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  • Stamped yellow text spelling out
    Stamped yellow text spelling out
    [Stamped yellow text spelling out "W.A.G.E" at a slight angle. Underneath that, typed pink text reads, "Working Artists and the Greater Economy."]
    Caption
    Image description Stamped yellow text spelling out "W.A.G.E" at a slight angle. Underneath that, typed pink text reads, "Working Artists and the Greater Economy."
    Year 2012
    Related pages W.A.G.E. Survey Release
  • A digital image of a red book title, overlaid several times on top of itself. A world map centered on the Atlantic ocean is visible in orange beneath the title.
    A digital image of a red book title, overlaid several times on top of itself. A world map centered on the Atlantic ocean is visible in orange beneath the title.
    Liberalism at Large: The World According to the Economist, by Alexander Zevin, published by Verso Books, 2019. [A digital image of a red book title, overlaid several times on top of itself. A world map centered on the Atlantic ocean is visible in orange beneath the title.]
    Caption Liberalism at Large: The World According to the Economist, by Alexander Zevin, published by Verso Books, 2019.
    Image description A digital image of a red book title, overlaid several times on top of itself. A world map centered on the Atlantic ocean is visible in orange beneath the title.
    Year 2019
    Related pages Alexander Zevin: Liberalism at Large
  • Two TV monitors installed in a gallery space with wooden flooring. One monitor is installed in the image's foreground on a white plinth and displays an image of a figure walking along a sidewalk. The other monitor can be seen through a hallway at the image's center and is installed on the gallery wall. A third video plays on a gallery wall on the image's right side, showing an image of two hands.
    Two TV monitors installed in a gallery space with wooden flooring. One monitor is installed in the image's foreground on a white plinth and displays an image of a figure walking along a sidewalk. The other monitor can be seen through a hallway at the image's center and is installed on the gallery wall. A third video plays on a gallery wall on the image's right side, showing an image of two hands.
    In The Poem About Love You Don't Write The Word Love. Installation view, Artists Space, 2006. Photo: Bill Orcutt. [Two TV monitors installed in a gallery space with wooden flooring. One monitor is installed in the image's foreground on a white plinth and displays an image of a figure walking along a sidewalk. The other monitor can be seen through a hallway at the image's center and is installed on the gallery wall. A third video plays on a gallery wall on the image's right side, showing an image of two hands.]
    Caption In The Poem About Love You Don't Write The Word Love. Installation view, Artists Space, 2006. Photo: Bill Orcutt.
    Image description Two TV monitors installed in a gallery space with wooden flooring. One monitor is installed in the image's foreground on a white plinth and displays an image of a figure walking along a sidewalk. The other monitor can be seen through a hallway at the image's center and is installed on the gallery wall. A third video plays on a gallery wall on the image's right side, showing an image of two hands.
    Year 2006
    Related pages In The Poem About Love You Don't Write The Word Love
  • A black and white image of a blank frame on a white wall. At the center of the frame, a sculptural mold of a brain protrudes out from the canvas.
    A black and white image of a blank frame on a white wall. At the center of the frame, a sculptural mold of a brain protrudes out from the canvas.
    AIDS Forum: Danny Dries - Generic Memorial (for WM. Schwedler, 1942-1982). Installation view, Artists Space, 1992. [A black and white image of a blank frame on a white wall. At the center of the frame, a sculptural mold of a brain protrudes out from the canvas.]
    Caption AIDS Forum: Danny Dries - Generic Memorial (for WM. Schwedler, 1942-1982). Installation view, Artists Space, 1992.
    Image description A black and white image of a blank frame on a white wall. At the center of the frame, a sculptural mold of a brain protrudes out from the canvas.
    Year 1992
    Related pages AIDS FORUM: Generic Memorial (for WM. Schwedler, 1942-1982)
  • A projection on the wall displaying two posters, one that reads
    A projection on the wall displaying two posters, one that reads
    “Palestine, BLM & Boycott in the Arts.” Artists Space Books & Talks, Friday, November 4, 2016. Courtesy Decolonize This Place and Artists Space, New York. Photo: Andrés Rodriguez [A projection on the wall displaying two posters, one that reads "Black Lives Matter" featuring an upside down image of the Empire State building, and to its right, one that reads "Palestine, BLM & Boycott in the Arts" with a yellow background, orange lightining-style graphic, and Arabic text.]
    Caption “Palestine, BLM & Boycott in the Arts.” Artists Space Books & Talks, Friday, November 4, 2016. Courtesy Decolonize This Place and Artists Space, New York. Photo: Andrés Rodriguez
    Image description A projection on the wall displaying two posters, one that reads "Black Lives Matter" featuring an upside down image of the Empire State building, and to its right, one that reads "Palestine, BLM & Boycott in the Arts" with a yellow background, orange lightining-style graphic, and Arabic text.
    Year 2016
    Related pages Decolonize This Place
  • A film still of a crowd of people sitting in rows of seats. Some wear sunglasses. Most do not speak to one another but gaze forward or glance around themselves.
    A film still of a crowd of people sitting in rows of seats. Some wear sunglasses. Most do not speak to one another but gaze forward or glance around themselves.
    Still from Eli Noyes and Claudia Weill's IDCA 1970, 1970. [A film still of a crowd of people sitting in rows of seats. Some wear sunglasses. Most do not speak to one another but gaze forward or glance around themselves.]
    Caption Still from Eli Noyes and Claudia Weill's IDCA 1970, 1970.
    Image description A film still of a crowd of people sitting in rows of seats. Some wear sunglasses. Most do not speak to one another but gaze forward or glance around themselves.
    Year 1970
    Related pages The Aspen Complex
  • Three vitrines are displayed in a light-filled gallery space with light wooden floors. The vitrines sit in between three white columns to the image's left side. On the right, a series of large, colorful prints featuring graphic, abstracted letters overlaid over various abstract shapes, patterns, and printed figures are displayed on a gallery wall.
    Three vitrines are displayed in a light-filled gallery space with light wooden floors. The vitrines sit in between three white columns to the image's left side. On the right, a series of large, colorful prints featuring graphic, abstracted letters overlaid over various abstract shapes, patterns, and printed figures are displayed on a gallery wall.
    Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Three vitrines are displayed in a light-filled gallery space with light wooden floors. The vitrines sit in between three white columns to the image's left side. On the right, a series of large, colorful prints featuring graphic, abstracted letters overlaid over various abstract shapes, patterns, and printed figures are displayed on a gallery wall.]
    Caption Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description Three vitrines are displayed in a light-filled gallery space with light wooden floors. The vitrines sit in between three white columns to the image's left side. On the right, a series of large, colorful prints featuring graphic, abstracted letters overlaid over various abstract shapes, patterns, and printed figures are displayed on a gallery wall.
    Year 2010
    Related pages Rip It Up and Start Again: William S. Burroughs, Charles Henri Ford, Ray Johnson, Philippe Thomas, Arthur Russell
  • A figure in a blue denim shirt wearing headphones sits at a dining room table cluttered with papers, bowls of fruit, and colorful candles. The figure's back faces the viewer. A bright and rocky, arid landscape is visible through the many windows that line the walls of the dining room.
    A figure in a blue denim shirt wearing headphones sits at a dining room table cluttered with papers, bowls of fruit, and colorful candles. The figure's back faces the viewer. A bright and rocky, arid landscape is visible through the many windows that line the walls of the dining room.
    [A figure in a blue denim shirt wearing headphones sits at a dining room table cluttered with papers, bowls of fruit, and colorful candles. The figure's back faces the viewer. A bright and rocky, arid landscape is visible through the many windows that line the walls of the dining room.]
    Caption
    Image description A figure in a blue denim shirt wearing headphones sits at a dining room table cluttered with papers, bowls of fruit, and colorful candles. The figure's back faces the viewer. A bright and rocky, arid landscape is visible through the many windows that line the walls of the dining room.
    Year 2014
    Related pages Macho Man, Tell It To My Heart: Collected by Julia Ault - Film and Video Program
  • A person stands, holds a microphone to their mouth and adjusts a knob on a CDJ.
    A person stands, holds a microphone to their mouth and adjusts a knob on a CDJ.
    Lolina performing Inquiry & Investigation, 2018. [A person stands, holds a microphone to their mouth and adjusts a knob on a CDJ.]
    Caption Lolina performing Inquiry & Investigation, 2018.
    Image description A person stands, holds a microphone to their mouth and adjusts a knob on a CDJ.
    Year 2018
    Related pages Support
  • On a muted pink background with a wavy green line running across the page, text in a darker pink and black reads: segue X artists space virtual readings / Zoom meeting ID: 378 232 567 / $5 suggested virtual door: / PayPal/seguefoundation / all proceeds go directly to readers.
    On a muted pink background with a wavy green line running across the page, text in a darker pink and black reads: segue X artists space virtual readings / Zoom meeting ID: 378 232 567 / $5 suggested virtual door: / PayPal/seguefoundation / all proceeds go directly to readers.
    [On a muted pink background with a wavy green line running across the page, text in a darker pink and black reads: segue X artists space virtual readings / Zoom meeting ID: 378 232 567 / $5 suggested virtual door: / PayPal/seguefoundation / all proceeds go directly to readers.]
    Caption
    Image description On a muted pink background with a wavy green line running across the page, text in a darker pink and black reads: segue X artists space virtual readings / Zoom meeting ID: 378 232 567 / $5 suggested virtual door: / PayPal/seguefoundation / all proceeds go directly to readers.
    Year 2020
    Related pages Segue Reading Series: Lonely Christopher & zakia henderson-brown
  • Several photographs and TV monitors installed along the length of a white wall in a gallery space. Black vinyl text on the wall's far right side reads,
    Several photographs and TV monitors installed along the length of a white wall in a gallery space. Black vinyl text on the wall's far right side reads,
    Log Cabin. Installation view, Artists Space, 2005. [Several photographs and TV monitors installed along the length of a white wall in a gallery space. Black vinyl text on the wall's far right side reads, "LOG CABIN" and lists a series of artists. Six photographs are installed to the left of the wall vinyl and depict portraits of clothed and nude figures. A yellow composition on a wooden panel is installed directly above the line of photographs. Three TV monitors are installed on the wall to the left of the photograhs.]
    Caption Log Cabin. Installation view, Artists Space, 2005.
    Image description Several photographs and TV monitors installed along the length of a white wall in a gallery space. Black vinyl text on the wall's far right side reads, "LOG CABIN" and lists a series of artists. Six photographs are installed to the left of the wall vinyl and depict portraits of clothed and nude figures. A yellow composition on a wooden panel is installed directly above the line of photographs. Three TV monitors are installed on the wall to the left of the photograhs.
    Year 2005
    Related pages Log Cabin
  • Spanish and English translations of the poem “Justo antes del amanecer.../Just before sunrise...” are written in alternating lines in grey and black on a white background.
    Spanish and English translations of the poem “Justo antes del amanecer.../Just before sunrise...” are written in alternating lines in grey and black on a white background.
    Electronic Disturbance Theater 2.0/b.a.n.g. lab. The Transborder Immigrant Tool, 2007–ongoing. Pages excerpted from The Transborder Immigrant Tool publication. Courtesy the artist, University of Michigan Ann Arbor, and University of California, San Diego. [Spanish and English translations of the poem “Justo antes del amanecer.../Just before sunrise...” are written in alternating lines in grey and black on a white background.]
    Caption Electronic Disturbance Theater 2.0/b.a.n.g. lab. The Transborder Immigrant Tool, 2007–ongoing. Pages excerpted from The Transborder Immigrant Tool publication. Courtesy the artist, University of Michigan Ann Arbor, and University of California, San Diego.
    Image description Spanish and English translations of the poem “Justo antes del amanecer.../Just before sunrise...” are written in alternating lines in grey and black on a white background.
    Year 2007
    Related pages Whitney ISP Archive
  • In a gallery space, a large white overhead LED-style sign acts as both a drop ceiling and overhead lighting. It displays two numbers, a 2 and a 5. Below are a black sofa and, facing it, a small television on a wooden pedestal.
    In a gallery space, a large white overhead LED-style sign acts as both a drop ceiling and overhead lighting. It displays two numbers, a 2 and a 5. Below are a black sofa and, facing it, a small television on a wooden pedestal.
    Contemporary Architecture - an installation by realities:united. Installation view, Artists Space, 2007. Photo: Bill Orcutt. [In a gallery space, a large white overhead LED-style sign acts as both a drop ceiling and overhead lighting. It displays two numbers, a 2 and a 5. Below are a black sofa and, facing it, a small television on a wooden pedestal.]
    Caption Contemporary Architecture - an installation by realities:united. Installation view, Artists Space, 2007. Photo: Bill Orcutt.
    Image description In a gallery space, a large white overhead LED-style sign acts as both a drop ceiling and overhead lighting. It displays two numbers, a 2 and a 5. Below are a black sofa and, facing it, a small television on a wooden pedestal.
    Year 2007
    Related pages Contemporary Architecture - an installation by realities:united
  • A sepia photograph of an angled, above view of two men lying in seperate adjacent beds. On the walls above them, hang two small picture frames.
    A sepia photograph of an angled, above view of two men lying in seperate adjacent beds. On the walls above them, hang two small picture frames.
    Gerhard Richter Hotel Diana , 1967 80 copies + 40 artists proofs, signed and numbered screen print, 59,4 x 80 cm Courtesy of Edition Block, Berlin [A sepia photograph of an angled, above view of two men lying in seperate adjacent beds. On the walls above them, hang two small picture frames.]
    Caption Gerhard Richter Hotel Diana , 1967 80 copies + 40 artists proofs, signed and numbered screen print, 59,4 x 80 cm Courtesy of Edition Block, Berlin
    Image description A sepia photograph of an angled, above view of two men lying in seperate adjacent beds. On the walls above them, hang two small picture frames.
    Year 1967
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A crowd of people standing outside a brick building, mingling and talking.
    A crowd of people standing outside a brick building, mingling and talking.
    [A crowd of people standing outside a brick building, mingling and talking.]
    Caption
    Image description A crowd of people standing outside a brick building, mingling and talking.
    Year 2013
    Related pages On the Necessity of Art's Exit from Contemporary Art
  • A microphone connected to a stand and an amp sit on the floor of a gallery space. The microphone stand has been adjusted such that the microphone is pointed down and hovers directly over a small answering machine on the ground. Wall vinyl installed on the wall directly behind the microphone stand displays a phone number:
    A microphone connected to a stand and an amp sit on the floor of a gallery space. The microphone stand has been adjusted such that the microphone is pointed down and hovers directly over a small answering machine on the ground. Wall vinyl installed on the wall directly behind the microphone stand displays a phone number:
    Salad Days 2. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [A microphone connected to a stand and an amp sit on the floor of a gallery space. The microphone stand has been adjusted such that the microphone is pointed down and hovers directly over a small answering machine on the ground. Wall vinyl installed on the wall directly behind the microphone stand displays a phone number: "+1 (212) 226-2786)."]
    Caption Salad Days 2. Installation view, Artists Space, 2006. Photo: Bill Ocrutt.
    Image description A microphone connected to a stand and an amp sit on the floor of a gallery space. The microphone stand has been adjusted such that the microphone is pointed down and hovers directly over a small answering machine on the ground. Wall vinyl installed on the wall directly behind the microphone stand displays a phone number: "+1 (212) 226-2786)."
    Year 2006
    Related pages Salad Days 2
  • Gradient red and green, curved and cusped shades. A red pointed mound sits atop a pale green inverted triangle inside angular red and green rectangles.
    Gradient red and green, curved and cusped shades. A red pointed mound sits atop a pale green inverted triangle inside angular red and green rectangles.
    Miyoko Ito, Island in the Sun, 1978. Oil on canvas, 38 x 33 inches. Courtesy John B. Pittman. [Gradient red and green, curved and cusped shades. A red pointed mound sits atop a pale green inverted triangle inside angular red and green rectangles.]
    Caption Miyoko Ito, Island in the Sun, 1978. Oil on canvas, 38 x 33 inches. Courtesy John B. Pittman.
    Image description Gradient red and green, curved and cusped shades. A red pointed mound sits atop a pale green inverted triangle inside angular red and green rectangles.
    Year 1978
    Related pages Miyoko Ito: Heart of Hearts
  • A black and white image of a woman painting on a three-dimensional canvas. She holds a paintbrush in her right hand and a jar of paint in her left hand while leaning over the canvas.
    A black and white image of a woman painting on a three-dimensional canvas. She holds a paintbrush in her right hand and a jar of paint in her left hand while leaning over the canvas.
    [A black and white image of a woman painting on a three-dimensional canvas. She holds a paintbrush in her right hand and a jar of paint in her left hand while leaning over the canvas.]
    Caption
    Image description A black and white image of a woman painting on a three-dimensional canvas. She holds a paintbrush in her right hand and a jar of paint in her left hand while leaning over the canvas.
    Year 2013
    Related pages Zilia Sánchez
  • Two people stand at the front of a full classroom in front of a projector screen that says,
    Two people stand at the front of a full classroom in front of a projector screen that says,
    P.S. 140 student workshopping poems, 2019 [Two people stand at the front of a full classroom in front of a projector screen that says, "Poetry workshop / Ms. Rebecca / Today's task: create headline poems." One reads from a notebook, the other listens on.]
    Caption P.S. 140 student workshopping poems, 2019
    Image description Two people stand at the front of a full classroom in front of a projector screen that says, "Poetry workshop / Ms. Rebecca / Today's task: create headline poems." One reads from a notebook, the other listens on.
    Year 2019
    Related pages Art and Literacy: Poetry
  • A colorful painting of a landscape, with a river running through the center of the image, a mountain across the river and a cloudy sky
    A colorful painting of a landscape, with a river running through the center of the image, a mountain across the river and a cloudy sky
    Jayline Quiles, Landscape, 2018 [A colorful painting of a landscape, with a river running through the center of the image, a mountain across the river and a cloudy sky]
    Caption Jayline Quiles, Landscape, 2018
    Image description A colorful painting of a landscape, with a river running through the center of the image, a mountain across the river and a cloudy sky
    Year 2018
    Related pages Scholastic Art and Writing Awards
  • A nightime view of a truck driving past a parking lot. In the top left of the image is a superimposed video of a blond woman. The words
    A nightime view of a truck driving past a parking lot. In the top left of the image is a superimposed video of a blond woman. The words
    Ursula Biemann, still from Writing Desire, 2000. Video, 23 minutes. Courtesy the artist. [A nightime view of a truck driving past a parking lot. In the top left of the image is a superimposed video of a blond woman. The words "Hello I'm Natascha" appear in red to the right of the woman.]
    Caption Ursula Biemann, still from Writing Desire, 2000. Video, 23 minutes. Courtesy the artist.
    Image description A nightime view of a truck driving past a parking lot. In the top left of the image is a superimposed video of a blond woman. The words "Hello I'm Natascha" appear in red to the right of the woman.
    Year 2000
    Related pages New Economy
  • Photgraphic print of a low, blue and red building situated next to an empty multi-lane road on a sunny day. The building has a low blue facade with many windows, which face the street, and is decorated with two angular blue stripes. The building has a low, curved red roof. Text running along the side of the roof reads,
    Photgraphic print of a low, blue and red building situated next to an empty multi-lane road on a sunny day. The building has a low blue facade with many windows, which face the street, and is decorated with two angular blue stripes. The building has a low, curved red roof. Text running along the side of the roof reads,
    Lourdes Grobet, Untitled Olmayaztec Series, 1992. C-print, 11 x 14 inches. Courtesy the artist. [Photgraphic print of a low, blue and red building situated next to an empty multi-lane road on a sunny day. The building has a low blue facade with many windows, which face the street, and is decorated with two angular blue stripes. The building has a low, curved red roof. Text running along the side of the roof reads, "RESTAURANTE." A tall, pyramid-like structure is visible in the distance behind the restaurant.]
    Caption Lourdes Grobet, Untitled Olmayaztec Series, 1992. C-print, 11 x 14 inches. Courtesy the artist.
    Image description Photgraphic print of a low, blue and red building situated next to an empty multi-lane road on a sunny day. The building has a low blue facade with many windows, which face the street, and is decorated with two angular blue stripes. The building has a low, curved red roof. Text running along the side of the roof reads, "RESTAURANTE." A tall, pyramid-like structure is visible in the distance behind the restaurant.
    Year 2001
    Related pages Urban Pornography
  • A gray television sits on a rectangular wooden board. There is a mass of wires next to it that snakes towards a pile of nearby photographs.
    A gray television sits on a rectangular wooden board. There is a mass of wires next to it that snakes towards a pile of nearby photographs.
    Replica of a Lost Original. Installation view, Artists Space, 2007. Photo: Bill Orcutt. [A gray television sits on a rectangular wooden board. There is a mass of wires next to it that snakes towards a pile of nearby photographs.]
    Caption Replica of a Lost Original. Installation view, Artists Space, 2007. Photo: Bill Orcutt.
    Image description A gray television sits on a rectangular wooden board. There is a mass of wires next to it that snakes towards a pile of nearby photographs.
    Year 2007
    Related pages Replica of a Lost Original
  • A dimly lit, empty room filled with several low chairs. A projection illuminates a dark wall opposite the chairs. The projection displays an image of a figure, their index finger blotted purple, inserting a document written in Arabic into a machine.
    A dimly lit, empty room filled with several low chairs. A projection illuminates a dark wall opposite the chairs. The projection displays an image of a figure, their index finger blotted purple, inserting a document written in Arabic into a machine.
    Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A dimly lit, empty room filled with several low chairs. A projection illuminates a dark wall opposite the chairs. The projection displays an image of a figure, their index finger blotted purple, inserting a document written in Arabic into a machine.]
    Caption Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A dimly lit, empty room filled with several low chairs. A projection illuminates a dark wall opposite the chairs. The projection displays an image of a figure, their index finger blotted purple, inserting a document written in Arabic into a machine.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • A black-and-white image depicting several translucent photos overlaid, some of natural plant life and others of industrial scenes, with power lines and bridge spokes
    A black-and-white image depicting several translucent photos overlaid, some of natural plant life and others of industrial scenes, with power lines and bridge spokes
    Sharon Halliday, Shaded Times, 2014 [A black-and-white image depicting several translucent photos overlaid, some of natural plant life and others of industrial scenes, with power lines and bridge spokes]
    Caption Sharon Halliday, Shaded Times, 2014
    Image description A black-and-white image depicting several translucent photos overlaid, some of natural plant life and others of industrial scenes, with power lines and bridge spokes
    Year 2014
    Related pages Scholastic Art and Writing Awards
  • Close-up of a series of metal cutouts shaped like curved
    Close-up of a series of metal cutouts shaped like curved
    H_edge. Installation view, Artists Space, 2006. Photo: Whitney Cox. [Close-up of a series of metal cutouts shaped like curved "x"'s hanging from lengths of metal chainlinks. The many rows of cutouts overlap, forming a hedge-like sculptural body.]
    Caption H_edge. Installation view, Artists Space, 2006. Photo: Whitney Cox.
    Image description Close-up of a series of metal cutouts shaped like curved "x"'s hanging from lengths of metal chainlinks. The many rows of cutouts overlap, forming a hedge-like sculptural body.
    Year 2006
    Related pages H_edge
  • A television monitor positioned on the ground with its wiring exposed. A pair of headphones rests on the ground to the right of the monitor. It displayes a still image of a washed-out portrait that implies movement through the blurring and repeititon of the face.
    A television monitor positioned on the ground with its wiring exposed. A pair of headphones rests on the ground to the right of the monitor. It displayes a still image of a washed-out portrait that implies movement through the blurring and repeititon of the face.
    The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [A television monitor positioned on the ground with its wiring exposed. A pair of headphones rests on the ground to the right of the monitor. It displayes a still image of a washed-out portrait that implies movement through the blurring and repeititon of the face.]
    Caption The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich.
    Image description A television monitor positioned on the ground with its wiring exposed. A pair of headphones rests on the ground to the right of the monitor. It displayes a still image of a washed-out portrait that implies movement through the blurring and repeititon of the face.
    Year 2014
    Related pages The Issues of Our Time
  • A printing plate for a $100,000 bill, featuring a portrait of Woodrow Wilson.
    A printing plate for a $100,000 bill, featuring a portrait of Woodrow Wilson.
    Rirkrit Tiravanija, untitled, 2011 (print mo’ money), 2011, Copper etching plate, Signed certificate. [A printing plate for a $100,000 bill, featuring a portrait of Woodrow Wilson.]
    Caption Rirkrit Tiravanija, untitled, 2011 (print mo’ money), 2011, Copper etching plate, Signed certificate.
    Image description A printing plate for a $100,000 bill, featuring a portrait of Woodrow Wilson.
    Year 2011
    Related pages Artists Space Annual Edition Portfolio 2012
  • An image is reproduced from three different angles: two in landscape with the third, vertical and upside down. Two people stand in a red-lit room, one looks at a camera and the other stands beside them. A double exposure overlays the image with the same two people, the former holding up the camera and the latter posing for a photo.
    An image is reproduced from three different angles: two in landscape with the third, vertical and upside down. Two people stand in a red-lit room, one looks at a camera and the other stands beside them. A double exposure overlays the image with the same two people, the former holding up the camera and the latter posing for a photo.
    Speaker Music, still from a finesse, 2019, (filmed at 11 Cortlandt Alley). [An image is reproduced from three different angles: two in landscape with the third, vertical and upside down. Two people stand in a red-lit room, one looks at a camera and the other stands beside them. A double exposure overlays the image with the same two people, the former holding up the camera and the latter posing for a photo.]
    Caption Speaker Music, still from a finesse, 2019, (filmed at 11 Cortlandt Alley).
    Image description An image is reproduced from three different angles: two in landscape with the third, vertical and upside down. Two people stand in a red-lit room, one looks at a camera and the other stands beside them. A double exposure overlays the image with the same two people, the former holding up the camera and the latter posing for a photo.
    Year 2019
    Related pages Speaker Music: drape over another
  • Close-up image of the faces of a man and a woman, both of their figures cut off by the frame. The woman stands slightly in front of the man, who stands directly behind her shoulder. She wears lipstick, jewelry, and has short hair, while the man is older and wears a suit with a stiff collar. Neither figure looks at each other, gazing elsewhere.
    Close-up image of the faces of a man and a woman, both of their figures cut off by the frame. The woman stands slightly in front of the man, who stands directly behind her shoulder. She wears lipstick, jewelry, and has short hair, while the man is older and wears a suit with a stiff collar. Neither figure looks at each other, gazing elsewhere.
    [Close-up image of the faces of a man and a woman, both of their figures cut off by the frame. The woman stands slightly in front of the man, who stands directly behind her shoulder. She wears lipstick, jewelry, and has short hair, while the man is older and wears a suit with a stiff collar. Neither figure looks at each other, gazing elsewhere.]
    Caption
    Image description Close-up image of the faces of a man and a woman, both of their figures cut off by the frame. The woman stands slightly in front of the man, who stands directly behind her shoulder. She wears lipstick, jewelry, and has short hair, while the man is older and wears a suit with a stiff collar. Neither figure looks at each other, gazing elsewhere.
    Year 2007
    Related pages Program 5 - In The Poem About Love You Don't Write The Word Love Film Series at Anthology Film Archives
  • Three female mannequins arranged in front of five hanging timelines marked 2002-2006. The first mannequin sits in a chair and is wearing a golden shirt and black skirt with a towel tossed over its shoulder. The second wears several scarf chokers, a shirt cut in two pieces resembling an
    Three female mannequins arranged in front of five hanging timelines marked 2002-2006. The first mannequin sits in a chair and is wearing a golden shirt and black skirt with a towel tossed over its shoulder. The second wears several scarf chokers, a shirt cut in two pieces resembling an
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Three female mannequins arranged in front of five hanging timelines marked 2002-2006. The first mannequin sits in a chair and is wearing a golden shirt and black skirt with a towel tossed over its shoulder. The second wears several scarf chokers, a shirt cut in two pieces resembling an "x", and gray jeans accessorized with two button pins and large thigh cutouts. The third wears an Adidas jersey decorated with a "bc" logo and black baggy pants.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Three female mannequins arranged in front of five hanging timelines marked 2002-2006. The first mannequin sits in a chair and is wearing a golden shirt and black skirt with a towel tossed over its shoulder. The second wears several scarf chokers, a shirt cut in two pieces resembling an "x", and gray jeans accessorized with two button pins and large thigh cutouts. The third wears an Adidas jersey decorated with a "bc" logo and black baggy pants.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • A black and white image of a person's face against a white tiled wall, with water pouring down over her.
    A black and white image of a person's face against a white tiled wall, with water pouring down over her.
    Judit Kurtág. Still from Episode, 2007. [A black and white image of a person's face against a white tiled wall, with water pouring down over her.]
    Caption Judit Kurtág. Still from Episode, 2007.
    Image description A black and white image of a person's face against a white tiled wall, with water pouring down over her.
    Year 2007
    Related pages Episode
  • A man reclines while reading on a daybed draped with green linens. Behind him are four bookcases filled with vinyl records.
    A man reclines while reading on a daybed draped with green linens. Behind him are four bookcases filled with vinyl records.
    Moyra Davey, still from Fifty Minutes, 2011. 50 min. [A man reclines while reading on a daybed draped with green linens. Behind him are four bookcases filled with vinyl records.]
    Caption Moyra Davey, still from Fifty Minutes, 2011. 50 min.
    Image description A man reclines while reading on a daybed draped with green linens. Behind him are four bookcases filled with vinyl records.
    Year 2011
    Related pages Film and Video Program | Macho Man, Tell It To My Heart: Collected by Julie Ault | January 9
  • In the corner of a room, close to the ceiling, is an industrial light fixture. The lightbulb is on and faces up towards the ceiling.
    In the corner of a room, close to the ceiling, is an industrial light fixture. The lightbulb is on and faces up towards the ceiling.
    Michael Asher, Untitled. Installation view, Artists Space, 1988. [In the corner of a room, close to the ceiling, is an industrial light fixture. The lightbulb is on and faces up towards the ceiling.]
    Caption Michael Asher, Untitled. Installation view, Artists Space, 1988.
    Image description In the corner of a room, close to the ceiling, is an industrial light fixture. The lightbulb is on and faces up towards the ceiling.
    Year 1988
    Related pages
  • An open black wallet supported upright on a white surface by four binder clips attached to its left side and bottom edge.
    An open black wallet supported upright on a white surface by four binder clips attached to its left side and bottom edge.
    Daniel Joglar, Untitled, 2005. Courtesy the artist. [An open black wallet supported upright on a white surface by four binder clips attached to its left side and bottom edge.]
    Caption Daniel Joglar, Untitled, 2005. Courtesy the artist.
    Image description An open black wallet supported upright on a white surface by four binder clips attached to its left side and bottom edge.
    Year 2005
    Related pages Cosas Sin Hacer. Cosas Para Hacer Mañana
  • A snowy mountain landscape and flowing water is collaged with clear circular and rectangular shape graphics on top of the image. Blue text over the image reads:
    A snowy mountain landscape and flowing water is collaged with clear circular and rectangular shape graphics on top of the image. Blue text over the image reads:
    Flyer for Segue Reading Series featuring Saretta Morgan and Jennifer Scappettone. Saturday, December 5, 2020, Artists Space. Artist: Anastasios Karnazes. [A snowy mountain landscape and flowing water is collaged with clear circular and rectangular shape graphics on top of the image. Blue text over the image reads: "Saretta Morgan / Jennifer Scappettone / 5 December / 5 pm EST / Segue."]
    Caption Flyer for Segue Reading Series featuring Saretta Morgan and Jennifer Scappettone. Saturday, December 5, 2020, Artists Space. Artist: Anastasios Karnazes.
    Image description A snowy mountain landscape and flowing water is collaged with clear circular and rectangular shape graphics on top of the image. Blue text over the image reads: "Saretta Morgan / Jennifer Scappettone / 5 December / 5 pm EST / Segue."
    Year
    Related pages Segue Reading Series: Saretta Morgan & Jennifer Scappettone
  • Bold, black text of varying sizes arranged in a rectangular block on a white background reads,
    Bold, black text of varying sizes arranged in a rectangular block on a white background reads,
    [Bold, black text of varying sizes arranged in a rectangular block on a white background reads, "TREAT A COMPLETE STRANGER / AS A LOVER, HUG THEM / AS GOOD FRIENDS, AS THEY ARE / OR AS 10 YEARS AGO YOU MIGHT HAVE HAD / FABULOUS SEX / WITH ABSOLUTE ABANDON / WITH THE SAME STRANGER. / NOW LIFE IS RAVAGED / AND WE OFFER LOVE FROM THE SAME ROOT OF BOUNDLESS / COMPASSION."]
    Caption
    Image description Bold, black text of varying sizes arranged in a rectangular block on a white background reads, "TREAT A COMPLETE STRANGER / AS A LOVER, HUG THEM / AS GOOD FRIENDS, AS THEY ARE / OR AS 10 YEARS AGO YOU MIGHT HAVE HAD / FABULOUS SEX / WITH ABSOLUTE ABANDON / WITH THE SAME STRANGER. / NOW LIFE IS RAVAGED / AND WE OFFER LOVE FROM THE SAME ROOT OF BOUNDLESS / COMPASSION."
    Year 1993
    Related pages AIDS FORUM: John Giorno
  • The interior of a Soho loft space. In the foreground, a plastic bucket hands from a red rope attached to an overhead pulley that is suspended from a wooden plank hanging overhead. '
    The interior of a Soho loft space. In the foreground, a plastic bucket hands from a red rope attached to an overhead pulley that is suspended from a wooden plank hanging overhead. '
    On Being an Exhibition. Installation view, Artists Space, 2007. Photo: Bill Orcutt. [The interior of a Soho loft space. In the foreground, a plastic bucket hands from a red rope attached to an overhead pulley that is suspended from a wooden plank hanging overhead. '"ARTISTS SPACE" is written on the far wall, and a number of bookcases, a white pedestal with a clear plastic hood, and a front desk populate the room. Behind the front desk are two neon quotation marks.]
    Caption On Being an Exhibition. Installation view, Artists Space, 2007. Photo: Bill Orcutt.
    Image description The interior of a Soho loft space. In the foreground, a plastic bucket hands from a red rope attached to an overhead pulley that is suspended from a wooden plank hanging overhead. '"ARTISTS SPACE" is written on the far wall, and a number of bookcases, a white pedestal with a clear plastic hood, and a front desk populate the room. Behind the front desk are two neon quotation marks.
    Year 2007
    Related pages On Being an Exhibition
  • An oil painting of a colorful city crowded with buildings.
    An oil painting of a colorful city crowded with buildings.
    James Sheehan, Halcyon Days, 2000. [An oil painting of a colorful city crowded with buildings.]
    Caption James Sheehan, Halcyon Days, 2000.
    Image description An oil painting of a colorful city crowded with buildings.
    Year 2000
    Related pages Painting as Paradox
  • A yellow industrial machine rests atop a pile of rubble and stone. Across the clear blue sky, sky-typers write “MI DIOS ES MERIDA” in white smoke-dots.
    A yellow industrial machine rests atop a pile of rubble and stone. Across the clear blue sky, sky-typers write “MI DIOS ES MERIDA” in white smoke-dots.
    Raúl Zurita, La vida nueva, 1982. Video, color, sound; 27 minutes 42 seconds. Videography by Juan Downey. Courtesy the artist. [A yellow industrial machine rests atop a pile of rubble and stone. Across the clear blue sky, sky-typers write “MI DIOS ES MERIDA” in white smoke-dots.]
    Caption Raúl Zurita, La vida nueva, 1982. Video, color, sound; 27 minutes 42 seconds. Videography by Juan Downey. Courtesy the artist.
    Image description A yellow industrial machine rests atop a pile of rubble and stone. Across the clear blue sky, sky-typers write “MI DIOS ES MERIDA” in white smoke-dots.
    Year 1982
    Related pages Whitney ISP Archive
  • A panoramic image of the audience at Artists Space and Decolonize This Place's event, featuring colorful banners on the wall that read
    A panoramic image of the audience at Artists Space and Decolonize This Place's event, featuring colorful banners on the wall that read
    “Chinatown Is Not for Sale.” Artists Space Books & Talks, Saturday, October 22, 2016. Courtesy Decolonize This Place and Artists Space, New York. Photo: Marz Saffore [A panoramic image of the audience at Artists Space and Decolonize This Place's event, featuring colorful banners on the wall that read "ABOLISH WHITE SUPREMACY," "Black Lives Matter", "Don't Play with Apartheid #BDS".]
    Caption “Chinatown Is Not for Sale.” Artists Space Books & Talks, Saturday, October 22, 2016. Courtesy Decolonize This Place and Artists Space, New York. Photo: Marz Saffore
    Image description A panoramic image of the audience at Artists Space and Decolonize This Place's event, featuring colorful banners on the wall that read "ABOLISH WHITE SUPREMACY," "Black Lives Matter", "Don't Play with Apartheid #BDS".
    Year 2016
    Related pages Decolonize This Place
  • A black and white image of a woman sitting alone in a row of seats, as if on a bus or train. Her face is obscured by the seat in front of her from the nose down, but her full reflection is visible in the window next to her.
    A black and white image of a woman sitting alone in a row of seats, as if on a bus or train. Her face is obscured by the seat in front of her from the nose down, but her full reflection is visible in the window next to her.
    Still from Bernadette, 2008. Courtesy of Duncan Campbell and HOTEL, London. [A black and white image of a woman sitting alone in a row of seats, as if on a bus or train. Her face is obscured by the seat in front of her from the nose down, but her full reflection is visible in the window next to her.]
    Caption Still from Bernadette, 2008. Courtesy of Duncan Campbell and HOTEL, London.
    Image description A black and white image of a woman sitting alone in a row of seats, as if on a bus or train. Her face is obscured by the seat in front of her from the nose down, but her full reflection is visible in the window next to her.
    Year 2008
    Related pages Film Trilogy: Duncan Campbell
  • A sleek, computer-rendered form against a black backdrop. The form has a disk-like shape with various extensions radiating out from its center. Parts of it appear to glow red or yellow.
    A sleek, computer-rendered form against a black backdrop. The form has a disk-like shape with various extensions radiating out from its center. Parts of it appear to glow red or yellow.
    [A sleek, computer-rendered form against a black backdrop. The form has a disk-like shape with various extensions radiating out from its center. Parts of it appear to glow red or yellow.]
    Caption
    Image description A sleek, computer-rendered form against a black backdrop. The form has a disk-like shape with various extensions radiating out from its center. Parts of it appear to glow red or yellow.
    Year 2008
    Related pages Matters of Sensation
  • A white book cover with a narrow column of red and wider column of black on the left side. It is titled,
    A white book cover with a narrow column of red and wider column of black on the left side. It is titled,
    Forgetting the Art World, by Pamela M. Lee, published by MIT Press, 2012. [A white book cover with a narrow column of red and wider column of black on the left side. It is titled, "Forgetting the Art World" by Pamela M. Lee.]
    Caption Forgetting the Art World, by Pamela M. Lee, published by MIT Press, 2012.
    Image description A white book cover with a narrow column of red and wider column of black on the left side. It is titled, "Forgetting the Art World" by Pamela M. Lee.
    Year 2012
    Related pages Art and its Operations
  • A rectangular column against a white background.  The bottom segment is covered in corn kernals, then there is a layer of black tar, and the top is a cube of copper.
    A rectangular column against a white background.  The bottom segment is covered in corn kernals, then there is a layer of black tar, and the top is a cube of copper.
    Robert Gero, Untitled, 1989. Corn, copper, tar. [A rectangular column against a white background. The bottom segment is covered in corn kernals, then there is a layer of black tar, and the top is a cube of copper.]
    Caption Robert Gero, Untitled, 1989. Corn, copper, tar.
    Image description A rectangular column against a white background. The bottom segment is covered in corn kernals, then there is a layer of black tar, and the top is a cube of copper.
    Year 1989
    Related pages Energeia
  • A view of Chinatown at night, with a projection onto a side of the building that reads, in handwritten text,
    A view of Chinatown at night, with a projection onto a side of the building that reads, in handwritten text,
    Chinatown Art Brigade and The Illuminator Here to Stay, September 24, 2016 Courtesy Chinatown Art Brigade. Photo: KahEan Chang [A view of Chinatown at night, with a projection onto a side of the building that reads, in handwritten text, "Gentrification Is Modern Colonialism! #ChinatownNot4Sale". The top of a BigBus tour bus is partially visible at the right corner of the frame.]
    Caption Chinatown Art Brigade and The Illuminator Here to Stay, September 24, 2016 Courtesy Chinatown Art Brigade. Photo: KahEan Chang
    Image description A view of Chinatown at night, with a projection onto a side of the building that reads, in handwritten text, "Gentrification Is Modern Colonialism! #ChinatownNot4Sale". The top of a BigBus tour bus is partially visible at the right corner of the frame.
    Year 2016
    Related pages Decolonize This Place
  • A stage set with a blue curtain, in front of which sit 6 chairs facing different directions.
    A stage set with a blue curtain, in front of which sit 6 chairs facing different directions.
    Scott Burton, Pastoral Chair Tableau, 1971 – 1974. [A stage set with a blue curtain, in front of which sit 6 chairs facing different directions.]
    Caption Scott Burton, Pastoral Chair Tableau, 1971 – 1974.
    Image description A stage set with a blue curtain, in front of which sit 6 chairs facing different directions.
    Year 1975
    Related pages
  • A blue carpet decorated with colorful polka-dots fills the floor of a gallery space. Colorful, plastic chairs are arranged against the right wall. A wooden table with chairs and two monitors are displayed at the space's back wall. A kite hangs from the ceiling in the center of the space.
    A blue carpet decorated with colorful polka-dots fills the floor of a gallery space. Colorful, plastic chairs are arranged against the right wall. A wooden table with chairs and two monitors are displayed at the space's back wall. A kite hangs from the ceiling in the center of the space.
    Whitney Museum of American Art Independent Study Program Studio Exhibition. Installation view, Artists Space, 2018. Photo: Gustavo Murillo Fernández-Valdés. [A blue carpet decorated with colorful polka-dots fills the floor of a gallery space. Colorful, plastic chairs are arranged against the right wall. A wooden table with chairs and two monitors are displayed at the space's back wall. A kite hangs from the ceiling in the center of the space.]
    Caption Whitney Museum of American Art Independent Study Program Studio Exhibition. Installation view, Artists Space, 2018. Photo: Gustavo Murillo Fernández-Valdés.
    Image description A blue carpet decorated with colorful polka-dots fills the floor of a gallery space. Colorful, plastic chairs are arranged against the right wall. A wooden table with chairs and two monitors are displayed at the space's back wall. A kite hangs from the ceiling in the center of the space.
    Year 2018
    Related pages Whitney Museum of American Art Independent Study Program Studio Exhibition
  • An over-the-shoulder photo of a person holding a boom microphone pointed at a small oil pipeline fire several dozen feet away.
    An over-the-shoulder photo of a person holding a boom microphone pointed at a small oil pipeline fire several dozen feet away.
    A member of the collective Winter Count working on the film We Are in Crisis, 2016, North Dakota. [An over-the-shoulder photo of a person holding a boom microphone pointed at a small oil pipeline fire several dozen feet away.]
    Caption A member of the collective Winter Count working on the film We Are in Crisis, 2016, North Dakota.
    Image description An over-the-shoulder photo of a person holding a boom microphone pointed at a small oil pipeline fire several dozen feet away.
    Year 2016
    Related pages Without Us There Is No You
  • A gestural line drawing of two figures embracing set against a geomatric pattern of blue, teal, brown, red, and pink rectangular forms.
    A gestural line drawing of two figures embracing set against a geomatric pattern of blue, teal, brown, red, and pink rectangular forms.
    Nick Mauss, This afternoon, 2012, 5-color, hand-stenciled gouache on paper, each unique 24 x 18 inches, Signed and numbered. [A gestural line drawing of two figures embracing set against a geomatric pattern of blue, teal, brown, red, and pink rectangular forms.]
    Caption Nick Mauss, This afternoon, 2012, 5-color, hand-stenciled gouache on paper, each unique 24 x 18 inches, Signed and numbered.
    Image description A gestural line drawing of two figures embracing set against a geomatric pattern of blue, teal, brown, red, and pink rectangular forms.
    Year 2014
    Related pages Artists Space Annual Edition Portfolio 2013
  • A purple square on a white wall with various photographic media displayed.
    A purple square on a white wall with various photographic media displayed.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A purple square on a white wall with various photographic media displayed.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A purple square on a white wall with various photographic media displayed.
    Year 2017
    Related pages Unholding
  • A green book cover with white lettering titled,
    A green book cover with white lettering titled,
    After Art, by David Joselit, published by Princeton University Press, 2012. [A green book cover with white lettering titled, "AFTER ART" by David Joselit.]
    Caption After Art, by David Joselit, published by Princeton University Press, 2012.
    Image description A green book cover with white lettering titled, "AFTER ART" by David Joselit.
    Year 2012
    Related pages Art and its Operations
  • An installation view of two rows of photographic portraits tacked to the walls. In the background is a red, white and black print that says
    An installation view of two rows of photographic portraits tacked to the walls. In the background is a red, white and black print that says
    New Economy. Installation view, Artists Space, 2007. [An installation view of two rows of photographic portraits tacked to the walls. In the background is a red, white and black print that says "Imagine that capitalist revelations are overcome by local economic federations of grassroots groups that produce according to regional demand."]
    Caption New Economy. Installation view, Artists Space, 2007.
    Image description An installation view of two rows of photographic portraits tacked to the walls. In the background is a red, white and black print that says "Imagine that capitalist revelations are overcome by local economic federations of grassroots groups that produce according to regional demand."
    Year
    Related pages New Economy
  • Three red, orange, and green fabric rolls are arranged vertically on a white wall. Further along the wall, two marbled, gray and red sheets have been hung low on the wall such that their lower halves drape on the gallery floor.
    Three red, orange, and green fabric rolls are arranged vertically on a white wall. Further along the wall, two marbled, gray and red sheets have been hung low on the wall such that their lower halves drape on the gallery floor.
    Local Transit. Installation view, Artists Space, 2006. [Three red, orange, and green fabric rolls are arranged vertically on a white wall. Further along the wall, two marbled, gray and red sheets have been hung low on the wall such that their lower halves drape on the gallery floor.]
    Caption Local Transit. Installation view, Artists Space, 2006.
    Image description Three red, orange, and green fabric rolls are arranged vertically on a white wall. Further along the wall, two marbled, gray and red sheets have been hung low on the wall such that their lower halves drape on the gallery floor.
    Year 2006
    Related pages Local Transit: An Exhibition in Two Parts
  • Five photographic collages installed in white frames arranged in a horizontal row along a blank wall.
    Five photographic collages installed in white frames arranged in a horizontal row along a blank wall.
    Salad Days 2. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [Five photographic collages installed in white frames arranged in a horizontal row along a blank wall.]
    Caption Salad Days 2. Installation view, Artists Space, 2006. Photo: Bill Ocrutt.
    Image description Five photographic collages installed in white frames arranged in a horizontal row along a blank wall.
    Year 2006
    Related pages Salad Days 2
  • Two black display cases in the middle of a gallery space, with clear horizontal glass cut-outs, one taller than the other. Each display case houses a collection of mugs and other ephemera.
    Two black display cases in the middle of a gallery space, with clear horizontal glass cut-outs, one taller than the other. Each display case houses a collection of mugs and other ephemera.
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Two black display cases in the middle of a gallery space, with clear horizontal glass cut-outs, one taller than the other. Each display case houses a collection of mugs and other ephemera.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Two black display cases in the middle of a gallery space, with clear horizontal glass cut-outs, one taller than the other. Each display case houses a collection of mugs and other ephemera.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • A bookcase displays documents within as well as on top of its glass. Above, right of center, three black and white photographs are hung, in white frames, on the wall.
    A bookcase displays documents within as well as on top of its glass. Above, right of center, three black and white photographs are hung, in white frames, on the wall.
    Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A bookcase displays documents within as well as on top of its glass. Above, right of center, three black and white photographs are hung, in white frames, on the wall.]
    Caption Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A bookcase displays documents within as well as on top of its glass. Above, right of center, three black and white photographs are hung, in white frames, on the wall.
    Year 2013
    Related pages Documenting Cadere: 1972 - 1978
  • The bright beams of a projector cut through the fog filling a basement room. An image is projected onto one of the space’s walls. Several figures talk to each other in the background.
    The bright beams of a projector cut through the fog filling a basement room. An image is projected onto one of the space’s walls. Several figures talk to each other in the background.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [The bright beams of a projector cut through the fog filling a basement room. An image is projected onto one of the space’s walls. Several figures talk to each other in the background.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description The bright beams of a projector cut through the fog filling a basement room. An image is projected onto one of the space’s walls. Several figures talk to each other in the background.
    Year 2019
    Related pages Speaker Music: drape over another
  • A crowd of people fill a dimly lit red room, some sitting and some standing. Projections of abstract images and an illuminated painting cover three of the space’s walls.
    A crowd of people fill a dimly lit red room, some sitting and some standing. Projections of abstract images and an illuminated painting cover three of the space’s walls.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A crowd of people fill a dimly lit red room, some sitting and some standing. Projections of abstract images and an illuminated painting cover three of the space’s walls.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A crowd of people fill a dimly lit red room, some sitting and some standing. Projections of abstract images and an illuminated painting cover three of the space’s walls.
    Year 2019
    Related pages Speaker Music: drape over another
  • Characteristic, expressive handwriting on a page spells out phrases such as “All Power to the People!” and ”Seize the Time!” in both English and Spanish.
    Characteristic, expressive handwriting on a page spells out phrases such as “All Power to the People!” and ”Seize the Time!” in both English and Spanish.
    Third World Gay Revolution, “Come Out in Third World Lingo,” back cover of Come Out! 1, no. 7, (December/January 1970 – 7). Courtesy Archivo Moléculas Malucas. [Characteristic, expressive handwriting on a page spells out phrases such as “All Power to the People!” and ”Seize the Time!” in both English and Spanish.]
    Caption Third World Gay Revolution, “Come Out in Third World Lingo,” back cover of Come Out! 1, no. 7, (December/January 1970 – 7). Courtesy Archivo Moléculas Malucas.
    Image description Characteristic, expressive handwriting on a page spells out phrases such as “All Power to the People!” and ”Seize the Time!” in both English and Spanish.
    Year
    Related pages Whitney ISP Archive
  • Caption
    Image description
    Year
    Related pages Jack Smith Film Retrospective
  • A view of a dimly lit room with a video monitor sitting on the ground of the right wall. The monitor screen is black with white text reading,
    A view of a dimly lit room with a video monitor sitting on the ground of the right wall. The monitor screen is black with white text reading,
    Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A view of a dimly lit room with a video monitor sitting on the ground of the right wall. The monitor screen is black with white text reading, "[The Manhattans continue to sing 'Shining Star']." Towards the corner, an inferometer projects green dots onto adjacent walls.]
    Caption Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A view of a dimly lit room with a video monitor sitting on the ground of the right wall. The monitor screen is black with white text reading, "[The Manhattans continue to sing 'Shining Star']." Towards the corner, an inferometer projects green dots onto adjacent walls.
    Year 2018
    Related pages Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff
  • Text reading “'We Cover for You. / – NRO” is overlaid on an image of a plastic gloved hand that applies blue plaster with a wooden stick.
    Text reading “'We Cover for You. / – NRO” is overlaid on an image of a plastic gloved hand that applies blue plaster with a wooden stick.
    [Text reading “'We Cover for You. / – NRO” is overlaid on an image of a plastic gloved hand that applies blue plaster with a wooden stick.]
    Caption
    Image description Text reading “'We Cover for You. / – NRO” is overlaid on an image of a plastic gloved hand that applies blue plaster with a wooden stick.
    Year
    Related pages New Red Order: Informants Get Paid!
  • A poster design featuring two figures—a child and an older man—superimposed on a dark backdrop. The child's image has a blue hue and takes the shape of a circular cut-out, while the older man's image has a yellow hue. Above both figures, white text superimposed against a towering city skyline reads,
    A poster design featuring two figures—a child and an older man—superimposed on a dark backdrop. The child's image has a blue hue and takes the shape of a circular cut-out, while the older man's image has a yellow hue. Above both figures, white text superimposed against a towering city skyline reads,
    [A poster design featuring two figures—a child and an older man—superimposed on a dark backdrop. The child's image has a blue hue and takes the shape of a circular cut-out, while the older man's image has a yellow hue. Above both figures, white text superimposed against a towering city skyline reads, "DER ANGRIFF DER GEGENWART AUF DIE UBRIGE ZEIT / EIN FILM VON ALEXANDER KLUGE."]
    Caption
    Image description A poster design featuring two figures—a child and an older man—superimposed on a dark backdrop. The child's image has a blue hue and takes the shape of a circular cut-out, while the older man's image has a yellow hue. Above both figures, white text superimposed against a towering city skyline reads, "DER ANGRIFF DER GEGENWART AUF DIE UBRIGE ZEIT / EIN FILM VON ALEXANDER KLUGE."
    Year 2007
    Related pages Program 1 - In The Poem About Love You Don't Write The Word Love Film Series at Anthology Film Archives
  • Two people in white face paint and fanciful dresses crowd around a crudely constructed wooden desk that sits off-kilter. One sits at the desk and applies makeup while the other stands to their left, gazing beyond the image.
    Two people in white face paint and fanciful dresses crowd around a crudely constructed wooden desk that sits off-kilter. One sits at the desk and applies makeup while the other stands to their left, gazing beyond the image.
    Adrienne Kennedy, Funnyhouse of a Negro, 1964 (East End Theater, New York, directed by Michael Kahn, produced by Barr, WIlder, and Albee). Pictured: Ellen Holly and Cynthia Belgrave. Photo: Frederick Eberstadt. [Two people in white face paint and fanciful dresses crowd around a crudely constructed wooden desk that sits off-kilter. One sits at the desk and applies makeup while the other stands to their left, gazing beyond the image.]
    Caption Adrienne Kennedy, Funnyhouse of a Negro, 1964 (East End Theater, New York, directed by Michael Kahn, produced by Barr, WIlder, and Albee). Pictured: Ellen Holly and Cynthia Belgrave. Photo: Frederick Eberstadt.
    Image description Two people in white face paint and fanciful dresses crowd around a crudely constructed wooden desk that sits off-kilter. One sits at the desk and applies makeup while the other stands to their left, gazing beyond the image.
    Year 1964
    Related pages She Who Is: Adrienne Kennedy and the Drama of Difference
  • A grid of yellow hearts on a pink background.
    A grid of yellow hearts on a pink background.
    [A grid of yellow hearts on a pink background.]
    Caption
    Image description A grid of yellow hearts on a pink background.
    Year 2017
    Related pages I ❤ John Giorno: Eating The Sky
  • A black display case in the corner of a gallery, surrounded by windows looking out into Manhattan. A mannequin faces away from the camera, and three backlit texts are placed across the floor, in sequence. Each text is superimposed on a photo of a metal pipe looking similar to a gun. On the back viewer, the image is visible alone with no superimposition.
    A black display case in the corner of a gallery, surrounded by windows looking out into Manhattan. A mannequin faces away from the camera, and three backlit texts are placed across the floor, in sequence. Each text is superimposed on a photo of a metal pipe looking similar to a gun. On the back viewer, the image is visible alone with no superimposition.
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A black display case in the corner of a gallery, surrounded by windows looking out into Manhattan. A mannequin faces away from the camera, and three backlit texts are placed across the floor, in sequence. Each text is superimposed on a photo of a metal pipe looking similar to a gun. On the back viewer, the image is visible alone with no superimposition.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description A black display case in the corner of a gallery, surrounded by windows looking out into Manhattan. A mannequin faces away from the camera, and three backlit texts are placed across the floor, in sequence. Each text is superimposed on a photo of a metal pipe looking similar to a gun. On the back viewer, the image is visible alone with no superimposition.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • Two people seated at a table covered with assorted art supplies. They talk to each other as they paint or prepare to draw.
    Two people seated at a table covered with assorted art supplies. They talk to each other as they paint or prepare to draw.
    Dayna Goldfine and Dan Geller, still from Kids of Survival: The Art and Life of Tim Rollins & K.O.S., 1996. 87 min. [Two people seated at a table covered with assorted art supplies. They talk to each other as they paint or prepare to draw.]
    Caption Dayna Goldfine and Dan Geller, still from Kids of Survival: The Art and Life of Tim Rollins & K.O.S., 1996. 87 min.
    Image description Two people seated at a table covered with assorted art supplies. They talk to each other as they paint or prepare to draw.
    Year 1996
    Related pages Film and Video Program | Macho Man, Tell It To My Heart: Collected by Julie Ault | December 19
  • A large bone is arranged vertically against a white background. The center of the bone is a pale ceramic color, while its two ends are a darker brown color.
    A large bone is arranged vertically against a white background. The center of the bone is a pale ceramic color, while its two ends are a darker brown color.
    Josh Tonsfeldt, Untitled, 2005. Bone and mechanics. Courtesy the artist. [A large bone is arranged vertically against a white background. The center of the bone is a pale ceramic color, while its two ends are a darker brown color.]
    Caption Josh Tonsfeldt, Untitled, 2005. Bone and mechanics. Courtesy the artist.
    Image description A large bone is arranged vertically against a white background. The center of the bone is a pale ceramic color, while its two ends are a darker brown color.
    Year 2005
    Related pages Nina in Position
  • A rectangle of gold foil laying flat on a wooden floor. Light descending from a nearby window illuminates the foil.
    A rectangle of gold foil laying flat on a wooden floor. Light descending from a nearby window illuminates the foil.
    Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A rectangle of gold foil laying flat on a wooden floor. Light descending from a nearby window illuminates the foil.]
    Caption Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A rectangle of gold foil laying flat on a wooden floor. Light descending from a nearby window illuminates the foil.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • A line of eight paintings and blocks of illegible text in various sizes hang on a wall.  Some are paintings abstract compositions of black squares, others show a person in period dress, and two show the Eiffel Tower.
    A line of eight paintings and blocks of illegible text in various sizes hang on a wall.  Some are paintings abstract compositions of black squares, others show a person in period dress, and two show the Eiffel Tower.
    Millie Wilson, The Painter Who is Not One, 1990. Acrylic on canvas, text, type, photos, wall paint, 13 by 25 feet, variable. [A line of eight paintings and blocks of illegible text in various sizes hang on a wall. Some are paintings abstract compositions of black squares, others show a person in period dress, and two show the Eiffel Tower.]
    Caption Millie Wilson, The Painter Who is Not One, 1990. Acrylic on canvas, text, type, photos, wall paint, 13 by 25 feet, variable.
    Image description A line of eight paintings and blocks of illegible text in various sizes hang on a wall. Some are paintings abstract compositions of black squares, others show a person in period dress, and two show the Eiffel Tower.
    Year 1990
    Related pages Post-Boys&Girls: Nine Painters
  • Two people wearing large sun hats look up towards an empty blue sky framed by scattered palm trees. Faint, white text written in dotted cloud formations is visible in the sky.
    Two people wearing large sun hats look up towards an empty blue sky framed by scattered palm trees. Faint, white text written in dotted cloud formations is visible in the sky.
    David Antin, Sky Poem, La Jolla, CA, Santa Monica, 1987. Courtesy Getty Research Institute, Los Angeles. [Two people wearing large sun hats look up towards an empty blue sky framed by scattered palm trees. Faint, white text written in dotted cloud formations is visible in the sky.]
    Caption David Antin, Sky Poem, La Jolla, CA, Santa Monica, 1987. Courtesy Getty Research Institute, Los Angeles.
    Image description Two people wearing large sun hats look up towards an empty blue sky framed by scattered palm trees. Faint, white text written in dotted cloud formations is visible in the sky.
    Year 1987
    Related pages Talking About David Antin
  • Two performers stand in the middle of a room, facing each other, with their arms raised, leaning slightly to one side. The audience sits on the perimeter of the room, forming a circle around them.
    Two performers stand in the middle of a room, facing each other, with their arms raised, leaning slightly to one side. The audience sits on the perimeter of the room, forming a circle around them.
    Richard Kennedy Both, 2017. [Two performers stand in the middle of a room, facing each other, with their arms raised, leaning slightly to one side. The audience sits on the perimeter of the room, forming a circle around them.]
    Caption Richard Kennedy Both, 2017.
    Image description Two performers stand in the middle of a room, facing each other, with their arms raised, leaning slightly to one side. The audience sits on the perimeter of the room, forming a circle around them.
    Year 2017
    Related pages Support
  • A group of basketball players sit on a bench, a cutout photograph of a pink flower collaged over each of their heads. On top of the lower half of the image, black text reads
    A group of basketball players sit on a bench, a cutout photograph of a pink flower collaged over each of their heads. On top of the lower half of the image, black text reads
    Flyer for Segue Reading Series featuring Kimberly Alidio and Joyelle McSweeney. Saturday, November 7, 2020, Artists Space. Artist: Keith Higginbotham [A group of basketball players sit on a bench, a cutout photograph of a pink flower collaged over each of their heads. On top of the lower half of the image, black text reads "Kimberly Alidio / Joyelle McSweeney" and the lower left corner pink text reads "Segue."]
    Caption Flyer for Segue Reading Series featuring Kimberly Alidio and Joyelle McSweeney. Saturday, November 7, 2020, Artists Space. Artist: Keith Higginbotham
    Image description A group of basketball players sit on a bench, a cutout photograph of a pink flower collaged over each of their heads. On top of the lower half of the image, black text reads "Kimberly Alidio / Joyelle McSweeney" and the lower left corner pink text reads "Segue."
    Year 2020
    Related pages Segue Reading Series: Joyelle McSweeney & Kimberly Alidio
  • A slide of a painting of a pyramid of stairs with a ladder extending upwards, connected to several gold mountains by a railroad track.
    A slide of a painting of a pyramid of stairs with a ladder extending upwards, connected to several gold mountains by a railroad track.
    Carol Sun, Journey to Gold Mountain. [A slide of a painting of a pyramid of stairs with a ladder extending upwards, connected to several gold mountains by a railroad track.]
    Caption Carol Sun, Journey to Gold Mountain.
    Image description A slide of a painting of a pyramid of stairs with a ladder extending upwards, connected to several gold mountains by a railroad track.
    Year 1993
    Related pages The China Mary Series
  • A head-on view of six figures, each standing before a music stand in front of a seated audience. They are arranged side by side in a horizontal line, illuminated by overhead lights.
    A head-on view of six figures, each standing before a music stand in front of a seated audience. They are arranged side by side in a horizontal line, illuminated by overhead lights.
    Adrienne Kennedy, The Owl Answers. Performance documentation, Artists Space, February 29, 2020. Photo ©️ Filip Wolak. [A head-on view of six figures, each standing before a music stand in front of a seated audience. They are arranged side by side in a horizontal line, illuminated by overhead lights.]
    Caption Adrienne Kennedy, The Owl Answers. Performance documentation, Artists Space, February 29, 2020. Photo ©️ Filip Wolak.
    Image description A head-on view of six figures, each standing before a music stand in front of a seated audience. They are arranged side by side in a horizontal line, illuminated by overhead lights.
    Year 2020
    Related pages
  • Colin de Land sat at a desk, looking at paper materials in his lap. Various objects, documents, and books sit opened around him.
    Colin de Land sat at a desk, looking at paper materials in his lap. Various objects, documents, and books sit opened around him.
    Colin de Land at American Fine Arts, February 1996. Courtesy Smithsonian Archives of American Art. [Colin de Land sat at a desk, looking at paper materials in his lap. Various objects, documents, and books sit opened around him.]
    Caption Colin de Land at American Fine Arts, February 1996. Courtesy Smithsonian Archives of American Art.
    Image description Colin de Land sat at a desk, looking at paper materials in his lap. Various objects, documents, and books sit opened around him.
    Year 2014
    Related pages The Library Vaccine
  • A black metal gate with raised letters that read
    A black metal gate with raised letters that read
    Entrance to Marble Cemetery. © Paula Court Photography, 2018. [A black metal gate with raised letters that read "New York Marble Cemetery, Incorporated 1831" with several inflatable lobsters attached to the gate.]
    Caption Entrance to Marble Cemetery. © Paula Court Photography, 2018.
    Image description A black metal gate with raised letters that read "New York Marble Cemetery, Incorporated 1831" with several inflatable lobsters attached to the gate.
    Year 2018
    Related pages Garden Party at Marble Cemetery
  • A view down an isle, between theater seating and blue track lighting, to a projected video screen. On the back wall, a still image of a man, in a pilots uniform, gestures toward the viewers with two fingers. Hito Stereyl stands behind him with her arm outstretched.
    A view down an isle, between theater seating and blue track lighting, to a projected video screen. On the back wall, a still image of a man, in a pilots uniform, gestures toward the viewers with two fingers. Hito Stereyl stands behind him with her arm outstretched.
    Hito Steyerl, In Free Fall, 2010. HD video with sound, 30 mins. Courtesy of the artist and Andrew Kreps, New York. [A view down an isle, between theater seating and blue track lighting, to a projected video screen. On the back wall, a still image of a man, in a pilots uniform, gestures toward the viewers with two fingers. Hito Stereyl stands behind him with her arm outstretched.]
    Caption Hito Steyerl, In Free Fall, 2010. HD video with sound, 30 mins. Courtesy of the artist and Andrew Kreps, New York.
    Image description A view down an isle, between theater seating and blue track lighting, to a projected video screen. On the back wall, a still image of a man, in a pilots uniform, gestures toward the viewers with two fingers. Hito Stereyl stands behind him with her arm outstretched.
    Year 2015
    Related pages Hito Steyerl
  • A 3x5 grid of false-color stickers. The top four rows depict fruits cut in half resembling a grapefruit or orange. The last row depicts a coconut cut in half. A handful of stickers have a think line of black and white checkerboard pattern added to the perimeter of the fruit.
    A 3x5 grid of false-color stickers. The top four rows depict fruits cut in half resembling a grapefruit or orange. The last row depicts a coconut cut in half. A handful of stickers have a think line of black and white checkerboard pattern added to the perimeter of the fruit.
    Guyton\Walker, Fruit Stickers for Artists Space, 2010, Set of 15 Inkset printed stickers, 6 in / 15,2 cm each, Signed and numbered certificate. [A 3x5 grid of false-color stickers. The top four rows depict fruits cut in half resembling a grapefruit or orange. The last row depicts a coconut cut in half. A handful of stickers have a think line of black and white checkerboard pattern added to the perimeter of the fruit.]
    Caption Guyton\Walker, Fruit Stickers for Artists Space, 2010, Set of 15 Inkset printed stickers, 6 in / 15,2 cm each, Signed and numbered certificate.
    Image description A 3x5 grid of false-color stickers. The top four rows depict fruits cut in half resembling a grapefruit or orange. The last row depicts a coconut cut in half. A handful of stickers have a think line of black and white checkerboard pattern added to the perimeter of the fruit.
    Year 2010
    Related pages Artists Space Annual Edition Portfolio 2011
  • Two monochrome grey panels of equal sizes.  The left is an image of an oval frame with a blank white center.  The right shows a woman in period dress, pulling up her skirt, urinating into chamber pot.
    Two monochrome grey panels of equal sizes.  The left is an image of an oval frame with a blank white center.  The right shows a woman in period dress, pulling up her skirt, urinating into chamber pot.
    Lillian Mulero, Folk Art/Self Portrait, 1990. Oil and aluminum on canvas, 41 x 50 inches, diptych. [Two monochrome grey panels of equal sizes. The left is an image of an oval frame with a blank white center. The right shows a woman in period dress, pulling up her skirt, urinating into chamber pot.]
    Caption Lillian Mulero, Folk Art/Self Portrait, 1990. Oil and aluminum on canvas, 41 x 50 inches, diptych.
    Image description Two monochrome grey panels of equal sizes. The left is an image of an oval frame with a blank white center. The right shows a woman in period dress, pulling up her skirt, urinating into chamber pot.
    Year 1990
    Related pages Post-Boys&Girls: Nine Painters
  • Three book covers, arranged in a triangle, with title text reading from top to bottom, left to right,
    Three book covers, arranged in a triangle, with title text reading from top to bottom, left to right,
    [Three book covers, arranged in a triangle, with title text reading from top to bottom, left to right, "Danger In Dusseldorf," "Die, Chastrommel," and "Berliner."]
    Caption
    Image description Three book covers, arranged in a triangle, with title text reading from top to bottom, left to right, "Danger In Dusseldorf," "Die, Chastrommel," and "Berliner."
    Year 2014
    Related pages The Library Vaccine
  • The corner of a small white room features elements implying that it's a bathroom: a sink, a blue trash bin, and a hot-water heater are below while a wall-mounted paper towel holder and a non-reversing mirror hang above.
    The corner of a small white room features elements implying that it's a bathroom: a sink, a blue trash bin, and a hot-water heater are below while a wall-mounted paper towel holder and a non-reversing mirror hang above.
    Beth Campbell, Four Eyes Are Better Than One, 2007. Site-specific installation. Courtesy the artist. Photo: Bill Orcutt. [The corner of a small white room features elements implying that it's a bathroom: a sink, a blue trash bin, and a hot-water heater are below while a wall-mounted paper towel holder and a non-reversing mirror hang above.]
    Caption Beth Campbell, Four Eyes Are Better Than One, 2007. Site-specific installation. Courtesy the artist. Photo: Bill Orcutt.
    Image description The corner of a small white room features elements implying that it's a bathroom: a sink, a blue trash bin, and a hot-water heater are below while a wall-mounted paper towel holder and a non-reversing mirror hang above.
    Year 2007
    Related pages On Being an Exhibition
  • A bright yellow poster for Top Hat (1935) features a man in a black tuxedo with coattails and a woman in a long white dress with a full skirt, captured in exuberant dance atop a black top hat. Orange rays radiate from around the woman, while around them are smaller illustrated vignettes of the dancing couple in various poses amidst music notes. Text at the top of the poster reads
    A bright yellow poster for Top Hat (1935) features a man in a black tuxedo with coattails and a woman in a long white dress with a full skirt, captured in exuberant dance atop a black top hat. Orange rays radiate from around the woman, while around them are smaller illustrated vignettes of the dancing couple in various poses amidst music notes. Text at the top of the poster reads
    Poster for Top Hat, 1935. [A bright yellow poster for Top Hat (1935) features a man in a black tuxedo with coattails and a woman in a long white dress with a full skirt, captured in exuberant dance atop a black top hat. Orange rays radiate from around the woman, while around them are smaller illustrated vignettes of the dancing couple in various poses amidst music notes. Text at the top of the poster reads "They're dancing cheek-to-cheek again!" and bold type listing the featured actors' names, Fred Astaire and Ginger Rogers. The movie title is superimposed on the top hat in red type. Further film credits include Irving Berlin (music and lyrics), and supporting cast (Edward Everett Horton, Helen Broderick, Erick Rhodes, and Eric Blore), with direction by Mark Sandrich.]
    Caption Poster for Top Hat, 1935.
    Image description A bright yellow poster for Top Hat (1935) features a man in a black tuxedo with coattails and a woman in a long white dress with a full skirt, captured in exuberant dance atop a black top hat. Orange rays radiate from around the woman, while around them are smaller illustrated vignettes of the dancing couple in various poses amidst music notes. Text at the top of the poster reads "They're dancing cheek-to-cheek again!" and bold type listing the featured actors' names, Fred Astaire and Ginger Rogers. The movie title is superimposed on the top hat in red type. Further film credits include Irving Berlin (music and lyrics), and supporting cast (Edward Everett Horton, Helen Broderick, Erick Rhodes, and Eric Blore), with direction by Mark Sandrich.
    Year 1935
    Related pages Top Hat
  • A wooden reception desk with piles of various materials on it. A person sits at the desk smiling, and behind them, mounted on the wall, are two glowing neon quotation marks.
    A wooden reception desk with piles of various materials on it. A person sits at the desk smiling, and behind them, mounted on the wall, are two glowing neon quotation marks.
    Lee Walton, Hillary Wiedemann: Living Record, 2007. Performance. Courtesy the artist. Photo: Bill Orcutt. [A wooden reception desk with piles of various materials on it. A person sits at the desk smiling, and behind them, mounted on the wall, are two glowing neon quotation marks.]
    Caption Lee Walton, Hillary Wiedemann: Living Record, 2007. Performance. Courtesy the artist. Photo: Bill Orcutt.
    Image description A wooden reception desk with piles of various materials on it. A person sits at the desk smiling, and behind them, mounted on the wall, are two glowing neon quotation marks.
    Year 2007
    Related pages On Being an Exhibition
  • A black bumper sticker with white text on the back of a silver car reads,
    A black bumper sticker with white text on the back of a silver car reads,
    Mungo Thomson, The True Artist Helps the World by Revealing Mystic Truths (12 Step), 2004. [A black bumper sticker with white text on the back of a silver car reads, "The True Artist Helps the World by Revealing Mystic Truths."]
    Caption Mungo Thomson, The True Artist Helps the World by Revealing Mystic Truths (12 Step), 2004.
    Image description A black bumper sticker with white text on the back of a silver car reads, "The True Artist Helps the World by Revealing Mystic Truths."
    Year 2004
    Related pages Repeat Performance
  • A white translucent chiffon curtain cascades over a set of five framed images mounted on a wall.
    A white translucent chiffon curtain cascades over a set of five framed images mounted on a wall.
    Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A white translucent chiffon curtain cascades over a set of five framed images mounted on a wall.]
    Caption Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A white translucent chiffon curtain cascades over a set of five framed images mounted on a wall.
    Year 2010
    Related pages Danh Vo: Autoerotic Asphyxiation
  • A series of booklets with monochrome covers sit in stacks on the interior of a windowsill. Each of the booklets' covers displays thin text spelling out various names, including
    A series of booklets with monochrome covers sit in stacks on the interior of a windowsill. Each of the booklets' covers displays thin text spelling out various names, including
    [A series of booklets with monochrome covers sit in stacks on the interior of a windowsill. Each of the booklets' covers displays thin text spelling out various names, including "Ian Wallace," "Carolyn Christov-Bakargiev," and "G. M. Tamás."]
    Caption
    Image description A series of booklets with monochrome covers sit in stacks on the interior of a windowsill. Each of the booklets' covers displays thin text spelling out various names, including "Ian Wallace," "Carolyn Christov-Bakargiev," and "G. M. Tamás."
    Year 2012
    Related pages 100 Notes – 100 Thoughts
  • A black and white book cover with the text
    A black and white book cover with the text
    The Expendable Reader, by John McHale, edited by Alex Kitnick, published by Columbia University Press, 2011. [A black and white book cover with the text "The Expendable Reader John McHale" overlaid on a recycling logo.]
    Caption The Expendable Reader, by John McHale, edited by Alex Kitnick, published by Columbia University Press, 2011.
    Image description A black and white book cover with the text "The Expendable Reader John McHale" overlaid on a recycling logo.
    Year 2011
    Related pages John McHale: The Expendable Reader
  • An animation of a black and white clock whose hands move backwards. The clock is positioned on a silhouette of a head in profile. Sans-serif text below the graphic reads,
    An animation of a black and white clock whose hands move backwards. The clock is positioned on a silhouette of a head in profile. Sans-serif text below the graphic reads,
    [An animation of a black and white clock whose hands move backwards. The clock is positioned on a silhouette of a head in profile. Sans-serif text below the graphic reads, "The Fainnie Azul Horologe."]
    Caption
    Image description An animation of a black and white clock whose hands move backwards. The clock is positioned on a silhouette of a head in profile. Sans-serif text below the graphic reads, "The Fainnie Azul Horologe."
    Year 2014
    Related pages HOROLOGICS
  • A black and white line drawing of a person in an art gallery looking at a portrait on the wall. There is another piece on the wall of a person holding a rectangular box and blowing a bubble.
    A black and white line drawing of a person in an art gallery looking at a portrait on the wall. There is another piece on the wall of a person holding a rectangular box and blowing a bubble.
    [A black and white line drawing of a person in an art gallery looking at a portrait on the wall. There is another piece on the wall of a person holding a rectangular box and blowing a bubble.]
    Caption
    Image description A black and white line drawing of a person in an art gallery looking at a portrait on the wall. There is another piece on the wall of a person holding a rectangular box and blowing a bubble.
    Year 1997
    Related pages Hot Coffee
  • A black-and-white image of a woman wearing a striped dress and clip-on hat, eyes closed, arms stretched behind her. She stands in a room with several linens pinned to the walls and floor
    A black-and-white image of a woman wearing a striped dress and clip-on hat, eyes closed, arms stretched behind her. She stands in a room with several linens pinned to the walls and floor
    The Baroness Elsa von Freytag-Loringhoven, 1915 [A black-and-white image of a woman wearing a striped dress and clip-on hat, eyes closed, arms stretched behind her. She stands in a room with several linens pinned to the walls and floor]
    Caption The Baroness Elsa von Freytag-Loringhoven, 1915
    Image description A black-and-white image of a woman wearing a striped dress and clip-on hat, eyes closed, arms stretched behind her. She stands in a room with several linens pinned to the walls and floor
    Year 1915
    Related pages Presence and Absence
  • A large room with a wooden table in the foreground. A standing screen is centered between two white poles, showing a projected image of a white sign with handwritten text reading
    A large room with a wooden table in the foreground. A standing screen is centered between two white poles, showing a projected image of a white sign with handwritten text reading
    Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A large room with a wooden table in the foreground. A standing screen is centered between two white poles, showing a projected image of a white sign with handwritten text reading "DELOREAN DREAM WORKERS NIGHTMARE."]
    Caption Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A large room with a wooden table in the foreground. A standing screen is centered between two white poles, showing a projected image of a white sign with handwritten text reading "DELOREAN DREAM WORKERS NIGHTMARE."
    Year 2010
    Related pages Duncan Campbell: Make It New John
  • An abstract sculpture with a chrome finish is displayed on a white pedestal. The sculpture's form includes amorphous voids alongside somewhat rectangular structures.
    An abstract sculpture with a chrome finish is displayed on a white pedestal. The sculpture's form includes amorphous voids alongside somewhat rectangular structures.
    UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [An abstract sculpture with a chrome finish is displayed on a white pedestal. The sculpture's form includes amorphous voids alongside somewhat rectangular structures.]
    Caption UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt.
    Image description An abstract sculpture with a chrome finish is displayed on a white pedestal. The sculpture's form includes amorphous voids alongside somewhat rectangular structures.
    Year 2006
    Related pages UniBodies
  • A collaged image featuring a black and white photograph of a figure with short, dark hair wearing a partially unbuttoned shirt against a white background. The figure crosses their arms casually in front of their chest, their right hand holding a lit cigarette. Bright red and yellow strokes of paint resembling fire flames have been painted over the photograph, emerging from the figure's right side. Fragments of a world map have been collaged over the left side of the figure's face. Additionally, an illustration of the Earth and several small illustrations of clocks are collaged along the figure's right arm. A small illustration of a running figure, engulfed by flames, is positioned next to the figure's right elbow. Small black text running along the image's bottom edge reads,
    A collaged image featuring a black and white photograph of a figure with short, dark hair wearing a partially unbuttoned shirt against a white background. The figure crosses their arms casually in front of their chest, their right hand holding a lit cigarette. Bright red and yellow strokes of paint resembling fire flames have been painted over the photograph, emerging from the figure's right side. Fragments of a world map have been collaged over the left side of the figure's face. Additionally, an illustration of the Earth and several small illustrations of clocks are collaged along the figure's right arm. A small illustration of a running figure, engulfed by flames, is positioned next to the figure's right elbow. Small black text running along the image's bottom edge reads,
    David Wojnarowicz with Tom Warren, Self-Portrait of David Wojnarowicz, 1983/84, 23.5 x 16.5 inches [A collaged image featuring a black and white photograph of a figure with short, dark hair wearing a partially unbuttoned shirt against a white background. The figure crosses their arms casually in front of their chest, their right hand holding a lit cigarette. Bright red and yellow strokes of paint resembling fire flames have been painted over the photograph, emerging from the figure's right side. Fragments of a world map have been collaged over the left side of the figure's face. Additionally, an illustration of the Earth and several small illustrations of clocks are collaged along the figure's right arm. A small illustration of a running figure, engulfed by flames, is positioned next to the figure's right elbow. Small black text running along the image's bottom edge reads, "2020Solidarity - David Wojnarowicz with Tom Warren / A project by Between Bridges."]
    Caption David Wojnarowicz with Tom Warren, Self-Portrait of David Wojnarowicz, 1983/84, 23.5 x 16.5 inches
    Image description A collaged image featuring a black and white photograph of a figure with short, dark hair wearing a partially unbuttoned shirt against a white background. The figure crosses their arms casually in front of their chest, their right hand holding a lit cigarette. Bright red and yellow strokes of paint resembling fire flames have been painted over the photograph, emerging from the figure's right side. Fragments of a world map have been collaged over the left side of the figure's face. Additionally, an illustration of the Earth and several small illustrations of clocks are collaged along the figure's right arm. A small illustration of a running figure, engulfed by flames, is positioned next to the figure's right elbow. Small black text running along the image's bottom edge reads, "2020Solidarity - David Wojnarowicz with Tom Warren / A project by Between Bridges."
    Year 1983
    Related pages 2020Solidarity
  • An outline drawing of a figure in motion with one leg raised. Handwritten text notates points on the figure, reading,
    An outline drawing of a figure in motion with one leg raised. Handwritten text notates points on the figure, reading,
    Drum Suit, 1983. Illustration. [An outline drawing of a figure in motion with one leg raised. Handwritten text notates points on the figure, reading, "Drum suit: sensors are attached and played remote" as well as "bass drum," "high hat," "snare," and "drum claps."]
    Caption Drum Suit, 1983. Illustration.
    Image description An outline drawing of a figure in motion with one leg raised. Handwritten text notates points on the figure, reading, "Drum suit: sensors are attached and played remote" as well as "bass drum," "high hat," "snare," and "drum claps."
    Year 1983
    Related pages Laurie Anderson: Whirlwind
  • A female mannequin stands in a gallery space. It is wearing blue trousers and a grey fur coat over a blue checkered shirt. The shirt and jacket are left unbuttoned, exposing the mannequin's breasts, obscured by a large bone necklace.
    A female mannequin stands in a gallery space. It is wearing blue trousers and a grey fur coat over a blue checkered shirt. The shirt and jacket are left unbuttoned, exposing the mannequin's breasts, obscured by a large bone necklace.
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A female mannequin stands in a gallery space. It is wearing blue trousers and a grey fur coat over a blue checkered shirt. The shirt and jacket are left unbuttoned, exposing the mannequin's breasts, obscured by a large bone necklace.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description A female mannequin stands in a gallery space. It is wearing blue trousers and a grey fur coat over a blue checkered shirt. The shirt and jacket are left unbuttoned, exposing the mannequin's breasts, obscured by a large bone necklace.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • A plastic surface with five wheels lies upturned on a wooden floor. Eleven metal buckets sit on the upturned surface, some filled with multicolored objects. A silver pole extends out from each of the buckets. In front of the buckets sits a large container of Muscle Milk enclosed in a net bag.
    A plastic surface with five wheels lies upturned on a wooden floor. Eleven metal buckets sit on the upturned surface, some filled with multicolored objects. A silver pole extends out from each of the buckets. In front of the buckets sits a large container of Muscle Milk enclosed in a net bag.
    DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A plastic surface with five wheels lies upturned on a wooden floor. Eleven metal buckets sit on the upturned surface, some filled with multicolored objects. A silver pole extends out from each of the buckets. In front of the buckets sits a large container of Muscle Milk enclosed in a net bag.]
    Caption DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description A plastic surface with five wheels lies upturned on a wooden floor. Eleven metal buckets sit on the upturned surface, some filled with multicolored objects. A silver pole extends out from each of the buckets. In front of the buckets sits a large container of Muscle Milk enclosed in a net bag.
    Year 2012
    Related pages DUOX: DUOX4Larkin
  • A person wearing a black shirt and hat with their arms crossed, with a cloudy sky in the background.
    A person wearing a black shirt and hat with their arms crossed, with a cloudy sky in the background.
    Still from Rainer Werner Fassbinder, Warnung vor einer heiligen Nutte (Beware of a Holy Whore), 1971 [A person wearing a black shirt and hat with their arms crossed, with a cloudy sky in the background.]
    Caption Still from Rainer Werner Fassbinder, Warnung vor einer heiligen Nutte (Beware of a Holy Whore), 1971
    Image description A person wearing a black shirt and hat with their arms crossed, with a cloudy sky in the background.
    Year 1971
    Related pages Raúl de Nieves & Werner Schroeter
  • Figures wearing partial face coverings stand in front of a projection that reads:
    Figures wearing partial face coverings stand in front of a projection that reads:
    New Red Order, Informants Get Paid! Performance documentation, Artists Space, January 23, 2020. Photo © Paula Court. [Figures wearing partial face coverings stand in front of a projection that reads: "We cover for you / new red order"]
    Caption New Red Order, Informants Get Paid! Performance documentation, Artists Space, January 23, 2020. Photo © Paula Court.
    Image description Figures wearing partial face coverings stand in front of a projection that reads: "We cover for you / new red order"
    Year 2020
    Related pages
  • A close-up shot of black fabric patterned with white dots, stripes, and zigzags.
    A close-up shot of black fabric patterned with white dots, stripes, and zigzags.
    Hilary Lloyd, Shirt, 2011. [A close-up shot of black fabric patterned with white dots, stripes, and zigzags.]
    Caption Hilary Lloyd, Shirt, 2011.
    Image description A close-up shot of black fabric patterned with white dots, stripes, and zigzags.
    Year 2011
    Related pages Hilary Lloyd
  • A white book lying on a larger blue book.
    A white book lying on a larger blue book.
    Corrugated Slogans and An Anthology of Invalid Format. [A white book lying on a larger blue book.]
    Caption Corrugated Slogans and An Anthology of Invalid Format.
    Image description A white book lying on a larger blue book.
    Year 2013
    Related pages Novel Operations
  • Three figures pose for a photograph in a gallery space crowded with milling people who talk amongst each other. They hold drink glasses in their hands and are illuminated by the camera's flash.
    Three figures pose for a photograph in a gallery space crowded with milling people who talk amongst each other. They hold drink glasses in their hands and are illuminated by the camera's flash.
    The Friends of Artists Space Dinner, May 8, 2010. Executive Director & Curator, Stefan Kalmár, and friends of Artists Space. [Three figures pose for a photograph in a gallery space crowded with milling people who talk amongst each other. They hold drink glasses in their hands and are illuminated by the camera's flash.]
    Caption The Friends of Artists Space Dinner, May 8, 2010. Executive Director & Curator, Stefan Kalmár, and friends of Artists Space.
    Image description Three figures pose for a photograph in a gallery space crowded with milling people who talk amongst each other. They hold drink glasses in their hands and are illuminated by the camera's flash.
    Year 2010
    Related pages The Friends of Artists Space Dinner
  • A person on roller skates and knee pads with a large, fabric umbrella held on his back.
    A person on roller skates and knee pads with a large, fabric umbrella held on his back.
    Jeff Feld, Performance of the only part of Robert Rauschenberg's "Pelican" that I know, 2001. [A person on roller skates and knee pads with a large, fabric umbrella held on his back.]
    Caption Jeff Feld, Performance of the only part of Robert Rauschenberg's "Pelican" that I know, 2001.
    Image description A person on roller skates and knee pads with a large, fabric umbrella held on his back.
    Year 2001
    Related pages Repeat Performance
  • A side view of a large video monitor screen, sitting on the ground, with a large ramp extending from the base including large pillows for seating. The room is tinted blue. On the screen, there is a man in a mask, infront of a map of Europe and Eastern Asia. A text bubble is infront of him that reads,
    A side view of a large video monitor screen, sitting on the ground, with a large ramp extending from the base including large pillows for seating. The room is tinted blue. On the screen, there is a man in a mask, infront of a map of Europe and Eastern Asia. A text bubble is infront of him that reads,
    Hito Steyerl, Liquidity, Inc., 2014. HD video with sound, 30 mins. Courtesy the artist and Andrew Kreps, New York. [A side view of a large video monitor screen, sitting on the ground, with a large ramp extending from the base including large pillows for seating. The room is tinted blue. On the screen, there is a man in a mask, infront of a map of Europe and Eastern Asia. A text bubble is infront of him that reads, "because huge quantities of data are raining down from their cloud storage over Scandinavia."]
    Caption Hito Steyerl, Liquidity, Inc., 2014. HD video with sound, 30 mins. Courtesy the artist and Andrew Kreps, New York.
    Image description A side view of a large video monitor screen, sitting on the ground, with a large ramp extending from the base including large pillows for seating. The room is tinted blue. On the screen, there is a man in a mask, infront of a map of Europe and Eastern Asia. A text bubble is infront of him that reads, "because huge quantities of data are raining down from their cloud storage over Scandinavia."
    Year 2014
    Related pages Hito Steyerl
  • A white ceiling with penciled text reading
    A white ceiling with penciled text reading
    Mark Hamilton: Echoplex. Installation view, Artists Space, 2006. [A white ceiling with penciled text reading "ROAD TO RUN."]
    Caption Mark Hamilton: Echoplex. Installation view, Artists Space, 2006.
    Image description A white ceiling with penciled text reading "ROAD TO RUN."
    Year 2006
    Related pages Echoplex
  • A vintage, framed black and white photograph of five priests dressed in all black stiffly pose before the camera for a portrait. The two men sitting closest to the viewer hold hands.
    A vintage, framed black and white photograph of five priests dressed in all black stiffly pose before the camera for a portrait. The two men sitting closest to the viewer hold hands.
    Danh Vo. Installation view from Autoerotic Asphyxiation, 2010. Photo: Daniel Pérez. [A vintage, framed black and white photograph of five priests dressed in all black stiffly pose before the camera for a portrait. The two men sitting closest to the viewer hold hands.]
    Caption Danh Vo. Installation view from Autoerotic Asphyxiation, 2010. Photo: Daniel Pérez.
    Image description A vintage, framed black and white photograph of five priests dressed in all black stiffly pose before the camera for a portrait. The two men sitting closest to the viewer hold hands.
    Year 2010
    Related pages Danh Vo: Autoerotic Asphyxiation
  • A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, gesturing towards the viewer with both hands together, is on the back wall.
    A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, gesturing towards the viewer with both hands together, is on the back wall.
    Hito Steyerl, Guards, 2012. HD video on freestanding screen with sound, 20 mins. Courtesy the artist and Andrew Kreps, New York. [A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, gesturing towards the viewer with both hands together, is on the back wall.]
    Caption Hito Steyerl, Guards, 2012. HD video on freestanding screen with sound, 20 mins. Courtesy the artist and Andrew Kreps, New York.
    Image description A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, gesturing towards the viewer with both hands together, is on the back wall.
    Year 2015
    Related pages Hito Steyerl
  • A book cover design featuring large pink text that reads,
    A book cover design featuring large pink text that reads,
    LaTasha N. Nevada Diggs, Twerk (New York: Belladonna Books, 2015). [A book cover design featuring large pink text that reads, "TWERK" against an abstract turquoise background. Parts of the letter "K" and "T" extend off the page and have been overlaid with a lacy ribbon pattern.]
    Caption LaTasha N. Nevada Diggs, Twerk (New York: Belladonna Books, 2015).
    Image description A book cover design featuring large pink text that reads, "TWERK" against an abstract turquoise background. Parts of the letter "K" and "T" extend off the page and have been overlaid with a lacy ribbon pattern.
    Year 2015
    Related pages In Visible Architectures: Juliana Huxtable & LaTasha N. Nevada Diggs
  • A gallery with an L-shaped bench covered in fabric, plus several video projections and artworks adorning the walls.
    A gallery with an L-shaped bench covered in fabric, plus several video projections and artworks adorning the walls.
    Marie Karlberg Videos. Installation view, Artists Space, 2013. [A gallery with an L-shaped bench covered in fabric, plus several video projections and artworks adorning the walls.]
    Caption Marie Karlberg Videos. Installation view, Artists Space, 2013.
    Image description A gallery with an L-shaped bench covered in fabric, plus several video projections and artworks adorning the walls.
    Year 2013
    Related pages Marie Karlberg Videos
  • A classroom setting with several students and adults sitting across the room at desks and tables, looking at a teacher speaking to them in a corner of the room
    A classroom setting with several students and adults sitting across the room at desks and tables, looking at a teacher speaking to them in a corner of the room
    Arts and Family Engagement evening, student panel on high school portfolio preparation, P.S. 140, 2017 [A classroom setting with several students and adults sitting across the room at desks and tables, looking at a teacher speaking to them in a corner of the room]
    Caption Arts and Family Engagement evening, student panel on high school portfolio preparation, P.S. 140, 2017
    Image description A classroom setting with several students and adults sitting across the room at desks and tables, looking at a teacher speaking to them in a corner of the room
    Year 2017
    Related pages Education Exhibitions and Events
  • Black and white photograph of several wooden boxes and drawers filled with small animal bones and preserved insects. Several animal skulls are scattered around and in between the drawers.
    Black and white photograph of several wooden boxes and drawers filled with small animal bones and preserved insects. Several animal skulls are scattered around and in between the drawers.
    [Black and white photograph of several wooden boxes and drawers filled with small animal bones and preserved insects. Several animal skulls are scattered around and in between the drawers.]
    Caption
    Image description Black and white photograph of several wooden boxes and drawers filled with small animal bones and preserved insects. Several animal skulls are scattered around and in between the drawers.
    Year 1991
    Related pages Reconstructions, assemblages
  • A black and white, portrait photograph of a woman at the beach. She wears sunglasses and has short, curled hair.
    A black and white, portrait photograph of a woman at the beach. She wears sunglasses and has short, curled hair.
    [A black and white, portrait photograph of a woman at the beach. She wears sunglasses and has short, curled hair.]
    Caption
    Image description A black and white, portrait photograph of a woman at the beach. She wears sunglasses and has short, curled hair.
    Year 2006
    Related pages But it was all green
  • A gallery space with two columns. One column is wrapped in an off-white fabric, the other in bright pink. There are four white plinths of various heights with gray objects on top. One of the surrounding walls has a long sheet of paper with a drawing of highway signs and a gas station on it; the other has colorful framed images.
    A gallery space with two columns. One column is wrapped in an off-white fabric, the other in bright pink. There are four white plinths of various heights with gray objects on top. One of the surrounding walls has a long sheet of paper with a drawing of highway signs and a gas station on it; the other has colorful framed images.
    Local Transit. Installation view, Artists Space, 2006. [A gallery space with two columns. One column is wrapped in an off-white fabric, the other in bright pink. There are four white plinths of various heights with gray objects on top. One of the surrounding walls has a long sheet of paper with a drawing of highway signs and a gas station on it; the other has colorful framed images.]
    Caption Local Transit. Installation view, Artists Space, 2006.
    Image description A gallery space with two columns. One column is wrapped in an off-white fabric, the other in bright pink. There are four white plinths of various heights with gray objects on top. One of the surrounding walls has a long sheet of paper with a drawing of highway signs and a gas station on it; the other has colorful framed images.
    Year 2006
    Related pages Local Transit: An Exhibition in Two Parts
  • A digital rendering of a large structure composed of suspended sheets of red material installed in a gray room. The red sheets are stacked on top of one another, suspended from lengths of wire that run from ceiling to floor. The sheets bend amorphously and are arranged such that they resemble irregular layers of sedimentary rock or strata. Three digitally-rendered figures observe the structure.
    A digital rendering of a large structure composed of suspended sheets of red material installed in a gray room. The red sheets are stacked on top of one another, suspended from lengths of wire that run from ceiling to floor. The sheets bend amorphously and are arranged such that they resemble irregular layers of sedimentary rock or strata. Three digitally-rendered figures observe the structure.
    [A digital rendering of a large structure composed of suspended sheets of red material installed in a gray room. The red sheets are stacked on top of one another, suspended from lengths of wire that run from ceiling to floor. The sheets bend amorphously and are arranged such that they resemble irregular layers of sedimentary rock or strata. Three digitally-rendered figures observe the structure.]
    Caption
    Image description A digital rendering of a large structure composed of suspended sheets of red material installed in a gray room. The red sheets are stacked on top of one another, suspended from lengths of wire that run from ceiling to floor. The sheets bend amorphously and are arranged such that they resemble irregular layers of sedimentary rock or strata. Three digitally-rendered figures observe the structure.
    Year 2005
    Related pages nARCHITECTS: Party Wall
  • An abstract sculpture made of sticks, cords, and a textile sits in the center of a gallery space.  Three large paintings hang on the walls around it, all blending abstract, painterly designs with latin text.
    An abstract sculpture made of sticks, cords, and a textile sits in the center of a gallery space.  Three large paintings hang on the walls around it, all blending abstract, painterly designs with latin text.
    Metaphysical Visions. Installation view, Artists Space, 1989. [An abstract sculpture made of sticks, cords, and a textile sits in the center of a gallery space. Three large paintings hang on the walls around it, all blending abstract, painterly designs with latin text.]
    Caption Metaphysical Visions. Installation view, Artists Space, 1989.
    Image description An abstract sculpture made of sticks, cords, and a textile sits in the center of a gallery space. Three large paintings hang on the walls around it, all blending abstract, painterly designs with latin text.
    Year 1989
    Related pages Metaphysical Visions: Middle Europe
  • A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a rainbow wire.
    A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a rainbow wire.
    Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $3,000
    [A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a rainbow wire.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $3,000
    Image description A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a rainbow wire.
    Year 2019
    Related pages Trisha Baga Edition
  • A black and white scan of an invoice from Corcraft Products issued to Artists Space at 38 Greene Street. The customer number reads
    A black and white scan of an invoice from Corcraft Products issued to Artists Space at 38 Greene Street. The customer number reads
    [A black and white scan of an invoice from Corcraft Products issued to Artists Space at 38 Greene Street. The customer number reads "9102000". The invoice details a net purchase of $1470.00]
    Caption
    Image description A black and white scan of an invoice from Corcraft Products issued to Artists Space at 38 Greene Street. The customer number reads "9102000". The invoice details a net purchase of $1470.00
    Year 2015
    Related pages Cameron Rowland: 91020000
  • A flyer depicting a stylized black body in profile. Handwritten text at the top and bottom edges of the flyer reads,
    A flyer depicting a stylized black body in profile. Handwritten text at the top and bottom edges of the flyer reads,
    [A flyer depicting a stylized black body in profile. Handwritten text at the top and bottom edges of the flyer reads, "BODIES OF LIGHT / EXIT STRATEGY / DEC 3RD / DECOLONIZE THIS PLACE / 55 WALKER ST / 6PM-11PM / NEW YORK, NEW YORK."]
    Caption
    Image description A flyer depicting a stylized black body in profile. Handwritten text at the top and bottom edges of the flyer reads, "BODIES OF LIGHT / EXIT STRATEGY / DEC 3RD / DECOLONIZE THIS PLACE / 55 WALKER ST / 6PM-11PM / NEW YORK, NEW YORK."
    Year 2016
    Related pages Bodies of Light: Exit Strategy
  • A view of a gallery space with concrete floors, white walls, and white columns.  In the foreground, a grouping of five striped cylinders of varying sizes are placed on the floor.  Other works are visible in the background.
    A view of a gallery space with concrete floors, white walls, and white columns.  In the foreground, a grouping of five striped cylinders of varying sizes are placed on the floor.  Other works are visible in the background.
    Selections from the Artists File. Installation view, Artists Space, 1988. [A view of a gallery space with concrete floors, white walls, and white columns. In the foreground, a grouping of five striped cylinders of varying sizes are placed on the floor. Other works are visible in the background.]
    Caption Selections from the Artists File. Installation view, Artists Space, 1988.
    Image description A view of a gallery space with concrete floors, white walls, and white columns. In the foreground, a grouping of five striped cylinders of varying sizes are placed on the floor. Other works are visible in the background.
    Year 1988
    Related pages Selections from the Artist File
  • A black and white photograph of a television sitting on a low table, with a fan sitting on top of it.  White text in the bottom right reads,
    A black and white photograph of a television sitting on a low table, with a fan sitting on top of it.  White text in the bottom right reads,
    Catalogue cover for Stone's Throw, Artists Space, 1990. [A black and white photograph of a television sitting on a low table, with a fan sitting on top of it. White text in the bottom right reads, "STONE'S THROW, TV FROM CUBA, ISLAND IN GOLIATH'S SEA. ORGANIZED BY DEE DEE HALLECK AND MONICA MELAMID. MARCH 8-APRIL 7, 1990. ARTISTS SPACE."]
    Caption Catalogue cover for Stone's Throw, Artists Space, 1990.
    Image description A black and white photograph of a television sitting on a low table, with a fan sitting on top of it. White text in the bottom right reads, "STONE'S THROW, TV FROM CUBA, ISLAND IN GOLIATH'S SEA. ORGANIZED BY DEE DEE HALLECK AND MONICA MELAMID. MARCH 8-APRIL 7, 1990. ARTISTS SPACE."
    Year 1990
    Related pages Stone's Throw: Television from Cuba, Island in Goliath's Sea
  • A black and white image of a group of children clustered in front of a store window.  On the right, the text
    A black and white image of a group of children clustered in front of a store window.  On the right, the text
    Film still from Teaching TV, Artists Space, 1990. [A black and white image of a group of children clustered in front of a store window. On the right, the text "NO FRESH WORDS" overlays the image.]
    Caption Film still from Teaching TV, Artists Space, 1990.
    Image description A black and white image of a group of children clustered in front of a store window. On the right, the text "NO FRESH WORDS" overlays the image.
    Year 1990
    Related pages Teaching TV
  • A line of people marching forward hold up signs reading
    A line of people marching forward hold up signs reading
    Demonstrations outside Artists Space during the opening of Witnesses: Against Our Vanishing, November 16, 1989. [A line of people marching forward hold up signs reading "replace frony" and "Keep 1st amendment, stop helms," among other phrases.]
    Caption Demonstrations outside Artists Space during the opening of Witnesses: Against Our Vanishing, November 16, 1989.
    Image description A line of people marching forward hold up signs reading "replace frony" and "Keep 1st amendment, stop helms," among other phrases.
    Year 1989
    Related pages Witnesses: Against Our Vanishing
  • A black and white image of a man in sunglasses holding a large cluster of balloons tied to strings above his head with his left hand.
    A black and white image of a man in sunglasses holding a large cluster of balloons tied to strings above his head with his left hand.
    Konrad Lueg with Balloons July 1962 Zero Festival, Rhine Meadows, Düsseldorf-Over-Kassel Courtesy Archiv Reiner Ruthenbeck, Ratingen © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Reiner Ruthenbeck [A black and white image of a man in sunglasses holding a large cluster of balloons tied to strings above his head with his left hand.]
    Caption Konrad Lueg with Balloons July 1962 Zero Festival, Rhine Meadows, Düsseldorf-Over-Kassel Courtesy Archiv Reiner Ruthenbeck, Ratingen © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Reiner Ruthenbeck
    Image description A black and white image of a man in sunglasses holding a large cluster of balloons tied to strings above his head with his left hand.
    Year 1962
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A figure in a white military uniform shirt approaches a group of women on a city street. She holds out a platter of small cookies wrapped in small plastic wrappers to one of the figures, who has taken the cookie, unwrapped it, and reads a small note attached to it.
    A figure in a white military uniform shirt approaches a group of women on a city street. She holds out a platter of small cookies wrapped in small plastic wrappers to one of the figures, who has taken the cookie, unwrapped it, and reads a small note attached to it.
    Amy Westpfhal, still from The Informational Cookie Project, 2006. [A figure in a white military uniform shirt approaches a group of women on a city street. She holds out a platter of small cookies wrapped in small plastic wrappers to one of the figures, who has taken the cookie, unwrapped it, and reads a small note attached to it.]
    Caption Amy Westpfhal, still from The Informational Cookie Project, 2006.
    Image description A figure in a white military uniform shirt approaches a group of women on a city street. She holds out a platter of small cookies wrapped in small plastic wrappers to one of the figures, who has taken the cookie, unwrapped it, and reads a small note attached to it.
    Year 2006
    Related pages Salad Days 2
  • A multicolored object sits on a white base. A metal antenna extends out on a diagonal.
    A multicolored object sits on a white base. A metal antenna extends out on a diagonal.
    Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $2,500
    [A multicolored object sits on a white base. A metal antenna extends out on a diagonal.]
    Caption Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $2,500
    Image description A multicolored object sits on a white base. A metal antenna extends out on a diagonal.
    Year 2019
    Related pages Trisha Baga Edition
  • A stylized map of SoHo and TriBeCa, stretching in latitude from West Houston Street to White Street, and in longitude from Hudson Street/West Broadway to Broadway. Each past location is marked by a red dot, indicating its address and years active, alongside a photo of the space's exterior.
    A stylized map of SoHo and TriBeCa, stretching in latitude from West Houston Street to White Street, and in longitude from Hudson Street/West Broadway to Broadway. Each past location is marked by a red dot, indicating its address and years active, alongside a photo of the space's exterior.
    Artists Space's locations, 1973-2019. [A stylized map of SoHo and TriBeCa, stretching in latitude from West Houston Street to White Street, and in longitude from Hudson Street/West Broadway to Broadway. Each past location is marked by a red dot, indicating its address and years active, alongside a photo of the space's exterior.]
    Caption Artists Space's locations, 1973-2019.
    Image description A stylized map of SoHo and TriBeCa, stretching in latitude from West Houston Street to White Street, and in longitude from Hudson Street/West Broadway to Broadway. Each past location is marked by a red dot, indicating its address and years active, alongside a photo of the space's exterior.
    Year 2019
    Related pages About
  • A white postcard with purple text announcing fall 1990 exhibitions at Artists Space, including <i>Selections: Aljira & Artists Space</i>.
    A white postcard with purple text announcing fall 1990 exhibitions at Artists Space, including <i>Selections: Aljira & Artists Space</i>.
    Selections: Aljira & Artists Space Announcement Postcard [A white postcard with purple text announcing fall 1990 exhibitions at Artists Space, including Selections: Aljira & Artists Space.]
    Caption Selections: Aljira & Artists Space Announcement Postcard
    Image description A white postcard with purple text announcing fall 1990 exhibitions at Artists Space, including Selections: Aljira & Artists Space.
    Year 1990
    Related pages Selections: Aljira & Artists Space
  • Black and white image of a crowd of people gathered in a large open space. Several hollow, metal sculptures composed of geometric components are installed in the space. Some performers interact with the sculptures—one figure walks across one of the metal forms that lays on the ground.
    Black and white image of a crowd of people gathered in a large open space. Several hollow, metal sculptures composed of geometric components are installed in the space. Some performers interact with the sculptures—one figure walks across one of the metal forms that lays on the ground.
    Dies alles Herzchen wird einmal dir gehören (All This Darling Will Once Belong To You). Performance organized by Paul Maenz and Peter Roehr, Galerie Dorothea Loehr, September 9, 1967. DVD transfer, 6 mins, 55 secs. [Black and white image of a crowd of people gathered in a large open space. Several hollow, metal sculptures composed of geometric components are installed in the space. Some performers interact with the sculptures—one figure walks across one of the metal forms that lays on the ground.]
    Caption Dies alles Herzchen wird einmal dir gehören (All This Darling Will Once Belong To You). Performance organized by Paul Maenz and Peter Roehr, Galerie Dorothea Loehr, September 9, 1967. DVD transfer, 6 mins, 55 secs.
    Image description Black and white image of a crowd of people gathered in a large open space. Several hollow, metal sculptures composed of geometric components are installed in the space. Some performers interact with the sculptures—one figure walks across one of the metal forms that lays on the ground.
    Year 1967
    Related pages An evening of films surrounding the work of Charlotte Posenenske
  • Six people are seated and lounging in a digitally rendered landscape.
    Six people are seated and lounging in a digitally rendered landscape.
    Superstudio, still from Supersurface: An Alternative Model For Life On The Earth, 1972. 26min. [Six people are seated and lounging in a digitally rendered landscape.]
    Caption Superstudio, still from Supersurface: An Alternative Model For Life On The Earth, 1972. 26min.
    Image description Six people are seated and lounging in a digitally rendered landscape.
    Year 1972
    Related pages Film and Video Program | Macho Man, Tell It To My Heart: Collected by Julie Ault | February 13
  • Three metal cutouts of hands, each displaying a different finger expression, are installed on a white wall. Each hand holds stacks of white, blue, and purple cards.
    Three metal cutouts of hands, each displaying a different finger expression, are installed on a white wall. Each hand holds stacks of white, blue, and purple cards.
    The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [Three metal cutouts of hands, each displaying a different finger expression, are installed on a white wall. Each hand holds stacks of white, blue, and purple cards.]
    Caption The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich.
    Image description Three metal cutouts of hands, each displaying a different finger expression, are installed on a white wall. Each hand holds stacks of white, blue, and purple cards.
    Year 2014
    Related pages The Issues of Our Time
  • A blue flyer with the word
    A blue flyer with the word
    Richard Hollis, Whitechapel Gallery advertisement, 1980. [A blue flyer with the word "OPEN." printed in yellow.]
    Caption Richard Hollis, Whitechapel Gallery advertisement, 1980.
    Image description A blue flyer with the word "OPEN." printed in yellow.
    Year
    Related pages A Video Lecture by Richard Hollis
  • A close up black and white image of a slide projection with two figures.
    A close up black and white image of a slide projection with two figures.
    Daniel Tilsdale. Still from Contacts, Ponytails, Noses and Bleach, 1988. Graphite on Xerox (presented in slide format). [A close up black and white image of a slide projection with two figures.]
    Caption Daniel Tilsdale. Still from Contacts, Ponytails, Noses and Bleach, 1988. Graphite on Xerox (presented in slide format).
    Image description A close up black and white image of a slide projection with two figures.
    Year 1988
    Related pages Too Black, Too Strong!
  • An overhead view of a very modern building with a dark, bulbous, skin-like facade. Protruding from its top are tuberous skylights all facing the same direction, and at left is a long elevated walkway.
    An overhead view of a very modern building with a dark, bulbous, skin-like facade. Protruding from its top are tuberous skylights all facing the same direction, and at left is a long elevated walkway.
    realities:united, BIX Comminicative Display Skin, 2003. Photo: H. Schiffer. [An overhead view of a very modern building with a dark, bulbous, skin-like facade. Protruding from its top are tuberous skylights all facing the same direction, and at left is a long elevated walkway.]
    Caption realities:united, BIX Comminicative Display Skin, 2003. Photo: H. Schiffer.
    Image description An overhead view of a very modern building with a dark, bulbous, skin-like facade. Protruding from its top are tuberous skylights all facing the same direction, and at left is a long elevated walkway.
    Year
    Related pages Contemporary Architecture - an installation by realities:united
  • Caption
    Image description
    Year
    Related pages Project: Model City
  • A digital rendering of a dark tank filled with water. Spherical pods sit into the top of the tank, with one pod lying sideways next to it.
    A digital rendering of a dark tank filled with water. Spherical pods sit into the top of the tank, with one pod lying sideways next to it.
    [A digital rendering of a dark tank filled with water. Spherical pods sit into the top of the tank, with one pod lying sideways next to it.]
    Caption
    Image description A digital rendering of a dark tank filled with water. Spherical pods sit into the top of the tank, with one pod lying sideways next to it.
    Year 2008
    Related pages Local River
  • An angled view of grey, metal book shelves sat towards left frame in the center of a room. The shelves are populated with books of various sizes and colors. In the background, right frame, a table with charis and books sits infront of a wall opening leading to an entrance/exit.
    An angled view of grey, metal book shelves sat towards left frame in the center of a room. The shelves are populated with books of various sizes and colors. In the background, right frame, a table with charis and books sits infront of a wall opening leading to an entrance/exit.
    The Library Vaccine. Installation view, Artists Space, 2014. [An angled view of grey, metal book shelves sat towards left frame in the center of a room. The shelves are populated with books of various sizes and colors. In the background, right frame, a table with charis and books sits infront of a wall opening leading to an entrance/exit.]
    Caption The Library Vaccine. Installation view, Artists Space, 2014.
    Image description An angled view of grey, metal book shelves sat towards left frame in the center of a room. The shelves are populated with books of various sizes and colors. In the background, right frame, a table with charis and books sits infront of a wall opening leading to an entrance/exit.
    Year 2014
    Related pages The Library Vaccine
  • Two paneled works hang on either side of a white column on a light, mauve-colored wall. Both canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.
    Two paneled works hang on either side of a white column on a light, mauve-colored wall. Both canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.
    Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Two paneled works hang on either side of a white column on a light, mauve-colored wall. Both canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.]
    Caption Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Two paneled works hang on either side of a white column on a light, mauve-colored wall. Both canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.
    Year 2013
    Related pages Zilia Sánchez
  • Three paintings arranged in a horizontal line on a white wall. Each painting depicts a man walking on city streets or in a park.
    Three paintings arranged in a horizontal line on a white wall. Each painting depicts a man walking on city streets or in a park.
    Based on a True Story. Installation view, Artists Space, 2004. [Three paintings arranged in a horizontal line on a white wall. Each painting depicts a man walking on city streets or in a park.]
    Caption Based on a True Story. Installation view, Artists Space, 2004.
    Image description Three paintings arranged in a horizontal line on a white wall. Each painting depicts a man walking on city streets or in a park.
    Year 2004
    Related pages Based on a True Story
  • A black and white image of a man photographing a plastic penguin in front of a decorative gate. Sideways text on the right reads,
    A black and white image of a man photographing a plastic penguin in front of a decorative gate. Sideways text on the right reads,
    Exhibition Catalogue [A black and white image of a man photographing a plastic penguin in front of a decorative gate. Sideways text on the right reads, "Jack Smith, Art Crust of Spiritual Oasis, June 22 - September 9, 2018, Artists Space."]
    Caption Exhibition Catalogue
    Image description A black and white image of a man photographing a plastic penguin in front of a decorative gate. Sideways text on the right reads, "Jack Smith, Art Crust of Spiritual Oasis, June 22 - September 9, 2018, Artists Space."
    Year 2018
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • Assorted animals, including tropical fish, birds, reptiles, a cat, dog, and rabbit are drawn in black marker on yellow paper.
    Assorted animals, including tropical fish, birds, reptiles, a cat, dog, and rabbit are drawn in black marker on yellow paper.
    Gedi Sibony Animal Scramble, 2013, Archival inkjet print, 14 1/4 x 13 1/2 in / 36,2 x 34,3 cm (image size), 24 x 20 in / 61 x 51 cm (paper size), Signed and Numbered. [Assorted animals, including tropical fish, birds, reptiles, a cat, dog, and rabbit are drawn in black marker on yellow paper.]
    Caption Gedi Sibony Animal Scramble, 2013, Archival inkjet print, 14 1/4 x 13 1/2 in / 36,2 x 34,3 cm (image size), 24 x 20 in / 61 x 51 cm (paper size), Signed and Numbered.
    Image description Assorted animals, including tropical fish, birds, reptiles, a cat, dog, and rabbit are drawn in black marker on yellow paper.
    Year 2013
    Related pages Annual Edition Portfolio
  • A variety of images of covers and photographs of nude and semi-nude people is displayed on a white background.
    A variety of images of covers and photographs of nude and semi-nude people is displayed on a white background.
    Mark Morrisroe: From This Moment On. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A variety of images of covers and photographs of nude and semi-nude people is displayed on a white background.]
    Caption Mark Morrisroe: From This Moment On. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A variety of images of covers and photographs of nude and semi-nude people is displayed on a white background.
    Year 2011
    Related pages Mark Morrisroe: From This Moment On
  • A large, orange and brown stuffed slug sculpture is strapped around a Greco-Roman style columns on the facade of a cast iron building. The slug’s antennae points upwards.
    A large, orange and brown stuffed slug sculpture is strapped around a Greco-Roman style columns on the facade of a cast iron building. The slug’s antennae points upwards.
    Jana Euler, Unstretched, bound, outside mission, 2020, acrylic on linen, bubble wrap, ratchet strap, chicken wire, dimensions variable. Photo: Daniel Pérez [A large, orange and brown stuffed slug sculpture is strapped around a Greco-Roman style columns on the facade of a cast iron building. The slug’s antennae points upwards.]
    Caption Jana Euler, Unstretched, bound, outside mission, 2020, acrylic on linen, bubble wrap, ratchet strap, chicken wire, dimensions variable. Photo: Daniel Pérez
    Image description A large, orange and brown stuffed slug sculpture is strapped around a Greco-Roman style columns on the facade of a cast iron building. The slug’s antennae points upwards.
    Year 2020
    Related pages Jana Euler
  • Still from video interview with Daniel Buren about the work of Christopher D'Arcangelo, conducted by Dean Inkster and Sébastien Pluot, 2010.
    Caption Still from video interview with Daniel Buren about the work of Christopher D'Arcangelo, conducted by Dean Inkster and Sébastien Pluot, 2010.
    Image description
    Year
    Related pages Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979)
  • A page ripped from a planner, with a header reading,
    A page ripped from a planner, with a header reading,
    Untitled (note), date unknown, Copyright Jack Smith Archive, Courtesy Gladstone Gallery, New York and Brussels [A page ripped from a planner, with a header reading, "for week beginning Monday ...., Thursday, Friday, Saturday, Sunday." Handwritten red cursive text, written over divided sections reads, "Capitalism lends to expectation to be manipulated but politely and a horror of ordinary usage between people."]
    Caption Untitled (note), date unknown, Copyright Jack Smith Archive, Courtesy Gladstone Gallery, New York and Brussels
    Image description A page ripped from a planner, with a header reading, "for week beginning Monday ...., Thursday, Friday, Saturday, Sunday." Handwritten red cursive text, written over divided sections reads, "Capitalism lends to expectation to be manipulated but politely and a horror of ordinary usage between people."
    Year
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • A slice of bacon on a red background, with the words
    A slice of bacon on a red background, with the words
    Holly Morse, Bringing Home the Bacon, 1989. Oil on linen, 24 x 24 inches. [A slice of bacon on a red background, with the words "bringing home the B." spiraling on top of it in black text.]
    Caption Holly Morse, Bringing Home the Bacon, 1989. Oil on linen, 24 x 24 inches.
    Image description A slice of bacon on a red background, with the words "bringing home the B." spiraling on top of it in black text.
    Year 1989
    Related pages Post-Boys&Girls: Nine Painters
  • Cutouts of black and white illustrations arranged next to each other. In the center, several illustrated eyes form a circle. Above the eyes is a round, illustrated face, while two wings are positioned below the eyes.
    Cutouts of black and white illustrations arranged next to each other. In the center, several illustrated eyes form a circle. Above the eyes is a round, illustrated face, while two wings are positioned below the eyes.
    [Cutouts of black and white illustrations arranged next to each other. In the center, several illustrated eyes form a circle. Above the eyes is a round, illustrated face, while two wings are positioned below the eyes.]
    Caption
    Image description Cutouts of black and white illustrations arranged next to each other. In the center, several illustrated eyes form a circle. Above the eyes is a round, illustrated face, while two wings are positioned below the eyes.
    Year 2014
    Related pages Sam Pulitzer: A Colony for "Them"
  • A sculpture of a man holding a book is leaning against a column in an empty, open room. He is wearing a purple shirt, patterned blue shorts, and is crossing his legs, wearing white sneakers.
    A sculpture of a man holding a book is leaning against a column in an empty, open room. He is wearing a purple shirt, patterned blue shorts, and is crossing his legs, wearing white sneakers.
    Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [A sculpture of a man holding a book is leaning against a column in an empty, open room. He is wearing a purple shirt, patterned blue shorts, and is crossing his legs, wearing white sneakers.]
    Caption Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013.
    Image description A sculpture of a man holding a book is leaning against a column in an empty, open room. He is wearing a purple shirt, patterned blue shorts, and is crossing his legs, wearing white sneakers.
    Year 2013
    Related pages Pride Goes Before a Fall
  • A wooden door opens on a view of a tiled, single-user bathroom. To the right of the room is a small, porcelain sink and warped mirror. Behind the sink is a tan toilet below a thin window.
    A wooden door opens on a view of a tiled, single-user bathroom. To the right of the room is a small, porcelain sink and warped mirror. Behind the sink is a tan toilet below a thin window.
    Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt. [A wooden door opens on a view of a tiled, single-user bathroom. To the right of the room is a small, porcelain sink and warped mirror. Behind the sink is a tan toilet below a thin window.]
    Caption Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt.
    Image description A wooden door opens on a view of a tiled, single-user bathroom. To the right of the room is a small, porcelain sink and warped mirror. Behind the sink is a tan toilet below a thin window.
    Year 1997
    Related pages Lines of Loss
  • A composited image of a gallery scene, building from a street view, hand gun, and a blue rose against a yellow back ground, distorted through buldges and pulls.
    A composited image of a gallery scene, building from a street view, hand gun, and a blue rose against a yellow back ground, distorted through buldges and pulls.
    Louise Lawler, Egg and Gun (distorted for the times, dire), 2008/2017. [A composited image of a gallery scene, building from a street view, hand gun, and a blue rose against a yellow back ground, distorted through buldges and pulls.]
    Caption Louise Lawler, Egg and Gun (distorted for the times, dire), 2008/2017.
    Image description A composited image of a gallery scene, building from a street view, hand gun, and a blue rose against a yellow back ground, distorted through buldges and pulls.
    Year 2008
    Related pages Social Surfaces
  • A slightly blurry photograph of a yellow-toned fish tank at close range. There is a white border on two sides of the photograph with handwritten text on it.
    A slightly blurry photograph of a yellow-toned fish tank at close range. There is a white border on two sides of the photograph with handwritten text on it.
    Mark Morrisroe. Kathy's Goldfish(1985). © The Estate of Mark Morrisroe (Ringier Collection) at Fotomuseum Winterthur. [A slightly blurry photograph of a yellow-toned fish tank at close range. There is a white border on two sides of the photograph with handwritten text on it.]
    Caption Mark Morrisroe. Kathy's Goldfish(1985). © The Estate of Mark Morrisroe (Ringier Collection) at Fotomuseum Winterthur.
    Image description A slightly blurry photograph of a yellow-toned fish tank at close range. There is a white border on two sides of the photograph with handwritten text on it.
    Year 1985
    Related pages Mark Morrisroe: Neo-Romantic Iconography and the Performance of Self
  • A rectangular, 3x5 grid hung on a white wall, comprised of close-up photographs of the inside of people's mouths. Just in front of the wall to the left of the photographs, there is a white plinth with a black Converse shoe, a false shin extending out of it, with a metal bone coming out of the top.
    A rectangular, 3x5 grid hung on a white wall, comprised of close-up photographs of the inside of people's mouths. Just in front of the wall to the left of the photographs, there is a white plinth with a black Converse shoe, a false shin extending out of it, with a metal bone coming out of the top.
    Salad Days. Installation view, Artists Space, 2004. [A rectangular, 3x5 grid hung on a white wall, comprised of close-up photographs of the inside of people's mouths. Just in front of the wall to the left of the photographs, there is a white plinth with a black Converse shoe, a false shin extending out of it, with a metal bone coming out of the top.]
    Caption Salad Days. Installation view, Artists Space, 2004.
    Image description A rectangular, 3x5 grid hung on a white wall, comprised of close-up photographs of the inside of people's mouths. Just in front of the wall to the left of the photographs, there is a white plinth with a black Converse shoe, a false shin extending out of it, with a metal bone coming out of the top.
    Year 2004
    Related pages Salad Days
  • A sculpture of a man holding a book is leaning against a column in an empty, open room. He is wearing a purple shirt, patterned blue shorts, and is crossing his legs, wearing white sneakers.
    A sculpture of a man holding a book is leaning against a column in an empty, open room. He is wearing a purple shirt, patterned blue shorts, and is crossing his legs, wearing white sneakers.
    Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [A sculpture of a man holding a book is leaning against a column in an empty, open room. He is wearing a purple shirt, patterned blue shorts, and is crossing his legs, wearing white sneakers.]
    Caption Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013.
    Image description A sculpture of a man holding a book is leaning against a column in an empty, open room. He is wearing a purple shirt, patterned blue shorts, and is crossing his legs, wearing white sneakers.
    Year 2013
    Related pages Pride Goes Before a Fall
  • Six artworks are mounted to a white gallery wall. On the far left and right are three black and white compositions, followed by a photograph of the back of a walking figure. At the center are two colorful, abstract compositions on paper.
    Six artworks are mounted to a white gallery wall. On the far left and right are three black and white compositions, followed by a photograph of the back of a walking figure. At the center are two colorful, abstract compositions on paper.
    Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Six artworks are mounted to a white gallery wall. On the far left and right are three black and white compositions, followed by a photograph of the back of a walking figure. At the center are two colorful, abstract compositions on paper.]
    Caption Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Six artworks are mounted to a white gallery wall. On the far left and right are three black and white compositions, followed by a photograph of the back of a walking figure. At the center are two colorful, abstract compositions on paper.
    Year 2012
    Related pages Radical Localism: Art, Video and Culture from Pueblo Nuevo’s Mexicali Rose
  • A dimmed room with three projections casting purple, gray, and aqua light against the walls. In the corner of the image is a small, circular seat.
    A dimmed room with three projections casting purple, gray, and aqua light against the walls. In the corner of the image is a small, circular seat.
    See Around. Installation view, Artists Space, 2008. Photo: Adam Reich. [A dimmed room with three projections casting purple, gray, and aqua light against the walls. In the corner of the image is a small, circular seat.]
    Caption See Around. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description A dimmed room with three projections casting purple, gray, and aqua light against the walls. In the corner of the image is a small, circular seat.
    Year 2008
    Related pages See Around
  • A woman in a nude leotard-like top and silver leggings stands facing forward with her hand on her hip in a gallery space. Behind her, a figure in a black skirt and white collared shirt stands in a similar position, with his back to the former performer.
    A woman in a nude leotard-like top and silver leggings stands facing forward with her hand on her hip in a gallery space. Behind her, a figure in a black skirt and white collared shirt stands in a similar position, with his back to the former performer.
    The Friends of Artists Space Dinner, May 8, 2010. Michael Clark & Company's performance. [A woman in a nude leotard-like top and silver leggings stands facing forward with her hand on her hip in a gallery space. Behind her, a figure in a black skirt and white collared shirt stands in a similar position, with his back to the former performer.]
    Caption The Friends of Artists Space Dinner, May 8, 2010. Michael Clark & Company's performance.
    Image description A woman in a nude leotard-like top and silver leggings stands facing forward with her hand on her hip in a gallery space. Behind her, a figure in a black skirt and white collared shirt stands in a similar position, with his back to the former performer.
    Year 2010
    Related pages The Friends of Artists Space Dinner
  • A diagram superimposed across a blurry image of a wooden folding chair facing a small wooden bookshelf filled with colorful books. The diagram is composed of a simplistic icon that loosely resembles an open book. Circling the book icon are several hand-drawn arrows that point to various handwritten words and phrases, such as
    A diagram superimposed across a blurry image of a wooden folding chair facing a small wooden bookshelf filled with colorful books. The diagram is composed of a simplistic icon that loosely resembles an open book. Circling the book icon are several hand-drawn arrows that point to various handwritten words and phrases, such as
    [A diagram superimposed across a blurry image of a wooden folding chair facing a small wooden bookshelf filled with colorful books. The diagram is composed of a simplistic icon that loosely resembles an open book. Circling the book icon are several hand-drawn arrows that point to various handwritten words and phrases, such as "PDF's" and "Followed remotely." Below the book icon are hand-drawn drops of liquid and a puddle.]
    Caption
    Image description A diagram superimposed across a blurry image of a wooden folding chair facing a small wooden bookshelf filled with colorful books. The diagram is composed of a simplistic icon that loosely resembles an open book. Circling the book icon are several hand-drawn arrows that point to various handwritten words and phrases, such as "PDF's" and "Followed remotely." Below the book icon are hand-drawn drops of liquid and a puddle.
    Year 2011
    Related pages The Serving Library
  • A wooden bar with four chairs and a palm tree in a pot is displayed against a white wall.
    A wooden bar with four chairs and a palm tree in a pot is displayed against a white wall.
    Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [A wooden bar with four chairs and a palm tree in a pot is displayed against a white wall.]
    Caption Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013.
    Image description A wooden bar with four chairs and a palm tree in a pot is displayed against a white wall.
    Year 2013
    Related pages Pride Goes Before a Fall
  • A metal statue is being lifted from its platform by a crane via ropes around its neck and feet. A large building is visible behind it.
    A metal statue is being lifted from its platform by a crane via ropes around its neck and feet. A large building is visible behind it.
    [A metal statue is being lifted from its platform by a crane via ropes around its neck and feet. A large building is visible behind it.]
    Caption
    Image description A metal statue is being lifted from its platform by a crane via ropes around its neck and feet. A large building is visible behind it.
    Year 1991
    Related pages Western Agenda
  • An angled view of the illuminated stage of a overhead projector. A red flashlight descends from the lamp onto a flat pile of objects including photographs, drawings, transparents material, and more.
    An angled view of the illuminated stage of a overhead projector. A red flashlight descends from the lamp onto a flat pile of objects including photographs, drawings, transparents material, and more.
    Devin Kenny, Stop following me/follow me, 2016. Photo: Daniel Pérez. [An angled view of the illuminated stage of a overhead projector. A red flashlight descends from the lamp onto a flat pile of objects including photographs, drawings, transparents material, and more.]
    Caption Devin Kenny, Stop following me/follow me, 2016. Photo: Daniel Pérez.
    Image description An angled view of the illuminated stage of a overhead projector. A red flashlight descends from the lamp onto a flat pile of objects including photographs, drawings, transparents material, and more.
    Year 2016
    Related pages Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff
  • A computer rendering of a purple and amorphous form composed of long, extending tube shapes on a white background.
    A computer rendering of a purple and amorphous form composed of long, extending tube shapes on a white background.
    [A computer rendering of a purple and amorphous form composed of long, extending tube shapes on a white background.]
    Caption
    Image description A computer rendering of a purple and amorphous form composed of long, extending tube shapes on a white background.
    Year 2008
    Related pages Matters of Sensation
  • An illustrative, yellow, white, and pink image of a woman, holding a cigar to her mouth, in profile view. At the top right corner in white text reads,
    An illustrative, yellow, white, and pink image of a woman, holding a cigar to her mouth, in profile view. At the top right corner in white text reads,
    KP Brehmer Das Gefühl zwischen Fingerkuppen... , 1967 80 copies+ 40 artists proofs, signed and numbered screen print on cardboard, folded, 60 x 36 x 10 cm Courtesy of Edition Block, Berlin [An illustrative, yellow, white, and pink image of a woman, holding a cigar to her mouth, in profile view. At the top right corner in white text reads, "Das gerfül zwischen fingerku ppen." Below a white paper decends with smaller images of various vegetables.]
    Caption KP Brehmer Das Gefühl zwischen Fingerkuppen... , 1967 80 copies+ 40 artists proofs, signed and numbered screen print on cardboard, folded, 60 x 36 x 10 cm Courtesy of Edition Block, Berlin
    Image description An illustrative, yellow, white, and pink image of a woman, holding a cigar to her mouth, in profile view. At the top right corner in white text reads, "Das gerfül zwischen fingerku ppen." Below a white paper decends with smaller images of various vegetables.
    Year 1967
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A girl lays on a dark background. She wears a white leotard. Her arms are stretched straight out on either side, with her palms facing upwards. She gazes upwards, illuminated by a soft light.
    A girl lays on a dark background. She wears a white leotard. Her arms are stretched straight out on either side, with her palms facing upwards. She gazes upwards, illuminated by a soft light.
    Sarah Michelson. Devotion, 2011. Photo: Paula Court. [A girl lays on a dark background. She wears a white leotard. Her arms are stretched straight out on either side, with her palms facing upwards. She gazes upwards, illuminated by a soft light.]
    Caption Sarah Michelson. Devotion, 2011. Photo: Paula Court.
    Image description A girl lays on a dark background. She wears a white leotard. Her arms are stretched straight out on either side, with her palms facing upwards. She gazes upwards, illuminated by a soft light.
    Year 2011
    Related pages Performing Institution
  • Photograph of a youthful figure with short brown hair wearing blue jeans and a dark shirt with a green jacket tossed over their left shoulder. A black bandana covers their mouth, obscuring the lower half of their face. They hold a sign in front of their chest with both hands. The phrase,
    Photograph of a youthful figure with short brown hair wearing blue jeans and a dark shirt with a green jacket tossed over their left shoulder. A black bandana covers their mouth, obscuring the lower half of their face. They hold a sign in front of their chest with both hands. The phrase,
    Gillian Wearing, All I Ever Wanted Was Love, 1992/93, 23.5 x 16.5 inches [Photograph of a youthful figure with short brown hair wearing blue jeans and a dark shirt with a green jacket tossed over their left shoulder. A black bandana covers their mouth, obscuring the lower half of their face. They hold a sign in front of their chest with both hands. The phrase, "ALL I EVER WANTED WAS LOVE" is scrawled across the sign in handwritten text. A hand-drawn image of a sun and palm tree decorate the right side of the poster. The figure stares directly at the viewer and poses against a dark wall. Small white text placed at the image's lower left corner reads, "2020Solidarity - Gillian Wearing."]
    Caption Gillian Wearing, All I Ever Wanted Was Love, 1992/93, 23.5 x 16.5 inches
    Image description Photograph of a youthful figure with short brown hair wearing blue jeans and a dark shirt with a green jacket tossed over their left shoulder. A black bandana covers their mouth, obscuring the lower half of their face. They hold a sign in front of their chest with both hands. The phrase, "ALL I EVER WANTED WAS LOVE" is scrawled across the sign in handwritten text. A hand-drawn image of a sun and palm tree decorate the right side of the poster. The figure stares directly at the viewer and poses against a dark wall. Small white text placed at the image's lower left corner reads, "2020Solidarity - Gillian Wearing."
    Year 1992
    Related pages 2020Solidarity
  • Remnants of discarded objects fill the frame. A flattened rubber chicken sits in the middle next to various bottles and boxes. On the right reads a white square in black and red font,
    Remnants of discarded objects fill the frame. A flattened rubber chicken sits in the middle next to various bottles and boxes. On the right reads a white square in black and red font,
    Jack Smith Untitled (Plaster Foundation of Atlantis), 35mm slide, c. 1970. Copyright Jack Smith Archive. Courtesy Gladstone Gallery, New York and Brussels. [Remnants of discarded objects fill the frame. A flattened rubber chicken sits in the middle next to various bottles and boxes. On the right reads a white square in black and red font, "Exotic, Tropical Fruit."]
    Caption Jack Smith Untitled (Plaster Foundation of Atlantis), 35mm slide, c. 1970. Copyright Jack Smith Archive. Courtesy Gladstone Gallery, New York and Brussels.
    Image description Remnants of discarded objects fill the frame. A flattened rubber chicken sits in the middle next to various bottles and boxes. On the right reads a white square in black and red font, "Exotic, Tropical Fruit."
    Year 1970
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • A view of Chinatown at night, with a projection onto the side of a building which reads
    A view of Chinatown at night, with a projection onto the side of a building which reads
    Chinatown Art Brigade and The Illuminator Here to Stay, September 24, 2016 Courtesy Chinatown Art Brigade. Photo: KahEan Chang [A view of Chinatown at night, with a projection onto the side of a building which reads "Save Chinatown" with its own image of Chinatown storefronts underneath.]
    Caption Chinatown Art Brigade and The Illuminator Here to Stay, September 24, 2016 Courtesy Chinatown Art Brigade. Photo: KahEan Chang
    Image description A view of Chinatown at night, with a projection onto the side of a building which reads "Save Chinatown" with its own image of Chinatown storefronts underneath.
    Year 2016
    Related pages Decolonize This Place
  • Two rectangular orange paintings, in portrait orientation, hang on a white wall. Both canvases depict slugs filling up each rectangle. In the painting to the left, the slug almost forms into a square. In the painting to the right, the slug is stretched in a long line, twisting across the surface area of the canvas. The eyes of both slugs protrude from their animated bodies like antennae, raised and peeking over the boundary of each painting's edge.
    Two rectangular orange paintings, in portrait orientation, hang on a white wall. Both canvases depict slugs filling up each rectangle. In the painting to the left, the slug almost forms into a square. In the painting to the right, the slug is stretched in a long line, twisting across the surface area of the canvas. The eyes of both slugs protrude from their animated bodies like antennae, raised and peeking over the boundary of each painting's edge.
    [Two rectangular orange paintings, in portrait orientation, hang on a white wall. Both canvases depict slugs filling up each rectangle. In the painting to the left, the slug almost forms into a square. In the painting to the right, the slug is stretched in a long line, twisting across the surface area of the canvas. The eyes of both slugs protrude from their animated bodies like antennae, raised and peeking over the boundary of each painting's edge.]
    Caption
    Image description Two rectangular orange paintings, in portrait orientation, hang on a white wall. Both canvases depict slugs filling up each rectangle. In the painting to the left, the slug almost forms into a square. In the painting to the right, the slug is stretched in a long line, twisting across the surface area of the canvas. The eyes of both slugs protrude from their animated bodies like antennae, raised and peeking over the boundary of each painting's edge.
    Year 2020
    Related pages Jana Euler
  • A white, graphic shirt sits on a piles of items next to nested wicker baskets in front of a wooden wall. On top of the baskets is a sign that reads,
    A white, graphic shirt sits on a piles of items next to nested wicker baskets in front of a wooden wall. On top of the baskets is a sign that reads,
    [A white, graphic shirt sits on a piles of items next to nested wicker baskets in front of a wooden wall. On top of the baskets is a sign that reads, "freedom club."]
    Caption
    Image description A white, graphic shirt sits on a piles of items next to nested wicker baskets in front of a wooden wall. On top of the baskets is a sign that reads, "freedom club."
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • Two red and blue spidery forms interlace, floating in the center of the page atop a blank sheet of staff paper.
    Two red and blue spidery forms interlace, floating in the center of the page atop a blank sheet of staff paper.
    Louise Bourgeois Jitterbug, 1998 Lithograph, 18 x 24 in / 46 x 61 cm, Signed & Numbered. [Two red and blue spidery forms interlace, floating in the center of the page atop a blank sheet of staff paper.]
    Caption Louise Bourgeois Jitterbug, 1998 Lithograph, 18 x 24 in / 46 x 61 cm, Signed & Numbered.
    Image description Two red and blue spidery forms interlace, floating in the center of the page atop a blank sheet of staff paper.
    Year 1998
    Related pages Editions
  • Three small televisions sit on a white shelf. Each displays a timestamped video of a person eating a lollipop.
    Three small televisions sit on a white shelf. Each displays a timestamped video of a person eating a lollipop.
    The Mind/Body Problem. Installation view, Artists Space, 2006. Photo: Alan Wiener. [Three small televisions sit on a white shelf. Each displays a timestamped video of a person eating a lollipop.]
    Caption The Mind/Body Problem. Installation view, Artists Space, 2006. Photo: Alan Wiener.
    Image description Three small televisions sit on a white shelf. Each displays a timestamped video of a person eating a lollipop.
    Year 2006
    Related pages The Mind/Body Problem
  • A black and white closeup of a person's face. They have blunt bangs and dark, dramatic eye makeup and lipstick.
    A black and white closeup of a person's face. They have blunt bangs and dark, dramatic eye makeup and lipstick.
    DJ Princess Julia. [A black and white closeup of a person's face. They have blunt bangs and dark, dramatic eye makeup and lipstick.]
    Caption DJ Princess Julia.
    Image description A black and white closeup of a person's face. They have blunt bangs and dark, dramatic eye makeup and lipstick.
    Year 2012
    Related pages Club Nights NEIN POP
  • A digital greyscale rendering of a loose spiral made from flexible bricks.
    A digital greyscale rendering of a loose spiral made from flexible bricks.
    [A digital greyscale rendering of a loose spiral made from flexible bricks.]
    Caption
    Image description A digital greyscale rendering of a loose spiral made from flexible bricks.
    Year 2000
    Related pages Defective Brick Project
  • A moving image of a man, dressed in a pilot uniform, in front of a panning image of Earth from space, holding a laptop. The camera zooms in on the video playing on the laptop screen of a man releasing his parachute while skydiving.
    A moving image of a man, dressed in a pilot uniform, in front of a panning image of Earth from space, holding a laptop. The camera zooms in on the video playing on the laptop screen of a man releasing his parachute while skydiving.
    Hito Stereyl, excerpt from In Free Fall, 2010, HD video with sound, 30 mins. Courtesy of the artist and Andrew Kreps, New York. [A moving image of a man, dressed in a pilot uniform, in front of a panning image of Earth from space, holding a laptop. The camera zooms in on the video playing on the laptop screen of a man releasing his parachute while skydiving.]
    Caption Hito Stereyl, excerpt from In Free Fall, 2010, HD video with sound, 30 mins. Courtesy of the artist and Andrew Kreps, New York.
    Image description A moving image of a man, dressed in a pilot uniform, in front of a panning image of Earth from space, holding a laptop. The camera zooms in on the video playing on the laptop screen of a man releasing his parachute while skydiving.
    Year 2010
    Related pages Hito Steyerl
  • A figure stands next to a fold-out table in a dimly lit space. They look down at their feet while their hand rests at their hip.
    A figure stands next to a fold-out table in a dimly lit space. They look down at their feet while their hand rests at their hip.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A figure stands next to a fold-out table in a dimly lit space. They look down at their feet while their hand rests at their hip.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A figure stands next to a fold-out table in a dimly lit space. They look down at their feet while their hand rests at their hip.
    Year 2019
    Related pages Speaker Music: drape over another
  • A color photographic picturing two figures who sit watching a television screen, their backs facing the camera.
    A color photographic picturing two figures who sit watching a television screen, their backs facing the camera.
    [A color photographic picturing two figures who sit watching a television screen, their backs facing the camera.]
    Caption
    Image description A color photographic picturing two figures who sit watching a television screen, their backs facing the camera.
    Year 1990
    Related pages Stone's Throw: Television from Cuba, Island in Goliath's Sea
  • A man, looking toward the camera, in the midst of pulling his shirt off exposing his torso. A subtitle typed in white at the bottom reads
    A man, looking toward the camera, in the midst of pulling his shirt off exposing his torso. A subtitle typed in white at the bottom reads
    William E. Jones. Still from v.o., 2006. [A man, looking toward the camera, in the midst of pulling his shirt off exposing his torso. A subtitle typed in white at the bottom reads "No, I wasn't talking about death."]
    Caption William E. Jones. Still from v.o., 2006.
    Image description A man, looking toward the camera, in the midst of pulling his shirt off exposing his torso. A subtitle typed in white at the bottom reads "No, I wasn't talking about death."
    Year 2006
    Related pages Summer Knowledge: William E. Jones
  • A wooden ladder standing in the corner of a room with half-finished paintings on the wall. On the left wall, there is a colorful mural composed of swirls and circles. On the other wall, there is a sketch of a ballerina with dozens of black and white portraits of a woman's head with various words including
    A wooden ladder standing in the corner of a room with half-finished paintings on the wall. On the left wall, there is a colorful mural composed of swirls and circles. On the other wall, there is a sketch of a ballerina with dozens of black and white portraits of a woman's head with various words including
    Activated Walls. Installation view, Artists Space, 1993. [A wooden ladder standing in the corner of a room with half-finished paintings on the wall. On the left wall, there is a colorful mural composed of swirls and circles. On the other wall, there is a sketch of a ballerina with dozens of black and white portraits of a woman's head with various words including "CUNT" and "CUTIE."]
    Caption Activated Walls. Installation view, Artists Space, 1993.
    Image description A wooden ladder standing in the corner of a room with half-finished paintings on the wall. On the left wall, there is a colorful mural composed of swirls and circles. On the other wall, there is a sketch of a ballerina with dozens of black and white portraits of a woman's head with various words including "CUNT" and "CUTIE."
    Year 1993
    Related pages Activated Walls
  • A crowd of people seated in a dark room, facing a screen. On screen, there is an image of a person wearing a striped shirt, holding a towel around their neck.
    A crowd of people seated in a dark room, facing a screen. On screen, there is an image of a person wearing a striped shirt, holding a towel around their neck.
    Peggy Ahwesh, Paranormal Intelligence (Part 2 of The Pittsburgh Trilogy), (1983). [A crowd of people seated in a dark room, facing a screen. On screen, there is an image of a person wearing a striped shirt, holding a towel around their neck.]
    Caption Peggy Ahwesh, Paranormal Intelligence (Part 2 of The Pittsburgh Trilogy), (1983).
    Image description A crowd of people seated in a dark room, facing a screen. On screen, there is an image of a person wearing a striped shirt, holding a towel around their neck.
    Year 2011
    Related pages Mark Morrisroe: Super 8
  • A hand reaches toward the bark of a tree, drawing a thick red line. There are leaves in the background.
    A hand reaches toward the bark of a tree, drawing a thick red line. There are leaves in the background.
    Michael Robinson. Still from If There Be Thorns, 2009. [A hand reaches toward the bark of a tree, drawing a thick red line. There are leaves in the background.]
    Caption Michael Robinson. Still from If There Be Thorns, 2009.
    Image description A hand reaches toward the bark of a tree, drawing a thick red line. There are leaves in the background.
    Year 2009
    Related pages Summer Knowledge: Michael Robinson
  • The title and table of contents page of an essay published in the Harvard Law Review.
    The title and table of contents page of an essay published in the Harvard Law Review.
    Harris, Cheryl I, "Whiteness as Property." Harvard Law Review. Vol. 106, No. 8, June 1993. [The title and table of contents page of an essay published in the Harvard Law Review.]
    Caption Harris, Cheryl I, "Whiteness as Property." Harvard Law Review. Vol. 106, No. 8, June 1993.
    Image description The title and table of contents page of an essay published in the Harvard Law Review.
    Year 1993
    Related pages The Afterlife of Slavery: Markets, Property and Race
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