-
Installation view, Macho Man, Tell It To My Heart: Collected by Julie Ault, Artists Space 2013. Photos: Daniel Pérez [A rectangle of gold foil laying flat on a wooden floor. Light decends through a window and illuminates the foil.] -
Laura Cottingham & The Anita Pallenberg Story, Installation view, Artists Space, 2017. Photo: Daniel Pérez [Eight large film stills are mounted on a wall, in two rows of four, leading into a dark hallway where a film projection is playing.] -
Intangible Economies, Folio Series, 2012. [A white book cover depicting silver coins with the text "♥good for all night♥".] -
[A digital rendering of a dark tank filled with water. Spherical pods sit into the top of the tank, with one pod lying sideways next to it.] -
Beech Forest. Performance view, Artists Space, 2007. [Three standing lights point to illuminate a white wall. Standing beside them facing the wall is a figure wearing a coat and a hat with her hands lightly clasped behind her back. Barely visible on the wall beside her are stenciled outlines of trees.] -
Lolina performing Inquiry & Investigation, 2018. [A person stands, holds a microphone to their mouth and adjusts a knob on a CDJ.] -
[Two Artists Space tote bags lay in the autumn grass. One is black with a white line drawing, the other is pink with a black bold graphic.] -
Christa Blatchford. Still from See Around, 2008. [Four images arranged horizontally. From left to right: solid gray-blue, a gray-blue toned image of a shoreline, a gray toned image of a shoreline, and a gray toned image of a shoreline with a subtle pink sunrise in the sky.] -
Jamil Shammout and Michel Najjar paint the banner for The International Art Exhibition for Palestine. Beirut, 1978. Courtesy Claude Lazar [Two men drawing on a large cloth sign in Arabic and English, stating "INTERNATIONAL ART EXHIBITION FOR PALESTINE".] -
Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A black monitor sits on a wooden table. The image onscreen shows a hand holding a black and white paper with text, with photographs laying underneath.] -
“Decolonize This Museum” protest outside the American Museum of Natural History, October 10, 2016. Photo: Andrés Rodriguez [Two children holding up black signs with white text in front of a building covered by an opaque plastic material, one sign reads "WAKE" and the other reads "Remember."] -
The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich. [A bedroom scene set up in the middle of an open room. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.] -
Hito Stereyl, excerpt from In Free Fall, 2010, HD video with sound, 30 mins. Courtesy of the artist and Andrew Kreps, New York. [A moving image of a man, dressed in a pilot uniform, in front of a panning image of Earth from space, holding a laptop. The camera zooms in on the video playing on the laptop screen of a man releasing his parachute while skydiving.] -
Wolf Vostell Starfighter , 1967 80 copies + 40 artists proofs, signed and numbered screen print with glitter, 53 x 81,5 cm Courtesy of Edition Block, Berlin [A gray-toned illustration of multiple, military missles, lined up next to one another.] -
“Chinatown Is Not for Sale.” Installation by Chinatown Art Brigade. Artists Space Books & Talks, Saturday, October 22, 2016. Courtesy Chinatown Art Brigade, Decolonize This Place and Artists Space, New York. Photo: Marz Saffore [Chinatown anti-gentrification paraphrenelia posted on the wall, with phrases like "Tenants Unite!", "Housing is a Human Right!", "Stop Gentrification Now!" and "Who did you Displace to open your Gallery?", written in English and Mandarin. A monitor displaying a person holding a megaphone at a protest is fixed on the wall, the handouts surrounding it.] -
A member of the collective Winter Count working on the film We Are in Crisis, 2016, in North Dakota [An over-the-shoulder photo of a person holding a boom microphone pointed at a small oil pipeline fire several dozen feet away.] -
Still from Polly II - A Plan for a Revolution in Docklands (2006). [Two people dressed in black looking down. Superimposed on top of them is a poster reading, "JENNY DIVER CALLS ON ALL PEOPLE OF THE FLOOD EAST ORGANIZE NOW! PEACE TO HUMBLE DWELLINGS! WAR TO THE PALACES!"] -
Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Close-up of a rectangular, silver metal plaque hanging on a white gallery wall. The plaque is inscribed with a diagram of an exhibition space. Numbers note the location of the artworks, while a key next to the diagram notes the titles and other tombstone information of the works.] -
[A poster design featuring two figures—a child and an older man—superimposed on a dark backdrop. The child's image has a blue hue and takes the shape of a circular cut-out, while the older man's image has a yellow hue. Above both figures, white text superimposed against a towering city skyline reads, "DER ANGRIFF DER GEGENWART AUF DIE UBRIGE ZEIT / EIN FILM VON ALEXANDER KLUGE."] -
Fifth Season Act, Apotheosically. Performance documentation, May 31, 2012, Artists Space. [A sculpture composed of a large glass pane wedged into the center of a square concrete block sits in a gallery space. A painted canvas is installed in the pane, displaying a large number "5" on its surface, surrounded by peach and pink hues. Various ornaments are installed on the painting or drip from it, such as red string, golden tassles, necklaces, and other ornaments. A brown, dirt-like material is spread on the floor around the sculpture.] -
Karl Holmqvist, oxoxbox, 2012, Bespoke archival box wrapped in cotton book cloth with silkscreen, 24 1/2 x 20 1/2 x 1 1/2 inches, Signed and numbered certificate [An all-over black and white pattern of "oxox"] -
Still from Mrs. Miniver, 1942. [A black and white image of a man and woman looking out beyond the camera with expressions of fear and concern. They each cradle a child in their arms. A young boy gazes up at the woman's face, clutching onto her arm with one hand. The man holds a girl close, his hand protectively bringing her head against his chest.] -
Laura Poitras: 9/11 Trilogy, Installation view, Artists Space, 2014. Photo: Daniel Pérez. [An individual TV monitor with three wooden chairs placed in front of it, each holding headphones. Edward Snowden appears speaking to the camera onscreen.] -
Marc Camille Chaimowicz, Enough Tiranny Recalled (Artists Space), 2009, 6 color screenprint, 24 x 24 in (60 x 60 cm), Edition of 10 + 3AP. [The screenprint shows a collage of photos some in black & white and some in color. Some images show scenes with people and others document different multimedia installations. On top of the collage in large white block letters is written "Enough / Tyranny, / Recalled."] -
Not yet titled, 2019
Clay, glaze, mixed media
12 x 13 x 5 inches (variable)
$3,000
[A glossy object with dark tones showing glimpses of bright blue and purple throughout is pictured on a white base. The object has a lemon and an onion balanced on either end, with electrical cords running from the produce to a chipboard at the object's center.] -
[Black text listing the collection's featured. From top to bottom, it reads, "The Defaced Library Books of Kenneth Halliwell and Joe Orton," "edition hansjörg mayer," "Vigilance: An Exhibition Of Artist’s Books Exploring Strategies for Social Concern After an exhibition curated by Mike Grier and Lucy R. Lippard," "The Colin De Land Library," "Everything is About to Happen: An ongoing archive of artists’ books selected by Gregorio Magnani," and "The Library of Helen DeWitt."] -
Ashley Baez, Untitled, colored pencil on paper 28 x 24 inches, 2016 [Three long and slim dresses on mannequin figures - one yellow, one orange, and one blue. Her signature and the date (12.5.15) appear in between each figure] -
Installation view from Documenting Cadere: 1972 - 1978, Artists Space, 2013. Photo: Daniel Pérez [A view of two vitrines, one in front of the other, displaying documents in front of a book case on the wall. Documents containing text are hung on the wall.] -
Installation view from Documenting Cadere: 1972 - 1978, Artists Space, 2013. Photo: Daniel Pérez [A small strip of pixeled colors is displayed left of center above a large window looking out onto a building.] -
New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [A crowd of people sitting. Most have their eyes obscured by black blindfolds. In the background, a white projection with black text just visible reads, "No-peep show."] -
New Red Order, still from CULTURE CAPTURE: TERMINAL ADDITION, 2019. [A figure wearing a black, puffy coat and a white, waxy mask that covers their entire head stands beside a stone structure with an illegible inscription. Their hand rests on the stone next to a small, spherical surveillance camera as they look off into the distance.] -
Union Gaucha Productions, Installation view, Artists Space, 2015. Photo: Daniel Pérez [Five projections playing on a wall at different heights. Two are completely visible and three are partially visible. In the center of the image is a black and white projection of a gallery, with a painting placed in between the entrance of a hallway. To its right is a projection of a Jonas Mekas facing left, his face slightly golden in tone, wearing a fedora. A projection to its right partially shows four dark skinned people, nude and posing.] -
Image of a Mach-Zehnder Interferometer provided by Constantina Zavitsanos and Amalle Dublon [An embossed image of an Inferometer shooting green lasers to its right and left.] -
Front Yard Exhibition Galerie Parnass, Villa Jährling, Moltkestraße 67 February 1964 Photo: Rolf Jährling, Zentralarchiv des internationalen Kunsthandels ZADIK [A black and white image of four paintings of various sizes displayed against a fence with a thin layer of snow, marked with footprints, beneath them.] -
[Two women in front of a white wall. They are dressed in matching white jackets and short white skirts, and each wear a set of colorful rollerskates. One woman is on her toes with her arms extended behind her, reaching for and pulling the second woman who is leaning forward to grab her hands.] -
Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Three floor-standing backlit images of a woman wearing a white Adidas soccer jersey with the "bc" logo. A long text is visible on the furthest two displays, superimposed onto the photo.] -
John Neff Still from Tony Greene Movie , 2014-16 [A digital rendering of the embossed initials "TG" on the left and a brown-skinned hand, palm down, on the right.] -
Duty Free Art: Art in the Age of Planetary Civil War, by Hito Steyerl, published by Verso Books, 2017. [A book cover with large text and a digitally altered, skewed human face blurred behind the title.] -
Excerpt from Hito Stereyl, Guards, 2012, HD video on freestanding screen with sound, 20 mins. Courtesy of the artist and Andrew Kreps, New York. [A moving image of a person, dressed in black, side stepping slowly in the gallery as the camera pans over to them.] -
Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A large potted fern sits to the right of an elevator door in a light-filled gallery space. To the right of the fern is a low, round table with a pen and open booklet on top of it. A large black and white image installed on the gallery wall behind the fern shows several art books lined up next to one another on a blank surface. Text above the books reads, "histoire de l'art cherche personnages."] -
Klara Lidén, Untitled (mailbox), 2012, Archival inkjet print, 24 x 18 inches, Signed and numbered certificate. [A black and white photo captures a New York City postal service box.] -
A portrait of George Kuchar. [A profile of a man wearing glasses gazing beyond the frame. He sits in front of a painted portrait of a figure, who gazes in the same direction.] -
Those Lost Trees by Viola Yesiltac (2005). [A woman stands, facing away from the camera. She is standing on a photo backdrop of trees in a forest, which covers part of the floor and is raised into the air by stand. Studio lights surround her, casting a slight glare off the backdrop.] -
Union Gaucha Productions Still from Totloop , 2003 16mm film (silent, color), 4 min 49 sec Collaboration with Fabio Kacero Courtesy of Union Gaucha Productions [A still from Totloop, set during the night, featuring an empty model house being light on fire, with a small tree visible to its right.] -
Flyer by Bill Hayden [A woman vaping, with another woman and child visible in the exhaled smoke.] -
Installation view of Jack Smith: Art Crust of Spiritual Oasis, June 22 – September 9, 2018. Courtesy of Artists Space, New York. Photo: Daniel Pérez [An image of a man with a Coca-Cola reflection is projected onto a black wall. To the right, a black sculpture with red feathers is displayed on a shelf.] -
Jason Hirata, Gavroche, 2019, 5000º Kelvin industrial LED retrofit bulb, gallery power grid. [In the corner of a room, close to the ceiling, a white L-shaped wall mount holds an LED lightbulb upright. A black wire connected to the lamp is taped to the wall with black tape and disappears off to the right of the image.] -
Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt. [Three screens and a metallic sculpture are installed in a gallery space with wooden floors. The three screens are arranged next to each other, with the screen closest to the viewer displaying a series of figures with three bright forms attached to their torsos. The other two screens show increasingly blurry renderings of the same image. To the right of the screens, a tall, shiny and metallic sculpture sits on the gallery floor. A pocket-sized image of a figure is pasted to the sculpture's left sides.] -
[A woman holding a large blue bag] -
[William Carlos Williams' poem "For Eleanor and Bill Monahan" written in black text on a white background.] -
New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [A figure and a microphone are silhouetted in front of an image projection. The image shows a face obscured with white plaster, overlaid with red text reading “New Red Order” and white text reading “1-888-NEW- RED1 newredorder.org."] -
Laura Cottingham & The Anita Pallenberg Story, Installation view, Artists Space, 2017. Photo: Daniel Pérez [A photo taken on a diagonal of two people sitting on black chairs in a dim-lit room with a projection on the wall. The projection features a person with red hair looking at themself in a vanity mirror.] -
Exterior of exhibition invitation. International Art Exhibition for Palestine. Beirut, 1978. Courtesy Mona Saudi [A flyer with an abstract, colorful artwork on the left and exhibition information on the right.] -
[A man in a sleeveless Metallica shirt stands in front of a makeshift music studio, looking at the camera.] -
"Identity". Installation View, Artists Space, 2011. Photo: Daniel Pérez. [In a dimly lit room with light wood flooring and white pillars, three illuminated panels are suspended from the ceiling in the distance. The panels each display a single word—"tri", "angu", and "late"—in a cursive font.] -
YAP (Young Artists Perform), P.S. 140, 2018 [Several students sit, looking down towards printed sheets of paper, in front of colorful silk banners with writing stating "Your dreams can become a reality," "like a cheetah in a snail's race," "bridge can just go like boom bom boom BOOM," "I see a light it's so BRIGHT -Destiny" and others.\] -
Kevin Drumm in his studio. [A man looking at a laptop, with a modular synth and mixer next to the laptop.] -
The columns held us up. Installation view, Artists Space, 2009. Photo: Adam Reich. [A television sits on the floor, encaged by a wooden structure extending at an angle into the air. On the walls opposite, there are assorted photographs of varying sizes, showing primarily landscapes.] -
Installation view from Lukas Duwenhögger: Undoolay, Artists Space, 2016. Photo credit: Jean Vong [Two unframed paintings are hung on a foldable room divider in a gallery. The larger painting depicts the interior of a classroom with four ambiguous figures. The smaller painting shows a man poised mid-dance.] -
Untitled (note), date unknown, Copyright Jack Smith Archive, Courtesy Gladstone Gallery, New York and Brussels [A page ripped from a planner, with a header reading, "for week beginning Monday ...., Thursday, Friday, Saturday, Sunday." Handwritten red cursive text, written over divided sections reads, "Capitalism lends to expectation to be manipulated but politely and a horror of ordinary usage between people."] -
Alan Michelson, Permanent Title, 1993. [Eleven beige sacks of various sizes, depicting text and illustrations, are arranged on a wall.] -
Laura Cottingham & The Anita Pallenberg Story, Installation view, Artists Space, 2017. Photo: Daniel Pérez [Film stills are framed and lines up against two sides of a room, leading to a window with the black Artists Space logo.] -
Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A black display case with an image of the "bc" logo and a large black structure in a gallery.] -
Laura Ortman, cover artwork for My Soul Remainer, 2017 [A black and white composite photo showing a close-up of an eye superimposed with an illustration of the sun behind the sea horizon.] -
Louise Lawler, Who Says, Who Shows, Who Counts, 1990. [Three empty wine glasses in row, each engraved with two words: "who says," "who shows," "who counts."] -
Rachel Harrison, What the world needs now, 2009, Inkjet print on Ilford Galerie Gold Fibre Silk, 310 gsm 22 x 17 in / 55,9 x 43,2 cm, Signed and numbered [A black-and-white scan of a page of The New York Times newspaper, folded in half lengthwise. A translucent geometric pattern is visible across the image, with washed out pinks, greens, blues, and yellows. The visible story is a continuation from the story featured on the first arts page, titled "Foundation's New Prize To Honor Artists Under 35." Above the title is a photo of Victor Pinchuk, a Ukrainian businessman and art collector. Below the title is six images of "artist-mentors:" Andreas Gursky, Jeff Koons, Damien Hirst, Takashi Murakami, and institutional board members Nicholas Serota and Glenn D. Lowry of the Tate and MoMA, respectively. Each of the six figures has a color wig, bright lipstick, and two have glasses, giving each a goofy appearance.] -
Brett Reichman. Squeaker, 1991. Oil on canvas, 36 x 36 in. Courtesy the artist [A painting of a lamb figurine] -
Jolene Rickard, Leadership (detail), 1987 [A black and white photo of an antler] -
Adrienne Kennedy, Funnyhouse of a Negro, 1964 (East End Theater, New York, directed by Michael Kahn, produced by Barr, WIlder, and Albee). Pictured: Ellen Holly and Cynthia Belgrave. Photo: Frederick Eberstadt. [Two people in white face paint and fanciful dresses crowd around a crudely constructed wooden desk that sits off-kilter. One sits at the desk and applies makeup while the other stands to their left, gazing beyond the image.] -
Tom of Finland Untitled , ca. 1968 Collage on paper Tom of Finland Foundation, Permanent Collection [Collaged images of pairs of half-naked men in various poses and positions.] -
Jolene Rickard, from Corn Blue Room, 2000. [A black and white image of electrical towers stretching into the distance.] -
Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Assorted Delorean paraphernalia displayed on a white background, including several images of cars and a binder filled with a user manual.] -
Installation view from Documenting Cadere: 1972 - 1978, Artists Space, 2013. Photo: Daniel Pérez [A book shelf displays paper documents containing black and white images. Above, smaller documents, and a similar paper displayed in a white frame.] -
Tracy Benissan, Untitled, 2014 [A drawing of several glasses of varying shapes holding colorful liquids suspended on a flat background] -
[Two human arms and one robotic arm are writing the partially formed word "EVOLUTION" in tandem on a white piece of paper.] -
Installation view of Jack Smith: Art Crust of Spiritual Oasis, June 22 – September 9, 2018. Courtesy of Artists Space, New York. Photo: Daniel Pérez [A video is projected onto a freestanding wall in the middle of the room. A mannequin wearing a decorative orange costumes stands to the left. In the background, a video monitor sits on a table and framed documents hang on the walls.] -
Everything is About to Happen: An ongoing archive of artists’ books selected by Gregorio Magnani, from The Library Vaccine, Artists Space, 2014. [An angled view of table's length, on which are various organized documents, books, and papers displaying images and text. In the background are bookshelves and tables.] -
Not yet titled, 2019
Clay, glaze, mixed media
12 x 13 x 5 inches (variable)
$3,000
[An Elegoo microcontroller is affixed to the side of a brownish sculpture sitting on a white base. Two blue wires are plugged into a lemon and an onion on a platform, each connected to the microcontroller.] -
“Decolonize This Place” sticker outside of The White House [A person's hand holding up a Decolonize This Place sticker in front of the White House, with a security guard visible in the background.] -
[Draped fabric that reads "American Express World Service" in an all-over pattern.] -
[A Frida Kahlo painting and portrait of woman against a black background.] -
Installation view from Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. 38 Greene, Artists Space, 2013 [A sculpture of a man leans against a white column in an otherwise empty gallery space.] -
Installation view of Social Surfaces at Pearl River Mart, New York, October 26 - November 1, 2017. Photo: Ron Amstutz [A diagonal view of photographs, paintings, sculptures, and prints against two walls. In the corner of the walls rest a TV displaying a person with their back turned.] -
DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A printed image with a large number 9 is divided into rectangular pieces held together by rings. The piece is held in the air by poles at each of the four corners. The poles are mounted in silver buckets filled with multicolored objects.] -
Shadi Habib Allah, still from S/N: 8F1GNA0021, 2012, single channel HD Video. Courtesy the artist and Green Art Gallery, Dubai. [A side view of two men, facing eachother, in a workshop space. On the left, the man holds a metal object to place it onto the machine sitting inbetween them.] -
New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [A table covered with a red tablecloth. The tablecloth has two white images. One, a person riding a horse, and two, stylized text reading "THE URGE TO MERGE." Lying on the table, there is a magazine with a green cover with a figure holding an axe. The cover text reads, "NEVER SETTLE" and "SPECIAL Future Recruits Issue".] -
Seth Price, Embrace of Tradition, 2007/2013, Collage with combination photo relief and inkjet print, 16 3/4 x 13 inches (42.5 x 33 cm), Edition of 10 + 1 AP, Signed & numbered on front. [A white framed image hangs on a wall. The image shows line-drawn diagrams of lightbulbs. Above the diagrams it reads, "Fig. 1" and "Fig. 2." Above that it reads, "(no. model) T.A. Edison / Incandescing electric lamp / No. 341839 Patented May 11, 1886." Below the diagram it says, "Attest [with signatures below] inventor [with signatures below]." collaged on top of the print is a saturated red and blue flower at the bottom right and the word "light" in cursive on the top left.] -
Nan Goldin, Suzanne and Phillippe on the train, Long Island, 1992, Framed C-print, 16 x 20 in / 41 x 51 cm, Edition 1 of 100, Signed & Numbered. [Two people sit with a dark blue seat back behind them. One, on the right of the image, looks to the camera with the other lays asleep on their lap across the bottom of the image.] -
Gulf Labor action at the Solomon R. Guggenheim Museum, March 29, 2014. Image courtesy Global Ultra Luxury Faction/Gulf Labor [A photo looking down from the top of the Guggenheim Museum's atrium, showing people crowded around an unfurling banner] -
[An angled view from a ledge containing household items, into a bedroom. Above the doorway black text reads, "Macho Man, Tell it to My Heart."] -
Francesco Simeti: Volatili. Installation view, Artists Space, 2009. [A painting of a woman with blonde hair and a cape hangs on a wallpapered wall. The wallpaper is white with colorful images of tropical birds in trees.] -
Alza Tu Voz, front porch, exhibition at Dykeman Farmhouse Museum, 2017 [A photograph of the outside of a brick building, with two signs standing against the wall, between the building's front windows, on the porch. The signs depict stylized figures, one saying "No Mas Racism," and the other, "No a la discriminacion hispana"] -
Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [Half-eaten fruit, chocolate, and candles sit on a low, stone tabletop under dim lighting.] -
Still from The Anita Pallenburg Story, Laura Cottingham & Leslie Singer, 2000, Digital Video, 76 min [An upward angled view of two people performing, with a gray curtain behind them. One person, with black hair and a yellow jacket, is playing an electric guitar, the othe, red hair and wearing a black sequin top and blue scarf with matching eyeshadow, is singing into a mic.] -
P.S. 140 students painting sound, 2019 [An image of several students paitning with watercolors, each on their own desk] -
Price, Seth by Seth Price, edited by Beatrix Ruf, text by Michael Newman, published by JRP Ringier, 2010. [Book cover design featuring a white mask in the shape of a human face installed on a white backdrop. Ribbons of white material extend from the mask's lower right side, curling on the backdrop. Black text reading "PRICE, SETH" is superimposed on the image's upper left corner.] -
[A blue wooden chair, a pair of leather boots and a power strip on a concrete floor.] -
Spread from Harun Farocki Diagrams. Images from Ten Films, stills from Images of the World and the Inscription of War, 1988 [15 images arranged in a grid, depicting close-ups of human faces and arial views of war.] -
Martin Beck - An Organized System of Instructions [A hardcover book depicting a blueish ourdoor park obscured by several grey sheets] -
Unholding. Installation view, Artists Space, November 19, 2017 - January 21, 2018. Photo: Daniel Pérez. [A handled paper bag, placed at an angle, with detailed illustrations along the sides. The front image depicts a goat sitting on grass with its back turned to the viewer, facing a dancing Statue of Liberty against a blue background. In the right corner is a small drawing of the twin towers against a yellow background, and in the right corner is a small drawing of three small cylinders with smoke emanating from one. The side panel has paintlerly blue stokes in the middle, and a small green triangular tent at the bottom.] -
Anicka Yi, Flirting Is An Algorithm, 2015, Silkscreen on archival box, 24½ x 20½ x 1½ in / 62,2 x 52 x 3,8 cm, Signed and Numbered. [A spotted pattern against a white ground, with each spot having a unique stain, splatter, or drops of ink.] -
Aloïs Godinat: New Works. Installation view, Artists Space, 2007. Photo: Bill Orcutt. [A black cube-shaped speaker sits, tilted upwards, in the middle of a room with wooden floors and white walls. On a wall to the left of the image is a printed image of a fragment of a face with an open mouth, the skin painted in red, blue, and yellow. On a wall to the right are two printed works, one an illustration of a figure in black and white but with a section of the image above the figure's head blocked out with white space, another is a red and blue polka dot pattern in a hand-cut shape. On the wall in the middle of the room is a small white shelf with a small flat object on top of it.] -
Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz. [A white table holds a white model of a house. Behind it, a television on a stand displays an image of a large, white house. There is a white wall with five color photographs arranged in a cross formation with images of a large house and yard.] -
[Three book covers, arranged in a triangle, with title text reading from top to bottom, left to right, "Danger In Dusseldorf," "Die, Chastrommel," and "Berliner."] -
Installation view from Documenting Cadere: 1972 - 1978, Artists Space, 2013. Photo: Daniel Pérez [A bookcase displays documents within as well as on top of its glass. Above, right of center, three black and white photographs are hung, in white frames, on the wall.] -
Reference pages, ca.1966 – 90, Collage on paper, Tom of Finland Foundation, Permanent Collection From Tom of Finland: The Pleasure of Play, Artists Space, 2015 [A book case displaying 5 paper collages of men's portraits.] -
Union Gaucha Productions Still from Phantom Limb , 1998 16mm film (silent, black and white), 21 min 45 sec Courtesy of Union Gaucha Productions [A black and white image of various tones of traingle shapes and lines.] -
Leslie Thornton. Jennifer, Where Are You?, 1981. [A closeup of a young girl with dark hair and bangs, frowning as she applies red lipstick in a messy circle around her mouth.] -
Hito Steyerl, Liquidity, Inc., 2014, HD video with sound, 30 mins Courtesy of the artist and Andrew Kreps, New York. Installation view from Hito Steyerl, Artists Space, 2015 [A side view of a large video monitor screen, sitting on the ground, with a large ramp extending from the base including large pillows for seating. The room is tinted blue. On the screen, there is a man in a mask, infront of a map of Europe and Eastern Asia. A text bubble is infront of him that reads, "because huge quantities of data are raining down from their cloud storage over Scandinavia."] -
Leila Torres, Self Portrait, 2015 [The bust of a teenage girl looking up and away from the viewer's perspective, with a green, grey and yellow background. On the green section, white text reads, "We have lingered in the chamber of seas. With seaweed both red and brown. Till Human Voices Wake us. And we drown"] -
The Friends of Artists Space Dinner, May 8, 2010. Michael Clark & Company's performance. [A man with a shaved head stands in front of a crowd seated at a long table in a large gallery space. He stares in front of him with one hand resting at his hip and wears a white collared shirt and a black, knee-length skirt.] -
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CaptionKari Altmann. Still from XOMIA, 2015 Courtesy the artist. and Ellis King Gallery [A man and a woman crouch next to two abstract artworks standing on the floor of a gallery space. Both people have dyed hair and half-blue facepaint.] -
Installation view, Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff, Artists Space, New York, 2018. Photo: Daniel Pérez [A barrel, converted into a grill, sits horizontally on a wheeled cart. It is opened, with a silver metallic interior, in the center of the room. On the left, three long planks of glass lean onto the wall. To the right, photographs displayed in a pane of glass sit at eye-level on the wall.] -
Reenactment of Chris Burden's Shoot (Synthetic Performance in Second Life), 2007. Courtesy of Postmasters Gallery, New York. [A digital rendering of two people in a room with white walls. One avatar has long blonde hair and is pointing a gun at the other avatar, who stands up against the wall.] -
Collaborative team of students working on their design, 2018 [Several students stand around a large science room desk. One holds a model of a Delta airplane, smiling for the camera. The rest are busy at work.] -
Hito Steyerl, excerpt from, Liquidity, Inc., 2014 HD video with sound, 30 mins Courtesy of the artist and Andrew Kreps, New York [A moving image of a computer generated ocean horizon line that pixelates into a recorded video of a real ocean horizon.] -
Heji Shin, Camp Habibi II, 2013, C-print, 20 x 16 inches, Signed edition of 100, 5APs, Courtesy of the artist. [Detail view of a camel's head against a palm tree and blue sky.] -
Kate Shephard, Paper Bedroom, 2006, Cut paper collage, 13.75 x 10.25 inches (34.0 x 26 cm), Edition of 30. [The image shows a cut paper collage that uses saturated color blocks to define the architecture of a bedroom, including a bed, desk, reclining chair, and other abstracted shapes and figures.] -
Still from Werner Schroeter, Maria Callas Portrait, 1968 [A black-and-white photo of a woman wearing a large black hat, holding her hand loosely to her neck, against a black background.] -
Still from The Empty Plan (2010). [Two men dressed in uniform and carrying guns are looking toward the right of the image. They are within the red seats of a theatre; one is sitting and one is standing.] -
Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of a display case. A number of mugs are stacked on one side, and several others are placed around the rest of the platform. Each white mug has black text printed on, titled *STANCHION*. A number of small photos of a nude woman are arranged across the surface.] -
DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A plastic surface with five wheels lies upturned on a wooden floor. On the plastic, 11 silver metal buckets with silver poles extending sit, some filled with multicolored objects. In front of the buckets is a large container of Muscle Milk in a net bag.] -
Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A large black display case with several books arranged in a small viewing window. One titled *MOBY-DICK* is visible, as is another with a japanese title and a woman on the cover.] -
New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [A wide shot of a person sitting at a table with a computer. The table is covered in a red tablecloth with white lettering "WHAT ARE SAVAGES FOR?" and "THE URGE TO MERGE.". In lighter red, stylized text reads "NEW RED ORDER" and "NEVER SETTLE." Behind the table, a projected image shows a man with one hand outstretched superimposed on a city skyline. On either side of the table are informational posters with printed text.] -
Whitney Claflin, Hiatus, mixed media on linen, 2015. Image courtesy the artist and Real Fine Arts, New York [An abstract mixed-media artwork, with three yellow circles and the text "dose style"] -
Sam Pulitzer, Installation view from A Colony for "Them", Artists Space, 2014 [A gray square of text is displayed on a white wall that extends the left half of the frame. On the right, in the background, a series of colorful panels stagger around the room in front of a red wall. On one of the visible panels, text reads, "We're all going to really miss doing your work for you."] -
L–R: Asha Sheshadri, Julian Irlinger, Mimi Bai. Foreground: Gabo Camnitzer. Photo: Gustavo Murillo Fernández-Valdés [A colorful carpet fills the floor with matching chairs against the right wall. A wooden table with chairs, a kite, and monitors are displayed on the back wall.] -
Still from Resonating Surfaces, 2005. Courtesy of Manon de Boer, Auguste Orts and Jan Mot Gallery, Brussels. [A grainy image of a woman looking to her left. She is leaning against the back of a chair, one arm outstretched while the other is bent and holds a cigarette.] -
Flyer for Inquiry & Investigation, 2018. [A piece of stretched cloth with painted words: "Inquiry" and "Investigation," along with digitally superimposed event information.] -
Spring Exhibitions. Installation view, Artists Space, 2009. [Two black plinths stand in the center of an otherwise empty room. Each has a glass-encased top protecting a patch of grass, lit from below by a white light.] -
Still from video interview with Naomi and Stephen Antonakos, conducted by Dean Inkster and Sébastien Pluot, 2010. [Two people are captured in the middle of a conversation. The woman is wearing a red cardigan, a white collared shirt, and has short gray hair with square black glasses. The man is wearing a checked blue and white collared shirt and has gray facial hair and round black glasses.] -
Installation view from The Issues of Our Time, Artists Space, New York, 2014 [Three metal cutouts of hands, each displaying a different finger expression, hold stacks of white, blue, and purple cards on the wall.] -
L–R: Mimi Bai, Julian Irlinger, Gabo Camnitzer. Photo: Gustavo Murillo Fernández-Valdés [A wooden table with two chairs displays multiple miniature chairs on the left of the frame. A kite hangs from the ceiling in front of a colorful carpet, chairs, and a video monitor.] -
Installation view, Macho Man, Tell It To My Heart: Collected by Julie Ault, Artists Space 2013. Photos: Daniel Pérez [A white wall that reads, "Death Sentence 2009 Love It To Death 1971 Jesse… 989 Moon over Miami 1991-95 Archive," across the top into it's adjacent wall. On the left hang two images; to the right of a column hangs a drawing. Orchid plants sit to the left of the column on the ground.] -
View of Everything is About to Happen : An ongoing archive of artists’ books selected by Gregorio Magnani Courtesy Corvi-Mora, London and Greengrassi, London Photo: Marcus Leith [Angled view of wooden table top covered with an organized assortment of cards, books, and paper materials, displaying images and texts, in various positions.] -
Make it Plain, 2006. [A large, framed photograph of two books, a wooden rectangle, and a photograph stacked vertically on each other. There is a second photograph offset to the right in the image.] -
[White text on a black background spells out "THEHEARTOFYOURMOTHERFORMYDOGS"] -
Still from The Last Days of Jack Sheppard (2009). [A white bust with a plaque reading "DEFOE" below it. Slightly offset and partially in shadow is a man seen in profile, dressed identically to the bust with a powdered wig.] -
Rent check envelope prop, c.1970s. Copyright Jack Smith Archive. Courtesy Gladstone Gallery, New York and Brussels [A discolored envolope, stained and frayed, with cursive handwriting that reads "The Lobster Lucky Landlord Paradise".] -
Still from Kids of Survival: The Art and Life of Tim Rollins & K.O.S., 1996. Dayna Goldfine and Dan Geller, 87min. [Two people seated at a table covered with assorted art supplies.] -
Thomas Bayrle, Woody Allen: f ilms fi lms fil ms film s fil ms fi lms f ilms, 2011, Bespoke archival box wrapped in silkscreened cotton book cloth [A black and white superform of a man's head, comprised of small rectangular shapes.] -
Installation view, Macho Man, Tell It To My Heart: Collected by Julie Ault, Artists Space 2013. Photos: Daniel Pérez [Several planks of wood of different sizes, shapes, and colors, each display different words including, "rhythm, grace, love, warmth." They lean against a white wall; above which hang two green paintings in frames.] -
Union Gaucha Productions, Installation view, Artists Space, 2015. Photo: Daniel Pérez [A dimly lit view of a wooden wall with scattered video-still images at varying placements. Behind the wood is a white wall.] -
Jason Hirata, Why Not Lie?, 2020 (detail view), plastic bottles, urine. Photo: Daniel Pérez [Three unmatching bottles filled with urine surround the base of a black column. Two lie horizontal, one stands upright.] -
Cover of The Happy Hipocrite, Issue 6 - Freedom. [A magazine cover depicting a grid of international stamps.] -
[A 30-cm ruler] -
Gedi Sibony Animal Scramble, 2013, Archival inkjet print, 14 1/4 x 13 1/2 in / 36,2 x 34,3 cm (image size), 24 x 20 in / 61 x 51 cm (paper size), Signed and Numbered [Assorted animals, including tropical fish, birds, reptiles, a cat, dog, and rabbit are drawn in black marker on yellow paper.] -
Charlotte Posenenske. Configured by Ei Arakawa. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Several geometric, silver metal sculptures sit on a wooden gallery floor in a light-filled exhibition space. The sculptures are modular, hollow, and consist of cube-like and triangular metal components. At the photo's center, a long roll of crinkled brown paper enfurls across the floor of the gallery, resting in between the sculptures.] -
Shadi Habib Allah, S/N: 8F1GNA0021, 2012, aluminum, metal, video camera, fiberglass, bond body filler, single channel HD video. Courtesy collection of Ingo Mayer, Munich. [A red metal sculpture displayed on a pedestal to the right infront of a monitor hanging on a wall to the left. On the screen, an image of three people hovered around the sculpture without paint.] -
[Close up of the torso and legs of a figure with long hair wearing nylon tights and a blue silk jacket on their bare chest. They are illuminated by red stage lights and appear to stand on a stage in front of a drum set and speakers.] -
[A red background with white text which reads: "DUMP THE FINE ART OF GENTRIFICATION", followed by the Decolonize This Place Logo.] -
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Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A female mannequin stands upright in a gallery space. It is wearing a black polo shirt, red skirt with gold lacing draped below, onto its legs, and a large red cut-out hanging from the skirt.] -
Installation view of the section “Galerie h (1966)” from Living with Pop. A Reproduction of Capitalist Realism, Artists Space, 2014. [A angled view of a grey wall with documents displayed behind glass. The closest image depicts a colorful illustration of shapes, with two, green, square documents to the left of it.] -
[Stamped yellow text spelling out "W.A.G.E" at a slight angle. Underneath that, typed pink text reads, "Working Artists and the Greater Economy."] -
Marlon Riggs, still from Tongues Untied, 55 min, 1989. Credit: Signiyin' Works. [Two men embrace in the background, while a man wearing a black top hat stands in the foreground gazing at the camera.] -
Installation view from Tom of Finland: The Pleasure of Play, Artists Space, 2015 [Four pornographic illustrations of men in jail cells are framed on the wall.] -
Tony Oursler, Untitled (Talking Photograph), 1996, Photograph mounted on plastic frame with audio recording in custom box, 6 x 7 x 1/2 inches (15.2 x 17.8 x 1.3 cm), Signed & numbered. [The image shows a photograph with a plastic frame. The frame has holes for a small speaker and a button that says, "play." The photograph shows a close-up of a woman's face looking off into the distance while laying face down on white lace. Projected on the side of her face is another woman's face.] -
Alan Ruiz, Hunter Green 1390, 2016. Courtesy the artist [Installation view of a mechanical wall covering a window in a gallery space, with a diamond-shaped glass pane in the center letting light through.] -
[White Xs on an orange background forming an image of 'K.] -
[Four framed drawings on a wall depicting chaotic, colorful scenes of crowds.] -
Installation view from The Issues of Our Time, Artists Space, New York, 2014 [Three large windows are covered with a sheer fabric that includes faded printed text and images. Two gray silhouettes are displayed on the adjacent wall to the left. To the right, an electrical panel with exposed wires sits in the corner.] -
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[A series of booklets with monochrome covers sit in stacks on the interior of a windowsill. Each of the booklets' covers displays thin text spelling out various names, including "Ian Wallace," "Carolyn Christov-Bakargiev," and "G. M. Tamás."] -
Speaker Music, still from a finesse, 2019, (filmed at 11 Cortlandt Alley). [An image is reproduced from three different angles: two in landscape with the third, vertical and upside down. Two people stand in a red-lit room, one looks at a camera and the other stands beside them. A double exposure overlays the image with the same two people, the former holding up the camera and the latter posing for a photo.] -
Not yet titled, 2019
Clay, glaze, metal antenna
3 1/2 x 13 x 12 inches (variable)
$2,500
[A silver and gold object sits on a white base. A flat, multicolored surface is attached to the left side, and a metal antenna extends out on a diagonal.] -
Hito Steyerl, Liquidity, Inc., 2014, HD video with sound, 30 mins, Courtesy of the artist and Andrew Kreps, New York. Installation view from Hito Steyerl, Artists Space, 2015 [An angled view of a large ramp leading to a large video monitor screen. The room is tinted blue. On the screen, an iPhone 4 sits on a glass table, it's lock screen on view; the time reads, "4:39"] -
Richard Prince, Oedipus Schmedipus, 1994, Screenprint on white T-shirt Stretched over canvas in white lacquer frame, 25 1/4 x 19 1/2 in (64.1 x 49.5 cm), Edition of 26, Signed & numbered. [The image shows a white t-shirt in a frame with text printed on top in a wavy text that says, "A mother is having a very tense relationship / with her fourteen year old son. Screaming and / fighting are constantly going on in the house. / She finally brings him to a psychoanalyst. After / two sessions, the doctor calls the mother into / the office. / "Your son," he tells her, "has an Oedipus / complex." / "Oedipus, Schmedipus," the woman answers. / "as long as he loves his mother."] -
[Red text reading “New Red Order” and white text reading “1-888-NEW- RED1 newredorder.org” are overlaid on an image of a face obscured with white plaster.] -
Heji Shin, Camp Habibi II, 2013, C-print, 20 x 16 inches, Signed edition of 100, 5APs, Courtesy of the artist. [Detail view of a camel's head in profile against a palm tree and blue sky.] -
Enough Tiranny Recalled, 1972–2009. Installation view, Artists Space, 2009. Photo: Daniel Pérez. [An installation shot of a room warmly lit by yellow and pink light. There is a low-hanging disco ball, surrounded by various objects set on the floor, including a vase with flowers, a second disco ball, strands of string lights, and more.] -
Unholding. Installation view, Artists Space, November 19, 2017 - January 21, 2018. Photo: Daniel Pérez. [A portrait of a purple buffalo photocollaged with of images including objects and people.] -
Installation view from The Issues of Our Time, Artists Space, New York, 2014 [A TV monitor, positioned on the ground with it's wiring exposed, its headphones on the ground. It displayes a still image of a washed-out portrait that implies movement through the blurring and repeititon of the face.] -
David Antin Sky Poem, La Jolla, CA, Santa Monica 1987 Courtesy Getty Research Institute, Los Angeles [Two people, both wearing large hats, look up towards an empty blue sky. Several palm trees are visible.] -
Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich. [White glossy paper folded in geometric patterns against a white wall.] -
[An empty gallery space] -
Sarah Michelson. Devotion, 2011. Photo: Paula Court. [A girl lays on a dark background. She wears a white leotard. Her arms are stretched straight out on either side, with her palms facing upwards. She gazes upwards, illuminated by a soft light.] -
Still from Bernadette, 2008. Courtesy of Duncan Campbell and HOTEL, London. [A black and white image of a woman sitting alone in a row of seats, as if on a bus or train. Her face is obscured by the seat in front of her from the nose down, but her full reflection is visible in the window next to her.] -
Installation view from Tom of Finland: The Pleasure of Play, Artists Space, 2015 [A wall of pornographic illustrations displayed in frames at eye level.]
