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Works by Dieter Roth Published by Edition Hansjörg Mayer [Fibe book covers displayed in a line against a white background. Each one has been illustrated over with various colos of marker and pen.] -
Laura Poitras: 9/11 Trilogy, Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man with tan skin and facial hair, wearing a keffiyeh.] -
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MS 324 students outside Word Up Community Bookshop, 2018 [Students stand outside of a storefront in New York - Word Up Community Bookshop. In the window are several signs with Black Lives Matter and "Eat Sleep Read Local" slogans] -
Installation view of Jack Smith: Art Crust of Spiritual Oasis, June 22 – September 9, 2018. Courtesy of Artists Space, New York. Photo: Daniel Pérez [Black and white photographs hang in a line descending into the exhibition space on a dark wall. On the right, a video montior sits on the ground. In the background is a free-standing wall featuring photographs and a mannequin dressed in orange and green.] -
Installation view of Social Surfaces at Pearl River Mart, New York, October 26 - November 1, 2017. Photo: Ron Amstutz [A wooden platform on wheels surrounded by a border of small poppy red brick-like sculptures, that continue to surround the base of a white pole. Sculptures and paintings are visible on the back wall behind the wooden platform.] -
Ed Atkins, still from Death Mask II: The Scent, 2010, HD video with sound, 8 minutes 19 seconds. Courtesy the artist, Cabinet Gallery, London and Isabella Bortolozzi Galerie, Berlin. [A folding calculator, opened and turned on its side and illuminated with bright green, peach, and pink light.] -
Installation view from Tom of Finland: The Pleasure of Play, Artists Space, 2015 [Six pornographic illustrations of men near trees are framed on a wall.] -
Image provided by Oki Sogumi [Two furry, brown and mahogany moths stand back-to-back, behinds touching, on a green leaf. More leaves can be seen in the background.] -
[A blue wooden chair, a pair of leather boots and a power strip on a concrete floor.] -
Tony Oursler, Untitled (Talking Photograph), 1996, Photograph mounted on plastic frame with audio recording in custom box, 6 x 7 x 1/2 inches (15.2 x 17.8 x 1.3 cm), Signed & numbered. [The image shows a photograph with a plastic frame. The frame has holes for a small speaker and a button that says, "play." The photograph shows a close-up of a woman's face looking off into the distance while laying face down on white lace. Projected on the side of her face is another woman's face.] -
Union Gaucha Productions, Installation view, Artists Space, 2015. Photo: Daniel Pérez [A dimly lit view of a wooden wall with scattered video-still images at varying placements. Behind the wood is a white wall.] -
Danica Barboza, Omnia - Mercurial, Interposition. Installation view Galerie Buchholz, Cologne 2019. [On a white wall two artworks on paper and of the same size hang side-by-side. On the left, nine pencil drawings in no order depict the same figure from different angles. On the right, nine small blocks of text with white letters on a black background sit in orderly 3 x 3 rows.] -
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Laura Poitras: 9/11 Trilogy, Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man holding up the Iraqi flag.] -
[A moving gif of a paper diagram blowing from the wind of a computer device. The top right corner of the machine reads, "StarTech.com"] -
Tom of Finland Untitled , ca. 1968 Collage on paper Tom of Finland Foundation, Permanent Collection [Collaged images of pairs of half-naked men in various poses and positions.] -
Sophia Le Fraga. W8ING 4, 2014. Video still [An iPhone in the Messages app sending a text "all my life I've been like wtvr b reasonable" to a contact $OPH] -
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Cover of The Happy Hipocrite, Issue 6 - Freedom [A magazine cover depicting a grid of international stamps.] -
Installation view from Documenting Cadere: 1972 - 1978, Artists Space, 2013. Photo: Daniel Pérez [Several black and white photographs and documents organized into a grid on a white surface.] -
Unholding. Installation view, Artists Space, November 19, 2017 - January 21, 2018. Photo: Daniel Pérez. [Two square paintings adjacent to each other, the left one depicting a lush mountain view in hues of burgundy, green, and blue, and the right one depicting a vertical slit in the ground, slightly parted, revealing a light brown interior crust surrounded by a dark, rippled exterior.] -
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Cobus Jagdeo, Orange Hate, acrylic and gouache painting, 2018 [The top half of this painting shows a blue building ablaze on left. The building foregrounds an orange sky, grey clouds, a white car, and a black skyline. The bottom half uses a grey background with eight figures separated by a white rectangle in the center and an ambulance in the bottom right corner.] -
[A black and white outlined image of a bucket with a handle.] -
Installation view of Social Surfaces at Pearl River Mart, New York, October 26 - November 1, 2017. Photo: Ron Amstutz [A diagonal view of photographs, paintings, sculptures, and prints against two walls. In the corner of the walls rest a TV displaying a person with their back turned.] -
Alan Michelson, Permanent Title, 1993. [Eleven beige sacks of various sizes, depicting text and illustrations, are arranged on a wall.] -
[Pink cursive text at an ascending angle which reads "Undoolay," with horizontal green text underneath that reads "Lucas Duwenhogger."] -
Poster for Land Mass, Artists Space, December, 2017. [Poster with a red-filtered image of a colonialist painting. In green and yellow font at the top of the image it reads, "Land Mass / 18 December 2017 7pm" and at the bottom in the same font, "Natalie Diaz / Demian Dineyazhi / Sonia Guinansaca / Artists Space 55 Walker Street New York, NY 10013.] -
Detail of Coop Fund, 2018, Artists Space, New York, 2018. Photo: Daniel Pérez [An angled view of the surface of a white table. A galvanized bucket, an iPad with documents, a stack of papers reading "COOP FUND" and an illustration of a bucket are visible. To the right, a set of three papers sit with text reading, "COOP FUND, Purpose, Principles, Participation" and following respected information.] -
Installation view, Macho Man, Tell It To My Heart: Collected by Julie Ault, Artists Space 2013. Photos: Daniel Pérez [A white wall scattered with many colorful documents, photographs, and posters. On the floor sits a small TV monitor with a green image.] -
Claire Fontaine, Please God Make Tomorrow Better, 2010, Silkscreen on archival box, 24 1/2 x 20 1/2 x 1 1/2 inches, Signed and numbered certificate [A rectangular image, opaque and black. In black, all-caps, sans-serif font, outlined in white, text reads "PLEASE GOD MAKE TOMORROW BETTER." The text appears slightly above the center of the image and center justified.] -
Nayiel Walker, Self Portrait, 2018 [An abstract painting, mostly blue, purple, and black, with splashes of yellow and pink. Several of the brush strokes take on a vaguely anthropomorphic association.] -
Arts and Family Engagement evening, student and parent panel on high school portfolio preparation, P.S. 140, 2019 [A classroom with several adults sitting around the perimeter. In the center, colorful student artworks are arranged across several desks.] -
Eileen Gray. E. 1027, 1926-29. Interior [Black-and-white photo of the interior of a house, with several paintings, a round and square rug, and two armchairs, of various styles considered modern around the early 20th century.] -
New Red Order, still from CULTURE CAPTURE: TERMINAL ADDITION, 2019. [A figure wearing a black, puffy coat and a white, waxy mask that covers their entire head stands beside a stone structure with an illegible inscription. Their hand rests on the stone next to a small, spherical surveillance camera as they look off into the distance.] -
Detail from “Untitled” (A Portrait), 1991. Felix Gonzalez-Torres, 5min [A grid of 15 black and white monitors, each displaying a unique text that names objects, phenomena, or other nouns characterizing an unidentified subject, such as "a silver sea," "civil disobedience," and "a new lesion."] -
Laura Poitras: 9/11 Trilogy, Installation view, Artists Space, 2014. Photo: Daniel Pérez. [Wooden chairs placed in front of three monitors along the walls of the gallery, each projecting films.] -
A portrait of George Kuchar. [A profile of a man wearing glasses gazing beyond the frame. He sits in front of a painted portrait of a figure, who gazes in the same direction.] -
Jane Bowles with Cherifa in Tangier, 1967. Photo: Terrence Spencer/Time & Life Pictures/Getty [Black and white photograph of two women, one in a white dress and the other in a black niqab and sunglasses, walking arm in arm in a narrow street.] -
Union Gaucha Productions, Installation view, Artists Space, 2015. Photo: Daniel Pérez [A small device with a screen and cables is stuck to a closed door with a glass window and safety guard. The screen displays a blurred close up image of two hands grazing one another.] -
Louise Lawler, Egg and Gun (distorted for the times, dire), 2008/2017 [A composited image of a gallery scene, building from a street view, hand gun, and a blue rose against a yellow back ground, distorted through buldges and pulls.] -
Artists Space logo designed by Louise Lawler, 1978 [Artists Space logo, a capital letter 'A' inscribed in a circle] -
Heather Rowe, A Careful Arrangement, 2008, Archival pigment inkjet and silkscreen on Somerset velvet paper, Image size: 12-1/2 x 13 inches (31.8 x 33 cm) Paper size: 21-3/4 x 17 inches (55.2 x 43.2 cm), Edition of 25 + 8 AP. [The photograph shows an ornate room decorated symmetrically with couches on the left and right of the image and a fireplace at the back flanked by two windows. Overlayed on top of the image is a series of black squares and rectangles that overlap each other.] -
Installation view of Social Surfaces at Pearl River Mart, New York, October 26 - November 1, 2017. Photo: Ron Amstutz [A view of paintings and photographs across three walls in the space. Black columns divide the room, to the left, a sculpture is displayed on the ground.] -
Kembra Pfahler performing with the Girls of Karen Black. Photograph: ©Paula Court, 2018. [A stone-walled lawn filled with people watching Kembra Pfahler.] -
Installation view from Documenting Cadere: 1972 - 1978, Artists Space, 2013. Photo: Daniel Pérez [A view of two vitrines, one in front of the other, displaying documents in front of a book case on the wall. Documents containing text are hung on the wall.] -
[A warm colored room, surrounded by windows across two walls with view to a dimly lit horizon. String lights illuminate a scene of miscellaneous items scattered across a living space furnished with a table and chairs.] -
Mario Pfeifer (ed.), A Formal Film In Nine Episodes, Prologue and Epilogue – A Critical Reader, Spector Books, 2013. [A white book cover with black text in English and Hindi.] -
Reference pages, ca.1966 – 90, Collage on paper, Tom of Finland Foundation, Permanent Collection From Tom of Finland: The Pleasure of Play, Artists Space, 2015 [A book case displaying 5 paper collages of men's portraits.] -
Richard Kennedy, Both, Artists Space, 2017. [A photo of three performers standing in the middle of a room, surrounded by the audience. Two performers linked hands, and the third stands in between them, arms raised.] -
Devin Kenny, “What would Upski think?” , 2018, Artists Space, New York, 2018. Photo: Daniel Pérez [A device with several electrical wire connections is displayed on a metal wire shelf.] -
T.J. Wilcox, I Fell in Love With Vanessa Redgrave, 2010, Perfect bound flip book 4-page cover plus 100 pages, 50 in color, with a text by the artist 3 x 6 1/2 x 3/4 inches, Signed and numbered [An image of a woman with frizzy hair, smiling and looking past the viewer. The image is slightly distorted, as if from a VHS tape.] -
[Eight pieces of paper with text in various languages arranged in a grid.] -
Heji Shin, Camp Habibi II, 2013, C-print, 20 x 16 inches, Signed edition of 100, 5APs, Courtesy of the artist. [Detail view of a camel's head against a palm tree and blue sky.] -
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Duncan Campbell Big Fires Start Small, 2010, 3 color screenprint on poster, 25 1/2 x 16 1/2 inches (64,8 x 41,9 cm), Edition of 100, Signed and numbered. [The phrase "big fires start small" is written diagonally against a black background. "Big fires" appears in large bubble text surrounded by flames and "start small" appreas below in white blocky type.] -
Sam Pulitzer, Detail from A Colony for “Them”, Artists Space, 2014 [On a dark wooden floor sits a shallow white cylinder displaying a green light from the inside.] -
Installation view from The Issues of Our Time, Artists Space, New York, 2014 [A miniature clay sculpture sitting on a gray table. The sculpture depicts a woman folding over, cross-legged, on carpet. Miscelaneous items are dispersed across the carpets.] -
P.S. 140 student workshopping poems, 2019 [Two people stand at the front of a full classroom in front of a projector screen that says, "Poetry workshop / Ms. Rebecca / Today's task: create headline poems." One reads from a notebook, the other listens on.] -
YAP (Young Artist Perform), P.S. 140, 2019 [Several students sit on the edge of a wooden stage holding printed sheets of paper. One girl reads from her paper while holding a microphone] -
Unholding. Installation view, Artists Space, November 19, 2017 - January 21, 2018. Photo: Daniel Pérez. [A miniature log cabin constructed of handwritten documents is displayed in a vitrine. The roof on the left side reads, "By the President of the United States of America, A Proclimation."] -
Laura Poitras: 9/11 Trilogy, Installation view, Artists Space, 2014. Photo: Daniel Pérez. [Two individuals seated in two wooden chairs while a third in between them holds a single headphone. They are seated in front of a TV monitor displaying Edward Snowden's image.] -
Laura Poitras: 9/11 Trilogy, Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays a courtroom depiction of two individuals, one with blonde hair and fair skin wearing a suit, the other tan with dark facial hair wearing a keffiyeh. Behind the seated men is an image of a man sitting on the floor, in what appears to be solitary confinement.] -
Nick Mauss. So long, 2013. Ceramic plaque. 11 x 15 in / 38 x 27,9 x 38,1 cm. Courtesy the artist and 303 Gallery, New York [An abstract painting] -
Installation view from The Issues of Our Time, Artists Space, New York, 2014 [Divided into two sections, wooden floor on the left and carpet floor on the right. On the left, a table displays colorful documents. On the right, four minature copper squares sit on the ground next to two cream colored foldable chairs. Multiple wires extend across the floor and under the carpet.] -
Storm de Hirsch. Still from Newsreel: Jonas in The Brig, 1964. Courtesy Anthology Film Archives [A black-and-white photo depicting a behind the scenes view of a movie in production. A man holds the camera on the right - a cage is on the left, and two men speak in the center of the image, one facing the camera and one facing away.] -
MTL+. Water Is Life, 2016. Image courtesy the artists [A flyer for the event depicting an anti-DAPL protest] -
View of Vigilance: An Exhibition of Artists Books Exploring Strategies for Social Concern , Curated by Lucy R. Lippard and Mike Glier Franklin Furnace, 1979 Courtesy Mike Glier [A woman sits, left of center, at a table filled with books. On the wall behind her, a banner with red text that reads, "...Pessimism of the intellect, Optimism of the will... Gramsic," is displayed.] -
The Colin de Land Library, from The Library Vaccine, Artists Space, 2014. [A cluster of metal book shelves sit in the middle of the room. Visible are the cubbies of three structures, populated with books of various sizes and colors.] -
MS 324 group work, collaborative drawing, 2019 [Five people's hands work on a colorful, abstract drawing with the drawing at the center of the image on a wooden table.] -
[A textured blue book cover, with white text, stating "Like Birds When They Sing - An Anthology of Poems and Artworks by 7th and 8th Grade Students"] -
Seth Price, Untitled, 2010, Inkjet print on Dibond, 7 x 9 in / 17,8 x 22,9 cm, Signed and numbered [A silhouette figure of a person riding a horse, mid-stride. The combined figure appears as a white cut-out, with a black shadow, on a transparent (alpha) background. Details are sketched onto the silhouette in blue pen.] -
Art Day, Blue Sky Gallery, 2017 [Eight colorful paintings are exhibited in a grid pattern on a wall with a small didactic. "Blue Sky Gallery - P.S. 140 and Artists Space Expanded Art Ideas" is printed on the wall.] -
Louise Lawler, Who Says, Who Shows, Who Counts, 1990. [Three empty wine glasses in a row, each engraved with two words: "who says," "who shows," "who counts."] -
Still from Hamlet in the Rented World (A Fragment). 1970-73, 16mm transferred to video, (sound, color), 27 minutes. [A person wearing all black clothing and a black hood, wearing heavy eyeshadow and a fake mustache, looks at the floor.] -
Sam Pulitzer, Installation view from A Colony for "Them", Artists Space, 2014 [A gray square of text is displayed on a white wall that extends the left half of the frame. On the right, in the background, a series of colorful panels stagger around the room in front of a red wall. On one of the visible panels, text reads, "We're all going to really miss doing your work for you."] -
Installation view from The Issues of Our Time, Artists Space, New York, 2014 [A TV monitor, positioned on the ground with it's wiring exposed, its headphones on the ground. It displayes a still image of a washed-out portrait that implies movement through the blurring and repeititon of the face.] -
Ally Bueno, Katz's, 2017. [A black-and-white photo of a man smiling with his arms crossed, standing in front of a number of hanging salamis, and wearing a hat with a logo stating "send a salami"] -
MTL+ Artists: NYC Not for Sale, 2016 [A flyer for the event depicting MTA subway routes in white on a red background. Event title reads "ARTISTS: NYC NOT FOR SALE" with a strikethrough on the alternative subtitle "IN THE BUSINESS OF GENTRIFICATION"] -
Spread from Harun Farocki Diagrams. Images from Ten Films, stills from Images of the World and the Inscription of War, 1988 [15 images arranged in a grid, depicting close-ups of human faces and arial views of war.] -
Installation view from The Issues of Our Time, Artists Space, New York, 2014 [Three metal cutouts of hands act as holders for neon green cards displayed on the wall. The hand on the right is holding up its middle finger.] -
The Informants, 2017. [A black-and-white photo from between sitting members of a crowd. A performer kneels in silhouette, with one hand in the air. A topographical map is projected on a wall behind the performer, with a timecode in the top right corner of the screen] -
Leigh Ledare. Double Bind (Diptych #6/25), 2010. Courtesy the artist and Mitchell-Innes & Nash, New York [Two framed artworks side-by-side. One has a white background and is a collage of photographs, showing two people with their faces obscured by other images of nature and currency. The other has a black background and two smaller photos arranged one on top of the other - the top image depicts a woman looking back at the camera, and the lower image is a forest.] -
Installation view, Macho Man, Tell It To My Heart: Collected by Julie Ault, Artists Space 2013. Photos: Daniel Pérez [A white wall that reads, "Death Sentence 2009 Love It To Death 1971 Jesse… 989 Moon over Miami 1991-95 Archive," across the top into it's adjacent wall. On the left hang two images; to the right of a column hangs a drawing. Orchid plants sit to the left of the column on the ground.] -
[A man in a sleeveless Metallica shirt stands in front of a makeshift music studio, looking at the camera.] -
Eva Medina, Untitled, 2018. [A close-up phot of a group of of small, lit lamps hanging on a glass wall in an ornate building.] -
[Several students listen to a woman speaking, while standing in an exhibition space. Several materials are arranged in a vatrine and several framed artworks hang on the opposite wall. Behind the students are large open windows opening to a cityscape, and one of the windows has the word "PRINT" in large back letters] -
P.S. 140 students recording sounds at Tompkins Square Park, 2019 [A cropped image of a group of students smiling for the camera in Tompkins Square Park. One holds a recording device, which has been overlaid with an opaque orange image of a lampshade. Green digital circles emanate out from it, as if to simulate a doppler-effected sound] -
Artists Space founder Irving Sandler, Miyoko Ito Dinner, 2018. [Two people stand at the foot of an empty table, mid-conversation, looking off-camera to the left. The individual on the left holds a glass of wine.] -
Edgar Oliver reading at Marble Cemetery. Photograph: ©Paula Court, 2018. [Man standing outside at a microphone in front of a large silver inflatable penis, reading from a purple folder.] -
Hito Steyerl, Guards, 2012, HD video on freestanding screen with sound, 20 mins, Courtesy of the artist and Andrew Kreps, New York. Installation view from Hito Steyerl, Artists Space, 2015 [A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, gesturing towards the viewer with both hands together, is on the back wall.] -
Concert, 2013 Tour. [A flyer for Concert's tour, ending at Artists Space on June 30. The yellow flyer features two black speakers mounted on stands.] -
Still from Chumlum, 1964, 16mm, (sound, color), 26 minutes. [A collage-style image with a person looking towards the camera, a woman's hand, beads and several other objects.] -
Alvin Baltrop. The Piers (exterior view of day's end), 1975-8. Courtesy The Alvin Baltrop Trust and Third Streaming, New York [People sitting on small wooden planks at the end of a pier, with a large hole in the building.] -
Installation view from Documenting Cadere: 1972 - 1978, Artists Space, 2013. Photo: Daniel Pérez [A document that reads, "1976," next to several newspaper and magazine articles organized on a white surface.] -
Bernadette Corporation: 2000 Wasted Years. Installation View, Artists Space, 2012. Photo: Daniel Pérez. [Overview of a large black glossy structure built in a gallery. The "bc" logo is visible, printed in white on one of the structure's walls. A TV depicting an abstract, colorful image and the word "EVERYWHERE" is hung on an upright rolling stand, visible through an opening in the structure.] -
Installation view from The Issues of Our Time, Artists Space, New York, 2014 [Two grey silhouettes displayed next to each other on a white wall. In front of them, a table displays colorful documents.] -
Still from Nightfall, 2011. James Benning, 97min, digital HD. [Trees in a dense forest captured at nightfall.] -
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View of Everything is About to Happen : An ongoing archive of artists’ books selected by Gregorio Magnani Courtesy Corvi-Mora, London and Greengrassi, London Photo: Marcus Leith [Angled view of wooden table top covered with an organized assortment of cards, books, and paper materials, displaying images and texts, in various positions.] -
Konrad Lueg Babies , 1967 80 copies + 40 artists proofs, signed and numbered screen print on cardboard, 59 x 83 cm Courtesy of Edition Block, Berlin [Six rows of six small, faded images of a child in various poses, positioned at left center of frame.] -
[Books, with series numbers (1-20) marked at the top of the spine, rest on an encolsed shelf against a white wall.] -
Alza Tu Voz, exhibition at Washington Heights Public Library, 2017 [A photo of a front desk in a library - several desks with computers, bookshelves, and a couch are also visible. Four paintings lie on top of the bookshelves, depicting stylized figures against block color backgrounds] -
Bernadette Corporation: 2000 Wasted Years. Installation View, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of a black platform with a black screen at the end, depicting a person wearing a shirt] -
[A room with wooden walls and bright, open window. A red couch sits on the right of the frame. A lamp with sphere light bulbs sits on the floor to the right. To the left of the frame next to the doorway sits a rolling bar cart.] -
Tom of Finland Untitled , 1947 Gouache on paper Tom of Finland Foundation, Permanent Collection [An illustration including two men, wearing blazers and dress hats, gazing downwards next to another man. This man, dressed in dungarees and a baseball cap, is holding his penis.] -
[Black, capitlized text that reads, "The Colin de Land Library."] -
John Neff, Authorization Sessions Set, 2018, Proof prints from Time Dust, 2013 – 2018, Artists Space, New York, 2018. Photo: Daniel Pérez [Five photographs arranged in a pane of glass lean on bolts against a wall. The images in the photographs (from left to right) include a man exhaling smoke, a man looking towards the viewer, a man in a bathtub, a man, turned away from the camera, in a hospital gown, and an empty dinner plate.] -
Unholding. Installation view, Artists Space, November 19, 2017 - January 21, 2018. Photo: Daniel Pérez. [A brown paper bag, opened and placed at an angle, with colored pencil illustrations of a balding man wearing sunglasses and a blue collared shirt, face slightly covered by a translucent red figurative silhouette, and along the other side of the bag, a white daisy with a long green stem.] -
Friends of Artists Space Annual Dinner, 2017. [A man and a woman seated at a table smile and pose for the camera.] -
Still from Rainer Werner Fassbinder, Warnung vor einer heiligen Nutte (Beware of a Holy Whore), 1971. [Two men sit at a bar discreetly discussing an event that occurs off-screen. Two other men appear in the background, focused on a separate activity.] -
Tom of Finland Untitled , ca. 1975 Collage on paper Tom of Finland Foundation, Permanent Collection [Several portraits of men in various shapes, sizes, and colors, layered on top of eachother.] -
Joe Orton and Kenneth Halliwell Collins Guide to Roses , 1959 – 1962 Book cover collage Courtesy Islington Local History Centre [A green book cover, with it's title at the top reading, "Collings guid to ROSES;" a yellow rose against a white background, and a collaged photo of a dogs face below it. The right bottom corner of the page reads, "by Bertram Park."] -
Laura Poitras: 9/11 Trilogy, Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a person, their index finger blotted purple, inserting a document written in Arabic into a machine.] -
Donald Moffett, Hidden Drive, 2018, C-print with diecut, 16 x 12 inches, Signed edition of 100, 5APs Courtesy of the artist [White flowers are superimposed on a photograph of a leafy shrub enshrouding a yellow street sign that reads "HIDDEN DRIVE." The face of the sign is damaged with many holes and other signs of impact that suggest gunfire.] -
Union Gaucha Productions Still from Totloop , 2003 16mm film (silent, color), 4 min 49 sec Collaboration with Fabio Kacero Courtesy of Union Gaucha Productions [A man lies on the street in a horizontal position, centered within the frame. Behind him is a playground, with an Argentinian flag waving in the background.] -
Installation view, Macho Man, Tell It To My Heart: Collected by Julie Ault, Artists Space 2013. Photos: Daniel Pérez [Two gold picture frames with black and white portraits of a woman (left) and a man (right) face eachother on a shelf.] -
Union Gaucha Productions, Installation view, Artists Space, 2015. Photo: Daniel Pérez [An angled view of scattered video projection stills at various heights and sizes on a wooden wall. The wooden wall is displayed in a room with white walls and faux-grass flooring.] -
Tom of Finland. Untitled, 1976 Collection. Ulrich Tangermann, Hamburg [Drawing of a muscular man with a combover and handlebar mustache, grappling the Earth and grinning as he inserts his penis into the planet.] -
Jack Smith at University of Colorado, October 27, 1980, video, (sound, black and white), 100 minutes [A black and white image of two blurry figures talking to each other in a dark room] -
Jim Hodges, Untitled, 1999, Etching and aquatint with chine-collé, 22 x 30 inches (55.9 x 76.2 cm), Edition of 30, Signed & numbered. [A white image with a faint grey line that bisects the page lengthwise. In small text, the word "with" Iies at the center of the image.] -
Laura Cottingham & The Anita Pallenberg Story, Installation view, Artists Space, 2017. Photo: Daniel Pérez [A dim-lit room with black chairs facing a projection on the wall. The projection depicts the title slide of a film, with purple gothic text that reads "The Anita Pallenberg Story", with an unfocused image of three people in the background.] -
View of Everything is About to Happen : An ongoing archive of artists’ books selected by Gregorio Magnani Courtesy Corvi-Mora, London and Greengrassi, London Photo: Marcus Leith [Angled view of wooden table top covered with an organized assortment of cards, books, and paper materials, displaying images and texts, in various positions.] -
Hito Steyerl, installation view, Artists Space, 2015. [A monitor facing a seating arrangement constructed of stacked pillows. Two pairs of monitors are suspended on poles in the background. An image of Hito Steyerl is seen in both pairs; next to an image of a pile of cigarettes and an image of shipping containers.] -
Still from On Art and Artists Series. Andres Serrano: What Follows…, 1991. University of Colorado, 31min [Andres Serrano wearing a dark blue shirt and looking at the off-camera interviewer mid-speech.] -
Gillian Walsh. Score for Dance studio life ✌ These girls were amazing today!, 2015 [1's and 0's written in pencil on grid paper, with some letters, circled] -
[A black and white scan of an invoice from Corcraft Products issued to Artists Space at 38 Greene Street. The customer number reads "9102000". The invoice details a net purchase of $1309.00] -
Konrad Lueg with Balloons July 1962 Zero Festival, Rhine Meadows, Düsseldorf-Over-Kassel Courtesy Archiv Reiner Ruthenbeck, Ratingen © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Reiner Ruthenbeck [A black and white image of a man in sunglasses holding a large cluster of balloons tied to strings above his head with his left hand.] -
John Neff, Authorization Sessions Set 2018: Manhattan Project, 2016–2018, Artists Space, New York, 2018. Photo: Daniel Pérez [A monitor on a wheeled stand is displayed in the corner of two white walls. The monitor projects an image of a whiteboard with hand written text that reads, "People think because, People lie others..., People ignore..." circled in red, green and blue. A green office swivel chair with headphones is placed in front.] -
Ken Okiishi, detail from Wish I Were Here, 1997 – 2001. Five archival inkjet prints. Courtesy the artist [Two small items in a white glossy frame, one is a photograph and the other a postcard. The photograph is a black and white image of a man standing, slightly hunched over, pasted on top of an image of a sailor. Beneath the photograph, a faded handwritten postcard reads in blue ink, "11 July 1997, Dear Cindy Sherman, I am lost - not physically, but emotionally. I am on a cruise ship to Greece with my straight best friend, who I am in love with. Acting like "The Girl" is getting me nowhere with him. Did it get you anywhere? Sincerely, Ken Okiishi."] -
Flyer for the People's Cultural Plan Launch. Tuesday, July 18, 7-9:30pm. Artists Space. 55 Walker St [A green and white flyer with green and black text listing the event information.] -
Installation view of Jack Smith: Art Crust of Spiritual Oasis, June 22 – September 9, 2018. Courtesy of Artists Space, New York. Photo: Daniel Pérez [On a dark wall, a large yellow frame hangs on the left. On the right, four smaller anthropomorphic drawings are displayed.] -
Klara Lidén, Untitled (mailbox), 2012, Archival inkjet print, 24 x 18 inches, Signed and numbered certificate. [A black and white photo captures a New York City postal service box.] -
Bernadette Corporation with Benjamin Alexander Huseby, BC Reloaded, 2012. [A photograph of a woman looking into the camera with one hand raised to her cheek. She wears a striped white Adidas soccer jersey with the "bc" logo in one corner, and her eyeshadow stops abruptly in the middle of her right eyelid, creating an artificial crease down her face.] -
Installation view from Richard Hollis, Artists Space, 2013 [A view between two book stands, perpendicular to the wall, displaying books, documents, and papers. On the wall, posters are staggered including various text and images.] -
Jean Fisher [Black and white photograph of Jean Fisher looking to the right.] -
[A yellow book cover with abstract, patterned black text, stating "Artists Space Expanded Art Ideas - Find The Beauty Here - P.S. 140"] -
Living with Pop. A Reproduction of Capitalist Realism. Installation view, Artists Space, 2014. [Two walls form an entry way to the exhibition space. Both present black and white photos across their entire surface area. On the left, two men sit in a living room; on the right a man stands outside a store with a neon light sign.] -
Installation view from Zilia Sánchez, Artists Space, 2013. Photo: Daniel Pérez. [An angled view of three walls dispalying drawings and paneled canvases that stretch out into the space.] -
5000 Artists Return to Artists Space: 25 Years, 1998. [A blue book cover with white and black text.] -
Avery Singer, The Studio Visit, 2012. Courtesy the artist and Gavin Brown's enterprise, New York/Rome and Kraupa-Tuskany Zeidler, Berlin. [Abstract painting of two people sitting at a table and having a conversation.] -
Union Gaucha Productions, Installation view, Artists Space, 2015. Photo: Daniel Pérez [A dimly lit room where two people are seated in chairs on the right, looking at a projection. The projection displays a yellow-hued image of a city skyline.] -
Carroll Dunham Untitled, 2006, 4 Color etching with aquatint, 14 1/4 x 11 inches (36.2 x 27.9 cm), Edition of 30 Signed & numbered, Edition of 30, Signed & numbered, Published by Two Palms Press. [A small rectangle outlined in a thick black border sits inside the larger rectangle of the paper. The interior rectangle contains a cropped image of a pink colored man with his pants pulled down. In his right hand he holds a gun, pointing towards the ground against a washy abstracted black background.] -
Installation view of Jack Smith: Art Crust of Spiritual Oasis, June 22 – September 9, 2018. Courtesy of Artists Space, New York. Photo: Daniel Pérez [A video is projected onto a freestanding wall in the middle of the room. A mannequin wearing a decorative orange costumes stands to the left. In the background, a video monitor sits on a table and framed documents hang on the walls.] -
Susan Cianciolo, Flowers, 2018, 25 x 21 x 1 1/2 inches, Silkscreen on book cloth on bespoke archival box, Signed edition of 100, 5APs Courtesy of the artist. [A portfolio box with a flowered pattern on the lid is shown on a white ground with the lid slightly askew.] -
Metahaven, The Sprawl (in development), 2015 Video still Courtesy Lighthouse / The Space [A detail view of a dense, but stark forest with minimal sunlight.] -
Installation view from Lukas Duwenhögger: Undoolay, Artists Space, 2016. Photo credit: Jean Vong [A framed painting is hung on a white wall adjacent to an elevator with a decorative sconce installed above the painted white doors. The painting depicts a chained elephant being trained by a woman in a black dress. The woman holds a baton against the elephant's raised foreleg.] -
Installation view from The Issues of Our Time, Artists Space, New York, 2014 [A miniature clay sculpture of a man sitting, cross-legged, in an armchair is displayed on a carpetted floor. Where the carpet meets wooden floor, a curled wire extends from underneath the carpet.] -
It's Just Art, Adrian Piper, April 29, 1981 [Adrian Piper, dressed in black with sunglasses and holding her arms aloft in mid-motion, stands in front of a projected image showing a photo of herself in sunglasses, and a thought bubble that reads, "14. WE DEFEND EACH OTHER / (YOU CERTAINLY DIDN'T COME TO AN ART PERFORMANCE TO HEAR A LECTURE ON CURRENT EVENTS)"] -
Unholding. Installation view, Artists Space, November 19, 2017 - January 21, 2018. Photo: Daniel Pérez. [An angled view of two adjacent walls, in between sit vitrines with minature houses constructed from documents. From left to right on the wall: colorful paper bags, a monitor with a video still, a purple section of wall with various photographic objects.] -
Exhibition Catalogue [A black and white image of a man photographing a plastic penguin in front of a decorative gate. Sideways text on the right reads, "Jack Smith, Art Crust of Spiritual Oasis, June 22 - September 9, 2018, Artists Space."] -
Installation view from Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. 38 Greene, Artists Space, 2013 [A side view of a sculpture of a man leaning against a white column. He holds a book in his right hand. He is wearing a purple shirt, blue patterned shorts, and white sneakers.] -
Miyoko Ito at the opening of Miyoko Ito: A Review, The Renaissance Society at the University of Chicago, 1980 [Faded photograph of artist Miyoko Ito standing with her arms crossed in front of two of her paintings.] -
Hito Steyerl, Guards, 2012, HD video on freestanding screen with sound, 20 mins, Courtesy of the artist and Andrew Kreps, New York. Installation view from Hito Steyerl, Artists Space, 2015 [A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, standing next to a frame on a wall that contains a seperate video of a man in a street, is on the back wall.] -
Clegg & Guttmann, Change, 2015, C-print , 24 x 20 in / 61 x 50,8 cm, Signed and Numbered Certificate. [Aluminum foil, partially unrolled, with a pile of pennies is dramatically lit in a darkened room.] -
Unholding. Installation view, Artists Space, November 19, 2017 - January 21, 2018. Photo: Daniel Pérez. [Three paper bags photographed at an angle sit on pedestals. Closest to the camera, the bag has been painted with white and blue foliage, and collaged with a drawing of Africa. The two, farther bags portray drawn portraits of men.] -
Union Gaucha Productions Still from Totloop , 2003 16mm film (silent, color), 4 min 49 sec Collaboration with Fabio Kacero Courtesy of Union Gaucha Productions [A portrait of Jonas Mekas in Rembrandt lighting looking directly into the camera, wearing his signature fedora and standing against a black background.] -
Installation view from Tom of Finland: The Pleasure of Play, Artists Space, 2015 [An angled view of vitrines and book cases displaying collages.] -
Installation view from Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. 38 Greene, Artists Space, 2013 [A close up view of a sculpture of a man holding a book. The man's hand holds the spine of a book close to his purple shirt.] -
Bernadette Corporation: 2000 Wasted Years. Installation View, Artists Space, 2012. Photo: Daniel Pérez. [Two black display cases in the middle of a gallery space, with clear horizontal glass cut-outs, one taller than the other. Each display case houses a collection of mugs and other ephemera.] -
Jeff Preiss. Still from STOP, 2012. 16mm film transferred to digital video [Close-up photo of a person with red hair, leaning against a wall looking away from the camera.] -
Speaker Music, still from a finesse, 2019, (filmed at 11 Cortlandt Alley). [An image is reproduced from three different angles: two in landscape with the third, vertical and upside down. Two people stand in a red-lit room, one looks at a camera and the other stands beside them. A double exposure overlays the image with the same two people, the former holding up the camera and the latter posing for a photo.] -
Frances Stark, Consider the following again: Why should you not be able to assemble yourself and write?, 2010, Giclée and silkscreen on Somerset Enhanced Velvet, 330 gsm 18 1/2 x 14 1/2 in / 47 x 36,8 cm, Signed and numbered. [A collage-style image of a person sitting on a square object, perhaps a floor mat, viewed from the top-down. Black-and-white, aside from the person's exposed tan collar, hands and forearms, and feet. They are wearing a black-and-white checkered dress, and have black hair. The figure is looking at an upside-down text, reading "why should you not be able to assemble yourself and write?"] -
Allora & Calzadilla, Bandage, 2011, Painted cast white metal, 3 x 3/4 x 1/16 in / 7,6 x 2 x .16 cm, Signed certificate. [A small, tan bandage lying face-down on a white background.] -
Laura Cottingham & The Anita Pallenberg Story, Installation view, Artists Space, 2017. Photo: Daniel Pérez [An empty dim-lit room with chairs with a projection on the wall. The projection features a close-up image of a person with wavy brown hair covering their face, lying facedown on a fluffy white carpet.] -
Image courtesy No Total [A cartoon drawing of a bedroom with a purple bed, chair, and window] -
Installation view from Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. 38 Greene, Artists Space, 2013 [A sculpture of a man leans against a white column in an otherwise empty gallery space.] -
Jack Smith in Jack Smith’s Fear Ritual of Shark Museum, Cologne, 1974 Photograph © Gwenn Thomas. Courtesy Exile Gallery, Berlin and Southfirst, New York Courtesy New York University, Fales Library and Special Collections [A black and white image with an organic border features Jack Smith in a white cloak standing in front of a wall. To the left of him are two posters that read, "Krone," at the top in block letters. Behind him are large, white block letters that read, "R O N." A ghost-like figure with multiple arms is pictured above him.] -
Unholding. Installation view, Artists Space, November 19, 2017 - January 21, 2018. Photo: Daniel Pérez. [Four framed photogrpahs in a grid hang on an angled wall to the left. Three decorated paper bags sit on white pedestals. An abstract landscape painting hangs on the wall in the background.] -
Edition Hansjörg Mayer, from The Library Vaccine, Artists Space, 2014. Left: Hansjörg Mater, Typoaktionen / Typoactions, 1967. Frankfurt am Main: Typos Right: Georg Bense, Hansjörg Mayer, Freimut Wössner and Rainer Wössner, Der Fisch Fliegt Steil / The Fish Flies Steeply, 1962 16mm black and white film and magnetic sound transferred to digital video 9 minutes, 54 seconds [On a white table, to the left, sits a flutter book with a dot illustration increasing in density through the pages. To the right, a TV monitor displays a black and white image of a finger pressing the space bar on a type writer.] -
Installation view, Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff, Artists Space, New York, 2018. Photo: Daniel Pérez [A barrel, converted into a grill, sits horizontally on a wheeled cart. It is opened, with a silver metallic interior, in the center of the room. On the left, three long planks of glass lean onto the wall. To the right, photographs displayed in a pane of glass sit at eye-level on the wall.] -
Joey De Jesus. Extract from NOCT: The Threshold of Madness, 2016. Ink on found book. Courtesy the artist [A Text titled "Before the Encounter" with a strikethrough on nearly every word - drawn over with abstract black symbols and shapes, circling some words] -
Installation view from Documenting Cadere: 1972 - 1978, Artists Space, 2013. Photo: Daniel Pérez [A view of five vitrines, displaying various documents, arranged in columns in the middle of a room. On either wall, book cases used for display.] -
Unholding. Installation view, Artists Space, November 19, 2017 - January 21, 2018. Photo: Daniel Pérez. [A brown paper bag, placed on a shelf at an angle, an illustration, in colored pencil, of a man wearing a ten-gallon hat, in which his strands of black hair stick out from the bottom. A graphic that reads, "Pioneer," across his hat. In the background and the side of the bag are small detailed multicolored line patterns. A single cannabis leaf, facing sideways amongst the line pattern.] -
[An exhibition flyer depicting a small fig tree in the background. Text lists the participating artists as well as dates for the opening event and gallery hours.] -
Juliana Huxtable, Train, 2018, Sound recording on compact disc housed in four-panel sleeve featuring original artwork, Recording: 14 min 17 seconds, sleeve: 5 x 10 inches, Signed and numbered. [A dense graphic background of yellow circles and green dots on red ground is layered with text that reads "close your eyes" in a variety of fonts and colors.] -
Book cover for The Stagnant Society by Michael Shanks. Design by Richard Hollis. Published by Penguin Books, London, 1961. Courtesy Richard Hollis [A red background, half the Union Jack poisitoned behind sillhouette's of five men and a car, and text that reads, "The Stagnant Society, Michael Shanks."] -
Shayla Aviles, Untitled, 2018 [A mostly black-and-white image depicting the façades of two buildings - one is light grey with a turquoise fire escape, and the other is dark grey with a black fire escape. On the lighter building, the street-level storefront says "Mazeish"] -
[Four framed drawings on a wall depicting chaotic, colorful scenes of crowds.]
