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  • A city-scape is positioned upside down, the point of the skyscraper reaching towards the bottom of the image. Googley eyes, eyebrows, and a mouth are drawn near the top of the building. Red serif font across the top of the image reads
    A city-scape is positioned upside down, the point of the skyscraper reaching towards the bottom of the image. Googley eyes, eyebrows, and a mouth are drawn near the top of the building. Red serif font across the top of the image reads
    [A city-scape is positioned upside down, the point of the skyscraper reaching towards the bottom of the image. Googley eyes, eyebrows, and a mouth are drawn near the top of the building. Red serif font across the top of the image reads "The New Red Times Magazine." White serif font in the bottom left corner reads "TIRED OF LIVING ON STOLEN LAND?" Below, red serif font reads "GIVE IT BACK."]
    Caption
    Image description A city-scape is positioned upside down, the point of the skyscraper reaching towards the bottom of the image. Googley eyes, eyebrows, and a mouth are drawn near the top of the building. Red serif font across the top of the image reads "The New Red Times Magazine." White serif font in the bottom left corner reads "TIRED OF LIVING ON STOLEN LAND?" Below, red serif font reads "GIVE IT BACK."
    Year 2021
    Related pages New Red Order: Feel at Home Here
  • A circular print of a painting hangs on a lavender wall. The painting depicts two white women wearing dresses with crinoline hoop skirts that appear to be from the antebellum period before the US Civil War, surrounded by a pink mat and a gold frame. It hangs over a coffee maker and next to a vacuum cleaner and a wood armoire. Bed pillows, positioned in the foreground, are lightly reflected in the glass of the print’s frame.
    Caption A circular print of a painting hangs on a lavender wall. The painting depicts two white women wearing dresses with crinoline hoop skirts that appear to be from the antebellum period before the US Civil War, surrounded by a pink mat and a gold frame. It hangs over a coffee maker and next to a vacuum cleaner and a wood armoire. Bed pillows, positioned in the foreground, are lightly reflected in the glass of the print’s frame.
    Image description
    Year 2021
    Related pages Jordan Lord: Prophetic Memory
  • [A flatscreen television hangs on a lavender wall. Playing on the television is a news desk in a tv studio that reads in pixelated text,
    [A flatscreen television hangs on a lavender wall. Playing on the television is a news desk in a tv studio that reads in pixelated text,
    [[A flatscreen television hangs on a lavender wall. Playing on the television is a news desk in a tv studio that reads in pixelated text, "Retire Right Television." On the bottom of the tv screen is a blurry reflection of a white person who is gesticulating with their hands. Beneath the television, a bottle of hand sanitizer, an analog clock, a cable box, and a DVD player rest on a dresser, next to a white door showing its locks and handle.]
    Caption
    Image description [A flatscreen television hangs on a lavender wall. Playing on the television is a news desk in a tv studio that reads in pixelated text, "Retire Right Television." On the bottom of the tv screen is a blurry reflection of a white person who is gesticulating with their hands. Beneath the television, a bottle of hand sanitizer, an analog clock, a cable box, and a DVD player rest on a dresser, next to a white door showing its locks and handle.
    Year 2021
    Related pages Jordan Lord: Prophetic Memory
  • A photograph of a paper clip wrapped in twine, bobby pins wrapped in linen, and wrapped wires, lined up in a row.
    A photograph of a paper clip wrapped in twine, bobby pins wrapped in linen, and wrapped wires, lined up in a row.
    Donald Lipski, work unknown. Artists Space, 1978. [A photograph of a paper clip wrapped in twine, bobby pins wrapped in linen, and wrapped wires, lined up in a row.]
    Caption Donald Lipski, work unknown. Artists Space, 1978.
    Image description A photograph of a paper clip wrapped in twine, bobby pins wrapped in linen, and wrapped wires, lined up in a row.
    Year 1978
    Related pages Gathering Dust Donald Lipski
  • Over a light blue and white background, the word
    Over a light blue and white background, the word
    Flyer for Segue Reading Series featuring Stacy Szymaszek and Charles Theonia. Saturday, October 16, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel [Over a light blue and white background, the word "Segue" is written in bright pink script in the top left corner. The names "Stacy Szymaszek" and "Charles Theonia" are written in black capitalized text on the left, and again in fuschia lettering on the right.]
    Caption Flyer for Segue Reading Series featuring Stacy Szymaszek and Charles Theonia. Saturday, October 16, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel
    Image description Over a light blue and white background, the word "Segue" is written in bright pink script in the top left corner. The names "Stacy Szymaszek" and "Charles Theonia" are written in black capitalized text on the left, and again in fuschia lettering on the right.
    Year 2021
    Related pages Segue Reading Series: Charles Theonia & Stacy Szymaszek
  • A photograph of a person standing at the corner of a rooftop looking towards the camera. They are surrounded by a light fog, which partially obscures the glow of purple lights and yellow windows of a building behind the figure.
    A photograph of a person standing at the corner of a rooftop looking towards the camera. They are surrounded by a light fog, which partially obscures the glow of purple lights and yellow windows of a building behind the figure.
    Serena Booth, On The Edge, digital photograph, 2021 [A photograph of a person standing at the corner of a rooftop looking towards the camera. They are surrounded by a light fog, which partially obscures the glow of purple lights and yellow windows of a building behind the figure.]
    Caption Serena Booth, On The Edge, digital photograph, 2021
    Image description A photograph of a person standing at the corner of a rooftop looking towards the camera. They are surrounded by a light fog, which partially obscures the glow of purple lights and yellow windows of a building behind the figure.
    Year 2021
    Related pages Scholastic Art and Writing Awards
  • A series of black and white/light grey horizontal bars on a white background.
    A series of black and white/light grey horizontal bars on a white background.
    Wall Pieces, Alain Middleton. Postcard, Artists Space, 1978. [A series of black and white/light grey horizontal bars on a white background.]
    Caption Wall Pieces, Alain Middleton. Postcard, Artists Space, 1978.
    Image description A series of black and white/light grey horizontal bars on a white background.
    Year 1978
    Related pages Wall Pieces, Alain Middleton
  • An installation view of a green and tan wooden dining corral with a ramp and a metal barricade.
    An installation view of a green and tan wooden dining corral with a ramp and a metal barricade.
    Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [An installation view of a green and tan wooden dining corral with a ramp and a metal barricade.]
    Caption Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description An installation view of a green and tan wooden dining corral with a ramp and a metal barricade.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • Six sticky notes with black text on a white background. From the top left corner:
    Six sticky notes with black text on a white background. From the top left corner:
    “We want” Jamboard prompt for 8th grade students, 2021 [Six sticky notes with black text on a white background. From the top left corner: "We want our voices to be heard, our pleads to be answered, our rights to be fully secured." is written on a yellow sticky note; "we want to be free" is written on a yellow sticky note; "we want to make this earth better," is written on a pink sticky note; "We want the earth to be clean," is written on a yellow sticky note; "we want everyone to be treated the same," is written on a blue sticky note; and "We want to relax," is written on a green sticky note. ]
    Caption “We want” Jamboard prompt for 8th grade students, 2021
    Image description Six sticky notes with black text on a white background. From the top left corner: "We want our voices to be heard, our pleads to be answered, our rights to be fully secured." is written on a yellow sticky note; "we want to be free" is written on a yellow sticky note; "we want to make this earth better," is written on a pink sticky note; "We want the earth to be clean," is written on a yellow sticky note; "we want everyone to be treated the same," is written on a blue sticky note; and "We want to relax," is written on a green sticky note.
    Year 2021
    Related pages Art and Literacy: Poetry
  • A photograph of  a person with a black hoodie and silver chains sitting on a bench. Their face is hidden by a a swath of white. A band of black borders an image of brick which covers their feet.
    A photograph of  a person with a black hoodie and silver chains sitting on a bench. Their face is hidden by a a swath of white. A band of black borders an image of brick which covers their feet.
    Zach Barcelona, Fake News, digital photograph, 2020 [A photograph of a person with a black hoodie and silver chains sitting on a bench. Their face is hidden by a a swath of white. A band of black borders an image of brick which covers their feet. ]
    Caption Zach Barcelona, Fake News, digital photograph, 2020
    Image description A photograph of a person with a black hoodie and silver chains sitting on a bench. Their face is hidden by a a swath of white. A band of black borders an image of brick which covers their feet.
    Year 2020
    Related pages Scholastic Art and Writing Awards
  • An image is projected onto a white wall. In the image, a figure's chin and upper chest are visible as they hold a round object in their hand, close to their chin.
    An image is projected onto a white wall. In the image, a figure's chin and upper chest are visible as they hold a round object in their hand, close to their chin.
    Krzysztof Wodiczko: Guidelines. Installation View, Artists Space, 1978. [An image is projected onto a white wall. In the image, a figure's chin and upper chest are visible as they hold a round object in their hand, close to their chin.]
    Caption Krzysztof Wodiczko: Guidelines. Installation View, Artists Space, 1978.
    Image description An image is projected onto a white wall. In the image, a figure's chin and upper chest are visible as they hold a round object in their hand, close to their chin.
    Year 1978
    Related pages Guidelines Krzysztof Wodiczko
  • A paper clip is half-wrapped in twine on a white background.
    A paper clip is half-wrapped in twine on a white background.
    Donald Lipski: Gathering Dust. Postcard, Artists Space, 1978. [A paper clip is half-wrapped in twine on a white background.]
    Caption Donald Lipski: Gathering Dust. Postcard, Artists Space, 1978.
    Image description A paper clip is half-wrapped in twine on a white background.
    Year 1978
    Related pages Gathering Dust Donald Lipski
  • An installation view of a green and tan wooden dining corral with a ramp, metal tables, and wooden chairs.
    An installation view of a green and tan wooden dining corral with a ramp, metal tables, and wooden chairs.
    Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [An installation view of a green and tan wooden dining corral with a ramp, metal tables, and wooden chairs. ]
    Caption Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description An installation view of a green and tan wooden dining corral with a ramp, metal tables, and wooden chairs.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978. [A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.]
    Caption Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978.
    Image description A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    Year 1978
    Related pages Gathering Dust Donald Lipski
  • Black and white photograph of a performance. In the foreground, a blurred barefoot person in a suit swiftly raises their arms and right leg, curving in a halfmoon shape. In the background a drummer sitting at a drumset is visible.
    Black and white photograph of a performance. In the foreground, a blurred barefoot person in a suit swiftly raises their arms and right leg, curving in a halfmoon shape. In the background a drummer sitting at a drumset is visible.
    Aki Onda, Milford Graves and Min Tanaka, 1985. Courtesy of Aki Onda. [Black and white photograph of a performance. In the foreground, a blurred barefoot person in a suit swiftly raises their arms and right leg, curving in a halfmoon shape. In the background a drummer sitting at a drumset is visible.]
    Caption Aki Onda, Milford Graves and Min Tanaka, 1985. Courtesy of Aki Onda.
    Image description Black and white photograph of a performance. In the foreground, a blurred barefoot person in a suit swiftly raises their arms and right leg, curving in a halfmoon shape. In the background a drummer sitting at a drumset is visible.
    Year 2022
    Related pages Min Tanaka
  • A white drawing on a black background showing a sculpture of a man on a horse on top of a pedestal.
    A white drawing on a black background showing a sculpture of a man on a horse on top of a pedestal.
    William Leavitt: Installation and Drawings. Drawing by William Leavitt, Artists Space, 1979. [A white drawing on a black background showing a sculpture of a man on a horse on top of a pedestal.]
    Caption William Leavitt: Installation and Drawings. Drawing by William Leavitt, Artists Space, 1979.
    Image description A white drawing on a black background showing a sculpture of a man on a horse on top of a pedestal.
    Year 1979
    Related pages William Leavitt, Installation and Drawings
  • An image is projected onto a white wall.
    An image is projected onto a white wall.
    Krzysztof Wodiczko: Guidelines. Installation View, Artists Space, 1978. [An image is projected onto a white wall.]
    Caption Krzysztof Wodiczko: Guidelines. Installation View, Artists Space, 1978.
    Image description An image is projected onto a white wall.
    Year 1978
    Related pages Guidelines Krzysztof Wodiczko
  • A green and tan wooden dining corral with a ramp and a metal barricade. People sit and stand in and around the corral.
    A green and tan wooden dining corral with a ramp and a metal barricade. People sit and stand in and around the corral.
    Ei Arakawa: Social Muscle Rehab. Performance documentation, October 10, 2021, Artists Space. Photo: Ei Arakawa. [A green and tan wooden dining corral with a ramp and a metal barricade. People sit and stand in and around the corral.]
    Caption Ei Arakawa: Social Muscle Rehab. Performance documentation, October 10, 2021, Artists Space. Photo: Ei Arakawa.
    Image description A green and tan wooden dining corral with a ramp and a metal barricade. People sit and stand in and around the corral.
    Year 2021
    Related pages Ei Arakawa: Performance People Book Release & Artist’s Reception at Social Muscle Rehab
  • Three people holding tennis rackets squat against a grey graffitied metal door in an alleyway, pressing their backs against green tennis balls.
    Three people holding tennis rackets squat against a grey graffitied metal door in an alleyway, pressing their backs against green tennis balls.
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [Three people holding tennis rackets squat against a grey graffitied metal door in an alleyway, pressing their backs against green tennis balls.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description Three people holding tennis rackets squat against a grey graffitied metal door in an alleyway, pressing their backs against green tennis balls.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab (outdoor performance)
  • A group of eight people holding tennis rackets stand and crouch in an alleyway. On signs suspended above them, the words
    A group of eight people holding tennis rackets stand and crouch in an alleyway. On signs suspended above them, the words
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [A group of eight people holding tennis rackets stand and crouch in an alleyway. On signs suspended above them, the words "Social Muscle Rehab" are painted in white capitalized text over black and green backgrounds.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description A group of eight people holding tennis rackets stand and crouch in an alleyway. On signs suspended above them, the words "Social Muscle Rehab" are painted in white capitalized text over black and green backgrounds.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978. [A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.]
    Caption Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978.
    Image description A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    Year 1978
    Related pages Gathering Dust Donald Lipski
  • Photographs hanging on a wall above a photograph on a wall shelf.
    Photographs hanging on a wall above a photograph on a wall shelf.
    Silvia Kolbowski. Installation view, Artists Space, 1980. [Photographs hanging on a wall above a photograph on a wall shelf.]
    Caption Silvia Kolbowski. Installation view, Artists Space, 1980.
    Image description Photographs hanging on a wall above a photograph on a wall shelf.
    Year
    Related pages Silvia Kolbowski
  • A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978. [A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.]
    Caption Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978.
    Image description A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    Year 1978
    Related pages Gathering Dust Donald Lipski
  • Installation view of a gallery space with a green and tan wooden dining corral with a metal barricade. In the background are four grey concrete columns. Between the gaps of the columns a net and two signs which read
    Installation view of a gallery space with a green and tan wooden dining corral with a metal barricade. In the background are four grey concrete columns. Between the gaps of the columns a net and two signs which read
    Ei Arakawa with Gela Patashuri, Social Muscle Rehab. Installation view, Artists Space, 2021. Image courtesy Artists Space. Photo: Filip Wolak. [Installation view of a gallery space with a green and tan wooden dining corral with a metal barricade. In the background are four grey concrete columns. Between the gaps of the columns a net and two signs which read "Social" and "Rehab" are visible.]
    Caption Ei Arakawa with Gela Patashuri, Social Muscle Rehab. Installation view, Artists Space, 2021. Image courtesy Artists Space. Photo: Filip Wolak.
    Image description Installation view of a gallery space with a green and tan wooden dining corral with a metal barricade. In the background are four grey concrete columns. Between the gaps of the columns a net and two signs which read "Social" and "Rehab" are visible.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • Installation view of a video work. A television monitor is attached to the wall, flanked by two speakers on narrow stands. In front of the monitor are two black chairs with silver metal legs.
    Installation view of a video work. A television monitor is attached to the wall, flanked by two speakers on narrow stands. In front of the monitor are two black chairs with silver metal legs.
    Jordan Lord, Expressions, in collaboration with Annette Carter, 2021. HD video, 36 min, looped. Exhibition design, images and annotated descriptions, projection. Image courtesy Artists Space. Photo: Filip Wolak. [Installation view of a video work. A television monitor is attached to the wall, flanked by two speakers on narrow stands. In front of the monitor are two black chairs with silver metal legs.]
    Caption Jordan Lord, Expressions, in collaboration with Annette Carter, 2021. HD video, 36 min, looped. Exhibition design, images and annotated descriptions, projection. Image courtesy Artists Space. Photo: Filip Wolak.
    Image description Installation view of a video work. A television monitor is attached to the wall, flanked by two speakers on narrow stands. In front of the monitor are two black chairs with silver metal legs.
    Year 2021
    Related pages Jordan Lord: Prophetic Memory
  • Nine books next to a stack of papers on a sunlit windowsill. The leftmost book with a red spine reads
    Nine books next to a stack of papers on a sunlit windowsill. The leftmost book with a red spine reads
    Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak. [Nine books next to a stack of papers on a sunlit windowsill. The leftmost book with a red spine reads "Critical Race Theory" in white capitalized text. In the background, the blurred front of a delivery truck is visible through the window.]
    Caption Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak.
    Image description Nine books next to a stack of papers on a sunlit windowsill. The leftmost book with a red spine reads "Critical Race Theory" in white capitalized text. In the background, the blurred front of a delivery truck is visible through the window.
    Year 2021
    Related pages Jordan Lord: Prophetic Memory
  • Photograph of a pink and yellow abstract collage with drawings in black ink and pecil. The words
    Photograph of a pink and yellow abstract collage with drawings in black ink and pecil. The words
    Tree/plant, watercolor, marker and collage, 7th grade student at P.S. 140, 2021 [Photograph of a pink and yellow abstract collage with drawings in black ink and pecil. The words "love," "tree," and "oak," are written in pencil in the top right corner. ]
    Caption Tree/plant, watercolor, marker and collage, 7th grade student at P.S. 140, 2021
    Image description Photograph of a pink and yellow abstract collage with drawings in black ink and pecil. The words "love," "tree," and "oak," are written in pencil in the top right corner.
    Year 2021
    Related pages Listening to the LES
  • A black and white photograph of a gallery wall. Five mats hang on the wall, their top left corners curving slightly away from the flat surface.
    A black and white photograph of a gallery wall. Five mats hang on the wall, their top left corners curving slightly away from the flat surface.
    Richards Jarden: Mats. Installation view, Artists Space, 1978. [A black and white photograph of a gallery wall. Five mats hang on the wall, their top left corners curving slightly away from the flat surface.]
    Caption Richards Jarden: Mats. Installation view, Artists Space, 1978.
    Image description A black and white photograph of a gallery wall. Five mats hang on the wall, their top left corners curving slightly away from the flat surface.
    Year 1978
    Related pages Mats Richards Jarden
  • A black and white photograph of a figure with long dark hair. Over the figure's face the words
    A black and white photograph of a figure with long dark hair. Over the figure's face the words
    Artists unknown, from Super 8 Film Exposition. Artists Space, 1977. [A black and white photograph of a figure with long dark hair. Over the figure's face the words "she hides from questions and cameras" is written in large, black capitalized text.]
    Caption Artists unknown, from Super 8 Film Exposition. Artists Space, 1977.
    Image description A black and white photograph of a figure with long dark hair. Over the figure's face the words "she hides from questions and cameras" is written in large, black capitalized text.
    Year 1977
    Related pages Artists Super 8 Film Exposition
  • A row of images hangs on a white wall. The images are composed of simple shapes which are arranged to form scenes. The foremost image shows a house on a lawn.
    A row of images hangs on a white wall. The images are composed of simple shapes which are arranged to form scenes. The foremost image shows a house on a lawn.
    Life Story Number 1. Installation view, Artists Space, 1979. [A row of images hangs on a white wall. The images are composed of simple shapes which are arranged to form scenes. The foremost image shows a house on a lawn.]
    Caption Life Story Number 1. Installation view, Artists Space, 1979.
    Image description A row of images hangs on a white wall. The images are composed of simple shapes which are arranged to form scenes. The foremost image shows a house on a lawn.
    Year 1979
    Related pages Life Story Number 1
  • Black and white photograph of a room interior. A person in a white collared sits at a drum set on the right, several chairs peek out of the left corner.
    Black and white photograph of a room interior. A person in a white collared sits at a drum set on the right, several chairs peek out of the left corner.
    Will Gamble, Milford Graves & New York Art Quartet at Michael Snow’s Loft, c. 1960s. Black and white photograph. Courtesy of the Estate of Will Gamble. [Black and white photograph of a room interior. A person in a white collared sits at a drum set on the right, several chairs peek out of the left corner.]
    Caption Will Gamble, Milford Graves & New York Art Quartet at Michael Snow’s Loft, c. 1960s. Black and white photograph. Courtesy of the Estate of Will Gamble.
    Image description Black and white photograph of a room interior. A person in a white collared sits at a drum set on the right, several chairs peek out of the left corner.
    Year 2021
    Related pages New York Eye & Ear Control
  • Image of a photograph attached to a piece of paper. The photograph is of a seated person with a mustache, swifly waving their hands up at chest height. A mirror on the left reflects the figure of a standing person in white pants and a dark shirt.
    Image of a photograph attached to a piece of paper. The photograph is of a seated person with a mustache, swifly waving their hands up at chest height. A mirror on the left reflects the figure of a standing person in white pants and a dark shirt.
    Milford Graves, from Yara Scrapbook (compiled by Yuji Agematsu), c. 1989. Black and white photograph. Courtesy of the Estate of Milford Graves [Image of a photograph attached to a piece of paper. The photograph is of a seated person with a mustache, swifly waving their hands up at chest height. A mirror on the left reflects the figure of a standing person in white pants and a dark shirt.]
    Caption Milford Graves, from Yara Scrapbook (compiled by Yuji Agematsu), c. 1989. Black and white photograph. Courtesy of the Estate of Milford Graves
    Image description Image of a photograph attached to a piece of paper. The photograph is of a seated person with a mustache, swifly waving their hands up at chest height. A mirror on the left reflects the figure of a standing person in white pants and a dark shirt.
    Year 1989
    Related pages Yuji Agematsu
  • A person with a tennis racket wearing a white hat, shirt, and red and green shorts throws his hands up in gleeful celebration. In the background, a crowd behind a net watches intently.
    A person with a tennis racket wearing a white hat, shirt, and red and green shorts throws his hands up in gleeful celebration. In the background, a crowd behind a net watches intently.
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [A person with a tennis racket wearing a white hat, shirt, and red and green shorts throws his hands up in gleeful celebration. In the background, a crowd behind a net watches intently.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description A person with a tennis racket wearing a white hat, shirt, and red and green shorts throws his hands up in gleeful celebration. In the background, a crowd behind a net watches intently.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab (outdoor performance)
  • Black and white photograph of people standing in a gallery among five spherical balls on the floor. Framed artworks hang on the right wall.
    Black and white photograph of people standing in a gallery among five spherical balls on the floor. Framed artworks hang on the right wall.
    Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Photograph from exhibition opening, Artists Space, 1979. [Black and white photograph of people standing in a gallery among five spherical balls on the floor. Framed artworks hang on the right wall.]
    Caption Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Photograph from exhibition opening, Artists Space, 1979.
    Image description Black and white photograph of people standing in a gallery among five spherical balls on the floor. Framed artworks hang on the right wall.
    Year 1979
    Related pages Martin Cohen
  • A view of a gallery space with white walls and a window looking out onto a street. On the left wall two shelves hold various books and papers.
    A view of a gallery space with white walls and a window looking out onto a street. On the left wall two shelves hold various books and papers.
    Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak. [A view of a gallery space with white walls and a window looking out onto a street. On the left wall two shelves hold various books and papers. ]
    Caption Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak.
    Image description A view of a gallery space with white walls and a window looking out onto a street. On the left wall two shelves hold various books and papers.
    Year 2021
    Related pages Jordan Lord: Prophetic Memory
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Five people holding tennis rackets running in a circle in an alleyway. A small crowd watches, standing against a brick wall with metal doors covered in graffiti on the right.
    Five people holding tennis rackets running in a circle in an alleyway. A small crowd watches, standing against a brick wall with metal doors covered in graffiti on the right.
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [Five people holding tennis rackets running in a circle in an alleyway. A small crowd watches, standing against a brick wall with metal doors covered in graffiti on the right.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description Five people holding tennis rackets running in a circle in an alleyway. A small crowd watches, standing against a brick wall with metal doors covered in graffiti on the right.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab (outdoor performance)
  • Six people stretch on the ground of an alleyway. Suspended behind them, the words
    Six people stretch on the ground of an alleyway. Suspended behind them, the words
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [Six people stretch on the ground of an alleyway. Suspended behind them, the words "Social Muscle Rehab" are painted in white on black and green signs.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description Six people stretch on the ground of an alleyway. Suspended behind them, the words "Social Muscle Rehab" are painted in white on black and green signs.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab (outdoor performance)
  • Installation view of white PVC pipe that is cut in half lengthwise. The pipe runs along a wall in the background and makes a sharp turn to drain into a black plastic bin on the floor.
    Installation view of white PVC pipe that is cut in half lengthwise. The pipe runs along a wall in the background and makes a sharp turn to drain into a black plastic bin on the floor.
    Ei Arakawa with Gela Patashuri, NYC Plumbing & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [Installation view of white PVC pipe that is cut in half lengthwise. The pipe runs along a wall in the background and makes a sharp turn to drain into a black plastic bin on the floor. ]
    Caption Ei Arakawa with Gela Patashuri, NYC Plumbing & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description Installation view of white PVC pipe that is cut in half lengthwise. The pipe runs along a wall in the background and makes a sharp turn to drain into a black plastic bin on the floor.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • Six people with tennis rackets in an alleyway jump and swing to hit tennis balls towards the camera which is behind a black net. A crowd behind the tennis players watches attentively.
    Six people with tennis rackets in an alleyway jump and swing to hit tennis balls towards the camera which is behind a black net. A crowd behind the tennis players watches attentively.
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [Six people with tennis rackets in an alleyway jump and swing to hit tennis balls towards the camera which is behind a black net. A crowd behind the tennis players watches attentively.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description Six people with tennis rackets in an alleyway jump and swing to hit tennis balls towards the camera which is behind a black net. A crowd behind the tennis players watches attentively.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • Installation view of a gallery space with sunlit windows. On the right, a row of colums extends into the background. A wooden bench is pushed against the wall on the left under a windowsill with several books.
    Installation view of a gallery space with sunlit windows. On the right, a row of colums extends into the background. A wooden bench is pushed against the wall on the left under a windowsill with several books.
    Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak. [Installation view of a gallery space with sunlit windows. On the right, a row of colums extends into the background. A wooden bench is pushed against the wall on the left under a windowsill with several books.]
    Caption Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak.
    Image description Installation view of a gallery space with sunlit windows. On the right, a row of colums extends into the background. A wooden bench is pushed against the wall on the left under a windowsill with several books.
    Year 2021
    Related pages Jordan Lord: Prophetic Memory
  • A photograph of a hallway with a white piece of cloth hanging from the ceiling to the floor. Printed on the cloth is a figure dressed in black and bent at the waist holding a long stick.
    A photograph of a hallway with a white piece of cloth hanging from the ceiling to the floor. Printed on the cloth is a figure dressed in black and bent at the waist holding a long stick.
    The Levitation of Anna: Michael Zwack. Installation view, Artists Space, 1979. Courtesy Artists Space. [A photograph of a hallway with a white piece of cloth hanging from the ceiling to the floor. Printed on the cloth is a figure dressed in black and bent at the waist holding a long stick.]
    Caption The Levitation of Anna: Michael Zwack. Installation view, Artists Space, 1979. Courtesy Artists Space.
    Image description A photograph of a hallway with a white piece of cloth hanging from the ceiling to the floor. Printed on the cloth is a figure dressed in black and bent at the waist holding a long stick.
    Year 1979
    Related pages The Levitation of Anna, Michael Zwack
  • Two people carry a white table out of a door and into an alleyway. Behind them several others cheer, one with a megaphone. Suspended in the background are a black net and black and green signs that read
    Two people carry a white table out of a door and into an alleyway. Behind them several others cheer, one with a megaphone. Suspended in the background are a black net and black and green signs that read
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [Two people carry a white table out of a door and into an alleyway. Behind them several others cheer, one with a megaphone. Suspended in the background are a black net and black and green signs that read "Social Muscle Rehab" in white painted text.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description Two people carry a white table out of a door and into an alleyway. Behind them several others cheer, one with a megaphone. Suspended in the background are a black net and black and green signs that read "Social Muscle Rehab" in white painted text.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab (outdoor performance)
  • A person in black athletic wear hits a tennis ball towards the camera in an alleyway. Behind them, the words
    A person in black athletic wear hits a tennis ball towards the camera in an alleyway. Behind them, the words
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [A person in black athletic wear hits a tennis ball towards the camera in an alleyway. Behind them, the words "Artists Space" appear in white text on the windowpane of a black door.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description A person in black athletic wear hits a tennis ball towards the camera in an alleyway. Behind them, the words "Artists Space" appear in white text on the windowpane of a black door.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • A black and white photograph of a gallery space with windows and an open door in the background. Four mats hang on the walls.
    A black and white photograph of a gallery space with windows and an open door in the background. Four mats hang on the walls.
    Richards Jarden: Mats. Installation view, Artists Space, 1978. [A black and white photograph of a gallery space with windows and an open door in the background. Four mats hang on the walls.]
    Caption Richards Jarden: Mats. Installation view, Artists Space, 1978.
    Image description A black and white photograph of a gallery space with windows and an open door in the background. Four mats hang on the walls.
    Year 1978
    Related pages Mats Richards Jarden
  • The head of person with blonde hair is pictured lying horizontally. Their eyes are closed and a lit cigarette protrudes between their red lips. The word
    The head of person with blonde hair is pictured lying horizontally. Their eyes are closed and a lit cigarette protrudes between their red lips. The word
    Flyer for Segue Reading Series featuring Edmund White and Max Steele. Saturday, October 2, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel [The head of person with blonde hair is pictured lying horizontally. Their eyes are closed and a lit cigarette protrudes between their red lips. The word "Segue" is written vertically and in bright pink script on the left. In the center, the name "Edmund White" is written in lower case black letters, and the name "Max Steele" is written in white lowercase letters.]
    Caption Flyer for Segue Reading Series featuring Edmund White and Max Steele. Saturday, October 2, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel
    Image description The head of person with blonde hair is pictured lying horizontally. Their eyes are closed and a lit cigarette protrudes between their red lips. The word "Segue" is written vertically and in bright pink script on the left. In the center, the name "Edmund White" is written in lower case black letters, and the name "Max Steele" is written in white lowercase letters.
    Year 2021
    Related pages Segue Reading Series: Edmund White & Max Steele
  • Black and white photograph of a room interior. A light hanging from the ceiling shines brightly onto a seated figure in a white collared shirt at a drumset. In the foreground on the right, the sihlouette of a trombonist appears.
    Black and white photograph of a room interior. A light hanging from the ceiling shines brightly onto a seated figure in a white collared shirt at a drumset. In the foreground on the right, the sihlouette of a trombonist appears.
    Will Gamble, Milford Graves & New York Art Quartet at Michael Snow’s Loft, c. 1960s. Black and white photograph. Courtesy of the Estate of Will Gamble. [Black and white photograph of a room interior. A light hanging from the ceiling shines brightly onto a seated figure in a white collared shirt at a drumset. In the foreground on the right, the sihlouette of a trombonist appears.]
    Caption Will Gamble, Milford Graves & New York Art Quartet at Michael Snow’s Loft, c. 1960s. Black and white photograph. Courtesy of the Estate of Will Gamble.
    Image description Black and white photograph of a room interior. A light hanging from the ceiling shines brightly onto a seated figure in a white collared shirt at a drumset. In the foreground on the right, the sihlouette of a trombonist appears.
    Year 2021
    Related pages New York Eye & Ear Control
  • A black and white image of a person sitting at a drum set. He is holding up two drumsticks, and staring intently.
    A black and white image of a person sitting at a drum set. He is holding up two drumsticks, and staring intently.
    Guy Kopelowicz, Portrait of Milford Graves, c. 1980s. Courtesy of the Estate of Milford Graves. [A black and white image of a person sitting at a drum set. He is holding up two drumsticks, and staring intently.]
    Caption Guy Kopelowicz, Portrait of Milford Graves, c. 1980s. Courtesy of the Estate of Milford Graves.
    Image description A black and white image of a person sitting at a drum set. He is holding up two drumsticks, and staring intently.
    Year 2021
    Related pages Milford Graves Memorial
  • A green and tan wooden dining corral with a ramp, metal tables and chairs. People sit and stand in and around the corral.
    A green and tan wooden dining corral with a ramp, metal tables and chairs. People sit and stand in and around the corral.
    Ei Arakawa: Social Muscle Rehab. Performance documentation, October 10, 2021, Artists Space. Photo: Ei Arakawa. [A green and tan wooden dining corral with a ramp, metal tables and chairs. People sit and stand in and around the corral.]
    Caption Ei Arakawa: Social Muscle Rehab. Performance documentation, October 10, 2021, Artists Space. Photo: Ei Arakawa.
    Image description A green and tan wooden dining corral with a ramp, metal tables and chairs. People sit and stand in and around the corral.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • An installation view of a green and tan wooden dining corral with a ramp. A chair and column are visible in the background.
    An installation view of a green and tan wooden dining corral with a ramp. A chair and column are visible in the background.
    Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [An installation view of a green and tan wooden dining corral with a ramp. A chair and column are visible in the background. ]
    Caption Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description An installation view of a green and tan wooden dining corral with a ramp. A chair and column are visible in the background.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • Six people with tennis rackets in an alleyway jump and swing to hit tennis balls towards the camera which is behind a black net. A crowd behind the tennis players watches attentively.
    Six people with tennis rackets in an alleyway jump and swing to hit tennis balls towards the camera which is behind a black net. A crowd behind the tennis players watches attentively.
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [Six people with tennis rackets in an alleyway jump and swing to hit tennis balls towards the camera which is behind a black net. A crowd behind the tennis players watches attentively.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description Six people with tennis rackets in an alleyway jump and swing to hit tennis balls towards the camera which is behind a black net. A crowd behind the tennis players watches attentively.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab (outdoor performance)
  • Photograph of students and a teacher in a grey sweater stand in a classroom. They are smiling and holding the ends of white strips of paper which are woven into a tight knot in the center.
    Photograph of students and a teacher in a grey sweater stand in a classroom. They are smiling and holding the ends of white strips of paper which are woven into a tight knot in the center.
    7th and 8th grade students and staff at P.S. 140 participate in My Story, Our Story, 2020 [Photograph of students and a teacher in a grey sweater stand in a classroom. They are smiling and holding the ends of white strips of paper which are woven into a tight knot in the center. ]
    Caption 7th and 8th grade students and staff at P.S. 140 participate in My Story, Our Story, 2020
    Image description Photograph of students and a teacher in a grey sweater stand in a classroom. They are smiling and holding the ends of white strips of paper which are woven into a tight knot in the center.
    Year 2020
    Related pages Listening to the LES
  • Contact sheet of installation images showing sculptures and other artworks in a 6 x 6 grid.
    Contact sheet of installation images showing sculptures and other artworks in a 6 x 6 grid.
    William Leavitt: Installation and Drawings. Contact sheet of installation views for William Leavitt: Installation and Drawings, The Levitation of Anna: Michael Zwack, and Ken Wade, Artists Space, 1979. [Contact sheet of installation images showing sculptures and other artworks in a 6 x 6 grid.]
    Caption William Leavitt: Installation and Drawings. Contact sheet of installation views for William Leavitt: Installation and Drawings, The Levitation of Anna: Michael Zwack, and Ken Wade, Artists Space, 1979.
    Image description Contact sheet of installation images showing sculptures and other artworks in a 6 x 6 grid.
    Year 1979
    Related pages William Leavitt, Installation and Drawings
  • A photograph of a room with works on paper hung on one wall and photographs on the other wall. In the center of the room is a table, strewn with papers, with three chairs.
    A photograph of a room with works on paper hung on one wall and photographs on the other wall. In the center of the room is a table, strewn with papers, with three chairs.
    Art From the British Left. Installation view, Artists Space, 1979. Artwork by Marie Yates. Courtesy Artists Space. [A photograph of a room with works on paper hung on one wall and photographs on the other wall. In the center of the room is a table, strewn with papers, with three chairs.]
    Caption Art From the British Left. Installation view, Artists Space, 1979. Artwork by Marie Yates. Courtesy Artists Space.
    Image description A photograph of a room with works on paper hung on one wall and photographs on the other wall. In the center of the room is a table, strewn with papers, with three chairs.
    Year 1979
    Related pages Art From the British Left
  • A group of eight people holding tennis rackets stand and crouch in an alleyway. On signs suspended above them, the words
    A group of eight people holding tennis rackets stand and crouch in an alleyway. On signs suspended above them, the words
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [A group of eight people holding tennis rackets stand and crouch in an alleyway. On signs suspended above them, the words "Social Muscle Rehab" are painted in white capitalized text over black and green backgrounds.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description A group of eight people holding tennis rackets stand and crouch in an alleyway. On signs suspended above them, the words "Social Muscle Rehab" are painted in white capitalized text over black and green backgrounds.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab (outdoor performance)
  • A black and white photograph of a gallery space with windows and an open door in the background. On the right, four mats hang on the wall.
    A black and white photograph of a gallery space with windows and an open door in the background. On the right, four mats hang on the wall.
    Richards Jarden: Mats. Installation view, Artists Space, 1978. [A black and white photograph of a gallery space with windows and an open door in the background. On the right, four mats hang on the wall.]
    Caption Richards Jarden: Mats. Installation view, Artists Space, 1978.
    Image description A black and white photograph of a gallery space with windows and an open door in the background. On the right, four mats hang on the wall.
    Year 1978
    Related pages Mats Richards Jarden
  • A photograph of a room painted white with an open door. In the adjacent room, small metal circles, bars, and other pieces mounted on a white gallery wall can be seen.
    A photograph of a room painted white with an open door. In the adjacent room, small metal circles, bars, and other pieces mounted on a white gallery wall can be seen.
    Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978. [A photograph of a room painted white with an open door. In the adjacent room, small metal circles, bars, and other pieces mounted on a white gallery wall can be seen.]
    Caption Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978.
    Image description A photograph of a room painted white with an open door. In the adjacent room, small metal circles, bars, and other pieces mounted on a white gallery wall can be seen.
    Year 1978
    Related pages Gathering Dust Donald Lipski
  • A person with a tennis racket wearing a white hat, shirt, and red and green shorts throws his hands up in gleeful celebration. In the background, a crowd behind a net watches intently.
    A person with a tennis racket wearing a white hat, shirt, and red and green shorts throws his hands up in gleeful celebration. In the background, a crowd behind a net watches intently.
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [A person with a tennis racket wearing a white hat, shirt, and red and green shorts throws his hands up in gleeful celebration. In the background, a crowd behind a net watches intently.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description A person with a tennis racket wearing a white hat, shirt, and red and green shorts throws his hands up in gleeful celebration. In the background, a crowd behind a net watches intently.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • Four people stand in an alleyway in front of a black net, one of them holding a black megaphone. Five tennis balls lie at their feet.
    Four people stand in an alleyway in front of a black net, one of them holding a black megaphone. Five tennis balls lie at their feet.
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [Four people stand in an alleyway in front of a black net, one of them holding a black megaphone. Five tennis balls lie at their feet.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description Four people stand in an alleyway in front of a black net, one of them holding a black megaphone. Five tennis balls lie at their feet.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab (outdoor performance)
  • Six people standing in an alleyway with tennis rackets on either side of a metal barricade. The person closest to the camera with green shorts hits a ball. Suspended in the background, the words
    Six people standing in an alleyway with tennis rackets on either side of a metal barricade. The person closest to the camera with green shorts hits a ball. Suspended in the background, the words
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [Six people standing in an alleyway with tennis rackets on either side of a metal barricade. The person closest to the camera with green shorts hits a ball. Suspended in the background, the words "Social Muscle Rehab" are painted in white text on top of black and green signs.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description Six people standing in an alleyway with tennis rackets on either side of a metal barricade. The person closest to the camera with green shorts hits a ball. Suspended in the background, the words "Social Muscle Rehab" are painted in white text on top of black and green signs.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab (outdoor performance)
  • A black and white photograph of a gallery wall, two hanging mats and a doorframe are visible.
    A black and white photograph of a gallery wall, two hanging mats and a doorframe are visible.
    Richards Jarden: Mats. Installation view, Artists Space, 1978. [A black and white photograph of a gallery wall, two hanging mats and a doorframe are visible.]
    Caption Richards Jarden: Mats. Installation view, Artists Space, 1978.
    Image description A black and white photograph of a gallery wall, two hanging mats and a doorframe are visible.
    Year 1978
    Related pages Mats Richards Jarden
  • A tennis player sits next to a white bag with gold detailing and white tennis racket. A blue towel covers their face. On the right,
    A tennis player sits next to a white bag with gold detailing and white tennis racket. A blue towel covers their face. On the right,
    Naomi Osaka at the Miami Open at Hard Rock Stadium, March 31, 2021. Image courtesy UPI/Alamy Live News. Photo: Gary I. Rothstein [A tennis player sits next to a white bag with gold detailing and white tennis racket. A blue towel covers their face. On the right, "Social Muscle Rehab" is written in yellow lettering.]
    Caption Naomi Osaka at the Miami Open at Hard Rock Stadium, March 31, 2021. Image courtesy UPI/Alamy Live News. Photo: Gary I. Rothstein
    Image description A tennis player sits next to a white bag with gold detailing and white tennis racket. A blue towel covers their face. On the right, "Social Muscle Rehab" is written in yellow lettering.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab (outdoor performance)
  • A photograph of a room with a series of photographs and works on paper hung in two rows on the far wall. A window on the left and a window on the right side are visible.
    A photograph of a room with a series of photographs and works on paper hung in two rows on the far wall. A window on the left and a window on the right side are visible.
    Art From the British Left. Installation view, Artists Space, 1979. Courtesy Artists Space. [A photograph of a room with a series of photographs and works on paper hung in two rows on the far wall. A window on the left and a window on the right side are visible.]
    Caption Art From the British Left. Installation view, Artists Space, 1979. Courtesy Artists Space.
    Image description A photograph of a room with a series of photographs and works on paper hung in two rows on the far wall. A window on the left and a window on the right side are visible.
    Year 1979
    Related pages Art From the British Left
  • A set of white metal shelves against a white wall, each shelf holds eight books. From left, the authors of the books on the bottom shelf are: Pamela M. Lee, Frank O'Hara, David Prutchi, Georgia Kleege, Rosalind Deutsche, Judith Lewis Herman, Marina Vishmidt, and Avery Gordon.
    A set of white metal shelves against a white wall, each shelf holds eight books. From left, the authors of the books on the bottom shelf are: Pamela M. Lee, Frank O'Hara, David Prutchi, Georgia Kleege, Rosalind Deutsche, Judith Lewis Herman, Marina Vishmidt, and Avery Gordon.
    Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak. [A set of white metal shelves against a white wall, each shelf holds eight books. From left, the authors of the books on the bottom shelf are: Pamela M. Lee, Frank O'Hara, David Prutchi, Georgia Kleege, Rosalind Deutsche, Judith Lewis Herman, Marina Vishmidt, and Avery Gordon.]
    Caption Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak.
    Image description A set of white metal shelves against a white wall, each shelf holds eight books. From left, the authors of the books on the bottom shelf are: Pamela M. Lee, Frank O'Hara, David Prutchi, Georgia Kleege, Rosalind Deutsche, Judith Lewis Herman, Marina Vishmidt, and Avery Gordon.
    Year 2021
    Related pages Jordan Lord: Prophetic Memory
  • The bust of a person is positioned in the top third of the image. Inside the outlines of their face there is an illustration of a Fiona Apple tape, and five pairs of pink lips. A drawing of a purple flashlight makes up the person's eye, shooting out black lightning bolts over a light green background. Below, the name
    The bust of a person is positioned in the top third of the image. Inside the outlines of their face there is an illustration of a Fiona Apple tape, and five pairs of pink lips. A drawing of a purple flashlight makes up the person's eye, shooting out black lightning bolts over a light green background. Below, the name
    Flyer for Segue Reading Series featuring Megan Milks and Sara Jane Stoner. Saturday, October 23, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel [The bust of a person is positioned in the top third of the image. Inside the outlines of their face there is an illustration of a Fiona Apple tape, and five pairs of pink lips. A drawing of a purple flashlight makes up the person's eye, shooting out black lightning bolts over a light green background. Below, the name "Megan Milks" is written in a dark pink and the name "Sara Jane Stoner" is written in black text. The word "Segue" is written in bright pink script on the top right corner.]
    Caption Flyer for Segue Reading Series featuring Megan Milks and Sara Jane Stoner. Saturday, October 23, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel
    Image description The bust of a person is positioned in the top third of the image. Inside the outlines of their face there is an illustration of a Fiona Apple tape, and five pairs of pink lips. A drawing of a purple flashlight makes up the person's eye, shooting out black lightning bolts over a light green background. Below, the name "Megan Milks" is written in a dark pink and the name "Sara Jane Stoner" is written in black text. The word "Segue" is written in bright pink script on the top right corner.
    Year 2021
    Related pages Segue Reading Series: Sara Jane Stoner & Megan Milks
  • An installation view of the corner of a green and tan wooden dining corral. In the center a black plastic bin with black tubes and crumpled black fabric like material is visible.
    An installation view of the corner of a green and tan wooden dining corral. In the center a black plastic bin with black tubes and crumpled black fabric like material is visible.
    Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [An installation view of the corner of a green and tan wooden dining corral. In the center a black plastic bin with black tubes and crumpled black fabric like material is visible.]
    Caption Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description An installation view of the corner of a green and tan wooden dining corral. In the center a black plastic bin with black tubes and crumpled black fabric like material is visible.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • Wires, matches, sticks, bits of string, and other scrap metal pieces are strewn across a white background.
    Wires, matches, sticks, bits of string, and other scrap metal pieces are strewn across a white background.
    Donald Lipski, work unknown. Artists Space, 1978. [Wires, matches, sticks, bits of string, and other scrap metal pieces are strewn across a white background.]
    Caption Donald Lipski, work unknown. Artists Space, 1978.
    Image description Wires, matches, sticks, bits of string, and other scrap metal pieces are strewn across a white background.
    Year 1978
    Related pages Gathering Dust Donald Lipski
  • Installation view of a video work. A television monitor is attached to the wall, flanked by two speakers on narrow stands. In front of the monitor are two black chairs with silver metal legs. In the background, a dark doorframe and elevator are visible.
    Installation view of a video work. A television monitor is attached to the wall, flanked by two speakers on narrow stands. In front of the monitor are two black chairs with silver metal legs. In the background, a dark doorframe and elevator are visible.
    Jordan Lord, Expressions, in collaboration with Annette Carter, 2021. HD video, 36 min, looped. Exhibition design, images and annotated descriptions, projection. Image courtesy Artists Space. Photo: Filip Wolak. [Installation view of a video work. A television monitor is attached to the wall, flanked by two speakers on narrow stands. In front of the monitor are two black chairs with silver metal legs. In the background, a dark doorframe and elevator are visible.]
    Caption Jordan Lord, Expressions, in collaboration with Annette Carter, 2021. HD video, 36 min, looped. Exhibition design, images and annotated descriptions, projection. Image courtesy Artists Space. Photo: Filip Wolak.
    Image description Installation view of a video work. A television monitor is attached to the wall, flanked by two speakers on narrow stands. In front of the monitor are two black chairs with silver metal legs. In the background, a dark doorframe and elevator are visible.
    Year 2021
    Related pages Jordan Lord: Prophetic Memory
  • A black and white portrait photograph of seven individuals looking at the camera with text partially visible behind them.
    A black and white portrait photograph of seven individuals looking at the camera with text partially visible behind them.
    Richard Weise and Harald Vizenor. Still from Harold of Orange, 1983. 16mm film (sound, color). 33 min 21 sec. [A black and white portrait photograph of seven individuals looking at the camera with text partially visible behind them.]
    Caption Richard Weise and Harald Vizenor. Still from Harold of Orange, 1983. 16mm film (sound, color). 33 min 21 sec.
    Image description A black and white portrait photograph of seven individuals looking at the camera with text partially visible behind them.
    Year
    Related pages We the People
  • Screenshot of a digital meeting. Each user has their own box, either filled with an image of their face, or a colored circle with a white letter corresponding to the first letter of their first name.
    Screenshot of a digital meeting. Each user has their own box, either filled with an image of their face, or a colored circle with a white letter corresponding to the first letter of their first name.
    YAP: Poets on Poets online event May 2021 poems [Screenshot of a digital meeting. Each user has their own box, either filled with an image of their face, or a colored circle with a white letter corresponding to the first letter of their first name.]
    Caption YAP: Poets on Poets online event May 2021 poems
    Image description Screenshot of a digital meeting. Each user has their own box, either filled with an image of their face, or a colored circle with a white letter corresponding to the first letter of their first name.
    Year 2021
    Related pages Art and Literacy: Poetry
  • An installation view of a green and tan wooden dining corral with a ramp and two metal barricades.
    An installation view of a green and tan wooden dining corral with a ramp and two metal barricades.
    Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [An installation view of a green and tan wooden dining corral with a ramp and two metal barricades.]
    Caption Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description An installation view of a green and tan wooden dining corral with a ramp and two metal barricades.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • Installation view of white PVC pipe that is cut in half lengthwise. The pipe runs along a wall on the right and makes a sharp turn to drain into a black plastic bin on the floor.
    Installation view of white PVC pipe that is cut in half lengthwise. The pipe runs along a wall on the right and makes a sharp turn to drain into a black plastic bin on the floor.
    Ei Arakawa with Gela Patashuri, NYC Plumbing & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [Installation view of white PVC pipe that is cut in half lengthwise. The pipe runs along a wall on the right and makes a sharp turn to drain into a black plastic bin on the floor. ]
    Caption Ei Arakawa with Gela Patashuri, NYC Plumbing & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description Installation view of white PVC pipe that is cut in half lengthwise. The pipe runs along a wall on the right and makes a sharp turn to drain into a black plastic bin on the floor.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • A person with a yellow hat and red shirt hits a tennis ball in an alleyway. A small crowd watches in the background on the left.
    A person with a yellow hat and red shirt hits a tennis ball in an alleyway. A small crowd watches in the background on the left.
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [A person with a yellow hat and red shirt hits a tennis ball in an alleyway. A small crowd watches in the background on the left.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description A person with a yellow hat and red shirt hits a tennis ball in an alleyway. A small crowd watches in the background on the left.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab (outdoor performance)
  • Eight books on a white shelf against a white wall. Five of the books are authored by Marcel Proust, two by William Shakespeare, and one by Samuel R. Delany.
    Eight books on a white shelf against a white wall. Five of the books are authored by Marcel Proust, two by William Shakespeare, and one by Samuel R. Delany.
    Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak. [Eight books on a white shelf against a white wall. Five of the books are authored by Marcel Proust, two by William Shakespeare, and one by Samuel R. Delany.]
    Caption Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak.
    Image description Eight books on a white shelf against a white wall. Five of the books are authored by Marcel Proust, two by William Shakespeare, and one by Samuel R. Delany.
    Year 2021
    Related pages Jordan Lord: Prophetic Memory
  • Image of a PVC pipe that has been cut in half lengthwise, nestled in the wall of a wooden dining corral. Water flows through the pipe towards the camera. On the right, a metal barricade can be seen.
    Image of a PVC pipe that has been cut in half lengthwise, nestled in the wall of a wooden dining corral. Water flows through the pipe towards the camera. On the right, a metal barricade can be seen.
    Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [Image of a PVC pipe that has been cut in half lengthwise, nestled in the wall of a wooden dining corral. Water flows through the pipe towards the camera. On the right, a metal barricade can be seen.]
    Caption Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description Image of a PVC pipe that has been cut in half lengthwise, nestled in the wall of a wooden dining corral. Water flows through the pipe towards the camera. On the right, a metal barricade can be seen.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • Installation view of white PVC pipes that are cut in half lengthwise. The pipes rest on nails against the wall and water trickles inside.
    Installation view of white PVC pipes that are cut in half lengthwise. The pipes rest on nails against the wall and water trickles inside.
    Ei Arakawa with Gela Patashuri, NYC Plumbing & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [Installation view of white PVC pipes that are cut in half lengthwise. The pipes rest on nails against the wall and water trickles inside.]
    Caption Ei Arakawa with Gela Patashuri, NYC Plumbing & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description Installation view of white PVC pipes that are cut in half lengthwise. The pipes rest on nails against the wall and water trickles inside.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • Photocopied envelope. In the center,
    Photocopied envelope. In the center,
    Martin Cohen, All is Pretty Andy Warhol, 1979. Envelope. Courtesy Artists Space. [Photocopied envelope. In the center, "All is Pretty Andy Warhol" is written in black script, and below "Artists Space, 105 Hudson Street, November 27-December 22" appears in black text.]
    Caption Martin Cohen, All is Pretty Andy Warhol, 1979. Envelope. Courtesy Artists Space.
    Image description Photocopied envelope. In the center, "All is Pretty Andy Warhol" is written in black script, and below "Artists Space, 105 Hudson Street, November 27-December 22" appears in black text.
    Year 1979
    Related pages Martin Cohen
  • A photograph of a collage with newspaper articles and other paper ephemera.
    A photograph of a collage with newspaper articles and other paper ephemera.
    Rasheed Araeen, For Oluwale, 1971-1973. Collage panel, dimensions unknown. Courtesy Artists Space. [A photograph of a collage with newspaper articles and other paper ephemera.]
    Caption Rasheed Araeen, For Oluwale, 1971-1973. Collage panel, dimensions unknown. Courtesy Artists Space.
    Image description A photograph of a collage with newspaper articles and other paper ephemera.
    Year 1979
    Related pages Art From the British Left
  • Black and white image of a studio light shining onto a set of four panels against a wall. Below, text reads
    Black and white image of a studio light shining onto a set of four panels against a wall. Below, text reads
    John S. Gordon, The Mazola Quaternary, 1973. Mixed media light installation, 54 x 120 x 120 inches. At the San Francisco Art Institution. Courtesy Artists Space. [Black and white image of a studio light shining onto a set of four panels against a wall. Below, text reads "John S. Gordon, *The Mazola Quaternary*, 1973. Mixed media light installation, 54" x 120" x 120," at the San Francisco Art Institution.]
    Caption John S. Gordon, The Mazola Quaternary, 1973. Mixed media light installation, 54 x 120 x 120 inches. At the San Francisco Art Institution. Courtesy Artists Space.
    Image description Black and white image of a studio light shining onto a set of four panels against a wall. Below, text reads "John S. Gordon, *The Mazola Quaternary*, 1973. Mixed media light installation, 54" x 120" x 120," at the San Francisco Art Institution.
    Year 1979
    Related pages in/valid fragments
  • A photograph of a white wall hung with 12 works of the same size in a row.
    A photograph of a white wall hung with 12 works of the same size in a row.
    Art From the British Left. Installation view, Artists Space, 1979. Artwork by Mary Kelly. Courtesy Artists Space. [A photograph of a white wall hung with 12 works of the same size in a row.]
    Caption Art From the British Left. Installation view, Artists Space, 1979. Artwork by Mary Kelly. Courtesy Artists Space.
    Image description A photograph of a white wall hung with 12 works of the same size in a row.
    Year 1979
    Related pages Art From the British Left
  • A black-and-white photograph of stuffed geese made with geese-printed fabric staged in a room.
    A black-and-white photograph of stuffed geese made with geese-printed fabric staged in a room.
    Christy Rupp: Goose Encounters. Postcard, Artists Space, 1978. [A black-and-white photograph of stuffed geese made with geese-printed fabric staged in a room.]
    Caption Christy Rupp: Goose Encounters. Postcard, Artists Space, 1978.
    Image description A black-and-white photograph of stuffed geese made with geese-printed fabric staged in a room.
    Year 1978
    Related pages Goose Encounters Christy Rupp
  • Contact sheet of installation images showing sculptures and other artworks in a 6 x 6 grid.
    Contact sheet of installation images showing sculptures and other artworks in a 6 x 6 grid.
    The Levitation of Anna: Michael Zwack. Contact sheet of installation views for William Leavitt: Installation and Drawings, The Levitation of Anna: Michael Zwack, and Ken Wade, Artists Space, 1979. Courtesy Artists Space. [Contact sheet of installation images showing sculptures and other artworks in a 6 x 6 grid.]
    Caption The Levitation of Anna: Michael Zwack. Contact sheet of installation views for William Leavitt: Installation and Drawings, The Levitation of Anna: Michael Zwack, and Ken Wade, Artists Space, 1979. Courtesy Artists Space.
    Image description Contact sheet of installation images showing sculptures and other artworks in a 6 x 6 grid.
    Year 1979
    Related pages The Levitation of Anna, Michael Zwack
  • Three walls hung with photographs and small works on paper are visible. There is a window on the right.
    Three walls hung with photographs and small works on paper are visible. There is a window on the right.
    Art From the British Left. Installation view, Artists Space, 1979. Artwork by Mary Kelly. Courtesy Artists Space. [Three walls hung with photographs and small works on paper are visible. There is a window on the right.]
    Caption Art From the British Left. Installation view, Artists Space, 1979. Artwork by Mary Kelly. Courtesy Artists Space.
    Image description Three walls hung with photographs and small works on paper are visible. There is a window on the right.
    Year 1979
    Related pages Art From the British Left
  • A black-and-white photograph depicting three men equally distanced from one another. They hold their hands up to the ceiling with their palms out and stand near a floral printed wall.
    A black-and-white photograph depicting three men equally distanced from one another. They hold their hands up to the ceiling with their palms out and stand near a floral printed wall.
    Yara in the dojo, c. 1970s. Courtesy the Estate of Milford Graves. [A black-and-white photograph depicting three men equally distanced from one another. They hold their hands up to the ceiling with their palms out and stand near a floral printed wall.]
    Caption Yara in the dojo, c. 1970s. Courtesy the Estate of Milford Graves.
    Image description A black-and-white photograph depicting three men equally distanced from one another. They hold their hands up to the ceiling with their palms out and stand near a floral printed wall.
    Year 2022
    Related pages Yuji Agemastu
  • An LED screen is visible behind a set of black bars at the level of a sidewalk. The screen reads in multicolored text
    An LED screen is visible behind a set of black bars at the level of a sidewalk. The screen reads in multicolored text
    Ei Arakawa, @naomiosaka, 11:24am, Aug 29, 2021, 2021. 24” x 48.” 6496 LEDs (WS2813, 100 LEDs/m, black) on hand-dyed fabric with grommets, T-300K controller, 2GB SD card with LedEdit 2014 files, 3× 5V 80A power supply with 22 AWG stranded wire. Image courtesy Artists Space, New York. Photo: Filip Wolak [An LED screen is visible behind a set of black bars at the level of a sidewalk. The screen reads in multicolored text "procrastinate on something? Champion."]
    Caption Ei Arakawa, @naomiosaka, 11:24am, Aug 29, 2021, 2021. 24” x 48.” 6496 LEDs (WS2813, 100 LEDs/m, black) on hand-dyed fabric with grommets, T-300K controller, 2GB SD card with LedEdit 2014 files, 3× 5V 80A power supply with 22 AWG stranded wire. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description An LED screen is visible behind a set of black bars at the level of a sidewalk. The screen reads in multicolored text "procrastinate on something? Champion."
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • A photograph of a mat made of a beige wicker-like material.
    A photograph of a mat made of a beige wicker-like material.
    Richards Jarden: Mats. Postcard, Artists Space, 1978. [A photograph of a mat made of a beige wicker-like material.]
    Caption Richards Jarden: Mats. Postcard, Artists Space, 1978.
    Image description A photograph of a mat made of a beige wicker-like material.
    Year 1978
    Related pages Mats Richards Jarden
  • A photograph of a white gallery wall, hung with photographs and printed text. The title
    A photograph of a white gallery wall, hung with photographs and printed text. The title
    Art From the British Left. Installation view, Artists Space, 1979. Artwork by Margaret Harrison. Courtesy Artists Space. [A photograph of a white gallery wall, hung with photographs and printed text. The title "HOMEWORKERS: WOMAN'S WORK" is visible in the center.]
    Caption Art From the British Left. Installation view, Artists Space, 1979. Artwork by Margaret Harrison. Courtesy Artists Space.
    Image description A photograph of a white gallery wall, hung with photographs and printed text. The title "HOMEWORKERS: WOMAN'S WORK" is visible in the center.
    Year 1979
    Related pages Art From the British Left
  • Image of a dimly lit basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Image of a dimly lit basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Image of a dimly lit basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a dimly lit basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Year 2022
    Related pages SCRAAATCH 11-18
  • View of a gallery space. A black net hangs from the ceiling, extending from the center foreground into the background where a small television screen is visible. On the left, three signs are propped against the wall. In white text over green and black backgrounds the signs read
    View of a gallery space. A black net hangs from the ceiling, extending from the center foreground into the background where a small television screen is visible. On the left, three signs are propped against the wall. In white text over green and black backgrounds the signs read
    Ei Arakawa. Social Muscle Rehab, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [View of a gallery space. A black net hangs from the ceiling, extending from the center foreground into the background where a small television screen is visible. On the left, three signs are propped against the wall. In white text over green and black backgrounds the signs read "Social Muscle Rehab."]
    Caption Ei Arakawa. Social Muscle Rehab, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description View of a gallery space. A black net hangs from the ceiling, extending from the center foreground into the background where a small television screen is visible. On the left, three signs are propped against the wall. In white text over green and black backgrounds the signs read "Social Muscle Rehab."
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • Four people stand in an alleyway in front of a black net, one of them holding a black megaphone. Five tennis balls lie at their feet.
    Four people stand in an alleyway in front of a black net, one of them holding a black megaphone. Five tennis balls lie at their feet.
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [Four people stand in an alleyway in front of a black net, one of them holding a black megaphone. Five tennis balls lie at their feet.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description Four people stand in an alleyway in front of a black net, one of them holding a black megaphone. Five tennis balls lie at their feet.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • A photograph of a room with photographs and works on paper hung on the walls. In the center of the room is a table with folders and magazines and three chairs nearby.
    A photograph of a room with photographs and works on paper hung on the walls. In the center of the room is a table with folders and magazines and three chairs nearby.
    Art From the British Left. Installation view, Artists Space, 1979. Artwork by Alexis Hunter. Courtesy Artists Space. [A photograph of a room with photographs and works on paper hung on the walls. In the center of the room is a table with folders and magazines and three chairs nearby.]
    Caption Art From the British Left. Installation view, Artists Space, 1979. Artwork by Alexis Hunter. Courtesy Artists Space.
    Image description A photograph of a room with photographs and works on paper hung on the walls. In the center of the room is a table with folders and magazines and three chairs nearby.
    Year 1979
    Related pages Art From the British Left
  • A crowd looking left in an alleyway, a child in a purple shirt and mask holds onto a balcony railing leaning out over the crowd to get a better view.
    A crowd looking left in an alleyway, a child in a purple shirt and mask holds onto a balcony railing leaning out over the crowd to get a better view.
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [A crowd looking left in an alleyway, a child in a purple shirt and mask holds onto a balcony railing leaning out over the crowd to get a better view.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description A crowd looking left in an alleyway, a child in a purple shirt and mask holds onto a balcony railing leaning out over the crowd to get a better view.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab (outdoor performance)
  • A photograph of a room with photographs and works on paper on the walls. In the center of the room is a table with folders and binders and three chairs. A door marked with
    A photograph of a room with photographs and works on paper on the walls. In the center of the room is a table with folders and binders and three chairs. A door marked with
    Art From the British Left. Installation view, Artists Space, 1979. Courtesy Artists Space. [A photograph of a room with photographs and works on paper on the walls. In the center of the room is a table with folders and binders and three chairs. A door marked with "205" is ajar on the left side of the photograph.]]
    Caption Art From the British Left. Installation view, Artists Space, 1979. Courtesy Artists Space.
    Image description A photograph of a room with photographs and works on paper on the walls. In the center of the room is a table with folders and binders and three chairs. A door marked with "205" is ajar on the left side of the photograph.]
    Year 1979
    Related pages Art From the British Left
  • Installation view of a video work. A television monitor is attached to the wall, flanked by two speakers on narrow stands. In front of the monitor are two black chairs with silver metal legs. On the right, a row of columns extends into the background towards sunlit windows.
    Installation view of a video work. A television monitor is attached to the wall, flanked by two speakers on narrow stands. In front of the monitor are two black chairs with silver metal legs. On the right, a row of columns extends into the background towards sunlit windows.
    Jordan Lord, Expressions, in collaboration with Annette Carter, 2021. HD video, 36 min, looped. Exhibition design, images and annotated descriptions, projection. Image courtesy Artists Space. Photo: Filip Wolak. [Installation view of a video work. A television monitor is attached to the wall, flanked by two speakers on narrow stands. In front of the monitor are two black chairs with silver metal legs. On the right, a row of columns extends into the background towards sunlit windows.]
    Caption Jordan Lord, Expressions, in collaboration with Annette Carter, 2021. HD video, 36 min, looped. Exhibition design, images and annotated descriptions, projection. Image courtesy Artists Space. Photo: Filip Wolak.
    Image description Installation view of a video work. A television monitor is attached to the wall, flanked by two speakers on narrow stands. In front of the monitor are two black chairs with silver metal legs. On the right, a row of columns extends into the background towards sunlit windows.
    Year 2021
    Related pages Jordan Lord: Prophetic Memory
  • A hand-drawn image in pencil of a bedroom or living room scene. The room's double windows have been blown open, scattering several papers across the room. A crudely drawn figure stands upright in an uncomfortable manner in the middle of the room.
    A hand-drawn image in pencil of a bedroom or living room scene. The room's double windows have been blown open, scattering several papers across the room. A crudely drawn figure stands upright in an uncomfortable manner in the middle of the room.
    [A hand-drawn image in pencil of a bedroom or living room scene. The room's double windows have been blown open, scattering several papers across the room. A crudely drawn figure stands upright in an uncomfortable manner in the middle of the room.]
    Caption
    Image description A hand-drawn image in pencil of a bedroom or living room scene. The room's double windows have been blown open, scattering several papers across the room. A crudely drawn figure stands upright in an uncomfortable manner in the middle of the room.
    Year 2014
    Related pages Restless
  • Four wooden chairs around a red dining umbrella. Handwritten in black sharpie, the words
    Four wooden chairs around a red dining umbrella. Handwritten in black sharpie, the words
    Ei Arakawa: Social Muscle Rehab. Installation view, Artists Space, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak. [Four wooden chairs around a red dining umbrella. Handwritten in black sharpie, the words "Social Muscle Rehab, Ei Arakawa with Gela Patashuri" appear on a white wall in the background.]
    Caption Ei Arakawa: Social Muscle Rehab. Installation view, Artists Space, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description Four wooden chairs around a red dining umbrella. Handwritten in black sharpie, the words "Social Muscle Rehab, Ei Arakawa with Gela Patashuri" appear on a white wall in the background.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • An image is projected onto a white wall. The image is text on a solid background. Text is illegible.
    An image is projected onto a white wall. The image is text on a solid background. Text is illegible.
    Krzysztof Wodiczko: Guidelines. Installation View, Artists Space, 1978. [An image is projected onto a white wall. The image is text on a solid background. Text is illegible.]
    Caption Krzysztof Wodiczko: Guidelines. Installation View, Artists Space, 1978.
    Image description An image is projected onto a white wall. The image is text on a solid background. Text is illegible.
    Year 1978
    Related pages Guidelines Krzysztof Wodiczko
  • A long roll of paper is hung from the ceiling to the floor. The paper is filled with different symbols in a square grid format.
    A long roll of paper is hung from the ceiling to the floor. The paper is filled with different symbols in a square grid format.
    Pieter Holstein: The Waterfall. Installation view, Artists Space. 1979. [A long roll of paper is hung from the ceiling to the floor. The paper is filled with different symbols in a square grid format.]
    Caption Pieter Holstein: The Waterfall. Installation view, Artists Space. 1979.
    Image description A long roll of paper is hung from the ceiling to the floor. The paper is filled with different symbols in a square grid format.
    Year 1979
    Related pages The Waterfall Pieter Holstein
  • A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978. [A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.]
    Caption Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978.
    Image description A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    Year 1978
    Related pages Gathering Dust Donald Lipski
  • An image is projected onto a white wall.
    An image is projected onto a white wall.
    Krzysztof Wodiczko: Guidelines. Installation View, Artists Space, 1978. [An image is projected onto a white wall.]
    Caption Krzysztof Wodiczko: Guidelines. Installation View, Artists Space, 1978.
    Image description An image is projected onto a white wall.
    Year 1978
    Related pages Guidelines Krzysztof Wodiczko
  • Horizontal image of man with round glasses peering down at the figure of a woman held in his hand. The woman has blond hair and wears a red dress. In the upper left corner, the word
    Horizontal image of man with round glasses peering down at the figure of a woman held in his hand. The woman has blond hair and wears a red dress. In the upper left corner, the word
    Flyer for Segue Reading Series featuring Geoffrey Olsen and Charles Bernstein. Saturday, November 20, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel [Horizontal image of man with round glasses peering down at the figure of a woman held in his hand. The woman has blond hair and wears a red dress. In the upper left corner, the word "Segue" is written in bright pink script. On the right side, the name "Geoffrey Olsen" is written in black capitalized text over as white background. Below, the name "Charles Bernstein" is written in white capitalized text over a black background. ]
    Caption Flyer for Segue Reading Series featuring Geoffrey Olsen and Charles Bernstein. Saturday, November 20, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel
    Image description Horizontal image of man with round glasses peering down at the figure of a woman held in his hand. The woman has blond hair and wears a red dress. In the upper left corner, the word "Segue" is written in bright pink script. On the right side, the name "Geoffrey Olsen" is written in black capitalized text over as white background. Below, the name "Charles Bernstein" is written in white capitalized text over a black background.
    Year 2021
    Related pages Segue Reading Series: Charles Bernstein & Geoffrey Olsen
  • A photograph of a gallery wall hung with seven works on paper. In front of the wall are two chairs and a table with several envelopes and magazines.
    A photograph of a gallery wall hung with seven works on paper. In front of the wall are two chairs and a table with several envelopes and magazines.
    Art From the British Left. Installation view, Artists Space, 1979. Artwork by Marie Yates. Courtesy Artists Space. [A photograph of a gallery wall hung with seven works on paper. In front of the wall are two chairs and a table with several envelopes and magazines.]
    Caption Art From the British Left. Installation view, Artists Space, 1979. Artwork by Marie Yates. Courtesy Artists Space.
    Image description A photograph of a gallery wall hung with seven works on paper. In front of the wall are two chairs and a table with several envelopes and magazines.
    Year 1979
    Related pages Art From the British Left
  • A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    Donald Lipski: Gathering Dust. Installation View, Artists Space, 1978. [A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.]
    Caption Donald Lipski: Gathering Dust. Installation View, Artists Space, 1978.
    Image description A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    Year 1978
    Related pages Gathering Dust Donald Lipski
  • Three cakes sit atop a white table in an alleyway. A crowd behind a black net looks on intently.
    Three cakes sit atop a white table in an alleyway. A crowd behind a black net looks on intently.
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [Three cakes sit atop a white table in an alleyway. A crowd behind a black net looks on intently.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description Three cakes sit atop a white table in an alleyway. A crowd behind a black net looks on intently.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab (outdoor performance)
  • Six books on a white shelf against a white wall. From left, their authors are Saidiya Hartman, Augusto Boal, Fred Moten, Edward W. Said, Eric Williams, and James Baldwin.
    Six books on a white shelf against a white wall. From left, their authors are Saidiya Hartman, Augusto Boal, Fred Moten, Edward W. Said, Eric Williams, and James Baldwin.
    Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak. [Six books on a white shelf against a white wall. From left, their authors are Saidiya Hartman, Augusto Boal, Fred Moten, Edward W. Said, Eric Williams, and James Baldwin.]
    Caption Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak.
    Image description Six books on a white shelf against a white wall. From left, their authors are Saidiya Hartman, Augusto Boal, Fred Moten, Edward W. Said, Eric Williams, and James Baldwin.
    Year 2021
    Related pages Jordan Lord: Prophetic Memory
  • A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978. [A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.]
    Caption Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978.
    Image description A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    Year 1978
    Related pages Gathering Dust Donald Lipski
  • A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978. [A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.]
    Caption Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978.
    Image description A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    Year 1978
    Related pages Gathering Dust Donald Lipski
  • An installation view of a green and tan wooden dining corral with a metal table and two wooden chairs. Halved PVC pipes are visible in the background.
    An installation view of a green and tan wooden dining corral with a metal table and two wooden chairs. Halved PVC pipes are visible in the background.
    Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [An installation view of a green and tan wooden dining corral with a metal table and two wooden chairs. Halved PVC pipes are visible in the background. ]
    Caption Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description An installation view of a green and tan wooden dining corral with a metal table and two wooden chairs. Halved PVC pipes are visible in the background.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • An image is projected onto a white wall. In the image, a figure plays a cello.
    An image is projected onto a white wall. In the image, a figure plays a cello.
    Krzysztof Wodiczko: Guidelines. Installation View, Artists Space, 1978. [An image is projected onto a white wall. In the image, a figure plays a cello.]
    Caption Krzysztof Wodiczko: Guidelines. Installation View, Artists Space, 1978.
    Image description An image is projected onto a white wall. In the image, a figure plays a cello.
    Year 1978
    Related pages Guidelines Krzysztof Wodiczko
  • An installation view of a green and tan wooden dining corral with a ramp, metal tables and wooden chairs.
    An installation view of a green and tan wooden dining corral with a ramp, metal tables and wooden chairs.
    Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [An installation view of a green and tan wooden dining corral with a ramp, metal tables and wooden chairs.]
    Caption Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description An installation view of a green and tan wooden dining corral with a ramp, metal tables and wooden chairs.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • A sharp image of two halves of a pvc pipe placed in front of an out of focus background. Water flows across the pipes; behind the pipes is a steel column.
    A sharp image of two halves of a pvc pipe placed in front of an out of focus background. Water flows across the pipes; behind the pipes is a steel column.
    Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [A sharp image of two halves of a pvc pipe placed in front of an out of focus background. Water flows across the pipes; behind the pipes is a steel column.]
    Caption Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description A sharp image of two halves of a pvc pipe placed in front of an out of focus background. Water flows across the pipes; behind the pipes is a steel column.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • A black and white photograph of a gallery space. Five mats hang on the left wall.
    A black and white photograph of a gallery space. Five mats hang on the left wall.
    Richards Jarden: Mats. Installation view, Artists Space, 1978. [A black and white photograph of a gallery space. Five mats hang on the left wall.]
    Caption Richards Jarden: Mats. Installation view, Artists Space, 1978.
    Image description A black and white photograph of a gallery space. Five mats hang on the left wall.
    Year 1978
    Related pages Mats Richards Jarden
  • Black and white background image of children standing in a street, they are screaming. In the center
    Black and white background image of children standing in a street, they are screaming. In the center
    Martin Cohen, All is Pretty Andy Warhol, 1979. Exhibition postcard. Courtesy Artists Space. [Black and white background image of children standing in a street, they are screaming. In the center "All is Pretty Andy Warhol" is witten in black script, below "Artists Space, 105 Hudson Street, November 27 - December 22" appears in black text.]
    Caption Martin Cohen, All is Pretty Andy Warhol, 1979. Exhibition postcard. Courtesy Artists Space.
    Image description Black and white background image of children standing in a street, they are screaming. In the center "All is Pretty Andy Warhol" is witten in black script, below "Artists Space, 105 Hudson Street, November 27 - December 22" appears in black text.
    Year 1979
    Related pages Martin Cohen
  • A photograph of a short printed text. In front of the text is a doll lying in supine position.
    A photograph of a short printed text. In front of the text is a doll lying in supine position.
    Rasheed Araeen, Paki Bastard, 1977. Courtesy Artists Space. [A photograph of a short printed text. In front of the text is a doll lying in supine position.]
    Caption Rasheed Araeen, Paki Bastard, 1977. Courtesy Artists Space.
    Image description A photograph of a short printed text. In front of the text is a doll lying in supine position.
    Year 1979
    Related pages Art From the British Left
  • A photograph of small metal circles and bars on a white background.
    A photograph of small metal circles and bars on a white background.
    Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978. [A photograph of small metal circles and bars on a white background.]
    Caption Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978.
    Image description A photograph of small metal circles and bars on a white background.
    Year 1978
    Related pages Gathering Dust Donald Lipski
  • Installation image of a gallery space with a window looking out onto a street. On the left, a red pole with ladder rungs, a rectangular collaged artwork, and two shelves holding books and papers are visible.
    Installation image of a gallery space with a window looking out onto a street. On the left, a red pole with ladder rungs, a rectangular collaged artwork, and two shelves holding books and papers are visible.
    Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak. [Installation image of a gallery space with a window looking out onto a street. On the left, a red pole with ladder rungs, a rectangular collaged artwork, and two shelves holding books and papers are visible.]
    Caption Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak.
    Image description Installation image of a gallery space with a window looking out onto a street. On the left, a red pole with ladder rungs, a rectangular collaged artwork, and two shelves holding books and papers are visible.
    Year 2021
    Related pages Jordan Lord: Prophetic Memory
  • Photograph of two white gallery walls. On one wall there are photographs, text, and the title
    Photograph of two white gallery walls. On one wall there are photographs, text, and the title
    Art From the British Left. Installation view, Artists Space, 1979. Artwork by Margaret Harrison. Courtesy Artists Space. [Photograph of two white gallery walls. On one wall there are photographs, text, and the title "HOMEWORKERS: WOMAN'S WORK," while the far wall features a row of small works on paper.]
    Caption Art From the British Left. Installation view, Artists Space, 1979. Artwork by Margaret Harrison. Courtesy Artists Space.
    Image description Photograph of two white gallery walls. On one wall there are photographs, text, and the title "HOMEWORKERS: WOMAN'S WORK," while the far wall features a row of small works on paper.
    Year 1979
    Related pages Art From the British Left
  • A round table and two chairs sit in front of a tall curtain. To the right, a tree extends from the floor to the ceiling. In the background of the image is a sculpture of a man on a horse.
    A round table and two chairs sit in front of a tall curtain. To the right, a tree extends from the floor to the ceiling. In the background of the image is a sculpture of a man on a horse.
    William Leavitt: Installation and Drawings. Installation view, Artists Space, 1979. [A round table and two chairs sit in front of a tall curtain. To the right, a tree extends from the floor to the ceiling. In the background of the image is a sculpture of a man on a horse.]
    Caption William Leavitt: Installation and Drawings. Installation view, Artists Space, 1979.
    Image description A round table and two chairs sit in front of a tall curtain. To the right, a tree extends from the floor to the ceiling. In the background of the image is a sculpture of a man on a horse.
    Year 1979
    Related pages William Leavitt, Installation and Drawings
  • Black and white photograph of people standing in a gallery among five spherical balls on the floor. Framed artworks hang on the right wall.
    Black and white photograph of people standing in a gallery among five spherical balls on the floor. Framed artworks hang on the right wall.
    Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Photograph from exhibition opening, Artists Space, 1979. [Black and white photograph of people standing in a gallery among five spherical balls on the floor. Framed artworks hang on the right wall.]
    Caption Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Photograph from exhibition opening, Artists Space, 1979.
    Image description Black and white photograph of people standing in a gallery among five spherical balls on the floor. Framed artworks hang on the right wall.
    Year 1979
    Related pages Display #7, Haim Steinbach
  • A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978. [A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.]
    Caption Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978.
    Image description A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    Year 1978
    Related pages Gathering Dust Donald Lipski
  • A photograph of a room hung with photographs and works on paper. In the center of the room is a table with folders and magazines and three chairs nearby.
    A photograph of a room hung with photographs and works on paper. In the center of the room is a table with folders and magazines and three chairs nearby.
    Art From the British Left. Installation view, Artists Space, 1979. Artwork by Alexis Hunter. Courtesy Artists Space. [A photograph of a room hung with photographs and works on paper. In the center of the room is a table with folders and magazines and three chairs nearby.]
    Caption Art From the British Left. Installation view, Artists Space, 1979. Artwork by Alexis Hunter. Courtesy Artists Space.
    Image description A photograph of a room hung with photographs and works on paper. In the center of the room is a table with folders and magazines and three chairs nearby.
    Year 1979
    Related pages Art From the British Left
  • An arrangement of rectangular prisms made of cardboard.
    An arrangement of rectangular prisms made of cardboard.
    Life Story Number 1. Installation view, Artists Space, 1979. [An arrangement of rectangular prisms made of cardboard.]
    Caption Life Story Number 1. Installation view, Artists Space, 1979.
    Image description An arrangement of rectangular prisms made of cardboard.
    Year 1979
    Related pages Life Story Number 1
  • A black and white photograph of a woven mat on a white background.
    A black and white photograph of a woven mat on a white background.
    Richards Jarden: Mats. Detail, Artists Space, 1978. [A black and white photograph of a woven mat on a white background.]
    Caption Richards Jarden: Mats. Detail, Artists Space, 1978.
    Image description A black and white photograph of a woven mat on a white background.
    Year 1978
    Related pages Mats Richards Jarden
  • Wires, matches, sticks, bits of string, and other scrap metal pieces are strewn across a white background.
    Wires, matches, sticks, bits of string, and other scrap metal pieces are strewn across a white background.
    Donald Lipski, work unknown. Artists Space, 1978. [Wires, matches, sticks, bits of string, and other scrap metal pieces are strewn across a white background.]
    Caption Donald Lipski, work unknown. Artists Space, 1978.
    Image description Wires, matches, sticks, bits of string, and other scrap metal pieces are strewn across a white background.
    Year 1978
    Related pages Gathering Dust Donald Lipski
  • A large black G over a green background. On the left,
    A large black G over a green background. On the left,
    Cover of Godzilla: Asian American Arts Network, edited by Howie Chen, published by Primary Information, 2021. Image courtesy of Primary Information. [A large black G over a green background. On the left, "Asian American Arts Network" appears in white vertical text over a black background.]
    Caption Cover of Godzilla: Asian American Arts Network, edited by Howie Chen, published by Primary Information, 2021. Image courtesy of Primary Information.
    Image description A large black G over a green background. On the left, "Asian American Arts Network" appears in white vertical text over a black background.
    Year 2021
    Related pages Godzilla: Asian American Arts Network (1990–2001) Book Launch
  • Six people holding tennis rackets stand in an alleyway. Each of them has their right shoe off and rubs the sole of their foot on top of a tennis ball. Suspended in the background, the words
    Six people holding tennis rackets stand in an alleyway. Each of them has their right shoe off and rubs the sole of their foot on top of a tennis ball. Suspended in the background, the words
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [Six people holding tennis rackets stand in an alleyway. Each of them has their right shoe off and rubs the sole of their foot on top of a tennis ball. Suspended in the background, the words "Socil Muscle Rehab" are painted in white on top of black and green signs.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description Six people holding tennis rackets stand in an alleyway. Each of them has their right shoe off and rubs the sole of their foot on top of a tennis ball. Suspended in the background, the words "Socil Muscle Rehab" are painted in white on top of black and green signs.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab (outdoor performance)
  • A person in black athletic wear hits a tennis ball towards the camera in an alleyway. Behind them, the words
    A person in black athletic wear hits a tennis ball towards the camera in an alleyway. Behind them, the words
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [A person in black athletic wear hits a tennis ball towards the camera in an alleyway. Behind them, the words "Artists Space" appear in white text on the windowpane of a black door.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description A person in black athletic wear hits a tennis ball towards the camera in an alleyway. Behind them, the words "Artists Space" appear in white text on the windowpane of a black door.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab (outdoor performance)
  • A photograph of a room with photographs and small works on paper hung on each wall. A visitor looks at the works on the far wall.
    A photograph of a room with photographs and small works on paper hung on each wall. A visitor looks at the works on the far wall.
    Art From the British Left. Installation view, Artists Space, 1979. Courtesy Artists Space. [A photograph of a room with photographs and small works on paper hung on each wall. A visitor looks at the works on the far wall.]
    Caption Art From the British Left. Installation view, Artists Space, 1979. Courtesy Artists Space.
    Image description A photograph of a room with photographs and small works on paper hung on each wall. A visitor looks at the works on the far wall.
    Year 1979
    Related pages Art From the British Left
  • A black and white photograph of a gallery space, three mats are visible hanging on the wall.
    A black and white photograph of a gallery space, three mats are visible hanging on the wall.
    Richards Jarden: Mats. Installation view, Artists Space, 1978. [A black and white photograph of a gallery space, three mats are visible hanging on the wall.]
    Caption Richards Jarden: Mats. Installation view, Artists Space, 1978.
    Image description A black and white photograph of a gallery space, three mats are visible hanging on the wall.
    Year 1978
    Related pages Mats Richards Jarden
  • A green and tan wooden dining corral with a ramp and a metal barricade. People sit and stand in and around the corral.
    A green and tan wooden dining corral with a ramp and a metal barricade. People sit and stand in and around the corral.
    Ei Arakawa: Social Muscle Rehab. Performance documentation, October 10, 2021, Artists Space. Photo: Ei Arakawa. [A green and tan wooden dining corral with a ramp and a metal barricade. People sit and stand in and around the corral.]
    Caption Ei Arakawa: Social Muscle Rehab. Performance documentation, October 10, 2021, Artists Space. Photo: Ei Arakawa.
    Image description A green and tan wooden dining corral with a ramp and a metal barricade. People sit and stand in and around the corral.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978. [A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.]
    Caption Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978.
    Image description A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    Year 1978
    Related pages Gathering Dust Donald Lipski
  • A sharp image of two halves of a pvc pipe placed in front of an out of focus background. Water flows across the pipes; behind the pipes is a steel column.
    A sharp image of two halves of a pvc pipe placed in front of an out of focus background. Water flows across the pipes; behind the pipes is a steel column.
    Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, detail, 2021, Dimensions variable. [A sharp image of two halves of a pvc pipe placed in front of an out of focus background. Water flows across the pipes; behind the pipes is a steel column.]
    Caption Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, detail, 2021, Dimensions variable.
    Image description A sharp image of two halves of a pvc pipe placed in front of an out of focus background. Water flows across the pipes; behind the pipes is a steel column.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • A man stands on top of a rock formation. Water from a nearby stream falls over the rock formation into a shallow pool. Text at the top of the image reads,
    A man stands on top of a rock formation. Water from a nearby stream falls over the rock formation into a shallow pool. Text at the top of the image reads,
    Pieter Holstein: The Waterfall. Postcard, Artists Space, 1979. [A man stands on top of a rock formation. Water from a nearby stream falls over the rock formation into a shallow pool. Text at the top of the image reads, "Pieter Holstein Presents: The Waterfall."]
    Caption Pieter Holstein: The Waterfall. Postcard, Artists Space, 1979.
    Image description A man stands on top of a rock formation. Water from a nearby stream falls over the rock formation into a shallow pool. Text at the top of the image reads, "Pieter Holstein Presents: The Waterfall."
    Year 1979
    Related pages The Waterfall Pieter Holstein
  • White outlines of leaf and fern-like forms overlay a dark green background. The word
    White outlines of leaf and fern-like forms overlay a dark green background. The word
    Flyer for Segue Reading Series featuring Lyric Hunter and Adrian Shirk. Saturday, October 16, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel [White outlines of leaf and fern-like forms overlay a dark green background. The word "Segue" is written in bright pink script on the top left, and the names "Lyric Hunter" and "Adrian Shirk" are written below in white.]
    Caption Flyer for Segue Reading Series featuring Lyric Hunter and Adrian Shirk. Saturday, October 16, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel
    Image description White outlines of leaf and fern-like forms overlay a dark green background. The word "Segue" is written in bright pink script on the top left, and the names "Lyric Hunter" and "Adrian Shirk" are written below in white.
    Year 2021
    Related pages Segue Reading Series: Lyric Hunter & Adrian Shirk
  • Contact sheet of installation images showing sculptures and other artworks in a 6 x 6 grid.
    Contact sheet of installation images showing sculptures and other artworks in a 6 x 6 grid.
    Ken Wade: Installation/New Work. Contact sheet of installation views for William Leavitt: Installation and Drawings, The Levitation of Anna: Michael Zwack, and Ken Wade, Artists Space, 1979. [Contact sheet of installation images showing sculptures and other artworks in a 6 x 6 grid.]
    Caption Ken Wade: Installation/New Work. Contact sheet of installation views for William Leavitt: Installation and Drawings, The Levitation of Anna: Michael Zwack, and Ken Wade, Artists Space, 1979.
    Image description Contact sheet of installation images showing sculptures and other artworks in a 6 x 6 grid.
    Year 1979
    Related pages Ken Wade, Installation/New Work
  • A photograph of a long corridor with a far wall with the words
    A photograph of a long corridor with a far wall with the words
    Art From the British Left. Installation view, Artists Space, 1979. Courtesy Artists Space. [A photograph of a long corridor with a far wall with the words "SOME BRITISH ART FROM THE LEFT." Small works on paper are hung on the left side of the hallway.]
    Caption Art From the British Left. Installation view, Artists Space, 1979. Courtesy Artists Space.
    Image description A photograph of a long corridor with a far wall with the words "SOME BRITISH ART FROM THE LEFT." Small works on paper are hung on the left side of the hallway.
    Year 1979
    Related pages Art From the British Left
  • Black and white photograph of a gallery space with windows in the background. Mats hang on the left and right walls.
    Black and white photograph of a gallery space with windows in the background. Mats hang on the left and right walls.
    Richards Jarden: Mats. Installation view, Artists Space, 1978. [Black and white photograph of a gallery space with windows in the background. Mats hang on the left and right walls.]
    Caption Richards Jarden: Mats. Installation view, Artists Space, 1978.
    Image description Black and white photograph of a gallery space with windows in the background. Mats hang on the left and right walls.
    Year 1978
    Related pages Mats Richards Jarden
  • Black and white photograph of a performance. In the foreground, a barefoot figure in a suit leans to their right side. A drummer is visible in the background.
    Black and white photograph of a performance. In the foreground, a barefoot figure in a suit leans to their right side. A drummer is visible in the background.
    Aki Onda, Milford Graves and Min Tanaka, 1985. Courtesy of Aki Onda. [Black and white photograph of a performance. In the foreground, a barefoot figure in a suit leans to their right side. A drummer is visible in the background.]
    Caption Aki Onda, Milford Graves and Min Tanaka, 1985. Courtesy of Aki Onda.
    Image description Black and white photograph of a performance. In the foreground, a barefoot figure in a suit leans to their right side. A drummer is visible in the background.
    Year 2022
    Related pages Min Tanaka
  • A set of white metal shelves against a white wall. The top shelf hold seven books and the bottom shelf holds seven books and stapled pamphlets in a clear stand.
    A set of white metal shelves against a white wall. The top shelf hold seven books and the bottom shelf holds seven books and stapled pamphlets in a clear stand.
    Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak. [A set of white metal shelves against a white wall. The top shelf hold seven books and the bottom shelf holds seven books and stapled pamphlets in a clear stand.]
    Caption Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak.
    Image description A set of white metal shelves against a white wall. The top shelf hold seven books and the bottom shelf holds seven books and stapled pamphlets in a clear stand.
    Year 2021
    Related pages Jordan Lord: Prophetic Memory
  • Tennis players stand in an alleyway, ready to hit balls from an automatic ballfeeder. A crowd watches intently in the background. Suspended above them the words
    Tennis players stand in an alleyway, ready to hit balls from an automatic ballfeeder. A crowd watches intently in the background. Suspended above them the words
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [Tennis players stand in an alleyway, ready to hit balls from an automatic ballfeeder. A crowd watches intently in the background. Suspended above them the words "Social Muscle Rehab" are painted in white capitalized text on black and green signs.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description Tennis players stand in an alleyway, ready to hit balls from an automatic ballfeeder. A crowd watches intently in the background. Suspended above them the words "Social Muscle Rehab" are painted in white capitalized text on black and green signs.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab (outdoor performance)
  • Six people with tennis rackets hit tennis balls against a graffitied metal door in an alleyway. Suspended behind them are a black net and signs that read
    Six people with tennis rackets hit tennis balls against a graffitied metal door in an alleyway. Suspended behind them are a black net and signs that read
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [Six people with tennis rackets hit tennis balls against a graffitied metal door in an alleyway. Suspended behind them are a black net and signs that read "Social Muscle Rehab" in painted white]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description Six people with tennis rackets hit tennis balls against a graffitied metal door in an alleyway. Suspended behind them are a black net and signs that read "Social Muscle Rehab" in painted white
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab (outdoor performance)
  • Two white shelves attached to a white wall hold four sets of books and some papers. On the right is a black metal pole.
    Two white shelves attached to a white wall hold four sets of books and some papers. On the right is a black metal pole.
    Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak. [Two white shelves attached to a white wall hold four sets of books and some papers. On the right is a black metal pole. ]
    Caption Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak.
    Image description Two white shelves attached to a white wall hold four sets of books and some papers. On the right is a black metal pole.
    Year 2021
    Related pages Jordan Lord: Prophetic Memory
  • A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978. [A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.]
    Caption Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978.
    Image description A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    Year 1978
    Related pages Gathering Dust Donald Lipski
  • Three numbered boxes are lined up in a row against a solid black background. The box on the left is a black-and-white photograph of people standing in a line on a hill. The middle box and the rightmost box are line drawings in white.
    Three numbered boxes are lined up in a row against a solid black background. The box on the left is a black-and-white photograph of people standing in a line on a hill. The middle box and the rightmost box are line drawings in white.
    Bernard Tschumi: Architectural Manifestos. Postcard, Artists Space, 1978. [Three numbered boxes are lined up in a row against a solid black background. The box on the left is a black-and-white photograph of people standing in a line on a hill. The middle box and the rightmost box are line drawings in white.]
    Caption Bernard Tschumi: Architectural Manifestos. Postcard, Artists Space, 1978.
    Image description Three numbered boxes are lined up in a row against a solid black background. The box on the left is a black-and-white photograph of people standing in a line on a hill. The middle box and the rightmost box are line drawings in white.
    Year 1978
    Related pages Architectural Manifestos Bernard Tschumi
  • A black-and-white photograph of a video installation with multiple projections running simultaneously on different parts of the walls. A chair and table are visible in the foreground.
    A black-and-white photograph of a video installation with multiple projections running simultaneously on different parts of the walls. A chair and table are visible in the foreground.
    Krzysztof Wodiczko: Guidelines. Postcard, Artists Space, 1978. [A black-and-white photograph of a video installation with multiple projections running simultaneously on different parts of the walls. A chair and table are visible in the foreground.]
    Caption Krzysztof Wodiczko: Guidelines. Postcard, Artists Space, 1978.
    Image description A black-and-white photograph of a video installation with multiple projections running simultaneously on different parts of the walls. A chair and table are visible in the foreground.
    Year 1978
    Related pages Guidelines Krzysztof Wodiczko
  • Photograph of three musicians in a room with a red carpet. The figure on the left is playing an upright bass, the center figure is seated behind a drum set, and the figure on the left holds a guitar with their back turned to the camera.
    Photograph of three musicians in a room with a red carpet. The figure on the left is playing an upright bass, the center figure is seated behind a drum set, and the figure on the left holds a guitar with their back turned to the camera.
    Milford Graves with William Parker and Shahzad Ismaily. Performance documentation, October 15, 2017, The Artists Institute, New York. Image courtesy The Artists Institute. [Photograph of three musicians in a room with a red carpet. The figure on the left is playing an upright bass, the center figure is seated behind a drum set, and the figure on the left holds a guitar with their back turned to the camera.]
    Caption Milford Graves with William Parker and Shahzad Ismaily. Performance documentation, October 15, 2017, The Artists Institute, New York. Image courtesy The Artists Institute.
    Image description Photograph of three musicians in a room with a red carpet. The figure on the left is playing an upright bass, the center figure is seated behind a drum set, and the figure on the left holds a guitar with their back turned to the camera.
    Year 2021
    Related pages Shahzad Ismaily
  • A group of people dressed in black standing in the street with their hands up. Behind them, green and white fabrics on top of blue poles create a tent-like structure. The word
    A group of people dressed in black standing in the street with their hands up. Behind them, green and white fabrics on top of blue poles create a tent-like structure. The word
    Ei Arakawa, RIOT THE 8 BARS, nGbK, Berlin, 2007, Photo: Christin Lahr [A group of people dressed in black standing in the street with their hands up. Behind them, green and white fabrics on top of blue poles create a tent-like structure. The word "Riot" appears on one of the poles, written in white text over a black background.]
    Caption Ei Arakawa, RIOT THE 8 BARS, nGbK, Berlin, 2007, Photo: Christin Lahr
    Image description A group of people dressed in black standing in the street with their hands up. Behind them, green and white fabrics on top of blue poles create a tent-like structure. The word "Riot" appears on one of the poles, written in white text over a black background.
    Year 2021
    Related pages Ei Arakawa Artist’s Reception & Book Release
  • Looking into a gallery space through a window, on the right wall two shelves are filled with books. Further in the background a dark rectangle hangs on the wall. On the windowpane the words
    Looking into a gallery space through a window, on the right wall two shelves are filled with books. Further in the background a dark rectangle hangs on the wall. On the windowpane the words
    Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak. [Looking into a gallery space through a window, on the right wall two shelves are filled with books. Further in the background a dark rectangle hangs on the wall. On the windowpane the words "Bortolami, Kaufmann Repetto, Andrew Kreps Gallery and 55 Walker" are visible in black and pink text. ]
    Caption Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak.
    Image description Looking into a gallery space through a window, on the right wall two shelves are filled with books. Further in the background a dark rectangle hangs on the wall. On the windowpane the words "Bortolami, Kaufmann Repetto, Andrew Kreps Gallery and 55 Walker" are visible in black and pink text.
    Year 2021
    Related pages Jordan Lord: Prophetic Memory
  • A photograph of a long corridor. The wall at the end of the hallway shows the words
    A photograph of a long corridor. The wall at the end of the hallway shows the words
    Art From the British Left. Installation view, Artists Space, 1979. Courtesy Artists Space. [A photograph of a long corridor. The wall at the end of the hallway shows the words "SOME BRITISH ART FROM THE LEFT." There is an open door on the right, where a room hung with small artworks can be seen.]
    Caption Art From the British Left. Installation view, Artists Space, 1979. Courtesy Artists Space.
    Image description A photograph of a long corridor. The wall at the end of the hallway shows the words "SOME BRITISH ART FROM THE LEFT." There is an open door on the right, where a room hung with small artworks can be seen.
    Year 1979
    Related pages Art From the British Left
  • Installation view of a gallery space with a green and tan wooden dining corral with a metal table and wooden chairs. In the background on the left are grey concrete columns. Between the gaps of the columns, a net and a sign that reads
    Installation view of a gallery space with a green and tan wooden dining corral with a metal table and wooden chairs. In the background on the left are grey concrete columns. Between the gaps of the columns, a net and a sign that reads
    Ei Arakawa with Gela Patashuri, Social Muscle Rehab. Installation view, Artists Space, 2021. Image courtesy Artists Space. Photo: Filip Wolak. [Installation view of a gallery space with a green and tan wooden dining corral with a metal table and wooden chairs. In the background on the left are grey concrete columns. Between the gaps of the columns, a net and a sign that reads "Social" are visible.]
    Caption Ei Arakawa with Gela Patashuri, Social Muscle Rehab. Installation view, Artists Space, 2021. Image courtesy Artists Space. Photo: Filip Wolak.
    Image description Installation view of a gallery space with a green and tan wooden dining corral with a metal table and wooden chairs. In the background on the left are grey concrete columns. Between the gaps of the columns, a net and a sign that reads "Social" are visible.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • An LED screen can be seen behind a set of black bars at the level of a sidewalk. The screen reads in multicolored text,
    An LED screen can be seen behind a set of black bars at the level of a sidewalk. The screen reads in multicolored text,
    Ei Arakawa, @naomiosaka, 11:24am, Aug 29, 2021, 2021. 24” x 48.” 6496 LEDs (WS2813, 100 LEDs/m, black) on hand-dyed fabric with grommets, T-300K controller, 2GB SD card with LedEdit 2014 files, 3× 5V 80A power supply with 22 AWG stranded wire. Image courtesy Artists Space, New York. Photo: Filip Wolak [An LED screen can be seen behind a set of black bars at the level of a sidewalk. The screen reads in multicolored text, "Recently, I've been asking myself."]
    Caption Ei Arakawa, @naomiosaka, 11:24am, Aug 29, 2021, 2021. 24” x 48.” 6496 LEDs (WS2813, 100 LEDs/m, black) on hand-dyed fabric with grommets, T-300K controller, 2GB SD card with LedEdit 2014 files, 3× 5V 80A power supply with 22 AWG stranded wire. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description An LED screen can be seen behind a set of black bars at the level of a sidewalk. The screen reads in multicolored text, "Recently, I've been asking myself."
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • Contact sheet of stills depicting numerous installation views.
    Contact sheet of stills depicting numerous installation views.
    The Levitation of Anna: Michael Zwack. Contact sheet of installation views for William Leavitt: Installation and Drawings, The Levitation of Anna: Michael Zwack, and Ken Wade, Artists Space, 1979. Courtesy Artists Space. [Contact sheet of stills depicting numerous installation views.]
    Caption The Levitation of Anna: Michael Zwack. Contact sheet of installation views for William Leavitt: Installation and Drawings, The Levitation of Anna: Michael Zwack, and Ken Wade, Artists Space, 1979. Courtesy Artists Space.
    Image description Contact sheet of stills depicting numerous installation views.
    Year 1979
    Related pages The Levitation of Anna, Michael Zwack
  • An image is projected onto a white wall. The image consists of various simple rectangular shapes.
    An image is projected onto a white wall. The image consists of various simple rectangular shapes.
    Krzysztof Wodiczko: Guidelines. Installation View, Artists Space, 1978. [An image is projected onto a white wall. The image consists of various simple rectangular shapes.]
    Caption Krzysztof Wodiczko: Guidelines. Installation View, Artists Space, 1978.
    Image description An image is projected onto a white wall. The image consists of various simple rectangular shapes.
    Year 1978
    Related pages Guidelines Krzysztof Wodiczko
  • Head on view of a projected video. The screen shows three figures sitting and includes closed captioning that reads
    Head on view of a projected video. The screen shows three figures sitting and includes closed captioning that reads
    Jordan Lord, Prophetic Memory (Live Replay), with Annette Carter and Deborah Lorde, 2021. 4K video, 90 min., looped. Photo: Filip Wolak. [Head on view of a projected video. The screen shows three figures sitting and includes closed captioning that reads "[Mimi laughing] Bet you don't remember that, do you? / Do you know how that broke my heart?"]
    Caption Jordan Lord, Prophetic Memory (Live Replay), with Annette Carter and Deborah Lorde, 2021. 4K video, 90 min., looped. Photo: Filip Wolak.
    Image description Head on view of a projected video. The screen shows three figures sitting and includes closed captioning that reads "[Mimi laughing] Bet you don't remember that, do you? / Do you know how that broke my heart?"
    Year 2021
    Related pages Jordan Lord: Prophetic Memory
  • An image is projected onto a white wall. In the image, a woman holds a man's head in her hands.
    An image is projected onto a white wall. In the image, a woman holds a man's head in her hands.
    Krzysztof Wodiczko: Guidelines. Installation View, Artists Space, 1978. [An image is projected onto a white wall. In the image, a woman holds a man's head in her hands.]
    Caption Krzysztof Wodiczko: Guidelines. Installation View, Artists Space, 1978.
    Image description An image is projected onto a white wall. In the image, a woman holds a man's head in her hands.
    Year 1978
    Related pages Guidelines Krzysztof Wodiczko
  • A green and tan wooden dining corral with a ramp, metal tables and chairs. People sit and stand in and around the corral.
    A green and tan wooden dining corral with a ramp, metal tables and chairs. People sit and stand in and around the corral.
    Ei Arakawa: Social Muscle Rehab. Performance documentation, October 10, 2021, Artists Space. Photo: Ei Arakawa. [A green and tan wooden dining corral with a ramp, metal tables and chairs. People sit and stand in and around the corral.]
    Caption Ei Arakawa: Social Muscle Rehab. Performance documentation, October 10, 2021, Artists Space. Photo: Ei Arakawa.
    Image description A green and tan wooden dining corral with a ramp, metal tables and chairs. People sit and stand in and around the corral.
    Year 2021
    Related pages Ei Arakawa: Performance People Book Release & Artist’s Reception at Social Muscle Rehab
  • A darkened room with a projected video, several chairs and a black sofa. Two colums are visible on the left.
    A darkened room with a projected video, several chairs and a black sofa. Two colums are visible on the left.
    Jordan Lord, Prophetic Memory (Live Replay), with Annette Carter and Deborah Lorde, 2021. 4K video, 90 min., looped. Image courtesy Artists Space. Photo: Filip Wolak. [A darkened room with a projected video, several chairs and a black sofa. Two colums are visible on the left.]
    Caption Jordan Lord, Prophetic Memory (Live Replay), with Annette Carter and Deborah Lorde, 2021. 4K video, 90 min., looped. Image courtesy Artists Space. Photo: Filip Wolak.
    Image description A darkened room with a projected video, several chairs and a black sofa. Two colums are visible on the left.
    Year 2021
    Related pages Jordan Lord: Prophetic Memory
  • In an alleyway, five people with tennis rackets hit tennis balls towards suspended black and green signs that read
    In an alleyway, five people with tennis rackets hit tennis balls towards suspended black and green signs that read
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [In an alleyway, five people with tennis rackets hit tennis balls towards suspended black and green signs that read "Social Muscle Rehab" in white paint.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description In an alleyway, five people with tennis rackets hit tennis balls towards suspended black and green signs that read "Social Muscle Rehab" in white paint.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab (outdoor performance)
  • View of a gallery space with four grey concrete columns. In the gaps between the columns, a net and three signs are visible. The signs read,
    View of a gallery space with four grey concrete columns. In the gaps between the columns, a net and three signs are visible. The signs read,
    Ei Arakawa. Social Muscle Rehab, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [View of a gallery space with four grey concrete columns. In the gaps between the columns, a net and three signs are visible. The signs read, "Social Muscle Rehab" in painted white text over green and black backgrounds. ]
    Caption Ei Arakawa. Social Muscle Rehab, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description View of a gallery space with four grey concrete columns. In the gaps between the columns, a net and three signs are visible. The signs read, "Social Muscle Rehab" in painted white text over green and black backgrounds.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • Tennis players stand in an alleyway, ready to hit balls from an automatic ballfeeder. A crowd watches intently in the background. Suspended above them the words
    Tennis players stand in an alleyway, ready to hit balls from an automatic ballfeeder. A crowd watches intently in the background. Suspended above them the words
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [Tennis players stand in an alleyway, ready to hit balls from an automatic ballfeeder. A crowd watches intently in the background. Suspended above them the words "Social Muscle Rehab" are painted in white capitalized text on black and green signs.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description Tennis players stand in an alleyway, ready to hit balls from an automatic ballfeeder. A crowd watches intently in the background. Suspended above them the words "Social Muscle Rehab" are painted in white capitalized text on black and green signs.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • View of a florbound television screen and speaker next to a brown pole. The edge of a black net is visible on the left.
    View of a florbound television screen and speaker next to a brown pole. The edge of a black net is visible on the left.
    Ei Arakawa. Social Muscle Rehab (early edit for exhibition), 2021. 5:19 minutes. With Dan Chen, Danielle A. Jackson, K.O. Nnamdie, Masako Shiba, Kenneth Teng, Ivanny Pagan, Britnie Williams. Camera by Lazar Bozic (Ortvi.com). Image courtesy Artists Space, New York. Photo: Filip Wolak [View of a florbound television screen and speaker next to a brown pole. The edge of a black net is visible on the left. ]
    Caption Ei Arakawa. Social Muscle Rehab (early edit for exhibition), 2021. 5:19 minutes. With Dan Chen, Danielle A. Jackson, K.O. Nnamdie, Masako Shiba, Kenneth Teng, Ivanny Pagan, Britnie Williams. Camera by Lazar Bozic (Ortvi.com). Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description View of a florbound television screen and speaker next to a brown pole. The edge of a black net is visible on the left.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • An installation view of a green and tan wooden dining corral with metal tables and wooden chairs.
    An installation view of a green and tan wooden dining corral with metal tables and wooden chairs.
    Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [An installation view of a green and tan wooden dining corral with metal tables and wooden chairs. ]
    Caption Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description An installation view of a green and tan wooden dining corral with metal tables and wooden chairs.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • A crafted deer head with horns appears on the wall with various drawn patterns on it.
    A crafted deer head with horns appears on the wall with various drawn patterns on it.
    Sherry Markovitz, Danny Boy, 1985. [A crafted deer head with horns appears on the wall with various drawn patterns on it.]
    Caption Sherry Markovitz, Danny Boy, 1985.
    Image description A crafted deer head with horns appears on the wall with various drawn patterns on it.
    Year
    Related pages U.S. Projects
  • On a white background black print reads
    On a white background black print reads
    Art From the British Left. Installation view, Artists Space, 1979. Courtesy Artists Space. [On a white background black print reads "IF THERE'S NO DANCING AT THE REVOLUTION, I'M NOT COMING -Emma Goldman" above handwriting reading "So, who said you're invited?" and "You mean 'WAVE' distortion in that case, no FEAT required. Mr Mü."]
    Caption Art From the British Left. Installation view, Artists Space, 1979. Courtesy Artists Space.
    Image description On a white background black print reads "IF THERE'S NO DANCING AT THE REVOLUTION, I'M NOT COMING -Emma Goldman" above handwriting reading "So, who said you're invited?" and "You mean 'WAVE' distortion in that case, no FEAT required. Mr Mü."
    Year 1979
    Related pages Art From the British Left
  • A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978. [A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.]
    Caption Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978.
    Image description A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    Year 1978
    Related pages Gathering Dust Donald Lipski
  • A black and white photograph of a gallery space with windows in the background. Mats hang on the left and right walls.
    A black and white photograph of a gallery space with windows in the background. Mats hang on the left and right walls.
    Richards Jarden: Mats. Installation view, Artists Space, 1978. [A black and white photograph of a gallery space with windows in the background. Mats hang on the left and right walls.]
    Caption Richards Jarden: Mats. Installation view, Artists Space, 1978.
    Image description A black and white photograph of a gallery space with windows in the background. Mats hang on the left and right walls.
    Year 1978
    Related pages Mats Richards Jarden
  • A large white wall with symmetric, geometric patterns drawn on it.
    A large white wall with symmetric, geometric patterns drawn on it.
    Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich. [A large white wall with symmetric, geometric patterns drawn on it.]
    Caption Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich.
    Image description A large white wall with symmetric, geometric patterns drawn on it.
    Year 2009
    Related pages Paper Exhibition
  • Two people stand at the front of a full classroom in front of a projector screen that says,
    Two people stand at the front of a full classroom in front of a projector screen that says,
    P.S. 140 student workshopping poems, 2019 [Two people stand at the front of a full classroom in front of a projector screen that says, "Poetry workshop / Ms. Rebecca / Today's task: create headline poems." One reads from a notebook, the other listens on.]
    Caption P.S. 140 student workshopping poems, 2019
    Image description Two people stand at the front of a full classroom in front of a projector screen that says, "Poetry workshop / Ms. Rebecca / Today's task: create headline poems." One reads from a notebook, the other listens on.
    Year 2019
    Related pages Art and Literacy: Poetry
  • A microphone connected to a stand and an amp sit on the floor of a gallery space. The microphone stand has been adjusted such that the microphone is pointed down and hovers directly over a small answering machine on the ground. Wall vinyl installed on the wall directly behind the microphone stand displays a phone number:
    A microphone connected to a stand and an amp sit on the floor of a gallery space. The microphone stand has been adjusted such that the microphone is pointed down and hovers directly over a small answering machine on the ground. Wall vinyl installed on the wall directly behind the microphone stand displays a phone number:
    Salad Days 2. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [A microphone connected to a stand and an amp sit on the floor of a gallery space. The microphone stand has been adjusted such that the microphone is pointed down and hovers directly over a small answering machine on the ground. Wall vinyl installed on the wall directly behind the microphone stand displays a phone number: "+1 (212) 226-2786)."]
    Caption Salad Days 2. Installation view, Artists Space, 2006. Photo: Bill Ocrutt.
    Image description A microphone connected to a stand and an amp sit on the floor of a gallery space. The microphone stand has been adjusted such that the microphone is pointed down and hovers directly over a small answering machine on the ground. Wall vinyl installed on the wall directly behind the microphone stand displays a phone number: "+1 (212) 226-2786)."
    Year 2006
    Related pages Salad Days 2
  • Color photograph of a gallery space. A free-standing wall sits in the middle of the space, holding framed CDs, a projected image of a man and a truck, and an audio device. On the floor in front of the wall sits a television monitor.
    Color photograph of a gallery space. A free-standing wall sits in the middle of the space, holding framed CDs, a projected image of a man and a truck, and an audio device. On the floor in front of the wall sits a television monitor.
    Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery space. A free-standing wall sits in the middle of the space, holding framed CDs, a projected image of a man and a truck, and an audio device. On the floor in front of the wall sits a television monitor.]
    Caption Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a gallery space. A free-standing wall sits in the middle of the space, holding framed CDs, a projected image of a man and a truck, and an audio device. On the floor in front of the wall sits a television monitor.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • Flyer featuring densely collaged images of food in metal trays, renaissance-era images of saints and angels, Cookie Monster and other puppets, electric keyboards and vintage video game consoles, images of people holding vegetables and plates of food, and tree-filled landscapes. Below the collage, white sans-serif text is superimposed over an image of stars in space. The text reads: “artists space & the segue reading series invite you to a virtual reading by / Steven Seinberg / and / Darcie Dennigan / saturday, may 2nd, 5pm nyc time, zoom id: 378 232 567 / it will be robust.
    Flyer featuring densely collaged images of food in metal trays, renaissance-era images of saints and angels, Cookie Monster and other puppets, electric keyboards and vintage video game consoles, images of people holding vegetables and plates of food, and tree-filled landscapes. Below the collage, white sans-serif text is superimposed over an image of stars in space. The text reads: “artists space & the segue reading series invite you to a virtual reading by / Steven Seinberg / and / Darcie Dennigan / saturday, may 2nd, 5pm nyc time, zoom id: 378 232 567 / it will be robust.
    [Flyer featuring densely collaged images of food in metal trays, renaissance-era images of saints and angels, Cookie Monster and other puppets, electric keyboards and vintage video game consoles, images of people holding vegetables and plates of food, and tree-filled landscapes. Below the collage, white sans-serif text is superimposed over an image of stars in space. The text reads: “artists space & the segue reading series invite you to a virtual reading by / Steven Seinberg / and / Darcie Dennigan / saturday, may 2nd, 5pm nyc time, zoom id: 378 232 567 / it will be robust.]
    Caption
    Image description Flyer featuring densely collaged images of food in metal trays, renaissance-era images of saints and angels, Cookie Monster and other puppets, electric keyboards and vintage video game consoles, images of people holding vegetables and plates of food, and tree-filled landscapes. Below the collage, white sans-serif text is superimposed over an image of stars in space. The text reads: “artists space & the segue reading series invite you to a virtual reading by / Steven Seinberg / and / Darcie Dennigan / saturday, may 2nd, 5pm nyc time, zoom id: 378 232 567 / it will be robust.
    Year 2020
    Related pages Segue Reading Series: Darcie Dennigan & Steven Seidenberg
  • Two slide projectors sit on a table, projecting small images onto perpendicular walls. On one wall, there is a paper lamp and three framed photographs: two black and white images of folded paper, and one color image.
    Two slide projectors sit on a table, projecting small images onto perpendicular walls. On one wall, there is a paper lamp and three framed photographs: two black and white images of folded paper, and one color image.
    Elephant Cemetery. Installation view, Artists Space, 2007. [Two slide projectors sit on a table, projecting small images onto perpendicular walls. On one wall, there is a paper lamp and three framed photographs: two black and white images of folded paper, and one color image.]
    Caption Elephant Cemetery. Installation view, Artists Space, 2007.
    Image description Two slide projectors sit on a table, projecting small images onto perpendicular walls. On one wall, there is a paper lamp and three framed photographs: two black and white images of folded paper, and one color image.
    Year 2007
    Related pages Elephant Cemetery
  • A color installation photograph of a black and white abstract painting on a white wall.
    A color installation photograph of a black and white abstract painting on a white wall.
    Richard Klauber. Small Black Painting, 1975. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975. [A color installation photograph of a black and white abstract painting on a white wall.]
    Caption Richard Klauber. Small Black Painting, 1975. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975.
    Image description A color installation photograph of a black and white abstract painting on a white wall.
    Year 1975
    Related pages Ruth Hardinger, Richard Klauber
  • A gray image of a person in a hard helmet. The image is slightly fuzzy and worn, and mostly obscured by scratches. White text in the lower righthand corner reads,
    A gray image of a person in a hard helmet. The image is slightly fuzzy and worn, and mostly obscured by scratches. White text in the lower righthand corner reads,
    [A gray image of a person in a hard helmet. The image is slightly fuzzy and worn, and mostly obscured by scratches. White text in the lower righthand corner reads, "A TERRIBLE BEAUTY."]
    Caption
    Image description A gray image of a person in a hard helmet. The image is slightly fuzzy and worn, and mostly obscured by scratches. White text in the lower righthand corner reads, "A TERRIBLE BEAUTY."
    Year 1994
    Related pages A Terrible Beauty: Images of Conflict in Ireland
  • Amelia Bande stands in front of  wall covered with posters and gestures towards her eyes as she says, “We wore masks and protective eyewear at the protests in Santiago.”
    Amelia Bande stands in front of  wall covered with posters and gestures towards her eyes as she says, “We wore masks and protective eyewear at the protests in Santiago.”
    Amelia Bande. Stills from El estallido / The Outbreak, 2020. Recording of a live performance held over Zoom on August 7, 2020. Stage design and camera collaboration with Rachel Higgins. Courtesy the artist. [Amelia Bande stands in front of wall covered with posters and gestures towards her eyes as she says, “We wore masks and protective eyewear at the protests in Santiago.”]
    Caption Amelia Bande. Stills from El estallido / The Outbreak, 2020. Recording of a live performance held over Zoom on August 7, 2020. Stage design and camera collaboration with Rachel Higgins. Courtesy the artist.
    Image description Amelia Bande stands in front of wall covered with posters and gestures towards her eyes as she says, “We wore masks and protective eyewear at the protests in Santiago.”
    Year 2020
    Related pages Whitney ISP Archive
  • A color installation photograph of a black and white abstract painting on a white wall.
    A color installation photograph of a black and white abstract painting on a white wall.
    Richard Klauber. Installation view,Ruth Hardinger, Richard Klauber, Artists Space, 1975. [A color installation photograph of a black and white abstract painting on a white wall.]
    Caption Richard Klauber. Installation view,Ruth Hardinger, Richard Klauber, Artists Space, 1975.
    Image description A color installation photograph of a black and white abstract painting on a white wall.
    Year 1975
    Related pages Ruth Hardinger, Richard Klauber
  • A black and white photograph of an artwork. A gainst a black background, 35 circles are drawn. Inside of each sphere is a miniature scene, either featuring people, planes, or household interiors.
    A black and white photograph of an artwork. A gainst a black background, 35 circles are drawn. Inside of each sphere is a miniature scene, either featuring people, planes, or household interiors.
    Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee. [A black and white photograph of an artwork. A gainst a black background, 35 circles are drawn. Inside of each sphere is a miniature scene, either featuring people, planes, or household interiors.]
    Caption Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee.
    Image description A black and white photograph of an artwork. A gainst a black background, 35 circles are drawn. Inside of each sphere is a miniature scene, either featuring people, planes, or household interiors.
    Year 1977
    Related pages Pictures
  • A bifold book cover. A picture of a woman singing into a microphone bleeds across the front and back cover and the title of the book is written in a blocky yellow font.
    A bifold book cover. A picture of a woman singing into a microphone bleeds across the front and back cover and the title of the book is written in a blocky yellow font.
    Colin MacCabe, Godard: Images, Sounds, Politics (Macmillan, 1980). [A bifold book cover. A picture of a woman singing into a microphone bleeds across the front and back cover and the title of the book is written in a blocky yellow font.]
    Caption Colin MacCabe, Godard: Images, Sounds, Politics (Macmillan, 1980).
    Image description A bifold book cover. A picture of a woman singing into a microphone bleeds across the front and back cover and the title of the book is written in a blocky yellow font.
    Year 1980
    Related pages The Truth About Hollis
  • The title and table of contents page of an essay published in the Harvard Law Review.
    The title and table of contents page of an essay published in the Harvard Law Review.
    Harris, Cheryl I, "Whiteness as Property." Harvard Law Review. Vol. 106, No. 8, June 1993. [The title and table of contents page of an essay published in the Harvard Law Review.]
    Caption Harris, Cheryl I, "Whiteness as Property." Harvard Law Review. Vol. 106, No. 8, June 1993.
    Image description The title and table of contents page of an essay published in the Harvard Law Review.
    Year 1993
    Related pages The Afterlife of Slavery: Markets, Property and Race
  • Two illustrations framed on a wall. On the left, two men, dressed in suits, engage in intercource behind a women sat in a chair. On the right, a half naked man sits on a bench in a cell above a man licking his leg, and an exposed butt that is plugged.
    Two illustrations framed on a wall. On the left, two men, dressed in suits, engage in intercource behind a women sat in a chair. On the right, a half naked man sits on a bench in a cell above a man licking his leg, and an exposed butt that is plugged.
    Tom of Finland: The Pleasure of Play. Installation view, Artists Space, 2015. [Two illustrations framed on a wall. On the left, two men, dressed in suits, engage in intercource behind a women sat in a chair. On the right, a half naked man sits on a bench in a cell above a man licking his leg, and an exposed butt that is plugged.]
    Caption Tom of Finland: The Pleasure of Play. Installation view, Artists Space, 2015.
    Image description Two illustrations framed on a wall. On the left, two men, dressed in suits, engage in intercource behind a women sat in a chair. On the right, a half naked man sits on a bench in a cell above a man licking his leg, and an exposed butt that is plugged.
    Year 2015
    Related pages Tom of Finland: The Pleasure of Play
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