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  • Fibe book covers displayed in a line against a white background. Each one has been illustrated over with various colos of marker and pen.
    Fibe book covers displayed in a line against a white background. Each one has been illustrated over with various colos of marker and pen.
    Works by Dieter Roth Published by Edition Hansjörg Mayer [Fibe book covers displayed in a line against a white background. Each one has been illustrated over with various colos of marker and pen.]
    Caption Works by Dieter Roth Published by Edition Hansjörg Mayer
    Image description Fibe book covers displayed in a line against a white background. Each one has been illustrated over with various colos of marker and pen.
    Year 2014
    Related pages The Library Vaccine
  • A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man with tan skin and facial hair, wearing a keffiyeh.
    A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man with tan skin and facial hair, wearing a keffiyeh.
    Laura Poitras: 9/11 Trilogy, Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man with tan skin and facial hair, wearing a keffiyeh.]
    Caption Laura Poitras: 9/11 Trilogy, Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man with tan skin and facial hair, wearing a keffiyeh.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
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    Image description
    Year 2019
    Related pages Favicon Series
  • Students stand outside of a storefront in New York - Word Up Community Bookshop. In the window are several signs with Black Lives Matter and
    Students stand outside of a storefront in New York - Word Up Community Bookshop. In the window are several signs with Black Lives Matter and
    MS 324 students outside Word Up Community Bookshop, 2018 [Students stand outside of a storefront in New York - Word Up Community Bookshop. In the window are several signs with Black Lives Matter and "Eat Sleep Read Local" slogans]
    Caption MS 324 students outside Word Up Community Bookshop, 2018
    Image description Students stand outside of a storefront in New York - Word Up Community Bookshop. In the window are several signs with Black Lives Matter and "Eat Sleep Read Local" slogans
    Year 2018
    Related pages Threads of History
  • Black and white photographs hang in a line descending into the exhibition space on a dark wall. On the right, a video montior sits on the ground. In the background is a free-standing wall featuring photographs and a mannequin dressed in orange and green.
    Black and white photographs hang in a line descending into the exhibition space on a dark wall. On the right, a video montior sits on the ground. In the background is a free-standing wall featuring photographs and a mannequin dressed in orange and green.
    Installation view of Jack Smith: Art Crust of Spiritual Oasis, June 22 – September 9, 2018. Courtesy of Artists Space, New York. Photo: Daniel Pérez [Black and white photographs hang in a line descending into the exhibition space on a dark wall. On the right, a video montior sits on the ground. In the background is a free-standing wall featuring photographs and a mannequin dressed in orange and green.]
    Caption Installation view of Jack Smith: Art Crust of Spiritual Oasis, June 22 – September 9, 2018. Courtesy of Artists Space, New York. Photo: Daniel Pérez
    Image description Black and white photographs hang in a line descending into the exhibition space on a dark wall. On the right, a video montior sits on the ground. In the background is a free-standing wall featuring photographs and a mannequin dressed in orange and green.
    Year 2018
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • A wooden platform on wheels surrounded by a border of small poppy red brick-like sculptures, that continue to surround the base of a white pole. Sculptures and paintings are visible on the back wall behind the wooden platform.
    A wooden platform on wheels surrounded by a border of small poppy red brick-like sculptures, that continue to surround the base of a white pole. Sculptures and paintings are visible on the back wall behind the wooden platform.
    Installation view of Social Surfaces at Pearl River Mart, New York, October 26 - November 1, 2017. Photo: Ron Amstutz [A wooden platform on wheels surrounded by a border of small poppy red brick-like sculptures, that continue to surround the base of a white pole. Sculptures and paintings are visible on the back wall behind the wooden platform.]
    Caption Installation view of Social Surfaces at Pearl River Mart, New York, October 26 - November 1, 2017. Photo: Ron Amstutz
    Image description A wooden platform on wheels surrounded by a border of small poppy red brick-like sculptures, that continue to surround the base of a white pole. Sculptures and paintings are visible on the back wall behind the wooden platform.
    Year 2017
    Related pages Social Surfaces
  • A folding calculator, opened and turned on its side and illuminated with bright green, peach, and pink light.
    A folding calculator, opened and turned on its side and illuminated with bright green, peach, and pink light.
    Ed Atkins, still from Death Mask II: The Scent, 2010, HD video with sound, 8 minutes 19 seconds. Courtesy the artist, Cabinet Gallery, London and Isabella Bortolozzi Galerie, Berlin. [A folding calculator, opened and turned on its side and illuminated with bright green, peach, and pink light.]
    Caption Ed Atkins, still from Death Mask II: The Scent, 2010, HD video with sound, 8 minutes 19 seconds. Courtesy the artist, Cabinet Gallery, London and Isabella Bortolozzi Galerie, Berlin.
    Image description A folding calculator, opened and turned on its side and illuminated with bright green, peach, and pink light.
    Year 2010
    Related pages Frozen Lakes
  • Six pornographic illustrations of men near trees are framed on a wall.
    Six pornographic illustrations of men near trees are framed on a wall.
    Installation view from Tom of Finland: The Pleasure of Play, Artists Space, 2015 [Six pornographic illustrations of men near trees are framed on a wall.]
    Caption Installation view from Tom of Finland: The Pleasure of Play, Artists Space, 2015
    Image description Six pornographic illustrations of men near trees are framed on a wall.
    Year 2015
    Related pages Tom of Finland: The Pleasure of Play
  • Two furry, brown and mahogany moths stand back-to-back, behinds touching, on a green leaf. More leaves can be seen in the background.
    Two furry, brown and mahogany moths stand back-to-back, behinds touching, on a green leaf. More leaves can be seen in the background.
    Image provided by Oki Sogumi [Two furry, brown and mahogany moths stand back-to-back, behinds touching, on a green leaf. More leaves can be seen in the background.]
    Caption Image provided by Oki Sogumi
    Image description Two furry, brown and mahogany moths stand back-to-back, behinds touching, on a green leaf. More leaves can be seen in the background.
    Year
    Related pages Joo-Hyun Kim, Ted Rees, Oki Sogumi
  • A blue wooden chair, a pair of leather boots and a power strip on a concrete floor.
    A blue wooden chair, a pair of leather boots and a power strip on a concrete floor.
    [A blue wooden chair, a pair of leather boots and a power strip on a concrete floor.]
    Caption
    Image description A blue wooden chair, a pair of leather boots and a power strip on a concrete floor.
    Year 2018
    Related pages What Are Our Questions?
  • The image shows a photograph with a plastic frame. The frame has holes for a small speaker and a button that says,
    The image shows a photograph with a plastic frame. The frame has holes for a small speaker and a button that says,
    Tony Oursler, Untitled (Talking Photograph), 1996, Photograph mounted on plastic frame with audio recording in custom box, 6 x 7 x 1/2 inches (15.2 x 17.8 x 1.3 cm), Signed & numbered. [The image shows a photograph with a plastic frame. The frame has holes for a small speaker and a button that says, "play." The photograph shows a close-up of a woman's face looking off into the distance while laying face down on white lace. Projected on the side of her face is another woman's face.]
    Caption Tony Oursler, Untitled (Talking Photograph), 1996, Photograph mounted on plastic frame with audio recording in custom box, 6 x 7 x 1/2 inches (15.2 x 17.8 x 1.3 cm), Signed & numbered.
    Image description The image shows a photograph with a plastic frame. The frame has holes for a small speaker and a button that says, "play." The photograph shows a close-up of a woman's face looking off into the distance while laying face down on white lace. Projected on the side of her face is another woman's face.
    Year 1996
    Related pages Editions
  • A dimly lit view of a wooden wall with scattered video-still images at varying placements. Behind the wood is a white wall.
    A dimly lit view of a wooden wall with scattered video-still images at varying placements. Behind the wood is a white wall.
    Union Gaucha Productions, Installation view, Artists Space, 2015. Photo: Daniel Pérez [A dimly lit view of a wooden wall with scattered video-still images at varying placements. Behind the wood is a white wall.]
    Caption Union Gaucha Productions, Installation view, Artists Space, 2015. Photo: Daniel Pérez
    Image description A dimly lit view of a wooden wall with scattered video-still images at varying placements. Behind the wood is a white wall.
    Year 2015
    Related pages Union Gaucha Productions
  • On a white wall two artworks on paper and of the same size hang side-by-side. On the left, nine pencil drawings in no order depict the same figure from different angles. On the right, nine small blocks of text with white letters on a black background sit in orderly 3 x 3 rows.
    On a white wall two artworks on paper and of the same size hang side-by-side. On the left, nine pencil drawings in no order depict the same figure from different angles. On the right, nine small blocks of text with white letters on a black background sit in orderly 3 x 3 rows.
    Danica Barboza, Omnia - Mercurial, Interposition. Installation view Galerie Buchholz, Cologne 2019. [On a white wall two artworks on paper and of the same size hang side-by-side. On the left, nine pencil drawings in no order depict the same figure from different angles. On the right, nine small blocks of text with white letters on a black background sit in orderly 3 x 3 rows.]
    Caption Danica Barboza, Omnia - Mercurial, Interposition. Installation view Galerie Buchholz, Cologne 2019.
    Image description On a white wall two artworks on paper and of the same size hang side-by-side. On the left, nine pencil drawings in no order depict the same figure from different angles. On the right, nine small blocks of text with white letters on a black background sit in orderly 3 x 3 rows.
    Year 2019
    Related pages Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater
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    Year
    Related pages No Total Weekend
  • A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man holding up the Iraqi flag.
    A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man holding up the Iraqi flag.
    Laura Poitras: 9/11 Trilogy, Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man holding up the Iraqi flag.]
    Caption Laura Poitras: 9/11 Trilogy, Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man holding up the Iraqi flag.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • A moving gif of a paper diagram blowing from the wind of a computer device. The top right corner of the machine reads,
    A moving gif of a paper diagram blowing from the wind of a computer device. The top right corner of the machine reads,
    [A moving gif of a paper diagram blowing from the wind of a computer device. The top right corner of the machine reads, "StarTech.com"]
    Caption
    Image description A moving gif of a paper diagram blowing from the wind of a computer device. The top right corner of the machine reads, "StarTech.com"
    Year
    Related pages Aaron Flint Jamison
  • Collaged images of pairs of half-naked men in various poses and positions.
    Collaged images of pairs of half-naked men in various poses and positions.
    Tom of Finland Untitled , ca. 1968 Collage on paper Tom of Finland Foundation, Permanent Collection [Collaged images of pairs of half-naked men in various poses and positions.]
    Caption Tom of Finland Untitled , ca. 1968 Collage on paper Tom of Finland Foundation, Permanent Collection
    Image description Collaged images of pairs of half-naked men in various poses and positions.
    Year 1968
    Related pages Tom of Finland: The Pleasure of Play
  • An iPhone in the Messages app sending a text
    An iPhone in the Messages app sending a text
    Sophia Le Fraga. W8ING 4, 2014. Video still [An iPhone in the Messages app sending a text "all my life I've been like wtvr b reasonable" to a contact $OPH]
    Caption Sophia Le Fraga. W8ING 4, 2014. Video still
    Image description An iPhone in the Messages app sending a text "all my life I've been like wtvr b reasonable" to a contact $OPH
    Year 2014
    Related pages In Visible Architectures: Alejandro Miguel Justino Crawford, Ian Hatcher & Sophia Le Fraga
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    Year
    Related pages Lukas Duwenhögger: Undoolay
  • A magazine cover depicting a grid of international stamps.
    A magazine cover depicting a grid of international stamps.
    Cover of The Happy Hipocrite, Issue 6 - Freedom [A magazine cover depicting a grid of international stamps.]
    Caption Cover of The Happy Hipocrite, Issue 6 - Freedom
    Image description A magazine cover depicting a grid of international stamps.
    Year 2013
    Related pages The Happy Hypocrite - Freedom Issue 6, Edited by Lynne Tillman
  • Several black and white photographs and documents organized into a grid on a white surface.
    Several black and white photographs and documents organized into a grid on a white surface.
    Installation view from Documenting Cadere: 1972 - 1978, Artists Space, 2013. Photo: Daniel Pérez [Several black and white photographs and documents organized into a grid on a white surface.]
    Caption Installation view from Documenting Cadere: 1972 - 1978, Artists Space, 2013. Photo: Daniel Pérez
    Image description Several black and white photographs and documents organized into a grid on a white surface.
    Year 2013
    Related pages Documenting Cadere: 1972 - 1978
  • Two square paintings adjacent to each other, the left one depicting a lush mountain view in hues of burgundy, green, and blue, and the right one depicting a vertical slit in the ground, slightly parted, revealing a light brown interior crust surrounded by a dark, rippled exterior.
    Two square paintings adjacent to each other, the left one depicting a lush mountain view in hues of burgundy, green, and blue, and the right one depicting a vertical slit in the ground, slightly parted, revealing a light brown interior crust surrounded by a dark, rippled exterior.
    Unholding. Installation view, Artists Space, November 19, 2017 - January 21, 2018. Photo: Daniel Pérez. [Two square paintings adjacent to each other, the left one depicting a lush mountain view in hues of burgundy, green, and blue, and the right one depicting a vertical slit in the ground, slightly parted, revealing a light brown interior crust surrounded by a dark, rippled exterior.]
    Caption Unholding. Installation view, Artists Space, November 19, 2017 - January 21, 2018. Photo: Daniel Pérez.
    Image description Two square paintings adjacent to each other, the left one depicting a lush mountain view in hues of burgundy, green, and blue, and the right one depicting a vertical slit in the ground, slightly parted, revealing a light brown interior crust surrounded by a dark, rippled exterior.
    Year 2017
    Related pages Unholding
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    Year
    Related pages LAND MASS
  • The top half of this painting shows a blue building ablaze on left. The building foregrounds an orange sky, grey clouds, a white car, and a black skyline. The bottom half uses a grey background with eight figures separated by a white rectangle in the center and an ambulance in the bottom right corner.
    The top half of this painting shows a blue building ablaze on left. The building foregrounds an orange sky, grey clouds, a white car, and a black skyline. The bottom half uses a grey background with eight figures separated by a white rectangle in the center and an ambulance in the bottom right corner.
    Cobus Jagdeo, Orange Hate, acrylic and gouache painting, 2018 [The top half of this painting shows a blue building ablaze on left. The building foregrounds an orange sky, grey clouds, a white car, and a black skyline. The bottom half uses a grey background with eight figures separated by a white rectangle in the center and an ambulance in the bottom right corner.]
    Caption Cobus Jagdeo, Orange Hate, acrylic and gouache painting, 2018
    Image description The top half of this painting shows a blue building ablaze on left. The building foregrounds an orange sky, grey clouds, a white car, and a black skyline. The bottom half uses a grey background with eight figures separated by a white rectangle in the center and an ambulance in the bottom right corner.
    Year 2018
    Related pages Portfolio Development
  • A black and white outlined image of a bucket with a handle.
    A black and white outlined image of a bucket with a handle.
    [A black and white outlined image of a bucket with a handle.]
    Caption
    Image description A black and white outlined image of a bucket with a handle.
    Year
    Related pages Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff
  • A diagonal view of photographs, paintings, sculptures, and prints against two walls. In the corner of the walls rest a TV displaying a person with their back turned.
    A diagonal view of photographs, paintings, sculptures, and prints against two walls. In the corner of the walls rest a TV displaying a person with their back turned.
    Installation view of Social Surfaces at Pearl River Mart, New York, October 26 - November 1, 2017. Photo: Ron Amstutz [A diagonal view of photographs, paintings, sculptures, and prints against two walls. In the corner of the walls rest a TV displaying a person with their back turned.]
    Caption Installation view of Social Surfaces at Pearl River Mart, New York, October 26 - November 1, 2017. Photo: Ron Amstutz
    Image description A diagonal view of photographs, paintings, sculptures, and prints against two walls. In the corner of the walls rest a TV displaying a person with their back turned.
    Year 2017
    Related pages Social Surfaces
  • Eleven beige sacks of various sizes, depicting text and illustrations, are arranged on a wall.
    Eleven beige sacks of various sizes, depicting text and illustrations, are arranged on a wall.
    Alan Michelson, Permanent Title, 1993. [Eleven beige sacks of various sizes, depicting text and illustrations, are arranged on a wall.]
    Caption Alan Michelson, Permanent Title, 1993.
    Image description Eleven beige sacks of various sizes, depicting text and illustrations, are arranged on a wall.
    Year 2017
    Related pages Unholding
  • Pink cursive text at an ascending angle which reads
    Pink cursive text at an ascending angle which reads
    [Pink cursive text at an ascending angle which reads "Undoolay," with horizontal green text underneath that reads "Lucas Duwenhogger."]
    Caption
    Image description Pink cursive text at an ascending angle which reads "Undoolay," with horizontal green text underneath that reads "Lucas Duwenhogger."
    Year 2016
    Related pages Lukas Duwenhögger: Undoolay
  • Poster with a red-filtered image of a colonialist painting. In green and yellow font at the top of the image it reads,
    Poster with a red-filtered image of a colonialist painting. In green and yellow font at the top of the image it reads,
    Poster for Land Mass, Artists Space, December, 2017. [Poster with a red-filtered image of a colonialist painting. In green and yellow font at the top of the image it reads, "Land Mass / 18 December 2017 7pm" and at the bottom in the same font, "Natalie Diaz / Demian Dineyazhi / Sonia Guinansaca / Artists Space 55 Walker Street New York, NY 10013.]
    Caption Poster for Land Mass, Artists Space, December, 2017.
    Image description Poster with a red-filtered image of a colonialist painting. In green and yellow font at the top of the image it reads, "Land Mass / 18 December 2017 7pm" and at the bottom in the same font, "Natalie Diaz / Demian Dineyazhi / Sonia Guinansaca / Artists Space 55 Walker Street New York, NY 10013.
    Year 2017
    Related pages LAND MASS
  • An angled view of the surface of a white table. A galvanized bucket, an iPad with documents, a stack of papers reading
    An angled view of the surface of a white table. A galvanized bucket, an iPad with documents, a stack of papers reading
    Detail of Coop Fund, 2018, Artists Space, New York, 2018. Photo: Daniel Pérez [An angled view of the surface of a white table. A galvanized bucket, an iPad with documents, a stack of papers reading "COOP FUND" and an illustration of a bucket are visible. To the right, a set of three papers sit with text reading, "COOP FUND, Purpose, Principles, Participation" and following respected information.]
    Caption Detail of Coop Fund, 2018, Artists Space, New York, 2018. Photo: Daniel Pérez
    Image description An angled view of the surface of a white table. A galvanized bucket, an iPad with documents, a stack of papers reading "COOP FUND" and an illustration of a bucket are visible. To the right, a set of three papers sit with text reading, "COOP FUND, Purpose, Principles, Participation" and following respected information.
    Year 2018
    Related pages Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff
  • A white wall scattered with many colorful documents, photographs, and posters. On the floor sits a small TV monitor with a green image.
    A white wall scattered with many colorful documents, photographs, and posters. On the floor sits a small TV monitor with a green image.
    Installation view, Macho Man, Tell It To My Heart: Collected by Julie Ault, Artists Space 2013. Photos: Daniel Pérez [A white wall scattered with many colorful documents, photographs, and posters. On the floor sits a small TV monitor with a green image.]
    Caption Installation view, Macho Man, Tell It To My Heart: Collected by Julie Ault, Artists Space 2013. Photos: Daniel Pérez
    Image description A white wall scattered with many colorful documents, photographs, and posters. On the floor sits a small TV monitor with a green image.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • A rectangular image, opaque and black. In black, all-caps, sans-serif font, outlined in white, text reads
    A rectangular image, opaque and black. In black, all-caps, sans-serif font, outlined in white, text reads
    Claire Fontaine, Please God Make Tomorrow Better, 2010, Silkscreen on archival box, 24 1/2 x 20 1/2 x 1 1/2 inches, Signed and numbered certificate [A rectangular image, opaque and black. In black, all-caps, sans-serif font, outlined in white, text reads "PLEASE GOD MAKE TOMORROW BETTER." The text appears slightly above the center of the image and center justified.]
    Caption Claire Fontaine, Please God Make Tomorrow Better, 2010, Silkscreen on archival box, 24 1/2 x 20 1/2 x 1 1/2 inches, Signed and numbered certificate
    Image description A rectangular image, opaque and black. In black, all-caps, sans-serif font, outlined in white, text reads "PLEASE GOD MAKE TOMORROW BETTER." The text appears slightly above the center of the image and center justified.
    Year
    Related pages Artists Space Annual Edition Portfolio 2010
  • An abstract painting, mostly blue, purple, and black, with splashes of yellow and pink. Several of the brush strokes take on a vaguely anthropomorphic association.
    An abstract painting, mostly blue, purple, and black, with splashes of yellow and pink. Several of the brush strokes take on a vaguely anthropomorphic association.
    Nayiel Walker, Self Portrait, 2018 [An abstract painting, mostly blue, purple, and black, with splashes of yellow and pink. Several of the brush strokes take on a vaguely anthropomorphic association.]
    Caption Nayiel Walker, Self Portrait, 2018
    Image description An abstract painting, mostly blue, purple, and black, with splashes of yellow and pink. Several of the brush strokes take on a vaguely anthropomorphic association.
    Year 2018
    Related pages Scholastic Art and Writing Awards
  • A classroom with several adults sitting around the perimeter. In the center, colorful student artworks are arranged across several desks.
    A classroom with several adults sitting around the perimeter. In the center, colorful student artworks are arranged across several desks.
    Arts and Family Engagement evening, student and parent panel on high school portfolio preparation, P.S. 140, 2019 [A classroom with several adults sitting around the perimeter. In the center, colorful student artworks are arranged across several desks.]
    Caption Arts and Family Engagement evening, student and parent panel on high school portfolio preparation, P.S. 140, 2019
    Image description A classroom with several adults sitting around the perimeter. In the center, colorful student artworks are arranged across several desks.
    Year
    Related pages Education Exhibitions and Events
  • Black-and-white photo of the interior of a house, with several paintings, a round and square rug, and two armchairs, of various styles considered modern around the early 20th century.
    Black-and-white photo of the interior of a house, with several paintings, a round and square rug, and two armchairs, of various styles considered modern around the early 20th century.
    Eileen Gray. E. 1027, 1926-29. Interior [Black-and-white photo of the interior of a house, with several paintings, a round and square rug, and two armchairs, of various styles considered modern around the early 20th century.]
    Caption Eileen Gray. E. 1027, 1926-29. Interior
    Image description Black-and-white photo of the interior of a house, with several paintings, a round and square rug, and two armchairs, of various styles considered modern around the early 20th century.
    Year
    Related pages Presence and Absence
  • A figure wearing a black, puffy coat and a white, waxy mask that covers their entire head stands beside a stone structure with an illegible inscription. Their hand rests on the stone next to a small, spherical surveillance camera as they look off into the distance.
    A figure wearing a black, puffy coat and a white, waxy mask that covers their entire head stands beside a stone structure with an illegible inscription. Their hand rests on the stone next to a small, spherical surveillance camera as they look off into the distance.
    New Red Order, still from CULTURE CAPTURE: TERMINAL ADDITION, 2019. [A figure wearing a black, puffy coat and a white, waxy mask that covers their entire head stands beside a stone structure with an illegible inscription. Their hand rests on the stone next to a small, spherical surveillance camera as they look off into the distance.]
    Caption New Red Order, still from CULTURE CAPTURE: TERMINAL ADDITION, 2019.
    Image description A figure wearing a black, puffy coat and a white, waxy mask that covers their entire head stands beside a stone structure with an illegible inscription. Their hand rests on the stone next to a small, spherical surveillance camera as they look off into the distance.
    Year 2019
    Related pages New Red Order: Informants Get Paid!
  • A grid of 15 black and white monitors, each displaying a unique text that names objects, phenomena, or other nouns characterizing an unidentified subject, such as
    A grid of 15 black and white monitors, each displaying a unique text that names objects, phenomena, or other nouns characterizing an unidentified subject, such as
    Detail from “Untitled” (A Portrait), 1991. Felix Gonzalez-Torres, 5min [A grid of 15 black and white monitors, each displaying a unique text that names objects, phenomena, or other nouns characterizing an unidentified subject, such as "a silver sea," "civil disobedience," and "a new lesion."]
    Caption Detail from “Untitled” (A Portrait), 1991. Felix Gonzalez-Torres, 5min
    Image description A grid of 15 black and white monitors, each displaying a unique text that names objects, phenomena, or other nouns characterizing an unidentified subject, such as "a silver sea," "civil disobedience," and "a new lesion."
    Year 1991
    Related pages Film and Video Program | Macho Man, Tell It To My Heart: Collected by Julie Ault | January 23
  • Wooden chairs placed in front of three monitors along the walls of the gallery, each projecting films.
    Wooden chairs placed in front of three monitors along the walls of the gallery, each projecting films.
    Laura Poitras: 9/11 Trilogy, Installation view, Artists Space, 2014. Photo: Daniel Pérez. [Wooden chairs placed in front of three monitors along the walls of the gallery, each projecting films.]
    Caption Laura Poitras: 9/11 Trilogy, Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description Wooden chairs placed in front of three monitors along the walls of the gallery, each projecting films.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • A profile of a man wearing glasses gazing beyond the frame. He sits in front of a painted portrait of a figure, who gazes in the same direction.
    A profile of a man wearing glasses gazing beyond the frame. He sits in front of a painted portrait of a figure, who gazes in the same direction.
    A portrait of George Kuchar. [A profile of a man wearing glasses gazing beyond the frame. He sits in front of a painted portrait of a figure, who gazes in the same direction.]
    Caption A portrait of George Kuchar.
    Image description A profile of a man wearing glasses gazing beyond the frame. He sits in front of a painted portrait of a figure, who gazes in the same direction.
    Year 2013
    Related pages George Kuchar
  • Black and white photograph of two women, one in a white dress and the other in a black niqab and sunglasses, walking arm in arm in a narrow street.
    Black and white photograph of two women, one in a white dress and the other in a black niqab and sunglasses, walking arm in arm in a narrow street.
    Jane Bowles with Cherifa in Tangier, 1967. Photo: Terrence Spencer/Time & Life Pictures/Getty [Black and white photograph of two women, one in a white dress and the other in a black niqab and sunglasses, walking arm in arm in a narrow street.]
    Caption Jane Bowles with Cherifa in Tangier, 1967. Photo: Terrence Spencer/Time & Life Pictures/Getty
    Image description Black and white photograph of two women, one in a white dress and the other in a black niqab and sunglasses, walking arm in arm in a narrow street.
    Year 1967
    Related pages Dear Jane
  • A small device with a screen and cables is stuck to a closed door with a glass window and safety guard. The screen displays a blurred close up image of two hands grazing one another.
    A small device with a screen and cables is stuck to a closed door with a glass window and safety guard. The screen displays a blurred close up image of two hands grazing one another.
    Union Gaucha Productions, Installation view, Artists Space, 2015. Photo: Daniel Pérez [A small device with a screen and cables is stuck to a closed door with a glass window and safety guard. The screen displays a blurred close up image of two hands grazing one another.]
    Caption Union Gaucha Productions, Installation view, Artists Space, 2015. Photo: Daniel Pérez
    Image description A small device with a screen and cables is stuck to a closed door with a glass window and safety guard. The screen displays a blurred close up image of two hands grazing one another.
    Year 2015
    Related pages Union Gaucha Productions
  • A composited image of a gallery scene, building from a street view, hand gun, and a blue rose against a yellow back ground, distorted through buldges and pulls.
    A composited image of a gallery scene, building from a street view, hand gun, and a blue rose against a yellow back ground, distorted through buldges and pulls.
    Louise Lawler, Egg and Gun (distorted for the times, dire), 2008/2017 [A composited image of a gallery scene, building from a street view, hand gun, and a blue rose against a yellow back ground, distorted through buldges and pulls.]
    Caption Louise Lawler, Egg and Gun (distorted for the times, dire), 2008/2017
    Image description A composited image of a gallery scene, building from a street view, hand gun, and a blue rose against a yellow back ground, distorted through buldges and pulls.
    Year 2008
    Related pages Social Surfaces
  • Artists Space logo, a capital letter 'A' inscribed in a circle
    Artists Space logo, a capital letter 'A' inscribed in a circle
    Artists Space logo designed by Louise Lawler, 1978 [Artists Space logo, a capital letter 'A' inscribed in a circle]
    Caption Artists Space logo designed by Louise Lawler, 1978
    Image description Artists Space logo, a capital letter 'A' inscribed in a circle
    Year
    Related pages History
  • The photograph shows an ornate room decorated symmetrically with couches on the left and right of the image and a fireplace at the back flanked by two windows. Overlayed on top of the image is a series of black squares and rectangles that overlap each other.
    The photograph shows an ornate room decorated symmetrically with couches on the left and right of the image and a fireplace at the back flanked by two windows. Overlayed on top of the image is a series of black squares and rectangles that overlap each other.
    Heather Rowe, A Careful Arrangement, 2008, Archival pigment inkjet and silkscreen on Somerset velvet paper, Image size: 12-1/2 x 13 inches (31.8 x 33 cm) Paper size: 21-3/4 x 17 inches (55.2 x 43.2 cm), Edition of 25 + 8 AP. [The photograph shows an ornate room decorated symmetrically with couches on the left and right of the image and a fireplace at the back flanked by two windows. Overlayed on top of the image is a series of black squares and rectangles that overlap each other.]
    Caption Heather Rowe, A Careful Arrangement, 2008, Archival pigment inkjet and silkscreen on Somerset velvet paper, Image size: 12-1/2 x 13 inches (31.8 x 33 cm) Paper size: 21-3/4 x 17 inches (55.2 x 43.2 cm), Edition of 25 + 8 AP.
    Image description The photograph shows an ornate room decorated symmetrically with couches on the left and right of the image and a fireplace at the back flanked by two windows. Overlayed on top of the image is a series of black squares and rectangles that overlap each other.
    Year 2008
    Related pages Editions
  • A view of paintings and photographs across three walls in the space. Black columns divide the room, to the left, a sculpture is displayed on the ground.
    A view of paintings and photographs across three walls in the space. Black columns divide the room, to the left, a sculpture is displayed on the ground.
    Installation view of Social Surfaces at Pearl River Mart, New York, October 26 - November 1, 2017. Photo: Ron Amstutz [A view of paintings and photographs across three walls in the space. Black columns divide the room, to the left, a sculpture is displayed on the ground.]
    Caption Installation view of Social Surfaces at Pearl River Mart, New York, October 26 - November 1, 2017. Photo: Ron Amstutz
    Image description A view of paintings and photographs across three walls in the space. Black columns divide the room, to the left, a sculpture is displayed on the ground.
    Year 2017
    Related pages Social Surfaces
  • A stone-walled lawn filled with people watching Kembra Pfahler.
    A stone-walled lawn filled with people watching Kembra Pfahler.
    Kembra Pfahler performing with the Girls of Karen Black. Photograph: ©Paula Court, 2018. [A stone-walled lawn filled with people watching Kembra Pfahler.]
    Caption Kembra Pfahler performing with the Girls of Karen Black. Photograph: ©Paula Court, 2018.
    Image description A stone-walled lawn filled with people watching Kembra Pfahler.
    Year 2018
    Related pages Garden Party at Marble Cemetery
  • A view of two vitrines, one in front of the other, displaying documents in front of a book case on the wall. Documents containing text are hung on the wall.
    A view of two vitrines, one in front of the other, displaying documents in front of a book case on the wall. Documents containing text are hung on the wall.
    Installation view from Documenting Cadere: 1972 - 1978, Artists Space, 2013. Photo: Daniel Pérez [A view of two vitrines, one in front of the other, displaying documents in front of a book case on the wall. Documents containing text are hung on the wall.]
    Caption Installation view from Documenting Cadere: 1972 - 1978, Artists Space, 2013. Photo: Daniel Pérez
    Image description A view of two vitrines, one in front of the other, displaying documents in front of a book case on the wall. Documents containing text are hung on the wall.
    Year 2013
    Related pages Documenting Cadere: 1972 - 1978
  • A warm colored room, surrounded by windows across two walls with view to a dimly lit horizon. String lights illuminate a scene of miscellaneous items scattered across a living space furnished with a table and chairs.
    A warm colored room, surrounded by windows across two walls with view to a dimly lit horizon. String lights illuminate a scene of miscellaneous items scattered across a living space furnished with a table and chairs.
    [A warm colored room, surrounded by windows across two walls with view to a dimly lit horizon. String lights illuminate a scene of miscellaneous items scattered across a living space furnished with a table and chairs.]
    Caption
    Image description A warm colored room, surrounded by windows across two walls with view to a dimly lit horizon. String lights illuminate a scene of miscellaneous items scattered across a living space furnished with a table and chairs.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • A white book cover with black text in English and Hindi.
    A white book cover with black text in English and Hindi.
    Mario Pfeifer (ed.), A Formal Film In Nine Episodes, Prologue and Epilogue – A Critical Reader, Spector Books, 2013. [A white book cover with black text in English and Hindi.]
    Caption Mario Pfeifer (ed.), A Formal Film In Nine Episodes, Prologue and Epilogue – A Critical Reader, Spector Books, 2013.
    Image description A white book cover with black text in English and Hindi.
    Year 2013
    Related pages 1-800-SUC-CESS
  • A book case displaying 5 paper collages of men's portraits.
    A book case displaying 5 paper collages of men's portraits.
    Reference pages, ca.1966 – 90, Collage on paper, Tom of Finland Foundation, Permanent Collection From Tom of Finland: The Pleasure of Play, Artists Space, 2015 [A book case displaying 5 paper collages of men's portraits.]
    Caption Reference pages, ca.1966 – 90, Collage on paper, Tom of Finland Foundation, Permanent Collection From Tom of Finland: The Pleasure of Play, Artists Space, 2015
    Image description A book case displaying 5 paper collages of men's portraits.
    Year 2015
    Related pages Tom of Finland: The Pleasure of Play
  • A photo of three performers standing in the middle of a room, surrounded by the audience. Two performers linked hands, and the third stands in between them, arms raised.
    A photo of three performers standing in the middle of a room, surrounded by the audience. Two performers linked hands, and the third stands in between them, arms raised.
    Richard Kennedy, Both, Artists Space, 2017. [A photo of three performers standing in the middle of a room, surrounded by the audience. Two performers linked hands, and the third stands in between them, arms raised.]
    Caption Richard Kennedy, Both, Artists Space, 2017.
    Image description A photo of three performers standing in the middle of a room, surrounded by the audience. Two performers linked hands, and the third stands in between them, arms raised.
    Year 2017
    Related pages About
  • A device with several electrical wire connections is displayed on a metal wire shelf.
    A device with several electrical wire connections is displayed on a metal wire shelf.
    Devin Kenny, “What would Upski think?” , 2018, Artists Space, New York, 2018. Photo: Daniel Pérez [A device with several electrical wire connections is displayed on a metal wire shelf.]
    Caption Devin Kenny, “What would Upski think?” , 2018, Artists Space, New York, 2018. Photo: Daniel Pérez
    Image description A device with several electrical wire connections is displayed on a metal wire shelf.
    Year 2018
    Related pages Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff
  • An image of a woman with frizzy hair, smiling and looking past the viewer. The image is slightly distorted, as if from a VHS tape.
    An image of a woman with frizzy hair, smiling and looking past the viewer. The image is slightly distorted, as if from a VHS tape.
    T.J. Wilcox, I Fell in Love With Vanessa Redgrave, 2010, Perfect bound flip book 4-page cover plus 100 pages, 50 in color, with a text by the artist 3 x 6 1/2 x 3/4 inches, Signed and numbered [An image of a woman with frizzy hair, smiling and looking past the viewer. The image is slightly distorted, as if from a VHS tape.]
    Caption T.J. Wilcox, I Fell in Love With Vanessa Redgrave, 2010, Perfect bound flip book 4-page cover plus 100 pages, 50 in color, with a text by the artist 3 x 6 1/2 x 3/4 inches, Signed and numbered
    Image description An image of a woman with frizzy hair, smiling and looking past the viewer. The image is slightly distorted, as if from a VHS tape.
    Year 2010
    Related pages Artists Space Annual Edition Portfolio 2011
  • Eight pieces of paper with text in various languages arranged in a grid.
    Eight pieces of paper with text in various languages arranged in a grid.
    [Eight pieces of paper with text in various languages arranged in a grid.]
    Caption
    Image description Eight pieces of paper with text in various languages arranged in a grid.
    Year
    Related pages Mute Inglorious Nabokovs
  • Detail view of a camel's head against a palm tree and blue sky.
    Detail view of a camel's head against a palm tree and blue sky.
    Heji Shin, Camp Habibi II, 2013, C-print, 20 x 16 inches, Signed edition of 100, 5APs, Courtesy of the artist. [Detail view of a camel's head against a palm tree and blue sky.]
    Caption Heji Shin, Camp Habibi II, 2013, C-print, 20 x 16 inches, Signed edition of 100, 5APs, Courtesy of the artist.
    Image description Detail view of a camel's head against a palm tree and blue sky.
    Year 2013
    Related pages Annual Edition Portfolio
  • Caption
    Image description
    Year
    Related pages Blank Forms presents Limpe Fuchs
  • The phrase
    The phrase
    Duncan Campbell Big Fires Start Small, 2010, 3 color screenprint on poster, 25 1/2 x 16 1/2 inches (64,8 x 41,9 cm), Edition of 100, Signed and numbered. [The phrase "big fires start small" is written diagonally against a black background. "Big fires" appears in large bubble text surrounded by flames and "start small" appreas below in white blocky type.]
    Caption Duncan Campbell Big Fires Start Small, 2010, 3 color screenprint on poster, 25 1/2 x 16 1/2 inches (64,8 x 41,9 cm), Edition of 100, Signed and numbered.
    Image description The phrase "big fires start small" is written diagonally against a black background. "Big fires" appears in large bubble text surrounded by flames and "start small" appreas below in white blocky type.
    Year 2010
    Related pages Editions
  • On a dark wooden floor sits a shallow white cylinder displaying a green light from the inside.
    On a dark wooden floor sits a shallow white cylinder displaying a green light from the inside.
    Sam Pulitzer, Detail from A Colony for “Them”, Artists Space, 2014 [On a dark wooden floor sits a shallow white cylinder displaying a green light from the inside.]
    Caption Sam Pulitzer, Detail from A Colony for “Them”, Artists Space, 2014
    Image description On a dark wooden floor sits a shallow white cylinder displaying a green light from the inside.
    Year 2014
    Related pages Sam Pulitzer: A Colony for "Them"
  • A miniature clay sculpture sitting on a gray table. The sculpture depicts a woman folding over, cross-legged, on carpet. Miscelaneous items are dispersed across the carpets.
    A miniature clay sculpture sitting on a gray table. The sculpture depicts a woman folding over, cross-legged, on carpet. Miscelaneous items are dispersed across the carpets.
    Installation view from The Issues of Our Time, Artists Space, New York, 2014 [A miniature clay sculpture sitting on a gray table. The sculpture depicts a woman folding over, cross-legged, on carpet. Miscelaneous items are dispersed across the carpets.]
    Caption Installation view from The Issues of Our Time, Artists Space, New York, 2014
    Image description A miniature clay sculpture sitting on a gray table. The sculpture depicts a woman folding over, cross-legged, on carpet. Miscelaneous items are dispersed across the carpets.
    Year 2014
    Related pages The Issues of Our Time
  • Two people stand at the front of a full classroom in front of a projector screen that says,
    Two people stand at the front of a full classroom in front of a projector screen that says,
    P.S. 140 student workshopping poems, 2019 [Two people stand at the front of a full classroom in front of a projector screen that says, "Poetry workshop / Ms. Rebecca / Today's task: create headline poems." One reads from a notebook, the other listens on.]
    Caption P.S. 140 student workshopping poems, 2019
    Image description Two people stand at the front of a full classroom in front of a projector screen that says, "Poetry workshop / Ms. Rebecca / Today's task: create headline poems." One reads from a notebook, the other listens on.
    Year 2019
    Related pages Art and Literacy: Poetry
  • Several students sit on the edge of a wooden stage holding printed sheets of paper. One girl reads from her paper while holding a microphone
    Several students sit on the edge of a wooden stage holding printed sheets of paper. One girl reads from her paper while holding a microphone
    YAP (Young Artist Perform), P.S. 140, 2019 [Several students sit on the edge of a wooden stage holding printed sheets of paper. One girl reads from her paper while holding a microphone]
    Caption YAP (Young Artist Perform), P.S. 140, 2019
    Image description Several students sit on the edge of a wooden stage holding printed sheets of paper. One girl reads from her paper while holding a microphone
    Year 2019
    Related pages Education Exhibitions and Events
  • A miniature log cabin constructed of handwritten documents is displayed in a vitrine. The roof on the left side reads,
    A miniature log cabin constructed of handwritten documents is displayed in a vitrine. The roof on the left side reads,
    Unholding. Installation view, Artists Space, November 19, 2017 - January 21, 2018. Photo: Daniel Pérez. [A miniature log cabin constructed of handwritten documents is displayed in a vitrine. The roof on the left side reads, "By the President of the United States of America, A Proclimation."]
    Caption Unholding. Installation view, Artists Space, November 19, 2017 - January 21, 2018. Photo: Daniel Pérez.
    Image description A miniature log cabin constructed of handwritten documents is displayed in a vitrine. The roof on the left side reads, "By the President of the United States of America, A Proclimation."
    Year 2017
    Related pages Unholding
  • Two individuals seated in two wooden chairs while a third in between them holds a single headphone. They are seated in front of a TV monitor displaying Edward Snowden's image.
    Two individuals seated in two wooden chairs while a third in between them holds a single headphone. They are seated in front of a TV monitor displaying Edward Snowden's image.
    Laura Poitras: 9/11 Trilogy, Installation view, Artists Space, 2014. Photo: Daniel Pérez. [Two individuals seated in two wooden chairs while a third in between them holds a single headphone. They are seated in front of a TV monitor displaying Edward Snowden's image.]
    Caption Laura Poitras: 9/11 Trilogy, Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description Two individuals seated in two wooden chairs while a third in between them holds a single headphone. They are seated in front of a TV monitor displaying Edward Snowden's image.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays a courtroom depiction of two individuals, one with blonde hair and fair skin wearing a suit, the other tan with dark facial hair wearing a keffiyeh. Behind the seated men is an image of a man sitting on the floor, in what appears to be solitary confinement.
    A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays a courtroom depiction of two individuals, one with blonde hair and fair skin wearing a suit, the other tan with dark facial hair wearing a keffiyeh. Behind the seated men is an image of a man sitting on the floor, in what appears to be solitary confinement.
    Laura Poitras: 9/11 Trilogy, Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays a courtroom depiction of two individuals, one with blonde hair and fair skin wearing a suit, the other tan with dark facial hair wearing a keffiyeh. Behind the seated men is an image of a man sitting on the floor, in what appears to be solitary confinement.]
    Caption Laura Poitras: 9/11 Trilogy, Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays a courtroom depiction of two individuals, one with blonde hair and fair skin wearing a suit, the other tan with dark facial hair wearing a keffiyeh. Behind the seated men is an image of a man sitting on the floor, in what appears to be solitary confinement.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • An abstract painting
    An abstract painting
    Nick Mauss. So long, 2013. Ceramic plaque. 11 x 15 in / 38 x 27,9 x 38,1 cm. Courtesy the artist and 303 Gallery, New York [An abstract painting]
    Caption Nick Mauss. So long, 2013. Ceramic plaque. 11 x 15 in / 38 x 27,9 x 38,1 cm. Courtesy the artist and 303 Gallery, New York
    Image description An abstract painting
    Year
    Related pages Frieze New York
  • Divided into two sections, wooden floor on the left and carpet floor on the right. On the left, a table displays colorful documents. On the right, four minature copper squares sit on the ground next to two cream colored foldable chairs. Multiple wires extend across the floor and under the carpet.
    Divided into two sections, wooden floor on the left and carpet floor on the right. On the left, a table displays colorful documents. On the right, four minature copper squares sit on the ground next to two cream colored foldable chairs. Multiple wires extend across the floor and under the carpet.
    Installation view from The Issues of Our Time, Artists Space, New York, 2014 [Divided into two sections, wooden floor on the left and carpet floor on the right. On the left, a table displays colorful documents. On the right, four minature copper squares sit on the ground next to two cream colored foldable chairs. Multiple wires extend across the floor and under the carpet.]
    Caption Installation view from The Issues of Our Time, Artists Space, New York, 2014
    Image description Divided into two sections, wooden floor on the left and carpet floor on the right. On the left, a table displays colorful documents. On the right, four minature copper squares sit on the ground next to two cream colored foldable chairs. Multiple wires extend across the floor and under the carpet.
    Year 2014
    Related pages The Issues of Our Time
  • A black-and-white photo depicting a behind the scenes view of a movie in production. A man holds the camera on the right - a cage is on the left, and two men speak in the center of the image, one facing the camera and one facing away.
    A black-and-white photo depicting a behind the scenes view of a movie in production. A man holds the camera on the right - a cage is on the left, and two men speak in the center of the image, one facing the camera and one facing away.
    Storm de Hirsch. Still from Newsreel: Jonas in The Brig, 1964. Courtesy Anthology Film Archives [A black-and-white photo depicting a behind the scenes view of a movie in production. A man holds the camera on the right - a cage is on the left, and two men speak in the center of the image, one facing the camera and one facing away.]
    Caption Storm de Hirsch. Still from Newsreel: Jonas in The Brig, 1964. Courtesy Anthology Film Archives
    Image description A black-and-white photo depicting a behind the scenes view of a movie in production. A man holds the camera on the right - a cage is on the left, and two men speak in the center of the image, one facing the camera and one facing away.
    Year 1964
    Related pages Jonas In The Brig
  • A flyer for the event depicting an anti-DAPL protest
    A flyer for the event depicting an anti-DAPL protest
    MTL+. Water Is Life, 2016. Image courtesy the artists [A flyer for the event depicting an anti-DAPL protest]
    Caption MTL+. Water Is Life, 2016. Image courtesy the artists
    Image description A flyer for the event depicting an anti-DAPL protest
    Year 2016
    Related pages Water Is Life
  • A woman sits, left of center, at a table filled with books. On the wall behind her, a banner with red text that reads,
    A woman sits, left of center, at a table filled with books. On the wall behind her, a banner with red text that reads,
    View of Vigilance: An Exhibition of Artists Books Exploring Strategies for Social Concern , Curated by Lucy R. Lippard and Mike Glier Franklin Furnace, 1979 Courtesy Mike Glier [A woman sits, left of center, at a table filled with books. On the wall behind her, a banner with red text that reads, "...Pessimism of the intellect, Optimism of the will... Gramsic," is displayed.]
    Caption View of Vigilance: An Exhibition of Artists Books Exploring Strategies for Social Concern , Curated by Lucy R. Lippard and Mike Glier Franklin Furnace, 1979 Courtesy Mike Glier
    Image description A woman sits, left of center, at a table filled with books. On the wall behind her, a banner with red text that reads, "...Pessimism of the intellect, Optimism of the will... Gramsic," is displayed.
    Year 2014
    Related pages The Library Vaccine
  • A cluster of metal book shelves sit in the middle of the room. Visible are the cubbies of three structures, populated with books of various sizes and colors.
    A cluster of metal book shelves sit in the middle of the room. Visible are the cubbies of three structures, populated with books of various sizes and colors.
    The Colin de Land Library, from The Library Vaccine, Artists Space, 2014. [A cluster of metal book shelves sit in the middle of the room. Visible are the cubbies of three structures, populated with books of various sizes and colors.]
    Caption The Colin de Land Library, from The Library Vaccine, Artists Space, 2014.
    Image description A cluster of metal book shelves sit in the middle of the room. Visible are the cubbies of three structures, populated with books of various sizes and colors.
    Year 2014
    Related pages The Library Vaccine
  • Five people's hands work on a colorful, abstract drawing with the drawing at the center of the image on a wooden table.
    Five people's hands work on a colorful, abstract drawing with the drawing at the center of the image on a wooden table.
    MS 324 group work, collaborative drawing, 2019 [Five people's hands work on a colorful, abstract drawing with the drawing at the center of the image on a wooden table.]
    Caption MS 324 group work, collaborative drawing, 2019
    Image description Five people's hands work on a colorful, abstract drawing with the drawing at the center of the image on a wooden table.
    Year 2019
    Related pages Portfolio Development
  • A textured blue book cover, with white text, stating
    A textured blue book cover, with white text, stating
    [A textured blue book cover, with white text, stating "Like Birds When They Sing - An Anthology of Poems and Artworks by 7th and 8th Grade Students"]
    Caption
    Image description A textured blue book cover, with white text, stating "Like Birds When They Sing - An Anthology of Poems and Artworks by 7th and 8th Grade Students"
    Year
    Related pages Education Publications
  • A silhouette figure of a person riding a horse, mid-stride. The combined figure appears as a white cut-out, with a black shadow, on a transparent (alpha) background. Details are sketched onto the silhouette in blue pen.
    A silhouette figure of a person riding a horse, mid-stride. The combined figure appears as a white cut-out, with a black shadow, on a transparent (alpha) background. Details are sketched onto the silhouette in blue pen.
    Seth Price, Untitled, 2010, Inkjet print on Dibond, 7 x 9 in / 17,8 x 22,9 cm, Signed and numbered [A silhouette figure of a person riding a horse, mid-stride. The combined figure appears as a white cut-out, with a black shadow, on a transparent (alpha) background. Details are sketched onto the silhouette in blue pen.]
    Caption Seth Price, Untitled, 2010, Inkjet print on Dibond, 7 x 9 in / 17,8 x 22,9 cm, Signed and numbered
    Image description A silhouette figure of a person riding a horse, mid-stride. The combined figure appears as a white cut-out, with a black shadow, on a transparent (alpha) background. Details are sketched onto the silhouette in blue pen.
    Year 2010
    Related pages Artists Space Annual Edition Portfolio 2010
  • Eight colorful paintings are exhibited in a grid pattern on a wall with a small didactic.
    Eight colorful paintings are exhibited in a grid pattern on a wall with a small didactic.
    Art Day, Blue Sky Gallery, 2017 [Eight colorful paintings are exhibited in a grid pattern on a wall with a small didactic. "Blue Sky Gallery - P.S. 140 and Artists Space Expanded Art Ideas" is printed on the wall.]
    Caption Art Day, Blue Sky Gallery, 2017
    Image description Eight colorful paintings are exhibited in a grid pattern on a wall with a small didactic. "Blue Sky Gallery - P.S. 140 and Artists Space Expanded Art Ideas" is printed on the wall.
    Year 2017
    Related pages Education Exhibitions and Events
  • Three empty wine glasses in a row, each engraved with two words:
    Three empty wine glasses in a row, each engraved with two words:
    Louise Lawler, Who Says, Who Shows, Who Counts, 1990. [Three empty wine glasses in a row, each engraved with two words: "who says," "who shows," "who counts."]
    Caption Louise Lawler, Who Says, Who Shows, Who Counts, 1990.
    Image description Three empty wine glasses in a row, each engraved with two words: "who says," "who shows," "who counts."
    Year 1990
    Related pages
  • A person wearing all black clothing and a black hood, wearing heavy eyeshadow and a fake mustache, looks at the floor.
    A person wearing all black clothing and a black hood, wearing heavy eyeshadow and a fake mustache, looks at the floor.
    Still from Hamlet in the Rented World (A Fragment). 1970-73, 16mm transferred to video, (sound, color), 27 minutes. [A person wearing all black clothing and a black hood, wearing heavy eyeshadow and a fake mustache, looks at the floor.]
    Caption Still from Hamlet in the Rented World (A Fragment). 1970-73, 16mm transferred to video, (sound, color), 27 minutes.
    Image description A person wearing all black clothing and a black hood, wearing heavy eyeshadow and a fake mustache, looks at the floor.
    Year 1970
    Related pages Reconstructing Performance
  • A gray square of text is displayed on a white wall that extends the left half of the frame. On the right, in the background, a series of colorful panels stagger around the room in front of a red wall. On one of the visible panels, text reads,
    A gray square of text is displayed on a white wall that extends the left half of the frame. On the right, in the background, a series of colorful panels stagger around the room in front of a red wall. On one of the visible panels, text reads,
    Sam Pulitzer, Installation view from A Colony for "Them", Artists Space, 2014 [A gray square of text is displayed on a white wall that extends the left half of the frame. On the right, in the background, a series of colorful panels stagger around the room in front of a red wall. On one of the visible panels, text reads, "We're all going to really miss doing your work for you."]
    Caption Sam Pulitzer, Installation view from A Colony for "Them", Artists Space, 2014
    Image description A gray square of text is displayed on a white wall that extends the left half of the frame. On the right, in the background, a series of colorful panels stagger around the room in front of a red wall. On one of the visible panels, text reads, "We're all going to really miss doing your work for you."
    Year 2014
    Related pages Sam Pulitzer: A Colony for "Them"
  • A TV monitor, positioned on the ground with it's wiring exposed, its headphones on the ground. It displayes a still image of a washed-out portrait that implies movement through the blurring and repeititon of the face.
    A TV monitor, positioned on the ground with it's wiring exposed, its headphones on the ground. It displayes a still image of a washed-out portrait that implies movement through the blurring and repeititon of the face.
    Installation view from The Issues of Our Time, Artists Space, New York, 2014 [A TV monitor, positioned on the ground with it's wiring exposed, its headphones on the ground. It displayes a still image of a washed-out portrait that implies movement through the blurring and repeititon of the face.]
    Caption Installation view from The Issues of Our Time, Artists Space, New York, 2014
    Image description A TV monitor, positioned on the ground with it's wiring exposed, its headphones on the ground. It displayes a still image of a washed-out portrait that implies movement through the blurring and repeititon of the face.
    Year 2014
    Related pages The Issues of Our Time
  • A black-and-white photo of a man smiling with his arms crossed, standing in front of a number of hanging salamis, and wearing a hat with a logo stating
    A black-and-white photo of a man smiling with his arms crossed, standing in front of a number of hanging salamis, and wearing a hat with a logo stating
    Ally Bueno, Katz's, 2017. [A black-and-white photo of a man smiling with his arms crossed, standing in front of a number of hanging salamis, and wearing a hat with a logo stating "send a salami"]
    Caption Ally Bueno, Katz's, 2017.
    Image description A black-and-white photo of a man smiling with his arms crossed, standing in front of a number of hanging salamis, and wearing a hat with a logo stating "send a salami"
    Year 2017
    Related pages Photo Club
  • A flyer for the event depicting MTA subway routes in white on a red background. Event title reads
    A flyer for the event depicting MTA subway routes in white on a red background. Event title reads
    MTL+ Artists: NYC Not for Sale, 2016 [A flyer for the event depicting MTA subway routes in white on a red background. Event title reads "ARTISTS: NYC NOT FOR SALE" with a strikethrough on the alternative subtitle "IN THE BUSINESS OF GENTRIFICATION"]
    Caption MTL+ Artists: NYC Not for Sale, 2016
    Image description A flyer for the event depicting MTA subway routes in white on a red background. Event title reads "ARTISTS: NYC NOT FOR SALE" with a strikethrough on the alternative subtitle "IN THE BUSINESS OF GENTRIFICATION"
    Year 2016
    Related pages Artists: NYC Is Not for Sale
  • 15 images arranged in a grid, depicting close-ups of human faces and arial views of war.
    15 images arranged in a grid, depicting close-ups of human faces and arial views of war.
    Spread from Harun Farocki Diagrams. Images from Ten Films, stills from Images of the World and the Inscription of War, 1988 [15 images arranged in a grid, depicting close-ups of human faces and arial views of war.]
    Caption Spread from Harun Farocki Diagrams. Images from Ten Films, stills from Images of the World and the Inscription of War, 1988
    Image description 15 images arranged in a grid, depicting close-ups of human faces and arial views of war.
    Year
    Related pages Harun Farocki Diagrams
  • Three metal cutouts of hands act as holders for neon green cards displayed on the wall. The hand on the right is holding up its middle finger.
    Three metal cutouts of hands act as holders for neon green cards displayed on the wall. The hand on the right is holding up its middle finger.
    Installation view from The Issues of Our Time, Artists Space, New York, 2014 [Three metal cutouts of hands act as holders for neon green cards displayed on the wall. The hand on the right is holding up its middle finger.]
    Caption Installation view from The Issues of Our Time, Artists Space, New York, 2014
    Image description Three metal cutouts of hands act as holders for neon green cards displayed on the wall. The hand on the right is holding up its middle finger.
    Year 2014
    Related pages The Issues of Our Time
  • A black-and-white photo from between sitting members of a crowd. A performer kneels in silhouette, with one hand in the air. A topographical map is projected on a wall behind the performer, with a timecode in the top right corner of the screen
    A black-and-white photo from between sitting members of a crowd. A performer kneels in silhouette, with one hand in the air. A topographical map is projected on a wall behind the performer, with a timecode in the top right corner of the screen
    The Informants, 2017. [A black-and-white photo from between sitting members of a crowd. A performer kneels in silhouette, with one hand in the air. A topographical map is projected on a wall behind the performer, with a timecode in the top right corner of the screen]
    Caption The Informants, 2017.
    Image description A black-and-white photo from between sitting members of a crowd. A performer kneels in silhouette, with one hand in the air. A topographical map is projected on a wall behind the performer, with a timecode in the top right corner of the screen
    Year
    Related pages Membership
  • Two framed artworks side-by-side. One has a white background and is a collage of photographs, showing two people with their faces obscured by other images of nature and currency. The other has a black background and two smaller photos arranged one on top of the other - the top image depicts a woman looking back at the camera, and the lower image is a forest.
    Two framed artworks side-by-side. One has a white background and is a collage of photographs, showing two people with their faces obscured by other images of nature and currency. The other has a black background and two smaller photos arranged one on top of the other - the top image depicts a woman looking back at the camera, and the lower image is a forest.
    Leigh Ledare. Double Bind (Diptych #6/25), 2010. Courtesy the artist and Mitchell-Innes & Nash, New York [Two framed artworks side-by-side. One has a white background and is a collage of photographs, showing two people with their faces obscured by other images of nature and currency. The other has a black background and two smaller photos arranged one on top of the other - the top image depicts a woman looking back at the camera, and the lower image is a forest.]
    Caption Leigh Ledare. Double Bind (Diptych #6/25), 2010. Courtesy the artist and Mitchell-Innes & Nash, New York
    Image description Two framed artworks side-by-side. One has a white background and is a collage of photographs, showing two people with their faces obscured by other images of nature and currency. The other has a black background and two smaller photos arranged one on top of the other - the top image depicts a woman looking back at the camera, and the lower image is a forest.
    Year 2010
    Related pages Double Bind
  • A white wall that reads,
    A white wall that reads,
    Installation view, Macho Man, Tell It To My Heart: Collected by Julie Ault, Artists Space 2013. Photos: Daniel Pérez [A white wall that reads, "Death Sentence 2009 Love It To Death 1971 Jesse… 989 Moon over Miami 1991-95 Archive," across the top into it's adjacent wall. On the left hang two images; to the right of a column hangs a drawing. Orchid plants sit to the left of the column on the ground.]
    Caption Installation view, Macho Man, Tell It To My Heart: Collected by Julie Ault, Artists Space 2013. Photos: Daniel Pérez
    Image description A white wall that reads, "Death Sentence 2009 Love It To Death 1971 Jesse… 989 Moon over Miami 1991-95 Archive," across the top into it's adjacent wall. On the left hang two images; to the right of a column hangs a drawing. Orchid plants sit to the left of the column on the ground.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • A man in a sleeveless Metallica shirt stands in front of a makeshift music studio, looking at the camera.
    A man in a sleeveless Metallica shirt stands in front of a makeshift music studio, looking at the camera.
    [A man in a sleeveless Metallica shirt stands in front of a makeshift music studio, looking at the camera.]
    Caption
    Image description A man in a sleeveless Metallica shirt stands in front of a makeshift music studio, looking at the camera.
    Year 2013
    Related pages Bulletin Board Systems
  • A close-up phot of a group of of small, lit lamps hanging on a glass wall in an ornate building.
    A close-up phot of a group of of small, lit lamps hanging on a glass wall in an ornate building.
    Eva Medina, Untitled, 2018. [A close-up phot of a group of of small, lit lamps hanging on a glass wall in an ornate building.]
    Caption Eva Medina, Untitled, 2018.
    Image description A close-up phot of a group of of small, lit lamps hanging on a glass wall in an ornate building.
    Year 2018
    Related pages Photo Club
  • Several students listen to a woman speaking, while standing in an exhibition space. Several materials are arranged in a vatrine and several framed artworks hang on the opposite wall. Behind the students are large open windows opening to a cityscape, and one of the windows has the word
    Several students listen to a woman speaking, while standing in an exhibition space. Several materials are arranged in a vatrine and several framed artworks hang on the opposite wall. Behind the students are large open windows opening to a cityscape, and one of the windows has the word
    [Several students listen to a woman speaking, while standing in an exhibition space. Several materials are arranged in a vatrine and several framed artworks hang on the opposite wall. Behind the students are large open windows opening to a cityscape, and one of the windows has the word "PRINT" in large back letters]
    Caption
    Image description Several students listen to a woman speaking, while standing in an exhibition space. Several materials are arranged in a vatrine and several framed artworks hang on the opposite wall. Behind the students are large open windows opening to a cityscape, and one of the windows has the word "PRINT" in large back letters
    Year
    Related pages Education Exhibitions and Events
  • A cropped image of a group of students smiling for the camera in Tompkins Square Park. One holds a recording device, which has been overlaid with an opaque orange image of a lampshade. Green digital circles emanate out from it, as if to simulate a doppler-effected sound
    A cropped image of a group of students smiling for the camera in Tompkins Square Park. One holds a recording device, which has been overlaid with an opaque orange image of a lampshade. Green digital circles emanate out from it, as if to simulate a doppler-effected sound
    P.S. 140 students recording sounds at Tompkins Square Park, 2019 [A cropped image of a group of students smiling for the camera in Tompkins Square Park. One holds a recording device, which has been overlaid with an opaque orange image of a lampshade. Green digital circles emanate out from it, as if to simulate a doppler-effected sound]
    Caption P.S. 140 students recording sounds at Tompkins Square Park, 2019
    Image description A cropped image of a group of students smiling for the camera in Tompkins Square Park. One holds a recording device, which has been overlaid with an opaque orange image of a lampshade. Green digital circles emanate out from it, as if to simulate a doppler-effected sound
    Year 2019
    Related pages Listening to the LES
  • Two people stand at the foot of an empty table, mid-conversation, looking off-camera to the left. The individual on the left holds a glass of wine.
    Two people stand at the foot of an empty table, mid-conversation, looking off-camera to the left. The individual on the left holds a glass of wine.
    Artists Space founder Irving Sandler, Miyoko Ito Dinner, 2018. [Two people stand at the foot of an empty table, mid-conversation, looking off-camera to the left. The individual on the left holds a glass of wine.]
    Caption Artists Space founder Irving Sandler, Miyoko Ito Dinner, 2018.
    Image description Two people stand at the foot of an empty table, mid-conversation, looking off-camera to the left. The individual on the left holds a glass of wine.
    Year 2018
    Related pages Support
  • Man standing outside at a microphone in front of a large silver inflatable penis, reading from a purple folder.
    Man standing outside at a microphone in front of a large silver inflatable penis, reading from a purple folder.
    Edgar Oliver reading at Marble Cemetery. Photograph: ©Paula Court, 2018. [Man standing outside at a microphone in front of a large silver inflatable penis, reading from a purple folder.]
    Caption Edgar Oliver reading at Marble Cemetery. Photograph: ©Paula Court, 2018.
    Image description Man standing outside at a microphone in front of a large silver inflatable penis, reading from a purple folder.
    Year 2018
    Related pages Garden Party at Marble Cemetery
  • A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, gesturing towards the viewer with both hands together, is on the back wall.
    A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, gesturing towards the viewer with both hands together, is on the back wall.
    Hito Steyerl, Guards, 2012, HD video on freestanding screen with sound, 20 mins, Courtesy of the artist and Andrew Kreps, New York. Installation view from Hito Steyerl, Artists Space, 2015 [A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, gesturing towards the viewer with both hands together, is on the back wall.]
    Caption Hito Steyerl, Guards, 2012, HD video on freestanding screen with sound, 20 mins, Courtesy of the artist and Andrew Kreps, New York. Installation view from Hito Steyerl, Artists Space, 2015
    Image description A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, gesturing towards the viewer with both hands together, is on the back wall.
    Year 2015
    Related pages Hito Steyerl
  • A flyer for Concert's tour, ending at Artists Space on June 30. The yellow flyer features two black speakers mounted on stands.
    A flyer for Concert's tour, ending at Artists Space on June 30. The yellow flyer features two black speakers mounted on stands.
    Concert, 2013 Tour. [A flyer for Concert's tour, ending at Artists Space on June 30. The yellow flyer features two black speakers mounted on stands.]
    Caption Concert, 2013 Tour.
    Image description A flyer for Concert's tour, ending at Artists Space on June 30. The yellow flyer features two black speakers mounted on stands.
    Year
    Related pages Behave Like an Audience
  • A collage-style image with a person looking towards the camera, a woman's hand, beads and several other objects.
    A collage-style image with a person looking towards the camera, a woman's hand, beads and several other objects.
    Still from Chumlum, 1964, 16mm, (sound, color), 26 minutes. [A collage-style image with a person looking towards the camera, a woman's hand, beads and several other objects.]
    Caption Still from Chumlum, 1964, 16mm, (sound, color), 26 minutes.
    Image description A collage-style image with a person looking towards the camera, a woman's hand, beads and several other objects.
    Year 1964
    Related pages Not Even Acting
  • People sitting on small wooden planks at the end of a pier, with a large hole in the building.
    People sitting on small wooden planks at the end of a pier, with a large hole in the building.
    Alvin Baltrop. The Piers (exterior view of day's end), 1975-8. Courtesy The Alvin Baltrop Trust and Third Streaming, New York [People sitting on small wooden planks at the end of a pier, with a large hole in the building.]
    Caption Alvin Baltrop. The Piers (exterior view of day's end), 1975-8. Courtesy The Alvin Baltrop Trust and Third Streaming, New York
    Image description People sitting on small wooden planks at the end of a pier, with a large hole in the building.
    Year
    Related pages Artists Space Dialogues: Douglas Crimp and Bettina Funcke
  • A document that reads,
    A document that reads,
    Installation view from Documenting Cadere: 1972 - 1978, Artists Space, 2013. Photo: Daniel Pérez [A document that reads, "1976," next to several newspaper and magazine articles organized on a white surface.]
    Caption Installation view from Documenting Cadere: 1972 - 1978, Artists Space, 2013. Photo: Daniel Pérez
    Image description A document that reads, "1976," next to several newspaper and magazine articles organized on a white surface.
    Year 2013
    Related pages Documenting Cadere: 1972 - 1978
  • Overview of a large black glossy structure built in a gallery. The
    Overview of a large black glossy structure built in a gallery. The
    Bernadette Corporation: 2000 Wasted Years. Installation View, Artists Space, 2012. Photo: Daniel Pérez. [Overview of a large black glossy structure built in a gallery. The "bc" logo is visible, printed in white on one of the structure's walls. A TV depicting an abstract, colorful image and the word "EVERYWHERE" is hung on an upright rolling stand, visible through an opening in the structure.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation View, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Overview of a large black glossy structure built in a gallery. The "bc" logo is visible, printed in white on one of the structure's walls. A TV depicting an abstract, colorful image and the word "EVERYWHERE" is hung on an upright rolling stand, visible through an opening in the structure.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • Two grey silhouettes displayed next to each other on a white wall. In front of them, a table displays colorful documents.
    Two grey silhouettes displayed next to each other on a white wall. In front of them, a table displays colorful documents.
    Installation view from The Issues of Our Time, Artists Space, New York, 2014 [Two grey silhouettes displayed next to each other on a white wall. In front of them, a table displays colorful documents.]
    Caption Installation view from The Issues of Our Time, Artists Space, New York, 2014
    Image description Two grey silhouettes displayed next to each other on a white wall. In front of them, a table displays colorful documents.
    Year 2014
    Related pages The Issues of Our Time
  • Trees in a dense forest captured at nightfall.
    Trees in a dense forest captured at nightfall.
    Still from Nightfall, 2011. James Benning, 97min, digital HD. [Trees in a dense forest captured at nightfall.]
    Caption Still from Nightfall, 2011. James Benning, 97min, digital HD.
    Image description Trees in a dense forest captured at nightfall.
    Year 2011
    Related pages Film and Video Program | Macho Man, Tell It To My Heart: Collected by Julie Ault | February 20
  • Caption
    Image description
    Year
    Related pages Jack Smith Film Retrospective
  • Angled view of wooden table top covered with an organized assortment of cards, books, and paper materials, displaying images and texts, in various positions.
    Angled view of wooden table top covered with an organized assortment of cards, books, and paper materials, displaying images and texts, in various positions.
    View of Everything is About to Happen : An ongoing archive of artists’ books selected by Gregorio Magnani Courtesy Corvi-Mora, London and Greengrassi, London Photo: Marcus Leith [Angled view of wooden table top covered with an organized assortment of cards, books, and paper materials, displaying images and texts, in various positions.]
    Caption View of Everything is About to Happen : An ongoing archive of artists’ books selected by Gregorio Magnani Courtesy Corvi-Mora, London and Greengrassi, London Photo: Marcus Leith
    Image description Angled view of wooden table top covered with an organized assortment of cards, books, and paper materials, displaying images and texts, in various positions.
    Year 2014
    Related pages The Library Vaccine
  • Six rows of six small, faded images of a child in various poses, positioned at left center of frame.
    Six rows of six small, faded images of a child in various poses, positioned at left center of frame.
    Konrad Lueg Babies , 1967 80 copies + 40 artists proofs, signed and numbered screen print on cardboard, 59 x 83 cm Courtesy of Edition Block, Berlin [Six rows of six small, faded images of a child in various poses, positioned at left center of frame.]
    Caption Konrad Lueg Babies , 1967 80 copies + 40 artists proofs, signed and numbered screen print on cardboard, 59 x 83 cm Courtesy of Edition Block, Berlin
    Image description Six rows of six small, faded images of a child in various poses, positioned at left center of frame.
    Year 1967
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • Books, with series numbers (1-20) marked at the top of the spine, rest on an encolsed shelf against a white wall.
    Books, with series numbers (1-20) marked at the top of the spine, rest on an encolsed shelf against a white wall.
    [Books, with series numbers (1-20) marked at the top of the spine, rest on an encolsed shelf against a white wall.]
    Caption
    Image description Books, with series numbers (1-20) marked at the top of the spine, rest on an encolsed shelf against a white wall.
    Year 2014
    Related pages The Library Vaccine
  • A photo of a front desk in a library - several desks with computers, bookshelves, and a couch are also visible. Four paintings lie on top of the bookshelves, depicting stylized figures against block color backgrounds
    A photo of a front desk in a library - several desks with computers, bookshelves, and a couch are also visible. Four paintings lie on top of the bookshelves, depicting stylized figures against block color backgrounds
    Alza Tu Voz, exhibition at Washington Heights Public Library, 2017 [A photo of a front desk in a library - several desks with computers, bookshelves, and a couch are also visible. Four paintings lie on top of the bookshelves, depicting stylized figures against block color backgrounds]
    Caption Alza Tu Voz, exhibition at Washington Heights Public Library, 2017
    Image description A photo of a front desk in a library - several desks with computers, bookshelves, and a couch are also visible. Four paintings lie on top of the bookshelves, depicting stylized figures against block color backgrounds
    Year
    Related pages Education Exhibitions and Events
  • Detail view of a black platform with a black screen at the end, depicting a person wearing a shirt
    Detail view of a black platform with a black screen at the end, depicting a person wearing a shirt
    Bernadette Corporation: 2000 Wasted Years. Installation View, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of a black platform with a black screen at the end, depicting a person wearing a shirt]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation View, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Detail view of a black platform with a black screen at the end, depicting a person wearing a shirt
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • A room with wooden walls and bright, open window. A red couch sits on the right of the frame. A lamp with sphere light bulbs sits on the floor to the right. To the left of the frame next to the doorway sits a rolling bar cart.
    A room with wooden walls and bright, open window. A red couch sits on the right of the frame. A lamp with sphere light bulbs sits on the floor to the right. To the left of the frame next to the doorway sits a rolling bar cart.
    [A room with wooden walls and bright, open window. A red couch sits on the right of the frame. A lamp with sphere light bulbs sits on the floor to the right. To the left of the frame next to the doorway sits a rolling bar cart.]
    Caption
    Image description A room with wooden walls and bright, open window. A red couch sits on the right of the frame. A lamp with sphere light bulbs sits on the floor to the right. To the left of the frame next to the doorway sits a rolling bar cart.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • An illustration including two men, wearing blazers and dress hats, gazing downwards next to another man. This man, dressed in dungarees and a baseball cap, is holding his penis.
    An illustration including two men, wearing blazers and dress hats, gazing downwards next to another man. This man, dressed in dungarees and a baseball cap, is holding his penis.
    Tom of Finland Untitled , 1947 Gouache on paper Tom of Finland Foundation, Permanent Collection [An illustration including two men, wearing blazers and dress hats, gazing downwards next to another man. This man, dressed in dungarees and a baseball cap, is holding his penis.]
    Caption Tom of Finland Untitled , 1947 Gouache on paper Tom of Finland Foundation, Permanent Collection
    Image description An illustration including two men, wearing blazers and dress hats, gazing downwards next to another man. This man, dressed in dungarees and a baseball cap, is holding his penis.
    Year 1947
    Related pages Tom of Finland: The Pleasure of Play
  • Black, capitlized text that reads,
    Black, capitlized text that reads,
    [Black, capitlized text that reads, "The Colin de Land Library."]
    Caption
    Image description Black, capitlized text that reads, "The Colin de Land Library."
    Year 2014
    Related pages The Library Vaccine
  • Five photographs arranged in a pane of glass lean on bolts against a wall. The images in the photographs (from left to right) include a man exhaling smoke, a man looking towards the viewer, a man in a bathtub, a man, turned away from the camera, in a hospital gown, and an empty dinner plate.
    Five photographs arranged in a pane of glass lean on bolts against a wall. The images in the photographs (from left to right) include a man exhaling smoke, a man looking towards the viewer, a man in a bathtub, a man, turned away from the camera, in a hospital gown, and an empty dinner plate.
    John Neff, Authorization Sessions Set, 2018, Proof prints from Time Dust, 2013 – 2018, Artists Space, New York, 2018. Photo: Daniel Pérez [Five photographs arranged in a pane of glass lean on bolts against a wall. The images in the photographs (from left to right) include a man exhaling smoke, a man looking towards the viewer, a man in a bathtub, a man, turned away from the camera, in a hospital gown, and an empty dinner plate.]
    Caption John Neff, Authorization Sessions Set, 2018, Proof prints from Time Dust, 2013 – 2018, Artists Space, New York, 2018. Photo: Daniel Pérez
    Image description Five photographs arranged in a pane of glass lean on bolts against a wall. The images in the photographs (from left to right) include a man exhaling smoke, a man looking towards the viewer, a man in a bathtub, a man, turned away from the camera, in a hospital gown, and an empty dinner plate.
    Year 2013
    Related pages Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff
  • A brown paper bag, opened and placed at an angle, with colored pencil illustrations of a balding man wearing sunglasses and a blue collared shirt, face slightly covered by a translucent red figurative silhouette, and along the other side of the bag, a white daisy with a long green stem.
    A brown paper bag, opened and placed at an angle, with colored pencil illustrations of a balding man wearing sunglasses and a blue collared shirt, face slightly covered by a translucent red figurative silhouette, and along the other side of the bag, a white daisy with a long green stem.
    Unholding. Installation view, Artists Space, November 19, 2017 - January 21, 2018. Photo: Daniel Pérez. [A brown paper bag, opened and placed at an angle, with colored pencil illustrations of a balding man wearing sunglasses and a blue collared shirt, face slightly covered by a translucent red figurative silhouette, and along the other side of the bag, a white daisy with a long green stem.]
    Caption Unholding. Installation view, Artists Space, November 19, 2017 - January 21, 2018. Photo: Daniel Pérez.
    Image description A brown paper bag, opened and placed at an angle, with colored pencil illustrations of a balding man wearing sunglasses and a blue collared shirt, face slightly covered by a translucent red figurative silhouette, and along the other side of the bag, a white daisy with a long green stem.
    Year 2017
    Related pages Unholding
  • A man and a woman seated at a table smile and pose for the camera.
    A man and a woman seated at a table smile and pose for the camera.
    Friends of Artists Space Annual Dinner, 2017. [A man and a woman seated at a table smile and pose for the camera.]
    Caption Friends of Artists Space Annual Dinner, 2017.
    Image description A man and a woman seated at a table smile and pose for the camera.
    Year 2017
    Related pages Support
  • Two men sit at a bar discreetly discussing an event that occurs off-screen. Two other men appear in the background, focused on a separate activity.
    Two men sit at a bar discreetly discussing an event that occurs off-screen. Two other men appear in the background, focused on a separate activity.
    Still from Rainer Werner Fassbinder, Warnung vor einer heiligen Nutte (Beware of a Holy Whore), 1971. [Two men sit at a bar discreetly discussing an event that occurs off-screen. Two other men appear in the background, focused on a separate activity.]
    Caption Still from Rainer Werner Fassbinder, Warnung vor einer heiligen Nutte (Beware of a Holy Whore), 1971.
    Image description Two men sit at a bar discreetly discussing an event that occurs off-screen. Two other men appear in the background, focused on a separate activity.
    Year 1971
    Related pages Pride Goes Before a Fall / Beware of a Holy Whore / Mise en Abyme
  • Several portraits of men in various shapes, sizes, and colors, layered on top of eachother.
    Several portraits of men in various shapes, sizes, and colors, layered on top of eachother.
    Tom of Finland Untitled , ca. 1975 Collage on paper Tom of Finland Foundation, Permanent Collection [Several portraits of men in various shapes, sizes, and colors, layered on top of eachother.]
    Caption Tom of Finland Untitled , ca. 1975 Collage on paper Tom of Finland Foundation, Permanent Collection
    Image description Several portraits of men in various shapes, sizes, and colors, layered on top of eachother.
    Year 1975
    Related pages Tom of Finland: The Pleasure of Play
  • A green book cover, with it's title at the top reading,
    A green book cover, with it's title at the top reading,
    Joe Orton and Kenneth Halliwell Collins Guide to Roses , 1959 – 1962 Book cover collage Courtesy Islington Local History Centre [A green book cover, with it's title at the top reading, "Collings guid to ROSES;" a yellow rose against a white background, and a collaged photo of a dogs face below it. The right bottom corner of the page reads, "by Bertram Park."]
    Caption Joe Orton and Kenneth Halliwell Collins Guide to Roses , 1959 – 1962 Book cover collage Courtesy Islington Local History Centre
    Image description A green book cover, with it's title at the top reading, "Collings guid to ROSES;" a yellow rose against a white background, and a collaged photo of a dogs face below it. The right bottom corner of the page reads, "by Bertram Park."
    Year 2014
    Related pages The Library Vaccine
  • A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a person, their index finger blotted purple, inserting a document written in Arabic into a machine.
    A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a person, their index finger blotted purple, inserting a document written in Arabic into a machine.
    Laura Poitras: 9/11 Trilogy, Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a person, their index finger blotted purple, inserting a document written in Arabic into a machine.]
    Caption Laura Poitras: 9/11 Trilogy, Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a person, their index finger blotted purple, inserting a document written in Arabic into a machine.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • White flowers are superimposed on a photograph of a leafy shrub enshrouding a yellow street sign that reads
    White flowers are superimposed on a photograph of a leafy shrub enshrouding a yellow street sign that reads
    Donald Moffett, Hidden Drive, 2018, C-print with diecut, 16 x 12 inches, Signed edition of 100, 5APs Courtesy of the artist [White flowers are superimposed on a photograph of a leafy shrub enshrouding a yellow street sign that reads "HIDDEN DRIVE." The face of the sign is damaged with many holes and other signs of impact that suggest gunfire.]
    Caption Donald Moffett, Hidden Drive, 2018, C-print with diecut, 16 x 12 inches, Signed edition of 100, 5APs Courtesy of the artist
    Image description White flowers are superimposed on a photograph of a leafy shrub enshrouding a yellow street sign that reads "HIDDEN DRIVE." The face of the sign is damaged with many holes and other signs of impact that suggest gunfire.
    Year 2018
    Related pages Artists Space Annual Edition Portfolio 2018
  • A man lies on the street in a horizontal position, centered within the frame. Behind him is a playground, with an Argentinian flag waving in the background.
    A man lies on the street in a horizontal position, centered within the frame. Behind him is a playground, with an Argentinian flag waving in the background.
    Union Gaucha Productions Still from Totloop , 2003 16mm film (silent, color), 4 min 49 sec Collaboration with Fabio Kacero Courtesy of Union Gaucha Productions [A man lies on the street in a horizontal position, centered within the frame. Behind him is a playground, with an Argentinian flag waving in the background.]
    Caption Union Gaucha Productions Still from Totloop , 2003 16mm film (silent, color), 4 min 49 sec Collaboration with Fabio Kacero Courtesy of Union Gaucha Productions
    Image description A man lies on the street in a horizontal position, centered within the frame. Behind him is a playground, with an Argentinian flag waving in the background.
    Year 2003
    Related pages Union Gaucha Productions
  • Two gold picture frames with black and white portraits of a woman (left) and a man (right) face eachother on a shelf.
    Two gold picture frames with black and white portraits of a woman (left) and a man (right) face eachother on a shelf.
    Installation view, Macho Man, Tell It To My Heart: Collected by Julie Ault, Artists Space 2013. Photos: Daniel Pérez [Two gold picture frames with black and white portraits of a woman (left) and a man (right) face eachother on a shelf.]
    Caption Installation view, Macho Man, Tell It To My Heart: Collected by Julie Ault, Artists Space 2013. Photos: Daniel Pérez
    Image description Two gold picture frames with black and white portraits of a woman (left) and a man (right) face eachother on a shelf.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • An angled view of scattered video projection stills at various heights and sizes on a wooden wall. The wooden wall is displayed in a room with white walls and faux-grass flooring.
    An angled view of scattered video projection stills at various heights and sizes on a wooden wall. The wooden wall is displayed in a room with white walls and faux-grass flooring.
    Union Gaucha Productions, Installation view, Artists Space, 2015. Photo: Daniel Pérez [An angled view of scattered video projection stills at various heights and sizes on a wooden wall. The wooden wall is displayed in a room with white walls and faux-grass flooring.]
    Caption Union Gaucha Productions, Installation view, Artists Space, 2015. Photo: Daniel Pérez
    Image description An angled view of scattered video projection stills at various heights and sizes on a wooden wall. The wooden wall is displayed in a room with white walls and faux-grass flooring.
    Year 2015
    Related pages Union Gaucha Productions
  • Drawing of a muscular man with a combover and handlebar mustache, grappling the Earth and grinning as he inserts his penis into the planet.
    Drawing of a muscular man with a combover and handlebar mustache, grappling the Earth and grinning as he inserts his penis into the planet.
    Tom of Finland. Untitled, 1976 Collection. Ulrich Tangermann, Hamburg [Drawing of a muscular man with a combover and handlebar mustache, grappling the Earth and grinning as he inserts his penis into the planet.]
    Caption Tom of Finland. Untitled, 1976 Collection. Ulrich Tangermann, Hamburg
    Image description Drawing of a muscular man with a combover and handlebar mustache, grappling the Earth and grinning as he inserts his penis into the planet.
    Year 1976
    Related pages Tom of Finland: The Pleasure of Play
  • A black and white image of two blurry figures talking to each other in a dark room
    A black and white image of two blurry figures talking to each other in a dark room
    Jack Smith at University of Colorado, October 27, 1980, video, (sound, black and white), 100 minutes [A black and white image of two blurry figures talking to each other in a dark room]
    Caption Jack Smith at University of Colorado, October 27, 1980, video, (sound, black and white), 100 minutes
    Image description A black and white image of two blurry figures talking to each other in a dark room
    Year 1980
    Related pages Performance Premiere
  • A white image with a faint grey line that bisects the page lengthwise. In small text, the word
    A white image with a faint grey line that bisects the page lengthwise. In small text, the word
    Jim Hodges, Untitled, 1999, Etching and aquatint with chine-collé, 22 x 30 inches (55.9 x 76.2 cm), Edition of 30, Signed & numbered. [A white image with a faint grey line that bisects the page lengthwise. In small text, the word "with" Iies at the center of the image.]
    Caption Jim Hodges, Untitled, 1999, Etching and aquatint with chine-collé, 22 x 30 inches (55.9 x 76.2 cm), Edition of 30, Signed & numbered.
    Image description A white image with a faint grey line that bisects the page lengthwise. In small text, the word "with" Iies at the center of the image.
    Year 1999
    Related pages Editions
  • A dim-lit room with black chairs facing a projection on the wall. The projection depicts the title slide of a film, with purple gothic text that reads
    A dim-lit room with black chairs facing a projection on the wall. The projection depicts the title slide of a film, with purple gothic text that reads
    Laura Cottingham & The Anita Pallenberg Story, Installation view, Artists Space, 2017. Photo: Daniel Pérez [A dim-lit room with black chairs facing a projection on the wall. The projection depicts the title slide of a film, with purple gothic text that reads "The Anita Pallenberg Story", with an unfocused image of three people in the background.]
    Caption Laura Cottingham & The Anita Pallenberg Story, Installation view, Artists Space, 2017. Photo: Daniel Pérez
    Image description A dim-lit room with black chairs facing a projection on the wall. The projection depicts the title slide of a film, with purple gothic text that reads "The Anita Pallenberg Story", with an unfocused image of three people in the background.
    Year 2017
    Related pages Laura Cottingham & The Anita Pallenberg Story
  • Angled view of wooden table top covered with an organized assortment of cards, books, and paper materials, displaying images and texts, in various positions.
    Angled view of wooden table top covered with an organized assortment of cards, books, and paper materials, displaying images and texts, in various positions.
    View of Everything is About to Happen : An ongoing archive of artists’ books selected by Gregorio Magnani Courtesy Corvi-Mora, London and Greengrassi, London Photo: Marcus Leith [Angled view of wooden table top covered with an organized assortment of cards, books, and paper materials, displaying images and texts, in various positions.]
    Caption View of Everything is About to Happen : An ongoing archive of artists’ books selected by Gregorio Magnani Courtesy Corvi-Mora, London and Greengrassi, London Photo: Marcus Leith
    Image description Angled view of wooden table top covered with an organized assortment of cards, books, and paper materials, displaying images and texts, in various positions.
    Year 2014
    Related pages The Library Vaccine
  • A monitor facing a seating arrangement constructed of stacked pillows. Two pairs of monitors are suspended on poles in the background. An image of Hito Steyerl is seen in both pairs; next to an image of a pile of cigarettes and an image of shipping containers.
    A monitor facing a seating arrangement constructed of stacked pillows. Two pairs of monitors are suspended on poles in the background. An image of Hito Steyerl is seen in both pairs; next to an image of a pile of cigarettes and an image of shipping containers.
    Hito Steyerl, installation view, Artists Space, 2015. [A monitor facing a seating arrangement constructed of stacked pillows. Two pairs of monitors are suspended on poles in the background. An image of Hito Steyerl is seen in both pairs; next to an image of a pile of cigarettes and an image of shipping containers.]
    Caption Hito Steyerl, installation view, Artists Space, 2015.
    Image description A monitor facing a seating arrangement constructed of stacked pillows. Two pairs of monitors are suspended on poles in the background. An image of Hito Steyerl is seen in both pairs; next to an image of a pile of cigarettes and an image of shipping containers.
    Year 2015
    Related pages Hito Steyerl
  • Andres Serrano wearing a dark blue shirt and looking at the off-camera interviewer mid-speech.
    Andres Serrano wearing a dark blue shirt and looking at the off-camera interviewer mid-speech.
    Still from On Art and Artists Series. Andres Serrano: What Follows…, 1991. University of Colorado, 31min [Andres Serrano wearing a dark blue shirt and looking at the off-camera interviewer mid-speech.]
    Caption Still from On Art and Artists Series. Andres Serrano: What Follows…, 1991. University of Colorado, 31min
    Image description Andres Serrano wearing a dark blue shirt and looking at the off-camera interviewer mid-speech.
    Year
    Related pages Film and Video Program | Macho Man, Tell It To My Heart: Collected by Julie Ault | December 12
  • 1's and 0's written in pencil on grid paper, with some letters, circled
    1's and 0's written in pencil on grid paper, with some letters, circled
    Gillian Walsh. Score for Dance studio life ✌ These girls were amazing today!, 2015 [1's and 0's written in pencil on grid paper, with some letters, circled]
    Caption Gillian Walsh. Score for Dance studio life ✌ These girls were amazing today!, 2015
    Image description 1's and 0's written in pencil on grid paper, with some letters, circled
    Year 2015
    Related pages Dance studio life ✌ These girls were amazing today!
  • A black and white scan of an invoice from Corcraft Products issued to Artists Space at 38 Greene Street. The customer number reads
    A black and white scan of an invoice from Corcraft Products issued to Artists Space at 38 Greene Street. The customer number reads
    [A black and white scan of an invoice from Corcraft Products issued to Artists Space at 38 Greene Street. The customer number reads "9102000". The invoice details a net purchase of $1309.00]
    Caption
    Image description A black and white scan of an invoice from Corcraft Products issued to Artists Space at 38 Greene Street. The customer number reads "9102000". The invoice details a net purchase of $1309.00
    Year 2015
    Related pages Cameron Rowland: 91020000
  • A black and white image of a man in sunglasses holding a large cluster of balloons tied to strings above his head with his left hand.
    A black and white image of a man in sunglasses holding a large cluster of balloons tied to strings above his head with his left hand.
    Konrad Lueg with Balloons July 1962 Zero Festival, Rhine Meadows, Düsseldorf-Over-Kassel Courtesy Archiv Reiner Ruthenbeck, Ratingen © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Reiner Ruthenbeck [A black and white image of a man in sunglasses holding a large cluster of balloons tied to strings above his head with his left hand.]
    Caption Konrad Lueg with Balloons July 1962 Zero Festival, Rhine Meadows, Düsseldorf-Over-Kassel Courtesy Archiv Reiner Ruthenbeck, Ratingen © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Reiner Ruthenbeck
    Image description A black and white image of a man in sunglasses holding a large cluster of balloons tied to strings above his head with his left hand.
    Year 1962
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A monitor on a wheeled stand is displayed in the corner of two white walls. The monitor projects an image of a whiteboard with hand written text that reads,
    A monitor on a wheeled stand is displayed in the corner of two white walls. The monitor projects an image of a whiteboard with hand written text that reads,
    John Neff, Authorization Sessions Set 2018: Manhattan Project, 2016–2018, Artists Space, New York, 2018. Photo: Daniel Pérez [A monitor on a wheeled stand is displayed in the corner of two white walls. The monitor projects an image of a whiteboard with hand written text that reads, "People think because, People lie others..., People ignore..." circled in red, green and blue. A green office swivel chair with headphones is placed in front.]
    Caption John Neff, Authorization Sessions Set 2018: Manhattan Project, 2016–2018, Artists Space, New York, 2018. Photo: Daniel Pérez
    Image description A monitor on a wheeled stand is displayed in the corner of two white walls. The monitor projects an image of a whiteboard with hand written text that reads, "People think because, People lie others..., People ignore..." circled in red, green and blue. A green office swivel chair with headphones is placed in front.
    Year 2018
    Related pages Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff
  • Two small items in a white glossy frame, one is a photograph and the other a postcard. The photograph is a black and white image of a man standing, slightly hunched over, pasted on top of an image of a sailor. Beneath the photograph, a faded handwritten postcard reads in blue ink,
    Two small items in a white glossy frame, one is a photograph and the other a postcard. The photograph is a black and white image of a man standing, slightly hunched over, pasted on top of an image of a sailor. Beneath the photograph, a faded handwritten postcard reads in blue ink,
    Ken Okiishi, detail from Wish I Were Here, 1997 – 2001. Five archival inkjet prints. Courtesy the artist [Two small items in a white glossy frame, one is a photograph and the other a postcard. The photograph is a black and white image of a man standing, slightly hunched over, pasted on top of an image of a sailor. Beneath the photograph, a faded handwritten postcard reads in blue ink, "11 July 1997, Dear Cindy Sherman, I am lost - not physically, but emotionally. I am on a cruise ship to Greece with my straight best friend, who I am in love with. Acting like "The Girl" is getting me nowhere with him. Did it get you anywhere? Sincerely, Ken Okiishi."]
    Caption Ken Okiishi, detail from Wish I Were Here, 1997 – 2001. Five archival inkjet prints. Courtesy the artist
    Image description Two small items in a white glossy frame, one is a photograph and the other a postcard. The photograph is a black and white image of a man standing, slightly hunched over, pasted on top of an image of a sailor. Beneath the photograph, a faded handwritten postcard reads in blue ink, "11 July 1997, Dear Cindy Sherman, I am lost - not physically, but emotionally. I am on a cruise ship to Greece with my straight best friend, who I am in love with. Acting like "The Girl" is getting me nowhere with him. Did it get you anywhere? Sincerely, Ken Okiishi."
    Year 1997
    Related pages Frozen Lakes
  • A green and white flyer with green and black text listing the event information.
    A green and white flyer with green and black text listing the event information.
    Flyer for the People's Cultural Plan Launch. Tuesday, July 18, 7-9:30pm. Artists Space. 55 Walker St [A green and white flyer with green and black text listing the event information.]
    Caption Flyer for the People's Cultural Plan Launch. Tuesday, July 18, 7-9:30pm. Artists Space. 55 Walker St
    Image description A green and white flyer with green and black text listing the event information.
    Year 2017
    Related pages The People's Cultural Plan
  • On a dark wall, a large yellow frame hangs on the left. On the right, four smaller anthropomorphic drawings are displayed.
    On a dark wall, a large yellow frame hangs on the left. On the right, four smaller anthropomorphic drawings are displayed.
    Installation view of Jack Smith: Art Crust of Spiritual Oasis, June 22 – September 9, 2018. Courtesy of Artists Space, New York. Photo: Daniel Pérez [On a dark wall, a large yellow frame hangs on the left. On the right, four smaller anthropomorphic drawings are displayed.]
    Caption Installation view of Jack Smith: Art Crust of Spiritual Oasis, June 22 – September 9, 2018. Courtesy of Artists Space, New York. Photo: Daniel Pérez
    Image description On a dark wall, a large yellow frame hangs on the left. On the right, four smaller anthropomorphic drawings are displayed.
    Year 2018
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • A black and white photo captures a New York City postal service box.
    A black and white photo captures a New York City postal service box.
    Klara Lidén, Untitled (mailbox), 2012, Archival inkjet print, 24 x 18 inches, Signed and numbered certificate. [A black and white photo captures a New York City postal service box.]
    Caption Klara Lidén, Untitled (mailbox), 2012, Archival inkjet print, 24 x 18 inches, Signed and numbered certificate.
    Image description A black and white photo captures a New York City postal service box.
    Year 2013
    Related pages Annual Edition Portfolio
  • A photograph of a woman looking into the camera with one hand raised to her cheek. She wears a striped white Adidas soccer jersey with the
    A photograph of a woman looking into the camera with one hand raised to her cheek. She wears a striped white Adidas soccer jersey with the
    Bernadette Corporation with Benjamin Alexander Huseby, BC Reloaded, 2012. [A photograph of a woman looking into the camera with one hand raised to her cheek. She wears a striped white Adidas soccer jersey with the "bc" logo in one corner, and her eyeshadow stops abruptly in the middle of her right eyelid, creating an artificial crease down her face.]
    Caption Bernadette Corporation with Benjamin Alexander Huseby, BC Reloaded, 2012.
    Image description A photograph of a woman looking into the camera with one hand raised to her cheek. She wears a striped white Adidas soccer jersey with the "bc" logo in one corner, and her eyeshadow stops abruptly in the middle of her right eyelid, creating an artificial crease down her face.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • A view between two book stands, perpendicular to the wall, displaying books, documents, and papers. On the wall, posters are staggered including various text and images.
    A view between two book stands, perpendicular to the wall, displaying books, documents, and papers. On the wall, posters are staggered including various text and images.
    Installation view from Richard Hollis, Artists Space, 2013 [A view between two book stands, perpendicular to the wall, displaying books, documents, and papers. On the wall, posters are staggered including various text and images.]
    Caption Installation view from Richard Hollis, Artists Space, 2013
    Image description A view between two book stands, perpendicular to the wall, displaying books, documents, and papers. On the wall, posters are staggered including various text and images.
    Year 2013
    Related pages Richard Hollis
  • Black and white photograph of Jean Fisher looking to the right.
    Black and white photograph of Jean Fisher looking to the right.
    Jean Fisher [Black and white photograph of Jean Fisher looking to the right.]
    Caption Jean Fisher
    Image description Black and white photograph of Jean Fisher looking to the right.
    Year
    Related pages The Work Between Us: Reflections on Jean Fisher
  • A yellow book cover with abstract, patterned black text, stating
    A yellow book cover with abstract, patterned black text, stating
    [A yellow book cover with abstract, patterned black text, stating "Artists Space Expanded Art Ideas - Find The Beauty Here - P.S. 140"]
    Caption
    Image description A yellow book cover with abstract, patterned black text, stating "Artists Space Expanded Art Ideas - Find The Beauty Here - P.S. 140"
    Year
    Related pages Education Publications
  • Two walls form an entry way to the exhibition space. Both present black and white photos across their entire surface area. On the left, two men sit in a living room; on the right a man stands outside a store with a neon light sign.
    Two walls form an entry way to the exhibition space. Both present black and white photos across their entire surface area. On the left, two men sit in a living room; on the right a man stands outside a store with a neon light sign.
    Living with Pop. A Reproduction of Capitalist Realism. Installation view, Artists Space, 2014. [Two walls form an entry way to the exhibition space. Both present black and white photos across their entire surface area. On the left, two men sit in a living room; on the right a man stands outside a store with a neon light sign.]
    Caption Living with Pop. A Reproduction of Capitalist Realism. Installation view, Artists Space, 2014.
    Image description Two walls form an entry way to the exhibition space. Both present black and white photos across their entire surface area. On the left, two men sit in a living room; on the right a man stands outside a store with a neon light sign.
    Year 2014
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • An angled view of three walls dispalying drawings and paneled canvases that stretch out into the space.
    An angled view of three walls dispalying drawings and paneled canvases that stretch out into the space.
    Installation view from Zilia Sánchez, Artists Space, 2013. Photo: Daniel Pérez. [An angled view of three walls dispalying drawings and paneled canvases that stretch out into the space.]
    Caption Installation view from Zilia Sánchez, Artists Space, 2013. Photo: Daniel Pérez.
    Image description An angled view of three walls dispalying drawings and paneled canvases that stretch out into the space.
    Year 2013
    Related pages Zilia Sánchez
  • A blue book cover with white and black text.
    A blue book cover with white and black text.
    5000 Artists Return to Artists Space: 25 Years, 1998. [A blue book cover with white and black text.]
    Caption 5000 Artists Return to Artists Space: 25 Years, 1998.
    Image description A blue book cover with white and black text.
    Year 1988
    Related pages Book Sale!
  • Abstract painting of two people sitting at a table and having a conversation.
    Abstract painting of two people sitting at a table and having a conversation.
    Avery Singer, The Studio Visit, 2012. Courtesy the artist and Gavin Brown's enterprise, New York/Rome and Kraupa-Tuskany Zeidler, Berlin. [Abstract painting of two people sitting at a table and having a conversation.]
    Caption Avery Singer, The Studio Visit, 2012. Courtesy the artist and Gavin Brown's enterprise, New York/Rome and Kraupa-Tuskany Zeidler, Berlin.
    Image description Abstract painting of two people sitting at a table and having a conversation.
    Year 2012
    Related pages The Love of Painting
  • A dimly lit room where two people are seated in chairs on the right, looking at a projection. The projection displays a yellow-hued image of a city skyline.
    A dimly lit room where two people are seated in chairs on the right, looking at a projection. The projection displays a yellow-hued image of a city skyline.
    Union Gaucha Productions, Installation view, Artists Space, 2015. Photo: Daniel Pérez [A dimly lit room where two people are seated in chairs on the right, looking at a projection. The projection displays a yellow-hued image of a city skyline.]
    Caption Union Gaucha Productions, Installation view, Artists Space, 2015. Photo: Daniel Pérez
    Image description A dimly lit room where two people are seated in chairs on the right, looking at a projection. The projection displays a yellow-hued image of a city skyline.
    Year 2015
    Related pages Union Gaucha Productions
  • A small rectangle outlined in a thick black border sits inside the larger rectangle of the paper. The interior rectangle contains a cropped image of a pink colored man with his pants pulled down. In his right hand he holds a gun, pointing towards the ground against a washy abstracted black background.
    A small rectangle outlined in a thick black border sits inside the larger rectangle of the paper. The interior rectangle contains a cropped image of a pink colored man with his pants pulled down. In his right hand he holds a gun, pointing towards the ground against a washy abstracted black background.
    Carroll Dunham Untitled, 2006, 4 Color etching with aquatint, 14 1/4 x 11 inches (36.2 x 27.9 cm), Edition of 30 Signed & numbered, Edition of 30, Signed & numbered, Published by Two Palms Press. [A small rectangle outlined in a thick black border sits inside the larger rectangle of the paper. The interior rectangle contains a cropped image of a pink colored man with his pants pulled down. In his right hand he holds a gun, pointing towards the ground against a washy abstracted black background.]
    Caption Carroll Dunham Untitled, 2006, 4 Color etching with aquatint, 14 1/4 x 11 inches (36.2 x 27.9 cm), Edition of 30 Signed & numbered, Edition of 30, Signed & numbered, Published by Two Palms Press.
    Image description A small rectangle outlined in a thick black border sits inside the larger rectangle of the paper. The interior rectangle contains a cropped image of a pink colored man with his pants pulled down. In his right hand he holds a gun, pointing towards the ground against a washy abstracted black background.
    Year 2006
    Related pages Editions
  • A video is projected onto a freestanding wall in the middle of the room. A mannequin wearing a decorative orange costumes stands to the left. In the background, a video monitor sits on a table and framed documents hang on the walls.
    A video is projected onto a freestanding wall in the middle of the room. A mannequin wearing a decorative orange costumes stands to the left. In the background, a video monitor sits on a table and framed documents hang on the walls.
    Installation view of Jack Smith: Art Crust of Spiritual Oasis, June 22 – September 9, 2018. Courtesy of Artists Space, New York. Photo: Daniel Pérez [A video is projected onto a freestanding wall in the middle of the room. A mannequin wearing a decorative orange costumes stands to the left. In the background, a video monitor sits on a table and framed documents hang on the walls.]
    Caption Installation view of Jack Smith: Art Crust of Spiritual Oasis, June 22 – September 9, 2018. Courtesy of Artists Space, New York. Photo: Daniel Pérez
    Image description A video is projected onto a freestanding wall in the middle of the room. A mannequin wearing a decorative orange costumes stands to the left. In the background, a video monitor sits on a table and framed documents hang on the walls.
    Year 2018
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • A portfolio box with a flowered pattern on the lid is shown on a white ground with the lid slightly askew.
    A portfolio box with a flowered pattern on the lid is shown on a white ground with the lid slightly askew.
    Susan Cianciolo, Flowers, 2018, 25 x 21 x 1 1/2 inches, Silkscreen on book cloth on bespoke archival box, Signed edition of 100, 5APs Courtesy of the artist. [A portfolio box with a flowered pattern on the lid is shown on a white ground with the lid slightly askew.]
    Caption Susan Cianciolo, Flowers, 2018, 25 x 21 x 1 1/2 inches, Silkscreen on book cloth on bespoke archival box, Signed edition of 100, 5APs Courtesy of the artist.
    Image description A portfolio box with a flowered pattern on the lid is shown on a white ground with the lid slightly askew.
    Year 2018
    Related pages Store
  • A detail view of a dense, but stark forest with minimal sunlight.
    A detail view of a dense, but stark forest with minimal sunlight.
    Metahaven, The Sprawl (in development), 2015 Video still Courtesy Lighthouse / The Space [A detail view of a dense, but stark forest with minimal sunlight.]
    Caption Metahaven, The Sprawl (in development), 2015 Video still Courtesy Lighthouse / The Space
    Image description A detail view of a dense, but stark forest with minimal sunlight.
    Year 2015
    Related pages After Effects
  • A framed painting is hung on a white wall adjacent to an elevator with a decorative sconce installed above the painted white doors. The painting depicts a chained elephant being trained by a woman in a black dress. The woman holds a baton against the elephant's raised foreleg.
    A framed painting is hung on a white wall adjacent to an elevator with a decorative sconce installed above the painted white doors. The painting depicts a chained elephant being trained by a woman in a black dress. The woman holds a baton against the elephant's raised foreleg.
    Installation view from Lukas Duwenhögger: Undoolay, Artists Space, 2016. Photo credit: Jean Vong [A framed painting is hung on a white wall adjacent to an elevator with a decorative sconce installed above the painted white doors. The painting depicts a chained elephant being trained by a woman in a black dress. The woman holds a baton against the elephant's raised foreleg.]
    Caption Installation view from Lukas Duwenhögger: Undoolay, Artists Space, 2016. Photo credit: Jean Vong
    Image description A framed painting is hung on a white wall adjacent to an elevator with a decorative sconce installed above the painted white doors. The painting depicts a chained elephant being trained by a woman in a black dress. The woman holds a baton against the elephant's raised foreleg.
    Year 2016
    Related pages Lukas Duwenhögger: Undoolay
  • A miniature clay sculpture of a man sitting, cross-legged, in an armchair is displayed on a carpetted floor. Where the carpet meets wooden floor, a curled wire extends from underneath the carpet.
    A miniature clay sculpture of a man sitting, cross-legged, in an armchair is displayed on a carpetted floor. Where the carpet meets wooden floor, a curled wire extends from underneath the carpet.
    Installation view from The Issues of Our Time, Artists Space, New York, 2014 [A miniature clay sculpture of a man sitting, cross-legged, in an armchair is displayed on a carpetted floor. Where the carpet meets wooden floor, a curled wire extends from underneath the carpet.]
    Caption Installation view from The Issues of Our Time, Artists Space, New York, 2014
    Image description A miniature clay sculpture of a man sitting, cross-legged, in an armchair is displayed on a carpetted floor. Where the carpet meets wooden floor, a curled wire extends from underneath the carpet.
    Year 2014
    Related pages The Issues of Our Time
  • Adrian Piper, dressed in black with sunglasses and holding her arms aloft in mid-motion, stands in front of a projected image showing a photo of herself in sunglasses, and a thought bubble that reads,
    Adrian Piper, dressed in black with sunglasses and holding her arms aloft in mid-motion, stands in front of a projected image showing a photo of herself in sunglasses, and a thought bubble that reads,
    It's Just Art, Adrian Piper, April 29, 1981 [Adrian Piper, dressed in black with sunglasses and holding her arms aloft in mid-motion, stands in front of a projected image showing a photo of herself in sunglasses, and a thought bubble that reads, "14. WE DEFEND EACH OTHER / (YOU CERTAINLY DIDN'T COME TO AN ART PERFORMANCE TO HEAR A LECTURE ON CURRENT EVENTS)"]
    Caption It's Just Art, Adrian Piper, April 29, 1981
    Image description Adrian Piper, dressed in black with sunglasses and holding her arms aloft in mid-motion, stands in front of a projected image showing a photo of herself in sunglasses, and a thought bubble that reads, "14. WE DEFEND EACH OTHER / (YOU CERTAINLY DIDN'T COME TO AN ART PERFORMANCE TO HEAR A LECTURE ON CURRENT EVENTS)"
    Year 1981
    Related pages History
  • An angled view of two adjacent walls, in between sit vitrines with minature houses constructed from documents. From left to right on the wall: colorful paper bags, a monitor with a video still, a purple section of wall with various photographic objects.
    An angled view of two adjacent walls, in between sit vitrines with minature houses constructed from documents. From left to right on the wall: colorful paper bags, a monitor with a video still, a purple section of wall with various photographic objects.
    Unholding. Installation view, Artists Space, November 19, 2017 - January 21, 2018. Photo: Daniel Pérez. [An angled view of two adjacent walls, in between sit vitrines with minature houses constructed from documents. From left to right on the wall: colorful paper bags, a monitor with a video still, a purple section of wall with various photographic objects.]
    Caption Unholding. Installation view, Artists Space, November 19, 2017 - January 21, 2018. Photo: Daniel Pérez.
    Image description An angled view of two adjacent walls, in between sit vitrines with minature houses constructed from documents. From left to right on the wall: colorful paper bags, a monitor with a video still, a purple section of wall with various photographic objects.
    Year 2017
    Related pages Unholding
  • A black and white image of a man photographing a plastic penguin in front of a decorative gate. Sideways text on the right reads,
    A black and white image of a man photographing a plastic penguin in front of a decorative gate. Sideways text on the right reads,
    Exhibition Catalogue [A black and white image of a man photographing a plastic penguin in front of a decorative gate. Sideways text on the right reads, "Jack Smith, Art Crust of Spiritual Oasis, June 22 - September 9, 2018, Artists Space."]
    Caption Exhibition Catalogue
    Image description A black and white image of a man photographing a plastic penguin in front of a decorative gate. Sideways text on the right reads, "Jack Smith, Art Crust of Spiritual Oasis, June 22 - September 9, 2018, Artists Space."
    Year 2018
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • A side view of a sculpture of a man leaning against a white column. He holds a book in his right hand. He is wearing a purple shirt, blue patterned shorts, and white sneakers.
    A side view of a sculpture of a man leaning against a white column. He holds a book in his right hand. He is wearing a purple shirt, blue patterned shorts, and white sneakers.
    Installation view from Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. 38 Greene, Artists Space, 2013 [A side view of a sculpture of a man leaning against a white column. He holds a book in his right hand. He is wearing a purple shirt, blue patterned shorts, and white sneakers.]
    Caption Installation view from Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. 38 Greene, Artists Space, 2013
    Image description A side view of a sculpture of a man leaning against a white column. He holds a book in his right hand. He is wearing a purple shirt, blue patterned shorts, and white sneakers.
    Year 2013
    Related pages Pride Goes Before a Fall
  • Faded photograph of artist Miyoko Ito standing with her arms crossed in front of two of her paintings.
    Faded photograph of artist Miyoko Ito standing with her arms crossed in front of two of her paintings.
    Miyoko Ito at the opening of Miyoko Ito: A Review, The Renaissance Society at the University of Chicago, 1980 [Faded photograph of artist Miyoko Ito standing with her arms crossed in front of two of her paintings.]
    Caption Miyoko Ito at the opening of Miyoko Ito: A Review, The Renaissance Society at the University of Chicago, 1980
    Image description Faded photograph of artist Miyoko Ito standing with her arms crossed in front of two of her paintings.
    Year 1980
    Related pages Miyoko Ito: Heart of Hearts
  • A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, standing next to a frame on a wall that contains a seperate video of a man in a street, is on the back wall.
    A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, standing next to a frame on a wall that contains a seperate video of a man in a street, is on the back wall.
    Hito Steyerl, Guards, 2012, HD video on freestanding screen with sound, 20 mins, Courtesy of the artist and Andrew Kreps, New York. Installation view from Hito Steyerl, Artists Space, 2015 [A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, standing next to a frame on a wall that contains a seperate video of a man in a street, is on the back wall.]
    Caption Hito Steyerl, Guards, 2012, HD video on freestanding screen with sound, 20 mins, Courtesy of the artist and Andrew Kreps, New York. Installation view from Hito Steyerl, Artists Space, 2015
    Image description A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, standing next to a frame on a wall that contains a seperate video of a man in a street, is on the back wall.
    Year 2015
    Related pages Hito Steyerl
  • Aluminum foil, partially unrolled, with a pile of pennies is dramatically lit in a darkened room.
    Aluminum foil, partially unrolled, with a pile of pennies is dramatically lit in a darkened room.
    Clegg & Guttmann, Change, 2015, C-print , 24 x 20 in
/ 61 x 50,8 cm, Signed and Numbered Certificate. [Aluminum foil, partially unrolled, with a pile of pennies is dramatically lit in a darkened room.]
    Caption Clegg & Guttmann, Change, 2015, C-print , 24 x 20 in
/ 61 x 50,8 cm, Signed and Numbered Certificate.
    Image description Aluminum foil, partially unrolled, with a pile of pennies is dramatically lit in a darkened room.
    Year 2016
    Related pages Artists Space Annual Edition Portfolio 2016
  • Three paper bags photographed at an angle sit on pedestals. Closest to the camera, the bag has been painted with white and blue foliage, and collaged with a drawing of Africa. The two, farther bags portray drawn portraits of men.
    Three paper bags photographed at an angle sit on pedestals. Closest to the camera, the bag has been painted with white and blue foliage, and collaged with a drawing of Africa. The two, farther bags portray drawn portraits of men.
    Unholding. Installation view, Artists Space, November 19, 2017 - January 21, 2018. Photo: Daniel Pérez. [Three paper bags photographed at an angle sit on pedestals. Closest to the camera, the bag has been painted with white and blue foliage, and collaged with a drawing of Africa. The two, farther bags portray drawn portraits of men.]
    Caption Unholding. Installation view, Artists Space, November 19, 2017 - January 21, 2018. Photo: Daniel Pérez.
    Image description Three paper bags photographed at an angle sit on pedestals. Closest to the camera, the bag has been painted with white and blue foliage, and collaged with a drawing of Africa. The two, farther bags portray drawn portraits of men.
    Year 2018
    Related pages Unholding
  • A portrait of Jonas Mekas in Rembrandt lighting looking directly into the camera, wearing his signature fedora and standing against a black background.
    A portrait of Jonas Mekas in Rembrandt lighting looking directly into the camera, wearing his signature fedora and standing against a black background.
    Union Gaucha Productions Still from Totloop , 2003 16mm film (silent, color), 4 min 49 sec Collaboration with Fabio Kacero Courtesy of Union Gaucha Productions [A portrait of Jonas Mekas in Rembrandt lighting looking directly into the camera, wearing his signature fedora and standing against a black background.]
    Caption Union Gaucha Productions Still from Totloop , 2003 16mm film (silent, color), 4 min 49 sec Collaboration with Fabio Kacero Courtesy of Union Gaucha Productions
    Image description A portrait of Jonas Mekas in Rembrandt lighting looking directly into the camera, wearing his signature fedora and standing against a black background.
    Year 2003
    Related pages Union Gaucha Productions
  • An angled view of vitrines and book cases displaying collages.
    An angled view of vitrines and book cases displaying collages.
    Installation view from Tom of Finland: The Pleasure of Play, Artists Space, 2015 [An angled view of vitrines and book cases displaying collages.]
    Caption Installation view from Tom of Finland: The Pleasure of Play, Artists Space, 2015
    Image description An angled view of vitrines and book cases displaying collages.
    Year 2015
    Related pages Tom of Finland: The Pleasure of Play
  • A close up view of a sculpture of a man holding a book. The man's hand holds the spine of a book close to his purple shirt.
    A close up view of a sculpture of a man holding a book. The man's hand holds the spine of a book close to his purple shirt.
    Installation view from Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. 38 Greene, Artists Space, 2013 [A close up view of a sculpture of a man holding a book. The man's hand holds the spine of a book close to his purple shirt.]
    Caption Installation view from Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. 38 Greene, Artists Space, 2013
    Image description A close up view of a sculpture of a man holding a book. The man's hand holds the spine of a book close to his purple shirt.
    Year 2013
    Related pages Pride Goes Before a Fall
  • Two black display cases in the middle of a gallery space, with clear horizontal glass cut-outs, one taller than the other. Each display case houses a collection of mugs and other ephemera.
    Two black display cases in the middle of a gallery space, with clear horizontal glass cut-outs, one taller than the other. Each display case houses a collection of mugs and other ephemera.
    Bernadette Corporation: 2000 Wasted Years. Installation View, Artists Space, 2012. Photo: Daniel Pérez. [Two black display cases in the middle of a gallery space, with clear horizontal glass cut-outs, one taller than the other. Each display case houses a collection of mugs and other ephemera.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation View, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Two black display cases in the middle of a gallery space, with clear horizontal glass cut-outs, one taller than the other. Each display case houses a collection of mugs and other ephemera.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • Close-up photo of a person with red hair, leaning against a wall looking away from the camera.
    Close-up photo of a person with red hair, leaning against a wall looking away from the camera.
    Jeff Preiss. Still from STOP, 2012. 16mm film transferred to digital video [Close-up photo of a person with red hair, leaning against a wall looking away from the camera.]
    Caption Jeff Preiss. Still from STOP, 2012. 16mm film transferred to digital video
    Image description Close-up photo of a person with red hair, leaning against a wall looking away from the camera.
    Year 2012
    Related pages Jeff Preiss and Union Gaucha Productions
  • An image is reproduced from three different angles: two in landscape with the third, vertical and upside down. Two people stand in a red-lit room, one looks at a camera and the other stands beside them. A double exposure overlays the image with the same two people, the former holding up the camera and the latter posing for a photo.
    An image is reproduced from three different angles: two in landscape with the third, vertical and upside down. Two people stand in a red-lit room, one looks at a camera and the other stands beside them. A double exposure overlays the image with the same two people, the former holding up the camera and the latter posing for a photo.
    Speaker Music, still from a finesse, 2019, (filmed at 11 Cortlandt Alley). [An image is reproduced from three different angles: two in landscape with the third, vertical and upside down. Two people stand in a red-lit room, one looks at a camera and the other stands beside them. A double exposure overlays the image with the same two people, the former holding up the camera and the latter posing for a photo.]
    Caption Speaker Music, still from a finesse, 2019, (filmed at 11 Cortlandt Alley).
    Image description An image is reproduced from three different angles: two in landscape with the third, vertical and upside down. Two people stand in a red-lit room, one looks at a camera and the other stands beside them. A double exposure overlays the image with the same two people, the former holding up the camera and the latter posing for a photo.
    Year 2019
    Related pages Speaker Music: drape over another
  • A collage-style image of a person sitting on a square object, perhaps a floor mat, viewed from the top-down. Black-and-white, aside from the person's exposed tan collar, hands and forearms, and feet. They are wearing a black-and-white checkered dress, and have black hair. The figure is looking at an upside-down text, reading
    A collage-style image of a person sitting on a square object, perhaps a floor mat, viewed from the top-down. Black-and-white, aside from the person's exposed tan collar, hands and forearms, and feet. They are wearing a black-and-white checkered dress, and have black hair. The figure is looking at an upside-down text, reading
    Frances Stark, Consider the following again: Why should you not be able to assemble yourself and write?, 2010, Giclée and silkscreen on Somerset Enhanced Velvet, 330 gsm 18 1/2 x 14 1/2 in / 47 x 36,8 cm, Signed and numbered. [A collage-style image of a person sitting on a square object, perhaps a floor mat, viewed from the top-down. Black-and-white, aside from the person's exposed tan collar, hands and forearms, and feet. They are wearing a black-and-white checkered dress, and have black hair. The figure is looking at an upside-down text, reading "why should you not be able to assemble yourself and write?"]
    Caption Frances Stark, Consider the following again: Why should you not be able to assemble yourself and write?, 2010, Giclée and silkscreen on Somerset Enhanced Velvet, 330 gsm 18 1/2 x 14 1/2 in / 47 x 36,8 cm, Signed and numbered.
    Image description A collage-style image of a person sitting on a square object, perhaps a floor mat, viewed from the top-down. Black-and-white, aside from the person's exposed tan collar, hands and forearms, and feet. They are wearing a black-and-white checkered dress, and have black hair. The figure is looking at an upside-down text, reading "why should you not be able to assemble yourself and write?"
    Year 2010
    Related pages Artists Space Annual Edition Portfolio 2010
  • A small, tan bandage lying face-down on a white background.
    A small, tan bandage lying face-down on a white background.
    Allora & Calzadilla, Bandage, 2011, Painted cast white metal, 3 x 3/4 x 1/16 in / 7,6 x 2 x .16 cm, Signed certificate. [A small, tan bandage lying face-down on a white background.]
    Caption Allora & Calzadilla, Bandage, 2011, Painted cast white metal, 3 x 3/4 x 1/16 in / 7,6 x 2 x .16 cm, Signed certificate.
    Image description A small, tan bandage lying face-down on a white background.
    Year 2011
    Related pages Artists Space Annual Edition Portfolio 2012
  • An empty dim-lit room with chairs with a projection on the wall. The projection features a close-up image of a person with wavy brown hair covering their face, lying facedown on a fluffy white carpet.
    An empty dim-lit room with chairs with a projection on the wall. The projection features a close-up image of a person with wavy brown hair covering their face, lying facedown on a fluffy white carpet.
    Laura Cottingham & The Anita Pallenberg Story, Installation view, Artists Space, 2017. Photo: Daniel Pérez [An empty dim-lit room with chairs with a projection on the wall. The projection features a close-up image of a person with wavy brown hair covering their face, lying facedown on a fluffy white carpet.]
    Caption Laura Cottingham & The Anita Pallenberg Story, Installation view, Artists Space, 2017. Photo: Daniel Pérez
    Image description An empty dim-lit room with chairs with a projection on the wall. The projection features a close-up image of a person with wavy brown hair covering their face, lying facedown on a fluffy white carpet.
    Year 2017
    Related pages Laura Cottingham & The Anita Pallenberg Story
  • A cartoon drawing of a bedroom with a purple bed, chair, and window
    A cartoon drawing of a bedroom with a purple bed, chair, and window
    Image courtesy No Total [A cartoon drawing of a bedroom with a purple bed, chair, and window]
    Caption Image courtesy No Total
    Image description A cartoon drawing of a bedroom with a purple bed, chair, and window
    Year 2017
    Related pages You Should Wake Up Earlier
  • A sculpture of a man leans against a white column in an otherwise empty gallery space.
    A sculpture of a man leans against a white column in an otherwise empty gallery space.
    Installation view from Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. 38 Greene, Artists Space, 2013 [A sculpture of a man leans against a white column in an otherwise empty gallery space.]
    Caption Installation view from Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. 38 Greene, Artists Space, 2013
    Image description A sculpture of a man leans against a white column in an otherwise empty gallery space.
    Year 2013
    Related pages Pride Goes Before a Fall
  • A black and white image with an organic border features Jack Smith in a white cloak standing in front of a wall. To the left of him are two posters that read,
    A black and white image with an organic border features Jack Smith in a white cloak standing in front of a wall. To the left of him are two posters that read,
    Jack Smith in Jack Smith’s Fear Ritual of Shark Museum, Cologne, 1974 Photograph © Gwenn Thomas. Courtesy Exile Gallery, Berlin and Southfirst, New York Courtesy New York University, Fales Library and Special Collections [A black and white image with an organic border features Jack Smith in a white cloak standing in front of a wall. To the left of him are two posters that read, "Krone," at the top in block letters. Behind him are large, white block letters that read, "R O N." A ghost-like figure with multiple arms is pictured above him.]
    Caption Jack Smith in Jack Smith’s Fear Ritual of Shark Museum, Cologne, 1974 Photograph © Gwenn Thomas. Courtesy Exile Gallery, Berlin and Southfirst, New York Courtesy New York University, Fales Library and Special Collections
    Image description A black and white image with an organic border features Jack Smith in a white cloak standing in front of a wall. To the left of him are two posters that read, "Krone," at the top in block letters. Behind him are large, white block letters that read, "R O N." A ghost-like figure with multiple arms is pictured above him.
    Year 1974
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • Four framed photogrpahs in a grid hang on an angled wall to the left. Three decorated paper bags sit on white pedestals. An abstract landscape painting hangs on the wall in the background.
    Four framed photogrpahs in a grid hang on an angled wall to the left. Three decorated paper bags sit on white pedestals. An abstract landscape painting hangs on the wall in the background.
    Unholding. Installation view, Artists Space, November 19, 2017 - January 21, 2018. Photo: Daniel Pérez. [Four framed photogrpahs in a grid hang on an angled wall to the left. Three decorated paper bags sit on white pedestals. An abstract landscape painting hangs on the wall in the background.]
    Caption Unholding. Installation view, Artists Space, November 19, 2017 - January 21, 2018. Photo: Daniel Pérez.
    Image description Four framed photogrpahs in a grid hang on an angled wall to the left. Three decorated paper bags sit on white pedestals. An abstract landscape painting hangs on the wall in the background.
    Year 2017
    Related pages Unholding
  • On a white table, to the left, sits a flutter book with a dot illustration increasing in density through the pages. To the right, a TV monitor displays a black and white image of a finger pressing the space bar on a type writer.
    On a white table, to the left, sits a flutter book with a dot illustration increasing in density through the pages. To the right, a TV monitor displays a black and white image of a finger pressing the space bar on a type writer.
    Edition Hansjörg Mayer, from The Library Vaccine, Artists Space, 2014. Left: Hansjörg Mater, Typoaktionen / Typoactions, 1967. Frankfurt am Main: Typos Right: Georg Bense, Hansjörg Mayer, Freimut Wössner and Rainer Wössner, Der Fisch Fliegt Steil / The Fish Flies Steeply, 1962 16mm black and white film and magnetic sound transferred to digital video 9 minutes, 54 seconds [On a white table, to the left, sits a flutter book with a dot illustration increasing in density through the pages. To the right, a TV monitor displays a black and white image of a finger pressing the space bar on a type writer.]
    Caption Edition Hansjörg Mayer, from The Library Vaccine, Artists Space, 2014. Left: Hansjörg Mater, Typoaktionen / Typoactions, 1967. Frankfurt am Main: Typos Right: Georg Bense, Hansjörg Mayer, Freimut Wössner and Rainer Wössner, Der Fisch Fliegt Steil / The Fish Flies Steeply, 1962 16mm black and white film and magnetic sound transferred to digital video 9 minutes, 54 seconds
    Image description On a white table, to the left, sits a flutter book with a dot illustration increasing in density through the pages. To the right, a TV monitor displays a black and white image of a finger pressing the space bar on a type writer.
    Year 2014
    Related pages The Library Vaccine
  • A barrel, converted into a grill, sits horizontally on a wheeled cart. It is opened, with a silver metallic interior, in the center of the room. On the left, three long planks of glass lean onto the wall. To the right, photographs displayed in a pane of glass sit at eye-level on the wall.
    A barrel, converted into a grill, sits horizontally on a wheeled cart. It is opened, with a silver metallic interior, in the center of the room. On the left, three long planks of glass lean onto the wall. To the right, photographs displayed in a pane of glass sit at eye-level on the wall.
    Installation view, Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff, Artists Space, New York, 2018. Photo: Daniel Pérez [A barrel, converted into a grill, sits horizontally on a wheeled cart. It is opened, with a silver metallic interior, in the center of the room. On the left, three long planks of glass lean onto the wall. To the right, photographs displayed in a pane of glass sit at eye-level on the wall.]
    Caption Installation view, Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff, Artists Space, New York, 2018. Photo: Daniel Pérez
    Image description A barrel, converted into a grill, sits horizontally on a wheeled cart. It is opened, with a silver metallic interior, in the center of the room. On the left, three long planks of glass lean onto the wall. To the right, photographs displayed in a pane of glass sit at eye-level on the wall.
    Year 2018
    Related pages Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff
  • A Text titled
    A Text titled
    Joey De Jesus. Extract from NOCT: The Threshold of Madness, 2016. Ink on found book. Courtesy the artist [A Text titled "Before the Encounter" with a strikethrough on nearly every word - drawn over with abstract black symbols and shapes, circling some words]
    Caption Joey De Jesus. Extract from NOCT: The Threshold of Madness, 2016. Ink on found book. Courtesy the artist
    Image description A Text titled "Before the Encounter" with a strikethrough on nearly every word - drawn over with abstract black symbols and shapes, circling some words
    Year 2016
    Related pages Joey De Jesus, Dawn Lundy Martin, Morgan Ritter
  • A view of five vitrines, displaying various documents, arranged in columns in the middle of a room. On either wall, book cases used for display.
    A view of five vitrines, displaying various documents, arranged in columns in the middle of a room. On either wall, book cases used for display.
    Installation view from Documenting Cadere: 1972 - 1978, Artists Space, 2013. Photo: Daniel Pérez [A view of five vitrines, displaying various documents, arranged in columns in the middle of a room. On either wall, book cases used for display.]
    Caption Installation view from Documenting Cadere: 1972 - 1978, Artists Space, 2013. Photo: Daniel Pérez
    Image description A view of five vitrines, displaying various documents, arranged in columns in the middle of a room. On either wall, book cases used for display.
    Year 2013
    Related pages Documenting Cadere: 1972 - 1978
  • A brown paper bag, placed on a shelf at an angle, an illustration, in colored pencil, of a man wearing a ten-gallon hat, in which his strands of black hair stick out from the bottom. A graphic that reads,
    A brown paper bag, placed on a shelf at an angle, an illustration, in colored pencil, of a man wearing a ten-gallon hat, in which his strands of black hair stick out from the bottom. A graphic that reads,
    Unholding. Installation view, Artists Space, November 19, 2017 - January 21, 2018. Photo: Daniel Pérez. [A brown paper bag, placed on a shelf at an angle, an illustration, in colored pencil, of a man wearing a ten-gallon hat, in which his strands of black hair stick out from the bottom. A graphic that reads, "Pioneer," across his hat. In the background and the side of the bag are small detailed multicolored line patterns. A single cannabis leaf, facing sideways amongst the line pattern.]
    Caption Unholding. Installation view, Artists Space, November 19, 2017 - January 21, 2018. Photo: Daniel Pérez.
    Image description A brown paper bag, placed on a shelf at an angle, an illustration, in colored pencil, of a man wearing a ten-gallon hat, in which his strands of black hair stick out from the bottom. A graphic that reads, "Pioneer," across his hat. In the background and the side of the bag are small detailed multicolored line patterns. A single cannabis leaf, facing sideways amongst the line pattern.
    Year 2017
    Related pages Unholding
  • An exhibition flyer depicting a small fig tree in the background. Text lists the participating artists as well as dates for the opening event and gallery hours.
    An exhibition flyer depicting a small fig tree in the background. Text lists the participating artists as well as dates for the opening event and gallery hours.
    [An exhibition flyer depicting a small fig tree in the background. Text lists the participating artists as well as dates for the opening event and gallery hours.]
    Caption
    Image description An exhibition flyer depicting a small fig tree in the background. Text lists the participating artists as well as dates for the opening event and gallery hours.
    Year 2018
    Related pages Whitney Museum of American Art Independent Study Program Studio Exhibition
  • A dense graphic background of yellow circles and green dots on red ground is layered with text that reads
    A dense graphic background of yellow circles and green dots on red ground is layered with text that reads
    Juliana Huxtable, Train, 2018, Sound recording on compact disc housed in four-panel sleeve featuring original artwork, Recording: 14 min 17 seconds, sleeve: 5 x 10 inches, Signed and numbered. [A dense graphic background of yellow circles and green dots on red ground is layered with text that reads "close your eyes" in a variety of fonts and colors.]
    Caption Juliana Huxtable, Train, 2018, Sound recording on compact disc housed in four-panel sleeve featuring original artwork, Recording: 14 min 17 seconds, sleeve: 5 x 10 inches, Signed and numbered.
    Image description A dense graphic background of yellow circles and green dots on red ground is layered with text that reads "close your eyes" in a variety of fonts and colors.
    Year 2018
    Related pages Artists Space Annual Edition Portfolio 2018
  • A red background, half the Union Jack poisitoned behind sillhouette's of five men and a car, and text that reads,
    A red background, half the Union Jack poisitoned behind sillhouette's of five men and a car, and text that reads,
    Book cover for The Stagnant Society by Michael Shanks. Design by Richard Hollis. Published by Penguin Books, London, 1961. Courtesy Richard Hollis [A red background, half the Union Jack poisitoned behind sillhouette's of five men and a car, and text that reads, "The Stagnant Society, Michael Shanks."]
    Caption Book cover for The Stagnant Society by Michael Shanks. Design by Richard Hollis. Published by Penguin Books, London, 1961. Courtesy Richard Hollis
    Image description A red background, half the Union Jack poisitoned behind sillhouette's of five men and a car, and text that reads, "The Stagnant Society, Michael Shanks."
    Year 1961
    Related pages Richard Hollis
  • A mostly black-and-white image depicting the façades of two buildings - one is light grey with a turquoise fire escape, and the other is dark grey with a black fire escape. On the lighter building, the street-level storefront says
    A mostly black-and-white image depicting the façades of two buildings - one is light grey with a turquoise fire escape, and the other is dark grey with a black fire escape. On the lighter building, the street-level storefront says
    Shayla Aviles, Untitled, 2018 [A mostly black-and-white image depicting the façades of two buildings - one is light grey with a turquoise fire escape, and the other is dark grey with a black fire escape. On the lighter building, the street-level storefront says "Mazeish"]
    Caption Shayla Aviles, Untitled, 2018
    Image description A mostly black-and-white image depicting the façades of two buildings - one is light grey with a turquoise fire escape, and the other is dark grey with a black fire escape. On the lighter building, the street-level storefront says "Mazeish"
    Year 2018
    Related pages Scholastic Art and Writing Awards
  • Four framed drawings on a wall depicting chaotic, colorful scenes of crowds.
    Four framed drawings on a wall depicting chaotic, colorful scenes of crowds.
    [Four framed drawings on a wall depicting chaotic, colorful scenes of crowds.]
    Caption
    Image description Four framed drawings on a wall depicting chaotic, colorful scenes of crowds.
    Year 2013
    Related pages Peter Wächtler
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