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  • The phrase
    The phrase
    Duncan Campbell Big Fires Start Small, 2010, 3 color screenprint on poster, 25 1/2 x 16 1/2 inches (64,8 x 41,9 cm), Edition of 100, Signed and numbered. [The phrase "big fires start small" is written diagonally against a black background. "Big fires" appears in large bubble text surrounded by flames and "start small" appreas below in white blocky type.]
    Caption Duncan Campbell Big Fires Start Small, 2010, 3 color screenprint on poster, 25 1/2 x 16 1/2 inches (64,8 x 41,9 cm), Edition of 100, Signed and numbered.
    Image description The phrase "big fires start small" is written diagonally against a black background. "Big fires" appears in large bubble text surrounded by flames and "start small" appreas below in white blocky type.
    Year 2010
    Related pages Editions
  • In the corner of a room, close to the ceiling, a white L-shaped wall mount holds an LED lightbulb upright. A black wire connected to the lamp is taped to the wall with black tape and disappears off to the right of the image.
    In the corner of a room, close to the ceiling, a white L-shaped wall mount holds an LED lightbulb upright. A black wire connected to the lamp is taped to the wall with black tape and disappears off to the right of the image.
    Jason Hirata, Gavroche, 2019, 5000º Kelvin industrial LED retrofit bulb, gallery power grid. [In the corner of a room, close to the ceiling, a white L-shaped wall mount holds an LED lightbulb upright. A black wire connected to the lamp is taped to the wall with black tape and disappears off to the right of the image.]
    Caption Jason Hirata, Gavroche, 2019, 5000º Kelvin industrial LED retrofit bulb, gallery power grid.
    Image description In the corner of a room, close to the ceiling, a white L-shaped wall mount holds an LED lightbulb upright. A black wire connected to the lamp is taped to the wall with black tape and disappears off to the right of the image.
    Year 2019
    Related pages Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater
  • A crowd of people standing outside a building
    A crowd of people standing outside a building
    [A crowd of people standing outside a building]
    Caption
    Image description A crowd of people standing outside a building
    Year
    Related pages On the Necessity of Art's Exit from Contemporary Art
  • Two grey silhouettes displayed next to each other on a white wall. In front of them, a table displays colorful documents.
    Two grey silhouettes displayed next to each other on a white wall. In front of them, a table displays colorful documents.
    Installation view from The Issues of Our Time, Artists Space, New York, 2014 [Two grey silhouettes displayed next to each other on a white wall. In front of them, a table displays colorful documents.]
    Caption Installation view from The Issues of Our Time, Artists Space, New York, 2014
    Image description Two grey silhouettes displayed next to each other on a white wall. In front of them, a table displays colorful documents.
    Year 2014
    Related pages The Issues of Our Time
  • This painting depicts a figure comprised of geometric shapes in saturated pinks, greens, yellows, and blues on a purple background. The arms, neck, and parts of the face are decorated with blue swirls and a brown, broken heart-like shape lies on top of the figure's chest.
    This painting depicts a figure comprised of geometric shapes in saturated pinks, greens, yellows, and blues on a purple background. The arms, neck, and parts of the face are decorated with blue swirls and a brown, broken heart-like shape lies on top of the figure's chest.
    Dionis Diaz, self portrait, acrylic on paper, 2019 [This painting depicts a figure comprised of geometric shapes in saturated pinks, greens, yellows, and blues on a purple background. The arms, neck, and parts of the face are decorated with blue swirls and a brown, broken heart-like shape lies on top of the figure's chest.]
    Caption Dionis Diaz, self portrait, acrylic on paper, 2019
    Image description This painting depicts a figure comprised of geometric shapes in saturated pinks, greens, yellows, and blues on a purple background. The arms, neck, and parts of the face are decorated with blue swirls and a brown, broken heart-like shape lies on top of the figure's chest.
    Year 2019
    Related pages Portfolio Development
  • A television on a metal stand shows an image of a man in a cowboy hat. A white bar with black text on the bottom of the screen reads,
    A television on a metal stand shows an image of a man in a cowboy hat. A white bar with black text on the bottom of the screen reads,
    Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz [A television on a metal stand shows an image of a man in a cowboy hat. A white bar with black text on the bottom of the screen reads, "The actor said. He explains that thousands of bootleg copies".]
    Caption Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz
    Image description A television on a metal stand shows an image of a man in a cowboy hat. A white bar with black text on the bottom of the screen reads, "The actor said. He explains that thousands of bootleg copies".
    Year 2010
    Related pages Sean Snyder
  • An all-over black and white pattern of
    An all-over black and white pattern of
    Karl Holmqvist, oxoxbox, 2012, Bespoke archival box wrapped in cotton book cloth with silkscreen, 24 1/2 x 20 1/2 x 1 1/2 inches, Signed and numbered certificate [An all-over black and white pattern of "oxox"]
    Caption Karl Holmqvist, oxoxbox, 2012, Bespoke archival box wrapped in cotton book cloth with silkscreen, 24 1/2 x 20 1/2 x 1 1/2 inches, Signed and numbered certificate
    Image description An all-over black and white pattern of "oxox"
    Year 2014
    Related pages Artists Space Annual Edition Portfolio 2013
  • A view of two walls connecting at their corners. On the left wall, a photograph of a persons eye through a white hood. On the right wall, a photograph of a person in a green KKK hood against a black background.
    A view of two walls connecting at their corners. On the left wall, a photograph of a persons eye through a white hood. On the right wall, a photograph of a person in a green KKK hood against a black background.
    Installation view, Macho Man, Tell It To My Heart: Collected by Julie Ault, Artists Space 2013. Photos: Daniel Pérez [A view of two walls connecting at their corners. On the left wall, a photograph of a persons eye through a white hood. On the right wall, a photograph of a person in a green KKK hood against a black background.]
    Caption Installation view, Macho Man, Tell It To My Heart: Collected by Julie Ault, Artists Space 2013. Photos: Daniel Pérez
    Image description A view of two walls connecting at their corners. On the left wall, a photograph of a persons eye through a white hood. On the right wall, a photograph of a person in a green KKK hood against a black background.
    Year 2014
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • Two skewed images of Native American men holding drums on either side of a person in a sheer red dress and mask, posing for the camera.
    Two skewed images of Native American men holding drums on either side of a person in a sheer red dress and mask, posing for the camera.
    Kent Monkman, Still from Dance to Miss Chief, 2010 [Two skewed images of Native American men holding drums on either side of a person in a sheer red dress and mask, posing for the camera.]
    Caption Kent Monkman, Still from Dance to Miss Chief, 2010
    Image description Two skewed images of Native American men holding drums on either side of a person in a sheer red dress and mask, posing for the camera.
    Year 2010
    Related pages THE INFORMANTS
  • A plastic surface with five wheels lies upturned on a wooden floor. On the plastic, 11 silver metal buckets with silver poles extending sit, some filled with multicolored objects. In front of the buckets is a large container of Muscle Milk in a net bag.
    A plastic surface with five wheels lies upturned on a wooden floor. On the plastic, 11 silver metal buckets with silver poles extending sit, some filled with multicolored objects. In front of the buckets is a large container of Muscle Milk in a net bag.
    DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A plastic surface with five wheels lies upturned on a wooden floor. On the plastic, 11 silver metal buckets with silver poles extending sit, some filled with multicolored objects. In front of the buckets is a large container of Muscle Milk in a net bag.]
    Caption DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description A plastic surface with five wheels lies upturned on a wooden floor. On the plastic, 11 silver metal buckets with silver poles extending sit, some filled with multicolored objects. In front of the buckets is a large container of Muscle Milk in a net bag.
    Year 2012
    Related pages DUOX: DUOX4Larkin
  • Three sculptures grouped together in the corner of a gallery, with a street in Manhattan visible through large windows at the rear of the room. The largest sculpture stands behind the other two; clustered pieces of wood, string, cardboard, paper, metal, and plastic are propped up, arranged on top of one another, all standing on a large cardboard base. A humanoid white bust lies on top of the structure, its face cut in half. The two smaller sculptures also depict humanoid faces - one in white, the other with skin and hair - and both appear to grow out of masses of misshapen cardboard and wood standing on the floor.
    Three sculptures grouped together in the corner of a gallery, with a street in Manhattan visible through large windows at the rear of the room. The largest sculpture stands behind the other two; clustered pieces of wood, string, cardboard, paper, metal, and plastic are propped up, arranged on top of one another, all standing on a large cardboard base. A humanoid white bust lies on top of the structure, its face cut in half. The two smaller sculptures also depict humanoid faces - one in white, the other with skin and hair - and both appear to grow out of masses of misshapen cardboard and wood standing on the floor.
    Danica Barboza, From a Chapter in Acclimatization, 2019, hand-modeled clay, acrylic paint, rope, yarn, wood, plastic clothing hangers, condensed foam, PVC piping, newspaper, plastic bottle, orange plastic crates, black plastic shipping crate, signature tape-binding with protective gloss, shower curtains, child’s wooden chair, plastic child’s toy, white shelving unit, metal table leg, wooden shipping crate, cherry wood stained card-table top, Insignia TV monitor, wooden pole, metal pole, painted silicone, natural hair, painted glass. Photo: Daniel Pérez [Three sculptures grouped together in the corner of a gallery, with a street in Manhattan visible through large windows at the rear of the room. The largest sculpture stands behind the other two; clustered pieces of wood, string, cardboard, paper, metal, and plastic are propped up, arranged on top of one another, all standing on a large cardboard base. A humanoid white bust lies on top of the structure, its face cut in half. The two smaller sculptures also depict humanoid faces - one in white, the other with skin and hair - and both appear to grow out of masses of misshapen cardboard and wood standing on the floor.]
    Caption Danica Barboza, From a Chapter in Acclimatization, 2019, hand-modeled clay, acrylic paint, rope, yarn, wood, plastic clothing hangers, condensed foam, PVC piping, newspaper, plastic bottle, orange plastic crates, black plastic shipping crate, signature tape-binding with protective gloss, shower curtains, child’s wooden chair, plastic child’s toy, white shelving unit, metal table leg, wooden shipping crate, cherry wood stained card-table top, Insignia TV monitor, wooden pole, metal pole, painted silicone, natural hair, painted glass. Photo: Daniel Pérez
    Image description Three sculptures grouped together in the corner of a gallery, with a street in Manhattan visible through large windows at the rear of the room. The largest sculpture stands behind the other two; clustered pieces of wood, string, cardboard, paper, metal, and plastic are propped up, arranged on top of one another, all standing on a large cardboard base. A humanoid white bust lies on top of the structure, its face cut in half. The two smaller sculptures also depict humanoid faces - one in white, the other with skin and hair - and both appear to grow out of masses of misshapen cardboard and wood standing on the floor.
    Year 2019
    Related pages Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater
  • A rectangular image, opaque and black. In black, all-caps, sans-serif font, outlined in white, text reads
    A rectangular image, opaque and black. In black, all-caps, sans-serif font, outlined in white, text reads
    Claire Fontaine, Please God Make Tomorrow Better, 2010, Silkscreen on archival box, 24 1/2 x 20 1/2 x 1 1/2 inches, Signed and numbered certificate [A rectangular image, opaque and black. In black, all-caps, sans-serif font, outlined in white, text reads "PLEASE GOD MAKE TOMORROW BETTER." The text appears slightly above the center of the image and center justified.]
    Caption Claire Fontaine, Please God Make Tomorrow Better, 2010, Silkscreen on archival box, 24 1/2 x 20 1/2 x 1 1/2 inches, Signed and numbered certificate
    Image description A rectangular image, opaque and black. In black, all-caps, sans-serif font, outlined in white, text reads "PLEASE GOD MAKE TOMORROW BETTER." The text appears slightly above the center of the image and center justified.
    Year
    Related pages Artists Space Annual Edition Portfolio 2010
  • Six pornographic illustrations of men near trees are framed on a wall.
    Six pornographic illustrations of men near trees are framed on a wall.
    Installation view from Tom of Finland: The Pleasure of Play, Artists Space, 2015 [Six pornographic illustrations of men near trees are framed on a wall.]
    Caption Installation view from Tom of Finland: The Pleasure of Play, Artists Space, 2015
    Image description Six pornographic illustrations of men near trees are framed on a wall.
    Year 2015
    Related pages Tom of Finland: The Pleasure of Play
  • A man is shown in front of a Jackson Pollock painting wearing a frilly baby bonnet, sunglasses, a pacifier, a white t-shirt and a white cloth that resembles a diaper.
    A man is shown in front of a Jackson Pollock painting wearing a frilly baby bonnet, sunglasses, a pacifier, a white t-shirt and a white cloth that resembles a diaper.
    Union Gaucha Productions Still from As Long As it Lasts , 2010 Digital video on six screens (silent, color), 191 min Film production and editing assistance: Francisca Caporali and Lior Shvil Originally commissioned by The Museum of Modern Art Courtesy of Union Gaucha Productions and The Museum of Modern Art [A man is shown in front of a Jackson Pollock painting wearing a frilly baby bonnet, sunglasses, a pacifier, a white t-shirt and a white cloth that resembles a diaper.]
    Caption Union Gaucha Productions Still from As Long As it Lasts , 2010 Digital video on six screens (silent, color), 191 min Film production and editing assistance: Francisca Caporali and Lior Shvil Originally commissioned by The Museum of Modern Art Courtesy of Union Gaucha Productions and The Museum of Modern Art
    Image description A man is shown in front of a Jackson Pollock painting wearing a frilly baby bonnet, sunglasses, a pacifier, a white t-shirt and a white cloth that resembles a diaper.
    Year 2010
    Related pages Union Gaucha Productions
  • A moving image of a person, dressed in black, side stepping slowly in the gallery as the camera pans over to them.
    A moving image of a person, dressed in black, side stepping slowly in the gallery as the camera pans over to them.
    Excerpt from Hito Stereyl, Guards, 2012, HD video on freestanding screen with sound, 20 mins. Courtesy of the artist and Andrew Kreps, New York. [A moving image of a person, dressed in black, side stepping slowly in the gallery as the camera pans over to them.]
    Caption Excerpt from Hito Stereyl, Guards, 2012, HD video on freestanding screen with sound, 20 mins. Courtesy of the artist and Andrew Kreps, New York.
    Image description A moving image of a person, dressed in black, side stepping slowly in the gallery as the camera pans over to them.
    Year 2012
    Related pages Hito Steyerl
  • A black-and-white image of a man, a white bar with text, that reads
    A black-and-white image of a man, a white bar with text, that reads
    Jean-Michel Wicker. wee willy wanted (la rivoluzione siamo me), 2013 [A black-and-white image of a man, a white bar with text, that reads "WANTED," covers his face. Below, a white bar with text that reads, "wee willy."]
    Caption Jean-Michel Wicker. wee willy wanted (la rivoluzione siamo me), 2013
    Image description A black-and-white image of a man, a white bar with text, that reads "WANTED," covers his face. Below, a white bar with text that reads, "wee willy."
    Year 2013
    Related pages Pride Goes Before a Fall
  • A black and white image of four paintings of various sizes displayed against a fence with a thin layer of snow, marked with footprints, beneath them.
    A black and white image of four paintings of various sizes displayed against a fence with a thin layer of snow, marked with footprints, beneath them.
    Front Yard Exhibition Galerie Parnass, Villa Jährling, Moltkestraße 67 February 1964 Photo: Rolf Jährling, Zentralarchiv des internationalen Kunsthandels ZADIK [A black and white image of four paintings of various sizes displayed against a fence with a thin layer of snow, marked with footprints, beneath them.]
    Caption Front Yard Exhibition Galerie Parnass, Villa Jährling, Moltkestraße 67 February 1964 Photo: Rolf Jährling, Zentralarchiv des internationalen Kunsthandels ZADIK
    Image description A black and white image of four paintings of various sizes displayed against a fence with a thin layer of snow, marked with footprints, beneath them.
    Year 1964
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A white wall with 21 framed photograms arranged in a rectangle creates a corner with a second white wall with 4 framed photograms in a horizontal line.
    A white wall with 21 framed photograms arranged in a rectangle creates a corner with a second white wall with 4 framed photograms in a horizontal line.
    Mark Morrisroe: From This Moment On. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A white wall with 21 framed photograms arranged in a rectangle creates a corner with a second white wall with 4 framed photograms in a horizontal line.]
    Caption Mark Morrisroe: From This Moment On. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A white wall with 21 framed photograms arranged in a rectangle creates a corner with a second white wall with 4 framed photograms in a horizontal line.
    Year 2011
    Related pages Mark Morrisroe: From This Moment On
  • A dimly lit view of a wooden wall with scattered video-still images at varying placements. Behind the wood is a white wall.
    A dimly lit view of a wooden wall with scattered video-still images at varying placements. Behind the wood is a white wall.
    Union Gaucha Productions, Installation view, Artists Space, 2015. Photo: Daniel Pérez [A dimly lit view of a wooden wall with scattered video-still images at varying placements. Behind the wood is a white wall.]
    Caption Union Gaucha Productions, Installation view, Artists Space, 2015. Photo: Daniel Pérez
    Image description A dimly lit view of a wooden wall with scattered video-still images at varying placements. Behind the wood is a white wall.
    Year 2015
    Related pages Union Gaucha Productions
  • A light pink paper with black typeface announcing the premiere of two plays, AM by Otis Bigelow and The Owl Answers by Adrienne Kennedy. Other printed information includes the time, date and location of the show, the board of directors, and the director.
    A light pink paper with black typeface announcing the premiere of two plays, AM by Otis Bigelow and The Owl Answers by Adrienne Kennedy. Other printed information includes the time, date and location of the show, the board of directors, and the director.
    Poster for the original production of The Owl Answers at The White Barn Theatre in Westport, Connecticut, 1965. Courtesy the Harry Ransom Archives at UT Austin, Texas. [A light pink paper with black typeface announcing the premiere of two plays, AM by Otis Bigelow and The Owl Answers by Adrienne Kennedy. Other printed information includes the time, date and location of the show, the board of directors, and the director.]
    Caption Poster for the original production of The Owl Answers at The White Barn Theatre in Westport, Connecticut, 1965. Courtesy the Harry Ransom Archives at UT Austin, Texas.
    Image description A light pink paper with black typeface announcing the premiere of two plays, AM by Otis Bigelow and The Owl Answers by Adrienne Kennedy. Other printed information includes the time, date and location of the show, the board of directors, and the director.
    Year 1965
    Related pages The Owl Answers
  • An abstract painting depicting several geometric figures against a turquoise background, arranged on either side of the canvas. Each figure has a green or brown outline and various colored patterns inside. Several outlined circles and squares grid across the background of the image
    An abstract painting depicting several geometric figures against a turquoise background, arranged on either side of the canvas. Each figure has a green or brown outline and various colored patterns inside. Several outlined circles and squares grid across the background of the image
    Mariselis Rivera, Abstract Painting, 2015 [An abstract painting depicting several geometric figures against a turquoise background, arranged on either side of the canvas. Each figure has a green or brown outline and various colored patterns inside. Several outlined circles and squares grid across the background of the image]
    Caption Mariselis Rivera, Abstract Painting, 2015
    Image description An abstract painting depicting several geometric figures against a turquoise background, arranged on either side of the canvas. Each figure has a green or brown outline and various colored patterns inside. Several outlined circles and squares grid across the background of the image
    Year 2015
    Related pages Scholastic Art and Writing Awards
  • Two rectangular orange paintings, in portrait orientation, hang on a white wall. Both canvases depict slugs filling up each rectangle. In the painting to the left, the slug almost forms into a square. In the painting to the right, the slug is stretched in a long line, twisting across the surface area of the canvas. The eyes of both slugs protrude from their animated bodies like antennae, raised and peeking over the boundary of each painting's edge.
    Two rectangular orange paintings, in portrait orientation, hang on a white wall. Both canvases depict slugs filling up each rectangle. In the painting to the left, the slug almost forms into a square. In the painting to the right, the slug is stretched in a long line, twisting across the surface area of the canvas. The eyes of both slugs protrude from their animated bodies like antennae, raised and peeking over the boundary of each painting's edge.
    [Two rectangular orange paintings, in portrait orientation, hang on a white wall. Both canvases depict slugs filling up each rectangle. In the painting to the left, the slug almost forms into a square. In the painting to the right, the slug is stretched in a long line, twisting across the surface area of the canvas. The eyes of both slugs protrude from their animated bodies like antennae, raised and peeking over the boundary of each painting's edge.]
    Caption
    Image description Two rectangular orange paintings, in portrait orientation, hang on a white wall. Both canvases depict slugs filling up each rectangle. In the painting to the left, the slug almost forms into a square. In the painting to the right, the slug is stretched in a long line, twisting across the surface area of the canvas. The eyes of both slugs protrude from their animated bodies like antennae, raised and peeking over the boundary of each painting's edge.
    Year 2020
    Related pages Jana Euler
  • A crowd of people sitting. Most have their eyes obscured by black blindfolds. In the background, a white projection with black text just visible reads,
    A crowd of people sitting. Most have their eyes obscured by black blindfolds. In the background, a white projection with black text just visible reads,
    New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [A crowd of people sitting. Most have their eyes obscured by black blindfolds. In the background, a white projection with black text just visible reads, "No-peep show."]
    Caption New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A crowd of people sitting. Most have their eyes obscured by black blindfolds. In the background, a white projection with black text just visible reads, "No-peep show."
    Year 2020
    Related pages New Red Order: Informants Get Paid!
  • A woman vaping, with another woman and child visible in the exhaled smoke.
    A woman vaping, with another woman and child visible in the exhaled smoke.
    Flyer by Bill Hayden [A woman vaping, with another woman and child visible in the exhaled smoke.]
    Caption Flyer by Bill Hayden
    Image description A woman vaping, with another woman and child visible in the exhaled smoke.
    Year 2014
    Related pages It's Get Better II / Bernadette Corporation: 2000 Wasted Years Book Launch
  • Black and white print includes details of a branch and a willow tree with a bird sitting on a key. Text reads
    Black and white print includes details of a branch and a willow tree with a bird sitting on a key. Text reads
    Sam Pulitzer, Spirit the Key & Stake the Door, 2014, Photo toner on colored paper, 17 x 11 in / 43,2 x 27,9 cm, Signed and Numbered [Black and white print includes details of a branch and a willow tree with a bird sitting on a key. Text reads "& Stake The Door"]
    Caption Sam Pulitzer, Spirit the Key & Stake the Door, 2014, Photo toner on colored paper, 17 x 11 in / 43,2 x 27,9 cm, Signed and Numbered
    Image description Black and white print includes details of a branch and a willow tree with a bird sitting on a key. Text reads "& Stake The Door"
    Year 2015
    Related pages Artists Space Annual Edition Portfolio 2015
  • A painting with blue, yellow, and neutral tones is hung on a white wall. Another painting is visible in the background with bright yellow and orange hues.
    A painting with blue, yellow, and neutral tones is hung on a white wall. Another painting is visible in the background with bright yellow and orange hues.
    Kalamazoo, 1959. Oil on canvas, 56 x 70 inches. Collection of Karin Tappendorf. Courtesy of Artists Space, New York. Photo: Daniel Peréz. [A painting with blue, yellow, and neutral tones is hung on a white wall. Another painting is visible in the background with bright yellow and orange hues.]
    Caption Kalamazoo, 1959. Oil on canvas, 56 x 70 inches. Collection of Karin Tappendorf. Courtesy of Artists Space, New York. Photo: Daniel Peréz.
    Image description A painting with blue, yellow, and neutral tones is hung on a white wall. Another painting is visible in the background with bright yellow and orange hues.
    Year 1959
    Related pages Miyoko Ito: Heart of Hearts
  • A black and white image of a man working closely on a machine is projected on a standing screen in an open room.
    A black and white image of a man working closely on a machine is projected on a standing screen in an open room.
    Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez [A black and white image of a man working closely on a machine is projected on a standing screen in an open room.]
    Caption Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez
    Image description A black and white image of a man working closely on a machine is projected on a standing screen in an open room.
    Year 2010
    Related pages Duncan Campbell: Make It New John
  • A black and white superform of a man's head, comprised of small rectangular shapes.
    A black and white superform of a man's head, comprised of small rectangular shapes.
    Thomas Bayrle, Woody Allen: f ilms fi lms fil ms film s fil ms fi lms f ilms, 2011, Bespoke archival box wrapped in silkscreened cotton book cloth [A black and white superform of a man's head, comprised of small rectangular shapes.]
    Caption Thomas Bayrle, Woody Allen: f ilms fi lms fil ms film s fil ms fi lms f ilms, 2011, Bespoke archival box wrapped in silkscreened cotton book cloth
    Image description A black and white superform of a man's head, comprised of small rectangular shapes.
    Year
    Related pages Annual Edition Portfolio
  • Two shirtless men doing the splits on top of large boulders outdoors.
    Two shirtless men doing the splits on top of large boulders outdoors.
    [Two shirtless men doing the splits on top of large boulders outdoors.]
    Caption
    Image description Two shirtless men doing the splits on top of large boulders outdoors.
    Year
    Related pages Re: Re: Re: Homos and Light
  • Two people in white face paint and fanciful dresses crowd around a crudely constructed wooden desk that sits off-kilter. One sits at the desk and applies makeup while the other stands to their left, gazing beyond the image.
    Two people in white face paint and fanciful dresses crowd around a crudely constructed wooden desk that sits off-kilter. One sits at the desk and applies makeup while the other stands to their left, gazing beyond the image.
    Adrienne Kennedy, Funnyhouse of a Negro, 1964 (East End Theater, New York, directed by Michael Kahn, produced by Barr, WIlder, and Albee). Pictured: Ellen Holly and Cynthia Belgrave. Photo: Frederick Eberstadt. [Two people in white face paint and fanciful dresses crowd around a crudely constructed wooden desk that sits off-kilter. One sits at the desk and applies makeup while the other stands to their left, gazing beyond the image.]
    Caption Adrienne Kennedy, Funnyhouse of a Negro, 1964 (East End Theater, New York, directed by Michael Kahn, produced by Barr, WIlder, and Albee). Pictured: Ellen Holly and Cynthia Belgrave. Photo: Frederick Eberstadt.
    Image description Two people in white face paint and fanciful dresses crowd around a crudely constructed wooden desk that sits off-kilter. One sits at the desk and applies makeup while the other stands to their left, gazing beyond the image.
    Year 1964
    Related pages Adrienne Kennedy
  • A black and white image of four people, one sitting, three standing in a patterned room displaying a large photograph on the left wall. On the right wall, two men stand underneath large block text, that reads,
    A black and white image of four people, one sitting, three standing in a patterned room displaying a large photograph on the left wall. On the right wall, two men stand underneath large block text, that reads,
    Gerhard Richter Volker Bradke , December 13, 1966 From the exhibition Hommage an Schmela (Homage to Schmela), December 9 – 15, 1966. Galerie Schmela, Düsseldorf Courtesy Archiv Reiner Ruthenbeck, Ratingen © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Reiner Ruthenbeck [A black and white image of four people, one sitting, three standing in a patterned room displaying a large photograph on the left wall. On the right wall, two men stand underneath large block text, that reads, "Volker Bradk."]
    Caption Gerhard Richter Volker Bradke , December 13, 1966 From the exhibition Hommage an Schmela (Homage to Schmela), December 9 – 15, 1966. Galerie Schmela, Düsseldorf Courtesy Archiv Reiner Ruthenbeck, Ratingen © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Reiner Ruthenbeck
    Image description A black and white image of four people, one sitting, three standing in a patterned room displaying a large photograph on the left wall. On the right wall, two men stand underneath large block text, that reads, "Volker Bradk."
    Year 1966
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A discolored envolope, stained and frayed, with cursive handwriting that reads
    A discolored envolope, stained and frayed, with cursive handwriting that reads
    Rent check envelope prop, c.1970s. Copyright Jack Smith Archive. Courtesy Gladstone Gallery, New York and Brussels [A discolored envolope, stained and frayed, with cursive handwriting that reads "The Lobster Lucky Landlord Paradise".]
    Caption Rent check envelope prop, c.1970s. Copyright Jack Smith Archive. Courtesy Gladstone Gallery, New York and Brussels
    Image description A discolored envolope, stained and frayed, with cursive handwriting that reads "The Lobster Lucky Landlord Paradise".
    Year
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • Photo of a person in a white robe and headdress carrying a pole in their right hand, standing outdoors against a grey sky
    Photo of a person in a white robe and headdress carrying a pole in their right hand, standing outdoors against a grey sky
    Film still from The Whirled (aka The Four Shorts of Jack Smith), dir. Ken Jacobs, 1956-63 [Photo of a person in a white robe and headdress carrying a pole in their right hand, standing outdoors against a grey sky]
    Caption Film still from The Whirled (aka The Four Shorts of Jack Smith), dir. Ken Jacobs, 1956-63
    Image description Photo of a person in a white robe and headdress carrying a pole in their right hand, standing outdoors against a grey sky
    Year
    Related pages Not Even Acting
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    Related pages LAND MASS
  • A photo looking down from the top of the Guggenheim Museum's atrium, showing people crowded around an unfurling banner
    A photo looking down from the top of the Guggenheim Museum's atrium, showing people crowded around an unfurling banner
    Gulf Labor action at the Solomon R. Guggenheim Museum, March 29, 2014. Image courtesy Global Ultra Luxury Faction/Gulf Labor [A photo looking down from the top of the Guggenheim Museum's atrium, showing people crowded around an unfurling banner]
    Caption Gulf Labor action at the Solomon R. Guggenheim Museum, March 29, 2014. Image courtesy Global Ultra Luxury Faction/Gulf Labor
    Image description A photo looking down from the top of the Guggenheim Museum's atrium, showing people crowded around an unfurling banner
    Year 2014
    Related pages Decolonize This Museum
  • An painted illustration depicts a man and a woman with beaming smiles and in fancy attire, holding their right arms aloft in mid-dance. Graphic multicolored text provides the title for the film, Swing Time, as well as the star actors, Fred Astaire and Ginger Rogers. Additional credits are listed on the bottom of the poster: Victor Moore, Helen Broderick, ERic Blore, Betty Furness, Georges Metaxa, music by Jerome Kern, lyrics by Dorothy Fields, directed by George Stevens.
    An painted illustration depicts a man and a woman with beaming smiles and in fancy attire, holding their right arms aloft in mid-dance. Graphic multicolored text provides the title for the film, Swing Time, as well as the star actors, Fred Astaire and Ginger Rogers. Additional credits are listed on the bottom of the poster: Victor Moore, Helen Broderick, ERic Blore, Betty Furness, Georges Metaxa, music by Jerome Kern, lyrics by Dorothy Fields, directed by George Stevens.
    Poster for Swing Time, 1936. [An painted illustration depicts a man and a woman with beaming smiles and in fancy attire, holding their right arms aloft in mid-dance. Graphic multicolored text provides the title for the film, Swing Time, as well as the star actors, Fred Astaire and Ginger Rogers. Additional credits are listed on the bottom of the poster: Victor Moore, Helen Broderick, ERic Blore, Betty Furness, Georges Metaxa, music by Jerome Kern, lyrics by Dorothy Fields, directed by George Stevens.]
    Caption Poster for Swing Time, 1936.
    Image description An painted illustration depicts a man and a woman with beaming smiles and in fancy attire, holding their right arms aloft in mid-dance. Graphic multicolored text provides the title for the film, Swing Time, as well as the star actors, Fred Astaire and Ginger Rogers. Additional credits are listed on the bottom of the poster: Victor Moore, Helen Broderick, ERic Blore, Betty Furness, Georges Metaxa, music by Jerome Kern, lyrics by Dorothy Fields, directed by George Stevens.
    Year 1936
    Related pages Swing Time
  • A purple square on a white wall with various photographic media displayed.
    A purple square on a white wall with various photographic media displayed.
    Unholding. Installation view, Artists Space, November 19, 2017 - January 21, 2018. Photo: Daniel Pérez. [A purple square on a white wall with various photographic media displayed.]
    Caption Unholding. Installation view, Artists Space, November 19, 2017 - January 21, 2018. Photo: Daniel Pérez.
    Image description A purple square on a white wall with various photographic media displayed.
    Year 2017
    Related pages Unholding
  • An image of a geometric metal sculpture against a blank, white background. The structure is composed of four identical components each with two triangular spikes extending upwards or downwards. Each of the components is hollow, and the interior of the sculpture can be glimpsed from its side.
    An image of a geometric metal sculpture against a blank, white background. The structure is composed of four identical components each with two triangular spikes extending upwards or downwards. Each of the components is hollow, and the interior of the sculpture can be glimpsed from its side.
    Charlotte Posenenske. Series D Vierkantrohre (Square Tubes), 1967. [An image of a geometric metal sculpture against a blank, white background. The structure is composed of four identical components each with two triangular spikes extending upwards or downwards. Each of the components is hollow, and the interior of the sculpture can be glimpsed from its side.]
    Caption Charlotte Posenenske. Series D Vierkantrohre (Square Tubes), 1967.
    Image description An image of a geometric metal sculpture against a blank, white background. The structure is composed of four identical components each with two triangular spikes extending upwards or downwards. Each of the components is hollow, and the interior of the sculpture can be glimpsed from its side.
    Year 2010
    Related pages Charlotte Posenenske
  • A yellow object painted with a green and grey cracked surface sits on a white base. There is a rectangular panel with wiring attached to the front. On top of the object sits a small yellow figure.
    A yellow object painted with a green and grey cracked surface sits on a white base. There is a rectangular panel with wiring attached to the front. On top of the object sits a small yellow figure.
    Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $3,000
    [A yellow object painted with a green and grey cracked surface sits on a white base. There is a rectangular panel with wiring attached to the front. On top of the object sits a small yellow figure.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $3,000
    Image description A yellow object painted with a green and grey cracked surface sits on a white base. There is a rectangular panel with wiring attached to the front. On top of the object sits a small yellow figure.
    Year 2019
    Related pages Trisha Baga Edition
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    Year
    Related pages Artists Space Dialogues: Sarah Morris and Bettina Funcke
  • A photo of a room full of people seated at three long, rectangular tables. Each table has numerous glasses of wine, sparkling water, candles, and empty plates of food. In the foreground, people are talking to each other and smiling.
    A photo of a room full of people seated at three long, rectangular tables. Each table has numerous glasses of wine, sparkling water, candles, and empty plates of food. In the foreground, people are talking to each other and smiling.
    Friends of Artists Space Annual Dinner, 2017. [A photo of a room full of people seated at three long, rectangular tables. Each table has numerous glasses of wine, sparkling water, candles, and empty plates of food. In the foreground, people are talking to each other and smiling.]
    Caption Friends of Artists Space Annual Dinner, 2017.
    Image description A photo of a room full of people seated at three long, rectangular tables. Each table has numerous glasses of wine, sparkling water, candles, and empty plates of food. In the foreground, people are talking to each other and smiling.
    Year 2017
    Related pages Support
  • An iPhone in the Messages app sending a text
    An iPhone in the Messages app sending a text
    Sophia Le Fraga. W8ING 4, 2014. Video still [An iPhone in the Messages app sending a text "all my life I've been like wtvr b reasonable" to a contact $OPH]
    Caption Sophia Le Fraga. W8ING 4, 2014. Video still
    Image description An iPhone in the Messages app sending a text "all my life I've been like wtvr b reasonable" to a contact $OPH
    Year 2014
    Related pages In Visible Architectures: Alejandro Miguel Justino Crawford, Ian Hatcher & Sophia Le Fraga
  • A delicate bouquet of blue flowers repeats across a flat surface, forming an overall pattern. The image resembles wallpaper.
    A delicate bouquet of blue flowers repeats across a flat surface, forming an overall pattern. The image resembles wallpaper.
    [A delicate bouquet of blue flowers repeats across a flat surface, forming an overall pattern. The image resembles wallpaper.]
    Caption
    Image description A delicate bouquet of blue flowers repeats across a flat surface, forming an overall pattern. The image resembles wallpaper.
    Year 2014
    Related pages The Demonstration of Capitalist Realism
  • Close-up of a rectangular, silver metal plaque hanging on a white gallery wall. The plaque is inscribed with a diagram of an exhibition space. Numbers note the location of the artworks, while a key next to the diagram notes the titles and other tombstone information of the works.
    Close-up of a rectangular, silver metal plaque hanging on a white gallery wall. The plaque is inscribed with a diagram of an exhibition space. Numbers note the location of the artworks, while a key next to the diagram notes the titles and other tombstone information of the works.
    Danh Vo. Installation view from Autoerotic Asphyxiation, 2010. Photo: Daniel Pérez. [Close-up of a rectangular, silver metal plaque hanging on a white gallery wall. The plaque is inscribed with a diagram of an exhibition space. Numbers note the location of the artworks, while a key next to the diagram notes the titles and other tombstone information of the works.]
    Caption Danh Vo. Installation view from Autoerotic Asphyxiation, 2010. Photo: Daniel Pérez.
    Image description Close-up of a rectangular, silver metal plaque hanging on a white gallery wall. The plaque is inscribed with a diagram of an exhibition space. Numbers note the location of the artworks, while a key next to the diagram notes the titles and other tombstone information of the works.
    Year 2010
    Related pages Danh Vo: Autoerotic Asphyxiation
  • A moving image of a man, dressed in a pilot uniform, in front of a panning image of Earth from space, holding a laptop. The camera zooms in on the video playing on the laptop screen of a man releasing his parachute while skydiving.
    A moving image of a man, dressed in a pilot uniform, in front of a panning image of Earth from space, holding a laptop. The camera zooms in on the video playing on the laptop screen of a man releasing his parachute while skydiving.
    Hito Stereyl, excerpt from In Free Fall, 2010, HD video with sound, 30 mins. Courtesy of the artist and Andrew Kreps, New York. [A moving image of a man, dressed in a pilot uniform, in front of a panning image of Earth from space, holding a laptop. The camera zooms in on the video playing on the laptop screen of a man releasing his parachute while skydiving.]
    Caption Hito Stereyl, excerpt from In Free Fall, 2010, HD video with sound, 30 mins. Courtesy of the artist and Andrew Kreps, New York.
    Image description A moving image of a man, dressed in a pilot uniform, in front of a panning image of Earth from space, holding a laptop. The camera zooms in on the video playing on the laptop screen of a man releasing his parachute while skydiving.
    Year 2010
    Related pages Hito Steyerl
  • A kite hangs from the celing in front of a white wall. Three yellow toned-paintings displayed at eye level. Three identical paintings are sit at an angle on the floor to the left.
    A kite hangs from the celing in front of a white wall. Three yellow toned-paintings displayed at eye level. Three identical paintings are sit at an angle on the floor to the left.
    L–R: Kara Springer, Julian Irlinger, Greg Lindquist. Photo: Gustavo Murillo Fernández-Valdés [A kite hangs from the celing in front of a white wall. Three yellow toned-paintings displayed at eye level. Three identical paintings are sit at an angle on the floor to the left.]
    Caption L–R: Kara Springer, Julian Irlinger, Greg Lindquist. Photo: Gustavo Murillo Fernández-Valdés
    Image description A kite hangs from the celing in front of a white wall. Three yellow toned-paintings displayed at eye level. Three identical paintings are sit at an angle on the floor to the left.
    Year 2018
    Related pages Whitney Museum of American Art Independent Study Program Studio Exhibition
  • A blue and green, abstracted watercolor illustration of a white castle settled in a landscape.
    A blue and green, abstracted watercolor illustration of a white castle settled in a landscape.
    Gerhard Richter, Schloß Neuschwanstein, 1963 (Neuschwanstein Castle). Courtesy Atelier Gerhard Richter [A blue and green, abstracted watercolor illustration of a white castle settled in a landscape.]
    Caption Gerhard Richter, Schloß Neuschwanstein, 1963 (Neuschwanstein Castle). Courtesy Atelier Gerhard Richter
    Image description A blue and green, abstracted watercolor illustration of a white castle settled in a landscape.
    Year 1963
    Related pages Living with Pop. A Reproduction of Capitalist Realism
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    Year
    Related pages Macho Man, Tell It To My Heart: Collected by Julia Ault - Film and Video Program
  • Three vertical prints, framed and lined on a white wall. From left to right: A person wearing white sunglasses and a fluffy vest sits on the floor and peruses vinyls, two people are perched on a bed, wearing David-Bowie style makeup, one person wearing a bathrobe lights the others cigarette, who wears flamboyant pink underwear and socks, and two people are photographed from below as they are performing, one wears a patterned top and stands with their arms stretched and the other is playing an instrument with a mic in front of them.
    Three vertical prints, framed and lined on a white wall. From left to right: A person wearing white sunglasses and a fluffy vest sits on the floor and peruses vinyls, two people are perched on a bed, wearing David-Bowie style makeup, one person wearing a bathrobe lights the others cigarette, who wears flamboyant pink underwear and socks, and two people are photographed from below as they are performing, one wears a patterned top and stands with their arms stretched and the other is playing an instrument with a mic in front of them.
    Laura Cottingham & The Anita Pallenberg Story, Installation view, Artists Space, 2017. Photo: Daniel Pérez [Three vertical prints, framed and lined on a white wall. From left to right: A person wearing white sunglasses and a fluffy vest sits on the floor and peruses vinyls, two people are perched on a bed, wearing David-Bowie style makeup, one person wearing a bathrobe lights the others cigarette, who wears flamboyant pink underwear and socks, and two people are photographed from below as they are performing, one wears a patterned top and stands with their arms stretched and the other is playing an instrument with a mic in front of them.]
    Caption Laura Cottingham & The Anita Pallenberg Story, Installation view, Artists Space, 2017. Photo: Daniel Pérez
    Image description Three vertical prints, framed and lined on a white wall. From left to right: A person wearing white sunglasses and a fluffy vest sits on the floor and peruses vinyls, two people are perched on a bed, wearing David-Bowie style makeup, one person wearing a bathrobe lights the others cigarette, who wears flamboyant pink underwear and socks, and two people are photographed from below as they are performing, one wears a patterned top and stands with their arms stretched and the other is playing an instrument with a mic in front of them.
    Year 2017
    Related pages Laura Cottingham & The Anita Pallenberg Story
  • A 3x5 grid of false-color stickers. The top four rows depict fruits cut in half resembling a grapefruit or orange. The last row depicts a coconut cut in half. A handful of stickers have a think line of black and white checkerboard pattern added to the perimeter of the fruit.
    A 3x5 grid of false-color stickers. The top four rows depict fruits cut in half resembling a grapefruit or orange. The last row depicts a coconut cut in half. A handful of stickers have a think line of black and white checkerboard pattern added to the perimeter of the fruit.
    Guyton\Walker, Fruit Stickers for Artists Space, 2010, Set of 15 Inkset printed stickers, 6 in / 15,2 cm each, Signed and numbered certificate. [A 3x5 grid of false-color stickers. The top four rows depict fruits cut in half resembling a grapefruit or orange. The last row depicts a coconut cut in half. A handful of stickers have a think line of black and white checkerboard pattern added to the perimeter of the fruit.]
    Caption Guyton\Walker, Fruit Stickers for Artists Space, 2010, Set of 15 Inkset printed stickers, 6 in / 15,2 cm each, Signed and numbered certificate.
    Image description A 3x5 grid of false-color stickers. The top four rows depict fruits cut in half resembling a grapefruit or orange. The last row depicts a coconut cut in half. A handful of stickers have a think line of black and white checkerboard pattern added to the perimeter of the fruit.
    Year 2010
    Related pages Artists Space Annual Edition Portfolio 2011
  • A brown and green object sits on a white base. A blue flat surface is attached to right side of the object, and a metal antenna extends on a diagonal.
    A brown and green object sits on a white base. A blue flat surface is attached to right side of the object, and a metal antenna extends on a diagonal.
    Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $2,500 [A brown and green object sits on a white base. A blue flat surface is attached to right side of the object, and a metal antenna extends on a diagonal.]
    Caption Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $2,500
    Image description A brown and green object sits on a white base. A blue flat surface is attached to right side of the object, and a metal antenna extends on a diagonal.
    Year 2019
    Related pages Trisha Baga Edition
  • An installation shot of two gallery walls, one white and one unpainted wood, meeting in a corner. The white wall displays nine images with accompanying text. The wood wall has an old television on a metal stand, showing a cartoon image.
    An installation shot of two gallery walls, one white and one unpainted wood, meeting in a corner. The white wall displays nine images with accompanying text. The wood wall has an old television on a metal stand, showing a cartoon image.
    Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz [An installation shot of two gallery walls, one white and one unpainted wood, meeting in a corner. The white wall displays nine images with accompanying text. The wood wall has an old television on a metal stand, showing a cartoon image.]
    Caption Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz
    Image description An installation shot of two gallery walls, one white and one unpainted wood, meeting in a corner. The white wall displays nine images with accompanying text. The wood wall has an old television on a metal stand, showing a cartoon image.
    Year 2010
    Related pages Sean Snyder
  • A person, dressed in a navy slip dress with a black sequin top underneath, stretches their arms upward while standing on a stage. Behind them are flowy curtains and to the left is a black mic stand.
    A person, dressed in a navy slip dress with a black sequin top underneath, stretches their arms upward while standing on a stage. Behind them are flowy curtains and to the left is a black mic stand.
    [A person, dressed in a navy slip dress with a black sequin top underneath, stretches their arms upward while standing on a stage. Behind them are flowy curtains and to the left is a black mic stand.]
    Caption
    Image description A person, dressed in a navy slip dress with a black sequin top underneath, stretches their arms upward while standing on a stage. Behind them are flowy curtains and to the left is a black mic stand.
    Year 2017
    Related pages Laura Cottingham & The Anita Pallenberg Story
  • Two screens hung on either side of the top of a support beam in a gallery. The room is otherwise empty. One screen depicts a woman walking down a fashion runway, wearing a black jacket and shorts with a sheer top.
    Two screens hung on either side of the top of a support beam in a gallery. The room is otherwise empty. One screen depicts a woman walking down a fashion runway, wearing a black jacket and shorts with a sheer top.
    Bernadette Corporation: 2000 Wasted Years. Installation View, Artists Space, 2012. Photo: Daniel Pérez. [Two screens hung on either side of the top of a support beam in a gallery. The room is otherwise empty. One screen depicts a woman walking down a fashion runway, wearing a black jacket and shorts with a sheer top.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation View, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Two screens hung on either side of the top of a support beam in a gallery. The room is otherwise empty. One screen depicts a woman walking down a fashion runway, wearing a black jacket and shorts with a sheer top.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • A variety of images of covers and photographs of nude and semi-nude people is displayed on a white background.
    A variety of images of covers and photographs of nude and semi-nude people is displayed on a white background.
    Mark Morrisroe: From This Moment On. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A variety of images of covers and photographs of nude and semi-nude people is displayed on a white background.]
    Caption Mark Morrisroe: From This Moment On. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A variety of images of covers and photographs of nude and semi-nude people is displayed on a white background.
    Year 2011
    Related pages Mark Morrisroe: From This Moment On
  • Four copper squares embedded with images and text lean against a white wall sitting on tan carpet.
    Four copper squares embedded with images and text lean against a white wall sitting on tan carpet.
    Installation view from The Issues of Our Time, Artists Space, New York, 2014 [Four copper squares embedded with images and text lean against a white wall sitting on tan carpet.]
    Caption Installation view from The Issues of Our Time, Artists Space, New York, 2014
    Image description Four copper squares embedded with images and text lean against a white wall sitting on tan carpet.
    Year 2014
    Related pages The Issues of Our Time
  • A photograph of a classroom environment with several students sitting around the edges of the room and a few drawing directly onto a white tablecloth in the center of the room. An image of the underside of a large bridge is shown on a monitor at the front of the room
    A photograph of a classroom environment with several students sitting around the edges of the room and a few drawing directly onto a white tablecloth in the center of the room. An image of the underside of a large bridge is shown on a monitor at the front of the room
    Community Listening event, Listening to the LES, P.S. 140, 2018 [A photograph of a classroom environment with several students sitting around the edges of the room and a few drawing directly onto a white tablecloth in the center of the room. An image of the underside of a large bridge is shown on a monitor at the front of the room]
    Caption Community Listening event, Listening to the LES, P.S. 140, 2018
    Image description A photograph of a classroom environment with several students sitting around the edges of the room and a few drawing directly onto a white tablecloth in the center of the room. An image of the underside of a large bridge is shown on a monitor at the front of the room
    Year 2018
    Related pages Education Exhibitions and Events
  • A skewed black-and-white image looking up at the façade of a building and the sky. An LED sign spelling
    A skewed black-and-white image looking up at the façade of a building and the sky. An LED sign spelling
    Eniya Alonzia, The Sky, 2018. [A skewed black-and-white image looking up at the façade of a building and the sky. An LED sign spelling "DINER" hangs from the left side of the building.]
    Caption Eniya Alonzia, The Sky, 2018.
    Image description A skewed black-and-white image looking up at the façade of a building and the sky. An LED sign spelling "DINER" hangs from the left side of the building.
    Year 2018
    Related pages Photo Club
  • An image of three red socks, accordion folded in the center of the leg.
    An image of three red socks, accordion folded in the center of the leg.
    Sigmar Polke Socken , 1963 Courtesy the Estate of Sigmar Polke © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn [An image of three red socks, accordion folded in the center of the leg.]
    Caption Sigmar Polke Socken , 1963 Courtesy the Estate of Sigmar Polke © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn
    Image description An image of three red socks, accordion folded in the center of the leg.
    Year 1963
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A geometric, silver metal sculpture sits on a wooden gallery floor. The sculpture is modular and hollow and consists of rectangular and triangular metal components arranged in a long form that snakes across the ground before arching up and down, forming a large U-shaped archway.
    A geometric, silver metal sculpture sits on a wooden gallery floor. The sculpture is modular and hollow and consists of rectangular and triangular metal components arranged in a long form that snakes across the ground before arching up and down, forming a large U-shaped archway.
    Charlotte Posenenske. Series D Vierkantrohre (Square Tubes), 1967. Configured by the staff of Artists Space, 2010. Photo: Daniel Pérez. [A geometric, silver metal sculpture sits on a wooden gallery floor. The sculpture is modular and hollow and consists of rectangular and triangular metal components arranged in a long form that snakes across the ground before arching up and down, forming a large U-shaped archway.]
    Caption Charlotte Posenenske. Series D Vierkantrohre (Square Tubes), 1967. Configured by the staff of Artists Space, 2010. Photo: Daniel Pérez.
    Image description A geometric, silver metal sculpture sits on a wooden gallery floor. The sculpture is modular and hollow and consists of rectangular and triangular metal components arranged in a long form that snakes across the ground before arching up and down, forming a large U-shaped archway.
    Year 2010
    Related pages Charlotte Posenenske
  • Three red-orange panels in white frames hang on a white wall in an open space.
    Three red-orange panels in white frames hang on a white wall in an open space.
    Hito Steyerl, Red Alert, 2007, Installation on 3 computer monitors. Courtesy of the artist. Hito Steyerl. Installation view, Artists Space, 2015. [Three red-orange panels in white frames hang on a white wall in an open space.]
    Caption Hito Steyerl, Red Alert, 2007, Installation on 3 computer monitors. Courtesy of the artist. Hito Steyerl. Installation view, Artists Space, 2015.
    Image description Three red-orange panels in white frames hang on a white wall in an open space.
    Year 2015
    Related pages Hito Steyerl
  • To the right, a gray silhouette of a women with her hands on her hips on a white wall. Exposed wires to the left near her legs lead to a box on the ground. A TV monitor sits on the ground in front of the back of a projection screen positioned between two standing speakers.
    To the right, a gray silhouette of a women with her hands on her hips on a white wall. Exposed wires to the left near her legs lead to a box on the ground. A TV monitor sits on the ground in front of the back of a projection screen positioned between two standing speakers.
    Installation view from The Issues of Our Time, Artists Space, New York, 2014 [To the right, a gray silhouette of a women with her hands on her hips on a white wall. Exposed wires to the left near her legs lead to a box on the ground. A TV monitor sits on the ground in front of the back of a projection screen positioned between two standing speakers.]
    Caption Installation view from The Issues of Our Time, Artists Space, New York, 2014
    Image description To the right, a gray silhouette of a women with her hands on her hips on a white wall. Exposed wires to the left near her legs lead to a box on the ground. A TV monitor sits on the ground in front of the back of a projection screen positioned between two standing speakers.
    Year 2014
    Related pages The Issues of Our Time
  • Two side-by-side magazine advertisements mounted on a white wall. On the left, a portrait-oriented multicolored image is titled,
    Two side-by-side magazine advertisements mounted on a white wall. On the left, a portrait-oriented multicolored image is titled,
    Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez [Two side-by-side magazine advertisements mounted on a white wall. On the left, a portrait-oriented multicolored image is titled, "One out of every 100 new business succeeds. Here's to those who take the odds." There is a short written blurb below. On the right, a landscape-oriented spread has a image of a car with its doors open on the left page. On the right page, there is a title, "The Delorean. Live the dream" with an additional image of a car, and a single column of text.]
    Caption Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez
    Image description Two side-by-side magazine advertisements mounted on a white wall. On the left, a portrait-oriented multicolored image is titled, "One out of every 100 new business succeeds. Here's to those who take the odds." There is a short written blurb below. On the right, a landscape-oriented spread has a image of a car with its doors open on the left page. On the right page, there is a title, "The Delorean. Live the dream" with an additional image of a car, and a single column of text.
    Year 2010
    Related pages Duncan Campbell: Make It New John
  • Black, Arial text, reads,
    Black, Arial text, reads,
    [Black, Arial text, reads, "The Library of Helen DeWitt."]
    Caption
    Image description Black, Arial text, reads, "The Library of Helen DeWitt."
    Year 2014
    Related pages The Library Vaccine
  • Three large prints rest on the floor against a windowed wall. Two on the left are black and white, of an interior room. On the right is a colorful illustration of two women.
    Three large prints rest on the floor against a windowed wall. Two on the left are black and white, of an interior room. On the right is a colorful illustration of two women.
    Living with Pop. A Reproduction of Capitalist Realism. Installation view, Artists Space, 2014. [Three large prints rest on the floor against a windowed wall. Two on the left are black and white, of an interior room. On the right is a colorful illustration of two women.]
    Caption Living with Pop. A Reproduction of Capitalist Realism. Installation view, Artists Space, 2014.
    Image description Three large prints rest on the floor against a windowed wall. Two on the left are black and white, of an interior room. On the right is a colorful illustration of two women.
    Year 2014
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • An arrangement of 10 colored photos, each showing a different outdoor and indoor settings, including settings of nature, animals, a red trailer, an overexposed lecture hall, and a portrait of a woman.
    An arrangement of 10 colored photos, each showing a different outdoor and indoor settings, including settings of nature, animals, a red trailer, an overexposed lecture hall, and a portrait of a woman.
    Michaela Eichwald, Ten Top Photographs for Artists Space, 2015, Series of ten inkjet prints, Assorted dimensions range from 5 x 7 in to 5 x 7 ½ in / 12,7 x 17,8 cm to 12,7 x 19 cm, each Signed and Numbered Certificate [An arrangement of 10 colored photos, each showing a different outdoor and indoor settings, including settings of nature, animals, a red trailer, an overexposed lecture hall, and a portrait of a woman.]
    Caption Michaela Eichwald, Ten Top Photographs for Artists Space, 2015, Series of ten inkjet prints, Assorted dimensions range from 5 x 7 in to 5 x 7 ½ in / 12,7 x 17,8 cm to 12,7 x 19 cm, each Signed and Numbered Certificate
    Image description An arrangement of 10 colored photos, each showing a different outdoor and indoor settings, including settings of nature, animals, a red trailer, an overexposed lecture hall, and a portrait of a woman.
    Year 2016
    Related pages Artists Space Annual Edition Portfolio 2016
  • A figure and a microphone are silhouetted in front of an image projection. The image shows a face obscured with white plaster, overlaid with red text reading “New Red Order” and white text reading “1-888-NEW- RED1 newredorder.org.
    A figure and a microphone are silhouetted in front of an image projection. The image shows a face obscured with white plaster, overlaid with red text reading “New Red Order” and white text reading “1-888-NEW- RED1 newredorder.org.
    New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [A figure and a microphone are silhouetted in front of an image projection. The image shows a face obscured with white plaster, overlaid with red text reading “New Red Order” and white text reading “1-888-NEW- RED1 newredorder.org."]
    Caption New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A figure and a microphone are silhouetted in front of an image projection. The image shows a face obscured with white plaster, overlaid with red text reading “New Red Order” and white text reading “1-888-NEW- RED1 newredorder.org."
    Year 2020
    Related pages New Red Order: Informants Get Paid!
  • A person stands, holds a microphone to their mouth and adjusts a knob on a CDJ.
    A person stands, holds a microphone to their mouth and adjusts a knob on a CDJ.
    Lolina performing Inquiry & Investigation, 2018. [A person stands, holds a microphone to their mouth and adjusts a knob on a CDJ.]
    Caption Lolina performing Inquiry & Investigation, 2018.
    Image description A person stands, holds a microphone to their mouth and adjusts a knob on a CDJ.
    Year 2018
    Related pages Support
  • Three long and slim dresses on mannequin figures - one yellow, one orange, and one blue. Her signature and the date (12.5.15) appear in between each figure
    Three long and slim dresses on mannequin figures - one yellow, one orange, and one blue. Her signature and the date (12.5.15) appear in between each figure
    Ashley Baez, Untitled, colored pencil on paper 28 x 24 inches, 2016 [Three long and slim dresses on mannequin figures - one yellow, one orange, and one blue. Her signature and the date (12.5.15) appear in between each figure]
    Caption Ashley Baez, Untitled, colored pencil on paper 28 x 24 inches, 2016
    Image description Three long and slim dresses on mannequin figures - one yellow, one orange, and one blue. Her signature and the date (12.5.15) appear in between each figure
    Year 2016
    Related pages Scholastic Art and Writing Awards
  • Two half circle canvases, positioned together to create a whole, are filled with neutral blue and pale colors and black, line work illustrations. At the center, the canvases are stretched outward in mirrored c-curves.
    Two half circle canvases, positioned together to create a whole, are filled with neutral blue and pale colors and black, line work illustrations. At the center, the canvases are stretched outward in mirrored c-curves.
    Zilia Sánchez, Lunar con Tatuaje, c. 1968 - 1996, (Moon with Tattoo, Acrylic on stretched canvas. Courtesy collection of the artist. [Two half circle canvases, positioned together to create a whole, are filled with neutral blue and pale colors and black, line work illustrations. At the center, the canvases are stretched outward in mirrored c-curves.]
    Caption Zilia Sánchez, Lunar con Tatuaje, c. 1968 - 1996, (Moon with Tattoo, Acrylic on stretched canvas. Courtesy collection of the artist.
    Image description Two half circle canvases, positioned together to create a whole, are filled with neutral blue and pale colors and black, line work illustrations. At the center, the canvases are stretched outward in mirrored c-curves.
    Year 2013
    Related pages Zilia Sánchez
  • A person dressed in all pink steps over a mass of wires. She is illuminated from behind by a bright, white wall. In the foreground, dimly lit figures face varying directions.
    A person dressed in all pink steps over a mass of wires. She is illuminated from behind by a bright, white wall. In the foreground, dimly lit figures face varying directions.
    Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court. [A person dressed in all pink steps over a mass of wires. She is illuminated from behind by a bright, white wall. In the foreground, dimly lit figures face varying directions.]
    Caption Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A person dressed in all pink steps over a mass of wires. She is illuminated from behind by a bright, white wall. In the foreground, dimly lit figures face varying directions.
    Year 2020
    Related pages Jutta Koether
  • A large, rectangular wall is suspended at the center of three vertical poles in a bright room. The wall is covered in abstract, smooth and multicolored shapes. Amongst the shapes there are several figures of different ages and dress performing different tasks. One raises his fist in the air. Two identical looking boys stare at the viewer. Another figure wears a hat with rabbit ears.
    A large, rectangular wall is suspended at the center of three vertical poles in a bright room. The wall is covered in abstract, smooth and multicolored shapes. Amongst the shapes there are several figures of different ages and dress performing different tasks. One raises his fist in the air. Two identical looking boys stare at the viewer. Another figure wears a hat with rabbit ears.
    Installation view from Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose, Artists Space, 2012. Photo: Daniel Pérez. [A large, rectangular wall is suspended at the center of three vertical poles in a bright room. The wall is covered in abstract, smooth and multicolored shapes. Amongst the shapes there are several figures of different ages and dress performing different tasks. One raises his fist in the air. Two identical looking boys stare at the viewer. Another figure wears a hat with rabbit ears.]
    Caption Installation view from Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose, Artists Space, 2012. Photo: Daniel Pérez.
    Image description A large, rectangular wall is suspended at the center of three vertical poles in a bright room. The wall is covered in abstract, smooth and multicolored shapes. Amongst the shapes there are several figures of different ages and dress performing different tasks. One raises his fist in the air. Two identical looking boys stare at the viewer. Another figure wears a hat with rabbit ears.
    Year 2012
    Related pages Radical Localism: Art, Video and Culture from Pueblo Nuevo’s Mexicali Rose
  • A black tote bag against a white background. Small white, all-caps sans-serif text in the middle states
    A black tote bag against a white background. Small white, all-caps sans-serif text in the middle states
    11 Cortlandt Alley Tote Bag. Produced by Artists Space. Edition of 150. 2019. $24 [A black tote bag against a white background. Small white, all-caps sans-serif text in the middle states "ARTISTS SPACE"]
    Caption 11 Cortlandt Alley Tote Bag. Produced by Artists Space. Edition of 150. 2019. $24
    Image description A black tote bag against a white background. Small white, all-caps sans-serif text in the middle states "ARTISTS SPACE"
    Year 2019
    Related pages Artists Space Items
  • A grey object with brown surface sits on a white base. A metal antenna extends out on a diagonal.
    A grey object with brown surface sits on a white base. A metal antenna extends out on a diagonal.
    Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $2,500
    [A grey object with brown surface sits on a white base. A metal antenna extends out on a diagonal.]
    Caption Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $2,500
    Image description A grey object with brown surface sits on a white base. A metal antenna extends out on a diagonal.
    Year 2019
    Related pages Trisha Baga Edition
  • A flyer for the event depicting a stylized green marshland
    A flyer for the event depicting a stylized green marshland
    MTL+. A Celebration of Our Struggles, 2016 [A flyer for the event depicting a stylized green marshland]
    Caption MTL+. A Celebration of Our Struggles, 2016
    Image description A flyer for the event depicting a stylized green marshland
    Year 2016
    Related pages Decolonize This Party
  • A silver and gold object sits on a white base. A flat, multicolored surface is attached to the left side, and a metal antenna extends out on a diagonal.
    A silver and gold object sits on a white base. A flat, multicolored surface is attached to the left side, and a metal antenna extends out on a diagonal.
    Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $2,500
    [A silver and gold object sits on a white base. A flat, multicolored surface is attached to the left side, and a metal antenna extends out on a diagonal.]
    Caption Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $2,500
    Image description A silver and gold object sits on a white base. A flat, multicolored surface is attached to the left side, and a metal antenna extends out on a diagonal.
    Year 2019
    Related pages Trisha Baga Edition
  • Two people stand at the foot of an empty table, mid-conversation, looking off-camera to the left. The individual on the left holds a glass of wine.
    Two people stand at the foot of an empty table, mid-conversation, looking off-camera to the left. The individual on the left holds a glass of wine.
    Artists Space founder Irving Sandler, Miyoko Ito Dinner, 2018. [Two people stand at the foot of an empty table, mid-conversation, looking off-camera to the left. The individual on the left holds a glass of wine.]
    Caption Artists Space founder Irving Sandler, Miyoko Ito Dinner, 2018.
    Image description Two people stand at the foot of an empty table, mid-conversation, looking off-camera to the left. The individual on the left holds a glass of wine.
    Year 2018
    Related pages Support
  • An overhead projector sits in the middle of a dimly lit room. A red flashlight is hung from the lamp and a variety of objects sit on the stage. A square of abstract lines and shapes is projected on the wall.
    An overhead projector sits in the middle of a dimly lit room. A red flashlight is hung from the lamp and a variety of objects sit on the stage. A square of abstract lines and shapes is projected on the wall.
    Devin Kenny, Stop following me/follow me, 2016, Artists Space, New York, 2018. Photo: Daniel Pérez [An overhead projector sits in the middle of a dimly lit room. A red flashlight is hung from the lamp and a variety of objects sit on the stage. A square of abstract lines and shapes is projected on the wall.]
    Caption Devin Kenny, Stop following me/follow me, 2016, Artists Space, New York, 2018. Photo: Daniel Pérez
    Image description An overhead projector sits in the middle of a dimly lit room. A red flashlight is hung from the lamp and a variety of objects sit on the stage. A square of abstract lines and shapes is projected on the wall.
    Year 2016
    Related pages Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff
  • An entry way with layered, decorative carpets and black-and-white images displayed across the height and lenght of the wall. A small school desk sits on the left infront of book shelves.
    An entry way with layered, decorative carpets and black-and-white images displayed across the height and lenght of the wall. A small school desk sits on the left infront of book shelves.
    Installation view from Documenting Cadere: 1972 - 1978, Artists Space, 2013. Photo: Daniel Pérez [An entry way with layered, decorative carpets and black-and-white images displayed across the height and lenght of the wall. A small school desk sits on the left infront of book shelves.]
    Caption Installation view from Documenting Cadere: 1972 - 1978, Artists Space, 2013. Photo: Daniel Pérez
    Image description An entry way with layered, decorative carpets and black-and-white images displayed across the height and lenght of the wall. A small school desk sits on the left infront of book shelves.
    Year 2013
    Related pages Documenting Cadere: 1972 - 1978
  • A large, square, sheet of paper, which has been folded into a 4x4 grid, unfolded, and hung on a white wall, leaving the creases. It is covered in a four-color gradient, from dark red, green, blue, to black, left to right, roughly not overlapping with the creases.
    A large, square, sheet of paper, which has been folded into a 4x4 grid, unfolded, and hung on a white wall, leaving the creases. It is covered in a four-color gradient, from dark red, green, blue, to black, left to right, roughly not overlapping with the creases.
    Wolfgang Tillmans, Speedmaster #2, 2011, Offset print on paper, 47 1/4 x 48 3/8 in / 120 x 122,9 cm, Hung with two metal brackets, Edition of 170, Signed and numbered, Printed on LuxoArt Velvet 200 gsm paper with Speedmaster XL by Dr. Cantz’sche Printshop, Ostfildern [A large, square, sheet of paper, which has been folded into a 4x4 grid, unfolded, and hung on a white wall, leaving the creases. It is covered in a four-color gradient, from dark red, green, blue, to black, left to right, roughly not overlapping with the creases.]
    Caption Wolfgang Tillmans, Speedmaster #2, 2011, Offset print on paper, 47 1/4 x 48 3/8 in / 120 x 122,9 cm, Hung with two metal brackets, Edition of 170, Signed and numbered, Printed on LuxoArt Velvet 200 gsm paper with Speedmaster XL by Dr. Cantz’sche Printshop, Ostfildern
    Image description A large, square, sheet of paper, which has been folded into a 4x4 grid, unfolded, and hung on a white wall, leaving the creases. It is covered in a four-color gradient, from dark red, green, blue, to black, left to right, roughly not overlapping with the creases.
    Year 2011
    Related pages Artists Space Annual Edition Portfolio 2012
  • Two illustrations hung on a wall. On the right, a naked man inserts his penis into the a globe. On the left, a man gazes up at a rendering of Michealangelo's
    Two illustrations hung on a wall. On the right, a naked man inserts his penis into the a globe. On the left, a man gazes up at a rendering of Michealangelo's
    Installation view from Tom of Finland: The Pleasure of Play, Artists Space, 2015 [Two illustrations hung on a wall. On the right, a naked man inserts his penis into the a globe. On the left, a man gazes up at a rendering of Michealangelo's "David."]
    Caption Installation view from Tom of Finland: The Pleasure of Play, Artists Space, 2015
    Image description Two illustrations hung on a wall. On the right, a naked man inserts his penis into the a globe. On the left, a man gazes up at a rendering of Michealangelo's "David."
    Year 2015
    Related pages Tom of Finland: The Pleasure of Play
  • A white, square, cover with arabic text and a rainbow color grid.
    A white, square, cover with arabic text and a rainbow color grid.
    Arabic Cover of the catalogue for The International Art Exhibition for Palestine. Beirut, 1978. published by the PLO Unified Information Office [A white, square, cover with arabic text and a rainbow color grid.]
    Caption Arabic Cover of the catalogue for The International Art Exhibition for Palestine. Beirut, 1978. published by the PLO Unified Information Office
    Image description A white, square, cover with arabic text and a rainbow color grid.
    Year 1978
    Related pages Past Disquiet
  • Black, rounded text on a white background reads left,
    Black, rounded text on a white background reads left,
    Poster from polke / richter , 1966 galerie h, Hannover Courtesy August Haseke [Black, rounded text on a white background reads left, "galerie h, hannover, alleestrasse, gh;" right, "POLKE/RICHTER, Pop?, Kapitalistischer, Realismus?"]
    Caption Poster from polke / richter , 1966 galerie h, Hannover Courtesy August Haseke
    Image description Black, rounded text on a white background reads left, "galerie h, hannover, alleestrasse, gh;" right, "POLKE/RICHTER, Pop?, Kapitalistischer, Realismus?"
    Year 1966
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A glass case filled with colorful paraphernalia sits on an orange table. The case is bound lengthwise and widthwise with straps. On top of the case sits two magnifying glasses and several stacks of plastic cups.
    A glass case filled with colorful paraphernalia sits on an orange table. The case is bound lengthwise and widthwise with straps. On top of the case sits two magnifying glasses and several stacks of plastic cups.
    DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A glass case filled with colorful paraphernalia sits on an orange table. The case is bound lengthwise and widthwise with straps. On top of the case sits two magnifying glasses and several stacks of plastic cups.]
    Caption DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description A glass case filled with colorful paraphernalia sits on an orange table. The case is bound lengthwise and widthwise with straps. On top of the case sits two magnifying glasses and several stacks of plastic cups.
    Year 2012
    Related pages DUOX: DUOX4Larkin
  • A brown and gold object stands on a white base. On the flat surface of the object sit an onion and a lemon, each connected to a wire. In the base of the object a processing chip is embedded. Under the lemon, a gold earring hangs down.
    A brown and gold object stands on a white base. On the flat surface of the object sit an onion and a lemon, each connected to a wire. In the base of the object a processing chip is embedded. Under the lemon, a gold earring hangs down.
    Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $3,000
    [A brown and gold object stands on a white base. On the flat surface of the object sit an onion and a lemon, each connected to a wire. In the base of the object a processing chip is embedded. Under the lemon, a gold earring hangs down.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $3,000
    Image description A brown and gold object stands on a white base. On the flat surface of the object sit an onion and a lemon, each connected to a wire. In the base of the object a processing chip is embedded. Under the lemon, a gold earring hangs down.
    Year 2019
    Related pages Trisha Baga Edition
  • A folding calculator, opened and turned on its side and illuminated with bright green, peach, and pink light.
    A folding calculator, opened and turned on its side and illuminated with bright green, peach, and pink light.
    Ed Atkins, still from Death Mask II: The Scent, 2010, HD video with sound, 8 minutes 19 seconds. Courtesy the artist, Cabinet Gallery, London and Isabella Bortolozzi Galerie, Berlin. [A folding calculator, opened and turned on its side and illuminated with bright green, peach, and pink light.]
    Caption Ed Atkins, still from Death Mask II: The Scent, 2010, HD video with sound, 8 minutes 19 seconds. Courtesy the artist, Cabinet Gallery, London and Isabella Bortolozzi Galerie, Berlin.
    Image description A folding calculator, opened and turned on its side and illuminated with bright green, peach, and pink light.
    Year 2010
    Related pages Frozen Lakes
  • A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man with tan skin and facial hair, wearing a keffiyeh.
    A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man with tan skin and facial hair, wearing a keffiyeh.
    Laura Poitras: 9/11 Trilogy, Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man with tan skin and facial hair, wearing a keffiyeh.]
    Caption Laura Poitras: 9/11 Trilogy, Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man with tan skin and facial hair, wearing a keffiyeh.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • A silhouetted figure of a person speaking into a microphone. They are backlit by an image of an upside down American flag.
    A silhouetted figure of a person speaking into a microphone. They are backlit by an image of an upside down American flag.
    New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [A silhouetted figure of a person speaking into a microphone. They are backlit by an image of an upside down American flag.]
    Caption New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A silhouetted figure of a person speaking into a microphone. They are backlit by an image of an upside down American flag.
    Year 2020
    Related pages New Red Order: Informants Get Paid!
  • Two men walking inside a large inflatable sphere being followed by a crowd of people, some who are filming them, outside in a grassy and paved area.
    Two men walking inside a large inflatable sphere being followed by a crowd of people, some who are filming them, outside in a grassy and paved area.
    Tilo Schulz, Remake Performance, Artists Space, 2004. [Two men walking inside a large inflatable sphere being followed by a crowd of people, some who are filming them, outside in a grassy and paved area.]
    Caption Tilo Schulz, Remake Performance, Artists Space, 2004.
    Image description Two men walking inside a large inflatable sphere being followed by a crowd of people, some who are filming them, outside in a grassy and paved area.
    Year 2004
    Related pages
  • A black-and-white photograph of a man sitting down against a grey background wearing a Nazi uniform, holding a basket of apples.
    A black-and-white photograph of a man sitting down against a grey background wearing a Nazi uniform, holding a basket of apples.
    Collier Schorr Traitor, 2001-2004. Courtesy Modern Art, London [A black-and-white photograph of a man sitting down against a grey background wearing a Nazi uniform, holding a basket of apples.]
    Caption Collier Schorr Traitor, 2001-2004. Courtesy Modern Art, London
    Image description A black-and-white photograph of a man sitting down against a grey background wearing a Nazi uniform, holding a basket of apples.
    Year
    Related pages Drawing In A Straight Line
  • A photo of a crosswalk with a red car standing halfway in it, and a small puddle of water in the foreground.
    A photo of a crosswalk with a red car standing halfway in it, and a small puddle of water in the foreground.
    Asia Negron, Untitled, 2018. [A photo of a crosswalk with a red car standing halfway in it, and a small puddle of water in the foreground.]
    Caption Asia Negron, Untitled, 2018.
    Image description A photo of a crosswalk with a red car standing halfway in it, and a small puddle of water in the foreground.
    Year 2018
    Related pages Photo Club
  • A view down an isle, between theater seating and blue track lighting, to a projected video screen. On the back wall, a still image of a man, in a pilots uniform, gestures toward the viewers with two fingers. Hito Stereyl stands behind him with her arm outstretched.
    A view down an isle, between theater seating and blue track lighting, to a projected video screen. On the back wall, a still image of a man, in a pilots uniform, gestures toward the viewers with two fingers. Hito Stereyl stands behind him with her arm outstretched.
    Hito Steyerl, In Free Fall, 2010, HD video with sound, 30 mins, Courtesy of the artist and Andrew Kreps, New York. Installation view from Hito Steyerl, Artists Space, 2015 [A view down an isle, between theater seating and blue track lighting, to a projected video screen. On the back wall, a still image of a man, in a pilots uniform, gestures toward the viewers with two fingers. Hito Stereyl stands behind him with her arm outstretched.]
    Caption Hito Steyerl, In Free Fall, 2010, HD video with sound, 30 mins, Courtesy of the artist and Andrew Kreps, New York. Installation view from Hito Steyerl, Artists Space, 2015
    Image description A view down an isle, between theater seating and blue track lighting, to a projected video screen. On the back wall, a still image of a man, in a pilots uniform, gestures toward the viewers with two fingers. Hito Stereyl stands behind him with her arm outstretched.
    Year 2015
    Related pages Hito Steyerl
  • Eight colorful paintings are exhibited in a grid pattern on a wall with a small didactic.
    Eight colorful paintings are exhibited in a grid pattern on a wall with a small didactic.
    Art Day, Blue Sky Gallery, 2017 [Eight colorful paintings are exhibited in a grid pattern on a wall with a small didactic. "Blue Sky Gallery - P.S. 140 and Artists Space Expanded Art Ideas" is printed on the wall.]
    Caption Art Day, Blue Sky Gallery, 2017
    Image description Eight colorful paintings are exhibited in a grid pattern on a wall with a small didactic. "Blue Sky Gallery - P.S. 140 and Artists Space Expanded Art Ideas" is printed on the wall.
    Year 2017
    Related pages Education Exhibitions and Events
  • A grid of pink hearts on a blue background.
    A grid of pink hearts on a blue background.
    [A grid of pink hearts on a blue background.]
    Caption
    Image description A grid of pink hearts on a blue background.
    Year 2017
    Related pages Bowery Poetry ❤ John Giorno
  • Several students sit, looking down towards printed sheets of paper, in front of colorful silk banners with writing stating
    Several students sit, looking down towards printed sheets of paper, in front of colorful silk banners with writing stating
    YAP (Young Artists Perform), P.S. 140, 2018 [Several students sit, looking down towards printed sheets of paper, in front of colorful silk banners with writing stating "Your dreams can become a reality," "like a cheetah in a snail's race," "bridge can just go like boom bom boom BOOM," "I see a light it's so BRIGHT -Destiny" and others.]
    Caption YAP (Young Artists Perform), P.S. 140, 2018
    Image description Several students sit, looking down towards printed sheets of paper, in front of colorful silk banners with writing stating "Your dreams can become a reality," "like a cheetah in a snail's race," "bridge can just go like boom bom boom BOOM," "I see a light it's so BRIGHT -Destiny" and others.
    Year 2018
    Related pages Education
  • A transparent navy logo for ifa (Institut für Auslandsbeziehungen)
    A transparent navy logo for ifa (Institut für Auslandsbeziehungen)
    [A transparent navy logo for ifa (Institut für Auslandsbeziehungen)]
    Caption
    Image description A transparent navy logo for ifa (Institut für Auslandsbeziehungen)
    Year
    Related pages Lukas Duwenhögger: Undoolay
  • An angled view of three walls dispalying drawings and paneled canvases that stretch out into the space.
    An angled view of three walls dispalying drawings and paneled canvases that stretch out into the space.
    Installation view from Zilia Sánchez, Artists Space, 2013. Photo: Daniel Pérez. [An angled view of three walls dispalying drawings and paneled canvases that stretch out into the space.]
    Caption Installation view from Zilia Sánchez, Artists Space, 2013. Photo: Daniel Pérez.
    Image description An angled view of three walls dispalying drawings and paneled canvases that stretch out into the space.
    Year 2013
    Related pages Zilia Sánchez
  • A black cord sticks out from underneath a tan carpet. Wires are visible running underneath the carpeted floor throughout the frame.
    A black cord sticks out from underneath a tan carpet. Wires are visible running underneath the carpeted floor throughout the frame.
    Installation view from The Issues of Our Time, Artists Space, New York, 2014 [A black cord sticks out from underneath a tan carpet. Wires are visible running underneath the carpeted floor throughout the frame.]
    Caption Installation view from The Issues of Our Time, Artists Space, New York, 2014
    Image description A black cord sticks out from underneath a tan carpet. Wires are visible running underneath the carpeted floor throughout the frame.
    Year 2014
    Related pages The Issues of Our Time
  • A grid of 15 black and white monitors, each displaying a unique text that names objects, phenomena, or other nouns characterizing an unidentified subject, such as
    A grid of 15 black and white monitors, each displaying a unique text that names objects, phenomena, or other nouns characterizing an unidentified subject, such as
    Detail from “Untitled” (A Portrait), 1991. Felix Gonzalez-Torres, 5min [A grid of 15 black and white monitors, each displaying a unique text that names objects, phenomena, or other nouns characterizing an unidentified subject, such as "a silver sea," "civil disobedience," and "a new lesion."]
    Caption Detail from “Untitled” (A Portrait), 1991. Felix Gonzalez-Torres, 5min
    Image description A grid of 15 black and white monitors, each displaying a unique text that names objects, phenomena, or other nouns characterizing an unidentified subject, such as "a silver sea," "civil disobedience," and "a new lesion."
    Year 1991
    Related pages Film and Video Program | Macho Man, Tell It To My Heart: Collected by Julie Ault | January 23
  • A skewed black-and-white image looking up at the façade of a building and the sky. An LED sign spelling
    A skewed black-and-white image looking up at the façade of a building and the sky. An LED sign spelling
    Eniya Alonzia, The Sky, digital print, 2019 [A skewed black-and-white image looking up at the façade of a building and the sky. An LED sign spelling "DINER" hangs from the left side of the building]
    Caption Eniya Alonzia, The Sky, digital print, 2019
    Image description A skewed black-and-white image looking up at the façade of a building and the sky. An LED sign spelling "DINER" hangs from the left side of the building
    Year 2019
    Related pages Scholastic Art and Writing Awards
  • A man and woman hold hands while running, captured as though suspended above the ground. The woman pushes a red baby stroller in front of her. The scene is backlit, with the sun over a body of water behind them. On the upper right hand corner is the logo for
    A man and woman hold hands while running, captured as though suspended above the ground. The woman pushes a red baby stroller in front of her. The scene is backlit, with the sun over a body of water behind them. On the upper right hand corner is the logo for
    [A man and woman hold hands while running, captured as though suspended above the ground. The woman pushes a red baby stroller in front of her. The scene is backlit, with the sun over a body of water behind them. On the upper right hand corner is the logo for "WeWork," offset on a diagonal.]
    Caption
    Image description A man and woman hold hands while running, captured as though suspended above the ground. The woman pushes a red baby stroller in front of her. The scene is backlit, with the sun over a body of water behind them. On the upper right hand corner is the logo for "WeWork," offset on a diagonal.
    Year 2019
    Related pages Ei Arakawa
  • Eight people sit in a row on a wooden stage in front of a navy blue curtain. They are holding pieces of paper, one speaks into a microphone.
    Eight people sit in a row on a wooden stage in front of a navy blue curtain. They are holding pieces of paper, one speaks into a microphone.
    P.S. 140 students performing at YAP (Young Artists Perform), 2019 [Eight people sit in a row on a wooden stage in front of a navy blue curtain. They are holding pieces of paper, one speaks into a microphone.]
    Caption P.S. 140 students performing at YAP (Young Artists Perform), 2019
    Image description Eight people sit in a row on a wooden stage in front of a navy blue curtain. They are holding pieces of paper, one speaks into a microphone.
    Year 2019
    Related pages Art and Literacy: Poetry
  • Books on a metal shelf.
    Books on a metal shelf.
    [Books on a metal shelf.]
    Caption
    Image description Books on a metal shelf.
    Year 2014
    Related pages Going Down the Market
  • An image is reproduced from three different angles: two in landscape with the third, vertical and upside down. Two people stand in a red-lit room, one looks at a camera and the other stands beside them. A double exposure overlays the image with the same two people, the former holding up the camera and the latter posing for a photo.
    An image is reproduced from three different angles: two in landscape with the third, vertical and upside down. Two people stand in a red-lit room, one looks at a camera and the other stands beside them. A double exposure overlays the image with the same two people, the former holding up the camera and the latter posing for a photo.
    Speaker Music, still from a finesse, 2019, (filmed at 11 Cortlandt Alley). [An image is reproduced from three different angles: two in landscape with the third, vertical and upside down. Two people stand in a red-lit room, one looks at a camera and the other stands beside them. A double exposure overlays the image with the same two people, the former holding up the camera and the latter posing for a photo.]
    Caption Speaker Music, still from a finesse, 2019, (filmed at 11 Cortlandt Alley).
    Image description An image is reproduced from three different angles: two in landscape with the third, vertical and upside down. Two people stand in a red-lit room, one looks at a camera and the other stands beside them. A double exposure overlays the image with the same two people, the former holding up the camera and the latter posing for a photo.
    Year 2019
    Related pages Speaker Music: drape over another
  • A screencapture from a video taken on a phone in Times Square, depicting a person facedown beside a car, still in motion, in the street.
    A screencapture from a video taken on a phone in Times Square, depicting a person facedown beside a car, still in motion, in the street.
    Devin Kenny, Not This, featuring Betty Shelby, Brian Encinia, Jason Stockley, Jeronimo Yanez, and Peter Liang, 2018. Single channel video. [A screencapture from a video taken on a phone in Times Square, depicting a person facedown beside a car, still in motion, in the street.]
    Caption Devin Kenny, Not This, featuring Betty Shelby, Brian Encinia, Jason Stockley, Jeronimo Yanez, and Peter Liang, 2018. Single channel video.
    Image description A screencapture from a video taken on a phone in Times Square, depicting a person facedown beside a car, still in motion, in the street.
    Year 2018
    Related pages Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff
  • Still from video interview with Daniel Buren about the work of Christopher D'Arcangelo, conducted by Dean Inkster and Sébastien Pluot, 2010.
    Caption Still from video interview with Daniel Buren about the work of Christopher D'Arcangelo, conducted by Dean Inkster and Sébastien Pluot, 2010.
    Image description
    Year
    Related pages Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979)
  • In a dimly lit room with light wood flooring and white pillars, three illuminated panels are suspended from the ceiling in the distance. The panels each display a single word—
    In a dimly lit room with light wood flooring and white pillars, three illuminated panels are suspended from the ceiling in the distance. The panels each display a single word—
    Installation view from "Identity", Artists Space, 2011. Photo: Daniel Pérez [In a dimly lit room with light wood flooring and white pillars, three illuminated panels are suspended from the ceiling in the distance. The panels each display a single word—"tri", "angu", and "late"—in a cursive font.]
    Caption Installation view from "Identity", Artists Space, 2011. Photo: Daniel Pérez
    Image description In a dimly lit room with light wood flooring and white pillars, three illuminated panels are suspended from the ceiling in the distance. The panels each display a single word—"tri", "angu", and "late"—in a cursive font.
    Year 2011
    Related pages Dexter Sinister: "Identity"
  • Caption
    Image description
    Year
    Related pages Laura Cottingham & The Anita Pallenberg Story
  • The title and table of contents page of an essay published in the Harvard Law Review.
    The title and table of contents page of an essay published in the Harvard Law Review.
    Harris, Cheryl I. "Whiteness as Property." Harvard Law Review. Vol. 106, No. 8, June 1993. [The title and table of contents page of an essay published in the Harvard Law Review.]
    Caption Harris, Cheryl I. "Whiteness as Property." Harvard Law Review. Vol. 106, No. 8, June 1993.
    Image description The title and table of contents page of an essay published in the Harvard Law Review.
    Year 1993
    Related pages The Afterlife of Slavery: Markets, Property and Race
  • A black and white image of two men sitting in a living room. The furniture is elevated on white pedestals. The man on the left sits on a chair; on the right on a sofa. A table with items sits inbetween them.
    A black and white image of two men sitting in a living room. The furniture is elevated on white pedestals. The man on the left sits on a chair; on the right on a sofa. A table with items sits inbetween them.
    Leben mit Pop - Eine Demonstration für den kapitalistischen Realismus, 1963 (Living with Pop – A Demonstration for Capitalist Realism) © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Reiner Ruthenbeck [A black and white image of two men sitting in a living room. The furniture is elevated on white pedestals. The man on the left sits on a chair; on the right on a sofa. A table with items sits inbetween them.]
    Caption Leben mit Pop - Eine Demonstration für den kapitalistischen Realismus, 1963 (Living with Pop – A Demonstration for Capitalist Realism) © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Reiner Ruthenbeck
    Image description A black and white image of two men sitting in a living room. The furniture is elevated on white pedestals. The man on the left sits on a chair; on the right on a sofa. A table with items sits inbetween them.
    Year 1963
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • Two screens are mounted vertically on metal poles that stretch floor to ceiling. The screens show black images with white light spots.
    Two screens are mounted vertically on metal poles that stretch floor to ceiling. The screens show black images with white light spots.
    Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [Two screens are mounted vertically on metal poles that stretch floor to ceiling. The screens show black images with white light spots.]
    Caption Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description Two screens are mounted vertically on metal poles that stretch floor to ceiling. The screens show black images with white light spots.
    Year 2011
    Related pages Hilary Lloyd
  • Five rectangular black-and-white drawings of cityscapes appear exhibited on a wall in the corner of a room, with a didactic panel under a lightswitch to their right, titled
    Five rectangular black-and-white drawings of cityscapes appear exhibited on a wall in the corner of a room, with a didactic panel under a lightswitch to their right, titled
    Art Day, Blue Sky Gallery, P.S. 140, 2018 [Five rectangular black-and-white drawings of cityscapes appear exhibited on a wall in the corner of a room, with a didactic panel under a lightswitch to their right, titled "A View from the Bridge"]
    Caption Art Day, Blue Sky Gallery, P.S. 140, 2018
    Image description Five rectangular black-and-white drawings of cityscapes appear exhibited on a wall in the corner of a room, with a didactic panel under a lightswitch to their right, titled "A View from the Bridge"
    Year 2018
    Related pages Education Exhibitions and Events
  • Two men drawing on a large cloth sign in Arabic and English, stating
    Two men drawing on a large cloth sign in Arabic and English, stating
    Jamil Shammout and Michel Najjar paint the banner for The International Art Exhibition for Palestine. Beirut, 1978. Courtesy Claude Lazar [Two men drawing on a large cloth sign in Arabic and English, stating "INTERNATIONAL ART EXHIBITION FOR PALESTINE".]
    Caption Jamil Shammout and Michel Najjar paint the banner for The International Art Exhibition for Palestine. Beirut, 1978. Courtesy Claude Lazar
    Image description Two men drawing on a large cloth sign in Arabic and English, stating "INTERNATIONAL ART EXHIBITION FOR PALESTINE".
    Year 1978
    Related pages Past Disquiet
  • A red background with white text which reads:
    A red background with white text which reads:
    [A red background with white text which reads: "DUMP THE FINE ART OF GENTRIFICATION", followed by the Decolonize This Place Logo.]
    Caption
    Image description A red background with white text which reads: "DUMP THE FINE ART OF GENTRIFICATION", followed by the Decolonize This Place Logo.
    Year 2016
    Related pages Decolonize This Place
  • A square grey canvas with a large white circle centered towards the bottom, hangs on a neutral colored wall. At the bottom center of the circle, the canvas is stretched outward in a verticle line.
    A square grey canvas with a large white circle centered towards the bottom, hangs on a neutral colored wall. At the bottom center of the circle, the canvas is stretched outward in a verticle line.
    Zilia Sánchez, Mujer (de la Serie el Silencio de Eros), 1965, (Woman of the Series the Silence of Eros), Acrylic on stretched canvas. Courtesy collection of the artist. [A square grey canvas with a large white circle centered towards the bottom, hangs on a neutral colored wall. At the bottom center of the circle, the canvas is stretched outward in a verticle line.]
    Caption Zilia Sánchez, Mujer (de la Serie el Silencio de Eros), 1965, (Woman of the Series the Silence of Eros), Acrylic on stretched canvas. Courtesy collection of the artist.
    Image description A square grey canvas with a large white circle centered towards the bottom, hangs on a neutral colored wall. At the bottom center of the circle, the canvas is stretched outward in a verticle line.
    Year 2013
    Related pages Zilia Sánchez
  • A gif depicting a person dressed in black with arms outstretched and clasped, moving slowly through a room.
    A gif depicting a person dressed in black with arms outstretched and clasped, moving slowly through a room.
    Hito Stereyl, excerpt from Guards, 2012, HD video on freestanding screen with sound, 20 mins. Courtesy of the artist and Andrew Kreps, New York. [A gif depicting a person dressed in black with arms outstretched and clasped, moving slowly through a room.]
    Caption Hito Stereyl, excerpt from Guards, 2012, HD video on freestanding screen with sound, 20 mins. Courtesy of the artist and Andrew Kreps, New York.
    Image description A gif depicting a person dressed in black with arms outstretched and clasped, moving slowly through a room.
    Year 2012
    Related pages Hito Steyerl
  • An illustration of two green palm trees on a diagnal, sloped down to the bottom left corner, pale yellow triangle. The background contains a pattern of dark brown, gray, red, and yellow stripes.
    An illustration of two green palm trees on a diagnal, sloped down to the bottom left corner, pale yellow triangle. The background contains a pattern of dark brown, gray, red, and yellow stripes.
    Sigmar Polke Das Palmen Bild , 1964 (Boxers) © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Daniela Steinfeld [An illustration of two green palm trees on a diagnal, sloped down to the bottom left corner, pale yellow triangle. The background contains a pattern of dark brown, gray, red, and yellow stripes.]
    Caption Sigmar Polke Das Palmen Bild , 1964 (Boxers) © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Daniela Steinfeld
    Image description An illustration of two green palm trees on a diagnal, sloped down to the bottom left corner, pale yellow triangle. The background contains a pattern of dark brown, gray, red, and yellow stripes.
    Year 1964
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A view of Chinatown at night, with a projection onto a side of the building that reads, in handwritten text,
    A view of Chinatown at night, with a projection onto a side of the building that reads, in handwritten text,
    Chinatown Art Brigade and The Illuminator Here to Stay, September 24, 2016 Courtesy Chinatown Art Brigade. Photo: KahEan Chang [A view of Chinatown at night, with a projection onto a side of the building that reads, in handwritten text, "Gentrification Is Modern Colonialism! #ChinatownNot4Sale". The top of a BigBus tour bus is partially visible at the right corner of the frame.]
    Caption Chinatown Art Brigade and The Illuminator Here to Stay, September 24, 2016 Courtesy Chinatown Art Brigade. Photo: KahEan Chang
    Image description A view of Chinatown at night, with a projection onto a side of the building that reads, in handwritten text, "Gentrification Is Modern Colonialism! #ChinatownNot4Sale". The top of a BigBus tour bus is partially visible at the right corner of the frame.
    Year 2016
    Related pages Decolonize This Place
  • Two black display cases in the middle of a gallery space, with clear horizontal glass cut-outs, one taller than the other. Each display case houses a collection of mugs and other ephemera.
    Two black display cases in the middle of a gallery space, with clear horizontal glass cut-outs, one taller than the other. Each display case houses a collection of mugs and other ephemera.
    Bernadette Corporation: 2000 Wasted Years. Installation View, Artists Space, 2012. Photo: Daniel Pérez. [Two black display cases in the middle of a gallery space, with clear horizontal glass cut-outs, one taller than the other. Each display case houses a collection of mugs and other ephemera.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation View, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Two black display cases in the middle of a gallery space, with clear horizontal glass cut-outs, one taller than the other. Each display case houses a collection of mugs and other ephemera.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • A small strip of pixeled colors is displayed left of center above a large window looking out onto a building.
    A small strip of pixeled colors is displayed left of center above a large window looking out onto a building.
    Installation view from Documenting Cadere: 1972 - 1978, Artists Space, 2013. Photo: Daniel Pérez [A small strip of pixeled colors is displayed left of center above a large window looking out onto a building.]
    Caption Installation view from Documenting Cadere: 1972 - 1978, Artists Space, 2013. Photo: Daniel Pérez
    Image description A small strip of pixeled colors is displayed left of center above a large window looking out onto a building.
    Year 2013
    Related pages Documenting Cadere: 1972 - 1978
  • A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a red and orange wire. In the base of the object, a processing chip is embedded.
    A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a red and orange wire. In the base of the object, a processing chip is embedded.
    Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $3,000
    [A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a red and orange wire. In the base of the object, a processing chip is embedded.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $3,000
    Image description A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a red and orange wire. In the base of the object, a processing chip is embedded.
    Year 2019
    Related pages Trisha Baga Edition
  • A white rectangular image with an opaque black circle in the center right, and a capital D outlined in black in the top left of the image.
    A white rectangular image with an opaque black circle in the center right, and a capital D outlined in black in the top left of the image.
    Adam Pendleton, Title TK, 2010, Silkscreen with embossing on Somerset Satin 500 gsm, 17 ¼ x 23 ½ inches, Signed and numbered. [A white rectangular image with an opaque black circle in the center right, and a capital D outlined in black in the top left of the image.]
    Caption Adam Pendleton, Title TK, 2010, Silkscreen with embossing on Somerset Satin 500 gsm, 17 ¼ x 23 ½ inches, Signed and numbered.
    Image description A white rectangular image with an opaque black circle in the center right, and a capital D outlined in black in the top left of the image.
    Year 2010
    Related pages Artists Space Annual Edition Portfolio 2010
  • Caption
    Image description
    Year
    Related pages No Total Weekend
  • A person wearing all black clothing and a black hood, wearing heavy eyeshadow and a fake mustache, looks at the floor.
    A person wearing all black clothing and a black hood, wearing heavy eyeshadow and a fake mustache, looks at the floor.
    Still from Hamlet in the Rented World (A Fragment). 1970-73, 16mm transferred to video, (sound, color), 27 minutes. [A person wearing all black clothing and a black hood, wearing heavy eyeshadow and a fake mustache, looks at the floor.]
    Caption Still from Hamlet in the Rented World (A Fragment). 1970-73, 16mm transferred to video, (sound, color), 27 minutes.
    Image description A person wearing all black clothing and a black hood, wearing heavy eyeshadow and a fake mustache, looks at the floor.
    Year 1970
    Related pages Reconstructing Performance
  • A black and white still of a hallway with a patterned balcony, which descends into stairs. Three geometric paintings are hung along the walls.
    A black and white still of a hallway with a patterned balcony, which descends into stairs. Three geometric paintings are hung along the walls.
    Union Gaucha Productions Still from Phantom Limb , 1998 16mm film (silent, black and white), 21 min 45 sec Courtesy of Union Gaucha Productions [A black and white still of a hallway with a patterned balcony, which descends into stairs. Three geometric paintings are hung along the walls.]
    Caption Union Gaucha Productions Still from Phantom Limb , 1998 16mm film (silent, black and white), 21 min 45 sec Courtesy of Union Gaucha Productions
    Image description A black and white still of a hallway with a patterned balcony, which descends into stairs. Three geometric paintings are hung along the walls.
    Year 1998
    Related pages Union Gaucha Productions
  • A book case displaying 5 paper collages of men's portraits.
    A book case displaying 5 paper collages of men's portraits.
    Reference pages, ca.1966 – 90, Collage on paper, Tom of Finland Foundation, Permanent Collection From Tom of Finland: The Pleasure of Play, Artists Space, 2015 [A book case displaying 5 paper collages of men's portraits.]
    Caption Reference pages, ca.1966 – 90, Collage on paper, Tom of Finland Foundation, Permanent Collection From Tom of Finland: The Pleasure of Play, Artists Space, 2015
    Image description A book case displaying 5 paper collages of men's portraits.
    Year 2015
    Related pages Tom of Finland: The Pleasure of Play
  • The image shows a crowd of figures drawn with black ink. Four text bubbles project from the crowd that read: [top left]
    The image shows a crowd of figures drawn with black ink. Four text bubbles project from the crowd that read: [top left]
    Amy Sillman, MoMA Opening, 2007, Archival ink jet on Somerset Paper, 14 x 16 3/4 inches (36.6 x 42.5 cm), Edition of 17, 10 AP, 1 BAT, Courtesy the artist and Sikkema Jenkins & Co., Printed by Jean-Yves Noblet Contemporary Prints. [The image shows a crowd of figures drawn with black ink. Four text bubbles project from the crowd that read: [top left] "I curated the next show! You'll love it! I just like what you do, right up your alley!" [top center] "This is my work but the wall label is really wierd..." [bottom left] "Oh! You two split up?! I had no idea! Two years ago? Goodness! I remember when you went on your first date! Your were so happy! Are you seeing someone new?" [bottom right] "I love your work." On the bottom right is written "MOMA opening 9-06."]
    Caption Amy Sillman, MoMA Opening, 2007, Archival ink jet on Somerset Paper, 14 x 16 3/4 inches (36.6 x 42.5 cm), Edition of 17, 10 AP, 1 BAT, Courtesy the artist and Sikkema Jenkins & Co., Printed by Jean-Yves Noblet Contemporary Prints.
    Image description The image shows a crowd of figures drawn with black ink. Four text bubbles project from the crowd that read: [top left] "I curated the next show! You'll love it! I just like what you do, right up your alley!" [top center] "This is my work but the wall label is really wierd..." [bottom left] "Oh! You two split up?! I had no idea! Two years ago? Goodness! I remember when you went on your first date! Your were so happy! Are you seeing someone new?" [bottom right] "I love your work." On the bottom right is written "MOMA opening 9-06."
    Year 2007
    Related pages Editions
  • The bust of a teenage girl looking up and away from the viewer's perspective, with a green, grey and yellow background. On the green section, white text reads,
    The bust of a teenage girl looking up and away from the viewer's perspective, with a green, grey and yellow background. On the green section, white text reads,
    Leila Torres, Self Portrait, 2015 [The bust of a teenage girl looking up and away from the viewer's perspective, with a green, grey and yellow background. On the green section, white text reads, "We have lingered in the chamber of seas. With seaweed both red and brown. Till Human Voices Wake us. And we drown"]
    Caption Leila Torres, Self Portrait, 2015
    Image description The bust of a teenage girl looking up and away from the viewer's perspective, with a green, grey and yellow background. On the green section, white text reads, "We have lingered in the chamber of seas. With seaweed both red and brown. Till Human Voices Wake us. And we drown"
    Year 2015
    Related pages Scholastic Art and Writing Awards
  • A poster showing a silver car driving through a selection of press clippings from newspapers on a blue background. At the top, there is white text reading
    A poster showing a silver car driving through a selection of press clippings from newspapers on a blue background. At the top, there is white text reading
    Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez [A poster showing a silver car driving through a selection of press clippings from newspapers on a blue background. At the top, there is white text reading "PRESENTING AMERICA'S MOST TALKED ABOUT CAR!" At the bottom, white text reads "DELOREAN".]
    Caption Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez
    Image description A poster showing a silver car driving through a selection of press clippings from newspapers on a blue background. At the top, there is white text reading "PRESENTING AMERICA'S MOST TALKED ABOUT CAR!" At the bottom, white text reads "DELOREAN".
    Year 2010
    Related pages Duncan Campbell: Make It New John
  • A few empty seats on an NYC subway - the 6 train, with the originating station titled
    A few empty seats on an NYC subway - the 6 train, with the originating station titled
    [A few empty seats on an NYC subway - the 6 train, with the originating station titled "Maintaining Good Relations"]
    Caption
    Image description A few empty seats on an NYC subway - the 6 train, with the originating station titled "Maintaining Good Relations"
    Year 2017
    Related pages Maintaining Good Relations: Native Art Department International (Maria Hupfield, Jason Lujan) and Christopher Green
  • Three performers stand on a wooden floor in the middle of a room. Two performers on either side are dancing, while the performer in the center speaks on a wireless microphone. The audience surrounds the performers, sitting and standing, illuminated overhead by several round, hanging lights.
    Three performers stand on a wooden floor in the middle of a room. Two performers on either side are dancing, while the performer in the center speaks on a wireless microphone. The audience surrounds the performers, sitting and standing, illuminated overhead by several round, hanging lights.
    Richard Kennedy Both, 2017. [Three performers stand on a wooden floor in the middle of a room. Two performers on either side are dancing, while the performer in the center speaks on a wireless microphone. The audience surrounds the performers, sitting and standing, illuminated overhead by several round, hanging lights.]
    Caption Richard Kennedy Both, 2017.
    Image description Three performers stand on a wooden floor in the middle of a room. Two performers on either side are dancing, while the performer in the center speaks on a wireless microphone. The audience surrounds the performers, sitting and standing, illuminated overhead by several round, hanging lights.
    Year 2017
    Related pages Membership
  • Black text on paper introducing the book. The top text reads,
    Black text on paper introducing the book. The top text reads,
    Book cover for Ways of Seeing by John Berger. Design by Richard Hollis . Published by BBC and Penguin Books, London, 1972. Courtesy Richard Hollis [Black text on paper introducing the book. The top text reads, "A Pelican Original, Ways of Seeing, Based on the BBC television series with John Berger."]
    Caption Book cover for Ways of Seeing by John Berger. Design by Richard Hollis . Published by BBC and Penguin Books, London, 1972. Courtesy Richard Hollis
    Image description Black text on paper introducing the book. The top text reads, "A Pelican Original, Ways of Seeing, Based on the BBC television series with John Berger."
    Year 1972
    Related pages Richard Hollis
  • A flyer showing black and white photos of NYC housing developments, and an orange column with text that reads,
    A flyer showing black and white photos of NYC housing developments, and an orange column with text that reads,
    Morag Keil. Posters, 2014. Inkjet prints (series of four). [A flyer showing black and white photos of NYC housing developments, and an orange column with text that reads, "HOUSING DISCRIMINATION IS AGAINST THE LAW! Fair housing is a human right protected by the New York City Human Rights Law. Under the New York City Human Rights Law, you cannot be denied housing because of your actual or perceived race, age, disability, gender (including gender identity and sexual harrassment), sexual orientation, marital status, partnership status, alienage or citizenship status, lawful occupation, lawful source of income, or because children may be residing with you."]
    Caption Morag Keil. Posters, 2014. Inkjet prints (series of four).
    Image description A flyer showing black and white photos of NYC housing developments, and an orange column with text that reads, "HOUSING DISCRIMINATION IS AGAINST THE LAW! Fair housing is a human right protected by the New York City Human Rights Law. Under the New York City Human Rights Law, you cannot be denied housing because of your actual or perceived race, age, disability, gender (including gender identity and sexual harrassment), sexual orientation, marital status, partnership status, alienage or citizenship status, lawful occupation, lawful source of income, or because children may be residing with you."
    Year 2014
    Related pages No Lectures
  • A moving gif of a paper diagram blowing from the wind of a computer device. The top right corner of the machine reads,
    A moving gif of a paper diagram blowing from the wind of a computer device. The top right corner of the machine reads,
    [A moving gif of a paper diagram blowing from the wind of a computer device. The top right corner of the machine reads, "StarTech.com"]
    Caption
    Image description A moving gif of a paper diagram blowing from the wind of a computer device. The top right corner of the machine reads, "StarTech.com"
    Year
    Related pages Aaron Flint Jamison
  • A gallery with an L-shaped bench covered in fabric, plus several video projections and artworks adorning the walls.
    A gallery with an L-shaped bench covered in fabric, plus several video projections and artworks adorning the walls.
    Installation view from Marie Karlberg, Videos. From Pride Goes Before A Fall / Beware of A Holy Whore: An Exhibition in Two Acts, Artists Space, 2013 [A gallery with an L-shaped bench covered in fabric, plus several video projections and artworks adorning the walls.]
    Caption Installation view from Marie Karlberg, Videos. From Pride Goes Before A Fall / Beware of A Holy Whore: An Exhibition in Two Acts, Artists Space, 2013
    Image description A gallery with an L-shaped bench covered in fabric, plus several video projections and artworks adorning the walls.
    Year 2013
    Related pages Marie Karlberg Videos
  • Detail view of a
    Detail view of a
    Bernadette Corporation: 2000 Wasted Years. Installation View, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of a "bc" logo printed on a black glossy structure.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation View, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Detail view of a "bc" logo printed on a black glossy structure.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • A drawing shows a man reading a magazine while sitting on the couch. A shirtless man leans on the couch behind him, reading the magazine over the seated man's shoulder.
    A drawing shows a man reading a magazine while sitting on the couch. A shirtless man leans on the couch behind him, reading the magazine over the seated man's shoulder.
    Tom of Finland. Untitled, 1985. Graphite on paper. Tom of Finland Foundation, Permanent Collection [A drawing shows a man reading a magazine while sitting on the couch. A shirtless man leans on the couch behind him, reading the magazine over the seated man's shoulder.]
    Caption Tom of Finland. Untitled, 1985. Graphite on paper. Tom of Finland Foundation, Permanent Collection
    Image description A drawing shows a man reading a magazine while sitting on the couch. A shirtless man leans on the couch behind him, reading the magazine over the seated man's shoulder.
    Year 1985
    Related pages Touko Laaksonen (Tom of Finland)
  • An abstract painting
    An abstract painting
    Nick Mauss. So long, 2013. Ceramic plaque. 11 x 15 in / 38 x 27,9 x 38,1 cm. Courtesy the artist and 303 Gallery, New York [An abstract painting]
    Caption Nick Mauss. So long, 2013. Ceramic plaque. 11 x 15 in / 38 x 27,9 x 38,1 cm. Courtesy the artist and 303 Gallery, New York
    Image description An abstract painting
    Year
    Related pages Frieze New York
  • A white book lying on a larger blue book.
    A white book lying on a larger blue book.
    Corrugated Slogans, and An Anthology of Invalid Format [A white book lying on a larger blue book.]
    Caption Corrugated Slogans, and An Anthology of Invalid Format
    Image description A white book lying on a larger blue book.
    Year 2013
    Related pages Novel Operations
  • An equilateral triangle colored gradient white to purple from the left corner to the right corner.
    An equilateral triangle colored gradient white to purple from the left corner to the right corner.
    [An equilateral triangle colored gradient white to purple from the left corner to the right corner.]
    Caption
    Image description An equilateral triangle colored gradient white to purple from the left corner to the right corner.
    Year 2013
    Related pages Frozen Lakes
  • A blue, black and brown abstract object sits on a white base. A metal antenna sticks out of it on a diagonal.
    A blue, black and brown abstract object sits on a white base. A metal antenna sticks out of it on a diagonal.
    Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $2,500 [A blue, black and brown abstract object sits on a white base. A metal antenna sticks out of it on a diagonal.]
    Caption Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $2,500
    Image description A blue, black and brown abstract object sits on a white base. A metal antenna sticks out of it on a diagonal.
    Year 2019
    Related pages Trisha Baga Edition
  • A graphic illustration of a headless female mannequin is seated against a checkered background. Her arms suggest the motion of tightening a sash around her waist, but the implied fabric around her body is missing from the image, leaving an empty space that divides her body in two halves.
    A graphic illustration of a headless female mannequin is seated against a checkered background. Her arms suggest the motion of tightening a sash around her waist, but the implied fabric around her body is missing from the image, leaving an empty space that divides her body in two halves.
    Caitlin Keogh, Interiors, 2016, 
Silkscreen on paper, 24 x 18 in / 61 x 45,7 cm, Signed and Numbered. [A graphic illustration of a headless female mannequin is seated against a checkered background. Her arms suggest the motion of tightening a sash around her waist, but the implied fabric around her body is missing from the image, leaving an empty space that divides her body in two halves.]
    Caption Caitlin Keogh, Interiors, 2016, 
Silkscreen on paper, 24 x 18 in / 61 x 45,7 cm, Signed and Numbered.
    Image description A graphic illustration of a headless female mannequin is seated against a checkered background. Her arms suggest the motion of tightening a sash around her waist, but the implied fabric around her body is missing from the image, leaving an empty space that divides her body in two halves.
    Year 2017
    Related pages Artists Space Annual Edition Portfolio 2017
  • A photo of three performers standing in the middle of a room, surrounded by the audience. Two performers linked hands, and the third stands in between them, arms raised.
    A photo of three performers standing in the middle of a room, surrounded by the audience. Two performers linked hands, and the third stands in between them, arms raised.
    Richard Kennedy, Both, Artists Space, 2017. [A photo of three performers standing in the middle of a room, surrounded by the audience. Two performers linked hands, and the third stands in between them, arms raised.]
    Caption Richard Kennedy, Both, Artists Space, 2017.
    Image description A photo of three performers standing in the middle of a room, surrounded by the audience. Two performers linked hands, and the third stands in between them, arms raised.
    Year 2017
    Related pages About
  • Two people sit in wooden chairs, wearing headphones and facing either sides of the room where TV monitors are displaying images.
    Two people sit in wooden chairs, wearing headphones and facing either sides of the room where TV monitors are displaying images.
    Laura Poitras: 9/11 Trilogy, Installation view, Artists Space, 2014. Photo: Daniel Pérez. [Two people sit in wooden chairs, wearing headphones and facing either sides of the room where TV monitors are displaying images.]
    Caption Laura Poitras: 9/11 Trilogy, Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description Two people sit in wooden chairs, wearing headphones and facing either sides of the room where TV monitors are displaying images.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • A black and white photo of a man standing on a cobblestone street in New York, with the Twin Towers in the background
    A black and white photo of a man standing on a cobblestone street in New York, with the Twin Towers in the background
    André Cadere, New York, 1976 - Photo: Gianfranco Gorgoni - Courtesy Galleria Minini [A black and white photo of a man standing on a cobblestone street in New York, with the Twin Towers in the background]
    Caption André Cadere, New York, 1976 - Photo: Gianfranco Gorgoni - Courtesy Galleria Minini
    Image description A black and white photo of a man standing on a cobblestone street in New York, with the Twin Towers in the background
    Year 1976
    Related pages Unconcealed: The International Network of Conceptual Artists 1967-77 –Dealers, Exhibitions and Public Collections Lynda Morris
  • A display case holds materials in the middle of a neutral colored room. In the left background is a black and white, projected video facing a wall of several framed photographs and drawings.
    A display case holds materials in the middle of a neutral colored room. In the left background is a black and white, projected video facing a wall of several framed photographs and drawings.
    Installation view of Jack Smith: Art Crust of Spiritual Oasis, June 22 – September 9, 2018. Courtesy of Artists Space, New York. Photo: Daniel Pérez [A display case holds materials in the middle of a neutral colored room. In the left background is a black and white, projected video facing a wall of several framed photographs and drawings.]
    Caption Installation view of Jack Smith: Art Crust of Spiritual Oasis, June 22 – September 9, 2018. Courtesy of Artists Space, New York. Photo: Daniel Pérez
    Image description A display case holds materials in the middle of a neutral colored room. In the left background is a black and white, projected video facing a wall of several framed photographs and drawings.
    Year 2018
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • An ant is mounted on a white surface by a white pin through its center. Its shadow is visible underneath it.
    An ant is mounted on a white surface by a white pin through its center. Its shadow is visible underneath it.
    Mark Morrisroe. Untitled, 1986. Courtesy of The Estate of Mark Morrisroe (Ringier Collection) at Fotomuseum Winterthur. [An ant is mounted on a white surface by a white pin through its center. Its shadow is visible underneath it.]
    Caption Mark Morrisroe. Untitled, 1986. Courtesy of The Estate of Mark Morrisroe (Ringier Collection) at Fotomuseum Winterthur.
    Image description An ant is mounted on a white surface by a white pin through its center. Its shadow is visible underneath it.
    Year 2011
    Related pages Mark Morrisroe: From This Moment On
  • A man spray paints a large piece of abstract blue graffiti against a white city wall below a graphic emblem of an eagle. The street is dark, but he is illuminated by the flash of the camera.
    A man spray paints a large piece of abstract blue graffiti against a white city wall below a graphic emblem of an eagle. The street is dark, but he is illuminated by the flash of the camera.
    Jose Miguel Salcido, Sin Titulo (Nhsr), 2009. [A man spray paints a large piece of abstract blue graffiti against a white city wall below a graphic emblem of an eagle. The street is dark, but he is illuminated by the flash of the camera.]
    Caption Jose Miguel Salcido, Sin Titulo (Nhsr), 2009.
    Image description A man spray paints a large piece of abstract blue graffiti against a white city wall below a graphic emblem of an eagle. The street is dark, but he is illuminated by the flash of the camera.
    Year 2009
    Related pages Radical Localism: Art, Video and Culture from Pueblo Nuevo’s Mexicali Rose
  • In the foreground, one side of a book stand displaying various posters and documents. Two more in the background include more items. Two people congregate in a coversation around a bookstand in the background.
    In the foreground, one side of a book stand displaying various posters and documents. Two more in the background include more items. Two people congregate in a coversation around a bookstand in the background.
    Installation view from Richard Hollis, Artists Space, 2013 [In the foreground, one side of a book stand displaying various posters and documents. Two more in the background include more items. Two people congregate in a coversation around a bookstand in the background.]
    Caption Installation view from Richard Hollis, Artists Space, 2013
    Image description In the foreground, one side of a book stand displaying various posters and documents. Two more in the background include more items. Two people congregate in a coversation around a bookstand in the background.
    Year 2013
    Related pages Richard Hollis
  • A photo of students sitting around a table, watching a YouTube video and speaking to one another.
    A photo of students sitting around a table, watching a YouTube video and speaking to one another.
    City-As-School students critiquing images, 2019. [A photo of students sitting around a table, watching a YouTube video and speaking to one another.]
    Caption City-As-School students critiquing images, 2019.
    Image description A photo of students sitting around a table, watching a YouTube video and speaking to one another.
    Year 2019
    Related pages Photo Club
  • Marz Saffore, dressed in a beige argyle swearer, a polka dot button up, jeans, and a green cap, sits and speaks into a microphone.
    Marz Saffore, dressed in a beige argyle swearer, a polka dot button up, jeans, and a green cap, sits and speaks into a microphone.
    Marz Saffore speaking at “Palestine, BLM & Boycott in the Arts.” Artists Space Books & Talks, Friday, November 4, 2016. Courtesy Decolonize This Place and Artists Space, New York. Photo: Andrés Rodriguez [Marz Saffore, dressed in a beige argyle swearer, a polka dot button up, jeans, and a green cap, sits and speaks into a microphone.]
    Caption Marz Saffore speaking at “Palestine, BLM & Boycott in the Arts.” Artists Space Books & Talks, Friday, November 4, 2016. Courtesy Decolonize This Place and Artists Space, New York. Photo: Andrés Rodriguez
    Image description Marz Saffore, dressed in a beige argyle swearer, a polka dot button up, jeans, and a green cap, sits and speaks into a microphone.
    Year 2016
    Related pages Decolonize This Place
  • A geometric, silver metal sculpture sits on a wooden gallery floor in front of a large, light-filled window. The sculpture is modular, hollow, and consists of rectangular and triangular metal components. Two vent-like openings in the sculpture face the viewer, while the opposite side of the sculpture bends towards the gallery window.
    A geometric, silver metal sculpture sits on a wooden gallery floor in front of a large, light-filled window. The sculpture is modular, hollow, and consists of rectangular and triangular metal components. Two vent-like openings in the sculpture face the viewer, while the opposite side of the sculpture bends towards the gallery window.
    Charlotte Posenenske. Series D Vierkantrohre (Square Tubes), 1967. Configured by the staff of Artists Space, 2010. Photo: Daniel Pérez. [A geometric, silver metal sculpture sits on a wooden gallery floor in front of a large, light-filled window. The sculpture is modular, hollow, and consists of rectangular and triangular metal components. Two vent-like openings in the sculpture face the viewer, while the opposite side of the sculpture bends towards the gallery window.]
    Caption Charlotte Posenenske. Series D Vierkantrohre (Square Tubes), 1967. Configured by the staff of Artists Space, 2010. Photo: Daniel Pérez.
    Image description A geometric, silver metal sculpture sits on a wooden gallery floor in front of a large, light-filled window. The sculpture is modular, hollow, and consists of rectangular and triangular metal components. Two vent-like openings in the sculpture face the viewer, while the opposite side of the sculpture bends towards the gallery window.
    Year 2010
    Related pages Charlotte Posenenske
  • Two black and white photographs of various men casually holding hands are mounted one on top of the other on a white gallery wall behind semi-translucent white curtains. Two hands draw the curtains back to reveal the images.
    Two black and white photographs of various men casually holding hands are mounted one on top of the other on a white gallery wall behind semi-translucent white curtains. Two hands draw the curtains back to reveal the images.
    Danh Vo. Installation view from Autoerotic Asphyxiation, 2010. Photo: Daniel Pérez. [Two black and white photographs of various men casually holding hands are mounted one on top of the other on a white gallery wall behind semi-translucent white curtains. Two hands draw the curtains back to reveal the images.]
    Caption Danh Vo. Installation view from Autoerotic Asphyxiation, 2010. Photo: Daniel Pérez.
    Image description Two black and white photographs of various men casually holding hands are mounted one on top of the other on a white gallery wall behind semi-translucent white curtains. Two hands draw the curtains back to reveal the images.
    Year 2010
    Related pages Danh Vo: Autoerotic Asphyxiation
  • A book shelf displays various documents and photographs behind glass. Documents with text hang directly above.
    A book shelf displays various documents and photographs behind glass. Documents with text hang directly above.
    Installation view from Documenting Cadere: 1972 - 1978, Artists Space, 2013. Photo: Daniel Pérez [A book shelf displays various documents and photographs behind glass. Documents with text hang directly above.]
    Caption Installation view from Documenting Cadere: 1972 - 1978, Artists Space, 2013. Photo: Daniel Pérez
    Image description A book shelf displays various documents and photographs behind glass. Documents with text hang directly above.
    Year 2013
    Related pages Documenting Cadere: 1972 - 1978
  • A photograph with a wood frame hangs on a wall. The photo sits on a white background, centered in the top half of the page. The photo shows a person's nose and mouth, with mouth agape.
    A photograph with a wood frame hangs on a wall. The photo sits on a white background, centered in the top half of the page. The photo shows a person's nose and mouth, with mouth agape.
    Ann Hamilton, Mirrim, 1999, Iris print, 30 x 22 inches (76.2 x 55.9 cm), Edition of 40, Signed & numbered. [A photograph with a wood frame hangs on a wall. The photo sits on a white background, centered in the top half of the page. The photo shows a person's nose and mouth, with mouth agape.]
    Caption Ann Hamilton, Mirrim, 1999, Iris print, 30 x 22 inches (76.2 x 55.9 cm), Edition of 40, Signed & numbered.
    Image description A photograph with a wood frame hangs on a wall. The photo sits on a white background, centered in the top half of the page. The photo shows a person's nose and mouth, with mouth agape.
    Year 1999
    Related pages Editions
  • A female mannequin stands upright in a gallery space. It is wearing a black polo shirt, red skirt with gold lacing draped below, onto its legs, and a large red cut-out hanging from the skirt.
    A female mannequin stands upright in a gallery space. It is wearing a black polo shirt, red skirt with gold lacing draped below, onto its legs, and a large red cut-out hanging from the skirt.
    Bernadette Corporation: 2000 Wasted Years. Installation View, Artists Space, 2012. Photo: Daniel Pérez. [A female mannequin stands upright in a gallery space. It is wearing a black polo shirt, red skirt with gold lacing draped below, onto its legs, and a large red cut-out hanging from the skirt.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation View, Artists Space, 2012. Photo: Daniel Pérez.
    Image description A female mannequin stands upright in a gallery space. It is wearing a black polo shirt, red skirt with gold lacing draped below, onto its legs, and a large red cut-out hanging from the skirt.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • A photo of the bookstore at 55 Walker Street - the front half is a bookstore, while the back half is an empty exhibition/performance space. Both have white walls and a light wood floor. They are divided by a temporary wall with a large doorway, which leaves a large gap between the top of the temporary wall and the ceiling. The back half is empty, with windows letting in light on the furthest wall. The front half has bookshelves adorning the walls, with a lower shelf to keep some books on display. A red pipe runs floor-to-ceiling between two columns of shelves.
    A photo of the bookstore at 55 Walker Street - the front half is a bookstore, while the back half is an empty exhibition/performance space. Both have white walls and a light wood floor. They are divided by a temporary wall with a large doorway, which leaves a large gap between the top of the temporary wall and the ceiling. The back half is empty, with windows letting in light on the furthest wall. The front half has bookshelves adorning the walls, with a lower shelf to keep some books on display. A red pipe runs floor-to-ceiling between two columns of shelves.
    Bookstore at 55 Walker Street. [A photo of the bookstore at 55 Walker Street - the front half is a bookstore, while the back half is an empty exhibition/performance space. Both have white walls and a light wood floor. They are divided by a temporary wall with a large doorway, which leaves a large gap between the top of the temporary wall and the ceiling. The back half is empty, with windows letting in light on the furthest wall. The front half has bookshelves adorning the walls, with a lower shelf to keep some books on display. A red pipe runs floor-to-ceiling between two columns of shelves.]
    Caption Bookstore at 55 Walker Street.
    Image description A photo of the bookstore at 55 Walker Street - the front half is a bookstore, while the back half is an empty exhibition/performance space. Both have white walls and a light wood floor. They are divided by a temporary wall with a large doorway, which leaves a large gap between the top of the temporary wall and the ceiling. The back half is empty, with windows letting in light on the furthest wall. The front half has bookshelves adorning the walls, with a lower shelf to keep some books on display. A red pipe runs floor-to-ceiling between two columns of shelves.
    Year
    Related pages Bookstore
  • Two screens displaying the
    Two screens displaying the
    Bernadette Corporation: 2000 Wasted Years. Installation View, Artists Space, 2012. Photo: Daniel Pérez. [Two screens displaying the "bc" logo hung on either side of the top of a support beam in a gallery. The room is otherwise empty.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation View, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Two screens displaying the "bc" logo hung on either side of the top of a support beam in a gallery. The room is otherwise empty.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • An orange water dispenser sits on a short metal table. The top of the dispenser has a round, glass table top around the outside with a wedge removed. A photo of a woman sits on the glass.
    An orange water dispenser sits on a short metal table. The top of the dispenser has a round, glass table top around the outside with a wedge removed. A photo of a woman sits on the glass.
    DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [An orange water dispenser sits on a short metal table. The top of the dispenser has a round, glass table top around the outside with a wedge removed. A photo of a woman sits on the glass.]
    Caption DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description An orange water dispenser sits on a short metal table. The top of the dispenser has a round, glass table top around the outside with a wedge removed. A photo of a woman sits on the glass.
    Year 2012
    Related pages DUOX: DUOX4Larkin
  • A spotted pattern against a white ground, with each spot having a unique stain, splatter, or drops of ink.
    A spotted pattern against a white ground, with each spot having a unique stain, splatter, or drops of ink.
    Anicka Yi, Flirting Is An Algorithm, 2015, Silkscreen on archival box, 24½ x 20½ x 1½ in / 62,2 x 52 x 3,8 cm, Signed and Numbered. [A spotted pattern against a white ground, with each spot having a unique stain, splatter, or drops of ink.]
    Caption Anicka Yi, Flirting Is An Algorithm, 2015, Silkscreen on archival box, 24½ x 20½ x 1½ in / 62,2 x 52 x 3,8 cm, Signed and Numbered.
    Image description A spotted pattern against a white ground, with each spot having a unique stain, splatter, or drops of ink.
    Year 2015
    Related pages Annual Edition Portfolio
  • An angled view of table's length, on which are various organized documents, books, and papers displaying images and text. In the background are bookshelves and tables.
    An angled view of table's length, on which are various organized documents, books, and papers displaying images and text. In the background are bookshelves and tables.
    Everything is About to Happen: An ongoing archive of artists’ books selected by Gregorio Magnani, from The Library Vaccine, Artists Space, 2014. [An angled view of table's length, on which are various organized documents, books, and papers displaying images and text. In the background are bookshelves and tables.]
    Caption Everything is About to Happen: An ongoing archive of artists’ books selected by Gregorio Magnani, from The Library Vaccine, Artists Space, 2014.
    Image description An angled view of table's length, on which are various organized documents, books, and papers displaying images and text. In the background are bookshelves and tables.
    Year 2014
    Related pages The Library Vaccine
  • Caption
    Image description
    Year
    Related pages Louise Lawler Tote Bag
  • Red text reading “we cover for you / new red order / 1-888-NEW-RED1 / newredorder.org” is overlaid on an image of a person in a black shirt holding a rock in front of their face.
    Red text reading “we cover for you / new red order / 1-888-NEW-RED1 / newredorder.org” is overlaid on an image of a person in a black shirt holding a rock in front of their face.
    [Red text reading “we cover for you / new red order / 1-888-NEW-RED1 / newredorder.org” is overlaid on an image of a person in a black shirt holding a rock in front of their face.]
    Caption
    Image description Red text reading “we cover for you / new red order / 1-888-NEW-RED1 / newredorder.org” is overlaid on an image of a person in a black shirt holding a rock in front of their face.
    Year
    Related pages New Red Order: Informants Get Paid!
  • A wooden floor is elevated in the corner of the room near four windows on adjacent walls. On the wooden floor are a small bed, a candle on a night table, a metal stove, and a chests stacked on top of one another.
    A wooden floor is elevated in the corner of the room near four windows on adjacent walls. On the wooden floor are a small bed, a candle on a night table, a metal stove, and a chests stacked on top of one another.
    Sam Pulitzer, Installation view from A Colony for "Them", Artists Space, 2014 [A wooden floor is elevated in the corner of the room near four windows on adjacent walls. On the wooden floor are a small bed, a candle on a night table, a metal stove, and a chests stacked on top of one another.]
    Caption Sam Pulitzer, Installation view from A Colony for "Them", Artists Space, 2014
    Image description A wooden floor is elevated in the corner of the room near four windows on adjacent walls. On the wooden floor are a small bed, a candle on a night table, a metal stove, and a chests stacked on top of one another.
    Year 2014
    Related pages Sam Pulitzer: A Colony for "Them"
  • An image of people in a circle wearing white ponchos holding white streamers and a large red balloon is superimposed on top of a city street, rendered in shades of black and grey.
    An image of people in a circle wearing white ponchos holding white streamers and a large red balloon is superimposed on top of a city street, rendered in shades of black and grey.
    [An image of people in a circle wearing white ponchos holding white streamers and a large red balloon is superimposed on top of a city street, rendered in shades of black and grey.]
    Caption
    Image description An image of people in a circle wearing white ponchos holding white streamers and a large red balloon is superimposed on top of a city street, rendered in shades of black and grey.
    Year 2019
    Related pages Ei Arakawa
  • A person looks over an exhibition of photography arranged in a grid pattern on a wall
    A person looks over an exhibition of photography arranged in a grid pattern on a wall
    Light and Shadow, City-As-School photography student exhibition, 2018 [A person looks over an exhibition of photography arranged in a grid pattern on a wall]
    Caption Light and Shadow, City-As-School photography student exhibition, 2018
    Image description A person looks over an exhibition of photography arranged in a grid pattern on a wall
    Year 2018
    Related pages Education Exhibitions and Events
  • Six rows of six small, faded images of a child in various poses, positioned at left center of frame.
    Six rows of six small, faded images of a child in various poses, positioned at left center of frame.
    Konrad Lueg Babies , 1967 80 copies + 40 artists proofs, signed and numbered screen print on cardboard, 59 x 83 cm Courtesy of Edition Block, Berlin [Six rows of six small, faded images of a child in various poses, positioned at left center of frame.]
    Caption Konrad Lueg Babies , 1967 80 copies + 40 artists proofs, signed and numbered screen print on cardboard, 59 x 83 cm Courtesy of Edition Block, Berlin
    Image description Six rows of six small, faded images of a child in various poses, positioned at left center of frame.
    Year 1967
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a wire. In the base of the object, a processing chip is embedded.
    A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a wire. In the base of the object, a processing chip is embedded.
    Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $3,000
    [A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a wire. In the base of the object, a processing chip is embedded.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $3,000
    Image description A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a wire. In the base of the object, a processing chip is embedded.
    Year 2019
    Related pages Trisha Baga Edition
  • A dimly lit room where two people are seated in chairs on the right, looking at a projection. The projection displays a yellow-hued image of a city skyline.
    A dimly lit room where two people are seated in chairs on the right, looking at a projection. The projection displays a yellow-hued image of a city skyline.
    Union Gaucha Productions, Installation view, Artists Space, 2015. Photo: Daniel Pérez [A dimly lit room where two people are seated in chairs on the right, looking at a projection. The projection displays a yellow-hued image of a city skyline.]
    Caption Union Gaucha Productions, Installation view, Artists Space, 2015. Photo: Daniel Pérez
    Image description A dimly lit room where two people are seated in chairs on the right, looking at a projection. The projection displays a yellow-hued image of a city skyline.
    Year 2015
    Related pages Union Gaucha Productions
  • A wordsearch grid.
    A wordsearch grid.
    [A wordsearch grid.]
    Caption
    Image description A wordsearch grid.
    Year 2015
    Related pages Finding Words
  • Miniature houses constructed of documents are displayed on vitrines in the foreground. Behind them, tan, illustrated sacks of various sizes hang on a while wall. A purple painting of a buffalo with photo collage hangs on a wall to the right.
    Miniature houses constructed of documents are displayed on vitrines in the foreground. Behind them, tan, illustrated sacks of various sizes hang on a while wall. A purple painting of a buffalo with photo collage hangs on a wall to the right.
    Unholding. Installation view, Artists Space, November 19, 2017 - January 21, 2018. Photo: Daniel Pérez. [Miniature houses constructed of documents are displayed on vitrines in the foreground. Behind them, tan, illustrated sacks of various sizes hang on a while wall. A purple painting of a buffalo with photo collage hangs on a wall to the right.]
    Caption Unholding. Installation view, Artists Space, November 19, 2017 - January 21, 2018. Photo: Daniel Pérez.
    Image description Miniature houses constructed of documents are displayed on vitrines in the foreground. Behind them, tan, illustrated sacks of various sizes hang on a while wall. A purple painting of a buffalo with photo collage hangs on a wall to the right.
    Year 2017
    Related pages Unholding
  • A person bends over an electric piano, her hair falling over her face. She is illuminated from behind by a brightly lit wall.
    A person bends over an electric piano, her hair falling over her face. She is illuminated from behind by a brightly lit wall.
    Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court. [A person bends over an electric piano, her hair falling over her face. She is illuminated from behind by a brightly lit wall. ]
    Caption Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A person bends over an electric piano, her hair falling over her face. She is illuminated from behind by a brightly lit wall.
    Year 2020
    Related pages Jutta Koether
  • A printing plate for a $100,000 bill, featuring a portrait of Woodrow Wilson.
    A printing plate for a $100,000 bill, featuring a portrait of Woodrow Wilson.
    Rirkrit Tiravanija, untitled, 2011 (print mo’ money), 2011, Copper etching plate, Signed certificate. [A printing plate for a $100,000 bill, featuring a portrait of Woodrow Wilson.]
    Caption Rirkrit Tiravanija, untitled, 2011 (print mo’ money), 2011, Copper etching plate, Signed certificate.
    Image description A printing plate for a $100,000 bill, featuring a portrait of Woodrow Wilson.
    Year 2011
    Related pages Artists Space Annual Edition Portfolio 2012
  • A close-up photo of a violinist performing in front of several people and a chandelier.
    A close-up photo of a violinist performing in front of several people and a chandelier.
    Laura Ortman performing at the Friends of Artists Space Annual Dinner, 2018. [A close-up photo of a violinist performing in front of several people and a chandelier.]
    Caption Laura Ortman performing at the Friends of Artists Space Annual Dinner, 2018.
    Image description A close-up photo of a violinist performing in front of several people and a chandelier.
    Year 2018
    Related pages Support
  • A series of books sit at eye level on a wall that displays a black and white photographic collage graphic behind them.
    A series of books sit at eye level on a wall that displays a black and white photographic collage graphic behind them.
    The Defaced Library Books of Kenneth Halliwell and Joe Orton, from The Library Vaccine, Artists Space, 2014. [A series of books sit at eye level on a wall that displays a black and white photographic collage graphic behind them.]
    Caption The Defaced Library Books of Kenneth Halliwell and Joe Orton, from The Library Vaccine, Artists Space, 2014.
    Image description A series of books sit at eye level on a wall that displays a black and white photographic collage graphic behind them.
    Year 2014
    Related pages The Library Vaccine
  • A bookcase displays documents within as well as on top of its glass. Above, right of center, three black and white photographs are hung, in white frames, on the wall.
    A bookcase displays documents within as well as on top of its glass. Above, right of center, three black and white photographs are hung, in white frames, on the wall.
    Installation view from Documenting Cadere: 1972 - 1978, Artists Space, 2013. Photo: Daniel Pérez [A bookcase displays documents within as well as on top of its glass. Above, right of center, three black and white photographs are hung, in white frames, on the wall.]
    Caption Installation view from Documenting Cadere: 1972 - 1978, Artists Space, 2013. Photo: Daniel Pérez
    Image description A bookcase displays documents within as well as on top of its glass. Above, right of center, three black and white photographs are hung, in white frames, on the wall.
    Year 2013
    Related pages Documenting Cadere: 1972 - 1978
  • Several people hold a makeshift metal structure upright, fastening additional metal poles onto the structure. A small crowd stands behind them watching.
    Several people hold a makeshift metal structure upright, fastening additional metal poles onto the structure. A small crowd stands behind them watching.
    Ei Arakawa: WEWORK BABIES. Performance documentation, December 8, 2019, Artists Space. Photo © 2019 Paula Court. [Several people hold a makeshift metal structure upright, fastening additional metal poles onto the structure. A small crowd stands behind them watching.]
    Caption Ei Arakawa: WEWORK BABIES. Performance documentation, December 8, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description Several people hold a makeshift metal structure upright, fastening additional metal poles onto the structure. A small crowd stands behind them watching.
    Year 2019
    Related pages Ei Arakawa: WEWORK BABIES (11 Cortlandt Alley)
  • A red, glowing neon light installed on a gallery wall just above eye-level is visible through a doorway opening in a white-walled space. To the left of the opening is a block of faint text on the gallery wall.
    A red, glowing neon light installed on a gallery wall just above eye-level is visible through a doorway opening in a white-walled space. To the left of the opening is a block of faint text on the gallery wall.
    Installation view from The Serving Library, Artists Space, 2011. Photo: Daniel Pérez [A red, glowing neon light installed on a gallery wall just above eye-level is visible through a doorway opening in a white-walled space. To the left of the opening is a block of faint text on the gallery wall.]
    Caption Installation view from The Serving Library, Artists Space, 2011. Photo: Daniel Pérez
    Image description A red, glowing neon light installed on a gallery wall just above eye-level is visible through a doorway opening in a white-walled space. To the left of the opening is a block of faint text on the gallery wall.
    Year 2011
    Related pages The Serving Library
  • A crowd of people crowds around a temporary wall. In the foreground is a bookstore, while behind the wall and doorway, there is a screening room, with a video projected on the far wall. Overhead lights cast an orange glow
    A crowd of people crowds around a temporary wall. In the foreground is a bookstore, while behind the wall and doorway, there is a screening room, with a video projected on the far wall. Overhead lights cast an orange glow
    Harun Farocki: Diagrams, film screening, 2014. [A crowd of people crowds around a temporary wall. In the foreground is a bookstore, while behind the wall and doorway, there is a screening room, with a video projected on the far wall. Overhead lights cast an orange glow]
    Caption Harun Farocki: Diagrams, film screening, 2014.
    Image description A crowd of people crowds around a temporary wall. In the foreground is a bookstore, while behind the wall and doorway, there is a screening room, with a video projected on the far wall. Overhead lights cast an orange glow
    Year 2014
    Related pages Membership
  • Two people are captured in the middle of a conversation. The woman is wearing a red cardigan, a white collared shirt, and has short gray hair with square black glasses. The man is wearing a checked blue and white collared shirt and has gray facial hair and round black glasses.
    Two people are captured in the middle of a conversation. The woman is wearing a red cardigan, a white collared shirt, and has short gray hair with square black glasses. The man is wearing a checked blue and white collared shirt and has gray facial hair and round black glasses.
    Still from video interview with Naomi and Stephen Antonakos, conducted by Dean Inkster and Sébastien Pluot, 2010. [Two people are captured in the middle of a conversation. The woman is wearing a red cardigan, a white collared shirt, and has short gray hair with square black glasses. The man is wearing a checked blue and white collared shirt and has gray facial hair and round black glasses.]
    Caption Still from video interview with Naomi and Stephen Antonakos, conducted by Dean Inkster and Sébastien Pluot, 2010.
    Image description Two people are captured in the middle of a conversation. The woman is wearing a red cardigan, a white collared shirt, and has short gray hair with square black glasses. The man is wearing a checked blue and white collared shirt and has gray facial hair and round black glasses.
    Year 2011
    Related pages Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979)
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