space each display several canvases. The three walls are arranged such that they are parallel to each other. Each of the canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.
    Three light, mauve-colored walls in an exhibition space each display several canvases. The three walls are arranged such that they are parallel to each other. Each of the canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.
    Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Three light, mauve-colored walls in an exhibition space each display several canvases. The three walls are arranged such that they are parallel to each other. Each of the canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.]
    Caption Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Three light, mauve-colored walls in an exhibition space each display several canvases. The three walls are arranged such that they are parallel to each other. Each of the canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.
    Year 2013
    Related pages Zilia Sánchez
  • A black-and-white photo of a man smiling with his arms crossed, standing in front of a number of hanging salamis, and wearing a hat with a logo stating
    A black-and-white photo of a man smiling with his arms crossed, standing in front of a number of hanging salamis, and wearing a hat with a logo stating
    Ally Bueno, Katz's, 2017. [A black-and-white photo of a man smiling with his arms crossed, standing in front of a number of hanging salamis, and wearing a hat with a logo stating "send a salami"]
    Caption Ally Bueno, Katz's, 2017.
    Image description A black-and-white photo of a man smiling with his arms crossed, standing in front of a number of hanging salamis, and wearing a hat with a logo stating "send a salami"
    Year 2017
    Related pages Photo Club
  • Remnants of discarded objects fill the frame. A flattened rubber chicken sits in the middle next to various bottles and boxes. On the right reads a white square in black and red font,
    Remnants of discarded objects fill the frame. A flattened rubber chicken sits in the middle next to various bottles and boxes. On the right reads a white square in black and red font,
    Jack Smith Untitled (Plaster Foundation of Atlantis), 35mm slide, c. 1970. Copyright Jack Smith Archive. Courtesy Gladstone Gallery, New York and Brussels. [Remnants of discarded objects fill the frame. A flattened rubber chicken sits in the middle next to various bottles and boxes. On the right reads a white square in black and red font, "Exotic, Tropical Fruit."]
    Caption Jack Smith Untitled (Plaster Foundation of Atlantis), 35mm slide, c. 1970. Copyright Jack Smith Archive. Courtesy Gladstone Gallery, New York and Brussels.
    Image description Remnants of discarded objects fill the frame. A flattened rubber chicken sits in the middle next to various bottles and boxes. On the right reads a white square in black and red font, "Exotic, Tropical Fruit."
    Year 1970
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • A black and white image of a man in sunglasses holding a large cluster of balloons tied to strings above his head with his left hand.
    A black and white image of a man in sunglasses holding a large cluster of balloons tied to strings above his head with his left hand.
    Konrad Lueg with Balloons July 1962 Zero Festival, Rhine Meadows, Düsseldorf-Over-Kassel Courtesy Archiv Reiner Ruthenbeck, Ratingen © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Reiner Ruthenbeck [A black and white image of a man in sunglasses holding a large cluster of balloons tied to strings above his head with his left hand.]
    Caption Konrad Lueg with Balloons July 1962 Zero Festival, Rhine Meadows, Düsseldorf-Over-Kassel Courtesy Archiv Reiner Ruthenbeck, Ratingen © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Reiner Ruthenbeck
    Image description A black and white image of a man in sunglasses holding a large cluster of balloons tied to strings above his head with his left hand.
    Year 1962
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A sculpture of a man leans against a white column in an otherwise empty gallery space.
    A sculpture of a man leans against a white column in an otherwise empty gallery space.
    Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [A sculpture of a man leans against a white column in an otherwise empty gallery space.]
    Caption Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013.
    Image description A sculpture of a man leans against a white column in an otherwise empty gallery space.
    Year 2013
    Related pages Pride Goes Before a Fall
  • Characteristic, expressive handwriting on a page spells out phrases such as “All Power to the People!” and ”Seize the Time!” in both English and Spanish.
    Characteristic, expressive handwriting on a page spells out phrases such as “All Power to the People!” and ”Seize the Time!” in both English and Spanish.
    Third World Gay Revolution, “Come Out in Third World Lingo,” back cover of Come Out! 1, no. 7, (December/January 1970 – 7). Courtesy Archivo Moléculas Malucas. [Characteristic, expressive handwriting on a page spells out phrases such as “All Power to the People!” and ”Seize the Time!” in both English and Spanish.]
    Caption Third World Gay Revolution, “Come Out in Third World Lingo,” back cover of Come Out! 1, no. 7, (December/January 1970 – 7). Courtesy Archivo Moléculas Malucas.
    Image description Characteristic, expressive handwriting on a page spells out phrases such as “All Power to the People!” and ”Seize the Time!” in both English and Spanish.
    Year
    Related pages Whitney ISP Archive
  • A book cover with an old car vertically arranged next to Arabic writing.
    A book cover with an old car vertically arranged next to Arabic writing.
    Peter Osborne, Anywhere or Not At All (Verso Books, 2013). [A book cover with an old car vertically arranged next to Arabic writing.]
    Caption Peter Osborne, Anywhere or Not At All (Verso Books, 2013).
    Image description A book cover with an old car vertically arranged next to Arabic writing.
    Year 2013
    Related pages Anywhere or Not at All
  • A large gallery space full of hundreds of metal cutouts shaped like curved
    A large gallery space full of hundreds of metal cutouts shaped like curved
    H_edge. Installation view, Artists Space, 2006. Photo: Whitney Cox. [A large gallery space full of hundreds of metal cutouts shaped like curved "x"'s hanging from lengths of metal chainlinks. The cutouts are arranged in the gallery so that they form a hedge-like landscape of varying heights.]
    Caption H_edge. Installation view, Artists Space, 2006. Photo: Whitney Cox.
    Image description A large gallery space full of hundreds of metal cutouts shaped like curved "x"'s hanging from lengths of metal chainlinks. The cutouts are arranged in the gallery so that they form a hedge-like landscape of varying heights.
    Year 2006
    Related pages H_edge
  • A crowd of people standing outside in Cortlandt Alley surrounding several performers. The performers are mixed in with the crowd, holding metal poles, some looking at a baby doll which is photographed in midair after being thrown upwards.
    A crowd of people standing outside in Cortlandt Alley surrounding several performers. The performers are mixed in with the crowd, holding metal poles, some looking at a baby doll which is photographed in midair after being thrown upwards.
    Ei Arakawa: WEWORK BABIES. Performance documentation, December 8, 2019, Artists Space. Photo © 2019 Paula Court. [A crowd of people standing outside in Cortlandt Alley surrounding several performers. The performers are mixed in with the crowd, holding metal poles, some looking at a baby doll which is photographed in midair after being thrown upwards.]
    Caption Ei Arakawa: WEWORK BABIES. Performance documentation, December 8, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A crowd of people standing outside in Cortlandt Alley surrounding several performers. The performers are mixed in with the crowd, holding metal poles, some looking at a baby doll which is photographed in midair after being thrown upwards.
    Year 2019
    Related pages Ei Arakawa: WEWORK BABIES (11 Cortlandt Alley)
  • A portrait of a heavily made-up standing person in a ballgown with outstretched arms in black evening gloves. The dark ballgown has rows of light names on it.
    A portrait of a heavily made-up standing person in a ballgown with outstretched arms in black evening gloves. The dark ballgown has rows of light names on it.
    Hunter Reynolds, Patina du Prey’s Memorial Dress: 1997 to 2007. Historical performance documentation. Photo: Maxine Henryson. [A portrait of a heavily made-up standing person in a ballgown with outstretched arms in black evening gloves. The dark ballgown has rows of light names on it.]
    Caption Hunter Reynolds, Patina du Prey’s Memorial Dress: 1997 to 2007. Historical performance documentation. Photo: Maxine Henryson.
    Image description A portrait of a heavily made-up standing person in a ballgown with outstretched arms in black evening gloves. The dark ballgown has rows of light names on it.
    Year
    Related pages Patina du Prey's Memorial Dress: 1993 to 2007
  • Five photographic collages installed in white frames arranged in a horizontal row along a blank wall.
    Five photographic collages installed in white frames arranged in a horizontal row along a blank wall.
    Salad Days 2. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [Five photographic collages installed in white frames arranged in a horizontal row along a blank wall.]
    Caption Salad Days 2. Installation view, Artists Space, 2006. Photo: Bill Ocrutt.
    Image description Five photographic collages installed in white frames arranged in a horizontal row along a blank wall.
    Year 2006
    Related pages Salad Days 2
  • A person dressed in all pink steps over a mass of wires. She is illuminated from behind by a bright, white wall. In the foreground, dimly lit figures face varying directions.
    A person dressed in all pink steps over a mass of wires. She is illuminated from behind by a bright, white wall. In the foreground, dimly lit figures face varying directions.
    Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court. [A person dressed in all pink steps over a mass of wires. She is illuminated from behind by a bright, white wall. In the foreground, dimly lit figures face varying directions.]
    Caption Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A person dressed in all pink steps over a mass of wires. She is illuminated from behind by a bright, white wall. In the foreground, dimly lit figures face varying directions.
    Year 2020
    Related pages Jutta Koether
  • Six pornographic illustrations of men near trees are framed on a wall.
    Six pornographic illustrations of men near trees are framed on a wall.
    Tom of Finland: The Pleasure of Play. Installation view, Artists Space, 2015. [Six pornographic illustrations of men near trees are framed on a wall.]
    Caption Tom of Finland: The Pleasure of Play. Installation view, Artists Space, 2015.
    Image description Six pornographic illustrations of men near trees are framed on a wall.
    Year 2015
    Related pages Tom of Finland: The Pleasure of Play
  • A figure in a blue denim shirt wearing headphones sits at a dining room table cluttered with papers, bowls of fruit, and colorful candles. The figure's back faces the viewer. A bright and rocky, arid landscape is visible through the many windows that line the walls of the dining room.
    A figure in a blue denim shirt wearing headphones sits at a dining room table cluttered with papers, bowls of fruit, and colorful candles. The figure's back faces the viewer. A bright and rocky, arid landscape is visible through the many windows that line the walls of the dining room.
    [A figure in a blue denim shirt wearing headphones sits at a dining room table cluttered with papers, bowls of fruit, and colorful candles. The figure's back faces the viewer. A bright and rocky, arid landscape is visible through the many windows that line the walls of the dining room.]
    Caption
    Image description A figure in a blue denim shirt wearing headphones sits at a dining room table cluttered with papers, bowls of fruit, and colorful candles. The figure's back faces the viewer. A bright and rocky, arid landscape is visible through the many windows that line the walls of the dining room.
    Year 2014
    Related pages Macho Man, Tell It To My Heart: Collected by Julia Ault - Film and Video Program
  • The image shows a white t-shirt in a frame with text printed on top in a wavy text that says,
    The image shows a white t-shirt in a frame with text printed on top in a wavy text that says,
    Richard Prince, Oedipus Schmedipus, 1994, Screenprint on white T-shirt Stretched over canvas in white lacquer frame, 25 1/4 x 19 1/2 in (64.1 x 49.5 cm), Edition of 26, Signed & numbered. [The image shows a white t-shirt in a frame with text printed on top in a wavy text that says, "A mother is having a very tense relationship / with her fourteen year old son. Screaming and / fighting are constantly going on in the house. / She finally brings him to a psychoanalyst. After / two sessions, the doctor calls the mother into / the office. / "Your son," he tells her, "has an Oedipus / complex." / "Oedipus, Schmedipus," the woman answers. / "as long as he loves his mother."]
    Caption Richard Prince, Oedipus Schmedipus, 1994, Screenprint on white T-shirt Stretched over canvas in white lacquer frame, 25 1/4 x 19 1/2 in (64.1 x 49.5 cm), Edition of 26, Signed & numbered.
    Image description The image shows a white t-shirt in a frame with text printed on top in a wavy text that says, "A mother is having a very tense relationship / with her fourteen year old son. Screaming and / fighting are constantly going on in the house. / She finally brings him to a psychoanalyst. After / two sessions, the doctor calls the mother into / the office. / "Your son," he tells her, "has an Oedipus / complex." / "Oedipus, Schmedipus," the woman answers. / "as long as he loves his mother."
    Year 1994
    Related pages Editions
  • A group of human figures made of clay are seated on benches around a long table, which extends to the length of a dark room. The walls of the room are patterned with handprints.
    A group of human figures made of clay are seated on benches around a long table, which extends to the length of a dark room. The walls of the room are patterned with handprints.
    Underground: Gail Rothschild. Installation view, Artists Space, 1990. [A group of human figures made of clay are seated on benches around a long table, which extends to the length of a dark room. The walls of the room are patterned with handprints.]
    Caption Underground: Gail Rothschild. Installation view, Artists Space, 1990.
    Image description A group of human figures made of clay are seated on benches around a long table, which extends to the length of a dark room. The walls of the room are patterned with handprints.
    Year 1990
    Related pages Underground: Gail Rothschild
  • A slightly grainy, black and white image of a deer standing on snowy ground in front of woods. There are two detached antlers on the ground in front of the deer.
    A slightly grainy, black and white image of a deer standing on snowy ground in front of woods. There are two detached antlers on the ground in front of the deer.
    Association Apsolutno, still from a.trophy, 2002. [A slightly grainy, black and white image of a deer standing on snowy ground in front of woods. There are two detached antlers on the ground in front of the deer.]
    Caption Association Apsolutno, still from a.trophy, 2002.
    Image description A slightly grainy, black and white image of a deer standing on snowy ground in front of woods. There are two detached antlers on the ground in front of the deer.
    Year 2002
    Related pages Flipside
  • Green fluorescent strips arranged in gridded, triangle-shaped sections.
    Green fluorescent strips arranged in gridded, triangle-shaped sections.
    [Green fluorescent strips arranged in gridded, triangle-shaped sections.]
    Caption
    Image description Green fluorescent strips arranged in gridded, triangle-shaped sections.
    Year 2004
    Related pages Architecture & Design Project Series: Flux Room
  • Three performers stand on a wooden floor in the middle of a room. Two performers on either side are dancing, while the performer in the center speaks on a wireless microphone. The audience surrounds the performers, sitting and standing, illuminated overhead by several round, hanging lights.
    Three performers stand on a wooden floor in the middle of a room. Two performers on either side are dancing, while the performer in the center speaks on a wireless microphone. The audience surrounds the performers, sitting and standing, illuminated overhead by several round, hanging lights.
    Richard Kennedy Both, 2017. [Three performers stand on a wooden floor in the middle of a room. Two performers on either side are dancing, while the performer in the center speaks on a wireless microphone. The audience surrounds the performers, sitting and standing, illuminated overhead by several round, hanging lights.]
    Caption Richard Kennedy Both, 2017.
    Image description Three performers stand on a wooden floor in the middle of a room. Two performers on either side are dancing, while the performer in the center speaks on a wireless microphone. The audience surrounds the performers, sitting and standing, illuminated overhead by several round, hanging lights.
    Year 2017
    Related pages Membership
  • A print of marbled, amorphous forms in blue, grey, and white is centrally intersected by a horizontal orange band.
    A print of marbled, amorphous forms in blue, grey, and white is centrally intersected by a horizontal orange band.
    Peter Saville, Bespoke archival box with hand-marbled paper and band, 24 1/2 x 20 1/2 x 1 1/2 in / 62,2 x 52 x 3,8 cm, Signed and Numbered. [A print of marbled, amorphous forms in blue, grey, and white is centrally intersected by a horizontal orange band.]
    Caption Peter Saville, Bespoke archival box with hand-marbled paper and band, 24 1/2 x 20 1/2 x 1 1/2 in / 62,2 x 52 x 3,8 cm, Signed and Numbered.
    Image description A print of marbled, amorphous forms in blue, grey, and white is centrally intersected by a horizontal orange band.
    Year 2015
    Related pages Artists Space Annual Edition Portfolio 2015
  • Two photographs arranged side by side. The left photograph displays a person sitting partially in shadow with a patterned background and a small object on her lap. The right photograph shows a framed photograph of a young man in a suit with the same object placed in front of the portrait.
    Two photographs arranged side by side. The left photograph displays a person sitting partially in shadow with a patterned background and a small object on her lap. The right photograph shows a framed photograph of a young man in a suit with the same object placed in front of the portrait.
    Robert Giard, Homage to Joe Beam, 1992. 20 x 38 inches. [Two photographs arranged side by side. The left photograph displays a person sitting partially in shadow with a patterned background and a small object on her lap. The right photograph shows a framed photograph of a young man in a suit with the same object placed in front of the portrait.]
    Caption Robert Giard, Homage to Joe Beam, 1992. 20 x 38 inches.
    Image description Two photographs arranged side by side. The left photograph displays a person sitting partially in shadow with a patterned background and a small object on her lap. The right photograph shows a framed photograph of a young man in a suit with the same object placed in front of the portrait.
    Year 1992
    Related pages AIDS FORUM: Tribute to Joe Beam
  • Projectors placed across a wood floor project variegated hues of white light onto a wall.
    Projectors placed across a wood floor project variegated hues of white light onto a wall.
    Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater. Installation view, Artists Space, 2019. Photo: Daniel Pérez. [Projectors placed across a wood floor project variegated hues of white light onto a wall.]
    Caption Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater. Installation view, Artists Space, 2019. Photo: Daniel Pérez.
    Image description Projectors placed across a wood floor project variegated hues of white light onto a wall.
    Year 2019
    Related pages
  • A red, glowing neon light installed on a gallery wall just above eye-level is visible through a doorway opening in a white-walled space. To the left of the opening is a block of faint text on the gallery wall.
    A red, glowing neon light installed on a gallery wall just above eye-level is visible through a doorway opening in a white-walled space. To the left of the opening is a block of faint text on the gallery wall.
    The Serving Library. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A red, glowing neon light installed on a gallery wall just above eye-level is visible through a doorway opening in a white-walled space. To the left of the opening is a block of faint text on the gallery wall.]
    Caption The Serving Library. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A red, glowing neon light installed on a gallery wall just above eye-level is visible through a doorway opening in a white-walled space. To the left of the opening is a block of faint text on the gallery wall.
    Year 2011
    Related pages The Serving Library
  • A bedroom scene set up in the middle of an open room. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.
    A bedroom scene set up in the middle of an open room. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.
    The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich. [A bedroom scene set up in the middle of an open room. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.]
    Caption The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description A bedroom scene set up in the middle of an open room. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.
    Year 2008
    Related pages The New Normal
  • A slightly blurry photograph of a yellow-toned fish tank at close range. There is a white border on two sides of the photograph with handwritten text on it.
    A slightly blurry photograph of a yellow-toned fish tank at close range. There is a white border on two sides of the photograph with handwritten text on it.
    Mark Morrisroe. Kathy's Goldfish(1985). © The Estate of Mark Morrisroe (Ringier Collection) at Fotomuseum Winterthur. [A slightly blurry photograph of a yellow-toned fish tank at close range. There is a white border on two sides of the photograph with handwritten text on it.]
    Caption Mark Morrisroe. Kathy's Goldfish(1985). © The Estate of Mark Morrisroe (Ringier Collection) at Fotomuseum Winterthur.
    Image description A slightly blurry photograph of a yellow-toned fish tank at close range. There is a white border on two sides of the photograph with handwritten text on it.
    Year 1985
    Related pages Mark Morrisroe: Neo-Romantic Iconography and the Performance of Self
  • Pablo Picasso looking at an image of Joseph Stalin.
    Pablo Picasso looking at an image of Joseph Stalin.
    [Pablo Picasso looking at an image of Joseph Stalin.]
    Caption
    Image description Pablo Picasso looking at an image of Joseph Stalin.
    Year 1949
    Related pages The Battle for Picasso’s Mind
  • A close-up shot of black fabric patterned with white dots, stripes, and zigzags.
    A close-up shot of black fabric patterned with white dots, stripes, and zigzags.
    Hilary Lloyd, Shirt, 2011. [A close-up shot of black fabric patterned with white dots, stripes, and zigzags.]
    Caption Hilary Lloyd, Shirt, 2011.
    Image description A close-up shot of black fabric patterned with white dots, stripes, and zigzags.
    Year 2011
    Related pages Hilary Lloyd
  • A close-up, black-and-white photo of a small dirt area surrounded by a metal fence. A large tree stands in the middle of the image, surrounded by short plants and a small flower
    A close-up, black-and-white photo of a small dirt area surrounded by a metal fence. A large tree stands in the middle of the image, surrounded by short plants and a small flower
    Iliana Polanco, Curve, photography, 2016 [A close-up, black-and-white photo of a small dirt area surrounded by a metal fence. A large tree stands in the middle of the image, surrounded by short plants and a small flower]
    Caption Iliana Polanco, Curve, photography, 2016
    Image description A close-up, black-and-white photo of a small dirt area surrounded by a metal fence. A large tree stands in the middle of the image, surrounded by short plants and a small flower
    Year 2016
    Related pages Scholastic Art and Writing Awards
  • Three gray objects rest on separate rectangular, white plinths in a gallery space with wooden flooring. Each of the objects is rectangular and has a 3D, biomorphic form.
    Three gray objects rest on separate rectangular, white plinths in a gallery space with wooden flooring. Each of the objects is rectangular and has a 3D, biomorphic form.
    Matters of Sensation. Installation view, Artists Space, 2008. Photo: Adam Reich. [Three gray objects rest on separate rectangular, white plinths in a gallery space with wooden flooring. Each of the objects is rectangular and has a 3D, biomorphic form.]
    Caption Matters of Sensation. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description Three gray objects rest on separate rectangular, white plinths in a gallery space with wooden flooring. Each of the objects is rectangular and has a 3D, biomorphic form.
    Year 2008
    Related pages Matters of Sensation
  • A photograph of a low-ceilinged gallery space. On the right, drawings on black paper are arranged in grids and arches on the wall. On the left, electrical equiment sits on top of a pedestal.
    A photograph of a low-ceilinged gallery space. On the right, drawings on black paper are arranged in grids and arches on the wall. On the left, electrical equiment sits on top of a pedestal.
    Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph of a low-ceilinged gallery space. On the right, drawings on black paper are arranged in grids and arches on the wall. On the left, electrical equiment sits on top of a pedestal.]
    Caption Selections from the Artists File. Installation view, Artists Space, 1989.
    Image description A photograph of a low-ceilinged gallery space. On the right, drawings on black paper are arranged in grids and arches on the wall. On the left, electrical equiment sits on top of a pedestal.
    Year 1989
    Related pages Selections from the Artist File
  • A large display case whose top and bottom portions are made of a shiny, black material. Held between these black components is a glass vitrine that displays several objects, including a flat surface covered with inky text that reads,
    A large display case whose top and bottom portions are made of a shiny, black material. Held between these black components is a glass vitrine that displays several objects, including a flat surface covered with inky text that reads,
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A large display case whose top and bottom portions are made of a shiny, black material. Held between these black components is a glass vitrine that displays several objects, including a flat surface covered with inky text that reads, "BC." Behind and to the right of the display case, a shiny, black cubic structure—nearly of ceiling height— is installed in the gallery.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description A large display case whose top and bottom portions are made of a shiny, black material. Held between these black components is a glass vitrine that displays several objects, including a flat surface covered with inky text that reads, "BC." Behind and to the right of the display case, a shiny, black cubic structure—nearly of ceiling height— is installed in the gallery.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • The image shows a quarter of a circle on a white background that is colored half-brown, half-blue with two black ovals of different sizes etched on top.
    The image shows a quarter of a circle on a white background that is colored half-brown, half-blue with two black ovals of different sizes etched on top.
    Robert Mangold, Untitled, 1995, Etching with aquatint, 24 x 30 inches (61 x 76.2 cm), Editions of 50, Signed & numbered. [The image shows a quarter of a circle on a white background that is colored half-brown, half-blue with two black ovals of different sizes etched on top.]
    Caption Robert Mangold, Untitled, 1995, Etching with aquatint, 24 x 30 inches (61 x 76.2 cm), Editions of 50, Signed & numbered.
    Image description The image shows a quarter of a circle on a white background that is colored half-brown, half-blue with two black ovals of different sizes etched on top.
    Year
    Related pages Editions
  • A crowd of people seated in a dark room, facing a screen. On screen, there is an image of a person wearing a striped shirt, holding a towel around their neck.
    A crowd of people seated in a dark room, facing a screen. On screen, there is an image of a person wearing a striped shirt, holding a towel around their neck.
    Peggy Ahwesh, Paranormal Intelligence (Part 2 of The Pittsburgh Trilogy), (1983). [A crowd of people seated in a dark room, facing a screen. On screen, there is an image of a person wearing a striped shirt, holding a towel around their neck.]
    Caption Peggy Ahwesh, Paranormal Intelligence (Part 2 of The Pittsburgh Trilogy), (1983).
    Image description A crowd of people seated in a dark room, facing a screen. On screen, there is an image of a person wearing a striped shirt, holding a towel around their neck.
    Year 2011
    Related pages Mark Morrisroe: Super 8
  • A black and white close of of a person, with slightly scraggly hair and amblyopia, looking into the camera.
    A black and white close of of a person, with slightly scraggly hair and amblyopia, looking into the camera.
    Union Gaucha Productions. Still from A Vida de Infra - Tunga, 1999. 16mm film (sound, black and white), 10 min 17 sec. Courtesy of Union Gaucha Productions. [A black and white close of of a person, with slightly scraggly hair and amblyopia, looking into the camera.]
    Caption Union Gaucha Productions. Still from A Vida de Infra - Tunga, 1999. 16mm film (sound, black and white), 10 min 17 sec. Courtesy of Union Gaucha Productions.
    Image description A black and white close of of a person, with slightly scraggly hair and amblyopia, looking into the camera.
    Year 1999
    Related pages Union Gaucha Productions
  • A figure looks into the viewfinder of a camera. In the background, an abstract image is projected onto a wall.
    A figure looks into the viewfinder of a camera. In the background, an abstract image is projected onto a wall.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A figure looks into the viewfinder of a camera. In the background, an abstract image is projected onto a wall.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A figure looks into the viewfinder of a camera. In the background, an abstract image is projected onto a wall.
    Year 2019
    Related pages Speaker Music: drape over another
  • Several small, model-like black sculptural forms displayed on low wooden supports in the center of a large gallery space with wooden flooring. A large wall decal featuring eye-like forms and swirling, dripping stripes of color covers the wall to the left of the sculptures. Additionally, several framed 2D works hang on the back gallery walls behind the displayed sculptures.
    Several small, model-like black sculptural forms displayed on low wooden supports in the center of a large gallery space with wooden flooring. A large wall decal featuring eye-like forms and swirling, dripping stripes of color covers the wall to the left of the sculptures. Additionally, several framed 2D works hang on the back gallery walls behind the displayed sculptures.
    Model Modernisms. Installation view, Artists Space, 2005. [Several small, model-like black sculptural forms displayed on low wooden supports in the center of a large gallery space with wooden flooring. A large wall decal featuring eye-like forms and swirling, dripping stripes of color covers the wall to the left of the sculptures. Additionally, several framed 2D works hang on the back gallery walls behind the displayed sculptures.]
    Caption Model Modernisms. Installation view, Artists Space, 2005.
    Image description Several small, model-like black sculptural forms displayed on low wooden supports in the center of a large gallery space with wooden flooring. A large wall decal featuring eye-like forms and swirling, dripping stripes of color covers the wall to the left of the sculptures. Additionally, several framed 2D works hang on the back gallery walls behind the displayed sculptures.
    Year 2005
    Related pages Model Modernisms
  • Two paintings hung on white walls meeting in a corner. The paintings are colorful, predominantly pink and red.
    Two paintings hung on white walls meeting in a corner. The paintings are colorful, predominantly pink and red.
    Salad Days. Installation view, Artists Space, 2004. [Two paintings hung on white walls meeting in a corner. The paintings are colorful, predominantly pink and red.]
    Caption Salad Days. Installation view, Artists Space, 2004.
    Image description Two paintings hung on white walls meeting in a corner. The paintings are colorful, predominantly pink and red.
    Year 2004
    Related pages Salad Days
  • An angled view of large blue painting hanging on a white wall in an exhibition space. To the right of the painting in the center of the room, a projector positioned on a small stand projects an image onto a screen that is also supported by a similar, small stand. The projected image depicts a side view of a man and woman sitting across a table.
    An angled view of large blue painting hanging on a white wall in an exhibition space. To the right of the painting in the center of the room, a projector positioned on a small stand projects an image onto a screen that is also supported by a similar, small stand. The projected image depicts a side view of a man and woman sitting across a table.
    Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [An angled view of large blue painting hanging on a white wall in an exhibition space. To the right of the painting in the center of the room, a projector positioned on a small stand projects an image onto a screen that is also supported by a similar, small stand. The projected image depicts a side view of a man and woman sitting across a table.]
    Caption Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description An angled view of large blue painting hanging on a white wall in an exhibition space. To the right of the painting in the center of the room, a projector positioned on a small stand projects an image onto a screen that is also supported by a similar, small stand. The projected image depicts a side view of a man and woman sitting across a table.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • Black text on a white background reads,
    Black text on a white background reads,
    Harvey Weiss statement, 1993. [Black text on a white background reads, "WAILING WALL / This work is an act of retribution, / an assault on indifference and denial, / a proclamation of loss, / for the dead and the living, / a wailing wall."]
    Caption Harvey Weiss statement, 1993.
    Image description Black text on a white background reads, "WAILING WALL / This work is an act of retribution, / an assault on indifference and denial, / a proclamation of loss, / for the dead and the living, / a wailing wall."
    Year 1993
    Related pages AIDS FORUM: Harvey Weiss
  • Flyer featuring three computer-generated shapes: a sphere, a curved plane, and a flat plane. Each of the shapes is black, covered in a white grid pattern, and features a warped image of a red triangle. The shapes sit on a blue and yellow gradient background. Red sans-serif text positioned at the top and bottom of the image reads, “artists space & / the segue series / present a / reading by / Dia Felix / and / Jeremy / Hoevenaar / saturday, may 16 / 5pm nyc time / zoom id: / 378 232 567 / be there or be non-euclidean.”
    Flyer featuring three computer-generated shapes: a sphere, a curved plane, and a flat plane. Each of the shapes is black, covered in a white grid pattern, and features a warped image of a red triangle. The shapes sit on a blue and yellow gradient background. Red sans-serif text positioned at the top and bottom of the image reads, “artists space & / the segue series / present a / reading by / Dia Felix / and / Jeremy / Hoevenaar / saturday, may 16 / 5pm nyc time / zoom id: / 378 232 567 / be there or be non-euclidean.”
    [Flyer featuring three computer-generated shapes: a sphere, a curved plane, and a flat plane. Each of the shapes is black, covered in a white grid pattern, and features a warped image of a red triangle. The shapes sit on a blue and yellow gradient background. Red sans-serif text positioned at the top and bottom of the image reads, “artists space & / the segue series / present a / reading by / Dia Felix / and / Jeremy / Hoevenaar / saturday, may 16 / 5pm nyc time / zoom id: / 378 232 567 / be there or be non-euclidean.”]
    Caption
    Image description Flyer featuring three computer-generated shapes: a sphere, a curved plane, and a flat plane. Each of the shapes is black, covered in a white grid pattern, and features a warped image of a red triangle. The shapes sit on a blue and yellow gradient background. Red sans-serif text positioned at the top and bottom of the image reads, “artists space & / the segue series / present a / reading by / Dia Felix / and / Jeremy / Hoevenaar / saturday, may 16 / 5pm nyc time / zoom id: / 378 232 567 / be there or be non-euclidean.”
    Year 2020
    Related pages Segue Reading Series: Dia Felix & Jeremy Hoevenaar
  • A seated group of four people cluster together in front of a white background.
    A seated group of four people cluster together in front of a white background.
    Retrovizija (Peter Vezjak), still from Laibach: Sympathy for the Devil, 1988. 5 minutes, 40 seconds. [A seated group of four people cluster together in front of a white background.]
    Caption Retrovizija (Peter Vezjak), still from Laibach: Sympathy for the Devil, 1988. 5 minutes, 40 seconds.
    Image description A seated group of four people cluster together in front of a white background.
    Year 1988
    Related pages Deconstruction, Quotation, & Subversion: Video from Yugoslavia
  • A person in a plaid shirt and jeans is seated with their hands in their lap in from of a plaid background, looking to the left of the camera.
    A person in a plaid shirt and jeans is seated with their hands in their lap in from of a plaid background, looking to the left of the camera.
    Stashu Kybartas, Danny, 1986. 20 minutes, 3/4", color. Film still. [A person in a plaid shirt and jeans is seated with their hands in their lap in from of a plaid background, looking to the left of the camera.]
    Caption Stashu Kybartas, Danny, 1986. 20 minutes, 3/4", color. Film still.
    Image description A person in a plaid shirt and jeans is seated with their hands in their lap in from of a plaid background, looking to the left of the camera.
    Year 1986
    Related pages Document and Dream
  • A blurry black-and-white photo of someone wearing a large white headdress holding several unidentifiable objects.
    A blurry black-and-white photo of someone wearing a large white headdress holding several unidentifiable objects.
    Joan Jonas. Organic Honey's Visual Telepathy, 1972 [A blurry black-and-white photo of someone wearing a large white headdress holding several unidentifiable objects.]
    Caption Joan Jonas. Organic Honey's Visual Telepathy, 1972
    Image description A blurry black-and-white photo of someone wearing a large white headdress holding several unidentifiable objects.
    Year 1972
    Related pages How to be a wo(man)
  • A large white wall with symmetric, geometric patterns drawn on it.
    A large white wall with symmetric, geometric patterns drawn on it.
    Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich. [A large white wall with symmetric, geometric patterns drawn on it.]
    Caption Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich.
    Image description A large white wall with symmetric, geometric patterns drawn on it.
    Year 2009
    Related pages Paper Exhibition
  • A man gazes up at a baby doll mid-flight, holding out his right hand towards it. A group of people gaze towards the doll, smiling.
    A man gazes up at a baby doll mid-flight, holding out his right hand towards it. A group of people gaze towards the doll, smiling.
    Ei Arakawa: WEWORK BABIES. Performance documentation, December 8, 2019, Artists Space. Photo © 2019 Paula Court. [A man gazes up at a baby doll mid-flight, holding out his right hand towards it. A group of people gaze towards the doll, smiling.]
    Caption Ei Arakawa: WEWORK BABIES. Performance documentation, December 8, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A man gazes up at a baby doll mid-flight, holding out his right hand towards it. A group of people gaze towards the doll, smiling.
    Year 2019
    Related pages Ei Arakawa: WEWORK BABIES (11 Cortlandt Alley)
  • Four images arranged horizontally. From left to right: solid gray-blue, a gray-blue toned image of a shoreline, a gray toned image of a shoreline, and a gray toned image of a shoreline with a subtle pink sunrise in the sky.
    Four images arranged horizontally. From left to right: solid gray-blue, a gray-blue toned image of a shoreline, a gray toned image of a shoreline, and a gray toned image of a shoreline with a subtle pink sunrise in the sky.
    Christa Blatchford, still from See Around, 2008. [Four images arranged horizontally. From left to right: solid gray-blue, a gray-blue toned image of a shoreline, a gray toned image of a shoreline, and a gray toned image of a shoreline with a subtle pink sunrise in the sky.]
    Caption Christa Blatchford, still from See Around, 2008.
    Image description Four images arranged horizontally. From left to right: solid gray-blue, a gray-blue toned image of a shoreline, a gray toned image of a shoreline, and a gray toned image of a shoreline with a subtle pink sunrise in the sky.
    Year 2008
    Related pages See Around
  • A color-blocked, red and grey, illustration of man's head with a blue hat turns toward the left of the frame.
    A color-blocked, red and grey, illustration of man's head with a blue hat turns toward the left of the frame.
    Konrad Lueg Mr. C & A, 1963 © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Daniela Steinfeld [A color-blocked, red and grey, illustration of man's head with a blue hat turns toward the left of the frame.]
    Caption Konrad Lueg Mr. C & A, 1963 © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Daniela Steinfeld
    Image description A color-blocked, red and grey, illustration of man's head with a blue hat turns toward the left of the frame.
    Year 1963
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • Two black monitors facing opposite directions sit on a large, rectangular wooden table. One screen is visible, showing an image of two hands holding a piece of white paper with typed text. In the background, a framed photograph is installed on a white gallery wall.
    Two black monitors facing opposite directions sit on a large, rectangular wooden table. One screen is visible, showing an image of two hands holding a piece of white paper with typed text. In the background, a framed photograph is installed on a white gallery wall.
    Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez. [Two black monitors facing opposite directions sit on a large, rectangular wooden table. One screen is visible, showing an image of two hands holding a piece of white paper with typed text. In the background, a framed photograph is installed on a white gallery wall.]
    Caption Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description Two black monitors facing opposite directions sit on a large, rectangular wooden table. One screen is visible, showing an image of two hands holding a piece of white paper with typed text. In the background, a framed photograph is installed on a white gallery wall.
    Year 2011
    Related pages Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979)
  • A small, tan bandage lying face-down on a white background.
    A small, tan bandage lying face-down on a white background.
    Allora & Calzadilla, Bandage, 2011, Painted cast white metal, 3 x 3/4 x 1/16 in / 7,6 x 2 x .16 cm, Signed certificate. [A small, tan bandage lying face-down on a white background.]
    Caption Allora & Calzadilla, Bandage, 2011, Painted cast white metal, 3 x 3/4 x 1/16 in / 7,6 x 2 x .16 cm, Signed certificate.
    Image description A small, tan bandage lying face-down on a white background.
    Year 2011
    Related pages Artists Space Annual Edition Portfolio 2012
  • A dim room with four benches in front of a large video projection screen. A still image of a woman suspended by rope is projected.
    A dim room with four benches in front of a large video projection screen. A still image of a woman suspended by rope is projected.
    Hito Steyerl, Lovely Andrea, 2007. Digital video with sound, 30 mins. Courtesy of the artist. [A dim room with four benches in front of a large video projection screen. A still image of a woman suspended by rope is projected.]
    Caption Hito Steyerl, Lovely Andrea, 2007. Digital video with sound, 30 mins. Courtesy of the artist.
    Image description A dim room with four benches in front of a large video projection screen. A still image of a woman suspended by rope is projected.
    Year 2015
    Related pages Hito Steyerl
  • A wooden ladder standing in the corner of a room with half-finished paintings on the wall. On the left wall, there is a colorful mural composed of swirls and circles. On the other wall, there is a sketch of a ballerina with dozens of black and white portraits of a woman's head with various words including
    A wooden ladder standing in the corner of a room with half-finished paintings on the wall. On the left wall, there is a colorful mural composed of swirls and circles. On the other wall, there is a sketch of a ballerina with dozens of black and white portraits of a woman's head with various words including
    Activated Walls. Installation view, Artists Space, 1993. [A wooden ladder standing in the corner of a room with half-finished paintings on the wall. On the left wall, there is a colorful mural composed of swirls and circles. On the other wall, there is a sketch of a ballerina with dozens of black and white portraits of a woman's head with various words including "CUNT" and "CUTIE."]
    Caption Activated Walls. Installation view, Artists Space, 1993.
    Image description A wooden ladder standing in the corner of a room with half-finished paintings on the wall. On the left wall, there is a colorful mural composed of swirls and circles. On the other wall, there is a sketch of a ballerina with dozens of black and white portraits of a woman's head with various words including "CUNT" and "CUTIE."
    Year 1993
    Related pages Activated Walls
  • An abstract, black and white geometric image.
    An abstract, black and white geometric image.
    Union Gaucha Produtions, still from Phantom Limb, 1998. Courtesy Union Gaucha Productions. [An abstract, black and white geometric image.]
    Caption Union Gaucha Produtions, still from Phantom Limb, 1998. Courtesy Union Gaucha Productions.
    Image description An abstract, black and white geometric image.
    Year 1998
    Related pages Phantom Limb with music performance by Lukas Ligeti
  • A black and white flyer displaying a large, square box. Positioned at the top edge of the interior of the box is large, sans-serif text that reads,
    A black and white flyer displaying a large, square box. Positioned at the top edge of the interior of the box is large, sans-serif text that reads,
    [A black and white flyer displaying a large, square box. Positioned at the top edge of the interior of the box is large, sans-serif text that reads, "SCOPE." Smaller black text above the box reads, "Number 5 / Voume 4 New York City / Artists Space / summer video festival / June 4 - July 17, 1998."]
    Caption
    Image description A black and white flyer displaying a large, square box. Positioned at the top edge of the interior of the box is large, sans-serif text that reads, "SCOPE." Smaller black text above the box reads, "Number 5 / Voume 4 New York City / Artists Space / summer video festival / June 4 - July 17, 1998."
    Year 1998
    Related pages SCOPE
  • Three metal cutouts of hands hold neon green cards displayed on a white wall. The hand on the rightmost side of the wall is holding up its middle finger.
    Three metal cutouts of hands hold neon green cards displayed on a white wall. The hand on the rightmost side of the wall is holding up its middle finger.
    The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [Three metal cutouts of hands hold neon green cards displayed on a white wall. The hand on the rightmost side of the wall is holding up its middle finger.]
    Caption The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich.
    Image description Three metal cutouts of hands hold neon green cards displayed on a white wall. The hand on the rightmost side of the wall is holding up its middle finger.
    Year 2014
    Related pages The Issues of Our Time
  • A darkened classroom, lit dimly with overhead orange lights. Three rows of chairs and desks face an image projected on a screen. The image is a blurred figure with a pale face enveloped in a black cape.
    A darkened classroom, lit dimly with overhead orange lights. Three rows of chairs and desks face an image projected on a screen. The image is a blurred figure with a pale face enveloped in a black cape.
    [A darkened classroom, lit dimly with overhead orange lights. Three rows of chairs and desks face an image projected on a screen. The image is a blurred figure with a pale face enveloped in a black cape.]
    Caption
    Image description A darkened classroom, lit dimly with overhead orange lights. Three rows of chairs and desks face an image projected on a screen. The image is a blurred figure with a pale face enveloped in a black cape.
    Year 2009
    Related pages Alexandre Singh
  • Several artworks installed in a gallery space with white walls. On a wall to the left of the image, three yellow toned paintings are installed at eye level. On a wall at the far center of the image, four black viewing boxes are installed on the wall in a diamond formation. On the gallery wall to the right, two painted portraits sit on the ground.
    Several artworks installed in a gallery space with white walls. On a wall to the left of the image, three yellow toned paintings are installed at eye level. On a wall at the far center of the image, four black viewing boxes are installed on the wall in a diamond formation. On the gallery wall to the right, two painted portraits sit on the ground.
    Whitney Museum of American Art Independent Study Program Studio Exhibition. Installation view, Artists Space, 2018. Photo: Stephen Sewell. [Several artworks installed in a gallery space with white walls. On a wall to the left of the image, three yellow toned paintings are installed at eye level. On a wall at the far center of the image, four black viewing boxes are installed on the wall in a diamond formation. On the gallery wall to the right, two painted portraits sit on the ground.]
    Caption Whitney Museum of American Art Independent Study Program Studio Exhibition. Installation view, Artists Space, 2018. Photo: Stephen Sewell.
    Image description Several artworks installed in a gallery space with white walls. On a wall to the left of the image, three yellow toned paintings are installed at eye level. On a wall at the far center of the image, four black viewing boxes are installed on the wall in a diamond formation. On the gallery wall to the right, two painted portraits sit on the ground.
    Year 2018
    Related pages Whitney Museum of American Art Independent Study Program Studio Exhibition
  • A white wall displaying exhibition text next to two, life size paper mache sculptures. Left is John F. Kennedy and right is gallerist Alfred Schmela. To the right is text thanking the Artists Space suppoters.
    A white wall displaying exhibition text next to two, life size paper mache sculptures. Left is John F. Kennedy and right is gallerist Alfred Schmela. To the right is text thanking the Artists Space suppoters.
    Living with Pop. A Reproduction of Capitalist Realism. Installation view, Artists Space, 2014. [A white wall displaying exhibition text next to two, life size paper mache sculptures. Left is John F. Kennedy and right is gallerist Alfred Schmela. To the right is text thanking the Artists Space suppoters.]
    Caption Living with Pop. A Reproduction of Capitalist Realism. Installation view, Artists Space, 2014.
    Image description A white wall displaying exhibition text next to two, life size paper mache sculptures. Left is John F. Kennedy and right is gallerist Alfred Schmela. To the right is text thanking the Artists Space suppoters.
    Year 2014
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A flyer for the event depicting a stylized green marshland. Light green and red text positioned at the top of the flyer reads,
    A flyer for the event depicting a stylized green marshland. Light green and red text positioned at the top of the flyer reads,
    [A flyer for the event depicting a stylized green marshland. Light green and red text positioned at the top of the flyer reads, "A CELEBRATION OF OUR STRUGGLES / THREE MONTHS COME TO A CLOSE / DECOLONIZE / THIS PLACE / DEC. 17TH AT 6PM / 55 WALKER]
    Caption
    Image description A flyer for the event depicting a stylized green marshland. Light green and red text positioned at the top of the flyer reads, "A CELEBRATION OF OUR STRUGGLES / THREE MONTHS COME TO A CLOSE / DECOLONIZE / THIS PLACE / DEC. 17TH AT 6PM / 55 WALKER
    Year 2016
    Related pages Decolonize This Party
  • Several black and white photographs and documents organized into a grid on a white surface.
    Several black and white photographs and documents organized into a grid on a white surface.
    Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Several black and white photographs and documents organized into a grid on a white surface.]
    Caption Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Several black and white photographs and documents organized into a grid on a white surface.
    Year 2013
    Related pages Documenting Cadere: 1972 - 1978
  • Eight large film stills are mounted on a wall, in two rows of four, leading into a dark hallway where a film projection is playing.
    Eight large film stills are mounted on a wall, in two rows of four, leading into a dark hallway where a film projection is playing.
    Laura Cottingham & The Anita Pallenberg Story. Installation view, Artists Space, 2017. Photo: Daniel Pérez. [Eight large film stills are mounted on a wall, in two rows of four, leading into a dark hallway where a film projection is playing.]
    Caption Laura Cottingham & The Anita Pallenberg Story. Installation view, Artists Space, 2017. Photo: Daniel Pérez.
    Image description Eight large film stills are mounted on a wall, in two rows of four, leading into a dark hallway where a film projection is playing.
    Year 2017
    Related pages Laura Cottingham & The Anita Pallenberg Story
  • Four red bean bags are arranged on a gallery floor around four small tv monitors, each facing a different direction. The monitors are installed on a low, square plinth.
    Four red bean bags are arranged on a gallery floor around four small tv monitors, each facing a different direction. The monitors are installed on a low, square plinth.
    In The Poem About Love You Don't Write The Word Love. Installation view, Artists Space, 2006. Photo: Bill Orcutt. [Four red bean bags are arranged on a gallery floor around four small tv monitors, each facing a different direction. The monitors are installed on a low, square plinth.]
    Caption In The Poem About Love You Don't Write The Word Love. Installation view, Artists Space, 2006. Photo: Bill Orcutt.
    Image description Four red bean bags are arranged on a gallery floor around four small tv monitors, each facing a different direction. The monitors are installed on a low, square plinth.
    Year 2006
    Related pages In The Poem About Love You Don't Write The Word Love
  • Two white walls meeting in a corner. The wall on the right has three large black and white photographs of people on winter streets with their small dogs. The wall on the left features a canvas covered in a red, green, and peach colored plaid pattern.
    Two white walls meeting in a corner. The wall on the right has three large black and white photographs of people on winter streets with their small dogs. The wall on the left features a canvas covered in a red, green, and peach colored plaid pattern.
    Flipside. Installation view, Artists Space, 2004. [Two white walls meeting in a corner. The wall on the right has three large black and white photographs of people on winter streets with their small dogs. The wall on the left features a canvas covered in a red, green, and peach colored plaid pattern.]
    Caption Flipside. Installation view, Artists Space, 2004.
    Image description Two white walls meeting in a corner. The wall on the right has three large black and white photographs of people on winter streets with their small dogs. The wall on the left features a canvas covered in a red, green, and peach colored plaid pattern.
    Year 2004
    Related pages Flipside
  • Two people in the middle of a conversation. The woman is wearing a red cardigan, a white collared shirt, and has short gray hair with square black glasses. The man is wearing a checked blue and white collared shirt and has gray facial hair and round black glasses.
    Two people in the middle of a conversation. The woman is wearing a red cardigan, a white collared shirt, and has short gray hair with square black glasses. The man is wearing a checked blue and white collared shirt and has gray facial hair and round black glasses.
    Still from video interview with Naomi and Stephen Antonakos, conducted by Dean Inkster and Sébastien Pluot, 2010. [Two people in the middle of a conversation. The woman is wearing a red cardigan, a white collared shirt, and has short gray hair with square black glasses. The man is wearing a checked blue and white collared shirt and has gray facial hair and round black glasses.]
    Caption Still from video interview with Naomi and Stephen Antonakos, conducted by Dean Inkster and Sébastien Pluot, 2010.
    Image description Two people in the middle of a conversation. The woman is wearing a red cardigan, a white collared shirt, and has short gray hair with square black glasses. The man is wearing a checked blue and white collared shirt and has gray facial hair and round black glasses.
    Year 2011
    Related pages Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979)
  • Three standing lights point to illuminate a white wall. Standing beside them facing the wall is a figure wearing a coat and a hat with her hands lightly clasped behind her back. Barely visible on the wall beside her are stenciled outlines of trees.
    Three standing lights point to illuminate a white wall. Standing beside them facing the wall is a figure wearing a coat and a hat with her hands lightly clasped behind her back. Barely visible on the wall beside her are stenciled outlines of trees.
    Beech Forest. Performance view, Artists Space, 2007. [Three standing lights point to illuminate a white wall. Standing beside them facing the wall is a figure wearing a coat and a hat with her hands lightly clasped behind her back. Barely visible on the wall beside her are stenciled outlines of trees.]
    Caption Beech Forest. Performance view, Artists Space, 2007.
    Image description Three standing lights point to illuminate a white wall. Standing beside them facing the wall is a figure wearing a coat and a hat with her hands lightly clasped behind her back. Barely visible on the wall beside her are stenciled outlines of trees.
    Year 2007
    Related pages When Time Becomes Form: Beech Forest
  • A gray television sits on a rectangular wooden board. There is a mass of wires next to it that snakes towards a pile of nearby photographs.
    A gray television sits on a rectangular wooden board. There is a mass of wires next to it that snakes towards a pile of nearby photographs.
    Replica of a Lost Original. Installation view, Artists Space, 2007. Photo: Bill Orcutt. [A gray television sits on a rectangular wooden board. There is a mass of wires next to it that snakes towards a pile of nearby photographs.]
    Caption Replica of a Lost Original. Installation view, Artists Space, 2007. Photo: Bill Orcutt.
    Image description A gray television sits on a rectangular wooden board. There is a mass of wires next to it that snakes towards a pile of nearby photographs.
    Year 2007
    Related pages Replica of a Lost Original
  • A man stands at a copy machine with the hood lifted and its light on. On a wall directly behind the copy machine, black fabric hangs from a small, horizontal pole to the right of the standing figure.
    A man stands at a copy machine with the hood lifted and its light on. On a wall directly behind the copy machine, black fabric hangs from a small, horizontal pole to the right of the standing figure.
    Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A man stands at a copy machine with the hood lifted and its light on. On a wall directly behind the copy machine, black fabric hangs from a small, horizontal pole to the right of the standing figure.]
    Caption Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A man stands at a copy machine with the hood lifted and its light on. On a wall directly behind the copy machine, black fabric hangs from a small, horizontal pole to the right of the standing figure.
    Year 2013
    Related pages Frozen Lakes
  • A hand is writing in German on a chalkboard with white chalk.
    A hand is writing in German on a chalkboard with white chalk.
    Still from The Empty Plan (2010). [A hand is writing in German on a chalkboard with white chalk.]
    Caption Still from The Empty Plan (2010).
    Image description A hand is writing in German on a chalkboard with white chalk.
    Year 2010
    Related pages The Empty Plan
  • An animated gif of a rotating, square painting installed in a white-walled gallery space. The painting depicts four superimposed nude bodies in various positions (standing, crouching, extending their arms) in an amorphous yet contained space. The painting framed in a black wooden frame with handles on each of its four sides. The animation depicts the painting spinning clockwise, such that at every angle the figures appear to stand in a different position, carrying out a new action.
    An animated gif of a rotating, square painting installed in a white-walled gallery space. The painting depicts four superimposed nude bodies in various positions (standing, crouching, extending their arms) in an amorphous yet contained space. The painting framed in a black wooden frame with handles on each of its four sides. The animation depicts the painting spinning clockwise, such that at every angle the figures appear to stand in a different position, carrying out a new action.
    [An animated gif of a rotating, square painting installed in a white-walled gallery space. The painting depicts four superimposed nude bodies in various positions (standing, crouching, extending their arms) in an amorphous yet contained space. The painting framed in a black wooden frame with handles on each of its four sides. The animation depicts the painting spinning clockwise, such that at every angle the figures appear to stand in a different position, carrying out a new action.]
    Caption
    Image description An animated gif of a rotating, square painting installed in a white-walled gallery space. The painting depicts four superimposed nude bodies in various positions (standing, crouching, extending their arms) in an amorphous yet contained space. The painting framed in a black wooden frame with handles on each of its four sides. The animation depicts the painting spinning clockwise, such that at every angle the figures appear to stand in a different position, carrying out a new action.
    Year 2020
    Related pages Jana Euler
  • A dimly lit, empty room filled with low chairs. A projection illuminates a dark wall opposite the chairs. The projection shows the interior of a vehicle, where a man wearing a keffiyeh sits in the front seat of the vehicle and leans over to the passenger seat.
    A dimly lit, empty room filled with low chairs. A projection illuminates a dark wall opposite the chairs. The projection shows the interior of a vehicle, where a man wearing a keffiyeh sits in the front seat of the vehicle and leans over to the passenger seat.
    Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A dimly lit, empty room filled with low chairs. A projection illuminates a dark wall opposite the chairs. The projection shows the interior of a vehicle, where a man wearing a keffiyeh sits in the front seat of the vehicle and leans over to the passenger seat.]
    Caption Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A dimly lit, empty room filled with low chairs. A projection illuminates a dark wall opposite the chairs. The projection shows the interior of a vehicle, where a man wearing a keffiyeh sits in the front seat of the vehicle and leans over to the passenger seat.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • Catalogue cover design featuring a black and white photograph of a series of animal skulls arranged on a back backdrop. The skulls vary in size and shape, and many have large, fang-like teeth. Small white text running along the cover's lower edge reads,
    Catalogue cover design featuring a black and white photograph of a series of animal skulls arranged on a back backdrop. The skulls vary in size and shape, and many have large, fang-like teeth. Small white text running along the cover's lower edge reads,
    [Catalogue cover design featuring a black and white photograph of a series of animal skulls arranged on a back backdrop. The skulls vary in size and shape, and many have large, fang-like teeth. Small white text running along the cover's lower edge reads, "reconstructions Jim Rittimann march 14 - may 4, 1991 Artists Space."]
    Caption
    Image description Catalogue cover design featuring a black and white photograph of a series of animal skulls arranged on a back backdrop. The skulls vary in size and shape, and many have large, fang-like teeth. Small white text running along the cover's lower edge reads, "reconstructions Jim Rittimann march 14 - may 4, 1991 Artists Space."
    Year 1991
    Related pages Reconstructions, assemblages
  • A black and white image of a girl sitting sideways on stone steps against a wall reading a book. Several more books are piled in front of her.
    A black and white image of a girl sitting sideways on stone steps against a wall reading a book. Several more books are piled in front of her.
    [A black and white image of a girl sitting sideways on stone steps against a wall reading a book. Several more books are piled in front of her.]
    Caption
    Image description A black and white image of a girl sitting sideways on stone steps against a wall reading a book. Several more books are piled in front of her.
    Year 2012
    Related pages Teenage
  • A digital greyscale rendering of a loose spiral made from flexible bricks.
    A digital greyscale rendering of a loose spiral made from flexible bricks.
    [A digital greyscale rendering of a loose spiral made from flexible bricks.]
    Caption
    Image description A digital greyscale rendering of a loose spiral made from flexible bricks.
    Year 2000
    Related pages Defective Brick Project
  • Two individuals seated in two wooden chairs while a third in between them holds a single headphone. They are seated in front of a TV monitor displaying Edward Snowden's image.
    Two individuals seated in two wooden chairs while a third in between them holds a single headphone. They are seated in front of a TV monitor displaying Edward Snowden's image.
    Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [Two individuals seated in two wooden chairs while a third in between them holds a single headphone. They are seated in front of a TV monitor displaying Edward Snowden's image.]
    Caption Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description Two individuals seated in two wooden chairs while a third in between them holds a single headphone. They are seated in front of a TV monitor displaying Edward Snowden's image.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • A woman is seated wearing a long, yellow dress with a full skirt. She has the front of the skirt held in her teeth, with her hands on her knees. There are some soap suds on her hands, near her mouth, and on the front of the skirt.
    A woman is seated wearing a long, yellow dress with a full skirt. She has the front of the skirt held in her teeth, with her hands on her knees. There are some soap suds on her hands, near her mouth, and on the front of the skirt.
    Yellow. Performance view, Artists Space, 2008. [A woman is seated wearing a long, yellow dress with a full skirt. She has the front of the skirt held in her teeth, with her hands on her knees. There are some soap suds on her hands, near her mouth, and on the front of the skirt.]
    Caption Yellow. Performance view, Artists Space, 2008.
    Image description A woman is seated wearing a long, yellow dress with a full skirt. She has the front of the skirt held in her teeth, with her hands on her knees. There are some soap suds on her hands, near her mouth, and on the front of the skirt.
    Year 2008
    Related pages When Time Becomes Form: Yellow
  • Amelia Bande sits on the floor next to a pile of stones and leans on a cement block while holding a white rock in her hand. She sings, “it brings landscapes where I am not.”
    Amelia Bande sits on the floor next to a pile of stones and leans on a cement block while holding a white rock in her hand. She sings, “it brings landscapes where I am not.”
    Amelia Bande. Stills from El estallido / The Outbreak, 2020. Recording of a live performance held over Zoom on August 7, 2020. Stage design and camera collaboration with Rachel Higgins. Courtesy the artist. [Amelia Bande sits on the floor next to a pile of stones and leans on a cement block while holding a white rock in her hand. She sings, “it brings landscapes where I am not.”]
    Caption Amelia Bande. Stills from El estallido / The Outbreak, 2020. Recording of a live performance held over Zoom on August 7, 2020. Stage design and camera collaboration with Rachel Higgins. Courtesy the artist.
    Image description Amelia Bande sits on the floor next to a pile of stones and leans on a cement block while holding a white rock in her hand. She sings, “it brings landscapes where I am not.”
    Year 2020
    Related pages Whitney ISP Archive
  • A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of the Hamdan vs. Rumsfield Supreme Court Case.
    A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of the Hamdan vs. Rumsfield Supreme Court Case.
    Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of the Hamdan vs. Rumsfield Supreme Court Case.]
    Caption Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of the Hamdan vs. Rumsfield Supreme Court Case.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • A red background with white text which reads:
    A red background with white text which reads:
    [A red background with white text which reads: "WE ARE NOT TOOLS FOR WHITE-WASHING OCCUPATION", followed by the Decolonize This Place Logo.]
    Caption
    Image description A red background with white text which reads: "WE ARE NOT TOOLS FOR WHITE-WASHING OCCUPATION", followed by the Decolonize This Place Logo.
    Year 2016
    Related pages Decolonize This Place
  • In a dimly lit room with light wood flooring and white pillars, three illuminated panels are suspended from the ceiling in the distance. The panels each display a single word—
    In a dimly lit room with light wood flooring and white pillars, three illuminated panels are suspended from the ceiling in the distance. The panels each display a single word—
    "Identity". Installation View, Artists Space, 2011. Photo: Daniel Pérez. [In a dimly lit room with light wood flooring and white pillars, three illuminated panels are suspended from the ceiling in the distance. The panels each display a single word—"tri", "angu", and "late"—in a cursive font.]
    Caption "Identity". Installation View, Artists Space, 2011. Photo: Daniel Pérez.
    Image description In a dimly lit room with light wood flooring and white pillars, three illuminated panels are suspended from the ceiling in the distance. The panels each display a single word—"tri", "angu", and "late"—in a cursive font.
    Year 2011
    Related pages Dexter Sinister: "Identity"
  • A black and white scan of an invoice from Corcraft Products issued to Artists Space at 38 Greene Street. The customer number reads
    A black and white scan of an invoice from Corcraft Products issued to Artists Space at 38 Greene Street. The customer number reads
    [A black and white scan of an invoice from Corcraft Products issued to Artists Space at 38 Greene Street. The customer number reads "9102000". The invoice details a net purchase of $603.10]
    Caption
    Image description A black and white scan of an invoice from Corcraft Products issued to Artists Space at 38 Greene Street. The customer number reads "9102000". The invoice details a net purchase of $603.10
    Year 2015
    Related pages Cameron Rowland: 91020000
  • A hardcover book depicting a blueish outdoor park obscured by several grey sheets.
    A hardcover book depicting a blueish outdoor park obscured by several grey sheets.
    Martin Beck, An Organized System of Instructions (Carpenter Center for the Visual Arts and Sternberg Press, 2017). [A hardcover book depicting a blueish outdoor park obscured by several grey sheets.]
    Caption Martin Beck, An Organized System of Instructions (Carpenter Center for the Visual Arts and Sternberg Press, 2017).
    Image description A hardcover book depicting a blueish outdoor park obscured by several grey sheets.
    Year 2017
    Related pages An Organized System of Instructions
  • Stacks of labeled VHS tapes of varying heights arranged against a white wall.
    Stacks of labeled VHS tapes of varying heights arranged against a white wall.
    Sharon Hayes, Symbionese Liberation Army (SLA), 2002. [Stacks of labeled VHS tapes of varying heights arranged against a white wall.]
    Caption Sharon Hayes, Symbionese Liberation Army (SLA), 2002.
    Image description Stacks of labeled VHS tapes of varying heights arranged against a white wall.
    Year 2006
    Related pages In The Poem About Love You Don't Write The Word Love
  • A large gallery space with white walls and wooden flooring. The length of a long gallery wall has been painted with amorphous areas of turquoise, yellow, red, and green color amidst vaguely cloud-like white shapes. Several rectangular canvases decorated with similar designs lean against the wall. A large blue shape resembling a bridge stretches across the wall design.
    A large gallery space with white walls and wooden flooring. The length of a long gallery wall has been painted with amorphous areas of turquoise, yellow, red, and green color amidst vaguely cloud-like white shapes. Several rectangular canvases decorated with similar designs lean against the wall. A large blue shape resembling a bridge stretches across the wall design.
    Abstruction. Installation view, Artists Space, 2003. [A large gallery space with white walls and wooden flooring. The length of a long gallery wall has been painted with amorphous areas of turquoise, yellow, red, and green color amidst vaguely cloud-like white shapes. Several rectangular canvases decorated with similar designs lean against the wall. A large blue shape resembling a bridge stretches across the wall design.]
    Caption Abstruction. Installation view, Artists Space, 2003.
    Image description A large gallery space with white walls and wooden flooring. The length of a long gallery wall has been painted with amorphous areas of turquoise, yellow, red, and green color amidst vaguely cloud-like white shapes. Several rectangular canvases decorated with similar designs lean against the wall. A large blue shape resembling a bridge stretches across the wall design.
    Year 2003
    Related pages Abstruction
  • Caption
    Image description
    Year
    Related pages Welcome
  • A photograph of two walls of a gallery space. On one, photographs hang in an uneven row. On the other, two sculptures protrude from the wall.
    A photograph of two walls of a gallery space. On one, photographs hang in an uneven row. On the other, two sculptures protrude from the wall.
    Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph of two walls of a gallery space. On one, photographs hang in an uneven row. On the other, two sculptures protrude from the wall.]
    Caption Selections from the Artists File. Installation view, Artists Space, 1989.
    Image description A photograph of two walls of a gallery space. On one, photographs hang in an uneven row. On the other, two sculptures protrude from the wall.
    Year 1989
    Related pages Selections from the Artist File
  • An animation of a black and white clock whose hands move backwards. The clock is positioned on a silhouette of a head in profile. Sans-serif text below the graphic reads,
    An animation of a black and white clock whose hands move backwards. The clock is positioned on a silhouette of a head in profile. Sans-serif text below the graphic reads,
    [An animation of a black and white clock whose hands move backwards. The clock is positioned on a silhouette of a head in profile. Sans-serif text below the graphic reads, "The Fainnie Azul Horologe."]
    Caption
    Image description An animation of a black and white clock whose hands move backwards. The clock is positioned on a silhouette of a head in profile. Sans-serif text below the graphic reads, "The Fainnie Azul Horologe."
    Year 2014
    Related pages HOROLOGICS
  • A figure, silhouetted by the sun, pushes a bike with a wooden contraption anchored across its handlebars, upon which various obscured objects hang. The figure is situated on a dirt road next to a body of water, which stretches out behind them in the distance. Urban buildings are visible in the far distance.
    A figure, silhouetted by the sun, pushes a bike with a wooden contraption anchored across its handlebars, upon which various obscured objects hang. The figure is situated on a dirt road next to a body of water, which stretches out behind them in the distance. Urban buildings are visible in the far distance.
    [A figure, silhouetted by the sun, pushes a bike with a wooden contraption anchored across its handlebars, upon which various obscured objects hang. The figure is situated on a dirt road next to a body of water, which stretches out behind them in the distance. Urban buildings are visible in the far distance.]
    Caption
    Image description A figure, silhouetted by the sun, pushes a bike with a wooden contraption anchored across its handlebars, upon which various obscured objects hang. The figure is situated on a dirt road next to a body of water, which stretches out behind them in the distance. Urban buildings are visible in the far distance.
    Year 2007
    Related pages Program 6 - In The Poem About Love You Don't Write The Word Love Film Series at Anthology Film Archives
  • Three paper bags photographed at an angle sit on pedestals. Closest to the camera, the bag has been painted with white and blue foliage, and collaged with a drawing of Africa. The two, farther bags portray drawn portraits of men.
    Three paper bags photographed at an angle sit on pedestals. Closest to the camera, the bag has been painted with white and blue foliage, and collaged with a drawing of Africa. The two, farther bags portray drawn portraits of men.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Three paper bags photographed at an angle sit on pedestals. Closest to the camera, the bag has been painted with white and blue foliage, and collaged with a drawing of Africa. The two, farther bags portray drawn portraits of men.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description Three paper bags photographed at an angle sit on pedestals. Closest to the camera, the bag has been painted with white and blue foliage, and collaged with a drawing of Africa. The two, farther bags portray drawn portraits of men.
    Year 2018
    Related pages Unholding
  • Several parallel dividers constructed from metal fencing positioned between black metal frames are arranged in an exhibition space. Colorful textiles and t-shirts are displayed on the fencing.
    Several parallel dividers constructed from metal fencing positioned between black metal frames are arranged in an exhibition space. Colorful textiles and t-shirts are displayed on the fencing.
    Frozen Lakes. Installation view, Artists Space, 2013. Photo: Meinke Klein. [Several parallel dividers constructed from metal fencing positioned between black metal frames are arranged in an exhibition space. Colorful textiles and t-shirts are displayed on the fencing.]
    Caption Frozen Lakes. Installation view, Artists Space, 2013. Photo: Meinke Klein.
    Image description Several parallel dividers constructed from metal fencing positioned between black metal frames are arranged in an exhibition space. Colorful textiles and t-shirts are displayed on the fencing.
    Year 2013
    Related pages Frozen Lakes
  • A black-and-white image of a man, a white bar with text, that reads
    A black-and-white image of a man, a white bar with text, that reads
    Jean-Michel Wicker. wee willy wanted (la rivoluzione siamo me), 2013 [A black-and-white image of a man, a white bar with text, that reads "WANTED," covers his face. Below, a white bar with text that reads, "wee willy."]
    Caption Jean-Michel Wicker. wee willy wanted (la rivoluzione siamo me), 2013
    Image description A black-and-white image of a man, a white bar with text, that reads "WANTED," covers his face. Below, a white bar with text that reads, "wee willy."
    Year 2013
    Related pages Pride Goes Before a Fall
  • A close up black and white image of a slide projection with two figures.
    A close up black and white image of a slide projection with two figures.
    Daniel Tilsdale. Still from Contacts, Ponytails, Noses and Bleach, 1988. Graphite on Xerox (presented in slide format). [A close up black and white image of a slide projection with two figures.]
    Caption Daniel Tilsdale. Still from Contacts, Ponytails, Noses and Bleach, 1988. Graphite on Xerox (presented in slide format).
    Image description A close up black and white image of a slide projection with two figures.
    Year 1988
    Related pages Too Black, Too Strong!
  • An image of a shoreline is projected on a trifold screen.
    An image of a shoreline is projected on a trifold screen.
    See Around. Installation view, Artists Space, 2008. Photo: Adam Reich. [An image of a shoreline is projected on a trifold screen.]
    Caption See Around. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description An image of a shoreline is projected on a trifold screen.
    Year 2008
    Related pages See Around
  • Two red and blue spidery forms interlace, floating in the center of the page atop a blank sheet of staff paper.
    Two red and blue spidery forms interlace, floating in the center of the page atop a blank sheet of staff paper.
    Louise Bourgeois Jitterbug, 1998 Lithograph, 18 x 24 in / 46 x 61 cm, Signed & Numbered. [Two red and blue spidery forms interlace, floating in the center of the page atop a blank sheet of staff paper.]
    Caption Louise Bourgeois Jitterbug, 1998 Lithograph, 18 x 24 in / 46 x 61 cm, Signed & Numbered.
    Image description Two red and blue spidery forms interlace, floating in the center of the page atop a blank sheet of staff paper.
    Year 1998
    Related pages Editions
  • A white, graphic shirt sits on a piles of items next to nested wicker baskets in front of a wooden wall. On top of the baskets is a sign that reads,
    A white, graphic shirt sits on a piles of items next to nested wicker baskets in front of a wooden wall. On top of the baskets is a sign that reads,
    [A white, graphic shirt sits on a piles of items next to nested wicker baskets in front of a wooden wall. On top of the baskets is a sign that reads, "freedom club."]
    Caption
    Image description A white, graphic shirt sits on a piles of items next to nested wicker baskets in front of a wooden wall. On top of the baskets is a sign that reads, "freedom club."
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
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