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[[A flatscreen television hangs on a lavender wall. Playing on the television is a news desk in a tv studio that reads in pixelated text, "Retire Right Television." On the bottom of the tv screen is a blurry reflection of a white person who is gesticulating with their hands. Beneath the television, a bottle of hand sanitizer, an analog clock, a cable box, and a DVD player rest on a dresser, next to a white door showing its locks and handle.] -
[A city-scape is positioned upside down, the point of the skyscraper reaching towards the bottom of the image. Googley eyes, eyebrows, and a mouth are drawn near the top of the building. Red serif font across the top of the image reads "The New Red Times Magazine." White serif font in the bottom left corner reads "TIRED OF LIVING ON STOLEN LAND?" Below, red serif font reads "GIVE IT BACK."] -
A circular print of a painting hangs on a lavender wall. The painting depicts two white women wearing dresses with crinoline hoop skirts that appear to be from the antebellum period before the US Civil War, surrounded by a pink mat and a gold frame. It hangs over a coffee maker and next to a vacuum cleaner and a wood armoire. Bed pillows, positioned in the foreground, are lightly reflected in the glass of the print’s frame. -
Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [A crowd looking left in an alleyway, a child in a purple shirt and mask holds onto a balcony railing leaning out over the crowd to get a better view.] -
Pictures. Opening Reception, Artists Space, September 23, 1977. Photo: D. James Dee. [A black and white installation photograph of a gallery space. On the wall, a trapezoidal shape with riders on horseback slowly emerging from the top is visible. On the right, two figures converse.] -
Milford Graves, from Yara Scrapbook (compiled by Yuji Agematsu), c. 1989. Black and white photograph. Courtesy of the Estate of Milford Graves [Image of a photograph attached to a piece of paper. The photograph is of a seated person with a mustache, swifly waving their hands up at chest height. A mirror on the left reflects the figure of a standing person in white pants and a dark shirt.] -
Martin Cohen, All is Pretty Andy Warhol, 1979. Exhibition postcard. Courtesy Artists Space. [Black and white background image of children standing in a street, they are screaming. In the center "All is Pretty Andy Warhol" is witten in black script, below "Artists Space, 105 Hudson Street, November 27 - December 22" appears in black text.] -
Richards Jarden: Mats. Detail, Artists Space, 1978. [A black and white photograph of a woven mat on a white background.] -
Pieter Holstein: The Waterfall. Installation view, Artists Space. 1979. [A long roll of paper is hung from the ceiling to the floor. The paper is filled with different symbols in a square grid format.] -
William Leavitt: Installation and Drawings. Installation view, Artists Space, 1979. [A round table and two chairs sit in front of a tall curtain. To the right, a tree extends from the floor to the ceiling. In the background of the image is a sculpture of a man on a horse.] -
Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978. [A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.] -
Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978. [A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.] -
[White Xs on an orange background forming an image of 'K.] -
Christy Rupp: Goose Encounters. Postcard, Artists Space, 1978. [A black-and-white photograph of stuffed geese made with geese-printed fabric staged in a room.] -
Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978. [A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.] -
Jordan Lord, Expressions, in collaboration with Annette Carter, 2021. HD video, 36 min, looped. Exhibition design, images and annotated descriptions, projection. Image courtesy Artists Space. Photo: Filip Wolak. [Installation view of a video work. A television monitor is attached to the wall, flanked by two speakers on narrow stands. In front of the monitor are two black chairs with silver metal legs. In the background, a dark doorframe and elevator are visible.] -
Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak. [Six books on a white shelf against a white wall. From left, their authors are Saidiya Hartman, Augusto Boal, Fred Moten, Edward W. Said, Eric Williams, and James Baldwin.] -
Krzysztof Wodiczko: Guidelines. Postcard, Artists Space, 1978. [A black-and-white photograph of a video installation with multiple projections running simultaneously on different parts of the walls. A chair and table are visible in the foreground.] -
Ei Arakawa: Social Muscle Rehab. Performance documentation, October 10, 2021, Artists Space. Photo: Ei Arakawa. [A green and tan wooden dining corral with a ramp, metal tables and chairs. People sit and stand in and around the corral.] -
Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [An installation view of the corner of a green and tan wooden dining corral. In the center a black plastic bin with black tubes and crumpled black fabric like material is visible.] -
Ei Arakawa with Gela Patashuri, NYC Plumbing & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [Installation view of white PVC pipe that is cut in half lengthwise. The pipe runs along a wall in the background and makes a sharp turn to drain into a black plastic bin on the floor. ] -
Pieter Holstein: The Waterfall. Postcard, Artists Space, 1979. [A man stands on top of a rock formation. Water from a nearby stream falls over the rock formation into a shallow pool. Text at the top of the image reads, "Pieter Holstein Presents: The Waterfall."] -
Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [An installation view of a green and tan wooden dining corral with metal tables and wooden chairs. ] -
Ei Arakawa with Gela Patashuri, Social Muscle Rehab. Installation view, Artists Space, 2021. Image courtesy Artists Space. Photo: Filip Wolak. [Installation view of a gallery space with a green and tan wooden dining corral with a metal barricade. In the background are four grey concrete columns. Between the gaps of the columns a net and two signs which read "Social" and "Rehab" are visible.] -
Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Photograph from exhibition opening, Artists Space, 1979. [Black and white photograph of people standing in a gallery among five spherical balls on the floor. Framed artworks hang on the right wall.] -
Art From the British Left. Installation view, Artists Space, 1979. Courtesy Artists Space. [A photograph of a room with photographs and works on paper on the walls. In the center of the room is a table with folders and binders and three chairs. A door marked with "205" is ajar on the left side of the photograph.]] -
Milford Graves with William Parker and Shahzad Ismaily. Performance documentation, October 15, 2017, The Artists Institute, New York. Image courtesy The Artists Institute. [Photograph of three musicians in a room with a red carpet. The figure on the left is playing an upright bass, the center figure is seated behind a drum set, and the figure on the left holds a guitar with their back turned to the camera.] -
Krzysztof Wodiczko: Guidelines. Installation View, Artists Space, 1978. [An image is projected onto a white wall. In the image, a figure's chin and upper chest are visible as they hold a round object in their hand, close to their chin.] -
Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [An installation view of a green and tan wooden dining corral with a ramp and two metal barricades.] -
Flyer for Segue Reading Series featuring Stacy Szymaszek and Charles Theonia. Saturday, October 16, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel [Over a light blue and white background, the word "Segue" is written in bright pink script in the top left corner. The names "Stacy Szymaszek" and "Charles Theonia" are written in black capitalized text on the left, and again in fuschia lettering on the right.] -
Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978. [A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.] -
Art From the British Left. Installation view, Artists Space, 1979. Courtesy Artists Space. [A photograph of a long corridor with a far wall with the words "SOME BRITISH ART FROM THE LEFT." Small works on paper are hung on the left side of the hallway.] -
Art From the British Left. Installation view, Artists Space, 1979. Artwork by Alexis Hunter. Courtesy Artists Space. [A photograph of a room with photographs and works on paper hung on the walls. In the center of the room is a table with folders and magazines and three chairs nearby.] -
Art From the British Left. Installation view, Artists Space, 1979. Courtesy Artists Space. [A photograph of a room with a series of photographs and works on paper hung in two rows on the far wall. A window on the left and a window on the right side are visible.] -
Ken Wade: Installation/New Work. Contact sheet of installation views for William Leavitt: Installation and Drawings, The Levitation of Anna: Michael Zwack, and Ken Wade, Artists Space, 1979. [Contact sheet of installation images showing sculptures and other artworks in a 6 x 6 grid.] -
Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak. [Eight books on a white shelf against a white wall. Five of the books are authored by Marcel Proust, two by William Shakespeare, and one by Samuel R. Delany.] -
Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [Two people carry a white table out of a door and into an alleyway. Behind them several others cheer, one with a megaphone. Suspended in the background are a black net and black and green signs that read "Social Muscle Rehab" in white painted text.] -
Richards Jarden: Mats. Installation view, Artists Space, 1978. [A black and white photograph of a gallery space with windows and an open door in the background. On the right, four mats hang on the wall.] -
Will Gamble, Milford Graves & New York Art Quartet at Michael Snow’s Loft, c. 1960s. Black and white photograph. Courtesy of the Estate of Will Gamble. [Black and white photograph of a room interior. A light hanging from the ceiling shines brightly onto a seated figure in a white collared shirt at a drumset. In the foreground on the right, the sihlouette of a trombonist appears.] -
John S. Gordon, The Mazola Quaternary, 1973. Mixed media light installation, 54 x 120 x 120 inches. At the San Francisco Art Institution. Courtesy Artists Space. [Black and white image of a studio light shining onto a set of four panels against a wall. Below, text reads "John S. Gordon, *The Mazola Quaternary*, 1973. Mixed media light installation, 54" x 120" x 120," at the San Francisco Art Institution.] -
Richards Jarden: Mats. Installation view, Artists Space, 1978. [Black and white photograph of a gallery space with windows in the background. Mats hang on the left and right walls.] -
Ei Arakawa, @naomiosaka, 11:24am, Aug 29, 2021, 2021. 24” x 48.” 6496 LEDs (WS2813, 100 LEDs/m, black) on hand-dyed fabric with grommets, T-300K controller, 2GB SD card with LedEdit 2014 files, 3× 5V 80A power supply with 22 AWG stranded wire. Image courtesy Artists Space, New York. Photo: Filip Wolak [An LED screen is visible behind a set of black bars at the level of a sidewalk. The screen reads in multicolored text "procrastinate on something? Champion."] -
Naomi Osaka at the Miami Open at Hard Rock Stadium, March 31, 2021. Image courtesy UPI/Alamy Live News. Photo: Gary I. Rothstein [A tennis player sits next to a white bag with gold detailing and white tennis racket. A blue towel covers their face. On the right, "Social Muscle Rehab" is written in yellow lettering.] -
Flyer for Segue Reading Series featuring Lyric Hunter and Adrian Shirk. Saturday, October 16, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel [White outlines of leaf and fern-like forms overlay a dark green background. The word "Segue" is written in bright pink script on the top left, and the names "Lyric Hunter" and "Adrian Shirk" are written below in white.] -
Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak. [A view of a gallery space with white walls and a window looking out onto a street. On the left wall two shelves hold various books and papers. ] -
Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak. [Two white shelves attached to a white wall hold four sets of books and some papers. On the right is a black metal pole. ] -
Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [Six people with tennis rackets in an alleyway jump and swing to hit tennis balls towards the camera which is behind a black net. A crowd behind the tennis players watches attentively.] -
The Levitation of Anna: Michael Zwack. Contact sheet of installation views for William Leavitt: Installation and Drawings, The Levitation of Anna: Michael Zwack, and Ken Wade, Artists Space, 1979. Courtesy Artists Space. [Contact sheet of installation images showing sculptures and other artworks in a 6 x 6 grid.] -
Art From the British Left. Installation view, Artists Space, 1979. Artwork by Margaret Harrison. Courtesy Artists Space. [A photograph of a white gallery wall, hung with photographs and printed text. The title "HOMEWORKERS: WOMAN'S WORK" is visible in the center.] -
YAP: Poets on Poets online event May 2021 poems [Screenshot of a digital meeting. Each user has their own box, either filled with an image of their face, or a colored circle with a white letter corresponding to the first letter of their first name.] -
Richards Jarden: Mats. Installation view, Artists Space, 1978. [A black and white photograph of a gallery wall, two hanging mats and a doorframe are visible.] -
Film still from Teaching TV, Artists Space, 1990. [A black and white image of a group of children clustered in front of a store window. On the right, the text "NO FRESH WORDS" overlays the image.] -
The Levitation of Anna: Michael Zwack. Installation view, Artists Space, 1979. Courtesy Artists Space. [A photograph of a hallway with a white piece of cloth hanging from the ceiling to the floor. Printed on the cloth is a figure dressed in black and bent at the waist holding a long stick.] -
Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak. [Installation view of a gallery space with sunlit windows. On the right, a row of colums extends into the background. A wooden bench is pushed against the wall on the left under a windowsill with several books.] -
Zach Barcelona, Fake News, digital photograph, 2020 [A photograph of a person with a black hoodie and silver chains sitting on a bench. Their face is hidden by a a swath of white. A band of black borders an image of brick which covers their feet. ] -
Art From the British Left. Installation view, Artists Space, 1979. Courtesy Artists Space. [On a white background black print reads "IF THERE'S NO DANCING AT THE REVOLUTION, I'M NOT COMING -Emma Goldman" above handwriting reading "So, who said you're invited?" and "You mean 'WAVE' distortion in that case, no FEAT required. Mr Mü."] -
Martin Cohen, All is Pretty Andy Warhol, 1979. Envelope. Courtesy Artists Space. [Photocopied envelope. In the center, "All is Pretty Andy Warhol" is written in black script, and below "Artists Space, 105 Hudson Street, November 27-December 22" appears in black text.] -
Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [Image of a PVC pipe that has been cut in half lengthwise, nestled in the wall of a wooden dining corral. Water flows through the pipe towards the camera. On the right, a metal barricade can be seen.] -
Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [Three cakes sit atop a white table in an alleyway. A crowd behind a black net looks on intently.] -
Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [Four people stand in an alleyway in front of a black net, one of them holding a black megaphone. Five tennis balls lie at their feet.] -
Ei Arakawa, @naomiosaka, 11:24am, Aug 29, 2021, 2021. 24” x 48.” 6496 LEDs (WS2813, 100 LEDs/m, black) on hand-dyed fabric with grommets, T-300K controller, 2GB SD card with LedEdit 2014 files, 3× 5V 80A power supply with 22 AWG stranded wire. Image courtesy Artists Space, New York. Photo: Filip Wolak [An LED screen can be seen behind a set of black bars at the level of a sidewalk. The screen reads in multicolored text, "Recently, I've been asking myself."] -
Richards Jarden: Mats. Installation view, Artists Space, 1978. [A black and white photograph of a gallery space with windows in the background. Mats hang on the left and right walls.] -
Artists unknown, from Super 8 Film Exposition. Artists Space, 1977. [A black and white photograph of a figure with long dark hair. Over the figure's face the words "she hides from questions and cameras" is written in large, black capitalized text.] -
Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [An installation view of a green and tan wooden dining corral with a metal table and two wooden chairs. Halved PVC pipes are visible in the background. ] -
7th and 8th grade students and staff at P.S. 140 participate in My Story, Our Story, 2020 [Photograph of students and a teacher in a grey sweater stand in a classroom. They are smiling and holding the ends of white strips of paper which are woven into a tight knot in the center. ] -
Flyer for Segue Reading Series featuring Megan Milks and Sara Jane Stoner. Saturday, October 23, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel [The bust of a person is positioned in the top third of the image. Inside the outlines of their face there is an illustration of a Fiona Apple tape, and five pairs of pink lips. A drawing of a purple flashlight makes up the person's eye, shooting out black lightning bolts over a light green background. Below, the name "Megan Milks" is written in a dark pink and the name "Sara Jane Stoner" is written in black text. The word "Segue" is written in bright pink script on the top right corner.] -
Aki Onda, Milford Graves and Min Tanaka, 1985. Courtesy of Aki Onda. [Black and white photograph of a performance. In the foreground, a blurred barefoot person in a suit swiftly raises their arms and right leg, curving in a halfmoon shape. In the background a drummer sitting at a drumset is visible.] -
Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [A sharp image of two halves of a pvc pipe placed in front of an out of focus background. Water flows across the pipes; behind the pipes is a steel column.] -
Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [In an alleyway, five people with tennis rackets hit tennis balls towards suspended black and green signs that read "Social Muscle Rehab" in white paint.] -
Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of two wooden cafe chairs with green cushions in a gallery space. A television screen with a cord extending down to an outlet in the floor rests upon each chair.] -
Flyer for Segue Reading Series featuring Geoffrey Olsen and Charles Bernstein. Saturday, November 20, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel [Horizontal image of man with round glasses peering down at the figure of a woman held in his hand. The woman has blond hair and wears a red dress. In the upper left corner, the word "Segue" is written in bright pink script. On the right side, the name "Geoffrey Olsen" is written in black capitalized text over as white background. Below, the name "Charles Bernstein" is written in white capitalized text over a black background. ] -
Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [Six people with tennis rackets hit tennis balls against a graffitied metal door in an alleyway. Suspended behind them are a black net and signs that read "Social Muscle Rehab" in painted white] -
Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978. [A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.] -
Bernard Tschumi: Architectural Manifestos. Postcard, Artists Space, 1978. [Three numbered boxes are lined up in a row against a solid black background. The box on the left is a black-and-white photograph of people standing in a line on a hill. The middle box and the rightmost box are line drawings in white.] -
Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [Four people stand in an alleyway in front of a black net, one of them holding a black megaphone. Five tennis balls lie at their feet.] -
Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, detail, 2021, Dimensions variable. [A sharp image of two halves of a pvc pipe placed in front of an out of focus background. Water flows across the pipes; behind the pipes is a steel column.] -
Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978. [A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.] -
Wall Pieces, Alain Middleton. Postcard, Artists Space, 1978. [A series of black and white/light grey horizontal bars on a white background.] -
Ei Arakawa. Social Muscle Rehab, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [View of a gallery space with four grey concrete columns. In the gaps between the columns, a net and three signs are visible. The signs read, "Social Muscle Rehab" in painted white text over green and black backgrounds. ] -
Richards Jarden: Mats. Installation view, Artists Space, 1978. [A black and white photograph of a gallery space, three mats are visible hanging on the wall.] -
Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [Three people holding tennis rackets squat against a grey graffitied metal door in an alleyway, pressing their backs against green tennis balls.] -
Life Story Number 1. Installation view, Artists Space, 1979. [A row of images hangs on a white wall. The images are composed of simple shapes which are arranged to form scenes. The foremost image shows a house on a lawn.] -
Donald Lipski, work unknown. Artists Space, 1978. [A photograph of a paper clip wrapped in twine, bobby pins wrapped in linen, and wrapped wires, lined up in a row.] -
Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978. [A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.] -
Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [An installation view of a green and tan wooden dining corral with a ramp and a metal barricade.] -
Yara in the dojo, c. 1970s. Courtesy the Estate of Milford Graves. [A black-and-white photograph depicting three men equally distanced from one another. They hold their hands up to the ceiling with their palms out and stand near a floral printed wall.] -
Alan Michelson, Permanent Title, 1993. [Eleven beige sacks of various sizes, depicting text and illustrations, are arranged on a wall.] -
Ei Arakawa: Social Muscle Rehab. Performance documentation, October 10, 2021, Artists Space. Photo: Ei Arakawa. [A green and tan wooden dining corral with a ramp and a metal barricade. People sit and stand in and around the corral.] -
[A vintage, black and white photograph of the interior of a shop window, which looks out upon a city street. Two men stand to the left side of the window, casually leaning against a pole and talking. Various metal vases, cutlery, and ornaments are displayed on the shelves within the window.] -
Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [A group of eight people holding tennis rackets stand and crouch in an alleyway. On signs suspended above them, the words "Social Muscle Rehab" are painted in white capitalized text over black and green backgrounds.] -
Ei Arakawa: Social Muscle Rehab. Installation view, Artists Space, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak. [Four wooden chairs around a red dining umbrella. Handwritten in black sharpie, the words "Social Muscle Rehab, Ei Arakawa with Gela Patashuri" appear on a white wall in the background.] -
Jordan Lord, Prophetic Memory (Live Replay), with Annette Carter and Deborah Lorde, 2021. 4K video, 90 min., looped. Image courtesy Artists Space. Photo: Filip Wolak. [A darkened room with a projected video, several chairs and a black sofa. Two colums are visible on the left.] -
Paintings by Fontaine Dunn. From Gary Bower, Fontaine Dunn, Hermine Ford, Artists Space, 1976. [A color installation image of a gallery space. Several small canvases painted with geometric forms are hung on the walls.] -
Krzysztof Wodiczko: Guidelines. Installation View, Artists Space, 1978. [An image is projected onto a white wall.] -
Tree/plant, watercolor, marker and collage, 7th grade student at P.S. 140, 2021 [Photograph of a pink and yellow abstract collage with drawings in black ink and pecil. The words "love," "tree," and "oak," are written in pencil in the top right corner. ] -
The Levitation of Anna: Michael Zwack. Contact sheet of installation views for William Leavitt: Installation and Drawings, The Levitation of Anna: Michael Zwack, and Ken Wade, Artists Space, 1979. Courtesy Artists Space. [Contact sheet of stills depicting numerous installation views.] -
Richards Jarden: Mats. Installation view, Artists Space, 1978. [A black and white photograph of a gallery space. Five mats hang on the left wall.] -
Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [A person in black athletic wear hits a tennis ball towards the camera in an alleyway. Behind them, the words "Artists Space" appear in white text on the windowpane of a black door.] -
Ei Arakawa. Social Muscle Rehab (early edit for exhibition), 2021. 5:19 minutes. With Dan Chen, Danielle A. Jackson, K.O. Nnamdie, Masako Shiba, Kenneth Teng, Ivanny Pagan, Britnie Williams. Camera by Lazar Bozic (Ortvi.com). Image courtesy Artists Space, New York. Photo: Filip Wolak [View of a florbound television screen and speaker next to a brown pole. The edge of a black net is visible on the left. ] -
Art From the British Left. Installation view, Artists Space, 1979. Artwork by Mary Kelly. Courtesy Artists Space. [A photograph of a white wall hung with 12 works of the same size in a row.] -
Ei Arakawa with Gela Patashuri, Social Muscle Rehab. Installation view, Artists Space, 2021. Image courtesy Artists Space. Photo: Filip Wolak. [Installation view of a gallery space with a green and tan wooden dining corral with a metal table and wooden chairs. In the background on the left are grey concrete columns. Between the gaps of the columns, a net and a sign that reads "Social" are visible.] -
Aki Onda, Milford Graves and Min Tanaka, 1985. Courtesy of Aki Onda. [Black and white photograph of a performance. In the foreground, a barefoot figure in a suit leans to their right side. A drummer is visible in the background.] -
Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [Six people stretch on the ground of an alleyway. Suspended behind them, the words "Social Muscle Rehab" are painted in white on black and green signs.] -
Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [Tennis players stand in an alleyway, ready to hit balls from an automatic ballfeeder. A crowd watches intently in the background. Suspended above them the words "Social Muscle Rehab" are painted in white capitalized text on black and green signs.] -
Art From the British Left. Installation view, Artists Space, 1979. Courtesy Artists Space. [A photograph of a long corridor. The wall at the end of the hallway shows the words "SOME BRITISH ART FROM THE LEFT." There is an open door on the right, where a room hung with small artworks can be seen.] -
Richards Jarden: Mats. Postcard, Artists Space, 1978. [A photograph of a mat made of a beige wicker-like material.] -
Rasheed Araeen, For Oluwale, 1971-1973. Collage panel, dimensions unknown. Courtesy Artists Space. [A photograph of a collage with newspaper articles and other paper ephemera.] -
Jordan Lord, Expressions, in collaboration with Annette Carter, 2021. HD video, 36 min, looped. Exhibition design, images and annotated descriptions, projection. Image courtesy Artists Space. Photo: Filip Wolak. [Installation view of a video work. A television monitor is attached to the wall, flanked by two speakers on narrow stands. In front of the monitor are two black chairs with silver metal legs. On the right, a row of columns extends into the background towards sunlit windows.] -
Art From the British Left. Installation view, Artists Space, 1979. Artwork by Marie Yates. Courtesy Artists Space. [A photograph of a room with works on paper hung on one wall and photographs on the other wall. In the center of the room is a table, strewn with papers, with three chairs.] -
Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978. [A photograph of small metal circles and bars on a white background.] -
Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [Six people with tennis rackets in an alleyway jump and swing to hit tennis balls towards the camera which is behind a black net. A crowd behind the tennis players watches attentively.] -
Art From the British Left. Installation view, Artists Space, 1979. Artwork by Marie Yates. Courtesy Artists Space. [A photograph of a gallery wall hung with seven works on paper. In front of the wall are two chairs and a table with several envelopes and magazines.] -
Donald Lipski: Gathering Dust. Installation View, Artists Space, 1978. [A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.] -
Donald Lipski: Gathering Dust. Postcard, Artists Space, 1978. [A paper clip is half-wrapped in twine on a white background.] -
William Leavitt: Installation and Drawings. Contact sheet of installation views for William Leavitt: Installation and Drawings, The Levitation of Anna: Michael Zwack, and Ken Wade, Artists Space, 1979. [Contact sheet of installation images showing sculptures and other artworks in a 6 x 6 grid.] -
Art From the British Left. Installation view, Artists Space, 1979. Courtesy Artists Space. [A photograph of a room with photographs and small works on paper hung on each wall. A visitor looks at the works on the far wall.] -
Art From the British Left. Installation view, Artists Space, 1979. Artwork by Mary Kelly. Courtesy Artists Space. [Three walls hung with photographs and small works on paper are visible. There is a window on the right.] -
Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978. [A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.] -
Replica of a Lost Original. Installation view, Artists Space, 2007. Photo: Bill Orcutt. [A gray television sits on a rectangular wooden board. There is a mass of wires next to it. In the background, a white paper with black text hangs on a white wall.] -
Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak. [Looking into a gallery space through a window, on the right wall two shelves are filled with books. Further in the background a dark rectangle hangs on the wall. On the windowpane the words "Bortolami, Kaufmann Repetto, Andrew Kreps Gallery and 55 Walker" are visible in black and pink text. ] -
Rasheed Araeen, Paki Bastard, 1977. Courtesy Artists Space. [A photograph of a short printed text. In front of the text is a doll lying in supine position.] -
Guy Kopelowicz, Portrait of Milford Graves, c. 1980s. Courtesy of the Estate of Milford Graves. [A black and white image of a person sitting at a drum set. He is holding up two drumsticks, and staring intently.] -
Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [Six people standing in an alleyway with tennis rackets on either side of a metal barricade. The person closest to the camera with green shorts hits a ball. Suspended in the background, the words "Social Muscle Rehab" are painted in white text on top of black and green signs.] -
Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [A person with a yellow hat and red shirt hits a tennis ball in an alleyway. A small crowd watches in the background on the left.] -
Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [A person with a tennis racket wearing a white hat, shirt, and red and green shorts throws his hands up in gleeful celebration. In the background, a crowd behind a net watches intently.] -
Krzysztof Wodiczko: Guidelines. Installation View, Artists Space, 1978. [An image is projected onto a white wall. The image consists of various simple rectangular shapes.] -
Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [A group of eight people holding tennis rackets stand and crouch in an alleyway. On signs suspended above them, the words "Social Muscle Rehab" are painted in white capitalized text over black and green backgrounds.] -
Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978. [A photograph of a room painted white with an open door. In the adjacent room, small metal circles, bars, and other pieces mounted on a white gallery wall can be seen.] -
Ei Arakawa with Gela Patashuri, NYC Plumbing & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [Installation view of white PVC pipes that are cut in half lengthwise. The pipes rest on nails against the wall and water trickles inside.] -
Krzysztof Wodiczko: Guidelines. Installation View, Artists Space, 1978. [An image is projected onto a white wall. In the image, a figure plays a cello.] -
Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [An installation view of a green and tan wooden dining corral with a ramp, metal tables and wooden chairs.] -
Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Photograph from exhibition opening, Artists Space, 1979. [Black and white photograph of people standing in a gallery among five spherical balls on the floor. Framed artworks hang on the right wall.] -
Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978. [A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.] -
Krzysztof Wodiczko: Guidelines. Installation View, Artists Space, 1978. [An image is projected onto a white wall.] -
Jordan Lord, Expressions, in collaboration with Annette Carter, 2021. HD video, 36 min, looped. Exhibition design, images and annotated descriptions, projection. Image courtesy Artists Space. Photo: Filip Wolak. [Installation view of a video work. A television monitor is attached to the wall, flanked by two speakers on narrow stands. In front of the monitor are two black chairs with silver metal legs.] -
Art From the British Left. Installation view, Artists Space, 1979. Artwork by Alexis Hunter. Courtesy Artists Space. [A photograph of a room hung with photographs and works on paper. In the center of the room is a table with folders and magazines and three chairs nearby.] -
Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978. [A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.] -
Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [Six people holding tennis rackets stand in an alleyway. Each of them has their right shoe off and rubs the sole of their foot on top of a tennis ball. Suspended in the background, the words "Socil Muscle Rehab" are painted in white on top of black and green signs.] -
Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [An installation view of a green and tan wooden dining corral with a ramp, metal tables, and wooden chairs. ] -
Ei Arakawa with Gela Patashuri, NYC Plumbing & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [Installation view of white PVC pipe that is cut in half lengthwise. The pipe runs along a wall on the right and makes a sharp turn to drain into a black plastic bin on the floor. ] -
Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak. [Installation image of a gallery space with a window looking out onto a street. On the left, a red pole with ladder rungs, a rectangular collaged artwork, and two shelves holding books and papers are visible.] -
[Close up of two rows of pre-packaged salads in plastic containers on the shelves of a grocery store refrigerator.] -
Donald Lipski, work unknown. Artists Space, 1978. [Wires, matches, sticks, bits of string, and other scrap metal pieces are strewn across a white background.] -
Ei Arakawa, RIOT THE 8 BARS, nGbK, Berlin, 2007, Photo: Christin Lahr [A group of people dressed in black standing in the street with their hands up. Behind them, green and white fabrics on top of blue poles create a tent-like structure. The word "Riot" appears on one of the poles, written in white text over a black background.] -
Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak. [A set of white metal shelves against a white wall. The top shelf hold seven books and the bottom shelf holds seven books and stapled pamphlets in a clear stand.] -
William Leavitt: Installation and Drawings. Drawing by William Leavitt, Artists Space, 1979. [A white drawing on a black background showing a sculpture of a man on a horse on top of a pedestal.] -
Life Story Number 1. Installation view, Artists Space, 1979. [An arrangement of rectangular prisms made of cardboard.] -
Jordan Lord, Prophetic Memory (Live Replay), with Annette Carter and Deborah Lorde, 2021. 4K video, 90 min., looped. Photo: Filip Wolak. [Head on view of a projected video. The screen shows three figures sitting and includes closed captioning that reads "[Mimi laughing] Bet you don't remember that, do you? / Do you know how that broke my heart?"] -
Krzysztof Wodiczko: Guidelines. Installation View, Artists Space, 1978. [An image is projected onto a white wall. The image is text on a solid background. Text is illegible.] -
Flyer for Segue Reading Series featuring Edmund White and Max Steele. Saturday, October 2, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel [The head of person with blonde hair is pictured lying horizontally. Their eyes are closed and a lit cigarette protrudes between their red lips. The word "Segue" is written vertically and in bright pink script on the left. In the center, the name "Edmund White" is written in lower case black letters, and the name "Max Steele" is written in white lowercase letters.] -
Ei Arakawa. Social Muscle Rehab, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [View of a gallery space. A black net hangs from the ceiling, extending from the center foreground into the background where a small television screen is visible. On the left, three signs are propped against the wall. In white text over green and black backgrounds the signs read "Social Muscle Rehab."] -
Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak. [A set of white metal shelves against a white wall, each shelf holds eight books. From left, the authors of the books on the bottom shelf are: Pamela M. Lee, Frank O'Hara, David Prutchi, Georgia Kleege, Rosalind Deutsche, Judith Lewis Herman, Marina Vishmidt, and Avery Gordon.] -
Ei Arakawa: Social Muscle Rehab. Performance documentation, October 10, 2021, Artists Space. Photo: Ei Arakawa. [A green and tan wooden dining corral with a ramp and a metal barricade. People sit and stand in and around the corral.] -
Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [An installation view of a green and tan wooden dining corral with a ramp. A chair and column are visible in the background. ] -
Ei Arakawa: Social Muscle Rehab. Performance documentation, October 10, 2021, Artists Space. Photo: Ei Arakawa. [A green and tan wooden dining corral with a ramp, metal tables and chairs. People sit and stand in and around the corral.] -
Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [A person in black athletic wear hits a tennis ball towards the camera in an alleyway. Behind them, the words "Artists Space" appear in white text on the windowpane of a black door.] -
Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [Tennis players stand in an alleyway, ready to hit balls from an automatic ballfeeder. A crowd watches intently in the background. Suspended above them the words "Social Muscle Rehab" are painted in white capitalized text on black and green signs.] -
Donald Lipski, work unknown. Artists Space, 1978. [Wires, matches, sticks, bits of string, and other scrap metal pieces are strewn across a white background.] -
Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.] -
“We want” Jamboard prompt for 8th grade students, 2021 [Six sticky notes with black text on a white background. From the top left corner: "We want our voices to be heard, our pleads to be answered, our rights to be fully secured." is written on a yellow sticky note; "we want to be free" is written on a yellow sticky note; "we want to make this earth better," is written on a pink sticky note; "We want the earth to be clean," is written on a yellow sticky note; "we want everyone to be treated the same," is written on a blue sticky note; and "We want to relax," is written on a green sticky note. ] -
Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [Five people holding tennis rackets running in a circle in an alleyway. A small crowd watches, standing against a brick wall with metal doors covered in graffiti on the right.] -
Art From the British Left. Installation view, Artists Space, 1979. Artwork by Margaret Harrison. Courtesy Artists Space. [Photograph of two white gallery walls. On one wall there are photographs, text, and the title "HOMEWORKERS: WOMAN'S WORK," while the far wall features a row of small works on paper.] -
Cover of Godzilla: Asian American Arts Network, edited by Howie Chen, published by Primary Information, 2021. Image courtesy of Primary Information. [A large black G over a green background. On the left, "Asian American Arts Network" appears in white vertical text over a black background.] -
Serena Booth, On The Edge, digital photograph, 2021 [A photograph of a person standing at the corner of a rooftop looking towards the camera. They are surrounded by a light fog, which partially obscures the glow of purple lights and yellow windows of a building behind the figure.] -
Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [A person with a tennis racket wearing a white hat, shirt, and red and green shorts throws his hands up in gleeful celebration. In the background, a crowd behind a net watches intently.] -
Richards Jarden: Mats. Installation view, Artists Space, 1978. [A black and white photograph of a gallery space with windows and an open door in the background. Four mats hang on the walls.] -
Will Gamble, Milford Graves & New York Art Quartet at Michael Snow’s Loft, c. 1960s. Black and white photograph. Courtesy of the Estate of Will Gamble. [Black and white photograph of a room interior. A person in a white collared sits at a drum set on the right, several chairs peek out of the left corner.] -
Richards Jarden: Mats. Installation view, Artists Space, 1978. [A black and white photograph of a gallery wall. Five mats hang on the wall, their top left corners curving slightly away from the flat surface.] -
Krzysztof Wodiczko: Guidelines. Installation View, Artists Space, 1978. [An image is projected onto a white wall. In the image, a woman holds a man's head in her hands.] -
Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak. [Nine books next to a stack of papers on a sunlit windowsill. The leftmost book with a red spine reads "Critical Race Theory" in white capitalized text. In the background, the blurred front of a delivery truck is visible through the window.] -
Portrait of Bill Gunn. [A person sits on a wooden chair and looks off into the distance. His right elbow rests on a table partially visible in the photograph.] -
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Lucas Pedernieras, from Huh portfolio, 2020, digital photograph [A painted orange sun outlined in yellow with light orange rays with a black background is visible in the upper corner of a ceiling with cyan moulding.] -
Matters of Sensation. Installation view, Artists Space, 2008. Photo: Adam Reich. [Three gray objects rest on separate rectangular, white plinths in a gallery space with wooden flooring. Each of the objects is rectangular and has a 3D, biomorphic form.] -
Geanet Rogers, Rosy Boom, photography, 2016 [A teenage girl holds a film camera obscuring her face, and takes a photo of her reflection in a small, round mirror. The background is blurred but suggests a retail environment.] -
Young Fluxus. Installation view, Artists Space, 1982. [Plastic bags of objects appear on a white gallery wall.] -
Yellow. Performance view, Artists Space, 2008. [A woman is seated wearing a long, yellow dress with a full skirt that has extra fabric at the bottom. She is holding up soapsuds, which are dripping down onto the front of her skirt.] -
Leigh Ledare, Double Bind (Diptych #6/25), 2010. Courtesy the artist and Mitchell-Innes & Nash, New York. [Two framed artworks side-by-side. One has a white background and features a collage of photographs, showing two people with their faces obscured by other images of nature and currency. The other artwork features a black background and two smaller photos arranged one on top of the other. The top image depicts a woman looking back at the camera, and the lower image depicts a forest.] -
Traditions: Five Painters. Installation View, Artists Space, 1978. [Various paintings hang on the walls to the left and right.] -
[A dark illustration featuring a small, white dog at the composition's lower left edge. A black, inky background vaguely resembling a forest surrounds the dog, who pauses mid stride to glance behind itself.]
