A city-scape is positioned upside down, the point of the skyscraper reaching towards the bottom of the image. Googley eyes, eyebrows, and a mouth are drawn near the top of the building. Red serif font across the top of the image reads "The New Red Times Magazine." White serif font in the bottom left corner reads "TIRED OF LIVING ON STOLEN LAND?" Below, red serif font reads "GIVE IT BACK."
A circular print of a painting hangs on a lavender wall. The painting depicts two white women wearing dresses with crinoline hoop skirts that appear to be from the antebellum period before the US Civil War, surrounded by a pink mat and a gold frame. It hangs over a coffee maker and next to a vacuum cleaner and a wood armoire. Bed pillows, positioned in the foreground, are lightly reflected in the glass of the print’s frame.
[A flatscreen television hangs on a lavender wall. Playing on the television is a news desk in a tv studio that reads in pixelated text, "Retire Right Television." On the bottom of the tv screen is a blurry reflection of a white person who is gesticulating with their hands. Beneath the television, a bottle of hand sanitizer, an analog clock, a cable box, and a DVD player rest on a dresser, next to a white door showing its locks and handle.
Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
Image description
In an alleyway, five people with tennis rackets hit tennis balls towards suspended black and green signs that read "Social Muscle Rehab" in white paint.
Ei Arakawa with Gela Patashuri, NYC Plumbing & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak.
Image description
Installation view of white PVC pipe that is cut in half lengthwise. The pipe runs along a wall on the right and makes a sharp turn to drain into a black plastic bin on the floor.
Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak.
Image description
Looking into a gallery space through a window, on the right wall two shelves are filled with books. Further in the background a dark rectangle hangs on the wall. On the windowpane the words "Bortolami, Kaufmann Repetto, Andrew Kreps Gallery and 55 Walker" are visible in black and pink text.
Life Story Number 1. Installation view, Artists Space, 1979.
Image description
A row of images hangs on a white wall. The images are composed of simple shapes which are arranged to form scenes. The foremost image shows a house on a lawn.
Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
Image description
A person with a tennis racket wearing a white hat, shirt, and red and green shorts throws his hands up in gleeful celebration. In the background, a crowd behind a net watches intently.
Tree/plant, watercolor, marker and collage, 7th grade student at P.S. 140, 2021
Image description
Photograph of a pink and yellow abstract collage with drawings in black ink and pecil. The words "love," "tree," and "oak," are written in pencil in the top right corner.
Jordan Lord, Expressions, in collaboration with Annette Carter, 2021. HD video, 36 min, looped. Exhibition design, images and annotated descriptions, projection. Image courtesy Artists Space. Photo: Filip Wolak.
Image description
Installation view of a video work. A television monitor is attached to the wall, flanked by two speakers on narrow stands. In front of the monitor are two black chairs with silver metal legs. On the right, a row of columns extends into the background towards sunlit windows.
Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978.
Image description
A photograph of a room painted white with an open door. In the adjacent room, small metal circles, bars, and other pieces mounted on a white gallery wall can be seen.
Jordan Lord, Prophetic Memory (Live Replay), with Annette Carter and Deborah Lorde, 2021. 4K video, 90 min., looped. Image courtesy Artists Space. Photo: Filip Wolak.
Image description
A darkened room with a projected video, several chairs and a black sofa. Two colums are visible on the left.
“We want” Jamboard prompt for 8th grade students, 2021
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Six sticky notes with black text on a white background. From the top left corner: "We want our voices to be heard, our pleads to be answered, our rights to be fully secured." is written on a yellow sticky note; "we want to be free" is written on a yellow sticky note; "we want to make this earth better," is written on a pink sticky note; "We want the earth to be clean," is written on a yellow sticky note; "we want everyone to be treated the same," is written on a blue sticky note; and "We want to relax," is written on a green sticky note.
Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
Image description
Six people holding tennis rackets stand in an alleyway. Each of them has their right shoe off and rubs the sole of their foot on top of a tennis ball. Suspended in the background, the words "Socil Muscle Rehab" are painted in white on top of black and green signs.
Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak.
Image description
An installation view of a green and tan wooden dining corral with metal tables and wooden chairs.
Jordan Lord, Prophetic Memory (Live Replay), with Annette Carter and Deborah Lorde, 2021. 4K video, 90 min., looped. Photo: Filip Wolak.
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Head on view of a projected video. The screen shows three figures sitting and includes closed captioning that reads "[Mimi laughing] Bet you don't remember that, do you? / Do you know how that broke my heart?"
Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
Image description
A person with a tennis racket wearing a white hat, shirt, and red and green shorts throws his hands up in gleeful celebration. In the background, a crowd behind a net watches intently.
Art From the British Left. Installation view, Artists Space, 1979. Courtesy Artists Space.
Image description
A photograph of a room with a series of photographs and works on paper hung in two rows on the far wall. A window on the left and a window on the right side are visible.
Martin Cohen, All is Pretty Andy Warhol, 1979. Exhibition postcard. Courtesy Artists Space.
Image description
Black and white background image of children standing in a street, they are screaming. In the center "All is Pretty Andy Warhol" is witten in black script, below "Artists Space, 105 Hudson Street, November 27 - December 22" appears in black text.
Ei Arakawa with Gela Patashuri, NYC Plumbing & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak.
Image description
Installation view of white PVC pipes that are cut in half lengthwise. The pipes rest on nails against the wall and water trickles inside.
Naomi Osaka at the Miami Open at Hard Rock Stadium, March 31, 2021. Image courtesy UPI/Alamy Live News. Photo: Gary I. Rothstein
Image description
A tennis player sits next to a white bag with gold detailing and white tennis racket. A blue towel covers their face. On the right, "Social Muscle Rehab" is written in yellow lettering.
Pieter Holstein: The Waterfall. Postcard, Artists Space, 1979.
Image description
A man stands on top of a rock formation. Water from a nearby stream falls over the rock formation into a shallow pool. Text at the top of the image reads, "Pieter Holstein Presents: The Waterfall."
Ei Arakawa: Social Muscle Rehab. Installation view, Artists Space, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak.
Image description
Four wooden chairs around a red dining umbrella. Handwritten in black sharpie, the words "Social Muscle Rehab, Ei Arakawa with Gela Patashuri" appear on a white wall in the background.
Ei Arakawa with Gela Patashuri, Social Muscle Rehab. Installation view, Artists Space, 2021. Image courtesy Artists Space. Photo: Filip Wolak.
Image description
Installation view of a gallery space with a green and tan wooden dining corral with a metal barricade. In the background are four grey concrete columns. Between the gaps of the columns a net and two signs which read "Social" and "Rehab" are visible.
The Levitation of Anna: Michael Zwack. Contact sheet of installation views for William Leavitt: Installation and Drawings, The Levitation of Anna: Michael Zwack, and Ken Wade, Artists Space, 1979. Courtesy Artists Space.
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Contact sheet of installation images showing sculptures and other artworks in a 6 x 6 grid.
Serena Booth, On The Edge, digital photograph, 2021
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A photograph of a person standing at the corner of a rooftop looking towards the camera. They are surrounded by a light fog, which partially obscures the glow of purple lights and yellow windows of a building behind the figure.
James Coleman. Still from Seeing for Oneself, 1987-88. Slideshow (black and white), 40 min.
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A black and white film still of four people in period dress standing in from of an ornately carved fireplace. The people stand in two pairs, apparently engaged in conversation.
Art From the British Left. Installation view, Artists Space, 1979. Courtesy Artists Space.
Image description
A photograph of a room with photographs and works on paper on the walls. In the center of the room is a table with folders and binders and three chairs. A door marked with "205" is ajar on the left side of the photograph.]
Milford Graves, from Yara Scrapbook (compiled by Yuji Agematsu), c. 1989. Black and white photograph. Courtesy of the Estate of Milford Graves
Image description
Image of a photograph attached to a piece of paper. The photograph is of a seated person with a mustache, swifly waving their hands up at chest height. A mirror on the left reflects the figure of a standing person in white pants and a dark shirt.
Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
Image description
Six people standing in an alleyway with tennis rackets on either side of a metal barricade. The person closest to the camera with green shorts hits a ball. Suspended in the background, the words "Social Muscle Rehab" are painted in white text on top of black and green signs.
Krzysztof Wodiczko: Guidelines. Postcard, Artists Space, 1978.
Image description
A black-and-white photograph of a video installation with multiple projections running simultaneously on different parts of the walls. A chair and table are visible in the foreground.
Flyer for Segue Reading Series featuring Stacy Szymaszek and Charles Theonia. Saturday, October 16, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel
Image description
Over a light blue and white background, the word "Segue" is written in bright pink script in the top left corner. The names "Stacy Szymaszek" and "Charles Theonia" are written in black capitalized text on the left, and again in fuschia lettering on the right.
Ken Wade: Installation/New Work. Contact sheet of installation views for William Leavitt: Installation and Drawings, The Levitation of Anna: Michael Zwack, and Ken Wade, Artists Space, 1979.
Image description
Contact sheet of installation images showing sculptures and other artworks in a 6 x 6 grid.
Flyer for Segue Reading Series featuring Lyric Hunter and Adrian Shirk. Saturday, October 16, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel
Image description
White outlines of leaf and fern-like forms overlay a dark green background. The word "Segue" is written in bright pink script on the top left, and the names "Lyric Hunter" and "Adrian Shirk" are written below in white.
Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak.
Image description
An installation view of a green and tan wooden dining corral with a metal table and two wooden chairs. Halved PVC pipes are visible in the background.
Art From the British Left. Installation view, Artists Space, 1979. Artwork by Alexis Hunter. Courtesy Artists Space.
Image description
A photograph of a room hung with photographs and works on paper. In the center of the room is a table with folders and magazines and three chairs nearby.
Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, detail, 2021, Dimensions variable.
Image description
A sharp image of two halves of a pvc pipe placed in front of an out of focus background. Water flows across the pipes; behind the pipes is a steel column.
Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
Image description
Tennis players stand in an alleyway, ready to hit balls from an automatic ballfeeder. A crowd watches intently in the background. Suspended above them the words "Social Muscle Rehab" are painted in white capitalized text on black and green signs.
Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak.
Image description
An installation view of a green and tan wooden dining corral with a ramp, metal tables, and wooden chairs.
Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak.
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Six books on a white shelf against a white wall. From left, their authors are Saidiya Hartman, Augusto Boal, Fred Moten, Edward W. Said, Eric Williams, and James Baldwin.
Ei Arakawa. Social Muscle Rehab, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak.
Image description
View of a gallery space with four grey concrete columns. In the gaps between the columns, a net and three signs are visible. The signs read, "Social Muscle Rehab" in painted white text over green and black backgrounds.
Jordan Lord, Expressions, in collaboration with Annette Carter, 2021. HD video, 36 min, looped. Exhibition design, images and annotated descriptions, projection. Image courtesy Artists Space. Photo: Filip Wolak.
Image description
Installation view of a video work. A television monitor is attached to the wall, flanked by two speakers on narrow stands. In front of the monitor are two black chairs with silver metal legs. In the background, a dark doorframe and elevator are visible.
The Levitation of Anna: Michael Zwack. Installation view, Artists Space, 1979. Courtesy Artists Space.
Image description
A photograph of a hallway with a white piece of cloth hanging from the ceiling to the floor. Printed on the cloth is a figure dressed in black and bent at the waist holding a long stick.
Art From the British Left. Installation view, Artists Space, 1979. Courtesy Artists Space.
Image description
A photograph of a long corridor with a far wall with the words "SOME BRITISH ART FROM THE LEFT." Small works on paper are hung on the left side of the hallway.
Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
Image description
Five people holding tennis rackets running in a circle in an alleyway. A small crowd watches, standing against a brick wall with metal doors covered in graffiti on the right.
Ei Arakawa. Social Muscle Rehab, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak.
Image description
View of a gallery space. A black net hangs from the ceiling, extending from the center foreground into the background where a small television screen is visible. On the left, three signs are propped against the wall. In white text over green and black backgrounds the signs read "Social Muscle Rehab."
Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak.
Image description
Nine books next to a stack of papers on a sunlit windowsill. The leftmost book with a red spine reads "Critical Race Theory" in white capitalized text. In the background, the blurred front of a delivery truck is visible through the window.
DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
Image description
An orange water dispenser sits on a low metal stool in a gallery space. Encircling the top portion of the dispenser is a round glass table, with a wedge-shaped cut-out removed from its right side. A photo of a woman sits on top of the glass surface.
Flyer for Segue Reading Series featuring Geoffrey Olsen and Charles Bernstein. Saturday, November 20, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel
Image description
Horizontal image of man with round glasses peering down at the figure of a woman held in his hand. The woman has blond hair and wears a red dress. In the upper left corner, the word "Segue" is written in bright pink script. On the right side, the name "Geoffrey Olsen" is written in black capitalized text over as white background. Below, the name "Charles Bernstein" is written in white capitalized text over a black background.
Flyer for Segue Reading Series featuring Megan Milks and Sara Jane Stoner. Saturday, October 23, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel
Image description
The bust of a person is positioned in the top third of the image. Inside the outlines of their face there is an illustration of a Fiona Apple tape, and five pairs of pink lips. A drawing of a purple flashlight makes up the person's eye, shooting out black lightning bolts over a light green background. Below, the name "Megan Milks" is written in a dark pink and the name "Sara Jane Stoner" is written in black text. The word "Segue" is written in bright pink script on the top right corner.
Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
Image description
A group of eight people holding tennis rackets stand and crouch in an alleyway. On signs suspended above them, the words "Social Muscle Rehab" are painted in white capitalized text over black and green backgrounds.
Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
Image description
A group of eight people holding tennis rackets stand and crouch in an alleyway. On signs suspended above them, the words "Social Muscle Rehab" are painted in white capitalized text over black and green backgrounds.
John S. Gordon, The Mazola Quaternary, 1973. Mixed media light installation, 54 x 120 x 120 inches. At the San Francisco Art Institution. Courtesy Artists Space.
Image description
Black and white image of a studio light shining onto a set of four panels against a wall. Below, text reads "John S. Gordon, *The Mazola Quaternary*, 1973. Mixed media light installation, 54" x 120" x 120," at the San Francisco Art Institution.
Martin Cohen, All is Pretty Andy Warhol, 1979. Envelope. Courtesy Artists Space.
Image description
Photocopied envelope. In the center, "All is Pretty Andy Warhol" is written in black script, and below "Artists Space, 105 Hudson Street, November 27-December 22" appears in black text.
Bernard Tschumi: Architectural Manifestos. Postcard, Artists Space, 1978.
Image description
Three numbered boxes are lined up in a row against a solid black background. The box on the left is a black-and-white photograph of people standing in a line on a hill. The middle box and the rightmost box are line drawings in white.
Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak.
Image description
An installation view of the corner of a green and tan wooden dining corral. In the center a black plastic bin with black tubes and crumpled black fabric like material is visible.
7th and 8th grade students and staff at P.S. 140 participate in My Story, Our Story, 2020
Image description
Photograph of students and a teacher in a grey sweater stand in a classroom. They are smiling and holding the ends of white strips of paper which are woven into a tight knot in the center.
Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak.
Image description
A sharp image of two halves of a pvc pipe placed in front of an out of focus background. Water flows across the pipes; behind the pipes is a steel column.
Art From the British Left. Installation view, Artists Space, 1979. Courtesy Artists Space.
Image description
A photograph of a long corridor. The wall at the end of the hallway shows the words "SOME BRITISH ART FROM THE LEFT." There is an open door on the right, where a room hung with small artworks can be seen.
Two figures illuminated by a circular spotlight in an interior space. A mirror leans against the wall directly behind them. One figure stands in a brown suit, their hands behind their back. They are blindfolded. A second, mostly nude figure crouches directly below them.
The Levitation of Anna: Michael Zwack. Contact sheet of installation views for William Leavitt: Installation and Drawings, The Levitation of Anna: Michael Zwack, and Ken Wade, Artists Space, 1979. Courtesy Artists Space.
Image description
Contact sheet of stills depicting numerous installation views.
Zach Barcelona, Fake News, digital photograph, 2020
Image description
A photograph of a person with a black hoodie and silver chains sitting on a bench. Their face is hidden by a a swath of white. A band of black borders an image of brick which covers their feet.
Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak.
Image description
Installation image of a gallery space with a window looking out onto a street. On the left, a red pole with ladder rungs, a rectangular collaged artwork, and two shelves holding books and papers are visible.
Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak.
Image description
Image of a PVC pipe that has been cut in half lengthwise, nestled in the wall of a wooden dining corral. Water flows through the pipe towards the camera. On the right, a metal barricade can be seen.
Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak.
Image description
An installation view of a green and tan wooden dining corral with a ramp and a metal barricade.
Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
Image description
Six people with tennis rackets hit tennis balls against a graffitied metal door in an alleyway. Suspended behind them are a black net and signs that read "Social Muscle Rehab" in painted white
William Leavitt: Installation and Drawings. Contact sheet of installation views for William Leavitt: Installation and Drawings, The Levitation of Anna: Michael Zwack, and Ken Wade, Artists Space, 1979.
Image description
Contact sheet of installation images showing sculptures and other artworks in a 6 x 6 grid.
Artists unknown, from Super 8 Film Exposition. Artists Space, 1977.
Image description
A black and white photograph of a figure with long dark hair. Over the figure's face the words "she hides from questions and cameras" is written in large, black capitalized text.
Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak.
Image description
An installation view of a green and tan wooden dining corral with a ramp, metal tables and wooden chairs.
Art From the British Left. Installation view, Artists Space, 1979. Artwork by Margaret Harrison. Courtesy Artists Space.
Image description
Photograph of two white gallery walls. On one wall there are photographs, text, and the title "HOMEWORKERS: WOMAN'S WORK," while the far wall features a row of small works on paper.
Krzysztof Wodiczko: Guidelines. Installation View, Artists Space, 1978.
Image description
An image is projected onto a white wall. In the image, a figure's chin and upper chest are visible as they hold a round object in their hand, close to their chin.
Yara in the dojo, c. 1970s. Courtesy the Estate of Milford Graves.
Image description
A black-and-white photograph depicting three men equally distanced from one another. They hold their hands up to the ceiling with their palms out and stand near a floral printed wall.
Milford Graves with William Parker and Shahzad Ismaily. Performance documentation, October 15, 2017, The Artists Institute, New York. Image courtesy The Artists Institute.
Image description
Photograph of three musicians in a room with a red carpet. The figure on the left is playing an upright bass, the center figure is seated behind a drum set, and the figure on the left holds a guitar with their back turned to the camera.
William Leavitt: Installation and Drawings. Installation view, Artists Space, 1979.
Image description
A round table and two chairs sit in front of a tall curtain. To the right, a tree extends from the floor to the ceiling. In the background of the image is a sculpture of a man on a horse.
Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
Image description
A person in black athletic wear hits a tennis ball towards the camera in an alleyway. Behind them, the words "Artists Space" appear in white text on the windowpane of a black door.
Aki Onda, Milford Graves and Min Tanaka, 1985. Courtesy of Aki Onda.
Image description
Black and white photograph of a performance. In the foreground, a barefoot figure in a suit leans to their right side. A drummer is visible in the background.
Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
Image description
Tennis players stand in an alleyway, ready to hit balls from an automatic ballfeeder. A crowd watches intently in the background. Suspended above them the words "Social Muscle Rehab" are painted in white capitalized text on black and green signs.
Ei Arakawa, @naomiosaka, 11:24am, Aug 29, 2021, 2021. 24” x 48.” 6496 LEDs (WS2813, 100 LEDs/m, black) on hand-dyed fabric with grommets, T-300K controller, 2GB SD card with LedEdit 2014 files, 3× 5V 80A power supply with 22 AWG stranded wire. Image courtesy Artists Space, New York. Photo: Filip Wolak
Image description
An LED screen can be seen behind a set of black bars at the level of a sidewalk. The screen reads in multicolored text, "Recently, I've been asking myself."
Aki Onda, Milford Graves and Min Tanaka, 1985. Courtesy of Aki Onda.
Image description
Black and white photograph of a performance. In the foreground, a blurred barefoot person in a suit swiftly raises their arms and right leg, curving in a halfmoon shape. In the background a drummer sitting at a drumset is visible.
Selections from the Artists File. Installation view, Artists Space, 1989.
Image description
A photograph of three paintings hanging in a row on a white gallery wall. The closest to the camera, on the right, shows a ship at sea, the center shows a fountain, and the painting on the left is an abstract composition of black diagonal lines.
Screenshot of a digital meeting. Each user has their own box, either filled with an image of their face, or a colored circle with a white letter corresponding to the first letter of their first name.
Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
Image description
Six people with tennis rackets in an alleyway jump and swing to hit tennis balls towards the camera which is behind a black net. A crowd behind the tennis players watches attentively.
Art From the British Left. Installation view, Artists Space, 1979. Courtesy Artists Space.
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On a white background black print reads "IF THERE'S NO DANCING AT THE REVOLUTION, I'M NOT COMING -Emma Goldman" above handwriting reading "So, who said you're invited?" and "You mean 'WAVE' distortion in that case, no FEAT required. Mr Mü."
Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak.
Image description
Eight books on a white shelf against a white wall. Five of the books are authored by Marcel Proust, two by William Shakespeare, and one by Samuel R. Delany.
Jordan Lord, Expressions, in collaboration with Annette Carter, 2021. HD video, 36 min, looped. Exhibition design, images and annotated descriptions, projection. Image courtesy Artists Space. Photo: Filip Wolak.
Image description
Installation view of a video work. A television monitor is attached to the wall, flanked by two speakers on narrow stands. In front of the monitor are two black chairs with silver metal legs.
Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
Image description
A person in black athletic wear hits a tennis ball towards the camera in an alleyway. Behind them, the words "Artists Space" appear in white text on the windowpane of a black door.
Ei Arakawa with Gela Patashuri, NYC Plumbing & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak.
Image description
Installation view of white PVC pipe that is cut in half lengthwise. The pipe runs along a wall in the background and makes a sharp turn to drain into a black plastic bin on the floor.
Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
Image description
Two people carry a white table out of a door and into an alleyway. Behind them several others cheer, one with a megaphone. Suspended in the background are a black net and black and green signs that read "Social Muscle Rehab" in white painted text.
Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak.
Image description
An installation view of a green and tan wooden dining corral with a ramp and two metal barricades.
Ei Arakawa with Gela Patashuri, Social Muscle Rehab. Installation view, Artists Space, 2021. Image courtesy Artists Space. Photo: Filip Wolak.
Image description
Installation view of a gallery space with a green and tan wooden dining corral with a metal table and wooden chairs. In the background on the left are grey concrete columns. Between the gaps of the columns, a net and a sign that reads "Social" are visible.
Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak.
Image description
An installation view of a green and tan wooden dining corral with a ramp. A chair and column are visible in the background.
Flyer for Segue Reading Series featuring Edmund White and Max Steele. Saturday, October 2, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel
Image description
The head of person with blonde hair is pictured lying horizontally. Their eyes are closed and a lit cigarette protrudes between their red lips. The word "Segue" is written vertically and in bright pink script on the left. In the center, the name "Edmund White" is written in lower case black letters, and the name "Max Steele" is written in white lowercase letters.
Ei Arakawa, @naomiosaka, 11:24am, Aug 29, 2021, 2021. 24” x 48.” 6496 LEDs (WS2813, 100 LEDs/m, black) on hand-dyed fabric with grommets, T-300K controller, 2GB SD card with LedEdit 2014 files, 3× 5V 80A power supply with 22 AWG stranded wire. Image courtesy Artists Space, New York. Photo: Filip Wolak
Image description
An LED screen is visible behind a set of black bars at the level of a sidewalk. The screen reads in multicolored text "procrastinate on something? Champion."
Ei Arakawa. Social Muscle Rehab (early edit for exhibition), 2021. 5:19 minutes. With Dan Chen, Danielle A. Jackson, K.O. Nnamdie, Masako Shiba, Kenneth Teng, Ivanny Pagan, Britnie Williams. Camera by Lazar Bozic (Ortvi.com). Image courtesy Artists Space, New York. Photo: Filip Wolak
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View of a florbound television screen and speaker next to a brown pole. The edge of a black net is visible on the left.
Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak.
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A set of white metal shelves against a white wall. The top shelf hold seven books and the bottom shelf holds seven books and stapled pamphlets in a clear stand.
Ei Arakawa, RIOT THE 8 BARS, nGbK, Berlin, 2007, Photo: Christin Lahr
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A group of people dressed in black standing in the street with their hands up. Behind them, green and white fabrics on top of blue poles create a tent-like structure. The word "Riot" appears on one of the poles, written in white text over a black background.
Art From the British Left. Installation view, Artists Space, 1979. Artwork by Marie Yates. Courtesy Artists Space.
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A photograph of a room with works on paper hung on one wall and photographs on the other wall. In the center of the room is a table, strewn with papers, with three chairs.
Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak.
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Installation view of a gallery space with sunlit windows. On the right, a row of colums extends into the background. A wooden bench is pushed against the wall on the left under a windowsill with several books.
Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak.
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A set of white metal shelves against a white wall, each shelf holds eight books. From left, the authors of the books on the bottom shelf are: Pamela M. Lee, Frank O'Hara, David Prutchi, Georgia Kleege, Rosalind Deutsche, Judith Lewis Herman, Marina Vishmidt, and Avery Gordon.
Art From the British Left. Installation view, Artists Space, 1979. Artwork by Alexis Hunter. Courtesy Artists Space.
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A photograph of a room with photographs and works on paper hung on the walls. In the center of the room is a table with folders and magazines and three chairs nearby.
Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
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Six people with tennis rackets in an alleyway jump and swing to hit tennis balls towards the camera which is behind a black net. A crowd behind the tennis players watches attentively.
Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
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A large photo decal runs along the entire length of a long, horizontal wall in a light-filled gallery space with wooden floors. The photo decal depicts a to-scale, warmly-lit domestic space. A wooden chest of drawers, radiators, various shelves, and a low bed covered in a quilt fill the space. A dart board hangs on the wall, along with various paintings.
Carmen Armengual, Before my, your her, his, our, your, their faces Delante de mis, tus, sus, nuestros, vuestros, sus rostros (work in progress), 2022. Digital video, sound, text, 13:40 minutes. Photo: Steven Cottingham.
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An image of a video work with three vertical wall-mounted monitors, each with differently shaped kettles on them.
We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
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A large decorative panel painting with sculptural elements hangs on the back wall adjacent to photographic images on the wall. In between two columns are two glass covered cases.
Living with Pop. A Reproduction of Capitalist Realism. Installation view, Artists Space, 2014.
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Three large prints rest on the floor against a windowed wall. Two on the left are black and white, of an interior room. On the right is a colorful illustration of two women.
Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
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A dimly lit, empty room filled with several low chairs. A projection illuminates a dark wall opposite the chairs. The projection displays an image of a figure, their index finger blotted purple, inserting a document written in Arabic into a machine.
Alex Slade, Ministry of Agriculture, Manaus Brasil, 1999. C-print, 60 x 38 inches. Courtesy the artist.
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Photographic print of an urban skyline on a sunny day. A small skyscraper juts out from a cluster of lower buildings at the image's center. Text emblazoned across the facade of a low, white building in front of the skyscraper reads, "TROPICAL" and "MERCADÃO DE BEBÊ." Cars drive along a four lane road to the left of the skyscraper.